theone-whocamebeforeallelse

[theone-whocamebeforeallelse]

EXACTLY.

Erasermic vs Erasercloud is so lame.

Real bitches ship Erasercloudmic, like God intented

[theone-whocamebeforeallelse]

This still highkey fits in with my Granddad for One idea

[theone-whocamebeforeallelse]

This combined with my beloved AU of Midoriya Hisashi being AfO's son. It's killing me🤣😭

If MHA was just a little sillier...

The biggest question left in the series unanswered (so far)... 

Who is Hisashi Midoriya? Who IS Izuku's father????

Ik I'm playing Russian roulette rn with how things are going in the manga lmao

Note:

Endeavor is here because Izuku being his secret love child is an actually funny theory (to me)

All Might is here because he's def hitting that

AFO thinks he's the top dog, but he is, at most, a clown

Mystery guy. Ignore him. Maybe he got lost on his way to the restroom?

[theone-whocamebeforeallelse]

Okay one of the most useful little skills I have is that I know the most basic basics of coding. It can't even be called coding, really.

So it's literally easy-peasy. Let's say, you want to make letters bold. Yknow, bold. Now Tumblr has a handy little thingy where you can do that, just like google docs and word, but not all sites and stuff have that. (That's what I always use this for btw, especially on AO3. I honestly dk if AO3 has a button or smthing for this but I can't find it sooo)

So, bold letters.

Step 1: you start with this thingy: <b>

Woaaah crazy simple right??? < b >

Step 2: write whatever word you wanted to make bold.

Let's keep it simple: <b>bold

Step 3: end it! We don’t want everything to be bold and also, if we don’t do this it won’t work and your word won’t be bold.

< b > bold < / b >

(I added spaces in the fear that it'll make the word bold, but that’s whatever. I wrote this on my phone in the app, and idk how it'll show up on the site.)

You should not have spaces between the <> everything in there needs to be squished together like sardines. At least for simple commands like this one.

Now instead of the b for bold you can put any letters to do different things, I personally mostly use em for italics. But you can easily google "xyz letters code" or something.

As long as you have the <> at the start of the command and the </> at the end of the command

Anyway you're welcome and I hope this helps.

[theone-whocamebeforeallelse]

Hwjdjdjd I love it when men are on their knees begging their wives for forgiveness, looking a bit dishevelled, slightly pathetic, and very desperate (mostly because mood, same)

[theone-whocamebeforeallelse]

I just can't get these stupid-ass scenarios out of my head with Tenya & Tensei and Tensei's hero friends, said friends being Kayama.Nemuri, Aizawa Shouta, Yamada Hizashi (Oboro Shirakumo died before Tenya could even remember him, after all).

I constantly have these visions of them being a bunch of chaotic ass young adults, fresh sidekicks, messy asf somewhere in their twenties, and poor Tenya growing up around them.

7 y/o Tenya, pouting: "Shouta, Tensei and Nemuri say you need to 'get laid, preferably by Hizashi', and that they should 'set you up'. What does that mean? They won't tell me"

Shouta, 22, gay and miserable, does indeed need to get laid and preferably by Hizashi, to tired to deal with this: "It means that Tenya and Nemuri think that Hizashi and I need to hang out more."

Tenya simply nods sagely and walks away, planning to inform Hizashi of this, unbeknownst to Shouta, of course.

[theone-whocamebeforeallelse]

Been playing with this idea for a while now so... what if Midoriya Izuku isn't All for One's son, but his father, Midoriya Hisashi, is? Making Izuku AfO's grandson.

(Around 1000 words under the header)

Several ideas for this AU:

Obviously, Midoriya Hisashi is AfO's son.

Midoriya Hisashi is in America to hide from his father.

Midoriya Inko, better known as Shimura Inko: the only daughter and second child of Shimura Nana, All Might's mentor and the 7th holder of One for All.

How the fuck did that happen? Very simple: both Inko and Hisashi were rebellious kids.

Hisashi didn't vibe with his dad's murderous and megalomanic tendencies, or the Doctor's highly unethical experiments on human beings tendencies, but he also didn't vibe with Hero Society, and also he feared that people like the holder of OfA would realize who he was related to if he went the legal route, and ofc his dad could find out far easier if he went the legal route, so Hisashi became a vigilante.

Inko thought that she was allowed to do this to her mom, alright? Don't speak ill of the dead, but Nana abandoned her. If you wanted to blame Inko for acting out against her mother's memory, fuck off. Let her have this bit of petty revenge. And yes, she was well aware how similar she was to her mother, because even if she didn't do it the legal way, she still saved people. She couldn’t bear the thought of hurting people or allowing others to do so. But to hell with those philosophical musings, she had better things to do. Like tracking down her brother and his family. Oh god.

They met on the job, and got along swimmingly. A strong friendship that blossomed into romantic love over the course of plenty of years.

They got married pretty quickly, from an outsider's perspective. But they'd been working and living together for years now, ever since Hisashi ran away from his father's grasp. They'd lost and spilt blood for eachother, it made sense to get married when they did. And then she got pregnant.

Izuku was the light of their lives, and they adored him and taught him everything they knew (as long as it was age appropriate. Hisashi's view was a bit skewed. He'd admit that). They gave him the name they'd made up together, wanting to remove themselves from their family legacies. He was their everything. He was only a Third Generation on his dad's side.

Midoriya Izuku's quirk didn't come in at four. Or five. And then the visit to the doctor.

He still wanted to be a hero. They would make sure that he would be the very best.

Izuku looked like the perfect combination of his parents. And in spite of how neglectful he was, Shigaraki Zen hadn't forgotten his son's face. He had several memory quirks. And he recognized that smile, those curls, and those freckles. Suddenly, he was quite grateful that the Doctor had insisted on finding some Nulls to experiment on. Hisashi wouldn't know what hit him.

Hisashi knew. Maybe one of the first quirks his father had forced him to steal was one that related to sensing danger. Maybe he had spies, still. Maybe AfO was careless with his plans. Either way, he knew.

Hisashi gathered his things and left for [insert random county but not like in fucking Europe or North-America: we're all tired of that. Probably not Asian tho: it's too close to Japan. South-American, African, or Middle Eastern, I'd say]: it's tight regulations meant that it would be nigh on impossible for All for One to get in there, but Hisashi had made a plan years ago, before he'd left his father's shadow, and he would be welcomed. It was completely legal, too, and he was quite proud of that. The authorities would help him with hiding his presence.

Inko stayed behind with Izuku: if they all left it would be easier to track them, if they just pretended that Hisashi died, it would be easier to shake AfO of their tails.

And it worked.

Izuku had a rough life nonetheless, but he had his two loving parents in his corner, even if he never saw one of them: he was there, cheering Izuku on. That was enough for now.

He asked his mom if he should accept All Might's (his grandmother's) quirk.

Inko wasn't sure. (After becoming a mother herself, she understood her own even less. But she now believed that letter, that tear-stained (not by her own) letter, that said that Nana's heart had been ripped apart, choosing between her children and keeping her children safe while creating a safer world for them. Long-term seemed the better option, but was it worth it, in the end? Inko'd never get to ask her. It wasn't, if you asked Inko.)

Hisashi wasn't there. (He wanted his son to be safe, so he taught him how to fight, to defend, to rescue, to save, to take care. He desperately hoped that Izuku would never have to come into contact with Shigaraki Zen. With All for One. Never.)

Neither was Izuku. (Did he want to pick up his grandmother's fight? A part of him screamed yes. Did he want to fight his grandfather? Of course he did. The man had hurt Izuku's dad. The man was the reason that Izuku’s mom became an orphan young. Did he want to deal regularly with the man who told him he'd never be a hero? No. Did he want to show people that he could be as good as and better than anyone else while being quirkless? Because he was quirkless? Yes. Would he save more people with a quirk than without? Either way, he'd never know. But the value of a quirkless Pro Hero was... immeasurable. He knew that. So he made his choice.)

Izuku trains harder than ever, under his mother's skillful, watchful gaze.

He gets past that exam, that feels impossible without a powerful quirk but... Izuku was never taught to see impossibilities. Only challenges that could bring him closer to his goals.

He made it. Class 1-A of UA, the single most elite school in Japan. He made it. And in a yellow eyesore of a sleeping bag, he spotted a familiar hero.

This, Izuku decided, would work out just fine.

[theone-whocamebeforeallelse]

Sex scenes in general are useless to me. Don't get me wrong, I like a bit of smut from time to time, but books that have smut which doesn't add anything to the characters' development or to the story are poorly written or at least written purely as fanservice. If I want that, I'll read some fanfiction with it, thanks.

Same goes for graphic violence. I 100% believe that sex scenes and scenes with graphic violence (gore, abuse, torture, rape) are FAR more powerful when you only show the lead up and how the character is before, and the aftermath.

Describe how obviously characters desire each other, how they're dragging each other to a bed, all giddy or full of desire, and then skip to the night/next morning, when they're laying together, how are they now?

For abuse, describe the screaming and the silhouettes, and then after the fight/beat down, describe the wounds.

Describe how a character, determined not to crack, still looking fairly put together/pristine, is dragged away to some room, how other people can then hear their sobs or screams maybe, and then cut to the aftermath and describe the cuts and bruises on their visible skin that clearly continue underneath their clothes.

And rape scenes. You all are disgusting. Shame on you. There is no need to describe that graphically. None at all. Why do you feel the need to do it.

The worst I've personally written was a scene where a character gave a recount of being sexually assaulted and raped to another character, all fairly clinical and hesitant and scared, without a desire to shock more than expected (hearing that someone has been raped is always horrifying but it's not written in detail.

Character A asks what happened. Character C (accidental and unwilling observer who couldn't act atm of the rape and couldn't leave) states, with permission of character B: "he was raped". This is followed by a short description of B explaining what happened beforehand, rapist came into his room and started touching him, B tried to push her away and stop her, but B blacked out when the rapist put her hands under his clothes. Then (with B's permission) C says, after reiterating that B completely shut down:

"She pushed him on his bed and continued touching him there until he- climaxed. And then she left."

See. Not that hard to describe a character being raped without describing the rape itself in detail. I hate it so much. Especially because it supposed to be about what this does to a character and how they react to it, not the act itself.

That particular story was about character A and C's reactions to this happening to their loved ones, a reflection of what it did to me when I found out that a good friend had been raped and sexually assaulted by her ex-bf.

[theone-whocamebeforeallelse]

Mkay so hear me out alr?

You know dips. Like. In romantic scenes and stuff where character A holds character B by the waist, leans them back, and they kiss?

Yeah, so I have Opinions on that. Bear with me.

Okay so in my experience you have 2 kinds of dips. The one where they're super far removed from eachother, with B bending back very far, and A sometimes almost standing upright. There's a scale ofc, sometimes characters are pretty close, but that doesn't matter.

I hate those dips?? Like obviously it depends on the situation, but this pose is so distant and also feels off because of the complete dependence of character B on character A, a trust that in that moment isn't returned in equal measure simply because the position doesn't allow for it.

I prefer option 2, which is the one where character B doesn't bend backward as much because both characters are holding each other so close that their entire upper bodies are touching. This one I like because it shows mutual trust, both are in power (if A drops B, A falls with them) and above all it shows closeness.

Say you've had a sensual dance scene or something. Sure, A could dip B very deeply, but that's so distant and unfamiliar. You could put A's hand on B's knee/thigh, but that is a very superficial and/or artificial closeness, and there is still a power imbalance. However, if they proceed to hold each other as close as physically possible, the power imbalance is gone or at least lessened in that shot/scene.

Even if A towers over B, it's still less of a power imbalance than when A and B are the same height but in the first position, as long as they cling to eachother equally as hard, which isn't physically possible in the first position. Not only that, but this position implies a closeness between the characters and comfort with each other that just doesn't show in the first position, even if you include sensual hand placements. It feels far more superficial.

Which reminds me, sensual hand placements always feel superficial to me unless it has that air of hesitation and nervousness to it and/or is accompanied by constant questions of "Is this ok?" "Can i do this?" (Whether it's verbally asked or implied, such as through eyecontact)

[theone-whocamebeforeallelse]

My ao3

Fandoms I've written for (will be added onto)

Spiderverse movies (1)

Tolkien's works - the Silmarillion (2)

Keep the AO3 mentality: don't like, don't read/engage.

[theone-whocamebeforeallelse]

(Hmmmm what do you mean its visible in my works idk what you're talking abt)

Yall someone else raised religious and still believes in said religion but doesn't agree with it and thus lives in a constant fear of ✨️eternal damnation✨️

[theone-whocamebeforeallelse]

Anyone else: the hands that cradled your face and tilted it upwards to kiss your forehead are soaked in unfathomable quantities of blood.

Elros and Elrond: But they cradled me, yes?

(Credits to @queen-of-hobgobblers )

[theone-whocamebeforeallelse]

“Those poor boys”

“She deserves to be punished too.”

“I’m not saying I support rape, but-”

“Sorry to say - she deserved it.”

“She put herself in harm’s way”

“But if she was fingered, then that’s not rape.”

“She ruined their lives.”