you know what always gets me at this part?
apart from the god tier acting and chemistry and sincerity and emotion behind their expressions?
THE HANDS.
that pat was holding pran's face firmly like he was the most precious thing he had ever held, that he was never gonna let go, ever and pran was holding pat's face carefully, fingers held up but barely touching, like if pat was a vase he was afraid to break, when in fact he himself was the vase he was afraid to break and then he does it anyways.
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jason: you don’t even know what my favorite book is, how could you even stand to call yourself my father if you don’t know me anymore!?
bruce: jay, your favorite is pride and —
tim: the velveteen rabbit.
jason: … i’ve had like two conversations with you outside of murder attempts, how do you know that?
tim: im not an amateur, i took my baby stalker duties very seriously!
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My brain literally would not let me rest until I got this out of my system, so here we are.
Okay, so - Future Donnie's canon design sure is a thing.
I actually love the concept, mechanic aesthetic is great for Don, but I'm not crazy about the all-black waders/overalls they're just...they're a choice. Definitely a choice.
So I figured it was time to update those old Future Donnie designs I made awhile back (which, surprisingly, weren't too far-off? I got the pants pockets right at least, lol)
Here are some of my own takes on the new look.
I challenged myself to try and stay as close to the canon design's over-all (haha) vibe as I could, so they don't differ too drastically. Just a few alternative ways to do basically the same concept. For funsies.
***Zero disrespect intended towards Andy, for the record. He's giving us the content we've all been craving and he's the realest one for that!
(Also, the overalls aren't that bad, tbh? I think it's just the all-black inking that makes them look kinda off in the preview image.) Still super excited for the full comic to finally be released AAAAAAAA!!
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I've been thinking about this theory about Riko orchestrating Jean's sexual abuse as punishment for his attraction to Kevin, because Riko is not in the habit of sharing his possessions. And while at first glance it would seem that Riko does this because it's Kevin... looking deeper I get the feeling that his attitude extends to the rest of the Perfect Court too.
Consider Andrew.
Riko sets first Drake and then Proust on Andrew, and the implication is that Andrew cannot get away with "taking Riko's things." This obviously refers to Kevin, but I don't think it refers to Kevin alone. It's significant that Riko brings it up with Neil and Neil only, and it happens during this specific conversation.
Riko uses Andrew to taunt and intimidate Neil, immediately after Neil implies that Riko is not the only thing saving him from his father. We come to understand several things in the course of this conversation:
That Riko considers Andrew to be responsible for Neil's continued refusal to return to his place among the Ravens.
That he believes threatening Andrew's safety will be enough to convince Neil to come to Evermore.
Which means that Riko obviously has an inkling of what Andrew and Neil mean to each other (even if Neil does not yet). He weaponizes this knowledge against both of them, and while Neil ends up going to Evermore, it does not mean that Riko lets Andrew get away.
That's because he never intended to. When Riko refers to Andrew as the miniature one with the disgusting attitude who thinks he can take my things, his "things" refer not merely to Kevin but, to a heavy extent, also to Neil, and he punishes Andrew for his closeness to Neil the same way he punished Jean's closeness to Kevin.
Why am I bringing this up? Well, quite simply put, it's all because of the as-yet unexplained January incident that Jean brings up in The Sunshine Court.
We know that following Neil's departure from the Nest, Zane betrayed Jean by setting Grayson on him. What we don't know is what Riko did to Zane and Grayson afterwards, or why.
Jean brings it up several times, but only refers to it obliquely, and doesn't give us any details:
I don't think Riko cares about what happened to Jean, of course not. But it makes too much sense to me that he decided what Zane and Grayson did was an insult to him, Riko, because how dare they touch his property when he hasn't permitted it? How dare they take his things? How dare Grayson pretend he has some sort of claim to Jean?
I'm throwing this theory out because I have nothing to lose: whatever Riko did to Zane and Grayson was in retaliation to what they did to Jean, but not because Riko cares. He did so only because Jean was another one of Riko's things, and those who take his things away must be reminded of their place.
So, yes, I think all of this is an extension of the fact that Riko has an unhealthy obsession with the people he considers to be his pets or his property. Transgressions against his claim over them deserve to be punished for the insult.
Even if those transgressions are committed by the Perfect Court itself. Riko plays the part of the jealously possessive master, the one they should all devote themselves to, the only one with authority over them. No one else can have them — which means they cannot have each other either.
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So, Pre-robin Tim definitely wrote self-insert fanfiction about being Robin.
Like, a full story 400k plot starting with Jason graduating from being Robin and onto something bigger and better to the next Robin's journey, which ends up being modeled after Tim's life.
At first, some of Tim's most compelling plots are ripped straight from real missions, mostly using info the public doesn't know about.
Then, after YEARS of constantly updating this fic and being known as THE Batman Fanfic due to it's length and constant uploads, Tim is in the middle of writing a new chapter and just. stops.
"What am I even doing?"
Because at this point he's been Robin for almost a year and he's still fantasizing about being a part of a family he is already a part of.
(is he though? It's been a year and they barely acknowledge each other out of the suit, and at the end of the day he still goes home to an empty mansion)
EVEN BETTER
Five years later, one of the bats dredges the fic up from the deep dark corners of the web.
The others endlessly tease Tim for his writing as a 9-13 year-old
(they keep reading and discover between the analytical jargon and awkward dialogue a lot of worrying details that give a better peak into the traumas of his childhood. The littlest of scenes explains why Tim treats himself the way he does.)
Jason, despite initially being one of the biggest teasers, unironically loves it because little Tim's portrayal of the second Robin grew up to be eerily similar to how Jason is now. He would never say it to Tim's face, but despite (or maybe because of) being a literary nerd, he reads every chapter up until it was abandoned.
The B plot of this all is, of course, Bruce finds the fic and thinks TIM is the one with a stalker and gets really concerned about the data released in the fic.
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forever annoyed at the lack of non-woven jedi garments. excuse you, fibrecraft is the basis of society. where are they getting their cloth from? are they weaving it themselves? are they spinning it themselves? where is the knitwear. you cannot tell me that there are no sweaters in the jedi order. there are probably hideous sweaters made from fourteen different colours of yarn because they're made from the wool leftover from other projects. all of the colours manage to clash. and embroidery is just too good for teaching patience. hand-sewing in general is good and meditative.
these people are going to be darning their own socks, patching holes in their robes. they are going to have needles and thread in their survival kits and know how to hold the cloth tension just right with the force so they can re-weave the bigger holes by using tiny, straight sticks to hold the warp in place.
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Art is always escapism, even the art about terrible, brutal things. Art is pinning down a feeling and that - the act of quantifying the human experience- is inherently escapist.
So "nobody dies, everybody lives" is equally valuable as that grimdark journey to adulthood when it comes to "real" media
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