A bunch of noir headcanons because im normal i promise
- Either really sensory avoidant or seeking, it depends on the day
- Either way he's still pretty affectionate, on the avoidant days its usually just words of affirmation but otherwise he's the type of person to like pat someone on the back or something (there's actual movie scenes in itsv that supports this)
- The strongest sense of justice you'll see. He sees an injustice and soon enough he's interfering
- He will find a way to get information out of you if you have it, he used to work for the press, and is a private eye, and he was damn good at BOTH
- The color of his webs depends on how long its been since his last revival. Darker usually means its been less time, and it usually lasts for like a month or two before it becomes white again
- Intrusive thoughts about violence that he's just slowly become desensitized to
- Used to be all bark no bite before he got his powers, would get his ass kicked a LOT, but now, i mean, he still gets his ass kicked sometimes, but he's more capable of holding his own
- He has fangs and claws, because, come on, he's literally been revived like multiple times by the spider-god, she's had to replace something
- Speaking on that, a lot of his blood is significantly darker than his natural color, because of the god having to replace it
- Actually figured out how to use futuristic technology pretty quickly
- In shattered dimensions, he definitely thought Madame Web's voice was the spider-god talking to him before he was like "hold on she doesnt sound like that, who the fuck are you?"
- Swears like a sailor, but doesnt like younger people doing it
- Probably screamed in agony at seeing all the colors for the first time, especially in brooklyn during the night, thats gotta cause so much eye strain, especially in a black and white world
- Actually could see color in his world, but they were pretty dull colors, almost monochrome, but not
- Most people cant see the difference though
- Has met Miguel before (shattered dimensions) and was absolutely just in shock by the change
- A god at cooking, shit at baking, he tried to make cookies and almost burnt down the house
- Sometimes just feels like a puppet for the spider-gods entertainment
- Religious trauma is strong with this man, i can tell
- Derealization episodes where it feels like he's just not there anymore
- Back to his blood being darker the more he loses it, he has a full on breakdown over it once he realizes it, because he percieves it as a sort of indicator that he isnt human anymore
- The most unintentionally father figure acting person you'll ever see, he doesnt realize how many people see him as a dad, and if he does he's just extremely confused
- Had his gun with him the entire time in ITSV, just didnt want to accidentally scare someone with it
- Has a pretty good relationship with the other spiders in Shattered dimensions, but ends up getting a little iffy about Miguel once he brings up the canon events
- He almost fought him after Miguel brought up his uncle Benjamin and all his other canon events (ive only read like two issues of the comics im SORRY)
- The most vibrant color he saw in his world was the color of his spider-sense; a red
- For this reason, he can point out red really quickly
- Increased senses, to the point where it can become a hindrance
- Constantly on alert, checks so many things to make sure that he's not being followed
- Despite being naturally weaker than all the spiders, he can punch clean through walls
- He'd be bruised and a bit scraped by it but otherwise he's perfectly fine
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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if i want to really think about it, the reason i tend to love de-aging fics so much is because it’s about loving someone for who they are at their most honest and most vulnerable, it’s about putting the pieces together on why they are the way they are, and it’s about taking care of someone without the expectation of "getting something" in return. i know a lot of people are uncomfortable with de-aging tropes, which i totally respect, but to me it’s kinda a variation on the "would you still love me if i was a worm?" kind of thinking. would you still love me if i was a burden would you still love me if i had nothing to give you but my presence would you still love me etc. etc. — well-written de-aging fics also do such a good job at imagining what an innocent, less traumatised version of the character would conceivably be like, what aspects of their personality are the result of them hardening over the years and what isn’t. writing kids is hard but writing a de-aged character is even harder, and i consider it a real talent to be able to realistically portray a de-aged character. and then how the other characters react to the de-aged character, what baggage they bring to the situation, how they have to change and adapt and learn about this other version of the character. it’s just that there’s so many layers of unpacking trauma, learning or relearning kindness, for everyone involved, and to me that can’t be anything other than cathartic to the nth degree
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The other day I was rewatching Hollowtone’s vod on Psychonauts 2, which is fun because of the chat overlay. And there’s the part where you can open the powers menu and see all the nice embroidered badges and the nice signatures of the teachers that gave you them…. except Sasha’s. And this makes sense, he wasn’t authorized to teach Raz psi-blast, so it would be really bad if he’s showing off his cool badges on his bag and someone sees Sasha’s signature. So Ford signed off on the marksmanship badge. But the chat in the vod is coming up with hilarious reasons why Sasha didn’t/couldn’t sign off on it, my favorites being:
“He’s only capable of of writing in Times New Roman”
“His handwriting is bad, toddler/doctor level”
“Sasha writes exclusively in latin”
“He actually can’t write”
“He uses telekinesis for everything, if he touches a pen he instantly dies”
And I was thinking about how ridiculous they were, but when I actually think about it… is there ever a proven time he actually writes something down? Like with his hands?
He’s living in a time period where typewriters existed, and in the current time, computers do, and therefore printers… And in one of the promotional comics he’s not even using his hands to eat with a fork, he just uses his powers. He uses telekinesis for most things actually. I don’t find it out of the realm of possibility of just using telekinesis to write things down. And then, I guess he’d never actually have need to learn to do it with his hands…
Maybe Sasha can’t write.
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