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#you don't need to self-insert into existing characters
ludcake · 1 year
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sometimes i think some of you need to throw up your hands and just go do some asoiaf discord oc rp in private. it's fine. nobody will shame you for it. you can have your cool au and your weird characters and your unique dynamics and your personal headcanons. not everything that comes from asoiaf needs to be canon. you're not forced to stay to canon. go have some fun. go write a weird dragongender targaryen or a fucked up bolton. you're not a slave to canon you don't need to rage against it daenaera velaryon isn't re-
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u5an5 · 11 months
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Am I the only one that every time I get myself into new fandom I just sigh, knowing fully well that I just got next 20+ x reader, y/n, x Oc!whateverthefuck or just any form of self insert tags to blacklist?
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if any of my fanfics get published at least i can rest assured that i didn't post any of the original versions so nobody can know 100% sure for real just what my original intent was 😇
#myevilposts#all of my published fics are too short and aimless for me to post them as-is. they'd need to be gutted beyond recognition.#my thinly veiled self insert fiction with fan undertones on the other hand is different though !#it's not fanfiction if every character is just me ! by the fucking way !#some of the worst advice i've ever seen is not basing your characters on real people or pre-existing characters....#like are you that scared of being sued? or are there really that many toes you don't want to step on?#in this case of avoiding autobiography: do you really need to protect yourself that much by removing yourself so much from your art?#whatever happened to writing from experience? and you cannot no matter how hard you try fully separate yourself from your art#because an absence of something is a missed presence.... you will always indirectly refer back to the thing you are trying to avoid#by trying to avoid it. to live as the inverse is to always refer back to the thing you are inverting.#'this character is the opposite of me' as opposed to? you are referring back to yourself again. you are your own reference.#if u ever think you know what i'm writing about just remember that i am in love with myself and want to fuck myself ☝️#and that the fine line between my reality and visions is so weird that what's real to me isn't always 'really' 'real'.#i'm living my truth so some things it's very hard to explain whether or not they're 'real' bc to you maybe not! but to me it's very real.#p ref#once again my poetry is mostly autobiographical but i'm psychotic so take that as you will. that's all i mean i guess.
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cripplecharacters · 4 months
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Does Your Scarred Character Have to Hate Themself?
[large text: Does Your Scarred Character Have to Hate Themself?]
(TLDR: no. literally no.)
A frequent topic that shows up around facial differences is the self-hatred, self-disgust, self-insert-negative-emotion that we must surely experience. I want to ask* writers without FDs - why? Why do you feel about us in such a way that that's the most common way of depicting us?
*- rhetorical question. I promise I know the answers, but I'm not sure if writers do.
It's frankly worrying to me. Is it really that common to assume that disabled people have this internal, never-ending hatred for themselves? The overwhelming majority of us don't. We hate inaccessibility, when people stare, or some symptoms when they get in the way, or how expensive being disabled is, but I find the concept of us being so completely disturbed by our own disabilities extremely strange. It’s “tragedy porn” intersecting “most basic ableism”.
“But trauma!”
[large text: “But trauma!”]
Trauma of what! People with facial differences don't have some sort of default trauma that we come with like it’s a factory setting. We are a group of people with tens of thousands of stories and experiences!
“Trauma of experiencing ableism/disfiguremisia” - that's better, at least this means something. If you're writing a story about this, please get a sensitivity reader with a facial difference. You can assume how we feel all you want, but in my experience these assumptions are often bizarre and unrealistic. Or just end up writing the same “disability so sad” sob story that everyone has seen a billion times. If you want to write about disfiguremisia, you need to understand the nuance and have more than just the basic level knowledge (which 99% of people don’t have either). If you can’t do that, don’t write about it. Simple as that.
“Trauma of the accident” - thankfully, the accident is an event and a facial difference is a disability. If you want to connect these two like they're one and the same, you're almost surely going to demonize disability. People with traumatic spinal cord injuries, acquired amputees, people with TBI, people with acquired facial differences - we participate in our communities, we have hobbies, we date, we play with our dogs. Disability isn't a death sentence. Media who make it feel like it is certainly don't help people who do suddenly become disabled, don't you think?
Here's a post by @blindbeta about blind characters becoming blind through trauma that’s better made than anything I could hope to write here. I heavily recommend giving it a read.
And, I can't stress this enough - most of us didn't have “the accident”, most of us are born like this! "Traumatic scars" isn't the only facial difference that exists, far from it, it's only one of thousands. It's 99% of our representation and "representation". If you want to make a character with FD - please consider that we aren't a monolith. Just like not all physical disabilities are "wheelchair user with paralysis", not all facial differences are "traumatic scar with somehow no nerve damage".
The overrepresentation of it is incredibly telling, and sometimes - or very frequently - feels like the writer doesn’t actually even want to deal with us. They want to use our disability as a way to cheap drama, moral metaphors, tragic backstories. Not to represent us as living people who are much more similar to you than you apparently think.
Now, I do have enough awareness to know that that's a big part of the appeal. “Horrific Thing #2456 happens” and boom, instant drama! Of course, it's a reasonable response that they would hide their disability for years, avoid talking about it in any way, and magically change their personality to be mean and reclusive, or at least be constantly soooo sad about how much it sucks to be disabled, right?
Do I really need to say that having your character becoming disabled be the worst thing ever is ableism 101? We have been talking about this for so long at this point. Writing about the process of adapting to a specific disability is better left to people who have actual experience in it.
To give an example that will hopefully resonate more with Tumblr users, I will use the fact that I'm also gay. It's not perfect by any means but probably much more familiar territory.
Imagine, let's say, a character. He's gay. The story he's in is supposedly progressive, certainly not trying to be homophobic. The character has experienced an incident, maybe an act of aggression or a hate crime, that happened because he’s gay, which was traumatic. Happens IRL, sure. So of course the character starts hating being gay. He talks about how gross and disgusting it is, he never lets anyone know that he could be “one of them”, certainly not take a stance against homophobia. You can't mention him without mentioning the accident, they're seemingly fused together. No gay love, joy, even basic happiness, he would actually choose to be straight in a heartbeat if given the option to and complains that he can't. This is shown as a neutral, obvious thing that a gay man would do, no one comments on it. He stays like this the whole time, unless there’s a plot twist in the last 10 pages where the world is now magically perfect ("we fixed discrimination, yay!"). This is the only LGBT character in the story.
Keep in mind that there are people similar to this in real life, living with extreme internalized homophobia.
Is this, in your opinion, realistic and thoughtful representation? How does it feel when written by a cishet writer, versus a gay writer who is recalling his experiences? Do you think that it's reasonable for the majority of media representation to be like this, or very close to it? How would it affect younger gay people who might already be uncomfortable with being queer? Are gay men the target audience, or are they not even considered as a group of people who read books? Is this helping or damaging the general public's idea of how it is to be gay? Why or why not?
The Masterpiece
[large text: The Masterpiece]
From 13 to 19 of May, we are celebrating Face Equality week (what a coincidence!). It’s important to me in general - and I wish it was more important to abled people, but I digress - especially its theme for this year.
“My Face is a Masterpiece”
Great statement, it represents the community well, I do enjoy how bold it is. Very cool stuff, I love the work our advocates are doing!
But why do I bring this up?
Well, to very non-subtly show that we aren’t a self-hating group of people. We are a community, a community saying “our faces are beautiful, look!”, we are saying “treat us equally, and do it now!”. Our activism isn’t about self-disgust. It’s about fighting your-disgust. 
Why can’t writers keep up? Why are you still stuck decades behind?
Is this the only reason I bring it up?
The Call to Celebration
[large text: The Call to Celebration]
FEI, the org behind organizing it, asks a very simple question (emphasis mine):
“Why do we so often see stories about facial difference as a ‘tragedy’, when they should be about triumph?” “Calling all artists, allies, creatives, galleries.  You can rewrite the story to bring about #FaceEquality and celebrate the unique artistry found in every face. Your participation this #FaceEqualityWeek will help to tell the real story, that there is a masterpiece in every face.”
Here. We are calling for you to stop. Directly from the biggest international advocacy alliance group that's out there. If you create, this is for you.
The last argument to not have your character with a facial difference hate themselves? Because we don’t want this. We are tired and frustrated. For me personally, I’m also offended by this kind of assumption. We aren’t tragedies or cheap entertainment for abled people to pity or be horrified by. We are people, and if you can’t internalize that, you have no reason to write about us.
For once, celebrate us. Happy Face Equality Week!
mod Sasza
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k3n-dyll · 6 months
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maybe because not everyone has to cater to black and brown readers? if i feel excluded then talk to ur black and brown writers bc why tf would (for ex.) white writers write black readers when…when they aren’t?? yall aren’t victims write ur own shit if u care so much like idk what to tell u but not everyone has to bow down and write the way you want them too.
The fact that this is what you got from me saying that POC feel excluded from fandom is...insane.
I hesitate to even answer this because you sound stupid as hell, but since I think other people need to get this shit through their skulls as well:
If you are a writer, and you claim to be writing an "x reader" fanfic for a character you like, the general consensus is that "reader" in this situation should be neutral for the most part. Sure, there's different versions of that ( "x fem reader", "x masc reader", etc.") , but generally, the idea is that "reader" in this situation could be anyone, yes? A lot of writers on this app and others, write "reader" as if tiny white women are the default.
And you know what?
If you wanna write that way, fine, but say that. If you so desprately want to write about Abby Anderson fucking a 5ft nothing white girl with blonde hair and green eyes - write that. But don't call that shit an "x reader" when you know its a self insert meant to exclude everybody that doesnt look like you. Dont claim to be a safe place for all readers if when POC say they feel excluded from the things you write, you say stupid shit like what this anon just did. If your shit is labeled "x reader" with no other warnings, one should be able to assume that they arent going to see any specifics about body type, hair textures, skin color or eye color - but no. Thats not the case.
I swear, every time we bring this shit up you bitches act like we killed your fucking grandma. If you dont wanna write in a way that everyone can consume, fine, but dont make it seem as if petite white girls are just the default human in every scenario. Theres a content warning over every fic, if you dont want to see how problematic it is to write as if whiteness is the default then the least you could do it leave a big fat warning in that little "CW" section to let us know that you didnt write this with the existence of people that dont look like you in mind.
Oh, and I do write my own stuff btw. Don't ever come in my inbox with this bullshit again. Pissing me off first thing in the morning😒
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annwrites · 5 months
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exactly what he needs, pt. 4 ♡ ⋆。˚
— pairing: nate jacob x fem!reader
— type: part of a series
— summary: nate & you have breakfast together, made by you. he then takes you grocery shopping, & later in the week, he finally asks you to be his!
— tags: cute lil domestic moments, you wearing nate's jersey, meeting the parents day 1, first kiss
— tw: dollification (mans isn't even trying to hide it anymore, he straight-up is tying bows in your hair now), eating, snooping, it being implied that nate has already thought about one day baby-trapping you if push-comes-to-shove, misogyny (he's so mean to cassie), threatening, f receiving oral, emotional manipulation, possessiveness
— word count: 11,661
— a/n: reader uses pads bc i use pads & we are all about self-inserts around here (i never learned how to use tampons, don't judge me). honestly, idk how nate would feel about pads. like, on the one hand, i can see him as seeing them as more "unsanitary", but also preferring it if reader is still a virgin. tbh, he prob just tries to pretend periods don't exist, & doesn't want to hear about it if you're on yours, apart from a slight heads-up & being informed once everything down there is back to normal.
i hope this doesn't seem like things are moving too fast in reader & nate already getting together, but tbf, nate & cassie had hung out for what? prob at most a couple hrs when fezco beat his ass, & then the boy is lying in the hospital thinking he's in love & wants to have babies with her. i say it's on-par for his character lol.
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The next morning after your day together is the first time Nate ever shoots you a text. 
A simple Good morning, sweetheart.
You stare at it for around ten minutes, your fingers hovering over the keyboard. You type up a reply, then delete it. Then type up another and backspace the entirety of it as well.
Finally, you press send on a simple Good morning. (:
Nate: Any plans for today?
You: Might clean the house a bit, then go grocery shopping.
You watch as three little dots dance on your screen, then suddenly disappear. You then suppose you’ve not supplied an incredibly interesting answer.
You toss your phone down on the bed, deciding to finally get up for the day. It’s nearly fifteen minutes later when you check your texts again and see that Nate replied…ten minutes ago.
Nate: How do you get your groceries home?
You: There’s a store not too far from here. If I don’t have very many, I usually just carry them as I walk. If I have quite a few, sometimes I take the bus.
Speaking of which, you need to check the schedule for it today and plan accordingly. That is, until Nate replies. 
Nate: I can drive you there and back. I don’t mind.
You begin to type, telling him that’s completely unnecessary, but you’re not fast enough.
A text from him pops up: omw
You throw yourself back on your bed, groaning. You’ve just woken up.
You hadn’t planned to go to the store for perhaps a few more hours. You want to at least wake up first. Eat something, then clean. Even if the house is already essentially spotless, but you have a cleaning schedule you try to adhere to to keep it that way. And to give yourself something to do on the weekends in your spare time.
Which is, apart from tutoring, all you really have.
You decide to just stay in your PJs—a pair of soft blue shorts with clouds on them and a white t-shirt.
You’ve already washed your face and brushed your teeth, as well as your hair—which is now in a bun atop your head.
You make your bed, opening your curtains, letting the morning sunshine into your room before you go to the living room and flip the lock on the door to let Nate in.
You then head to the kitchen to decide on what to make for breakfast. You’re torn between eggs and bacon, or waffles, with perhaps a small side of French toast, when you hear a truck roar into your driveway.
You’re torn from your debating over breakfast by a knock on the door.
“It’s open!”
Nate enters the house, slipping off his shoes, closing the door behind him. 
“I’m in the kitchen,” you call softly.
He comes to stand in the entryway. “Want me to give you a few while you get ready?”
He surely hopes you’re not the type who goes to the store in her pajamas, at least.
You turn around to look at him, leaning back against the counter behind you, crossing your arms over your chest. “Actually, I was planning on going later this afternoon. After cleaning. And eating… I haven’t had breakfast yet,” you say sheepishly.
“Shit,” he hangs his head for a moment, then looks at you again. “I’m sorry. I didn’t mean to fuck up your plans for the day. I just didn’t have anything to do this morning, so I thought I’d run over and help you out.”
You shake your head. “It’s ok. I appreciate it. You don’t have to stay if you have somewhere else you need to be.”
“I don’t. Not until this evening, at least.”
His dipshit dad wants everyone to have a family dinner together, while Nate wants to do anything else.
Like be here with you.
“Have you eaten yet?”
He has—a breakfast burrito maybe an hour ago. “No, do you want to go somewhere and get breakfast?”
“I could make us something instead?” You turn back around, opening the fridge again. “Any requests?”
He’s quiet for a moment, just taking you and this moment both in. You, still in your pajamas, having just rolled out of bed a little while ago, standing in the kitchen in the early-morning light, offering to cook for him. It’s all so…domestic. And a warm feeling forms in his chest at it—imaging this as his home with you. Imagining you’re both married and your kids are still asleep in the other room. 
You glance back to him.
He shakes his head to clear it. “I’m sorry, I’ve just never done—had this before.”
“What?”
“My-” he stops himself before he can say ‘girlfriend’. “A girl cooking for me.”
Your brows furrow. “Really? Neither Cassie or Maddy ever did?”
He chuckles. “I honestly don’t think of either of them know how.”
“That’s sad,” you state simply, before turning back around. “So, do you want bacon and eggs, or waffles, pancakes…I can do French toast?”
“Whatever you want to do is fine with me.” He likes that you know how to make so many things. That you want to do so for him. He’d chosen right with you. 
You turn around yet again. “You’re my guest, so you get to pick.”
He smirks, shrugging. “Bacon and eggs is fine with me.”
“How do you like your eggs?”
“Scrambled works.”
You nod, then start pulling out cookware.
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Nate had stood to the side, watching as you worked, occasionally sipping on a mug of black coffee—you’d put some on just after having gotten up. He’d asked more than once if you wanted help as he watched you flit about the kitchen, but you’d only smiled and shook your head.
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Finally, once breakfast is ready, you make the both of you a plate and carry them into the dining room, sitting his plate on one side of the table and yours on the other.
You take your seat before he can bother pulling it out for you. He tries not to let it irk him. He tells himself it’s because it’s a habit, since you’re in your own home. You’re not used to being catered to. But neither is he.
Thankfully, Nate had gone for a run after eating earlier, so he’s able to clean his plate. He doesn’t want your feelings hurt—for you to feel insulted—by him not eating every last bite. And it had been rather good, actually.
“You’re a good cook.” 
You look up to him, beaming. “Thank you, I’m glad you liked it. Do you want anything else?”
He leans back, shaking his head. “I don’t think I can fit anymore.”
You nod, standing, taking both your plates into the kitchen, placing them in the dishwasher.
You return to the dining room and remain silent as Nate types a message out on his phone, looking up to you as he tucks it back into his pocket.
“I’ll get dressed and then we can head out.”
He stands. “It’s warm out.”
You smile. “Thanks for the forecast.”
He smirks. “You could—if you want to—wear the skirt and top I bought you.”
You’d hung everything up to dry last night and had truthfully forgotten about all of it until his just-now reminding you.
“Unless you don’t like them?”
You shake your head. “No, I do. I just…I wish you had asked me first.”
“Would you have let me get them for you if I had?”
You wrap your arms around yourself. “Probably not.”
“Then I made the right decision to make it a surprise.” 
He heads in the direction of your bedroom, then, and you trail after him. “I just don’t understand why.”
You feel stupid, speaking to the back of his head.
He comes to sit in the swing-chair in the corner of your room. “Why what?”
“Why you bought me everything you did. I looked up the necklace, how much it costs…”
He’s unphased by it, knowing he’d spent well over a grand on you yesterday. But in truth, it hadn’t been nearly the amount he’d wanted to spend.
He'd wanted—more than anything—to take you into a lingerie store and blow a ton of cash on you there, watching you try on everything he asked you to. But he knew better. For now, at least.
“So I wanted to get you a few nice things. You act like it’s some sort of terrible thing for me to have done.”
You sit on the corner of your bed, facing him. “I’m very grateful. For all of it. I just…I hope you don’t think you need to buy my friendship, Nate. I’m not going anywhere.”
It has nothing to do with friendship. But he can’t tell you just how much it turns him on: spoiling you, buying you expensive things, the idea of you being covered in him—from shoes, to clothes, to jewelry, to perfume and more. It gets him off—makes getting off easier, in truth. Until he has your body to do that with, that is, at least.
He leans forward. “I’m glad to hear that. But you don’t have to worry—I never thought I did.”
He glances to your closet. “Do you want to get dressed?”
“I should probably check to make sure everything is dry. I hung everything up last night.”
You leave your bedroom, heading in the direction of the laundry room. 
Meanwhile, Nate stands, finally having a moment alone in your room. He wrenches open the drawer on your bedside table and is met with a couple remotes, a book, a few hair ties, a charging cable…nothing of interest. So he closes it.
Heart pounding, he peeks out your bedroom door—you’re nowhere to be seen—and he then opens the top drawer of your dresser next. Ever-organized, your panties are all in individual cubbies—all cotton, some solid colors, others with patterns printed across them, like small flowers and stars. He picks up a bra. White, with a bit of lace, a small bow in the front, another sage-green. Everything utterly virginal. He digs, but finds not one sex toy.
Perhaps you have them elsewhere. 
He jumps when he hears a door close. He steps into the hall a moment and sees the bathroom door is now shut. 
He returns to your room, getting on the floor and looking under your bed, where there’s only a couple vacuum-sealed bags full of clothes. He then quietly opens your closet. On the top shelf are a few boxes. He pulls down a shoe box, which, unsurprisingly, has a pair of brand new tennis shoes inside. He puts it back, pulling down another.
And it’s full of old Polaroids. They’re all from when you were younger. You and your dad, another of the two of you, a photo of a butterfly, another of a dog looking up at the camera, and he nearly drops the box when he finds a picture of the two of you. The pair of you can’t be more than six or seven-years-old, both of you smiling toothy grins up at the camera.
He flips it over. Written in faded blue ink on the back, it reads “Nate + Y/N ‘05”. He pockets the picture, putting the lid back on the box and setting it back in your closet. 
He stops snooping and sits back in his previous seat, unable to remember the picture ever having been taken. He wonders if you do.
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When you finally emerge from the bathroom, Nate is still sitting in the corner of your room, his head leaned back and eyes closed, hands folded in his lap.
You silently sit on the edge of your bed, folding your legs over one another, draping your new pink skirt over them. You don't want to wake him, so just as you begin to consider changing back, closing your door and cleaning the house while he rests, he slowly opens his eyes.
"If you'd like to take a nap, you can."
He shakes his head, looking you over. You look perfect. For the most part. "Don't want to wear your necklace today?"
You glance to the robin's-egg colored box on top of your dresser. In truth, you're a bit paranoid about wearing something so expensive. What if the chain breaks and by the time you realize, it's long-gone?
You then look back to him, watching as he stands, opens the small box, then removes the necklace inside.
He comes to sit down behind you, slipping the chain around your neck, fastening it into place.
He then begins to tug the hairband from your ponytail.
You half-turn your head back toward him. "What're you-"
"Do you mind if I do your hair for you?"
You're starting to wonder if Nate has some hidden interest in hair-styling.
"I...I guess not."
He slips your hairband free, it coming to rest on his wrist along with the one he'd taken from you yesterday.
You sit there silently, enjoying the feeling of someone else's fingers in your hair once again, your cheeks growing warm as you feel him pull one side of your hair into a pigtail—something you're not quite sure about, but you decide to only make a judgement once he's finished.
He then does the same with the other side, smoothing some hair down your back, before gripping both your upper arms. "Done."
You stand, walking over to the mirror set atop your dresser and inspecting the half-up, half-down style. One pigtail on either side, the rest of your hair against your back.
"I think you look really pretty like that," he says from the bed behind you.
Who knew the star-quarterback had hidden hair-dressing talents.
You turn back around to him. "So when do I get to do your hair?"
He raises a brow.
"I could put clips and bows and ribbons-"
"Do you have ribbons?"
He...he can't seriously want you to put one in his hair...
"Yes."
He stands. "Where?"
"In the bathroom, the second drawer below the sink."
He leaves you standing there as he goes to rifle through them, returning a moment later with two that match the color of your skirt.
"Nate-"
"Turn around."
You're not sure that you appreciate his demanding tone, but do as he says nevertheless.
Once you have bows tied around either pigtail, Nate puts his hand against the small of your back. "Let's head out."
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When the two of you arrive at the store, you go to get out, until Nate stops you by grabbing your left hand. "Wait for me to get it."
You sit back in your seat and wait for him to come around to your side. Once the door is open, you speak. "You don't have to come in with me if you'd rather wait here. I know grocery shopping, well, shopping in general, can be tedious."
He shrugs. "I don't mind."
He takes your hand, helping you down and shuts the door, leading you inside.
Nate stays close to your side as you toss various items into your cart—paying acute attention to each thing you do. You don't get a terrible amount of junk food, but he wishes you'd forgo the cereal. He'd already told you from here on out he'd be bringing you breakfast every morning.
He studies what kind of conditioner you use, what kind of lady razor, even your morning facial-wash. He briefly daydreams about getting you ready for the day—the detailed process he would go through to make you look like his own perfect living doll.
It's when you're in the frozen foods aisle that you briefly pause as he pretends to look over the frozen pizzas, when he's actually watching you. Watching you stare at a couple across the way, giggling and kissing each other, the girl's hand resting over her swollen belly, that is.
Hurt flashes across your features and he briefly grows angry, wondering if it's jealousy—if you know the man.
He steps over to you. "Do you know them?"
You jump in surprise at his presence, having been lost in your thoughts. You shake your head, throwing a bag of frozen vegetables in the cart. "No." You're quiet for a moment. "I was just thinking."
"About?"
You look at the happy pair again. "What that must feel like."
He places his palm against the small of your back, refusing to remove it for the rest of the shopping trip.
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Nate of course takes it upon himself to not only load every single grocery bag into the bed of his truck, but also unloading and bringing every one into the kitchen once you're home. He simply watches from a kitchen island stool as you put them away.
He eventually excuses himself to your bathroom, deciding to finally cross the boundary of going through your medicine cabinet.
He locks the door, turning the faucet on as he goes through the cabinet under your sink first. Some toilet paper, a box of pads, some pantiliners, cotton balls, cotton pads—basic bathroom paraphernalia.
He then starts pulling open drawers. One he's already familiar with, it's filled with small baskets which hold elastics, hair bands, bows, clips, headbands and the like. Another houses hot-tools: a curling iron, which looks barely-used, a straightener, which has clearly been well-loved—the company name all but rubbed off of it, even an old crimping iron, and a blow-dryer.
He moves onto the last drawer, which just has extra toothpaste, toothbrushes, some lotion, triple antibiotic, extra shaving gel, and some other odds-and-ends.
Finally, he opens the medicine cabinet, curious if you're on birth control. If so, that will be coming to a stop immediately. Not only does he hate the horrid list of side effects that come with it, but once the two of you start fucking, he wants to be in complete control of your reproductive options.
Needs to be if... Well, if he eventually decides he can't live without you and has to resort to drastic options to keep the two of you permanently connected for the rest of your lives, he'll have that option.
But all he finds is some Tylenol, Advil, expired allergy pills, an old prescription bottle with your dad's name on it, a bottle of mouthwash, a small cup of bobby pins, some q-tips, and a couple—of course—clean makeup brushes, a few other items here and there.
He quickly searches the shower and just finds a few bottles of various kinds of soap.
Finally, he flushes the toilet, turns the water off, and comes to join you in the kitchen.
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Nate had left not longer after you'd finished cleaning the house, him offering to help, but you telling him you could never ask a guest to do such a thing, so he'd instead sat on the couch, idly watching football, fantasizing once again about you being his perfect little housewife. Cooking and cleaning and grocery shopping for him, allowing him to dress you up and show you off.
It's in the moment as he watches you humming to yourself as you dust off the mantle that he decides this Thursday you'll finally be his.
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Nate continues on with the studying ruse to continue spending one-on-one time with you.
Monday, you'd done exactly as he'd asked: you'd worn the white dress, a pair of flats with it even, your new necklace, a hint of blush, and you'd even curled your hair, which had made him hard near-instantly.
It had taken everything in him not to hold your hand as the two of you walked into school. As soon as he spotted Lexi—the ridiculous look on her face as she watched the two of you—he pulled you in the other direction before you could see her yourself, seating you with him and his friends. When you had brought up going to find Lexi, he'd merely told you he thought it might be nice for you to meet some new people that morning.
He knew by their expressions that his friends had wanted to say something—anything about you—perhaps throw around some vulgar jokes, but the death-glare he greeted them with instead kept them talking about football and some party that had gone on this last weekend, which he'd been unaware of, too concerned with filling his time with you.
As the week went on, the two of you began to text more and more. You woke up everyday to him and went to sleep to messages from him. He'd even called you once, and the two of you chatted for almost an hour about everything and nothing. He would've been content to stay up all night listening to your voice, until you had gotten off the phone, telling him you were going to sleep and you would see him in the morning.
You had no idea he was outside of your house that night, watching your bedside lamp flicker off.
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Thursday after school, once the two of you are finished studying, Nate finally takes the plunge, praying to fucking God he gets what he's been dying to have for the last two weeks.
He pulls out his extra jersey from his bookbag, handing it to you.
You look up to him, confused.
"I thought you could wear it tomorrow to school, and the game that night."
You look down at it, the metallic number '18' on the front, then back up to him once more. "Isn't...isn't wearing a player's jersey to school something girlfriends usually do?"
He scoots the least bit closer to you, his legs on either side of your chair. He reaches up, gently gripping the back of your neck, light enough that it seems just a sweet gesture, but he knows what he means it as: him touching what is about to belong to him.
"Would that be such a bad thing?"
You blink once, twice. "What?"
He takes one of your hands in his free one. "Listen, the last few weeks," even if he knows it's only been two, but so little time together sounds...not the best out loud, "spending time with you has been a welcome change in my life. I know it started out as just tutoring, and we can keep doing that, of course. But, Y/N, I really, really like you. Being around you is just...so fucking easy. You're easy to talk to, to hang out with, to text with. And you're incredibly beautiful. And kind. And smart. Honestly, I could go on for the next hour, if not longer, about all your admirable qualities. Suffice to say that I'm very-much interested in being with you. And if you feel the same way that I do, then maybe we can give this a shot."
A strange, uneasy feeling comes over you. You tell yourself it's because you've never been asked out before. Never had someone show such blatant interest in you before like this. You're used to being alone, so of course the idea of being with someone—anyone—but especially Nate Jacobs, star football player, his dad's name being a household name in East Highland, and the guy every girl at school seems to want—seems unthinkable.
"I...I didn't think I was your type."
So does that mean you have thought about it? Being with him?
He runs his thumb over your knuckles. "I didn't think so either. But that's precisely why I think you're so good for me. You're not attention-seeking. Dating girls like that in the past has caused me nothing but trouble. You're not superficial. You care about shit—see things—in ways others just don't. Not at our age, at least. Not at our school. You're mature, responsible, know how to take care of yourself..."
He trails off, wanting you to reply. To just say yes. To give yourself to him.
"I don't know about this..."
His grip on your hand tightens just the smallest bit. "What's your concern?"
"How do I know you're not rebounding, from Cassie or Maddy?"
He shakes his head. "I'm not. I should've been done with Maddy a long time ago for the way she treated me. What she did at McKay's...I can never forgive that. And Cassie was a mistake from the first moment. We had both been drinking. And I just...I wasn't thinking clearly. But I am now. And I know what I want."
You look down to your lap. "And what if I screw things up? I've never dated someone before. I'd have no idea what to even do."
"Nothing here has to change. Not really. Us being together just means spending more time together." He fights back a smirk. "And me finally getting to kiss you."
Your head jerks up.
"Once you're ready," he adds on, knowing you'll be ready when he deems you so.
"And what if I'm just one more person to hurt or let you down?"
He feels like with that one question alone—you being so concerned for his wellbeing—he falls in love with you.
He releases your neck, now cupping your cheek. "You won't be. Do you think I haven't thought the same thing? You were abandoned by your mom. Your dad, too, essentially. The last thing I want is to be one more person to leave you. So I don't plan to.
"Listen, I'm not saying everything is going to be like a picture-perfect fairytale all the time, but I think so long as we're both happy, give each other our all, and consistently work at what we have, then we'll both be happy.
"Just in the time we've spent together, I've already opened up more to you alone than I have to anyone else in I can't tell you how long. I trust you."
He brushes the pad of his thumb over your lower lip and you want to cry from how gentle and sweet he's being—has been—with you.
Finally, you resign yourself to the likely fate of your first heartbreak.
"Okay."
His brows raise. "Yeah?"
You nod, a small smile on your face, your eyes filling with tears of joy. "Yes."
He stands, picking you up, wrapping your legs around his middle and your arms around his neck before spinning you around. "Oh, baby, I am going to make you so fucking happy."
You look down at him, and you believe it.
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When you wake the next morning, you only get so far as brushing your teeth and washing your face when you hear a truck outside.
Still half-asleep, you wander to the front door and look through the peephole to see Nate coming up to it, one of his arms behind his back. You briefly wonder if you'd overslept as you flip the lock and open the door.
He comes in, pressing a kiss to your warm forehead. "Morning, angel."
You look up to him with sleepy eyes. "Am I running late?"
He smirks, thinking of the things he'd love to do with you while you're still half-asleep like this. It'd be too all easy to take control in bed.
He shakes his head. "No, I'm early," he says, pulling a bouquet of a dozen white roses out from behind his back.
You gasp lightly, taking them from him. "They're beautiful." You look up to him. "You didn't have to bring me flowers now that we're together."
It feels oddly strange to say.
He presses another kiss to your forehead. "I wanted to. It's something I want to do for you, bring my girlfriend flowers, take her on dates," he shuts the door behind him, backing you up against the wall, the flowers clutched against your chest as he places his palms on either side of you. "I hope you know I intend to spoil you fucking rotten."
Your eyes widen. "Oh."
He smirks. "C'mon, let's go get you ready."
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Once you've put your flowers in a glass vase near a window in the kitchen, Nate takes your hand, leading you into the bathroom.
"Sit," he says before stopping himself, nearly opening the drawer to your straightener. He doesn't need you knowing he'd been snooping. "Straightener?"
"Uh...top drawer," you reply, seating yourself on the toilet lid
He retrieves the device, plugging it in.
As it heats up, he grabs your hairbrush from atop the sink and comes to stand behind you, running the bristles through your hair.
"You...you don't have to do my hair."
"I want to."
In truth, he wants to shave and moisturize your legs as well, then dress you in his jersey—picking out a bra and panties, too, before doing your makeup.
"Did you do this for Maddy and Cassie as well?"
He'd bought Maddy clothes, but she would've never let him dress her. Would've most-likely mocked him had he so much as given her a ponytail. Cassie was obviously a different story. "No. And we don't have to talk about them anymore. They're in the past now."
You fidget nervously with your hands. "Isn't that important—addressing our pasts to get to know one another better?"
Once your hair is free of tangles, he sets the brush down on top of the toilet tank. He then comes to stand in front of you, kneeling down to make the two of you level. "It is, but I don't want you to worry about either of them. You're the best thing for me now."
He sprays some heat-protectant on your hair before beginning to straighten it.
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Nate gives you some privacy as you go over your legs with a razor one more time before getting dressed, even if you'd shaved the night previous. When you're finished, you come to stand in front of the mirror, and you simply stare.
Your hair is like it was the other day when you went grocery shopping, only, instead of ribbons on either side, he'd used hair bands that have two small balls on them that match the color of the numbering on his jersey. He'd actually done surprisingly well in doing your hair.
When you step out of the bathroom, he's waiting for you in your bedroom, his extra jersey, which you'd had hung up in your closet, now resting on your bed.
You nearly want to pinch yourself, everything seems so unreal in this moment.
He picks up the blush he'd gotten you, along with a makeup brush from your hardly-ever-used vanity and he dips it into the fine powder before gripping your chin, swiping the brush over the apples of both of your cheeks once, then twice.
You giggle nervously. "I'm starting to feel like a living-doll or something."
He smirks, snapping the compact shut, setting the materials back where they go. "I just like taking care of you."
He picks up your diamond Tiffany necklace, one more sign of his ownership over you, and clasps it around your neck.
He nods down to the jersey. "I'll let you get dressed."
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Nate fights back a raging erection every mile to school. Here you sit, completely fucking covered in him, in the passenger seat of his truck. He'd done your hair, your makeup, bought the piece of jewelry you're now wearing, and his jersey hangs from your frame like a dress—he'd also picked out the white pair of tennis shoes from your closet that you're now wearing. Even eating a muffin he'd stopped to pick up for you.
He wants to pull over in a secluded spot somewhere and claim your virginity—one more part of you that will now belong to him—but he tells himself that will come soon enough.
If his plan works, you'll be in his bed, a whimpering, crying, whining, begging mess under him, sooner rather than later.
Your pussy will be his to fuck whenever and however he pleases.
He'll finally be back to no longer having to use his hand.
His fucked-up sexual fantasies of the two of you will finally get to come true
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When Nate pulls into the lot, he 'accidentally' steps on one of your shoelaces after you've gotten out of the truck. He lifts you back up into your seat, setting your foot atop his knee—just like at the bowling alley—and people watch from their cars as he ties your shoe for you.
Finally, he takes your hand, firmly twining your fingers together, before locking his vehicle behind the two of you, as you walk into school together.
And you feel yourself begin to sweat nervously with every pair of eyes that turn your way, some people clearly not thinking much of it—bless those few—while others react with shocked expressions, whispering amongst themselves, eyeing you up and down, making you want to crawl inside a hole.
You look up to Nate and he looks nothing short of confident and unbothered.
You then glance over to Lexi's table and Lexi's expression somehow looks...sad? Disappointed, maybe?
Cassie, however, is shaking she's so enraged.
You quickly balk and look away from her before sitting down beside Nate, thankful you had worn a pair of black bicycle shorts under his jersey.
You drown out Nate's football friends chatting with him about tonight's game as he places his hand on your knee, then slowly moves it higher, then higher, until it's on the middle of your thigh.
You can feel your face growing warm out of mortification. What if someone sees? Thinks that the two of you are...well, already doing that.
You're torn from worrisome thoughts, thinking perhaps you'd made a mistake—you're not sure exactly what choice to consider as much—by Nate squeezing your leg.
You blink up at him. "What?"
He nods toward his friend. "He asked you a question."
You look at the young man across the table, who's maybe a year younger than the both of you, with black hair and hazel eyes, braces still on his teeth.
"I'm sorry, I guess I didn't hear you."
"I asked if you were going to be at the game tonight, since you're Nate's new girl."
"Of course she is," Nate replies for you. "She'll be in the stands cheering us onto victory. Right, baby?"
You give him a nervous smile, then nod.
He's pleased with your agreeable response.
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When you get into second period, Cassie is already there, in her seat, which is just behind and diagonal to yours. You don't look at her as you lie your books on your desk, afraid to meet her eyes.
Then you hear her whisper "bitch" as you take your seat.
You slowly turn back to look at her, filled with hurt at the cruel name.
She gives you a nasty look. "What are you looking at?" She asks in a snide tone.
You turn back around without another word, fighting back tears for the rest of class, unable to think of anything else but how she'd always been so nice to you, and now despises you.
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Once class is over, you go out to your locker, so distracted that you don't see Nate leaning against the one next to it with a smile meant only for you.
A smile that immediately disappears when he sees the sullen look on your face, and your bloodshot eyes.
You fumble with your lock twice before finally getting your locker open.
"What's wrong?"
You nearly jump at the sound of his voice.
You shake your head, setting your books back on their shelves with shaking hands. "N-nothing."
He leans down closer to you and speaks gently, quietly. "Something happened. Tell me."
He isn't going to take no for an answer.
You shake your head and he feels his fuse growing shorter. "Did someone say something to you?"
You look up to him. "I don't want to cause any trouble."
He delicately laces his fingers through your hair. "You won't. Just tell me what happened, sweetheart."
You shift from one foot to the other, clutching one of your textbooks to your chest. "Cassie. She-"
His tone grows hard. "What did she do?"
"When I got into class she called me a bitch. I wasn't...I wasn't sure if I heard her correctly. I turned around to look at her and she just...she had such a mean look on her face and asked me what I was looking at, so I just turned around."
He clenches his jaw so hard he's sure it will break. If that stupid whore ruins what he'd just gotten to finally happen with you—making you his—he'll fucking kill her. Actually kill her.
He wants to make a scene right in the middle of the hallway, wants to show you just how far he's willing to go to protect you, even just your feelings, but he knows it will only frighten you away. Showing his devotion to you in extreme measures is something that will have to come in time.
He presses a firm kiss to your forehead, staring down Cassie across the way, who's watching the both of you with a devastated look on her face. He then looks down at you, lifting your chin until your eyes are looking into his own. "Just ignore her. She's jealous. That's all it is. Eventually she'll get over it and move onto her next flavor-of-the-month."
You nod, grabbing the rest of your things for third period.
He smiles down at you, brushing his knuckles against your cheek. "I'll be there in a minute. I'm going to run to the restroom first."
You nod, heading to class.
Once you're out of sight, he makes a b-line for Cassie.
And the dumb bitch is stupid enough to actually smile at him.
When he reaches her, he slams her locker shut with one hand—causing her to jump—keeping it firmly in place against it as he stares her down. "What the fuck is wrong with you?"
She shakes some hair off of her shoulder, looking up to him, back straight, eyes pensive. "I don't know what you're talking about."
"That's complete fucking bull. Y/N told me what happened in second period." He lowers his voice so only she can hear. "Let's get one thing straight, you desperate whore, if you screw this up for me, you won't like what happens to you. You have no idea the things I'm capable of—the lengths I'm willing to go to—when someone tries to destroy my life or take someone I love away from me."
She flinches at that—him admitting it—his feelings for you. And after such a short time...
"We had our fun, now I'm done with you, just like the other half of the male student population here. The fuck did you really think was going to happen with us? Did you think we'd...what? Get married, have kids, and live in a cul-de-sac in some fantasy where you're actually a good person that any man would deem worthy of marriage? I got exactly what I wanted and threw your ass to the curb when I got bored and you started acting fucking psychotic."
He points his finger at her face and she shrinks back against a locker, tears stinging her eyes. "Stay the fuck away from me, and even further away from Y/N. If I find out you've said another word—so much as come near her... Just try me, Cass."
With that, he steps away, heading to third period.
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After school, Nate drops you off, promising he'll be back that evening to pick you up before the game, and you give him a soft kiss on the cheek before he leaves.
Once you're alone, for some reason, you feel like you can finally breathe. Like some weight had been bearing down on your chest all day and has suddenly lifted.
You blame it on the crowded halls and your noisy classmates.
You leave your hair the way it is, but change into something more comfortable before finding something to eat and sitting down to do homework.
In the middle of finishing your math homework, you begin to think of what had happened with Cassie. It had hurt your feelings, but you aren't angry. If anything, you feel sad on her behalf. While she was, of course, partly to blame, she'd still lost her best friend and boyfriend both, as well as earning herself an even worse reputation around school. You tell yourself the anger isn't necessarily directed at you. That's she's just lashing out in general due to being hurt and alone, and you're an easy target.
You're not sure trying to make nice with her is a good idea, however.
Your phone buzzes, ripping you away from your worries about Maddy trying to come after you next, even if she seems to have far less interest in you and Nate—minus that day in the parking lot—when you check it. You see that it's from Nate.
Nate: Be by around 6 to pick you up.
You: See you then. (:
Nate: Make sure to wear my jersey. 🏈
You grin at his finally using emojis.
You: I will. ❤️
You're left with a little over two hours to yourself before he'll be there to pick you up again. So you take another shower, knowing you sweated a bit more than usual today, then lie back on your bed and try to distract yourself with a movie.
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Shortly before six, you dress in Nate's jersey again, and a fresh pair of panties and bicycle shorts before going out to sit on the swing in front of your house to wait for him.
You can't help but smile when he pulls up, butterflies in your stomach.
He comes around, opening the passenger door to the truck. Once you're seated, before you can buckle yourself, he does so for you.
You don't manage to say anything, such as telling him that him doing that really isn't necessary, before he shuts the door.
Nate rolls down the windows, blasting upbeat rap music on the way back to the school. You smile, thinking he looks cute when he's excited. He doesn't seem to exhibit that emotion a lot.
Then again, apart from winning at bowling, neither do you.
Perhaps the both of you are too serious for your age.
You lean back, a smile on your face, and he rests his hand on your upper thigh. You tell yourself you're fine with him touching you there.
That it doesn't make you uncomfortable.
That he's just trying to be a sweet boyfriend.
Once the two of you pull in, the parking lot is only sparingly filled. But the game also doesn't start until after seven.
Once Nate has helped you out of the truck, disliking that you'd already unbuckled yourself before he got a chance to, he takes your hand in his—his duffle bag slung over his other shoulder—as he heads in the direction of the field house. One you're around the backside of the school, he drops his bag on the ground, turning back to you.
He cups your cheek in his large palm. "Can I get a kiss for good luck?"
You hesitate for a moment. Then, "Yes," you say with a shy smile.
He smiles down at you in return before pressing you up against the brick building, then lowering his lips to yours.
He fights back a moan at finally getting to be this: your first kiss. The first one to taste you. The only person to ever have this intimate moment with you.
He opens your mouth with his, gently flicking his tongue against your own and he feels your body stiffen, until he does it again and you relax.
He stays like that for a good few minutes, his tongue tasting you, the sun beating down on his back as his form shadows your own, both your eyes closed as you, after seventeen years, finally find out what it's like to be kissed.
And it's slow and gentle and passionate. And you feel heat pool between your thighs.
You whimper against his lips and his cock hardens at the sound.
He pulls back just the least bit, his lips hovering over your own, which are now red, a bit swollen. "What was that?"
"I dunno," you say, gripping his t-shirt, pulling him back down to you.
He grows impossibly harder at the fact you want more.
He easily obliges.
He wants to move his lips down to your neck, wants to give you a hicky before you go sit on the bleachers for the game, but doesn't.
Finally, he pulls away, both your breathing labored. "Alright, I have to go get ready, my little good-luck charm."
You laugh at that.
He presses one more soft kiss to your lips before reaching down and grabbing his bag.
"Oh," he says, pulling his wallet out of his back pocket. "This is for your ticket." He hands you a five dollar bill. "And this is incase you want anything from the concessions."
He hands you a fifty and your eyes widen.
"I don't think a pretzel costs that much, Nate."
He shrugs. "Maybe you'll want a souvenir of your first game."
You stand on your tiptoes and he smirks, leaning down again as you wrap your arms around his neck. You press a soft kiss to his cheek, before whispering in his ear. "Good luck. And thank you."
He kisses your lips again before stepping away. "I'll look for you in the bleachers."
He begins to walk backwards toward the field house.
"I'll be there cheering you on."
He smiles at the image of that. "Maybe we can do something after."
You nod. "Good luck!"
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Surprisingly, when you go to sit on the bleachers, Cassie, who's gathered with the rest of the cheerleaders, doesn't look back at you but once, shortly after you first sit down. It'd only been a glance, and then her completely ignoring you, which you're beyond okay with.
You'd bought yourself a water before finding a seat, the day still hot with the sun out, even if it's beginning to slowly set.
A sense of thrill fills you when the players run onto the field, your eyes immediately honing in on number eighteen.
You feel your cheeks grow impossibly warmer when you remember your kiss from earlier.
You watch as the players gather around their coach, Nate removing his helmet as they—you assume—strategize. He glances up to you and gives you a wink and you smile in return, blowing him a kiss.
Once they break, Nate pretends to catch it, pressing it to his chest before putting his helmet back on.
You can't help but admire him in his uniform.
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You've never liked sports before tonight. But with Nate now being your boyfriend and out there on the field, you're completely engrossed. You sit on the edge of your seat the entire game, just watching him running this way and that across the field, blushing when you think about the two of you wearing matching jerseys.
And every time he scores a touchdown, which turns out to be a lot, you hop up from your seat, clapping and smiling, feeling proud of him.
In all honesty, seeing him plowing through the other players and tackling and just...playing the game...actually turns you on a little. Okay, perhaps a bit more than a little. It just makes him look so strong.
You wonder what he would think of that fact.
Once the game is over, the Blackhawks having unsurprisingly won, Nate removes his helmet, yelling and laughing in victory with the rest of his teammates. You smile, glad to see him happy.
He looks into the stands, searching for you and finds you in the same spot you've been in all night.
He waves his hand for you to come down and you do, coming to stand on the other side of the fence from him.
He rests his forearms atop it. "So, what did you think?"
You grip a few of his fingers. "I had fun, which I didn't expect." You giggle to yourself.
"What?" He asks with a smirk.
You shake your head.
"Well, now you have to tell me."
You look up at him from under your lashes and he can already tell he's going to fucking love whatever is about to come out of that pretty little mouth.
"You look really good in your uniform."
He leans forward. "Oh, yeah?"
You nod. "Mhm."
He reaches forward, gripping the one you're wearing, bringing you a bit closer to him. "So do you."
You kiss then, the taste of him now mixed with sweat and grass and fresh air.
He pulls away. "Climb over here."
Watch me fall or hurt myself, you think as you wedge your tennis shoe in the chain-link fence. Once you're halfway up, Nate lifts you the rest of the way over, and you wrap your legs around his middle, running your fingers through his slick hair.
"Sorry, I'm all sweaty."
You shake your head. "I don't mind," you say before kissing him.
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You wait for Nate outside of the field house, leaned back against the red brick stones, staring up at the millions of stars littering the night sky, feeling so completely happy for the first time in you're not sure how long.
Once players begin to file out, you watch for Nate to be among them. When he exits, he glances in your direction, coming over to stand in front of you, offering you his hand. "Ready?"
You nod.
Once you're in his truck, he stands in the passenger side doorway, one of his arms resting against the top of the truck, his other hand against your left calf.
"I've had a really great night, and I don't really want to just drop you off at home, and then it ends."
You just look at him, waiting for him to continue.
"If I ask you to stay the night at my place, will you?"
You shift in your seat. "Doing...doing what?"
"Just sleeping," he states. "Maybe we can watch a movie in bed or something."
You think about it for a moment, not sure you're comfortable with moving this quickly.
"What about your parents?"
"What about 'em?"
"They won't mind you bringing a girl home late at night?"
He shakes his head. "I mind my business and they mind theirs. If I want to invite someone over, they're not going to tell me no."
You think that's a very unconventional way to parent, especially when it comes to him having a girl in his room—in his bed.
"You don't think it's a little early for me to be spending the night?" You ask gently, using a kind tone to try and prevent hurting his feelings.
He's quiet for a moment, now looking away from you. "I'm sorry. I guess I got too excited to spend more time with you tonight. It was a stupid idea. I shouldn't have asked in the first place. Just forget I did."
He goes to pull away and you suddenly feel bad. You'd hurt his feeling anyway. Something you had told him you didn't want to do just yesterday.
You quickly grab his hand. "No, I'm sorry. I just...I don't-" you scramble for some excuse that isn't 'this makes me uncomfortable'. "I don't want you to get the wrong impression about me."
He softens, stepping closer to you again, his hand sliding up your thigh. "Like what?"
You relax at the tension quickly dissipating. "Like..." you bite your lip. "Like I'm easy. Or...or a slut. Or-"
That same hand comes up to caress your cheek. "Baby, you'd never even had your first kiss before tonight. I could never think that about you. You're probably the most innocent girl—person, even—at this school. And like I said, we'll only be sleeping."
You look at him for a moment. "I don't have a change of clothes. Or a toothbrush or-"
"You can just wear something of mine. And we have extras, I'll just give you one."
Finally, you cave. "Ok."
He gives you a gentle smile. "Ok."
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When you and Nate pull up to his house, you suddenly feel inadequate at the large home that looms before you. Two stories tall and very, very expensive looking.
You're so busy studying the extravagance of it that you don't notice Nate unbuckling you.
"Your house is-"
"Obnoxious, I know."
He helps you down, taking your hand in his before grabbing his bag and heading inside.
You glance around the foyer, but not for long before Nate begins pulling you toward the stairs. And then you hear his name being called from down the hall.
He stops in his tracks, rolling his eyes.
"Is that your mom?" You whisper.
He drops his duffel bag, which thumps against the floor. "Yeah."
"Nate, come in here, I want to tell you how great you were tonight!"
You take one of his hands in both of yours. "Can I meet her?"
He pulls his hand away without answering. Only, instead, giving you a 'wait here' before walking away.
You stand there, unsure about the sudden shift in his mood. It was like it had happened gradually on the way over and only became more extreme the moment her voice called to him.
Does he really hate being here that much?
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When Nate enters the kitchen, his mom is making a salad at the island, his dad grabbing a beer from the fridge.
Marsha walks around it, gesturing for Nate to lean down to give her a hug, which he does, and she plants a quick kiss to his cheek. "You were so great tonight, honey. Your momma is very proud of you."
He nods. "Thanks."
He glances back down the hall, and then his dad speaks. "You left yourself open too much in the first quarter. I've said it before and I will again, you need to work on that, son."
Nate's fists tighten at his side.
He glances back down the hall again and immediately regrets it.
"Do we have company?" His mom asks.
"No. I do." He takes a step away.
"Wait, hold on. Who is it?"
He rolls his eyes. "Does it fucking matter? I need to get back to her-"
He lets out a low swear. He just had to say 'her'.
His mom crosses her arms, now interested. "Her? Did you bring a girl home?"
"I think your mother means 'another girl' home."
Nate glares at his father as he takes a swig of his beer. Finally, he looks back to his mom. "Yes."
Her brows raise. "Well, do I get to meet her?"
Nate sighs. He steps out of the kitchen, and you look up at him, now full of nerves. He jerks his head in the direction of the kitchen.
You walk up to him. "Is everything ok?" you whisper as he takes your hand.
"It's fine." Is all the reply he gives you before pulling you into the kitchen with him.
Your eyes look this way at that, taking in the lovely décor and the beautiful island and appliances, then looking to his mom, then his dad, who seems to be watching the two of you with no more than idle amusement.
"Mom, dad, this is Y/N. Y/N, these are my parents."
His mom steps forward first, pulling you into an unexpected hug, but you quickly embrace her in return. You don't want to admit how nice it feels to be held by a mother, even if she isn't your own.
Finally, she pulls back, holding you in place by your upper-arms as she looks you over. "Well, don't you just look adorable in Nate's old jersey."
You flush a shade of crimson. "Thank you."
She releases you, placing her hand over her chest. "I'm Marsha, the mom. And this is-"
"Cal," His father finishes, stepping up to the island, reaching across it to shake your hand.
You nearly tell him you already know his name, but refrain, knowing doing so will only make this moment more awkward.
Once introductions are through, you step back to Nate's side.
"It's nice to meet the both of you."
"Oh, she's polite!" His mom chimes in. "I already like her a lot better than Maddy. Not that that's hard to achieve." She takes a bite of her salad, swallowing. "She was a truly awful girl."
Nate wraps his arm around your waist, but before he can pull you away and get you upstairs and locked away inside his room with him, Cal speaks. "Going through 'em awful fast, aren't you, Nate? That's what, three girls now, in almost as many months?"
You feel nothing short of embarrassed, perhaps even a little ashamed, at his comment.
Nate's grip on your hip tightens painfully for a moment, and you're sure it'll leave a bruise, but you don't speak, instead just bearing witness to the now-taut silence enveloping the room.
Nate steps away from you, going over to the fridge.
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Nate grabs a beer, Cal going to grab himself another, until Nate speaks so low only he can hear. "Not nearly as fast as you, though, am I?"
"Excuse me?"
"You're such a fucking asshole. Leave me," he glances to you, then back to his dad, "And her alone. Stay out of my way, and I'll stay out of yours like we usually do."
With that, Nate comes over, firmly gripping your hand, and leading you upstairs.
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Once Nate has shut the door behind the two of you, locking it, he throws his duffle bag down, then grabs a pair of boxers and sweatpants from his dresser before going into the bathroom, slamming the door behind him.
You seat yourself on his bed, wondering what, exactly, had been said between he and his dad to make him so upset. Unless it was the comment about him going through girls? On the one hand, it was kind of a shitty thing to say. On the other, parents sometimes give their kids a hard time. It comes with the territory.
A few moments later, Nate emerges from the bathroom, shirtless, his sweatpants hanging low on his hips and his hair damp and tousled.
You feel that same heat from earlier when he'd kissed you settling between your legs again. Then you tell yourself now is not the time—he's upset.
He walks over to his closet.
"Are you ok?" You ask softly.
He hands you a plain black t-shirt. "Here, you can wear this to bed after you've showered."
So he's not ready to talk about it just yet. "What about bottoms?"
He lies back on the bed, one of his arms slung over his eyes. "Nothing I have will fit you. The t-shirt is fine."
You accept that, padding into the bathroom, shutting the door behind you.
When you emerge, it's in Nate's shirt, a fluffy towel wrapped around your wet hair.
He's still lying on the bed in the same position from earlier.
You rub the towel against your hair a few times, then drop it in his hamper before coming to sit with your legs crossed beside him. You're silent for a moment, trying to think of the right thing to say. Finally, you just make a simple offer.
"Do you want me to leave?"
He shakes his head, his other arm coming to rub up and down your spine. "No."
"Do you want to talk about it?"
He lowers the arm from over his eyes, which are now open, staring up at the ceiling. "There's nothing to talk about. I told you: he's an asshole."
You shrug. "He's your dad. Picking on you is kind of part of his job."
"That's not why he said it. It's not why he does any of the shit that he does. It has nothing to do with him being my dad."
"Maybe he just-"
He looks at you then. "Can we just not talk about my dad while we're in bed together?"
You withdraw into yourself a little at his sudden irritation. And how he had worded it. Like you're doing something other than just talking.
"Ok, I'm sorry."
He notes that your tone now sounds slightly frightened. He sits up, leaning on his arm, his free hand coming to grip your waist. "No, I am. I didn't mean to snap at you. It's just him. It's always fucking him."
"Have the two of you ever considered sitting down and just having a heart-to-heart?"
He snorts, then looks at you like that's the stupidest idea anyone has ever come up with.
"Lie down with me," he says, pulling back the covers, which you then crawl beneath.
He pulls you against him, his arm under your neck, fingertips lightly tracing the tip of your shoulder. "Thank you for being here."
"You're welcome. I'm very proud of you tonight. It sounds like your mom is too."
He bends the arm that's not holding you behind his head.
"I'm glad you stayed."
"Of course I did," you say, resting your hand over his chest. "I thought I hated sports until tonight. I had a fun time watching you."
He looks at you. "Good."
He then slips his arm out from under you, your head falling back against a pillow which smells of cologne and him. He hovers over top of you, scooting you lower before he presses a kiss to your forehead.
You panic. "Nate..."
He looks down, but you grab his chin, which he doesn't expect.
"Don't look."
His brows furrow.
"The t-shirt sort of rode up."
He bites back a smirk. So you're half-naked underneath him, then.
He lowers his body onto your own. "There, now I can't see."
You remain staring up at him.
He plants a soft kiss to your cheek. "Is this ok?"
You're quiet for a moment. Longer than he'd like. Until, finally, "I guess so."
That's all the permission he needs before he starts kissing you. He teases you with his tongue again like earlier, since you had seemed to like that so much, before he eventually moves lower, pressing hot, wet kisses to your neck.
He moves from one side, and when he gets to the other, you jerk underneath him and whimper.
So he kisses that same spot again and your breathing quickens.
His cock fills with blood, knowing he's found a sweet spot.
And so he kisses and sucks at the sensitive skin, until your hips have risen up against him, your arms around his neck and you're panting. He flicks his tongue and you moan in the back of your throat, your control slipping more and more with each kiss. He doesn't stop until he's sure you're soaked and he sees that he's left a purple bruise in his wake.
When he looks down at you, your face is flushed, your lips slightly parted, your hair a mess. It'd be so fucking easy to have his way with you right now. But it would ruin everything to do it this soon.
"Did you like that?" he asks, smoothing some hair from your face.
You nod.
He wonders just how far you'll let him go tonight, short of him breaking your hymen with his cock.
He grips your hip in one of his hands, then moves it higher, to the curve of your side, then higher, until you reach down, firmly grabbing his wrist, his hand now underneath his t-shirt that's barely even covering you now.
"Do you want me to stop?"
"I-" you shut your mouth.
In truth, all you want is to touch yourself. Or maybe let him. No. You can't do that. Not this soon. God, what are you doing? In his bed, nearly naked—nothing covering your bottom half, which is now so wet your thighs are slick from it—and wanting nothing more than to tell him to keep going.
You've never felt like this before. But you've also never had any form of intimacy with another person before.
Only ever yourself.
He gives you a look of understanding. "I don't give a shit what society expects of you. What you think you're supposed to do. I want to know what you want, right now, in this moment."
Finally, after a beat of silence, you release his wrist.
He slowly pushes up the t-shirt higher, then higher, until he can see the bottom swell of your breasts, then he pulls it over your head, tossing it on the floor.
And he just marvels at you. Your naked body lying back against his dark sheets. He still has his lower half covering your own, but knows he'll get to see every inch of you before the night is through.
He leans down, taking one of your nipples in his mouth and you throw your head back.
He grips your hips, trailing his tongue over to your other breast, now sucking on it. He looks up to you. Your eyes are now closed, head thrown back, mouth slightly parted.
He rolls a nipple between his teeth and your hips lift, which he pushes back down into the mattress.
He moves back to your other breast, doing the same, willing a whimper or a cry from your lips. Even his fucking name. Instead, you're so damn quiet. Maddy and Cassie had both been vocal—sometimes overly so. This he's not used to.
Finally, he lifts his head and your eyes pop open, wondering why he's stopped.
"Are you not enjoying it?"
Your brows furrow. "What?"
"You're not really making any noise. Are you this quiet when you touch yourself?"
You wait a moment, then nod. He just tells himself that he won't stop until he's changed that fact, then.
He dives back down, devouring your breasts again, then kissing between them, gradually moving lower and lower, until he's right below your belly button.
You suddenly sit half-up, leaning back on your forearms.
"Do you want me to stop?" He asks.
Your heart is pounding, and there's an incredibly strong pulse going between your thighs. A million thoughts race through your head. The most prominent one: is this why he'd given you attention in the first place? To make you another notch in his belt?
"This...this isn't all you wanted me for-"
"No. I want you. All of you. Being intimate with you is just one part of it. I don't plan on having sex with you tonight. When I take your virginity, I want it to be perfect. For your sake. There's just something I want to try."
He releases one of your hips, twining his fingers between yours for reassurance. While he understands your hesitancy, he wishes you'd lie the fuck back down and spread your legs for him.
Until, finally, you do.
He kisses down your stomach, then is pleased to see that you'd recently shaven your pubic area.
He makes a mental note to start setting you up appointments, which he'll be paying for, so you can get waxed regularly. At least he won't have to worry about stubble or ingrown hairs at that point.
When he's finally eye-level with your pussy, his throbbing erection grows impossibly harder. You truly are fucking perfect in every way.
He lowers his mouth onto you and, finally, you cry out at the unexpected feeling.
He quickly throws both of your legs over his shoulders, spearing his tongue, burying it in the heat between your thighs. He flicks your clit and your fingers tighten around his.
God, you're already so fucking wet. He blames it on your being a virgin—not that he doesn't absolutely fucking love it.
So he does it again. And again. He then swirls his tongue this way and that, sliding up your soaked folds—God, you taste fucking amazing—then back down again. Finally, he pulls back the least bit and he hears you whine in response as he begins to kiss your inner thighs.
At least he'll have this to use against you when the time comes: a bit of oral sex, leading you right up to the edge, and then denying you an orgasm unless you do what he wants will be a perfect weapon against you.
Finally, after wiggling your hips more than once, clearly wanting his mouth back on your pussy, he gives you what you've silently asked him for.
He kisses, licks, sucks, bites—lightly—until he focuses solely on your clit.
He hopes you scream when you fucking cum just so his dad has to hear it.
Instead, that fantasy is broken when you release his hand, pulling one of his pillows over your face as you finish against his mouth, your hips lifting, which he once again pulls back down as he continues eating you out.
He only hears your muffled cries—he can swear he hears you say his name—until you finally drop the pillow on the floor, trying to catch your breath as he presses a few kisses to your now-pulsating pussy.
He rests his chin against your pubic area, watching as you slowly begin to calm, your legs still over his shoulders.
"How was that?"
You feel dazed, your legs like jelly, even a bit sweaty. "Good."
He raises a brow. "Just good?"
You tangle your fingers in your hair, the pulse of your pussy just now beginning to calm. "Really, really good."
"You liked it that much, huh?"
You nod.
"How much?"
You sit up, your muscles now feeling weak. "I loved it, Nate. T-thank you."
He studies you for a moment, considering. "Do you want me to do it again?"
"Really?"
He notes just how eager and excited you sound. Almost desperate for it—for him.
And in that moment, he knows he finally has you exactly where he fucking wants you.
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sparrowlucero · 6 months
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Even if a creator is a bad person it's still okay to like their work. People need to mind their own business.
Honestly it's not really that sort of situation. I'll actively defend Steven Moffat here.
There was a huge hate movement for him back in the early 2010s - which, in retrospect, formed largely because he was running 2 of the superwholock shows at once, one of which went through extremely long hiatuses* and the other of which was functionally an adaptation of an already well regarded show**, making him subject to a sort of double ire in the eyes of a lot of fandom people. Notably, his co-showrunner, Mark Gatiss, is rarely mentioned and much of his work is still attributed to Moffat (and yes, this includes that Hbomberguy video. Several of "Steven Moffat's bad writing choices" were not actually written by him, they were Gatiss.)
People caricatured the dude into a sort of malicious, arrogant figure who hated women and was deliberately mismanaging these shows to spite fans, to the point where people who never watched them believe this via cultural osmosis. It became very common to take quotes from him out of context to make them look bad***, to cite him as an example of a showrunner who hated his fans, someone who sabotaged his own work just to get at said fans, someone who was too arrogant to take criticism, despite all of this being basically a collective "headcanon" about the guy formed on tumblr. Some if it got especially terrible, like lying about sexual assault (I don't mean people accused him of sexual assault and I think they're making it up, I mean people would say things like "many of his actresses have accused him of sexual assault on set" when no such accusations exist in the first place. This gets passed around en masse and is, in my opinion, absolutely rancid.)
On top of that a ton of the criticism directed at the shows themselves is, personally, just terrible media criticism. So much of it came from assuming a very hostile intent from the writer and just refusing to engage with the text at all past that.
Like some really common threads you see with critique of this writer's work, especially in regards to Doctor Who since that's the one I'm most familiar with:
A general belief that his lead characters were meant to be ever perfect self inserts, and so therefore when they act shitty or arrogant or flawed in any way, that's both reflective of the author and something the show wants you to view as positive or aspirational.
An overarching thesis that his characters are "too important" in the narrative due to the writer's arrogance and self obsession (even though this is a very deliberate theme that's stated several times)
A lot of focus on the writer personally "attacking" the fans or making choices primarily out of spite.
A tendency to treat the show being different to what it's adapting as inherently bad and hostile towards the original.
Just generally very little consideration and engagement with the themes, intent, etc. of the shows
This one's a little more nebulous and doesn't apply to all critique but a lot of it, especially recently, is clearly by people who haven't seen the show in like 10 years and their opinion is largely formed secondhand through like, "discourse nostalgia". Which. you know. bad.
I think these are just weird and nonsensical ways to engage with a work of fiction. I also think it's really sad to see the show boiled down to this because that era of who is, in my opinion, very thematically rich and unique among similar shows, and I'm disappointed that it's often dismissed in such a paltry way.
This isn't to say people aren't allowed to critique Steven Moffat or anything, but the context in which he basically became The Devil™ to a large portion of fandom and is still remembered in a poor light is very tied to this perfect storm of fan culture and I just don't agree with a ton of it.
* I'm sure most people have seen the way long running shows and hiatuses will cause people to fall out with a show, with some former fans turning around and joining a sort of "anti fandom" for it while it's still airing. That happened with both these shows. ** Doctor Who will change it's entire writing staff, crew, and cast every few years, and with that comes a change in style, tone, theme - the old show basically ends and is replaced by a new show under the same title. As Steven Moffat's era was the first of these handovers for the majority of audiences, you can imagine this wasn't a well loved move for many fans. *** I know for a fact most people have not sought out the sources for a lot of these quotes to check that they read the same in context because 1) most of them were deleted years ago and are very difficult to find now and 2) many of them do actually make sense in the context of their respective interviews
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amoscontorta · 13 days
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Hi, I write fanfiction about Love and Deepspace. Currently Sylus-specific, although I love and appreciate most of the LIs. Full summaries and tags are in each link.
Alike and cornered beast, Sylus's POV | ao3
I was desperate for Sylus's point of view during the first time that MC meets him in the Alike and Cornered Beast chapters of Long-Awaited Revelry. I wanted to know why he touches MC so reverently but also quite brutally, so I spent a lot of time thinking about possibilities and this is the result.
Roleplay, undercurrents, and rising curtain, Sylus's POV | ao3
It really bothers me in the game that the clearly traumatic experiences MC undergoes in the canon storyline don't seem to have any consequences for MC's character development. Yes, yes, this is a self-insert gacha mobile game, blah blah. MC has PTSD from chapter 4 (you know the one), and no one can convince me otherwise, so I re-wrote the auction bits from Sylus's POV to fix this grievous oversight, because I am also firmly convinced he is a champ at handling MC's trauma.
No way out, revised | ao3
I thought that MC was too mean to Sylus in his 4 star No Way Out card, and I didn't like it, so I fixed it. I mean, I rewrote how it went like a proper rabid fan. Sylus shows up injured near MC's place, MC tends to his injuries, and he takes advantage of the situation like a vampire and secures himself an open invitation into MC's home whenever he 'needs' it.
Datura tea, or how all you want is to get some sleep | ao3
You're suffering from insomnia due to untreated PTSD (probably, I don't know, I'm not a doctor or a therapist) from your family getting, well, exploded, and the longer this goes on, the sloppier you become in combat and just existing, and a bad idea is born (let's go to the club alone, drink enough to finally get drowsy and then go home and finaaaaally sleep it off). Zayne treats some of your injuries, Mephisto does Sylus's stalker bidding, and guess who appears at the club right before you're about to probably violate the Hunter's Association code of conduct on an idiot who has a hard time taking no for an answer? Spoiler alert: he can't sing but he can dance, even if he chooses to dance to the music he'd rather be hearing than the music actually being played. Full of clichés but hopefully with refreshing twists.
Sylus gets a headache | ao3
Sylus has secured the promise from you that he can use your place as a safe house if he's in the area and needs it. Sylus's definition of "need", it turns out, might be different than your own, as illustrated by the first time he shows up unannounced at your door.
Wine time with Sylus | ao3
Sylus invites himself over, helps himself to your first aid kit and your kitchen, manipulates you into tasting wine with him, discusses his latest business venture, and gifts you more than one present before he's good and ready to finally leave.
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cosmokrill · 2 months
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Pressure fandom rant incoming.
Oh my GOD guys, SHUT. UP. Respect the wishes of the creators. Do you think they knew how much the game was going to blow up? Did you stop to realize that Zeal's comment about decreased Kroner for deaf mode was a stupid idea just thrown out off the top of his head before he went to sleep? Do you think the dev team was going to genuinely consider that? And if you made and felt almost intimately attached to an OC that you helped create, are you not allowed to personally feel annoyed when others ship themselves with them or give them a completely different personality than the one they have?
Get over it. Sebastian is canonically a married man. I think he looks cute with the wedding ring that he fiddles with. Zerum being his wife does not change the lore. The characters in Pressure are just OCs that have gotten stupidly popular.
Speaking from the perspective of someone who has had to deal with a person trying to force one of my characters into a romantic relationship with one of theirs, I can understand wanting to crack down. If I said that my OC Luther was my husband in his lore, his story gets popular, and people start drawing themselves dating him, I'm allowed to be mad. I'm allowed to be uncomfortable.
The devs did nothing wrong by adding the rule against posting ship art of Pressure characters in the discord server. They're not banning Pressure ships from ever existing online. Admit that your drawing of your self-insert kissing Sebastian is just not going to be liked by some people. Just enjoy the damn game.
You need to remember that these are not your characters. You do not know why a decision about a character was made until the creators tell you. You can do whatever the hell you want with Sebastian, just don't get pissy if his creators don't like it.
Apologies, I'm just very tired and angry and I need to speak my mind. I don't do that enough because I fear getting canceled over the smallest opinions in this day and age.
Have a Sebastian sketch for your troubles. Truthfully, I might delete the rant later and just keep the art.
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tossawary · 4 months
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This is a very niche fic idea that I have no solid intention of actually writing, but... "Naruto" has more than a few self-insert fics and some of them are transmigrations into canon characters. Some of them are about OCs who do not want to be a ninja and are desperately trying to get out of it. There's usually some deliciously frustrating tragedy and horror about the brutal and inescapable military system of Konoha.
So, I thought that it would be kind of interesting to do an OC-insert into Sasuke, probably ultimately more comedic than angsty, as the OC tries to fail out of having to become a ninja, but then has to struggle against the fact that a civilian Sasuke would probably be expected to start a new Uchiha clan ASAP. (They probably have to concede to at least becoming a genin for the benefits of legal adulthood of some kind at 12 years old, even if it means being a part of the damn military.)
But even if the OC would personally love to be a parent someday, they cannot condone participating in what's essentially a breeding program for a new generation of Sharingan-wielding super-soldiers. Children who are probably going to be chewed up and spat out by Konoha someday too.
I think it would be neat to have a character treat the Sharingan like a genetic disorder that they don't want a child to suffer. I think it would have been interesting if canon Sasuke had also wrestled with the idea of letting the Sharingan die out. Fuck it, he'll adopt if he wants to be a dad someday. I also think it would be funny to have an OC-insert whose goal is to get a secret vasectomy (body autonomy!) without the leadership of Konoha finding out.
Sasuke, as soon as Sakura becomes a medical nin: "I need you to do me a huge secret favor and NOT be weird about it."
Sakura, also still currently a teenager: "You're asking me to CASTRATE YOU, AT HOME, IN SECRET, HOW AM I SUPPOSED TO NOT BE WEIRD ABOUT THIS?!"
(And there's the whole fucking issue of the "Naruto" universe having cloning, so, no, a vasectomy isn't a solid guarantee of getting out of this. But it might buy Sasuke a few years to figure out how to avoid the mad science route too if anyone tries to force marriage on him at any point.)
Even throwing aside the issue of children, even in an AU where the OC-Insert is cool with having bio children, I think it would be really funny to have a Transmigrator Sasuke announcing outright in the first Team 7 meeting that his dream is to retire super early and become a shinobi tradwife to a super strong ninja.
Kakashi: "...What?"
Sasuke, possibly talking out of his ass to troll his team and because he's already spitefully exhausted: "I said what I said. I'm the only Uchiha left to pass on my clan's techniques, so my dream is to be a stay-at-home ninja, supported by a super strong spouse who can protect my family."
I think this would break Naruto and Sakura's brains. ("Marry Hokage Naruto" is not the worst plan that a transmigrator could come up with, probably.) I think that this would be a super funny start to a Team 7 OT3 in which Naruto and Sakura become rivals for the position of Sasuke's shinobi sugar daddy/mommy. (Naruto doesn't consciously realize that he's competing for Sasuke's hand in marriage at first, but he gets it after a few years or so.)
Kakashi is... So Tired. Obito, are you seeing this shit??? What the fuck.
I know some OC-insert / SI-insert into Sasuke fics exist, I just think the funniest plot direction for a transmigrator in this situation would be to completely bail on both the "take revenge on Itachi" and "rebuild the Uchiha clan" dreams in the least macho ways available.
Also, what WOULD Itachi think of Sasuke abruptly deciding to give up on revenge and to become a house husband instead?
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madamefeu · 24 days
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Hi! Here’s what your favorite Hazbin Hotel ship says about you!
Radiodust: You're an old-timer who's been around since the pilot. One off-handed joke about Angel Dust wanting to suck Alastor's dick was all it took for you to start shipping them. You always ship the two most attractive male characters together in your fandoms, even if they have no real connection
Huskerdust: I’m not going to touch this one because I’ll probably get death threats if I don’t tell the Huskerdust fandom exactly what they want to hear
Radiorose: Hello, aro-ace community! You love this because they're the closet thing to a canon queerplatonic couple that currently exists in mainstream media, and as a fellow aro-ace, I’m in the exact same boat
Chaggie: You like the idea of forbidden love, but you're not interested in handling all of the social/political ramifications of it, and would prefer to conveniently gloss over both of those things just like in the show. This ship has the flavor profile of vanilla ice cream with chocolate chips, and so does your personality
Lucifer/Lilith: You only want one thing in this life, and that is for a powerful woman to step on your neck. You are a bottom to end all bottoms
Radioapple: Daddy kink, but in a voyeuristic way. You like watching two dads doing each other, but there is no way you’d ever let them touch you, no, all you want is to watch them go at it
Rosiemilla: Mommy kink, but in a voyeuristic way
Radiohusk: Oh, you would let a man do unspeakable things to you if he was hot enough. You read dark romances and you want a dark romance to happen to you in real life
Cherrisnake: You are absolutely terrible at handling your feelings for everyone you've ever crushed on, and will try to convince yourself that you hate the object of your affections because you lack the courage needed to make a move on them. It would take a life or death situation for you to tell your crush how you really feel about them, and even then you'd be more afraid of telling them than of dying
Guitarspear: Hello, Adam simps! You binge-read workplace romances and you fantasise about dating your boss even though he's a dick 90% of the time. Strangely, the fact that he's a dick makes you even more attracted to him
Staticmoth: Your ideal ship is two horrible people who deserve each other. You want what they have, but at the same time you don't
Zestmilla: Your preferred aesthetic is old married couple core, and I respect that. You binge-read found family fics on AO3, and your favorite tag is hurt/comfort
Radiostatic: You love the idea of someone being obsessed with you when you have no interest in them. You like to laugh at their, quite frankly, pathetic attempts to get you to notice them, and you're waiting for the day when the penny will drop and they'll realise that they are nothing to you, and never will be
Arackpentious: You have never cared about canon, and you don't intend to start now. You probably simp for Sir Pentious and use Arackniss as a self-insert. We know barely any canon information about him, so it's easy for you to project yourself onto him so that you can get doubly-dicked down by the Victorian snake man
Charlastor: You're all about the aesthetic. You got into this ship because there's an abundance of gorgeous fanart for it, even if there's no chance of them being together in canon. You don't care about that, however, because they look beautiful together and that's all that matters to you
Radiomimzy: You wish that the old canon of Mimzy being Alastor's girlfriend was still canon
Royalhalo: You hate Vaggie and you think that Charlie deserves better than her, and who better than the sugary sweet angel who was the first to hear Charlie out and argue in her favor when she found out the truth about the exterminations?
Cherridust: You are aggressively heterosexual and you believe that it is impossible for a man and a woman to be friends without one or both secretly harboring feelings for the other. You binge-read friends to lovers fics on Wattpad, and if a man so much as says hi to a woman, you will ship them
Cherrimoth: You like enemies to lovers, but in a bitch eating crackers kind of way. You either have a crush on someone that you love to hate from afar, or you want to fall in love with someone who hates you from afar
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tolkienocweek · 4 months
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Tolkien OC Week
A fandom event for OCs and underdeveloped characters in Tolkien's world!
This event celebrates both characters of Tolkien's world and our own characters that need more love, by creating and reblogging all kind of fanworks, like fanfiction, fanart, fanvideos, fancrafts, headcanons, playlists, edits, moodboards etc.
The event is modded by @yellow-faerie, @elamarth-calmagol and @stormxpadme and will take place between 25th August - 31st August 2024 for the fourth year running.
NSFW text entries are allowed and we’ll tag them accordingly when we reblog them, but please put them behind a “read more”.
We'll also be tracking the tag #tolkienocweek during this week!
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Event schedule for 2024:
Day 1 (25th August): World Building
Create a fanwork about an original character, and use them as a jumping off point for worldbuilding. Share a dwarf from the far side of Rhun, consider the existence of an Aina before the creation of Arda, explore Rivendell from the point of view of an outsider, or tell us about the underground punk subculture of Gondolin.
Day 2 (26th August): Canon-OC Relationships
This year, it’s not just about romance. Today, explore a relationship between your OC and a canon character. Your character could be a lover or spouse of someone canonical, lf course, but they could also be a friend, sibling, teacher, servant, fan, or even rival!
Day 3 (27th August): Alternate Universes
Share an OC who isn’t canon compliant at all. Maybe you want to add a fourteenth member of Thorin’s company or give a reborn Celebrimbor children with a surviving and reformed Sauron. Or, maybe you want to do a crossover with your Star Wars OC or let your self-insert narrate a coffee shop AU. Go wild!
Day 4 (28th August): Gaps and Ghosts
Create a fanwork based upon a character that Tolkien either thought up and abandoned, such as Odo Took oe the characters of The New Shadow. Or, create someone he missed creating in the first place, like… um… just about anyone’s mother.
Day 5 (29th August): Non-Humanoid Characters
Middle Earth isn't just elves, Men, hobbits, and dwarves. Today, share a character who is something different entirely: an animal, a dragon, a Maia who doesn't take humanoid form, an ent or huron, or a creature of your own invention.
Day 6 (30th August): Background Characters
This prompt is all about people who are in the background of the action: the low-ranking soldiers, the servants, and the ordinary people living in extraordinary times. Or maybe you want someone who isn't so ordinary, like an advisor in the Council of Elrond who never made it onto the page, or one of the Maiar who sank the Feanorians on the stolen boats. Show us their view of the action!
Day 7 (31st August): Freeform
Did we miss something? Do you have an OC that doesn’t fit into any day, or did you want to do a second fanwork for one of the days? Today, create and share whatever you want, as long as it has to do with original or abandoned characters!
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Since we want to celebrate creations about neglected characters all year long, the mods will occasionally reblog posts and fancreations about OCs and underdeveloped characters. If you would like to see your post on our blog, you're very welcome to tag tolkienocweek. Since tumblr's tagging system is often being faulty, don't hesitate to message us, too!
We are looking forward to see and share all the awesome work you come up with!
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huntinglove · 2 months
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Some reminders for my fellow proselfshippers:
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💜 If you like making your S/Is overpowered, you're amazing! Exploring the dynamics and world building that comes with the source's powers and abilities is fun and you're never "ruining" or "getting in the way" of canon for it
📱 If you like making your S/Is average, you're wonderful! Not feeling the need to be in the spotlight doesn't make your self insert or their relationship with your F/O any less meaningful and interesting! Your comfort and joy are all that matters!
💜 If you like making your S/Is "edgy" you're incredible! Exploring dark topics and even revisiting trauma through fiction is a great way to heal and work with your mental health! As long as you're doing what makes you happy, and tagging content appropriately, there's no harm done!
📱 If you like making your S/Is influential to the plot, you're magnificent! Whether they save your F/O's life, become a powerful being in their universe or change certain plot points entirely; your creativity is admirable and worthy of being shared with all who are willing to listen!
💜 If you like making your S/Is irrelevant to the plot, you're great! Sometimes certain characters don't stick out much, but that would never make them any less loveable or interesting, and the same goes for your self inserts! It's okay to have a character that exists solely to love your F/O!
📱 Selfshipping and fandom in general are meant to be fun! Fiction allows you to explore any and all topics in whichever ways you'd like to! Don't ever let anyone shame you into "fixing" your self inserts just because they don't allow themselves to have fun the way you can!
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imbecominggayer · 1 month
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Signs You Have Written An Actual Mary Sue
*Insert SIREN NOISE As Writer Has Just Said "Mary Sue"* whoop
For the sake of clarity, I'm going to be using the term "Mary Sue" as a catchall term for characters that lack important flaws. I understand that the term is often disproportionally used against female characters but I want to use a recognizeable term for this issue.
Also, this advice is for "serious works of fiction". If this story isn't intended to be critically viewed by anyone else and is just meant for fun, write Mary Sue.
Okay? Ok!
What Is A Mary Sue?
A "Mary Sue" is a character who is defined by their inhumaness as they lack flaws and consequences. And that is the key term that defines the Mary Sue: "consequences".
The Mary Sue has the impressive ability to bend reality to serve it's own needs. Like a parasite!
But let's get to some specific signs
A: They Lack Substantial Flaws
"Substantial", in the world of writing, means "of plot significance"
Mary Sue often has flaws but they are either:
Fake Flaws that are never shown to the audience such as a character who is a horrible cook who never cooks
Cute Flaws that never impede on a character's likeability and success. Their anger issues never lead to bad impulsive decisions. Their naivety never loses it's "charm"
Substantial flaws are flaws that actively hurt a character's chances at getting their goal while simultaneously ruining the character's life.
Compelling Characters are tempted by vices, have their morals tested, fail spectacularly, and make bad decisions.
Mary Sues are enlightened characters whose bad decisions tend to be portrayed as a natural intuition. A character who never fails meaningfully.
p.s: flaws should be dark reflections of their good qualities. determined=stubborn. idealism=savior complex
B: They Lack Agency
Mary Sue, despite their wealth of charm and attractiveness, never makes active decisions.
They never make active decisions because Mary Sue is a character who is so perfect they have no desire, goal, or lack of something. Afterall, if someone has the ability to get anything they want, why would they want?
Mary Sue never has to change anything about themself to get a goal because they neither have imperfections or goals.
Instead, the plot comes racing at them as conspiracies, mysterious love interests, and practically God herself, desperately try to involve this mediocre individual in the drama for some reason!
As I have mentioned in my: Writing Advice: Give Your Characters Agency, characters need to have agency in order to have a compelling character and plot since narratives are based on the question "what is this character willing to do to get their goal"!
Mary Sue don't need to ponder this question since they don't have a goal. They either passively hope to survive while not doing anything active in order to try and survive or they just kinda walk around.
C: They Bend The Rules Of Reality
But not in a cool way. Like more of a bully kinda way.
I'll give you some quick examples of what types of "bending reality" exist since it kind of depends on the plot!
a: "Character A is not conventionally attractive, doesn't practice self-care, insults other, has a HUGE superiority complex, and is obnoxious. Yet for some reason, several characters crush on them when there’s no redeeming qualities."
b: "Character B fails to do something but it's okay because that failure allowed them to succeed and they actually end up winning overall"
For A: Basically, Mary Sue changes the character settings of other characters and often forces them outside of their typical behavior while not simultaneously providing a reasonable explanation for hy this happens.
For B: The plot caters exactly to their needs. Like even mistakes play out as victories because the plot develops in the direction making them being right in the end. Mary Sue doesn't get pushed by the plot here. They are the plot
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nopecho · 3 months
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LI Book Headcanons
I've had this thought in my mind all day and NEED to get it out there.
(content warning: mentions of JK Rowling. Not to worry, it's bad mouthing her.)
Eden: his favourite damn series is Lord of the Rings. My man started with The Hobbit, then dived into Lotr. He's read EVERY. SINGLE. Elf song that the book has to offer. He's a fantasy nerd. However I would also see him read Pride and Prejudice. Perhaps some Terry Pratchett, too.
Avery: she grew up reading her parent's notes and bank account details. HOWEVER she's also read 50 Shades of Gray, and gave her the idea in mind that if she has enough money, she can acquire any lover she wants. REFUSES to acknowledge that it's Twilight fanfiction.
Kylar: speaking of Twilight, he is a FANATIC. adores the idea of being the misterious vampire, that attracts Bella in his unusual charm. He's read every book. And I mean every book, he's read the genderbent version, the Edward POV, anything written by Meyer he's read. He was neither team Jacob or Edward, he was team Kylar. Drew his self insert vampire oc with Bella NUMEROUS times.
Robin: he used to be a Potterhead. He was SO into it. Identified as a Hufflepuff, did the patronus and wand quizzes, his favourite book is the first one. He was in SHACKLES when JK Rowling came out as a gross terf. The level of betrayal he felt is indescribable. He woved to never touch the books again.
Sydney: do you know those books Christian oarents give to kids to let them know about Jesus early? Yeah, Sidney's read them. However, when she got freedom to grab her own books, she discovered that she DIGS Greek Mythology. She has a whole collection of Rick Riordan's books on the shelf, has attempted to draw her favourite characters. The movies don't exist to her and whenever anyone brings them up, she death stares them.
Alex: you know the Grimm fairy tales? Those are his favourites. Just the dark forest themes, the magic, the horror aspect of it... It just works for him. He's lived his whole life in the countryside, so he can fantasize about getting lost in the woods and finding a gingerbread house.
Whitney. I saved the best for last. So in hus childhood, in my headcanon he could never really afford to buy books, let alone his parents giving them to him. He read a bit of Dr Seuss but that was it. NOW that he can actually afford some stuff, he discovered the duality of man. Comics.
On one hand, he absolutely LOVES thise cute, kid friendly comics. Peanuts, Garfield, the Disney Mickey Mouse comics. On the other, he absolutely digs the over-the-top action manga shit. I'm talking Chainsaw Man, DevilMan by Go Nagai, Hells Angels by Shinichi Hiromoto. He doesn't have enough attention span to read a whole book, but he absolutely LOVES comics.
Thank you for coming to my Ted Talk!
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bonbelles · 1 year
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˗ˏˋ height difference ˎˊ˗
prompt: (again, from my own tiny brain that reflects my tiny self) you are small. they are not. here's how that would go.
content: gn!reader
characters included:
diluc
alhaitham
childe/tartaglia
neuvillette
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would only make fun of you for it if you did something 'silly' in front of him, like trying to reach for something and failing.
otherwise he's not that bothered, and doesn't point it out to yourself or others.
if he sees you trying to reach something, he'll get it for you then just make a little comment:
like "were you ever going to ask me for help?"
"yes, shortly."
"but you always do everything shortly anyway"
you would then ignore him for a while, but he would not feel bad in the slightest. more so impressed at his improvisation skills.
but overall, he finds the height different endearing, and helps you whenever he can - you just learn to let the little comments slide every so often.
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another one to help you if you need anything.
but more likely to make fun of you for it, or just make comments you hear all the time
"what's the weather like down there, anyway?"
and think he's original.
even if you tell him he is not.
he's also the type to watch you and just smile. he just finds everything so much cuter because you're so much shorter than he is.
like diluc, he doesn't really bring it up on the day to day.
but he just observes you, existing, and thinks it's sweet.
curling up under a blanket, he'll just watch your little legs dangle from the sofa (not self-inserting at all haha) and laugh to himself.
"what's so funny?"
"oh, nothing's funny. you're just amusing."
"but i didn't do anything."
"intentionally, dear."
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now he's one to make fun of you for it
the type to use your head as an armrest while he's talking to someone
but he does it knowing you're okay with it
if ever you seemed uncomfortable he would stop.
he'll also tease you on a 'spur of the moment' basis.
you'll have a relatively normal evening, and he'll just say "sorry, repeat that"
you repeat it.
"sorry, didn't catch that"
"are you deaf?"
"no, you're just so far away."
he'd deal with a punch to the shoulder every time, but that added to his amusement. you weren't tall enough to hit the face comfortably.
"i'm up here"
"shut up and eat your soup"
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like al-haitham, he's an observer
he will just watch you potter about and not really say a word.
he'll comment on his observations every once in a while.
"do you know you waddle when you walk?"
"waddle?"
"yes, akin to a penguin."
you then walk around the room, staring your body down to confirm his inspection.
"oh no, i do."
"it's not an 'oh no' situation. i actually find your waddling endearing, i don't know anyone else who does that."
if anyone else had told you that, you might have become insecure over it. however, neuvillette spent his evening discussing the adorable nature of penguins with you, and using the comparison to, in turn, to you as adorable also.
"penguins can actually communicate in a speech pattern similar to that of us and primates. they are supposedly the only animal to have a type of species-specific linguistic system..."
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