#you can argue that literally any one of them is a terrible person

[stardust-falling]

Every SVSSS character is problematic except for Gongyi Xiao. That’s why he had to die.

[fanstuffrantings]

A few things about Astarion that I need people to think about outside of him simply being flirty and attractive (since people keep reducing him to his sex scenes):

His route has a heavy focus on emotional intimacy and consent. You can sleep with him sure, but if in-between acts 2 and 3 you learn nothing about him and pressure him into having sex with you then you're not understanding his character and he'll only see you as someone who wants his body.

Ascended astarion is his bad/dark ending. I know people love it when he's powerful and ascended/durge is a relationship people love and I'm not here to say that's wrong or that you're a terrible person for doing it. But stop arguing that it's his happy ending, or that he's better for it when he literally loses himself and in a nonascended version he'll say he could feel himself changing in ways he didn't like. He becomes another cazador. He only truly expresses himself and feels release if he kills Cazador and doesn't ascend.

Unless you do the drow twin scene prior to beating Cazador you're not forcing him into anything. He gives approval for going through with it. Do I think he regrets it after because he realizes he was biting off too much too early? Yes. But it's literally him learning his boundaries and understanding what he is and isn't comfortable with. He's only just starting to be able to fully choose what he wants, sometimes you make mistakes. It's part of the process.

Astarion died young before he fully matured as an elf, but he wasn't a child. He was a magistrate in the city, he had a fully functioning brain. But just because he was an adult by human standards when he died doesn't make it any less heartbreaking. People dying in their 30s is still tragically young. And even more so for an elf.

(This one doesn't come up as often) he doesn't hate Gale, he is very much flirting with and attracted to Gale at in act 1 if you bring them around. In fact Shadowheart and Wyll are the only ones he has dislike for at any point and as the story goes he warms up to everyone. All the companions care for each other and it's one of the best found families in video games.

There are several companions I feel large portions of the fandom just misunderstand/don't fully read into and it's tiring because the devs made each one so layered and interesting. I just feel like since Astarion is essentially the face of the game now, he's the one who constantly gets boiled down to his most surface level qualities with little regard for his story as a whole.

[ultrasharpy12345stuff]

SUCCESS STORY (manifesting)

OMFG you guys! I did it! I made it to my desired reality! I'm living my desired life!

All I did was decide it's done. More specifically, I just did Angel's fulfillment challenge (which you don't have to do). Everyday I just decided to live like I was in my desired reality right now as often as I could and whenever I wanted to.

If I vented, I vented. If I ranted I ranted. If I sabotaged my manifestation I just decided it wouldn't matter and that nothing would ruin my manifestation and everything was ok and fine.

And this is totally optional but I affirmed sometimes. I just did to remind myself that it was done.

My affirmations were:

-I'm living my desired life

-Nothing can ruin my manifestation

-I'm in my desired reality

-I'm in my desired reality in my penthouse in Tokyo

-I have all my desires

-The 3D conforms instantly

And it worked! And now I'm happy! I woke up today IN my penthouse in Tokyo! The view of the city is amazing. I checked my bank account and it turns out I'm super rich! Like I literally have BILLIONS of dollars. And it's like I always get millions of dollars out of nowhere! So it's like I get paid just to exist!

Also life in this reality is soooooooo different than on Earth. Like the people in the city are nice... but they aren't just humans beings. I'm seeing Japanese monsters walking around wearing uggs! I can also see Godzilla walking around in a place in the city it's so cool! (don't worry, they made a place in the city specifically for her)

I can also enter the void anytime I fall asleep. Like everytime I go to sleep I wake up IN the void state completely aware. I know this because I just decided I would go to sleep and I did! (one of the things I also manifested, to fall asleep instantly)

And guess what? I also revised my ENTIRE life. Like all the shitty, terrible things that happened to me and all the awful things I've done are GONE! They never happened. All the arguments I had with people on Youtube are gone, they never happened. I never met those people. All the people who I argued with on Discord, well I never argued with them. All the problems with my family are gone.

I also have new memories of me being in Highschool. It went great! I made some friends, they never got angry at me, I got to play my videogames, and I never had to deal with any kind of stress. And I also have my college degree even though I never went to college.

Also let me show you what I look like:

This body:

This is my hairstyle (except it's white colored):

This is my face (trigger warning: AI art, also dw I'm black):

And I'm like popular on Twitter. I'm as popular as @rariatoo. People follow my art and they love drawing my OCs and characters, it's so much fun. Plus I have a patreon and a redbubble. I get to make my OCs as plushies and stickers and ship them off.

And the best part is that there's no wars! No covid, no genocide in the Congo or Palestine, no racism, no problems. And there never will be, everything is fine! Its literally a Utopia.

Summary of what I manifested:

-Desired life & reality

-Freezing Time

-Revising entire life

-Different family (same soul but different looks (slightly) and better personality)

-Entering the void whenever I fall asleep and at will

-A butler friend who I can summon and make disappear at will (he's super nice and never have any problems, perfect personality, kinda shy, and we just had some woopie 🥵🤪)

-Magic (I can do LOTS of crazy stuff)

-Being able to shift realities at will

-Visiting my family through a magic door (my family lives in what I call, "Reality # 3 and I can visit them anytime I want)

-Spawning groceries and food whenever I want (I still go out, dw)

-Friends on discord and some IRL

-Money money monayyyyyyyyyyy

-Perfect health and mental health, no problems with my body

-Never getting yelled at ever again or abused/nobody gets abused/abuse doesn't exist. Yellers don't exist.

& a lot of other personal things

You guys got this! You can get your dream life! Go for it! *I didn't get my dream life yet, that's why the title reads:

"SUCCESS STORY (𝗺𝗮𝗻𝗶𝗳𝗲𝘀𝘁𝗶𝗻𝗴)" When you put "manifesting in the title it means you haven't gotten your desires yet but you're doing it to help you live in the end. SO please don't be angry or offended.*

[riordanness]

fictional — [p.jackson]

2.1K wordcount

warnings: none

requested: no

‘i put myself in another world, where i can be any other girl, cause i don’t really wanna face it. cause if it isn’t real you can pretend all you want…’

I sigh as the lyrics of ‘Fictional’ by Khloe Rose filter through my headphones. My head leans against the cool glass window of the bus, bumping my forehead every time the driver goes over a pothole.

Hey, call me crazy, but this is probably the most relatable song in existence. At least to me. Falling in love with boys from books and movies was basically my job at this point.

I had one, though, that meant more than all my other ‘fictional boyfriends’.

Percy Jackson.

I’d grown up with this character, laughed with him, cried with him, held fast and braved the storm with him. I’d adopted his personality, tried to be like his girlfriend, acted as if we were best friends, talked to him, dreamt about him, read and written fanfiction about him, anything you can think of. I am obsessed, and no, I’m not ashamed of that fact.

I’m five years running with this crush now, and it’s not going anytime soon. I let out another sigh as I realise, yet again, that this is impossible. He’s fictional, as much as it hurts to admit. He isn’t real, and I can’t live my whole life pretending to date and marry a fictional character. Life just doesn’t work like that. Sadly.

The bus pulls up at school, and I climb off, slipping my headphones into my pocket. I’ll probably get them back out during a boring lecture in one of my classes, but for now I’ll just keep the daydreaming at a minimum.

“Hey, girl.” Andie sidles up to me, nudging me with her shoulder. “What’s kicking?”

“Nothing,” I deadpan. “Unless you’re a goat, like Grover Underwood.”

Andie laughs, my sarcastic comment going right over her head. I love her to death, seriously, but the girl hasn’t got an ounce of sarcasm in her. She’s the most literal and honest person ever, but she’s also super sweet and sincere. So, sarcasm isn’t even a word she knows.

“I’m not a goat, silly,” she giggles. “But guess what?!”

“Yeah?” I am actually kind of interested. Andie usually has all the gossip (somehow), so her news tends to be pretty good.

“There’s a new guy in our class today,” she squeals. “Apparently he just moved here from New York.”

“New York is where Percy Jackson lives,” I say automatically. “I wanna visit there someday so bad.”

Andie rolls her pretty eyes. She likes Percy Jackson. I made her read the books, and she did, but just so that she knows what I’m talking about most of the time. “You and your fictional boys, I swear. This is a real boy, y/n! You need to get your head out of a book for once if you ever wanna meet somebody.”

I shrug. “Real boys suck though.”

And even Andie can’t argue with that.

I’m doodling in my notebook, half listening to Mr Mintar explain something about geometry. I’m not terrible at maths, so I figure I’ll just catch up if I need to. My brain doesn’t want to pay attention today.

I perk up, though, when I hear something new.

“Students,” Mrs May, our principal, announces. “We have a new student joining us today. Please be kind to Mr Jackson and show him around. Remember, you were once a new student yourself.”

Jackson? Like Percy Jackson? How cool is that, I thought to myself. I yank my headphones out of my ears and glance up.

A boy is talking quietly with Mr Mintar; who is probably explaining what we’re learning and where he’ll sit. We have assigned seats in basically every class, because a few boys in our grade are idiots, so I sit alone in every class. Apparently, other students are very likely to copy my work if they’re sitting with me, so the teachers decided to make me sit alone all the time. It’s kind of okay, though. Means I can do whatever I want with no one to tell on me for listening to music.

I watch as Mr Mintar talks with his hands, waving them a lot. The boy has his back to me. He has messy black hair, and he’s wearing jeans, converse and a blue hoodie.

Mr Mintar gestures at me, and I sit up straight. The boy glances quickly, nods at Mr Mintar, and I realise what’s happening. He’s being assigned to sit with me, which probably means I'll also be assigned his personal ‘welcome-to-our-school’ guide. Which means I’ll be forced to be this guy’s friend for the next few weeks. Yay.

The boy turns to face me, and I swear my heart literally skipped a beat. Now, this wasn’t like those dumb fanfics where a girl’s celebrity crush just so happens to turn up at her school for some stupid reason, and they fall in love blah blah blah.

This was an honest-to-goodness ‘what the hell is happening’ moment. The boy now walking towards me looks exactly how I’ve always pictured Percy Jackson in my mind. The same crazily messy black hair, loose and slightly curled at the edges, twisting around his ears and falling in his eyes a little bit. He has the same smattering of freckles on his nose, the same tan skin, troublemaker grin, the same glint of determination in his eyes.

And gosh, I’d know those sea-green eyes anywhere.

The boy slides into the seat beside me. “Hi,” he says softly. “You’re y/n?”

I can’t do anything but nod, and I try to not stare at him too hard.

“You’re supposed to be my guide, or something, I think.” The boy sounds apologetic, like he knows how annoying being forced to be a school guide is. “And I’m supposed to sit with you in all my classes.”

I nod again, a little dazed. Even his voice is Percy Jackson-coded. A slight rasp, a little accented, ugh.

I find my voice. “That’s cool. I’d be happy to show you around and get you into the groove of things here at East High.”

The boy smiles, and he has little crinkles at the side of his pretty eyes, as if he smiles a whole lot.

“Awesome. I’m Percy by the way.”

I blink at him, absolutely sure he’s pulling my leg somehow. “What do you mean?” I ask.

Percy frowns. “Like… my name? The thing that people call me? It’s Percy. Percy Jackson.”

I just stare at him.

“Did I do something wrong?” he asks.

“Your name is Percy Jackson?”

“Yeah?”

“Like the book character,” I add, surprising myself with the calm in my voice. Inside my head, though, I was screaming.

Percy’s brow furrows. “A book character? I dunno. Never heard of a book character called Percy, but there probably is. I don’t read that much. Dyslexia.”

I nod slowly. “Of course.”

Percy frowns again, then chuckles a little. “You’re weird. I like you.”

My tongue feels like someone’s deep fried it in the microwave. I try to swallow, and it’s nearly impossible. “So you’re not messing with me right now? You’re really called Percy Jackson, and you have dyslexia and probably ADHD, and sea-green eyes, and your hair isn’t dyed, and…”

Percy laughs again. “Yes, yes, yes, yes, and yes. What’s this about?”

I shake my head. “You wouldn’t understand if I told you.”

Percy raises his eyebrow. “Try me.”

It’s been a week since Percy’s arrival, and I’m still about 89% sure I’m dreaming. Not that I usually dream like this, but still.

I’ve spent basically all my school hours with Percy, as well as half my bus rides home, as his mum lives nearby to us.

The longer I know him, the more I’m sure that he’s real, that he’s actually here, and that he’s really, truly, Perseus Jackson, the not-so-fictional boy I’ve been in love with forever.

The weirdest thing, though, is the night after he arrived, I got home and all my Percy Jackson books and merch were gone. Mysteriously vanished. Even Andie doesn’t know what I’m talking about when I bring up PJO.

It’s like that movie, Yesterday, where everyone forgets about the Beatles. It’s like that, but with Percy Jackson. Oh, and obviously I have a real Percy to replace it; whereas Jack in that movie didn’t really have that.

Anyway, it’s crazy, it’s probably a hallucination, and it’s absolutely incredible. I’m spending every single day with my absolute favourite person in the universe, and he’s real.

The boy I’ve cried over, laughed over, loved for years… He’s here. He’s real. And he’s my friend.

“Marshmallows are not designed to be eaten alone,” I argue, pouting a french fry at Percy. “They aren’t even that nice anyway, but especially not when you eat them dry. All the powder, like, clogs up your throat and it’s disgusting. If you eat them on their own, you’re crazy.”

Percy laughs. “I hate them in my hot chocolates. They get all gooey and mushy, and… ugh.” He makes a face.

I roll my eyes. “You’re insane.”

Percy shrugs. “At least I don’t hate rice.”

“Hey!” I protest. “I have sensory issues! It’s not my fault the feeling of rice in my mouth makes me feel sick.”

“Hey, I know,” Percy says. “I was just kidding. I’m sorry.”

I relax. “It’s okay.”

I stare at him a moment, realising once again that this is really happening to me. That his pretty sea-green eyes are actually looking at me.

“What are you thinking about, love?”

“Huh?” I snap out of my trance, sitting up straighter. “What did you say?”

Percy smirks. “Whatcha thinkin’ about?”

To be honest, I barely remember. “Uh—nothing. Trying to think of what to do this afternoon after school.”

“You don’t have plans?” he asks.

I shake my head, and sip my chocolate milk. It tastes terrible.

“You’re going on a date with me, dummy,” Percy says, so casually I almost miss it. He leans his head back and throws a grape in the air, catching it in his mouth. It’s surprisingly attractive.

“Wait,” I say. “What?”

“You.” Percy points his finger at me, then himself. “Me.” He makes a swirling motion with his finger. “That new waterpark by the beach.”

I raise an eyebrow. “You’re asking me to go on a date with you?”

“You aren’t saying no.”

“No,” I reply, my voice soft, “I’m not.”

“Wow,” I say. “That’s an epic waterpark.”

Percy grins down at me, his eyes looking extra pretty in the afternoon sunlight. “You wanna race to the gate?”

I pretend to think about it for a second, then begin sprinting as fast as I can. I hear Percy gasp in laughter, then start after me. He catches me easily, his legs much longer than mine, but as he does, he scoops me up into a hug.

“Hey!” I shriek. “Put me down!”

I can tell he isn’t taking me seriously though, because we’re both laughing too hard. Percy eventually drops me gently on the ground. I can’t help but suddenly miss the feeling of his bare chest against me. I blink, and instantly shake those thoughts away.

“Buy me an ice cream and I’ll let you win all our races from now on,” I tease.

Percy scoffs. “Darlin’, you couldn’t win if you had a jetpack on.”

I try to ignore the flutter in my chest and roll my eyes. “Could so, and I don’t need any old jetpack.” I flex my nonexistent muscles. “You see these? I’m perfectly fine on my own, thank you.”

“Oh, oh yeah of course. Sorry, your majesty.” Percy has a stupid grin on his face, and I have an urge to kiss him right then and there.

And so I do. I grab hold of his shoulders, pull myself up onto tiptoe, and press my mouth to his. “I love you, Seaweed Brain,” I whisper into his lips.

Percy wraps his arms around my waist, causing the flutter to return, more greatly this time. He deepens the kiss, his head tilting downwards to accommodate my shorter height. His lips taste of the jellybeans we were eating earlier together. He had insisted on eating only the blue ones, of course.

The world around me blurs, and fades, and I’m left with only him, only Percy Jackson. His fingers on my waist, his mouth on mine, my heart in his hands. I am completely and totally his, as I’ve been forever, but now? He’s completely and totally mine too. My not-so-fictional boy.

[vickyvicarious]

"For your mother's sake."

It hits so hard, on multiple levels. First, what this might mean for her. It's her final effort, the most impactful thing she says after religion, superstition, outright pleading on her knees and crying all fail. She knows that she can't stop him from going, but at the very least she will try her best to protect him as much as she can. She places the crucifix around his neck herself, doesn't just hand it to him.

Did she lose a child to Dracula in the past? Is she seeing echoes of her own son in Jonathan's face? Or perhaps there have been brave young men who tried to fight back against him, who deliberately went to the castle and never returned. Maybe Jonathan is the first person she's met who is actually trying to go there, and while she knows it can only end in his death, the idea of letting anyone go willingly to that evil place is more than she can bear. She's giving up a piece of her own protection. The Count has been sending letters to her husband; he was the one who suggested Jonathan stay here. He knows of her. If she shows any resistance it could mean greater danger for herself, and giving Jonathan her crucifix means losing a powerful totem of self-protection. If he actually listened to her warning, she can probably expect a terrible fate of her own; maybe even just giving him the crucifix alone would be enough to ensure that. But again, whether he reminds her of her own lost son or just because he doesn't know what he's getting himself into, she can't bear to do nothing. She places herself in the role of his mother here. "For my sake," she's saying, "let me do what little I can to save you. Please."

Jonathan is an orphan. We don't know the circumstances of his childhood, but it's possible that he never even knew his mother. (It's my headcanon.) Even if he did, she has been gone for a long time now. And yet these are the words he can't argue with in the end. He was already taking her seriously, and trying to treat her with respect. Her warnings were obviously distressing to him, but there's no way he can actually turn back now. His livelihood depends on this trip, he has no actual evidence to justify leaving, and he also wants so badly to live up to Mr. Hawkins' trust in him. He is already "thinking of his father" (or the closest he has) when he says he has to go to the castle. And yet, the care and fear and love this woman is showing for him hits so hard. I wonder if he is thinking of his actual mother when he accepts the crucifix. Whether the concept of her or an actual memory... Or maybe he too is placing her in the role of his mother here. Maybe, in keeping the crucifix (and not just with him, but around his neck where she placed it, even as he rides away) he is saying yes to that implicit request as well. "I'll let you care for me. I'll accept it gratefully." It's the first motherly care he has probably felt in many long years.

In this book, children are placed in terrible danger again and again, and most of the time they can't be saved. Parents and parental figures are equally doomed, leaving our heroes all orphaned in a sense, unable to rely on any greater source of wisdom or comfort. They have to take things into their own hands and deal with the problem alone, despite still being caught up in grief for what they've lost - a kind of coming of age in that sense. There's even a literal version of this happening with both Arthur and Jonathan (and Mina) specifically, when their father figures die and leave them with sudden new responsibilities. And of course, the inheritances from these father figures help in distinct and immensely useful ways, even as they remain absent from the story throughout. They haunt the margins at best until death steals them away completely, and their illnesses tend to serve to divide our heroes from one another when they needed to be united sooner. I personally don't count van Helsing as a father figure really, but if you do then he is the only one who manages to be around and be directly helpful (and even then, he's unable to save Lucy), even though all the fathers we hear from are loved and loving. But we do actually meet a few mothers, and they are usually unable to alter the story despite being more present. Their efforts to save their children are misdirected and only bring about their own death as well, in the end. Lucy's mother seems to mean well but everything she does directly makes everything harder; the mother at the castle later tries to avenge her child possibly against the wrong person, and in any case is unable to succeed. But here, the innkeeper's wife with her crucifix manages what no other mother does. Even though she assumes this to be another wasted effort (in fact, she can't bear to remain in the room with him afterwards; re: Dracula did such a good job with the hopelessness in her voice when she says the 'mother's sake' line), her assistance helps Jonathan to survive. His 'inheritance' from this momentary mother-figure isn't just the physical crucifix, though that is useful (and also the only inheritance a mother leaves for a child throughout the book, even when it would be expected and easy and make complete sense to do so, ahem). It's also the first and the most knowledgeable and the most effective aid given to a 'child' throughout the entire book.

[cryptomiracle]

more creepypasta headcanons

(+ marble hornets)

WARNINGS:

Ooc? Idk

I started this at 2 am and you can tell

Cursing

I write on my phone so the format may be a little weird

Any brands, games, or characters mentioned in this do NOT belong to me, nor am I sponsored by them in any way.

This is very unserious, I've noticed that a lot of my other hcs usually take a "dark" turn and so I decided to make some that didn't.

You could even say they're a bit... silly.

You should totally check out my masterlist for more hcs (it's pinned)

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Characters: masky, hoodie, ticci toby, jeff the killer, and BEN DROWNED.

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Jeff:

he's extremely hard headed, he WILL argue/fight with someone over the dumbest things and he'll never stop arguing, even if he knows the other person is right.

He has an "emo accent"

He likes to start drama between people, and then leave the crime scene.

He is so ashy you could strike a match off of his elbow

He's been wearing the same beat up converse since 2012, them things are being held together by duct tape and a prayer.

His favorite animal is a raccoon, he says they're sneaky and nocturnal like him.

He refuses to get a new phone, he won't even steal one.

He curses all the time just cause he can, sometimes he'll even jumble random curse words together.

BEN:

He listens to vocaloid and he doesn't play about miku

He runs one of those "rage bait" accounts that are painfully obviously bait

Still quotes old memes and refuses to let them die

Example: yeet, t-posing, and "sanic the hedgehog"

He scams old people on Facebook and e-daters, he doesn't feel bad about it either.

He uses the money he gets from scamming to buy v-bucks and overwatch coins

He once doxxed someone for dissing miku

slender had to take away his mic privileges because he was keeping everyone up at night by yelling bloody murder at people on fortnite/overwatch

once showed up at someones house because they emoted on him after killing him in game

Toby:

He vapes, and thinks he's so cool cause he can do "vape tricks" and he makes people watch him while he does them

Someone once gave him apple cider, told him it was alcohol, and he pretended to be drunk.

His phone gallery is filled with random photos, like there'll be a low quality picture of a tree and then right beside it a picture of a ceiling. Just random stuff

Mint chocolate chip ice cream enjoyer

He's really flexible, although he has bad posture he can do back bends, the splits, etc

more on his terrible posture; when he sits he literally looks like this: ) )

When he first started working for slenderman, he REFUSED to live in the manor and lived outside. While he lived outside he became friends with a lot of the wildlife, slender eventually made him move into the manor because there was a rumor that toby was going to make a "possum army" and try to overthrow slender

He will fight anyone and anything he really doesn't care about his, or their well-being.

Had a "weeb" phase when he was in middle school and he still has nightmares about "naruto running" away from his bullies.

Hoodie:

He can make a killer sandwich (lol) he's not the best at cooking other things, but if you get him to make you a sandwich, he'll bless your taste buds.

He loves karaoke, he can't sing for shit but he still does it anyway

He acts like a millennial (I'm sorry) not to the point where it's completely unbearable, but he will send people "relatable memes" every now and then

He enjoys online arguments, he'll never participate but he will scroll through different threads of people arguing for hours on end

He likes for people to say stuff like "GO WHITE BOY GO" to him

He blushes when he lies, he's a scarily good liar but if you ever want to catch him in a lie, point out the fact that his cheeks are red.

Whenever he has a drink with a straw, he holds the straw in-between his tooth gap.

he sends streaks.

Masky:

He has a NASTYYY side eye, and sometimes he'll scrunch up his nose while side eyeing someone just to make it sting even more

Contemplated getting a mullet once, he never went through with it though.

He coughs like someone's grandfather who smoked three packs of cigarettes a day for 40 years

If someone says a word that reminds him lf a song he likes, it'll automatically get stuck in his head and he'll hum it all day after that.

he isn't weak when it comes to stinky smells, but if it's stinky enough to make him gag he's extremely overdramatic.

he learned how to sew because of how much he ripped his jeans, shirts, etc.

Sleeps so hard sometimes people think he's dead, he'll just be laying there looking casket ready but everyone is too scared to check on him cause he gets super grumpy when woken up.

he always keeps a little money hidden somewhere, even if it's just a 5 dollar bill.

he's superstitious, if he sees you attempt to walk under a ladder he will physically drag you back and make you walk around it.

he has a pair of brass knuckles which he only saves for "special occasions" they're his favorite things ever, he even named them.

he only uses his phone to call, text, or search something up, and that's it.

he doesn't even have YouTube installed.

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I will be reading over this to check for any errors, ty for reading - M

[sergle]

I really truly, from the bottom of my heart, hate you bitches so much, because on the tiktok of literally COCK AND BALL jokes w brittany broski, there were a few notes/messages like this:

And I KNOW you don't think anyone's going to check. You had someone go into your askbox and say "hiii brittany broski is shitty about palestine she's really ignorant :/" and you went oh omg I didn't know!! thanks for telling me! So I checked! This is in reference to her talking in her podcast, because people were asking why she hadn't done any big press statements about Palestine, you didn't retweet this or that, you must not care, don't you care, what's your stance, etc etc please say more OKAY COOL. So what's going on there? What did Brittany say on her podcast? Is she a Bad Person? Can I have some transcript, please? ____ "Hey guys, before we get into this week's episode, I want to talk to you about the ongoing and prolonged suffering and loss of life in Gaza, in Israel, and the oppression of Palestinian people widespread. I don't ever want it to be a question that I would ever not be against the oppression of any group of people, that I would ever stand on the side of the oppressor." "There was a lot of fear of misusing my platform." ... "I will admit that I was nervous to talk about it, because I don't want to say the wrong thing. And this is too fucking serious of an issue to misspeak, or to spread misinformation, or to speak over or for someone." ... "So I want to take a moment on my biggest platform- which is this podcast, to say that I stand with the people of Palestine, I stand for the liberation of Palestinian people." ... "Every day, to log on to social media, and be just inundated with graphic, unimaginable violence, and loss, and grief, it's just--There are no words." ... "And I feel helpless. That's part of it too, when you feel helpless, the last thing you want to do is talk to people about it-- but visibility is a resource in and of itself. And I can offer that." ... "The outpouring of rage and passion online, and anger at what's happening, I would argue needs to be dedicated and focused on our elected officials. We live in a democracy- albeit an inherently flawed one- we live in a democracy where we have elected officials who were elected and put in power to represent us, and if we feel misrepresented, if we feel underrepresented in foreign affairs? These officials have public phone numbers and emails. There are scripts available online to express your disdain and your rage, and unfortunately that's one of the only ways we'll see actionable change."   "If you expected more from me, it's a terrible feeling- but I don't want to center myself, this needs to be all eyes on Palestine right now, where the real activism is happening. I would encourage you to follow journalists that are on the ground, people who are in Gaza, we need to be listening to them. I would also hope that we're at a point in this conversation where I can express my desire to stand in solidarity with the people of Palestine and that NOT meaning or suggesting or condoning anti-Semitism of any kind. There's a rise of anti-Semitism and islamophobia in the United States and it's just-- it's disgusting, and it's scary, so I want that to be said too. I just wanted to share that I am experiencing part of this collective sense of helplessness and hopelessness-- but it DOESN'T HAVE to be hopeless. I'm going to include a phone number in the description of this episode where, if you don't know the name of your senators or your Congressman, it's never too late to learn, and you can reach out to them." _______ Hm. What a bitch!! Yeah, just so ignorant and uncaring. Obviously she's not keeping up with anything. Should've retweeted more shit ig!

[deeply-unserious-fellow]

Sorry I keep getting weirdly moralistic in the Hazbin Hotel fandom of all things, but I'm having Staticmoth thoughts again and need to get them out-

We don't know a lot about their dynamic, so I think it's fine to assume Vox is horrible to Val in other ways, but can we PLEASE acknowledge that nothing Vox does to Val in *specifically* their interactions during Radio Killed the Video Star is actual abuse? Like can we???

All of the yelling and manhandling in that scene is initiated by Valentino. He's the one that starts the interaction by screaming at Vox. He's the one that throws a glass at Vox's presumably very fragile head. He's the one that breaks Vox's phone. Vox doesn't start yelling until Val starts taking things too far and literally threatens to shoot up the hotel. After Vox successfully calms Val down, Val turns around and immediately starts manipulating(?) him into fighting Alastor(It's really lowkey and Vox probably would've done it anyway but I still think the way Val behaves in this scene is fishy asf). And while Vox is very nonchalant about most of the physical violence Val throws at him, I'd argue that kind of makes it kind of worse? Because it implies this shit happens regularly enough that he just. Puts up with it. Which isn't good.

Anything Vox does in that scene that could be considered abusive is a reaction to all the shit Val already did. Yelling at and manhandling somebody who's been throwing a violent tantrum at you for several minutes isn't. Bad. It's not a bad thing to do. Especially when there's no other way to get them to stop and the stakes are as urgent as "this guy is going to go shoot up a fucking building"(note Vox is absolutely not concerned about this for the right reasons, he only cares about his image, but to him that's still pretty damn important). Reactive abuse isn't abuse, if somebody fights back against their shitty partner they are not just as bad as them(Vox is still terrible in other ways but this post isn't about that). Using this scene to prove Vox is just as bad as Val has really bad implications. There are other scenes and bits of context clues you can use, I'm not trying to invalidate any larger arguments here, and I'm not trying to fucking. Accuse anyone of being a bad person. All I'm saying is to please, for the love of god, stop using this scene as proof Staticmoth is mutually toxic, because it is well and truly Not Proof Of That.

[shorthaltsjester]

if i ever have to see another thought piece on the description of the white picket fence outside of fjord and jester’s place in mighty nein reunited indicating jester’s unhappiness in the relationship i will burn the world to the ground.

a) heteronormativity doesn’t exist in exandria !

b) fjord isn’t your Typical Male Love Interest Guy. if i ever have to read someone say that shit again i’m gonna (correctly) assume they haven’t paid attention at all to campaign 2 and any of fjord’s character arc.

c) perhaps, jester lavorre, woman who was raised on the ideology of romance novels and sexuality as exchange, might just find it uh… not a terrible thing that the white picket fence is falling apart outside since… fjord explicitly does Not feel like those romance novels to her, instead he feels comfortable. the way that a brightly painted but rarely used house might, especially when the couple in question spends most of their time adventuring together… which is an essential part of jester’s motivations throughout the campaign.

d) the reason fjord and jester seem unhappy in the reunion might be because, well, uh, whereas everyone else was getting a “vacation”, jester and fjord’s life together (specifically the fact that Fjord Loves Jester Enough To Risk The World (Momentarily) To Save Her) was the inciting action for an apocalyptic demigod being released - they Were unhappy. who wouldn’t be given those circumstances. jester nearly died, and fjord felt like the god that once saved him had now abandoned him, i am so truly sorry that their romance was not satisfactory for your vision of atypical romance (which, by the way, is literally reinforcing the restrictive romantic tropes you think you’re criticizing, so good job i guess). i would be much, much more concerned if jester and fjord Weren’t clearly dismayed.

e) both fjord and jester are individuals whose entire lives and character are defined by the expectation (both external and internal) that they behave and emote a certain way. that they’re in a relationship with someone who they feel that they can show that they are frustrated with or disagree on the layout of their house with or have different ideas on how to deal with the looming threat of a demigod is incredible. jester and fjord are emblematic of a relationship in which the characters Aren’t meant to be, but they Want to be together and they want to understand and support the other person so they work at it. we wouldn’t have conversations like “you seem disheartened..” “i am very disheartened! you almost died!” if they didn’t take the time and care to communicate with one another.

f) if you want a honeymoon era joyful queer romance, yasha and beau are right there! they are explicitly horny and in love and bright about it! if queerness is your measure of “trope breaking” i am very sorry to tell you that queer people partake in white picket fences, and i’d actually argue that in terms of Lifestyle Metaphor, beauyasha are more adherent to the whitepicket fence, nuclear familyism. this isn’t a detriment to them, just, very literally, beau works a 9-5 where she comes back to her housewife who gardens and cooks dinner and their future includes explicit reference to children. comparatively, fjord wants to address some issues in his past, jester is an artist, and both of them are interested in adventure for the foreseeable future.

g) if you truly think that a single part of laura’s description of the part-time abode of fjord and jester overrides every interaction and choice that both laura and travis make towards fjord and jester caring for each other in a deep and meaningful way that goes beyond the weird fandom constructed Man/Woman characters being portrayed by a married couple i truly, Truly have no idea why you even watch the many hours of content that cr is when you could… play/write your own shit.

[hiso03]

what makes you ship halbarry, mine is the amount of symbolism and moments they manifest about them being compatible with each other and even the main lore knows theybare one😭😭

sometimes I wonder why these two aren't together yet since they are basically soulmates 😭😭

This is probably the question I have been waiting for the most and for which I have to have the longest possible answer. I will try not to go too far, but I will also try not to miss any points that I consider important.

I think I can start by saying that I love their dynamic, I've always liked it. To start Barry is a more serious guy, shy and introverted, always thinking about some situation and planning. And Hal is more outgoing, noisy and confident, he NEVER plans and is too impulsive.

They are opposing poles, not radically opposed as with other characters in the league, but they remain opposing enough to provide contrast to the relationship. There's also the fact that the two of them are fully aware of those differences, and even though they don't like some at all, they've never tried to change anything between them. Even when people constantly point out how different they are and how no one understands how they are friends. (Even they can't understand how they're so close if they don't resemble each other at all)

(Personally this panel is one of my favorites, as I love how Hal immediately jumps up to Barry's tastes, making it clear that while he doesn't like to do the same things Barry does, he doesn't find it as bad or boring as some might think.)

In general, the series of “The brave and the bold” I like because it allows you to take a close look at their relationship and give us lots of interactions of them, allows us to see a little more of their real character and their friendship.

There is also the fact that in that series they constantly show how well they know each other Hal and Barry manage to combine their skills to help each other. They always take advantage of each other's ability to resolve conflicts, and even when they fight or argue, they resolve them quickly. Another of my favorite numbers is the last volume of the series, when Barry falls into a terrible and painful depression and Hal is the only one who supports him.

Literally Hal tries to have some stability in his life to let Barry stay with him, helps him like Barry has always helped him and says one of the phrases I love the most.

“The poor man needs something to hold on to, so he will stay with me, maybe our friendship will be a comfort to him, he will always be able to count on that until the day we die.”

In this same comic is where Barry tries to sacrifice himself and Hal stops him, to that I add that in a previous issue we also show that one of Hal's biggest fears is losing Barry. The thought of seeing him die or get hurt is something that scares him.

Hal's not afraid to die, he's afraid that Barry will die and it's his fault, that I can't save him. And that point added to everything that's going on with Parallax and Crisis on Infinite Earths feels like a stab for both of them.

It's fucking tragic.

Generally in many moments of Hal as Parallax or The Wraith, Hal talks about Barry, continues to talk about how amazing he was as a person and a hero, talks about how he remains his best friend even though Barry is still dead. (That reminds me a lot of when I'm with my friends and some of them start talking about their boyfriends even though they're not there and we didn't talk about them originally)

And when they both revive, Barry constantly lets him know that everything that happened with Parallax wasn't him and tries to support him, try to be there for him for as long as he couldn't help him when his friend needed him the most.

We also have the fact that Barry has canonically been a blue lantern, and well, hope and willpower isn't exactly two opposing poles, on the contrary, it's likely that both entities are reciprocal forces. That they stick together and support each other, just like Hal and Barry do.

I also like to think that they had a somewhat similar childhood.

Both lost a father or mother, and that led to the loss of the rest of their family and childhood, they had to grow up faster than the other children, became more independent, and soon discovered that the world was cruel and unjust.

Although we also have other universes like:

The universe of Injustice where the two of them continue to support each other and remain together despite the mess that is around them, and there is even a panel where Hal as a yellow lantern is going to rescue Barry after Constantine abducted him.

Or we also have the fact that red and green in the chromatic circle are two opposite or complementary colors that are usually used when you want to create a harmony on a visual level. That is, from the choice of colors we can know perfectly well that they are opposite poles, but they complement each other so well that it creates a visual harmony when you see them together. (For some reason Christmas usually uses these two colors as its main ones).

There's also the fact that Hal and Barry met before the league was formed, and even when they met Batman and Superman, Hal wanted him and Barry to work it out on their own. (Barry refused because someone has to put prudence on their duo)

And we have the fact that in the story of how they met, Hal calls it his “first date”. (Let's pretend he didn't say that when he and Barry weren't literally on what looked like a date, where they went to dinner at a restaurant where there was live jazz music and Hal actually had a good time sitting on Barry's cell phone).

(Hal hates jazz, but he's still there with Barry at a dinner party while putting up with music he doesn't really like. That's pretty.)

I think it was also in this comic where Hal lets Barry use his ring to get you both out of there.

There's also universe 36 where we have two variants of Green Lantern and Flash that canonically speaking are couple. It is worth remembering that the two of them did not stay together, since in an event they participated in, the Flash of their universe dies. (It seems there can't be a crisis without a sprinter dying) Luckily at DC Pride they made the green lantern of their land look for their Flash, and they revived and were happy.

(They're supposed to be neither Hal nor Barry, but the truth, their designs and even their names feel like very inspired by them, so I scored it as a little extra point although I don't know if you can consider it).

We have DC vampires that although in that universe, Hal kills Barry because they won't let him turn him into a vampire because he would end up killing everybody. Hal finally gives us that line where he admits that he REALLY wanted to conquer the world with Barry, which kind of fuels his tragic gay romance.

Anyway, I would like to go longer, but I can't find some panels that I was looking for to explain me more, plus I feel that this is already long enough and meaningless to make it clear that I love them both. I just want to add that I think probably the thing I like most about them is that they both admire each other. Both their heroic parts and their civilian parts, and I think that's very sweet and nice, added to the fact that they're always there trying to support each other or show off parts of their personality that you can't appreciate with all their friends to the same extent. I like that they always have symbolism and like many times in the comics it refers to some moments that they have lived together. This makes me have the theory in my head that maybe some cartoonists and writers also like them in a sense beyond friendship, but since NOBODY dares to take the leap of faith and make them canon, they let us drop some crumbs so as not to lose faith.

(If anyone got here, thank you so much for reading all this even though it doesn't make much sense in some parts, I apologize for that and make up for it with some panels of them two)

[iri-desky]

◇ A Few Headcanons About the R1999 Characters. ◇

●♡● All Very Fluffy! ●♡●

○ Pavia is a horrible cook. I mean, terrible. He usually just grabs meals at restaurants or TV dinners, throwing the leftovers to the wolves (literally) -- that being said, his mother was a fantastic, meticulous cook. Although he's never met her, he wants to try and learn to cook in a similar fashion as her.

○ Zima often is too anxious to communicate with people face to face. As such, sometimes he allows his birds to take letters or notes to different people, using them as a personal mail system. His English writing isn't quite the best yet, although some magical enhancement fixes that.

○ TTT knows everything about pop culture or the latest TV hit... as someone stuck in some TVs, she of course is constantly plugged into that. If there's any gossip going through the channels or news, she knows it. Although, strangely, her channels are somehow still tuned to what they were back in her Era, on the same timeline. For all the arcanists who are from eras newer than hers, she desperately tries to tell them not to spoil any given event unless absolutely necessary. Of course, a lot of the more mischievous arcanists take advantage of this to mess with her.

○ Erick has claimed a portion of the wild area as her own, claiming it's her domain. No one argues.

○ An-An Lee and Horropedia constantly banter about horror movies. They've been inseparable ever since An-An was summoned to the suitcase -- everyone senses trouble brewing thanks to this duo.

○ Zima and Voyager get along swimmingly, and Zima has pretty much adopted Voyager as his daughter. This is because both of them share common loves; nature, the arts, and silence. At times, Voyager may visit Zima while he's writing, and play her violin as a calming soundtrack to soothe his nerves and coax inspiration.

○ The Knight is always awake, as he doesn't have a body that needs to be charged any longer. However, he still enjoys his freedom at night by perusing the many books in the library within the suitcase, all from dozens of eras. Sometimes he even reads old fairy stories from his Era, and even explains their origins to others -- especially the kids, as he sometimes gives them tales of heroism to entertain them!

○ Medicine Pocket sometimes sleeps on the floor, eats their food while sitting cross legged on the floor, or wakes up the others at dawn... basically, every doglike mannerism you can imagine a human can have while still being somewhat civilized, they probably have it. They also have especially strong senses, and once sensed the identity of another arcanist entering the suitcase again by scent alone.

○ Horropedia once pranked the other arcanists in a Scream-style adventure -- where he convinced them he finally went nuts. There was a copious amount of horror references throughout as he called each prank-ie, asking "wanna make a scary movie?" (/ref) , and the only person involved who understood them all was Blonney. Horropedia won't get over that, and he was way too happy about it.

[peace-love-and-french-toast]

Severus Snape rant

Disclaimer: I don't support JK Rowling's views and I'm not a TERF. TERFs, DNI for you.

Sorry for ranting, y'all. I'll try to keep things quick (note from the future: be warned. I failed). Spoilers and mentions of friendship toxicity and bullying under the cut.

By the way, for this I am generally talking about regular canon. When I discuss things people think about this, the headcanons are generally assumed to go alongside regular canon to complement it. I understand that there are fix-it fics out there where everyone is happy, and while I love that, I'm talking about how JK Rowling let it play out.

UPDATE:

Don’t interact with this post if you only want to insult me/my writing style. I am not accusing anyone of doing this, but I can see that there is a very definitive downward spiral, and I don’t want to see the bottom of it. However, I am willing to listen to arguments until things turn into personal attacks.

I don’t care that much about Snape: just a few lines on a page. I understand people have strong opinions on him (me too!). That’s fine. But I’m a real person, just like all the people on this platform (well, except bots). Let’s embrace that, and focus on the fact that we are all, in the end, Harry Potter fans.

Kat out.

Let me start with this: Severus Snape shouldn't be with Lily.

To keep to the simple stuff and the things most people can agree on first, no one "deserves" Lily. In this post, I was nearly guilty myself of talking like this, but please keep in mind: Lily Evans is not some kind of consolation prize, something given out to whoever is deemed the most worthy, the most angsty, whatever. Regardless of Snape's virtues (or lack of them: but give me a sec) he won't somehow earn the right to be in a romantic pairing with Lily. In all the stuff on the table in terms of how Lily viewed Snape, she wanted a platonic relationship. So that's part of what I have an issue with: talking about canon as if there was any part of romantic thing on the table. Lily never had a crush on Snape. It was a one-sided thing.

Now, to controversy. Let's address some common reasons for why people say Lily shouldn't have ditched Snape and why these shouldn't excuse his behavior. Keep in mind I'm talking about things that happened before Lily's death, because after death doesn't really matter to her. She's dead by then.

Snape had a bad home/school life.

That's true. But he then chose to continue the cycle of pain by joining a pureblood supremacist group and calling fellow students slurs?

2. The Marauders did some terrible stuff to him.

I really need a disclaimer here. THIS WAS TERRIBLE, AND I HATED IT, AND THE MARAUDERS WERE COMPLETELY IN THE WRONG HERE.

But this post isn't defending the Marauders, it's arguing that Lily was justified in choosing to let go of their friendship.

Anyway, this is an irrelevant excuse for why Lily should remain friends with him, because she thought this was terrible too... and then Severus screamed a slur at her when she was trying to help him. Way to go, Snape.

3. He loved Lily.

Hold up. Stop the clock.

Wut.

Wut.

Okay, this needs to be a new section. Let's call it:

Being In Love With Someone Doesn't Excuse Your Actions Towards Them

Quick story time, cause this section uses an extensive metaphor. IRL, I used to be best friends with this girl. She was toxic and refused to change.

Her excuses for why I should keep hanging out with her?

Current mental health situation.

Things just "slipped out". (Yeah, Snape LITERALLY USED THIS EXACT EXCUSE)

I was really important to her (So was Lily to Snape)

I stopped being friends with this girl regardless, because her actions harmed my mental health, isolated me, etc.

(And before someone says friendship is different etc. she had a crush on me two Valentine's days in a row and I'm unsure if she still does)

These are all excuses. Let's define that word for a second.

"attempt to lessen the blame attaching to (a fault or offense); seek to defend or justify." -Oxford Languages from Google.

Contrast with an apology, where someone actually tries to make things better. Snape constantly gives excuses. His apology comes much, much too late in the form of begging Lily. Now, with my own toxic friend, she also claimed to want to make things better.

In the case of both Snape and Toxic Friend, they'd continually insisted it wasn't their fault, ignoring the problems in the relationship and not making an effort to fix them. By the time Lily and I broke things off, we'd made up our minds. We turned away and felt good about it, because they negatively impacted our lives.

Maybe Snape was in love. Maybe my friend really wanted to be friends with me. Both are probable.

Still, neither followed through on the steps necessary for a good friendship.

Depersonification, aka Lily is a Person Not A Shiny Toy, Severus

Crack open your books, hit play on the movie, or simply recall as we all remember how Snape looked at Lily.

In the books (won't mention the movies because I didn't watch them) he looks at Lily and Harry sees "undisguised greed" in his eyes. Um...

Snape's fine with hurting Petunia, figuratively and literally.

He ignores what Lily is actually trying to say to him once she tells him what he wants to hear.

And calling her Mudblood. (Can't help myself interrupting here: I myself never 'just accidentally' call someone a racial slur. That's because I don't use them, so they aren't exactly waiting on the tip of my tongue).

All of the things he does are in there for a reason. JK Rowling is trying to unsettle us, and she succeeded. Snape seems to view Lily as an accomplishment, an achievement, a plaything to be admired.

Why?

He never takes Lily's feelings into consideration. Not once until it negatively impacts him. Look at where he comforts Lily: when it looks like they've made a mistake and hurt Petunia.

When Lily gives up on him.

And I know: there was more, there was more, there was more.

Potions homework done together.

Eager chatter between classes.

It's not black and white.

But these are the scenes JK Rowling has decided will give you the best impression of their friendship. She didn't pick tender scenes with cocoa and cookies because that isn't a theme in this friendship.

And onwards to:

They Used To Be Friends, Why Did Lily Stop Talking To Him Like This

It's hard to know what a person is truly like. You only know what people show you, and they hold back the worst of themselves at first. In Lily's first scenes, she doesn't know everything. She doesn't see the greedy looks he gives her. He is a new boy about her age who understands her like nobody else in town could.

Years go by. He calls people like her "Mudblood", he makes friends with awful classmates who do illegal and immoral things and are rumored to be training for war. The other side of the war, the one that kills people.

He shows her the worse sides.

By the time he calls her Mudblood, she has already tried to stop him from going down the wrong path. He's ignored her and ignored her and she finally snaps.

Can you blame her?

This apology seems like yet another excuse, a means to an end of keeping her by his side.

She's had enough.

Conclusion

So concludes the saga of Lily and Severus.

As he makes his decisions and she hers, Lily perishes saving a son whom Snape will later torment in her classes.

Harry grows up.

Snape oversees the creation of a school designed for indoctrination, watching passively as cruciatus curses are dished out. Her son meets him on the battlefield.

Voldemort gets to Snape first.

And thus, Snape meets his end.

And that's it, because things work out like that sometimes. Snape chose his path in life. Lily responded accordingly. And years later, he continued to stay stagnant in character growth, even becoming a child's worst fear from his unequally distributed cruelty.

A note:

If you disagree, feel free to debate me! I enjoy calm discussions. HOWEVER, please remember that we are all, in the end, people with lives and feelings, so don’t scream at me if you don’t agree with what I’ve said here.

[duskdog]

You know, fandom seems to talk about Wrathion's past mistakes a lot, but I don't often see anyone discuss his visits to the August Celestials during his legendary questline. Like, sure, people occasionally bring up his attitude towards Tong, but how many current players were there to experience (and still remember) the rest of that quest? When I think of Wrathion, I think first of the whelp who literally dropped to his knees before the Red Crane of Hope, who poured out his heart about the visions he'd had -- how terrified he was that the Legion was coming, about the "rivers of blood and cities in ruin" that would result if he wasn't able to somehow, some way, stop this from happening, and about how the only thing sustaining him was the tiny sliver of hope that he might actually succeed. This is a young dragon who foresaw something that absolutely shook him to his core, something he would do anything to try to prevent... and who felt he had almost no support, because it seemed he was the only one taking the threat seriously while everyone around him was busy fighting one another. His fear, his burden, was so great that the Red Crane himself even admitted that Wrathion needed his blessing of Hope "more than any I have ever met".

We can, of course, debate Wrathion's methods. It's fairly obvious that he didn't fully understand the lessons the Celestials were trying to teach him -- at least not at the time. It's also undeniable that he made some pretty terrible mistakes along the way. And I can certainly understand the argument that his attitude in Dragonflight is just too annoying for some people to stomach. But the thing that always brings me back to Wrathion as Aspect is the knowledge that he actually cares about Azeroth. From the moment he was hatched -- even before -- he carried the burden of Earth-Warder, and he took it absolutely seriously. Neltharion took an oath, and he broke it -- broke beneath it, I would argue -- and Wrathion clearly believes that it's his own responsibility to bear the immense, crushing weight that his Aspect father/grandfather, and his entire flight, proved unable to bear. All those black dragons betrayed Azeroth, tried to destroy what they were sworn to protect, and here's Wrathion -- first a whelp and now a drake, all alone, without Neltharion's colossal size, strength, and power, without the support of a dragonflight behind him, without the support and trust of the other flights, without any true home or safe harbor, without the regard of the mortal races that he's trying to protect -- doing his best to fulfill an oath that he personally never actually took, only inherited.

Given that knowledge, I actually think Wrathion has behaved with remarkable restraint in regard to Sabellian's sudden appearance as a rival. Has Sabellian even given us the slightest indication that he actually cares about the sacred charge of the black dragonflight? He's certainly older, wiser, and steadier, and maybe he's done a good job of raising his kin and keeping them safe in Outland... but does he care about Azeroth? Because he certainly hasn't been there when it needed him... and yet he was perfectly willing to risk reappearing just in time to claim the Obsidian Throne.

[carlatsukinamistolemyhamsandwich]

I always said I'd never post anything like this when I was actually active on this blog as I didn't want to start drama but you know what, screw it, I'm not here anymore and I'm tired of staying silent on this.

The way some of the fandom treats Yui is absolutely nuts.

And no, I'm not talking about people who call Yui "weak" or who get jealous over her situation (that's a whole other can of worms), I am talking about the other obsessive fans.

I'll start off by saying I am not saying all Yui fans are bad (some are delightful) but I swear she also manages to attract some of the most unhinged people I've encountered on the internet.

I can't even begin to name all the posts I've seen defending her and arguing against anyone who would call her weak or criticise her in any way etc. And while I know there certainly are people who call her weak or fanfictions where she acts as a love rival for one of the boys versus an OC or reader character, I've actually seen far less of those posts than ones defending her, to an almost problematic degree. Like I literally once saw a post where someone was genuinely telling people to kill themselves because they were treating Yui badly in fanfiction and like what the actual fuck?

I personally have no gripes with Yui as a character. She's written to be exactly what the story needed, and if you like kind cinnamon roll characters, she definitely falls into that category, but people don't have to like characters just because they're good people.

In the same way, the diaboys are all terrible to some extent and if they were real people, you wouldn't want anything to do with them. However, I would argue all of them are well-thought out characters with interesting backstories that clearly tie into who they are by the time the series starts. An immoral character =/= a badly written character in the same way a moral character =/= a well written character.

Now I'm not trying to say Yui is a badly written character, as I mentioned above, I think she fits the role she needed to in DL perfectly, but I do think people need to stop treating her like literal perfection at the expense of actual real human beings. I'll admit, I have seen people dislike Yui for immature reasons, but you can't have a go at people for not liking a fictional character.

I know, and have seen, some people argue that your attitude towards Yui reflects your attitude towards rl abuse survivors and just no. That's not how that works. If someone is reading an account of actual abuse and starts victim blaming that's one thing but DL is NOT REAL and it was never meant to be an allegory about abuse or abusive relationships, it's made for people who are horny about vampires. That's it. There is no deeper meaning. I cannot emphasise this enough.

I think if there's any real point here, it's that if some of these fans genuinely value morality and goodness as much as they claim, they would take a good look in the mirror at how they treat real people. If you love Yui so much, use her an example (i.e. being nice), not some icon to beat people over the head with. And people liking and enjoying the darker aspects of DL doesn't make them bad people in the same way watching a horror film doesn't make you a future serial killer.

Anyway thank you for coming to my TED talk. Again, I am not talking about all Yui fans, just the worst ones I've seen. And to be fair a lot of the points I've made here are true for rabid diaboy fans as well. At the end of the day, it's how you treat other people, not fictional characters, that matters.

[mitsies]

SUBTLE! ; chuuya nakahara > arguing with dazai and being really stupid when it comes to you are his most noteworthy skills.

working with the port mafia had its ups and many, many downs. this has got to be one of them, you think, as you stand incredibly awkwardly with your arms crossed over your chest as dazai and chuuya argue like little children in the hallway of a hotel, just in front of the two rooms the port mafia had booked for you. you’ve been working with the pair for the past however-many years— dazai for three, since you’d joined at 14, and chuuya for two after he had followed the worn path and become a member of the port mafia alongside the both of you.

you don’t think you’ve known peace since he joined, though, for two reasons. the first and foremost being your incredibly annoying, incredibly antagonistic coworker dazai osamu. you know teenage boys can be angsty and dramatic but he truly takes the cake, never failing to push and test the limits of any person he meets. he and you were friends, despite the fact that all you knew about him was that he got really broody on occasion and particularly enjoyed getting reactions out of others. chuuya was an unsuspecting victim. ever since the two had met, you’ve only gained a perpetual headache and a horrible, terrible crush.

chuuya was, to your discretion, the receptor of your stupid little feelings. it was really honestly embarrassing, how you felt— especially since you were absolutely, positively certain he felt the same way. subtlety was not a strong suit for him, especially when it came to his feelings. this reciprocation in itself wasn’t a bad thing— no, in fact, some could argue that it was even good. great, perhaps. but not for you. in your line of work, you couldn’t really afford personal connections. and especially not when dazai was around.

“i’m quite literally in love with them. of course i’m sharing a bed with them.”

you internally facepalm as you catch on to the fragment of dazai’s sentence, forcing yourself to look back at the scene the two were making in the hotel room hallway. chuuya’s ears were practically scarlet with smoke pouring out of them as the room keycard he had in his palm bent into a ‘c’ with the pressure of his grasp. “and i think you’re a freaky little manwhore who needs to be put down like a mutt,” he seethed.

you think it might be proper to step in, now, as you catch a person peeking out of their room door to observe the commotion. yes, you think that might be a good thing to do, especially seeing how chuuya is only a heartbeat away from tearing out dazai’s jugular. swiftly, you move forward and snatch the room cards out from chuuya’s hands. the both of them turn to look at you, and chuuya blinks as dazai sighs. “fine, fine, i guess you win this one,” he sighs, flouncing off into one of the reserved rooms and slamming it behind him, not before calling out, “remember to use protection!”

you feel your face redden and you snap your gaze away from the door where dazai had disappeared and chuuya, opting to fumble with the keycard and unlock the last remaining room. if you weren’t embarrassed then, you were now. you really should consider quitting, at this point. this was too much. having your best friend purposefully argue with your crush just to make him mad, declaring his very fabricated love for you, and then saying all that might be your final straw. how mad would your superiors be if you turned in your resignation forms before your next scheduled mission?

as you move to take a seat on the white, fluffy sheets of the hotel room bed, chuuya opens the door and appears in the room with you. his face is a lot less pink— someone had been practising deep breathing exercises. 

“i can sleep on the couch,” is all he says, sliding two bags into a corner. one was his own, and the other was yours which he’d insisted on carrying for you. you raise a brow. “weren’t you the one just threatening to kill dazai so you could share a bed with me?”

he freezes where he stands, and you wish you could see his face because you can imagine how he looks. “i’m always threatening to kill dazai. and it was to share a room, not bed.”

“why is it important to you? it’s not like we’re together or anything.”

he remains where he is, kneeling on the wooden ground to open his bag. you rise to your feet and make your way over to where he stays, electrified to the spot. he’s tripping over his words, stuttering and bright red as you sit down next to him on the floor. deftly, you reach over and unzip the bag. “you can sleep on the bed with me. i don’t mind. here, let’s unpack.”

you have to bite the inside of your cheek to stifle your rising laughter at how reactive the other boy was— maybe you were cruel for this, and maybe you were no better than dazai, but it was your favourite game, to tease him like this.

“yeah,” he chokes out the first coherent words he’s managed, “okay. yeah.”

maybe one day he’ll have the nerve to confess his feelings. but until then, he’ll keep on chasing, and you’ll keep on messing with him, and he’ll keep on being stupid in love despite it all.

✄ written for the mitsies 3k follower event with the prompts there’s only one bed BUT they’re fighting so they get to be the one to share with you + "he was just talking to me, it's no big deal. and you and i aren't even together- why do you care?"

[⇥3K EVENT MASTERLIST] [⇥3K EVENT INFO]

[icyrambles]

i typically have two forms of analysis when i talk about certain characters. i call them meta analysis and canon analysis.

meta analysis is when i take into account author, fan, and personal interpretation and intention when writing a character. this can be things like biases on the author's part (intentional or not), fandom headcanons and general opinions that are widespread, and finally my own personal opinions and beliefs on the character or media

canon analysis is when i ignore everything above. it's when i take things that are said exclusively through the text and conveyed to me as a reader. these are analysis formed exclusively (or at least as much as i try) through what is told to me via the text

like take pharma as an example. i personally hate how his character is treated both in canon and in fandom. within canon he's reduced to the crazy doctor who harvested his patients organs and in fandom i've noticed he either gets babied to all hell (typically by shifting the blame of his actions onto tarn) or just demonising him. i dislike this from all angles because pharma for me is a multifaceted character who, while causing a lot of harm, was forced into a situation where he really did not have a choice if he wanted to keep his staff and himself alive.

like yeah, i think pharma should punished in some way for the deaths he caused, but i also think that he should be viewed through the lens of someone who was essentially being blackmailed into killing his patients less himself and his staff (one of whom was a defected decepticon) be serious harmed or just outright killed. and that these actions caused massive damage to his mental wellbeing which caused him to spiral into madness.

or like take ratchet. he's got this thing in fandom where he'll throw wrenches at people and he's a fucking rebel who hates the government. but he doesn't do either of those things ever, in any of the continuities i've read/watched. like he's not even remotely violent unless he's actively being threatened? and even then he's more liable to go for verbal assaults rather than physical ones. where are you people getting these interpretations from?

he's a snarky ass who enjoys arguing with people sure, but ratchet would not fucking destroy the government. he fucking threatens to dismantle megatron on several occasions throughout the comics. there was a tweet from alex milne a while back that basically called ratchet an abusive partner and like, listen, fandom interpretations are always going to be a little off, but i'm sorry mr. milne, but ratchet is not an abuser in any sense of the word. there is nowhere, and i mean nowhere in the comics that proves that he would do that.

idw starscream is also a character who i have complex feelings about when i try to write about him.

because on the one hand i despise the way that idw starscream is treated by the fanbase. he's not a good person, that is the whole point of him. he's a terrible person, who has done terrible things, and i think he should be treated as just as bad as megatron. and i think the fandom constantly babying him because of what megatron did to him is stupid.

he's a genuinely cunning, manipulative, and overall shitty asshole who is more than willing to doublecross and backstab to get what he wants.

but he's also a victim. megatron's treatment of him throughout the war is inexcusable. under no circumstances do i think that starscream deserved to be kept around as a punching bag to keep the other decepticons in line and i also am of the belief that megatron should've gotten more flack for what he did to starscream.

like pharma, starscream is a character who has a lot of different layers. he fucks up and relapses into more toxic behaviour because it's quite literally the only thing he can rely on. he's expected by the people around him to be a backstabber and a liar, so why on earth would he act any differently?

it's not until bumblebee appears that he actually starts to change. and i think it's very important when discussing bee and starscream's relationship that people remember that starscream does not think of bumblebee as a ghost. he views bee as a literal manifestation of his guilt and consciousness. he did genuinely seem to view bumblebee as a good leader and a good person before his death in dark cybertron, so when bee shows up as a ghost and starts encouraging starscream to do better for his people and his planet, starscream listens because he did trust bee.

the point of starscream's character, is that people can only change if they truly want to. bumblebee wants starscream to change for the better but starscream only starts to change when he actually believes he can. and even then he often relapses into more negative behaviours because he's not perfect. the fact that he does this honestly makes him even more believable to me.

if you were treated as nothing more than a liar, coward, and manipulative asshole for 4 million years you'd probably fuck up on the road to recovery too.

it's why megatron's redemption at least works for me within a canon lens. he only starts to change his behaviour when he actually begins to understand that his actions and ideology were wrong. that's why it works. the lost light as a ship is about new beginnings and fresh starts for everyone, so having megatron, literally the most hated guy every join the crew works to further that theme of rebirth.

out of canon analysis though, starscream and megatron in my opinion were done very poorly in terms of writing. they were very clearly meant to be cartoonishly evil characters with no redeemable qualities during phase 1 of the comics. so when phases 2 + 3 roll around and try to develop these characters as more than just evil assholes, it falls flat because you have to sweep all of the terrible shit they've done under the rug.

and it doesn't work well from a narrative perspective to have murder mcgee megatron and his former second in command be the leaders of not only the planet they fucking destroyed and the ship that legally doesn't belong to them. and this is coming from someone who loves idw's portrayals of megatron and starscream. i think they're some of the best versions out there beyond maybe the originals.

i also think that fandom falls into a weird zone when it comes to these characters. i call it fandom flanderization; where fandom will take a certain character trait (like starscream being a liar) and conflate that trait to be their whole character. like is starscream a liar? yeah he absolutely is. but he's also a genuinely caring individual when he actually trusts someone.

it's a shame because i think that idw, despite having relatively weak writing in terms of overall storytelling, actually has some really interesting interpretations of the characters.

[ if you liked my work, please feel free to give it a reblog and leave your thoughts in the tags, reblog box itself, or replies. i adore seeing what other people have to say about my thoughts ]