#<- can i even be considered this when i don't work on things or when i do i feel as though the chapters are too short

[u5an5]

Just watched Deadpool & Wolverine with polish subs based on dub and I have to be honest, there's much more funny stuff than I expected, considering that the rest of it made me glad I'm not watching it with actual dub

So, things that picked my interest:

Instead "207 when I watch Gossip Girl" he straight up says "207 when I watch porn" (Gossip Girl isn't especialy popular show here so reference wouldn't mean anything for majority of audience anyway, but to straight up say it instead replacing it?)

"Ok peanut, 'guess we're getting that team-up after all" got replaced with "Okej ptysiu, nie ma to jak seks grupowy", which translates to "Okay cutiepie, nothing better than group sex" (??? we're still in the first 5 minutes of the movie)

"you know what they say, when one door closes, your locker at work opens" translated to "Jak to mówią… Jak zamykają od przodu, to ładujesz się od tyłu" which translates roughly to "Like they say... when they close the front, you get in the behind" which I find kinda funny

Peters line about seeing Wade in suit comes of gayish cause he doesn't say he wants to see him in the suit again, he wants to LOOK at him in it again, you know what I mean

intead "This guy looks ready to throw it all away for me" he says "This cutie would gladly get hugged by my bowels" which is a lot more straightforward than I expected

Wades spiel to comic acurate height Wolverine is much more insulting and instead being all "what a cwute short king you awe" translates to "Oh fuck, a furball dwarf? Was there even dwarf like that? Furballs mommy drank lots of booze when she was pregnant? Maybe daddy was a ratferret? Don't even come near me, 'cause you surely have ticks"

"I need you to come with me, right now" to "Zapraszam cię na randke, i to natychmiast" meaning "I invite you to a date, and I mean right now" (Logan replies with "Złotko, nie kręci mnie to" which translates to "Sweetie, I'm not diggin' it" and by "it" I'm honestly not sure if he means Wade himself, the fact that Wade said he's only here because he's the Wolverine just a second ago, or because his suit looks like fetish gear)

"It's quite common to Wolverines after 40" to "It's normal when going trough menopause, I get it"

they replaced "peanut" to different endearments to not be repetive but the most often used one is "ptysiu" (ptyś is a choux pastry; if I had to translate it as english endearment, I'd go with cutiepie). its cute imo

Logans "bub" also got replaced by endearments/insults losely fitting situation but the stupidest one has to be Logan calling Johnny "misiu", which translates to "little bear" and let me tell you, it's HILARIOUS cause it's equvalent of calling a random guy "sweetie" but in the "your grandma asking if you want seconds (yes you do, no you don't have any say)" way

"my boy's wicked strong" is translated to "mój chłopak zna się na rzeczy". It's slightly like the papi situation from spanish dub cause yes, "chłopak"'s direct translation is often "boyfriend" but it is also used as "boy", "guy" or "dude", usualy towards guys younger/about the same age as you. However, the addition of "mój"/"mine, my" makes it much more angled towards boyfriend, wherever they wanted to or not. There are at least three different ways to translate it and make it less gae I know and the've still chosen this one.

They made, in my opinion, the "its a common curtesy to ask" "Its good thing I don't give a fuck" lines better by translating them to "you shoud've ask, thats polite thing to do" "and you can politely fuck off"

they replaced Star Trek reference with Star Wars one, using Han Solo instead Spock and idk. on one hand they did it to THE spirk moment but on the other they made, and I may be reaching, but it seems like covert reference to "I know" scene so ??? (star trek is nowewhere near as known as star wars here so they would probs replace it either way but it also can be just "star trek and star wars sound so much alike, they have to be basically the same, right?" haha joke)

them instead innuendos using the most over the top forms of insult that no one ever heard is kinda funny but only because I only had to read them; if I ever heard somone call somebody "kutasina" irl I would find a way for at least one of us to not be able to hear anything ever again ("cockleter" is my best attempt to recreate this horseshit)

If you guys want to share some treasures from your native dubs/subs, feel free to

[magniloquent-raven]

Day 4: Supportive Boyfriends

and for my next (LATE, SO LATE) @bucktommypositivityweek contribution. KITTEN FIC.

(read on ao3)

**

The 118 doesn't have a baby box.

In fact there aren't any in the state of California at all. Buck looked it up, after Maddie's postpartum episode. When half his family was missing and there wasn't much he could do besides wait and... think about things.

So he thought about safe haven laws. Read up on the training seminars for first responders who want to be better equipped to deal with hand-offs. Read a bunch of other stuff he sort of wishes he hadn't. Spent the next week haunted by articles about abandoned children.

He considered talking to Bobby about it. Only partly to ask him if they should get a box for the firehouse. Partly because Buck wasn't sure how he felt about the whole thing, and Bobby always seemed to have answers. But he never worked up the nerve to broach the subject.

And now. Bobby's not captain anymore, and Buck really can't imagine Gerrard giving a shit about any of this.

So, they don't have a box. But.

Well, this isn't a human baby. It's not like the same rules apply.

Buck has to wonder if wires got crossed somewhere, because. Someone left a kitten. Outside the firehouse.

Buck was just going to grab something—he can't remember what—from his Jeep, when he spotted an unlabelled cardboard box on the pavement, up against the side of the building. His first thought was bomb.

Until it meowed at him. A tiny, high-pitched peep of a meow.

Kind of scared the shit out of him, if he's being honest.

There's only one. All alone in the box. A poofy grey thing wriggling around half buried in an off-white towel. Like a very ambitious dust bunny with big round blue eyes and skinny legs. It wobbles slowly over a fold in the towel with all the effort of someone scaling a mountain.

Buck crouches next to the box, and pokes a finger inside.

"Hey, buddy," he murmurs, holding very still while the kitten inches towards his hand and squeaks. It's unclear whether there are teeth in that little maw. That means it's really young, right? Too young to be left alone for very long.

Shit, how is he going to explain this to Gerrard? He's still got, like, 12 hours left on his shift, but someone has to feed this thing. How long can kittens go without food?

Oh, it does have teeth. Really teeny ones. They're ineffectively poking his knuckle.

Buck fishes his phone out of his jacket—with the hand that isn't currently being drooled on—intending to go to Google for answers. How to figure out how old a kitten is. How often do kittens need to be fed. Do cats get separation anxiety. He has a million questions.

Only he doesn't pull up his browser. He calls Tommy.

It's a whim. Barely a seed of an idea. But when he unlocked his phone the first thing he saw was their text history (he'd been complaining about Gerrard off-and-on all morning, and Tommy had been sending random updates about all the chores he'd been getting done—his last message was a picture of a mop with no context) and he just thought... Tommy will know what to do. Not in so many words, more a feeling. Comfort and certainty, just from seeing Tommy's picture in a little bubble at the top of his screen.

"Evan?" Tommy answers almost immediately, and there's a subtle undercurrent of worry in his tone. Buck winces. Right, calling out of the blue while he's at work would look. Bad.

"I'm okay!" He says quickly, all in one breath. Then pauses. The kitten squints up at him, meowing again, long and loud. Its whole fluffy face scrunches with the effort.

"...What was that?"

"Uh. That would be why I called, actually."

—

Gerrard is less of an obstacle than Buck feared he'd be. Because he's holed up in his office doing paperwork when Buck sneaks in with the kitten, and Buck's decided he has no intention of letting him know the cat was ever here.

Tommy promised he'd come get her.

Buck didn't even really ask, and wasn't planning on asking. Didn't have any plan whatsoever, in fact. He just wanted to know if Tommy knew anything about taking care of kittens, and suddenly Tommy's voluntarily sacrificing the rest of his day off to scope out vets and pet supply stores and whatever else Buck's helpless little friend might need.

He hung up hours ago and his insides still feel warm and goopy about it. He can't stop thinking about the gentle fondness that softened Tommy's voice after Buck explained the situation. Buck would wrap himself up in it like a blanket if he could.

Tommy's getting so kissed when he shows up.

In the meantime, Buck's sitting upstairs, working his way through the dozen or so tabs he opened up after googling kitten care.

He thinks the one he found might be around three weeks old (ears not quite unfurled, can't sheathe claws yet, legs unsteady but mobile). And possibly a girl. She did not care for being picked up and turned over, and the indignant squirming made it difficult to tell what's going on down there. But he's almost certain he's right.

She was shrieking up a storm about it, and he was worried if he took any longer she'd alert Gerrard. (She didn't. She did, however, draw the attention of about half the firehouse.)

"You are disgustingly cute," Chimney coos, scratching under her chin with the tip of one finger. She's lifted her head as high as she can and her eyes are squinted happily. Buck can hear her purring from across the room. "Yes you are. Hen, can you get a picture of this?"

Hen pulls out her phone. "Sure... why?" She asks, leaning over his shoulder to snap a picture and eye him with mild suspicion.

"Jee. She'll wanna see when I tell her about my day."

Her expression softens to a smile. "I'll text it to you." She taps her screen a couple times. "Just had to make sure you weren't planning on calendar campaigning again."

Chimney grins. "Nah, my calendar days are behind me. The only person who gets shirtless pictures of me now is my wife."

"Gross," Buck says without conviction. He narrows his eyes at the site he's scrolling through, swiping away a Join Our Mailing List! popup. "You guys don't think she's cold do you? Are her ears warm? It's only, like, 70 today and we don't know how long she was out there."

Hen and Chim exchange glances, and then, disturbingly in sync, look from the cat to Buck. Chim gives her ear a perfunctory poke, which she does not appreciate as much as chin scritches, "She's fine, man."

Hen waves a hand at Buck when he opens his mouth again, "We're medical professionals. And in my medically professional opinion. She's fine."

"Okay, but—"

"Hey guys, look who stopped b—uhhh. Is that a cat?" Eddie slows to a stop at the top of the stairs, blinking at the kitten on the couch. "When did we get a cat?"

"Couple hours ago," Buck says, still frowning at Hen and Chimney. "Where have you been?"

"I found him polishing the engine."

Buck shoots out of his seat. "Tommy!"

He only half-hears Eddie muttering, "Favouritism," as he scuttles around the chair to meet Tommy halfway between the stairs and the sitting area. Tommy has just enough time to smile—and it warms Buck, like it always does, with a spark caught in his chest for safekeeping—and say hi before Buck's on him, palms clapped on either side of his face, smushing their lips together.

He makes a bit of a show of it, dramatically swooping in, because he knows the big smacking MWAH will make Tommy laugh, and he likes the way that feels rumbling against his chest.

Buck taps their noses together. "Hey," he says, savouring the mirth sparkling in Tommy's eyes for a second before kissing him again, properly this time.

His brain goes sort of fuzzy when Tommy's palm cups the back of his neck.

Someone in the distance wolf-whistles.

When they finally come up for air Tommy asks, "What was that for?" a little breathlessly, which is doing things to Buck.

"Mmn...y'know. For being you."

Tommy raises his eyebrows, kiss-reddened lips curling fondly. "Okay."

"Hey, Tommy. Good to see you," Chim calls in a very pointed way.

Right, public setting. Workplace. Friends watching. Buck exhales slowly, and tries to think about anything other than how much he wants to bite that bit of clavicle peeking out of the collar of Tommy's shirt. Like the fact that Tommy's hands are warm, and he's sort of rubbing his fingertips over the short stubbly bits of hair on the back of Buck's head, and Buck's lips are still tingling a little, and—no wait, not that either.

Tommy pulls away first, which is probably for the best, but also very sad. The corner of his mouth twitches like he can see Buck thinking it. He curls his index finger and gently taps Buck's chin with the knuckle before he turns to the group.

"Howie," he says, not even pretending to be contrite in the face of Chim's mock-judgement. "Hen."

"Tommy." Hen fails to contain her smirk.

Some time during all the kissing, Eddie moved over to the couch. He's sat next to the kitten, watching her attempt to groom her paw with all the grace of a toddler who's only a little bit sure they know how to hold a brush. She keeps starting and stopping at random intervals, sometimes licking the cushion beside her, sometimes sticking her tongue out at thin air.

She's so cute it makes Buck's chest hurt. It's a little much while he's still loopy from making out with his boyfriend.

Then Tommy goes and crouches next to the couch so he can get eye-level with the kitten while she sniffs his hand, talking to her all calm and soft with smile-lines crinkling his cheeks, and. Buck might need to lie down for a bit. Like, on top of Tommy, preferably.

The kitten seems to like him too, and he really can't blame her when she crawls up Tommy's sleeve to perch on his shoulder.

She looks so much smaller cuddled up on Tommy. He reaches up to steady her, and she's almost entirely obscured by his hand.

God, is it wrong that he's getting a little hot under the collar about that? He just looks so strong and competent and at the same time, like, gentle. Buck knows how it feels to be touched tenderly by those hands, and apparently just seeing it happen does not affect him any less. In fact it's only added dimensions to his desires.

"I should probably get going," Tommy says, bringing Buck back down to Earth with a resounding splat.

He opens his mouth to protest, then closes it. He's right. The last thing Buck wants is for Tommy to have another run-in with Gerrard, and they don't know how long the old bastard's gonna be occupied.

"Mhm, run while you still can," Chimney pipes up. "Before our dear old captain smells an opportunity to ruin someone's day."

"He does seem to have a sixth sense for that," Eddie adds sullenly. Buck makes a note to ask him what that was about. Later.

"I'll walk you out," Buck says, trying not to sound like a pouting child. He's fairly certain he fails, because Tommy laces their fingers together and gives his hand a comforting squeeze.

He says his goodbyes, the whole time being careful not to dislodge the kitten while she crawls across his shoulders.

Buck goes through the list of kitten care basics he memorized as they make their way to the parking lot. It's...more than he thought it was, honestly. It starts to feel overwhelming as he goes on, and on, and on. He's running out of time to get it all out, and he feels like it's just now sinking in his huge this responsibility that he's dumping in Tommy's lap is.

"You're sure you don't mind taking her?" The question bursts out of Buck before they make it to Tommy's car. "W-we didn't really, I mean. We talked about it over the phone, but..."

"Yeah, now that I've seen her she does seem like a real handful."

The kitten yawns, and curls up into a tiny grey ball in the crook of Tommy's neck.

Well. Alright.

"It's just, t-they need a lot of attention when they're that young, and I kinda just, just dropped this on you."

"Evan." Tommy gives him a look. "Are you worried that you baby-trapped me?"

Okay, when he puts it like that. Maybe a little bit. But also now he's having complicated yearning feelings that he really should not be having this early in the relationship.

Buck's pretty sure he looks like a deer in the headlights right now, because Tommy's doing his damnedest to pretend he isn't laughing at him.

He tugs Buck's hand, leading him the rest of the way to his car.

The backseat is full of cat stuff. Containers of milk-replacement powders, and a shiny plastic litter box, and toys, so many toys, baggies of fake mice and feathery things, just. So much stuff. Piles of it.

"I called up a friend who used to foster kittens. She had a lot of advice. And then I got a little carried away."

"I, uh. See that," Buck laughs breathlessly.

"Over the phone, you sounded like this meant a lot to you? And I think I got really attached to the idea of...this. Taking care of her for you. With you." He sounds hesitant, like he's trying not to say too much, and Buck can't stand it—

"I love you so much," he says in a rush.

"Well, good," Tommy purses his lips around a smile, eyes bright and crinkled at the corners. He reaches up to his shoulder, like he's absent-mindedly checking to see if the kitten's still there. "Wouldn't want her to grow up in a broken home."

Buck huffs a laugh.

"And I love you too."

[batmanisagatewaydrug]

To clarify,I don't believe in porn makes you evil and I don't believe in like fantasies are evil. I'm pulling this quote off Scarleteen "“If we aren’t both careful and creative we can get stuck in fantasies that don’t mature and politicize with us."" I'm also new to being about to vote, so I'm trying to be careful about what I consume and what stereotypes media perpetuate. Like I'm not moralizing about kink or anything, and my ask was how can I get aroused with media wo my kinks or wo media

hi anon, welcome back! I'm genuinely very glad to hear some follow up.

for anybody who doesn't stay vigorously up to date with all of my anons, this ask is a continuation of this one.

so I went and checked out the Scarleteen articles you mentioned in your first message, or at least I tried to. How to Approach Sexual Fantasies and Desire on Your Own Terms is here, and while I couldn't find anything with the exact title 50 Shades of Abuse, we do have 50 Shades of BS - How to Tell the Difference Between Kink and Abuse as well as 50 Shades Crappier: On Selling Abuse for Valentine's Day, both of which cover how the 50 Shades series isn't a great model of real, responsibly-practiced BDSM.

now, here's what I didn't see in any of these articles: an assertion that anybody needs to, as you've decided to do, avoid any work that depicts anything less than perfectly healthy sexual practices.

the closest we get to that is the quote by adrienne maree brown from How to Approach Sexual Fantasies, which you mention above. now, here's the thing: first of all, I actually disagree pretty substantially with brown's assertions that one's sexual fantasies need to "politicize." I know what my politics are; the fiction that I enjoy can't change that, because I don't have the moral backbone of a chocolate eclair. I actually just talked about that earlier today in another ask.

(also, and this may be an unpopular opinion, but adrienne maree brown is kind of a dork who doesn't really say much of anything in Pleasure Activism that Audre Lorde didn't already say better and more succinctly, and I personally lost interest in Pleasure Activism pretty much the moment she casually dropped that she practices reiki healing because that's a pseudoscientific alternative medicine that doesn't do shit or fuck. but I digress.)

listen, I'm not trying to peer pressure or bully you into watching anything you don't want to watch. your porn consumption is up to you. but what you're doing here is absolutely moralizing, I think maybe because of an underlying assumption that media that involves sex is just, like, innately different than any other type of media, which is in itself an idea that stems from sex negativity!

I don't know, let's just try to play out a little thought exercise here. like, would you consider it reasonable if somebody told you that they've decided not to read or watch anything that depicts problematic behavior because they don't want to normalize it. like, first of all, they're never watching anything but Bluey again. except actually not even Bluey because I just remembered about Bluey in the genocide, which actually makes for a great illustration of how nonsensical and impossible it is to try to only engage with media that is 100% ideologically pure.

and again: that's fine! that's literally fine! it is 100% okay to watch or read or play things with morals that don't totally 100% align with yours. it's okay to enjoy them, even. it's a lot healthier than trying to avoid upsetting or incongruous things entirely, because that gives you the chance to actually think about it rather than trying to shut it out entirely! that article actually provides an entire list of questions you can run through with yourself to critically analyze the things you watch if you feel so inclined! that's a much better skill to practice than avoidance!

I get that when you're new to sex, as you said in the previous ask, this might seem daunting, but your brain isn't just a sponge that will uncritically soak up and adopt anything you expose it to. you very clearly have the ability to research, differentiate between fiction and real life, and form your own opinions! and it is absolutely fine if you want to just watch porn with your kinks!

like, listen, I see what the question is, and the easiest answer is just. do whatever gets you off.

[transingthoseformers]

So I was thinking more about your TF One B-127 ask and like, I think we were too quick to dismiss him as being sent to Robo-Hell for being a clumsy yapper.

If you think about it, I think B-127's fate is what Orion Pax's would have been, had he not had D-16 helping to cover his aft.

B mentions being 'too good at his jobs', can name several members of the High Guard on sight, shows a lot of tactical intelligence (the escape to the surface plan that kind of insinuates he's done it at least once, offering up energon to Alpha Trion, etc), and yeah, while a lot of that could be circumstance...

Think about it, if he's good enough at his work, then he'll wind up with a lot of free time and with his curiosity, he found ways to indulge that. Likely by breaking into the archives like how Orion did, but probably just to find stuff to read instead of Orion's drive to figure out more about the Matrix.

He's curious and observant and we also never once hear him referred to as 'Bumblebee', just 'B' or 'B-127' or (deep sigh) Badassitron. He normally gets the 'Bumblebee' name because he's a bumbler/clumsy, resulting in 'Bumbling B-127' or 'Bumble-B' for short. But we never get that in this movie; in fact, I don't recall anyone referring to him as clumsy in movie, just us fans when talking about it.

And we find him all the way down on a floor that both D-16 and Orion Pax were sure didn't exist (they only knew up to floor 40 after all), and B's showing a lot of signs of instability due to long periods of isolation and low stimulation, such as his 'coworkers'. Think about it, if he ever got out of that little room and back up to where all the other bots are, would anyone ever believe him? Even D-16 and Orion Pax immediately started treating him very gently and with caution right after being dumped into his cell.

So yeah, he knew too much or he knew the wrong things and was considered a risk to Sentinel's leadership, so down to Robo-Hell he went to be forgotten about and driven insane from isolation so that no one would ever believe him, if B didn't off himself first via convyer belt into incinerator.

And again, I fully believe this would have been Orion Pax's fate as well, had he not had a friend like D-16 watching out for him all the time.

Honestly you might be right here, tf1 Bee is more competent than we're giving him credit for

... how interesting would it be if Bee did get in trouble for yapping, but in a "he's talking about some very sensitive topics Sentinel has an interest in suppressing" kind of way?

I'm assuming he's going to take on the name Bumblebee in the future, perhaps?

Calling it a cell is absolutely right because I'm a way it totally is one

That would be so interesting

[shepherds-of-haven]

How would the ROs rate their own attractiveness? Like do they consider themselves attractive?

Huh, good question!

Blade: he is distantly aware that other people/society in general considers him to be good-looking in some capacity. (By Ket standards, he and Gladius both are considered to be blessed with markedly good looks, but almost in a 'pretty boy' kind of way. Gladius is considered like stunningly beautiful while Blade has more of 'effortlessly hot' aura). So he would say other people probably think he's "above-average" in looks (but he also believes it to be more of a muscularity/strength thing than things like his facial features. Like women, if they do find him attractive, probably think so because he looks like a strong provider LMAO). But he himself doesn't think about his own attractiveness or appearance beyond what good hygiene and proper presentation dictate... he hardly spares himself a glance in the mirror most days. As you can tell by his haircut choices

Trouble: he considers himself to be average in looks, neither particularly handsome or particularly ugly, just exactly in the middle of the road! If asked to describe his own attractiveness in more detail, he'd probably say something like, "I clean up okay. I'm a decent-looking working-class guy? *shrug* I don't think anyone would be mad if I showed up at their doorstep with a bouquet of flowers, but artists aren't swooning over my cheekbones, either"

Tallys: Tallys considers herself to be a good-looking woman, probably an 8 if we're using a scale, a 9 if she put more effort into being conventionally beautiful (doing things like growing out her hair (!), using makeup or perfume, dressing well, etc.). She's confident in her own attractiveness and doesn't find much fault with her own features or body, but she also knows that doesn't mean she's everyone's specific cup of tea, either! She just believes that, according to a general standard, she rates highly in most areas, and no one could sincerely call her ugly. It helps that she's an Elf, since most of them have a high standard of confidence when it comes to their natural beauty!

Shery: before she joined the Shepherds, she believed herself to be average or below-average, and believed herself to be "mousy": hiding behind her bangs and spectacles was not something she ever saw conventionally beautiful people doing, so she grew up thinking she was forgettable or unremarkable, though not necessarily ugly or outright unattractive. Just sort of "plain." However, since joining and noticing that there are people who seem to compliment or even crush on her, she's since come to tentatively revise that opinion and thinks she could probably be considered "cute" by some people's standards, but she still thinks that her personality makes it hard for anyone to really notice her or become completely enthralled by her... so she would say she's probably like a 6 or 7 by looks alone, which she's content with!

Riel: as like a work of art or a painting (so judging by pure aesthetics alone, devoid of other considerations), he believes he rates around an 8 just going by the symmetry of his facial features, his taste in clothes, the fact that he's well-groomed, but he's a bit self-conscious of how he rates in terms of desirability or sexual appeal, which is a different thing entirely (in his own mind). Like, you can admit a painting is beautiful, but you don't want to fuck a painting? In those terms, he believes he falls well below the standards of the masculine ideal, probably resting at a 5, though he believes he makes up for it in other areas (wealth, intellect, uniqueness, etc). It doesn't bother him that much, but it is something that he is aware of at the back of his mind!

Chase: He thinks he's pretty good-looking (🙄), but that the effect is best felt and supplemented by his in-person charisma, charm, aura, and general personality. This is an extremely topical/dated example, but it's sort of like how a lot of people were largely indifferent to Glen Powell going strictly by looks alone, but then they saw him acting in Twisters or Top Gun or whatever and saw his chemistry with his co-stars and were suddenly like "oh 😳" Like he needs to be seen in action to really feel attracted to him?? Anyway, Chase thinks that if you were to see a perfect painting of him in a gallery, he's good-looking enough alone to make you stop and admire him, so probably like an 8... but his magnetism in person brings that to a 10 LOL

Red: He "doesn't really think about it" (🙄)--he more spends time grooming and styling himself to his own standards rather than really fretting over what other people would perceive or rate him as, but if you really pressed up, I think he'd say he's an 8 on a good day, potentially a 9 if he were to try very hard, but he'd sort of vaguely look around at everyone else to confirm if this was an arrogant thing for him to say lol, so he's definitely not totally sure about it! There aren't too many things he finds fault with when it comes to his physical appearance or body--he's generally satisfied and content in that department--but he also would never argue he's some great show-stopping beauty or gorgeous model: he just quietly lives with the idea that most people think he's a naturally pretty handsome guy!

Ayla: this is sad, but she probably rates herself a 3, maybe a 4 on a good day. 😕 Ayla thought she dispensed with thinking about her own appearance or attractiveness long ago, having accepted the fact that most people perceived her as this ragged, scrappy loner who mostly lived on the road and was lucky if she could find a stream to wash her hair in. She never possessed a mirror and, the rare times she stayed in a room that had one, she used it to check herself over for hidden injuries or things on her back and then went on her way... and none of this really mattered to her because she spent so much of her time alone. No one was really looking at her, she wasn't looking at herself, so who cared if she looked like a half-drowned rat with her hair growing into her eyes while she shook sand out of her clothes? Since joining the Shepherds, however, her private consciousness of her appearance has naturally increased, and sometimes she can feel quite down about it (especially when faced with the elegant grace of Tallys, the feminine cuteness of Shery, or the show-stopping beauty of Lavinet). Part of being in a group that she avoided was the vulnerability of natural comparison: no one's comparing you to anyone if you stand alone, but with the Shepherds, of course that's going to happen, even if only in her own mind... Anyway, this is a lot to say that she considers herself to be below-average in attractiveness, but is filled with a sullen self-loathing and pride when she considers doing anything to try to change that fact, so she just... resigns herself to feeling that way forever, if that makes any sense!

Briony: she thinks she's cute and can edge over into pretty when she tries really hard, so she'd probably say she hovers between a 6 and a 7 on an average day? While she thinks she has advantages like her striking hair color and eyes, she has areas that she privately feels a bit insecure about: she feels her face is too round, her nose is too short, feels like she's a bit short and compact and boyish in body when she's rather be tall and leggy like Tallys or buxom and curvaceous like Lavinet, etc. etc. It's not something that really bothers her--she figures that everybody feels that way about themselves--so she's happy with being "above-average" on most days. It's only when she's crushing on somebody and isn't sure of how they perceive her that she gets really unsure and self-conscious about it, and then she really obviously throws herself into styling herself to appear more feminine!

Lavinet: don't hate her, but she definitely thinks she's a 10 LOL. This is partly due to the fact that, by Blest beauty standards, she pretty much is a paragon of desirability, and everyone in her life has treated her as if she were a 10 or even outright said so... so there's really no reason for her to think otherwise! There are always small things she would tweak if she gave any thought to it, but in general she's been very happy with her appearance and how she's been able to use it as a tool to accomplish her goals in life!

Halek: he is well aware that he's gorgeous... he wouldn't say this out loud because he knows he'd get endlessly ragged on, but he'd probably say he's a 10 LMAO, maybe 9 so as to give the appearance of some humility... It's not even something he's arrogant about, he's just like aware of general beauty standards and is like 'yeah by no choice of my own and by complete accident of birth, i happen to fit these really well? *shrug*" It's nbd... and it's part of where his bde comes from, I'm sure

[luludeluluramblings]

Hi so I was having some brainrot regarding your small-town-neglected-meta reader and I wanted to share them with you!

One thing I've been thinking about alot is the way readers powers work and what kinds of weather they're likely to create, etc. One thing I specifically thought about is that readers powers definitely have to come from her mom's side. Bruce and no else in Bruce's biological line have powers so readers mom has to have the meta gene. I was thinking that maybe readers mom also controlled the weather a bit, maybe not as strong as reader can but still had some powers.

Like creating little drizzles, maybe some dustdevils, and little snow storms. Because her powers were so weak she never really used them for much, maybe to help out her own parents on the farm but that's about it(using her rain powers to easily water the crops)

In that same line of thinking I also wondered if readers little brother also has superpowers. Maybe the way his powers work or appear are bit different than readers because of they have different dads(I imagine Bruce has really strong genetics. If Damian is any proof of that lol)

One little crank in this little headcanon though is that Nana and Gramps would also have to have superpowers. But then I reread the first chapter and thought about One of the phrases you used to describe how reader got in Bruce's hands.

"but blood is thicker than water in the eyes of the court."

That specifically makes me think that Nana and Gramps are actually readers little brother biological grandparents and not theirs.(what happened to their bio grandparents 🤔)

But anyway, one last thing I wanted mention is how badly I want to see reader using their powers more freely when they're back in small town. Like they aren't afraid to use their powers to make it super windy and have fun with their little brother up on the sky. Or causing a blizzard just so they can have a snowball fight and make snow-men with their little brother. Or even accidently cause a power outage because someone pissed them off! No more suppressed emotions just freedom. (Also reader crying in the middle of the rain they made in front of their parents graves(they wanted to be buried in their hometown) would be so tragically fantasic.)

Anyway I know this is a lot to read and I'm sorry if I seem a bit scrambled but I wanted to send this to you just cause I had so many ideas floating up in my brain I couldn't stop thinking about it all. Thank you for listening to me ramble, I hope your doing amazing🩷

Your call this bain-rot, Imma call it fertilizer. This is long as mess, but I think I addressed everything. Lots of Smalltown!Reader lore and I made a Family Tree to help explain if needed.

☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎

Smalltown!Reader's Family Tree:

Complicated little bugger, ain't it? I didn't add Stephanie or Barbara because Bruce technically never adopted them or fostered them. This isn't an official thing, I made this and it was composed of little bits of information I found online. So some of this stuff might not be lore accurate.

Also, while I was researching I found out that Bruce's middle name was apparently Patrick, after his grandfather at one point.

Now, time for the pseudo science.

I consider the meta gene to be a genetic trait carried down by a parent. That would be Momma/Adeline, in this case. She carries the gene. Now, the meta gene does not always activate even if one has it. So, no, Momma was not making mini storms for us. She was, however, very encouraging of Reader using their abilities. It takes an event, usually a traumatic one, to activate the gene. (Little Brother could be getting power's in the next chapter, though.)

As for Nana and Grand Daddy we have this:

They don't have the gene, so they don't have abilities. (Which doesn't me their harmless.) They are Reader's Step-Grandparents, but they've grown to love them all the same. Now, in court, it is preferred for a child to go to the nearest blood relative after their parents die. Or, at least, that's what I roughly know from what the court in my state is like. I'm not from Louisiana or New Jersey, where Gotham's located, so maybe it's different. But, this is fiction. This is why Nana and Grand Daddy didn't get custody of Reader, though. Plus Bruce is rich with a bunch of adopted kids, on paper he looks like the best option.

☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎

I really love the thought of Reader using their abilities for silly little things while back in Smalltown, at least before things absolutely go to hell in a hand basket. So I'll probably include a bit. (They used to do things like that before moving to Gotham, definitely.) Something I want to mention is that Reader likes to make it rain when their happy. It's their favorite weather, they love it. So a grave scene might be a bit different. (I have to include that now. Thank you for that idea! Frick, Part Eight about to be long af.)

☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎☁︎

If your curious about Reader's other grandparents, they just died from old age and health problems. I like to think that Reader had a close relationship with them. Calling them MawMaw and Gab for their nicknames and having spent a lot of time with Reader and their Little Brother before they died. (I'm sorely tempted to just commit to rewriting this with the OC I based Reader off of so I can include all this backstory to highlight how different their life in Gotham is compared to what it used to be, but I best finish what I started first.)

(Side Note: It's very common in the American south for people to give their grandparents nicknames. I have some for my southern grandparents, while I call my northern grandparents just plain Grandma and Grandpa. The nickname can vary and is usually what ever the first grandchild comes up with.)

Thank you for sending me this ask! Stuff like this actually inspires me so this was wonderful. Hopefully this helps. (Now to get back to work on my writing, I've been draggin' my feet again.)

[goodolddumbbanana]

Nexus to Moon: dramatic, mysterious, evil.

He is the monster. He forced me kneel, he hurts me, he makes me relived of all my mistakes. I couldn't fight him and the worst of it..... I. Scared. Of. Him.

Nexus to Sun: Bitch wants me to work for him and gets mad when I say no. Also... Cringe.

I am sorry but, has anyone felt a really drastically shift tones between Moon and Sun when they interact with Nexus?

Like Nexus really wants to hurt Moon, badly. He does not hesitate to cram his hands inside Moon's head, and mocks Moon for everything he did. It was intense, and we can feel it is Nexus the one who is in the control. And that Moon will not do or can try anything.

Also Moon gets kneel down and tortured pretty quick after that. Also he seems very scared of Nexus after each time he interacted with Nexus.

But Sun... I don't know man... I think I had made Nexus cooler in my head.

He is just so cringe. (THE GOD thingy makes me die a little bit whenever I hear him screaming that name)

I couldn't see the monster who hurt Moon with the way he was chasing Sun around and Sun just kept running like it is no ends tomorrow.

(Lmao dude just straight up pulling Naruto run on Nexus, really reminds me back then, of the times when Sun doing something stupid and Nexus just angrily yelling ran after him.)

And even when he had Sun at the corner, he couldn't say anything 'emotional damage' to Sun.

"What ... Are you insane?!"

"Yeah. I thought it was pretty obvious."

And baby girl is so obsessed with the fact he is no longer Moon, he thinks it is him who is still the one Sun calls for help. Which is sad and funny both at the same time.

Like we can feel a tiny small hesitant in Nexus's voice when Sun keeps saying 'Moon', like he thought Sun wants him to stop.

And how the issue gets dragged on the surface. Sun always feels like he couldn't help Nexus and Nexus also feels like he couldn't let Sun help him. (Because the same old story, Sun got hurt and kidnapped whenever he came with Nexus.)

"So now I have value for you?"

"Yeah, for once in your miserable life, you have value."

It is sad when they come back at each other like this. Especially when Nexus always says that he needs Sun back in the day.

"You had friends, you had a family. They love you."

Sun loves him. He still loves Nexus. He didn't want Nexus dead is one thing, but he seems so worried about Nexus (accidentally calling him Moon when seeing him got shot) and tries to make Monty stop shooting. Even after Nexus runway, Sun - the one who gets so infected by Negative Star power, still wants to know if Nexus is okay.

And when he was back at home, he wasn't even scared of Nexus, not like how he used to be terrified of Eclipse or Killcode or even when he interacts with Dark Sun. He seems just pissed and done at himself, and not even with Nexus.

"I didn't have friends. I was a replacement."

Nexus didn't consider Monty his friend. I mean it is totally understandable, especially when they hijacked his head before. But replacement... Really? Sure maybe at first with Sun, but what about Earth? She didn't know jack about you?

"Maybe at first, but I liked you."

Haha... Remember when Nexus said he was very appreciative of how Sun loved him more than Moon? Haha... Good times ...

"oh my..., cuz I was nicer to you."

"because you are nice."

"because I didn't beat you.... Guess what Sunny, you are nothing but a tool for me..."

He throws away any good things he did for Sun. He burned all their memories, and saw himself as a monster. He tried to make himself a monster towards Sun, and when seeing it didn't work, because Sun doesn't care about how horrible he is now, he straight down Sun with the 'I don't care about you' attitude.

"You know what... You are not worse than Moon. Hell you are not even better..."

'You are just exactly like Moon. ' I think it is what Sun wants to say. They are both so stuck in their own minds, never wanting to hear what other people say, what people are trying to prove they are so much better than this.

"I am me! NONE OF YOU COULD REALISE, I AM MY OWN PERSON!!!"

"I tried."

"No you didn't. You USED me. And now I am going to use you."

"I am sorry."

His voice seems so small. He sounds so heartbroken when he says sorry to Nexus, like we can feel the thought process behind Sun. He truly thinks everything happened was his fault, it is Sun's fault leading Nexus to become like this.

"Your apologies don't mean anything to me."

And Nexus sounds so wanting to move one, to get done with his job, to stop talking about the past. It doesn't matter if Sun says sorry or not, because he doesn't care. He doesn't want to care.

And the term he used... Dragging Sun into his lab and plug he into the machine, to let him never do any of his own will ever again....

What does Nexus think Sun will do with his own will? Like what exactly can Sun do? Yapping at his ears until it bleeds? Sun doesn't have any manipulated skills at all, he is so straightforward and honest to actually harm Nexus from behind, like, Nexus just needs to highjack Sun's head like Moon.

From my perspective, I think there are a lot of methods to let Sun do as Nexus plead, but Nexus only wants to stop thinking about Sun. Like if he fully controlled over Sun, he will not have to think about how Sun is disappointed in him anymore, He will not have to think of Sun as a human being, as his ex brother, as someone still cares about him.

And when Sun says he will not do as Nexus says? Nexus sounds didn't surprise at all. They understand each other too well to know even Sun sometimes a coward, he will not give up like that for Nexus.

Also... Why did he not just threaten Moon? Or Dazzle? Or Jack? Just like how he mocks Solar?

Did he not want his older brother to think of him lower?

"...I have you kneel at me, right ? So look at your superior being."

The way Nexus said that, it makes me feel sad. Like, Nexus so wants to cut off Sun, to make Sun think of him as a monster, to hurt Sun not even in the way it matters.

He still couldn't hit Sun at his lowest, I mean, back then, Old Moon even worse with Sun both emotionally and physically back in the days.

Even after so much nonsense craps, Sun still unharmed. He tortured Moon, he mocked Solar, but Sun.... There is no win in this fight.

Their fighting still looks so much more than their so used banter before... I wish Nexus and Sun will be still brothers ;.;

Sidenote: I love that Ruin tries to convince Nexus to think more with his head but just ends up giving up like : oh right, screw you then, asshole.

Very baby girl behaviour of him.

[anim-ttrpgs]

drow rpg thoughts

Yesterday I got excited and did a design outline for another game, this time about drow. Don't worry, the Eureka Patreon updates will keep coming monthly and we are even close to another free public beta release, but i have been under a lot of stress and might need to work on something else for a few weeks after that, even if only because i think it could actually be something i could make fully playable within a short time.

It is based on a particular setting written a while back by me and a close friend, the purpose of which was to reimagine drow with reasonable post-hoc explanations for the way they are portrayed in Forgotten Realms. It would be a very specific game, sharing a few design ideas with Eureka's rules, but not as broad and generalized.

This rpg will certainly come with a bunch of lore, but for right now the only thing you need to know is that in this setting, "Drow" is a title and referrs only to the female warrior-caste of dark elf society.

Many of the mechanics will be asymmetrical. A “party” will consist of one Drow and any number of her servants, with the goal of surviving incredibly dense hierarchical social situations

>problem will come up that could embarrass the Drow, threatening her Reputation (stat)

>Drow has to delegate tasks to servants that will fix the problem

>due to stupidly dense and impossible etiquette, actually delegating these tasks is not very clear or easy. Screwing up tasks and failing etiquette will reduce a servant’s perceived Competence (stat)

>due to high pressure, impossible working conditions, and garbled instructions, these tasks are not easy and are very likely to be screwed up

>the Drow has to contend with and smooth over the screwed up tasks. She can lose Reputation if she doesn’t discipline incompetence, but harsh discipline is only going to make the servants less able to complete the task.

>Failure state for the servants is if their Competence ever reaches 0, and failure state for everyone is if the Drow’s Reputation ever reaches 0.

Half the Game Master’s job will be keeping track of the strict and deliberately impossibly overcomplicated etiquette by which servants have to address Drow, and docking their Competence when they screw up(and possibly docking Drow Reputation if anybody else sees her letting that slide), and keeping track of the strict militaristic code of honor and (evil) morality that all Drow are expected to exemplify whether they actually enjoy being cruel psychopaths or not, and docking Reputation when the Drow fails to uphold the right standard of evilness in front of other Drow.

The servant part of the “party” will either have to humorously manipulate Drow while hiding that anything is wrong, or they and their Drow will all have to all work together to maintain a facade of this brutal hierarchy

Drow lose Reputation and servants lose Competence when they fail to adhere to social etiquette that covers like 15 pages of instructions (designed to be impossible to follow). In that way, it might be considered similar to Paranoia, with a similar sense of humor.

Some of the servants’ etiquette would be like

>don’t speak out loud to a Drow unless told to by that Drow

>at the same time, don’t remain silent when a Drow expects them to answer a question even if she didn’t explicitly say they could speak

And this is why the Drow has to be a PC, because this same servant etiquette is a pitfall for the Drow. if she doesn’t make her expectations explicitly clear, it puts the servants in an impossible situation, where they will embarrass her with their incompetence(even though it’s her fault) and she will be socially obligated to go out of her way to discipline them. Of course in the in-setting society, the fault lies with the servant, because they should have intuited when they were being given permission to speak or not. Some Drow will be self-aware enough to realize that they caused this situation, most won't.

The structure of their society will often incentivize a tactful Drow to "roll with" mistakes made by servants, e.g. "No, my servants did have permission to address me out loud, you just weren't clever enough to catch it."

Each will have to cover for the other, and/or hide things from each other and the Drow's social rivals.

[sweetestlamb]

I Wanna do Bad Things to You

Authors note: honestly I was losing interest a bit and the second couple still has me in a chokehold but today's episode ate devoured and licked the plate clean. I have a million things I need to do right now but I wrote this instead🤷🏾‍♀️💃🏾

None of his fantasies could have ever prepared him for the vision Seok-ryu makes breathing hard beneath him, her cheeks flushed and her lips swollen from their kissing.

Thoughts about her aren't new to him. Dirty thoughts about her are not new either. He's been locking his door since he first realized that his feelings for her were different from his feelings for Mo-eum.

He never dreamed about holding her hand, or kissing her or undressing her.

No. Those bad thoughts were reserved for one person and now she's under him staring up at him like she's having very similar thoughts and his thoughts are multiplying by the minute.

"What are you thinking about?"

'Giving you a hickie.'

But he only says that to himself in the safety of his mind because saying that out loud terrifies him and makes his palms too moist.

"Choiseung." She demands his attention again, as if he's not already too fixated on her.

"I'd.... rather not say." He whispers instead, leaning down to hide his face in the curve of her neck before he even realizes his mistake.

She grumbles underneath him but he melts at her hand settling in his hair, her fingers running through the thick strands. Nobody's ever caressed him like this before. He has the fight the moan that wants to escape.

"You're already breaking your promise."

That gets his attention and he shifts away, pining her with her eyes.

"What? What do you mean? What did I do?" He wants to fix whatever it is immediately, he can't handle another argument with her his heart felt like it would burst.

She seems stunned by his seriousness before she collects herself, "You said you wouldn't hide anything from me again. I want to know what you're thinking, whatever is making you look at me like that."

"Like what?"

"Like you're starving."

Her and these food analogies. But she's not wrong, he feels like he has been starving for years waiting, longing and wishing. Starved for her attention, her favour and her love.

"I'm hungry."

His eyes widen at the sudden announcement especially considering that they just ate, but maybe he can go outside and see if the store is still open and get her something to--

"Where are you going?" She huffs at him as he tries to detangle their limbs.

"You said that you're hun-

"Are you a virgin?"

He freezes and his brain short circuits before he can remind his lungs how to work and breathe again.

"Are you insane why would you ask me that?!"

"Woah. Look how red you got! Am I right? You're a virgin? Am I going to be your first?"

He stares at her slack mouthed before his competitiveness kicks in, she's always been the one to bring this petty immature side out of him.

Far too easily he grips both of her wrists in his hand and pins her hands to the bed over her head. She flails in his tight grip but he watches with fascination as her cheeks pinken and her eyes dilute.

Interesting.

"My first what? Are you offering Seok-ryu? Do you want it that badly?"

His nerves are still there but the desire to put her in her place overrides it momentarily.

But instead of arguing like she's supposed, like they've both been doing for years she zigs when he expects her to zag.

"What if I do? You're my boyfriend. Aren't I suppose to want you?" She stares back with open defiance, only she could make such a confession sound so aggressive.

"Seok-ryu..."

"I don't want to talk. Do I have to spell it out? I want you to -"

His lips slam into hers with a wet smack and he almost groans at how easily she opens up for him, kissing him back as if she's the one that's been pining for years. As if she wants him half as much as he wants her.

He jolts when her legs wrap around his waist, his hold on her wrists loosening for a moment.

When he can't resist the urge to grind into her heat he forces himself to pull away. They need to slow down this is...too much. Too fast.

"We should stop."

But that seems to be the last thing on her mind.

Instead she frees her hands and shoves them up his shirt, his stomach tightens at her touch and this time he isn't quick enough to swallow his reaction.

"Hey Seung-hyo when did you get abs? Is that why you think you can boss me around because you got some muscles?"

"You can't just touch me like that." She raises an eyebrow at his exclamation, challenge clear in her eyes.

"Oh. Why not? Aren't you my man? Can't I touch you just like this and even worst? If I can't touch you like this then who can?"

His jaw drops at her assertion and at the possessiveness in her tone.

He refuses to leave any room for a misunderstanding this time.

"Nobody. Only you."

She avoids eye contact but he doesn't miss the smirk on her lips and that twinkle in her eyes.

"But if you touch me like that then I'm going to get thoughts....I don't want to take advantage of you."

Her laughter is instant and he's tired of feeling like a fish out of water, she's his woman. He is allowed to act like it. He's done holding himself back.

So he retightens his grip on her hands and leans down to press a firm kiss to her neck. Then he waits and her reaction is immediate, her body bends to meet him giving him free range to explore.

Without hesitation he preseses another kiss opening his mouth to taste her and she moans in response.

"More."

That sends blood rushing through his entire body.

He kisses her again and again until she's twisting beneath him but he's too strong for her to break his hold, he shouldn't like that so much.

"I want to give you a hickie."

There. He's said it and if she says no that's fine this is still more than he ever hoped for, more than he deserves honestly. It's greedy of him to even want for more.

"Then do it."

And this time he hold on her completely loosens and she wraps her hands around his neck and yanks him down again, pressing his face further into her neck with a quiet, "Mark me I want it."

He opens his mouth and sucks gently, teething at the thin skin there with the barest amount of pressure. He does it for a minute, lost in her scent and in her soft skin.

"Harder."

He hums into her neck in response, too enthralled to move away for even a second.

"You need to do it harder to leave a mark."

He ignores the tinge of jealousy that flares up at her obvious expertise, she's here with him now that's all that matters.

And he obeys her, open his mouth wider and sucking harder even biting at the last minute and he almost pulls away at her soft shout but she tightens her arms around him refusing to left him go.

"I'm fine you just surprised me. But I like it. I like everything you do to me. Don't stop."

He feels like he's drowning in his own pent up desires.

But he continues to suck and bite and lick at her skin before he realizes that his hips have been moving of their own accord, each gasp from her lips feels him leaving lightheaded and wound up too tight.

He needs to stop before it's too late.

The hickie is huge and red, he realizes that he might have overdone it especially with them trying to hide their relationship.

She's going to kill him.

"How is it? Are you proud of yourself?" She teases him and he can't deny that he loves seeing his mark on her, loves that she trusted him enough to let him do that.

"Who knew you were so possessive?"

He bristles at her taunting tone, "Like you're any better? What did you call me your ma-"

"Hey! Shut up, don't repeat the things I say in the heat of the moment that's embarrassing!"

And this time she pushes him away, and he lets her flopping onto her bed.

"I'm going to check out my hickie, see how much concealer I need to cover it."

And that has him bolting up in the bed, "Wait a second Seok-ryu!"

But he's too late and he watches her eyes flare with anger as she touches the large red mark on her neck in awed silence.

"It looks worst than it really is, it should fade by tomorrow I'm sure!" So similar to the words that she said to his crying six year old self and they both know how that turned out.

"I'm going to kill you!! What did you do to my beautiful neck? What are you a freaking vampire? I said mark me, not destroy my neck!"

And he jumps over the bed trying to get away from her and he can't help but laugh as she trips over her own feet trying to catch him.

[everythingne]

double dealing: two wheeler (ls2)

there's no real need for you to get on two wheels--considering logan's four work just fine. but it comes in handy sometimes (requested by @dozyisdead, thank u love!!)

double dealing verse / last logan installment

notes/warnings: this delves into more of the 'double dealing' esc side of this whole little series sooo... illusions to planned car accidents, minor injury, smuggling documents

a call from Alex so late at night is unprecedented. Sure, its not the most random thing on the planet, but its odd considering you're not even in Austin yet. Zipping along the highway, you send him an auto reply message, a quick 'I'm on my bike, I'll stop and talk to you soon!' but the Thai driver doesn't seem to care.

He calls again. And then again, and by the time you've found a safe spot to pull off--down an exit ramp and in a gas station, he's called sixteen times.

It's two in the morning, so you park your bike to get gas anyways, and answer his incessant calls.

"Alex, what the hell is going on?" You huff out, poking the 'Regular' button on the gas pump as you hear the phone connect.

"Hey, Carrie... what highway are you on?"

Oh, motherfucker. You think, he's using codenames.

You shove the nozzle into the tank, clicking back the pump's trigger as the fuel pours out. It can't move fast enough, "Uhm... after I get gas, I'll be back on I-10, is there a problem?"

"Yeah, uh..." Alex sighs and you can picture the way he's gripping his shifter as you hear his car roaring under his voice, "Bandit's caught in the mix transporting some goods, we think there was either a mix up with Godfather's intel or if Payday's got some sort of bet going on."

You watch the price of the gas click up, your hand tensing as you wait for the meter to fill, murmuring to Alex, "Doesn't he have the newbies with him?"

"That's the reason we're calling you in." Alex's car screeches and you can imagine him Jersey sliding into an exit lane, "I'm with Lion and Shades, we're gonna divert the goods with Bandit, see if we can figure out what Payday and The Minister are doing. All I need to know is if you can fit the kids on the bike."

The loud clunk of the gas filling up has you slamming the nozzle back in its holder and closing your tank, kicking up your stand as your bike roars to life, "If Ollie can hold on to the other kid tight, then yeah, probably."

"Meet us at the Walmart in Manor--off 290." Alex says and you nod sharply, pulling out of the gas station. You're not far, like maybe twenty or so minutes out.

"Got it. See you in twenty." You say and end the call. You don't know Texas well enough, but luckily tou knew Manor was somewhat close by. You'd gotten off at Exit 720 for Brenham, following Highway 290 up to Austin. Originally planning to stop for gas and food when you got low, which ended up being in McDade.

McDade to Manor, twenty minutes roughly. But you were sure you could shorten that.

The streetlights pass in a blur of color as you dip between the few cars--and ride alongside the big rigs, in the mostly empty roads. You can't even really think, or breathe right, until you pull up alongisde three cars in the back corner of a Walmart parking lot. Which is.. painfully American. Alex's--or, Smokey's 1970 Pontiac LeMans, Max's--or The Lion's 1999 Subaru WRX, and finally George's--or Shades' 2000 Porsche Boxster.

"Here's the deal," George is quick to say as you click up your visor so they can see you better. You find taking the whole helmet off would be redundant. You'd just delay departure at that point.

"Bandit's got two newbies with him. They were supposed to be with Goss but he was out of commission. So, we figured since this is a low urgency run, it would be fine." George rubs his jaw and shrugs, "seems like someone caught wind."

"Which," Alex cuts George off, "makes no sense. No one should be going after this, it's a deal from the county police chief. If we do this run, they won't bother us with the racing, classic corruption shit, y'know? We do it everywhere, building rapport, doing favors, and what not."

Max nods, walking over to lean next to George, "Obviously, we don't want the kids--if you can call Franco a kid, I guess, in all this shit so soon. They're supposed to do the basic shit, the street racing, the parts running. Not this stuff. We also wouldn't pull you into this unless it was dire."

You nod. Logan had told you countless stories about 'ascending' through the ranks. How the most senior racers, like Fernando or Lewis, handled the most egregious shipments and situations while newer drivers like him or Oscar did base level stuff. You were also surprised to find out all of it is voluntary, and for a lifetime, when Logan did a run with Sebastian Vettel a few months back.

So, even if Logan went to Indycar or NASCAR, or wherever--if he was in the area and they needed him, and he wanted to, he would go.

"We need to get Franco and Ollie out of that car. They aren't even really indoctrinated into this all yet." George hums, "The others in the area are on a bigger drop, or just not able to come out. Hence, why we reached out to you."

"You know Bandit's driving style well." Alex hums, "and while we distract Payday and whoever's with him--I think it's... Minister, we should be able to get him to a secure location and pass the kids to you."

Max eyes your bike carefully. You can tell he's not too keen on the idea of shoving you and two lanky boys on one bike, but it's all you have. He hums, then murmurs, "Can you even fit with two of them?"

"It'll be a tight squeeze and not at all safe but... I think as long as they hold on we can make it work." You eye your bike, having absolutely no idea how to make it work, "If possible, could we do it somewhere close to a drop off point?"

"Yeah." George nods, "I can call Hotshot again and see if he's in Austin now can swing by and take them from you... probably somewhere between Austin and Cedar Park. Bandit's southbound, maybe twenty minutes out from Cedar Park now, so we should get moving."

You nod, "So I'm just trailing Bandit?"

"Pretty much." Alex nods, "stay close, follow hand gestures. We'll have to get you a radio to communicate with us for next time."

"If. There's a next time." Max hums, then nods his head to his car. George quickly follows suit, but Alex pauses to give you a fist bump.

"We got this. Don't worry about it." He smiles. As the cars roar to life, you follow suit, and out of the highway the four of you go. Just a year ago, when you had been in Australia with Logan and Oscar, when you'd gotten all tangled up in this... you hadn't owned this bike. But afte expressing your love for highspeeds and the feeling of the wind rippling across your skin, you'd sold your car and bought the bike.

Less practical, sure, but a hell of a lot more fun. Plus, Logan's car could fit your suitcases and whatever you needed for traveling, so it didn't matter to you.

The three cars in front of you move at perfect speeds, and at Alex's command, you all go dark and slowly exit off to 183, where Logan should be travelling southbound. Luckily, you are able to spot him zipping down, two cars hot on his trail. The first car dips in, a sporty Porsche Cayman, and nearly knocks the back of his car.

Logan dodges, but nearly skids into the gaps in the guard railing. You don't want to imagine it piercing his car, but you can't help it.

You grit your teeth as Alex turns on his lights and dips across the grass median with Max behind him doing the same. They bound acorss, but perfectly time slipping into the gaps in the guardrails right behind where Logan's speeding down the highway--Alex nearly plowing into the side of the Porsche.

George stays on the other side of the road and signals for you to follow him off another exit. Blowing two red lights--and praying that this run is successful so that won't come to bite you in the ass later, you end up about two miles behind Logan and the rest.

Pulling up alongside George, he waves for you to stay back, and peels forward. You stay within eyesight, but hold off a few hundred feet. You can see Alex has put himself between the Porsche--which you think is Lance's, and the Toyota 86 you know is Checo's. All three cars are a bit dented up, you assume from the cheap shot pit maneuvers Lance was attempting.

Max comes up alongside Checo, and through hand gestures, you see the Toyota come back, falling alongside George. And you're waved up. You come between the two cars and a small parcel is handed to you from Checo, and you toss it into George's passengers window--very precariously, before backing up again at your cue. You don't want to think of what it is.

Looking ahead, it seems like they're having a harder time getting Lance to get off Logan's ass, and so you drift off to follow the right hand lane as they see what they're doing.

Eventually you realize they're trying to box Lance into the left lane. Max splitting the lanes in the front, Alex on his right side with Logan ahead of him ready to peel off, and George and Checo holding up the back in the back.

You can imagine the radios filled with excessive swearing as Lance nearly ramming into the back of Max's car is met with George tapping the back of his car.

Finally, Logan dips off to an exit and you gun off, following him and glancing aside to see George swerve big time to avoid Lance just absolutely obliterating the side of his car. You follow down, flicking your headlights off when Logan does. Your heart is in your throat as Logan merges off into a side street and slows down significantly. You boht move, only lit up by streetlights, before coming to park under an overpass.

As Logan's car slows to a stop, you glance back behind you. Other than houses and trees, the area seems vacant. Logan's car shuts off and you follow suit, propping your bike up on its stand and throwing your leg over as you clamber off it and watch the three across from you.

"You guys alright?!" You shout and the three nod. Logan helping the two climb out of the back seat. Even in the hush of the back road, there's a lot of tension from Ollie and Frnaco, the two almost jittery as Logan slams the drivers door closed once they've gotten out.

You can't blame Logan for being pissed, the lives of two kids who weren't even really involved was in danger.

You take off your helmet, setting it on the seat, and make your way over to where Logan's popped open his trunk and is digging in it for something. You look over to where Franco and Ollie stand off to the side, murmuring amongst themselves, then back to Logan as he places his helmet in your hands with a bit more force than needed.

Unluckily, you catch a glimpse of what he's been asked to smuggle--a few guns, semi-automatic weaponry you try to blink out of your eyes as the trunk slams shut. It's the loudest noise in the area, other than the hum of someone's air conditioning unit down the side road.

"You can fit them?" Logan asks gruffly and you shrug, reaching out to intertwine one of your hands. A soft, soothing rub of your thumb along his skin as you hum out your reply,

"Don't have much of a choice."

Logan lets out a low whistle, and you can imagine when there's more time and more context, you'll talk about the whole thing during a late night drive. Probably back home in Florida.

"We both need to get moving." He murmurs and you nod, pulling him closer by the hand for a chaste goodbye kiss, and you're both murmuring at the other to be quick and safe. The night chill on your hand is more prominent when Logan lets go, making his way back over to his car.

Opposite of him, you make your way over to Franco and hand him Logan's helmet. Ironically, it fits well enough. So you shove your helmet on Ollie's head.

"Listen," You point at them and challenge them with your best attempt at a stern, motherly tone, "I have no idea if this is going to work, but you two need to hold onto me like you will die if you let go, because you will."

Your phone buzzes, and you look down to a text from Alex. 'District park nearby, go there.'

You quickly plug the address into your phone, luckily the place is only fifteen or so minutes away. Logan starts his car and you wave him on as he peels off into the night, and after four or five attempts, you manage to squeeze both Ollie and Franco onto the back of your bike. Driving much slower than you usually would, you take the backroads to the park, and are delighted when you see Lando waiting outside the gates.

It's a bit of an adventure getting them both off again, and as you kill your bike and pop it onto the stand, Lando claps, his voice chiming with his hysterical laughing, "I'm impressed no one fell off!"

"i almost did!" Franco complains, popping Logan's helmet off his head and shaking out his hair, "because Ollie can't sit up all the way!"

"I had nowhere to go!" Ollie whacks Franco's arm, and as you watch, you can't help but laugh to yourself. It's just absurd. How the hell did you get all tangled up in this? You have a feeling it won't be the last time.

After the Austin GP, you're sitting on Logan's trunk. Your bike is parked alongside his car, the modernity of your bike somehow working with his older bodied car.

"Ay!" A voice chimes and you glance over to where Ollie jogs over with an almost happy hop to his steps, very much like a puppy, "guess who finally got a callsign!"

"A radio nickname," A much slower Charles Leclerc trails behind Ollie, but pauses at the sight of your bike and whistles, "Nice two wheels, Logan."

Logan hums in confusion before looking at what Charles is ogling, and you can't help but giggle at the mans shock when Logan informs him the bike is yours.

"I wasn't aware your girlfriend was cooler than you." Charles smiles, crossing his arms, and Ollie launches into the story of fitting him and Franco onto the back of the bike. And now, you feel like Charles thinks bikes are death traps a little bit more, just judging the white sheen that crosses over his face in the track lights that illuminate whatever race is going on.

"Did you ever figure out why Payday was on our ass?" Ollie asks Logan, and you watch your boyfriend sigh, leaning on his trunk and smiling at Ollie.

"I did, yes.." He trails off, glances to Charles, and then out onto the track, "we'll call it... bad faith and bad intel."

"Come on, I've got a name now! I should get to know." Ollie complains, and you smile as Alex and George drag Lando and Oscar over, laughter ringing in the air. These were the moments with the racers you loved the most.

"You're just a driver." Charles hums, giving Ollie a whack on the arm in good faith, "Not even a runner yet, Ollie. Don't get a big head about it now."

Ollie nods, a little bashful, and is quickly swept off in conversation with the group about what car he's gonna get and 'not-tracks' they want to take him on to see how he can drive out on the highways. Logan pats your thigh to gain your attention, and when you glance over, Alex hands you a little box--inside, a kit for a motorcycle radio.

"We convinced Max." He smiles, "Welcome in Carrie."

You smirk, giving Alex a fistbump as Logan leans into your side, the night stars twinkling above, the rumble of cars zipping by on bet fueled races. Nights like these you could get used to. But you might need to invest in a side car or something.

double dealing taglist (open!)

@colmathgames2 @sialexia

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@d3kstar

[i-heart-hxh]

May I ask If " ゴンキル " actually means something other than a ship name ? I've seen a majority of people use this term when they talk about Gon and Killua , but they're not exactly shippers, nor are useing it to imply romance between the two boys.

I can't say the same goes for " キルゴン" ,it makes me wonder, does " ゴンキル " actually means something else ? Is it like an official term or something?? It seems to be the more commonly used in Japan.

Hi!

So, I'm going to explain some things about the Japanese side of the fandom, but I want to say if any of this makes anyone out there uncomfortable, please don't shoot the messenger. I'm just explaining, and there's unfortunately no way around bringing up certain things if I'm going to explain it clearly.

ゴンキル = GonKillu has a few different meanings. For one, it's often just used as general shorthand for the combination of Gon and Killua, whether they see it as a romantic ship or not. You even occasionally see it used by people involved in the series. It's also used as a ship name, however, for Gon/Killua specifically. キルゴン = KilluGon is the ship term for Killua/Gon, but it's much less common to see it used as general shorthand for the two characters, as you noticed. Probably because Gon is the protagonist of the series, so it makes sense to have him listed first if you're just generally talking about the two characters in a non-shipping context.

In Japanese and other Asian fandoms, ship "order" matters and is conveyed by the ship's name. It's used to convey the seme/uke (or top/bottom) of a ship. While clearly this has sexual implications, it also can determine the larger context of how people see a ship as well, so it can affect how the characters are portrayed in even perfectly SFW fanworks. With GonKillu, people tend to see Gon as the more assertive one in the relationship and likely the one initiating romantic things between them more often, and with KilluGon it's the opposite. Shippers often will have strong preferences one way or the other--some people are "fixed" (they only want to see it one way), while others are open to seeing either interpretation.

This is very different from the English-speaking side of the fandom, which tends to just use KilluGon as a blanket term, and there isn't much emphasis placed on ship "order" or differences in interpretations.

When it comes to Japanese and Asian fanworks, I personally tend to feel that GonKillu works are closer to the canon interpretation of the characters, while KilluGon works are a little more removed from the canon and kind of their own thing (though the 1999 anime tended to lean into more of a KilluGon-like dynamic). However, everyone is allowed to have their own preferences and feelings about ship order and whether it's something you even want to consider.

I hope that's helpful!

[luna-loveboop]

Wanted to share some thoughts, cause I NEED TO SHARE IT. (Though it might be quite obvious, yeah...)

So, the whole thing with Warriors acting more stern with Wild lately. One could think: "Why just Wild? Hyrule can be quite reckless sometimes, and Wind is THE BABY, so why not them too?"

Well, there's one thing that they don't have, but Wild sure does...luck of self-preservation.

Wars can trust that others, even IF they let emotions take over, would still try to avoid DYING.

WILD WILL NOT. This fella uses his FACE as a SHIELD for ANOTHER PERSON, when there's NO NEED FOR THIS, while being in his "right mind".

SO WHAT CAN YOU EXPECT OF HIM, WHEN HE LOOSES HIS MIND IN A STRESSFUL SITUATION?

Wars still gave him the benefit of the doubt for a while, but after this whole fiasco with Twi's injury - Wars just can not help it, he FEARS for Wild's well-being, because "Champ" himself DOES NOT (with his whole "failure of a hero" thing, I presume).

And how does one even adress it? I doubt Wars saw many people who didn't care about their life before, he was at war, usually people want TO SURVIVE there. He's on edge cause he sees a problem and has no idea how to aproach it.

I want to preface this by saying I have a severe inability to stay on topic but yeah let's talk about it.

So you touched on something me and Jesse have both touched on- that Wars' actions towards Wild come from a place of concern and fear. I think that this is true. Wild DOES lack self-preservation instincts, and Wars has to be afraid of losing him- of the young knight earning more scars. Wild can be an idiot sometimes, but Wars saw him lose his head and attack the shadow when it was just proved to be lethal more than they knew.

There's a difference of perspective between ours and the boys tho that is important and I think contributes to people judging wars for this. See, to Wars perspective, and all of the boys, they could die at any time. An injury could be fatal and they can't see the future. We however KNOW that Wild survives, because we know he goes on to tears of the kingdom. We know Jojo has said that he is reckless and will get himself hurt but always comes out of it. But Wars has watched a billion (<exaggeration) soldiers die and is terrified of it happening again. Whereas we watch the comic from the outside, knowing for certain Wild will make it, Wars is living out that reality harshly.

ANoThER thing I think people forget to account for is Wars is not just a captain, he's a soldier but also leader in an army. I'm not the best with phrasing sometimes so I'll try to say this well- people in the army don't always get to be nice. Oftentimes armies have very harsh environments in treatment towards soldiers because when it comes down to training and life and death there is no time for niceties or feelings. Wars was pushed into the most major promotion ever pretty much to be an army leader. If he's now in the mindset of viewing Wild as a fellow knight/soldier who is not a leader... angry words and facial expressions is pretty mild to be honest.

Wars is a really nice person for all he's gone through, but fighting in a war is a very different experience than a solo journey like the others had. I think it's time to acknowledge that he was forced into far more of a role than the pretty hero, but also an armies leader, and it takes a lot of work to be a nice person through all that. Wars is a nice person who has a ton of strength to be so kind after all he's been through and his actions towards Wild make sense considering his past with what journey he came from. Thank you for coming to my ted talk- no I'm not done.

If anything I said was in any way offensive let me know. I hope my words didn't somehow come across as harsh.

Although him (in a way) treating Wild as someone who is out of line is understandable given his past, it's still not excusable. Wild isn't a soldier and he's not the leader.

Now for Wild time I'm going totally of the rails let's go

Wild doesn't. Yeah ok Wild doesn't like Wars. I've made like. Fifteen thousand nine hundred and fifty two posts on this (<big exaggeration). Wild has not really... spoken to Wars throughout the Lu storyline, tho he did in some of Jojo's starting doodles. Wild has really only spoken to Wars since it all went down when mr. stubborn got injured. I think Wild has a lot of resentment towards Wars for being the knight he was supposed to- who succeeded. Wild has flat out ignored Wars a lot of the time and honestly I'd get pretty frustrated with that too.

Also I along with the other nine hundred people want Wars to trigger an army memory in Wild. For the angst.

Wars is wrong in how he's acting towards Wild and Wild is wrong in how he's treated Wars not as someone worthy of respect. It's hard to pinpoint what's going on in Wild's head but I DO know Wars thoughts- he's terrified for Wild's life and angry that he ignored him and fought the shadow.

But yeah you're right. Wild has no self preservation instincts and Wars can't rely on him to freaking stay alive. Thank you for sending me an ask and sharing your thoughts with me!!! You matter and I love hearing from you /gen <3

Also. Let's make this clear. I love Wars so much. So very much. He's literally a fairy godmother. No hating on him or Wild on my posts. Thank :D

[sweetbottletops]

When Agu said one phase was ending and a new one was beginning I didn't realize the next phase would be putting Aya in the Pain Cave.

Ch 102

It looks like Koga is spending at least part of her juice box lunch periods with the cool kids now.

The bully (he hasn't earned a name) still seems to be mentally in that desk-kabedon Koga delivered earlier. I don't think he actually knows much about music, but he is still firmly stuck in her orbit with the other cool kids. She's got that kind of pull.

Meanwhile the subculture kids are in the hallway. It's easy to forget they aren't the cool kids and typically stuck to each other even before Koga. Narita gets to be included because Exhibit A.

It's always awkward when a friend crosses over genres and samples other groups at school. Even so...Aya is a touch too in the dumps for Chizuru to believe this is just related to Koga spending her lunch period with the norms. "Because of that?"

Chizuru is the drunken master of love gurus. Never misses even when she doesn't know where she's aiming.

Aka: Back in simpler times when Koga was having an existential crisis and being needy and Aya could fill her needs. Now Koga appears to be doing just fine in her identity and even found other people to talk to about music.

A twist of the knife. How the turn tables.

On a superficial level it doesn't seem like a big deal, but they are teenagers so everything is a big deal. Add in the fact Aya is closeted and hasn't been able to openly share her real feelings even to her best friend all this time and it's complicated.

She couldn't even do abstract girl talk at the overnight trip because "Onii-san" was right there among the girls. And her earlier gushing with Chizuru always was hidden behind "Onii-san".

Aya can only talk a bit more openly to Narita and Kanna and even then she's relying on them to fill in the blanks to accept why she's at this extreme level of desperate about Koga.

From Chizuru's POV Aya had never been interested in boy talk until "Onii-san" came into the scene, and "he" has drifted in and out of the scene unnamed like a "boyfriend" from Canada.

But she never pushed the issue. It was girl bonding stuff and something Chizuru had with Aya that was theirs if that makes sense. And then when Koga appeared Aya stopped gushing outside of when Chizuru would bring "him" up. Which was sus...

Chizuru is about to be jump scared with the title of this manga.

v v v

Chizuru is firing in every direction now. Her? Him? You?!!

The readers who had to have it spelled out to them vs the readers who knew. It was yuri all along.

She's hugging HERSELF. Help her!

The extra sad thing is going all the way back to the Radiohead performance it was Koga who reset them as friends.

Aya had an odd reaction to that at the time. Her crush wants to be friends. "There's no other option, right?" She didn't retract her crush after the reveal. It was Koga who downgraded them to friends and she went along with it. And it was fine at the time because it was the same Koga, however they were going to call it, and she got to at least be Koga's favorite and only.

Which isn't the healthiest considering how isolated Koga was, but when that's as close as you think you'll get with someone you like it's not so bad. She's stuck being hyper aware of how close she has the right to be and worries she might overstep and make Koga uncomfortable. What she wants is how close Joe and Kanna are. And that’s something she doesn't think she'll get. So there's the conflict.

Now Koga is the one feeling comfortable as herself in public and Aya is the only one left hiding who she is. From her perspective she thinks Koga doesn't know who she really is or how it will go over if she found out.

Team Chizuru + Nartia have a lot of work ahead of them. But now that they know at least Aya is not totally alone with her feelings anymore.

[ninjagobythenumbers]

Bechdel Testing Ninjago

So, a little while ago I did the Bechdel test on Ninjago because I've always seen the show as sort of an interesting case study in how women are portrayed in cartoons. Of course, I'm aware the Bechdel test originated as a joke and something passing the Bechdel test doesn't make it feminist/not. Rather, or for me at least, it's an indication of how deficient female representation can be at an aggregate scale. As a way to analyze Ninjago, I feel it works as it shows how female representation over the course of the show. If you're interested I'll now discuss my thoughts on how the analysis went season by season. DISCLAIMER: I did this for fun.

The pilot was easy. Nya's the only one, so test failed across the board. The first episode that passed the test was when Jay's parents came to visit. Yay Edna! Mystake does show up in episode 7 but, I don't count it as she has not yet been named. 12&13 had a kid's mom in a bus which I decided was enough cus hey, Mom's a name she uses.

Here's where we really get going. Patty Keys, their real estate agent continues to show up through seabound as a background character, which is pretty cool imo. Episode 5, Mystake finally gets named. Episode 6 was huge for my chart as it's the introduction of Misako. You'd think episode 7 is when her and Nya talked but that's actually when Nya and Gayle had a lil convo. From then on I spent the episodes just staring at the Nya and Misako thinking "talk to her talk to her talk to her." Fortunately, when they did speak, Nya and Misako would be discuss like science, maps, and fate of the world so I never ran into a problem with rule 3. That is, until Rebooted.

The good news is Pixal's here so it'll be years before we fail rule 1 again. The bad news is we've got a love triangle so goodbye rule 3. Nya actually talked to her student, Sally, and Pixal quite often but it was so often about Jay or Cole so I would just be scouring the episode for a single exchange where they talked about anything else. During the Tournament, Nya, Pixal, Skylor, and Misako were all in different groupings and it was rare that Tox or Camille would say something so no rule 2/3 successes until late season.

The good news is, the love triangle is over so we're back to rule 2 usually meaning rule 3. The bad news is, Pixal's in Zane's head so we're back to hoping Misako and Nya say something to eachother. Nya usually shared her scenes with Wu, Ronin, and Jay during these seasons so chances were few and far between. However, unlike the first few seasons where the default was male, we're now getting some female henchmen (Bansha and Dogshank) so that made things easier.

Thank you for being in Day of the Departed Edna Walker. Early Hands of Time was tough because Nya, Misako, and Commander Macchia were rarely in the same scenes. In the latter half of the season though, we thankfully see the return of Pixal. Maya also helped us with some wins.

What a breath of fresh air. Thanks to Harumi & Ultraviolet's introduction, Pixal's return, Mystake's upgrade to a reoccuring character, and Nya & Misako's continued support, failing even rule 3 is pretty rare during the Oni Trilogy. We run into some complications during Hunted because though we have Skylor and the aforementioned characters in Ninjago and Faith & Jet Jack in the First Realm, sometimes people don't talk to eachother. And that's ok. Overall, smooth sailing.

Ah??!? What happened. Worry not. I realized this was, in part, because the Oni Trilogy had 20 minutes worth of chances for women to speak to eachother, these were only 10 minute episodes. So, for the sake of comparable units of analysis, I considered each pair of episodes to be 1 episode. I'll show both charts until DR.

It looks a little better, but it's still not at Oni Trilogy levels. Still, I'd be curious to see what the test would look like if I dissected the earlier episodes into 10 minute chunks because it's probably not a great sign if 10 v 20 minutes makes such a big difference. Ok, proceeding. The Fire Chapter was usually pretty successful because Pixal, Aspheera, or Nya would usually end up talking at one point or another. Gayle even helped at one point. The Ice chapter usually achieved successes through Nya talking to Sorla. In one episode, I counted the Preminent's roars as conversation with Pixal. The Ice Chapter had quite a few failures largely because, as in previous seasons, all the women were split up.

Despite the fact that Nya was one of the longest lived ninja, Prime Empire has total failures at levels not seen since before season 2. This is largely because for the most part, Pixal and Nya are never in the same episode. Racer 7 helps but she was only there for a bit. I should point out that I feel like the 10 minute era is really when Pixal starts feeling like part of the team to me. She's always part of homebase meetings and always plays a key part in missions. Alas, if she's not in episodes with Nya, that's not going to show up on my chart. It's a reminder of the fact this test doesn't show substance.

Master of the Mountain is similar to the other seasons of its era. The fact the 10 minute era tended to show its plots episode by episode (ex: Ep 3 = Plot A, Ep 4 = Plot B, Ep 5 = Plot C) rather than all in one really takes a toll on the test. For the most part, Nya and Vania were our only chances for success and it was rare they'd share an episode. We also had the rare rule 3 failure with the Queen of the Munce episode. Thanks Jay. The Island only had Nya until they found Misako, so it was struggling even more.

It feels right to see all green when it's a Nya season. In the beginning of Seabound, they put Nya, Pixal, and Maya on a boat together and by jove it made things easy. Late season was a bit trickier because Nya was on her own journey. Crystalized had Skylor, Pixal and some ressurected villains saving the day. Late Crystalized is the way it is because it had so, so many different groupings. I have a chart based on groupings and this season was such a challenge.

I really felt the difference with Dragons Rising. I mean, you can see the difference, but it was even more clear when doing my data collection because it was just so easy. Rather than grabbing at scraps of dialogue like I had to do in early seasons, there was often a wealth of more meaningful conversation between female characters to choose from. As with the Oni Trilogy, a female villain with a female henchman makes things easy because they scheme together. We also had Nya and Sora on a joint quest. Funnily enough, there is a rare rule 3 failure because Sora and Kreel only talked about Kreel's friend in one episode. Episode 17 had the classic split up issue and actually would've failed entirely if not for Agent Underwood, which is actually a great example of my next point. You can really tell how male is no longer the default because not only is there the introduction of all the fantastic new female main characters, but also there's plenty of random female characters scattered throughout. I haven't seen DRS2P2 yet but I expect it'll be more of the same. I should mention I also made a chart with the reverse (two named men in an episode who talk about eachother about something besides a woman). Only three episodes fail in any capacity. (Say thank you to the Akita, Pixal, and Harumi solo episodes). If you read this whole thing, thank you. I had a lot of fun doing it. Let me know if there's any other charts I can do!

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[nelysius]

some notes i took + extra shit i added

I was watching a manifestation video and he brought up some really good things that I wanted to share here. If this doesn't align with your beliefs then it is what it is, you don't have to read this. I just wanted to share some things that I thought could help some other people.

link to video -> https://youtu.be/ocp0OtwYzvg?si=emMYO4GdMaHqn4aq

Manifestation is shifting internally to a degree to which you are no longer emotionally dependent on seeing reality change. If you are good with or without it, it will manifest. Reality is a product of your mind. You already manifest unconsciously on autopilot. Your desired reality is nothing more than a universe that already exists.

You need to be thinking from the position of the attainment of your desired reality. You are already there. I personally believe that if you can even think of it, it exists. In the video, he also mentions how there's nothing particularly crazy because crazy is nothing more than a label directly linked to the 3d realm.

If the belief doesn't serve you, then it does nothing more than control you. Make sure the beliefs you have are congruent with the particular desired reality you want to be in . When something happens here, the amount of attention you give it is an indication to your state of consciousness at a particular time. Whatever you are particularly convinced by more often than not is a basis of your frequency. Having confidence. Who you believe yourself to be.

Manifesting is simply taking what's on autopilot, making it conscious, and then setting it back on autopilot. The best technique/method is you. Your emotional conviction. Whatever you know/believe will work. More important than any technique that you could ever possibly do, is the belief that what you're doing is right. Focus on your emotional conviction.

There's insecurity in your knowledge, you don't think that you know enough. You don't think that you have enough of what it takes to materialize what you want. And because you are insecure about that, the degree of your emotional conviction that you have or can generate within yourself is not that high.

"How long are you going to be insecure in what you believe you can achieve from a point of manifestation, considering you already do it?"

You don't need to do anything first. You don't need to meditate, clean your room, drink a shit ton of water, or anything else. All you need is self-knowing. Stop studying/learning and start doing. Analyze your beliefs and make sure they're in alignment with your desired reality.

"You can't control your first thought but you can control your second and every thought that follows after that."

Be on whatever technique you believe is going to work and stick to it. Convince yourself it will work to the degree that you don't have to question it.

Normal = frequency = reality

"Whatever you find normal, will find you in reality."

Normalize your desired reality. Take it off of a pedestal. Take it for granted like you take breathing for granted. That's how normal it is. Nothing about manifesting or shifting is special. Billions of people do it all of the time without realizing it. The only difference is that you are consciously choosing to do it. The more importance you give your desired reality, the more space you create between you and your DR. The bigger the importance, the bigger the space. Take your desired reality for granted. See it as nothing.

Manifestation is instant. In the mental plane, everything has already happened. It's the instant from which you begin embodying your desired reality to the moment you stop. The moment that you feel (from a point of natural and normalness, and emotions from the particular vibrations you'd feel upon being in that DR), when you feel that, and you're thinking from that, and your beliefs revolve around that, and your attention and identity is aligned with that, you've manifested.

"You can only have what you already have. You need to be it before the world proves it to you." The 3d is nothing but a mirror.

Guys please watch the video (I linked it at the top), there's so much helpful information in there. Also, I don't claim anything in this post besides the couple sentences I added so no one come for me.