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gnomewithalaptop · 2 months

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Y'know, it's so funny to me when people make out like Tim Drake would keep files on how to take down his friends when Tim has explicitly said he disagrees with Batman on this:

[Young Justice (1998) #36]

Like, yes, during his Red Robin tenure he does make a Hit List full of contingency plans for known heroes. But if you go and read that, you'll notice that, while the Justice League and Damian may be on there, Tim's own friends are decidedly absent:

[Red Robin (2009) #14]

In fact, a lot of these heroes are people that have either (a) attacked Tim specifically, (b) have a track record that includes turning evil/getting mind controlled, or (c) are on the JLA (meaning Batman probably already had those files compiled and Tim just stole them).

So yeah: Tim's not down with contingency-planning for his friends. You know which one of the YJ crew DID agree with Batman though? My favorite blorbina Anita Fite, aka Empress:

[Young Justice (1998) #36]

But yeah, this contrast is honestly fascinating to me. Because while both Anita and Tim have been shown to be incredibly loyal individuals, this exchange really highlights the fact that, between the two of them, Anita is far more likely to engage in this kind of pragmatism when she thinks it's necessary to get the job done

The whole Our Worlds at War arc actually does a really good job of illustrating how both of them react to betrayal from within. It's not just the Batman Files conflict either -- I'm thinking specifically about the hallucination-based torture Granny Goodness put them through, which showed them their worst fears. Most of the team ended up having to watch their loved ones die, but what's super interesting to me is that we really only see Anita and Tim hallucinate that their loved ones blame them for their deaths:

[Young Justice (1998) #37]

Like. It's not the same as a teammate turning evil at all. But it does give us a good idea of how they'd both react when faced with a friend or teammate doing harmful things, albeit on a smaller scale. Because where Tim kind of just accepts Superboy yelling at him and moves straight into bargaining for Kon's life, Anita actually flips the script, gets angry, and defends herself against her father:

[Young Justice (1998) #37]

(she actually gets so righteously pissed off that she manages to break out of the VR simulation Granny Goodness had her trapped in, but that's another point)

But yeah, it's super interesting, because by this point, both Anita and Tim have been set up to be very similar characters. They both can be a little bit obsessive, they both have some issues with boundaries and stalking (Tim with Nightwing and Batman, Anita with Cissie), and of the team, they're both portrayed as the "normal" members (Anita does technically have mind control powers but she barely ever uses them, and in a fight, she's basically just a very good, human-level fighter)

But at the end of the day, though Batman forces Robin to put on a cool front of objectivity, Tim (at least in his pre-grief-spiral era) ultimately wants to see the best in his team. When the people he cares about screw up, he wants to give them second chances. And when that trust gets broken, his first instinct is to try to use diplomacy, or, failing that, simply remove himself from the situation (as we see at the end of the Our Worlds at War arc when he quits the team)

Anita, on the other hand, while still incredibly loyal, does not hand out that loyalty unconditionally. We see this when she tries to keep her identity secret from the YJ squad, we see it when she gets pissed in Granny Goodness's hallucination when her father blames her for her mother's death, and we see it when she later blames Secret for her perceived role in Anita's father's death

Anita also happens to sit right smack dab in the middle of the YJ morality scale; while she's generally pretty chill and willing to abide by typical superhero codes of ethics (unlike Slobo and Secret), she's also been shown to bend those rules when she believes it's necessary (as seen here when she tortures and threatens to kill a man for trying to hurt Cissie). Ultimately, what this means is, between Tim and Anita, it's honestly Anita who'd probably be the most willing to put her personal qualms aside, buckle down, and go against her loved ones if it was the only reasonable option

Anyway. This is a really long-winded way of saying I think Gun Batman's biggest nemesis should be Empress

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doriandrifting · 1 year

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Ted Wheeler sees the Byers and says, “Thank god you folks are back. Between the two of these kids, I thought I was going to have to take out a second mortgage just to afford my phone bill,” and has absolutely no idea the chaos he has just unleashed.

#I’ve probably made this joke before but it’s my fav Ted Wheeler headcanon #fun fact I had to research for this post: even if the byers ain’t answer it still would have cost hella money if he was calling all the time #and mans had to call the phone operator to make the call long distance #he was putting in the work #byler #mike wheeler #i know what you are #will byers #stranger things

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toastedfries · 1 year

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The Sun will Rise.

These two are devastatingly gay for each other and no one can convince me otherwise.

#shadowpeach #holy shit this took hella long #six eared macaque #sun wukong #lmk art #lego monkie kid #lego monkey kid fanart #lmk season 4 #lmk macaque #lmk sun wukong

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mikibagels · 1 year

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Enrico Pucci loves his daycare job, a concept.

#enrico pucci #jotaro kujo #jolyne cujoh #jjba #stone ocean #part 6 #fanart #my art #wholesome #comic #long post #like actually hella long

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nightynightghoul · 7 months

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I have so many thoughts about the ghouls and the ministry.

So this is my take on what the abbey/ministry looks like + a lot of my own worldbuilding. (I made this in Inkarnate, which is meant for dnd maps and stuff.)

Be warned that this is like 2000+ words of what my head has come up with. So under the cut it goes.

I based it on actual abbeys. I've been to like two monk ones and a few convents where I live and abroad and this is what I came up with. I also attended a catholic nun school for a good while, so many of the things here are actually from my memories...

From what I've seen, abbeys are usually isolated and at least partially self-sufficient. Even when they happen to be in the middle of cities. The smaller ones are like a square corridor surrounding a courtyard and the bigger ones have many buildings with that pattern.

I'm not sure where this would be located, maybe Sweden, maybe the US. But since I Imagine the ministry being so old, it wouldn't fit in the US, since there aren't buildings this old or with this architecture.

I also read up on how abbeys work to bulk up the lore in this map and what goes on in the buildings.

So strap in because this will be long.

The biggest building in the abbey is the Grand Church (Ghurch), I headcannon that they have this very big beautiful sorta gothic style cathedral in the abbey grounds, since religious live does kinda go around services and all that. Them having this pretty church would also mean that there's no need for a chapel?

I also think ghouls are not summoned in the church proper but rather from a permanent circle/well. So there's the Summoning Well beside the church. They probably made it that way because it would be dangerous to have any sibling walking in there.

To the other side, there's a sacristy and a Papal Office. The sacristy is where Papa would have his ceremonial robes with his mitre and stuff. I also think it works as storage for service supplies. Things like incense, books, all the plates, cups, and things they would use.

Then the papal office would be the actual workplace for the current papa. Big ol wooden desk with lots of bookshelves, a sofa, probably one of those fancy liquor carts?

There's also a mausoleum close to the church. I mean, I needed a place to keep Nihil's corpse… But it'd be pretty useful to keep the memory of siblings that pass away in the abbey.

Under that are the Clerical buildings. I imagine that when people say “the ministry” it's the Clergy Offices they're talking about. Since most siblings/clergy spend their time within the abbey, it only seems logical to separate living spaces from working spaces to keep people moving and changing environments.

Since I also believe these buildings are super old then the most sought after and fancy offices and quarters would be on the ground floor (no elevator and all that). Which means Imperator probably has her office on the ground floor here along the past Papas and older clergy members.

The living quarters would be much the same in that Imperator, the Papas and now Copia have their rooms here. This building probably has a common room but most have their own kitchenette. Since it's such an old building, the interiors of the rooms have probably been remodelled many times. But it being built out of stone also means it's cold inside all the time.

Both buildings are inside a walled garden. I head cannon that way back, like a couple hundred years back the ministry didn't have a very good grasp of ghoul summoning, and they were sometimes more aggressive or feral than what they are now. (It's probably more of a case that in the olden times, clergy treated ghouls like shit, so they had more reasons to lash out and or kill someone) So they kept some of the abbey's buildings behind tall rock walls and wrought iron gates to add a little more protection. Since it's hardly necessary today, the gates stay open, but the walls are still there.

Then down the path there's the chapter house. What is a chapter house I hear you ask. It's the place where the people that live in the abbey talk and manage non religious things related to abbey life. So this would probably be where poor Aether get's relocated to do taxes and where other mundane office tasks are done. So accounting, admin work, grounds keeping and “housekeeping” are all located here.

Across from it is the Seminary. A seminary proper is like priest school, they go and study for a few years I think, and then they come out priests. But I imagine that in this case it's like a college/university thing, where siblings have Latin classes, horticulture, demonology etc... There's probably some teachers offices here and several classrooms raging in size from auditorium to 3 chairs and a letter sized whiteboard. It for sure has a pretty foyer thing. Imagine groups of siblings sitting around before or after classes, complaining how they thought Terzo's basic Latin class would be a breeze, but it's actual hell. This building has one of those pretty inner courtyards, fountain and all. I'd like to think some classes can be held there, like outside but not outside, you know?

Beside the Seminary, there's a school/nursery. I think couples that have children within the ministry can have the option to move into a bigger space together within the siblings quarters and their children will have a regular secular education until they are old enough to choose satanism or something else. The nursery part takes care of the babies and ghoul kits during the day or while the parents are busy.

I think joining the ministry and becoming a sibling is not something that happens easily or quickly. The same way, nuns spend a few years being novices before actually dressing and having the same responsibilities as their elders. Hence, the Novices Quarters. They are still part of the abbey's daily life, but they have to attend more classes at the seminary and are just a bit more separated from ghouls than regular siblings. Since they probably want to make sure they are really devout and prepared before seeing and interacting with an actual demon. Out of all the siblings and clergy, Novices would probably be closer to being actually “recluse” since in my head there's no way they can freely explore the abbey without accidentally running into a ghoul or walking in to a ritual or seeing things that shouldn't just yet.

In front of it are the workshops. I've seen some people headcannon that the ghouls not only have “jobs” in their downtime and retirement but also hobbies. Like fire, ghouls probably frequent the forge in the workshops or blow glass. Earth ghouls can maybe take the prettiest wood here to be turned into furniture. Ghouls and siblings would work together here to repair and maintain the abbey's physical structure.

Down the path there's the main storehouse. Pretty central in relation to the other buldings. It has 2 floors and a basement. That way they can keep everything, from ageing cheeses and wines to office supplies and staples.

Across the path there's the sibling's Infirmary. I definitely wanted to keep the ghouls and siblings apart in this case. Mainly, because if the building are so old, and they were protected by walls and gates, ghouls would most likely not be trusted to be left in the same building as sick and defenseless siblings. But I think that nowadays ghoul medical staff like Omega, Aether and Phantom work in between the “sibling” infirmary and the “ghoul” infirmary with no trouble. But ghouls do prefer to stay in their own infirmary, since it's closer to the dens.

The siblings quarters surround “Mother's garden” or “Lilith's garden”, both wings share a common room but since the buildings are so old they were built to segregate women from men. Hence, the two quarters wings, two office building and two distinct baths. This separation is ignored nowadays. One, people can have other genders. Two, the “sisters” side has been remodelled to accommodate families.

Like I mentioned when describing the siblings infirmary, there's also a ghoul infirmary. Much smaller and closer to the dens, this infirmary does not have much regarding sophisticated equipment. But it's rather used for minor injuries and easy to fix things. Although the second floor does have Omega's office and private rooms for ghouls. Like Dew (not me making a whole building to be able to imagine @littlemoon-beam fics and headcannons about Dewdrop) who's a frequent flyer of the infirmary.

Of course there has to be an outdoor space of recreation, so I made a “central” plaza with benches and a fountain in the middle (Is this where a high, zooted of his ass Rain has been seen naked? naaaah. Surely not). I called it “All hedonist's fountain” because I can and because it's a nice mirror to things called “All saints whatever”.

Behind the ghoul's infirmary, there's a huge stone wall and gate. That would be the dens. Since I headcannon that there are more ghouls than just the band ghouls, they also need a place to live. Hence, the “General quarters” of the dens, there's also the “band quarters” separated from it. They both share a common room, but they're not directly connected to it, and both buildings have their own little common room. I think the band quarters was the first building made to house ghouls and that's why it has it's own kitchen.

There's also the ghouls workrooms. I think this is where they would have a rehearsal room and other offices.

“Father's gardens”, “Lucifer's gardens” or more recently “Primo's gardens” are within the den's stone walls. (I like to think Primo keeps them all pretty for the ghouls). It has a little pond in it too, no fish though. Blame hungry water ghouls for that.

Across the dens there's the Library. When I was in school, that was the biggest, grandest, most secular place there was and I loved it. So I made this library huge. I separated it into two wings connected by a hall. The only difference between both wings is that the east wing houses all the older books, and it probably has a “restricted” section that only higher clergy members have access to. Maybe for the better, since they wouldn't want a curious sibling trying to summon lord Leviathan and pissing him off.

In the middle of the wings there's the scribes hall. I'd like to think that when people write ghouls working in the library this would be the place. They would probably have book binding equipment, scribes tables, the whole thing. All to maintain the old books in a usable state and register new information the clergy learns from hell.

By the library's east wing, there's "The observatory". Again included because my head needed a scenario and location for the quints to watch the stars. I'd say its a fairly tall tower with a glass dome, some furniture, some books, maybe a desk and telescopes.

There is of course a mess hall. I imagne a big kitchen on one side and a cafeteria like thing where most have their meals, or at least they can go get them to take to another place in the abbey.

Beside it there's a pretty herb garden, animal pastures, some crops, a barn, granary , mill and the greenhouses. I think it was @mac-and-thefox who came up with the idea of there being a farm like think within the abbey and my mind just ran with it. (Do correct me if I'm worng there).

Now there's only one more man made bulding in the map and that would be "Mountain's greenhouse". A true staple for ghost fanfics. It probably was a run down space abandoned by groundskeeping but Mountain wanted privacy + plants and everyone agreed he could do whatever with the little building. Not that Imperator needs to know that Mountain grows weed and hellish plants inside...

The whole eastern side of the abbey is flaked by a forest (ghouls need to have hunting grounds people.) In it there's Mountain's greenhouse, a small rocky hill "Starry hill" and under it a small grotto. More like a hole the water made within the stone, so it's now a tiny cave.

Of course I had to have "The Lake", or else this map would not fit any fanfic involving Rain and Dew. There's a small stream that crosses the abbey and ends up at the lake. Most siblings know to stay away.

The "Southern Clearing". A little clearing full of clover and flowers, a nice place for siblings to celebrate the solstices and equinoxes.

Finally, just beside the Summoning well there's a rocky hill with an old wrought iron door closing it off. I headcannon there are indeed tunnels and crypts running under the abbey but they're closed off now since they're dangerous. Doesn't mean the ghouls don't have a way to go in and out but it's still dangerous for humans. I think the more elusive ghouls, like Special and Cowbell stay here because they want the isolation. There absolutely are old abbandoned torture and sacrifice rooms down here. But modern siblings don't need to know that. (Also, I very much think old ghouls before Nihil and way back were not only not treated nicely or fairly but straight up chained or tortured sometimes. (I'm still in the air on the fact that Imperator knows this and threatens misbehaving ghouls with that along with banishment.)

#the band ghost #nameless ghouls #shitghosting #ghost ghouls #ghost #This took me way too long #Is ghost consuming my thoughts? yes #Am I obsessed with this band and it's all TF fault? Also yes. More at 10:00 #I'm also hella nervous about tagging other people in this #If someone has more thoughts on the map or base their things in it I will evaporate

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aces-and-angels · 3 months

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URGENT PSA: DELETED GFMS UPDATE- PLEASE READ

the detective hat is screwed on tight gang- i just remembered that the wayback machine exists and have been able to gather some additional information regarding the deleted gfm campaigns for omar, raina, and iman:

all the info is under the cut

---

see the info on the site yourselves by using the following links:

iman: https://www.gofundme.com/f/jhcjrv-help-imans-family-find-safety omar: https://www.gofundme.com/f/help-me-to-evacuate-from-the-genocide ran/raina: https://www.gofundme.com/f/displaced-gaza-family-seeks-help-after-war-destroys-lives

my hunch was correct: these campaigns were not formatted in the way gfm requires in order to stay operational. i detailed the common reasons why gfm's may be terminated in a response post to @rubashabansblog but i will include it again here:

ruba- i have figured out the following info from my own research. there are several issues that can result in a gfm being suspended. the biggest issue comes from how the actual campaign is written. the key is being transparent. that means everyone that is benefiting from the campaign must be listed out by name (there may be a rule about specifying any minors/kids' ages as well) + locations. the issue also may be linked to whoever is organizing these campaigns on behalf of these families. another part that needs to be addressed fully is who will be handling the money. essentially if at any point in the transfer of funds someone is responsible for holding the money raised, they need to be listed on the account plainly and on the actual donation page as well. example: person a is organizing this fundraiser on behalf of person b. the last issue i can think of from everything i've read involves keeping an accurate account of the family's expenses. meaning that you need to write down everything that you are spending the money on. since there's no way to print actual receipts- gfm is asking people to write everything down on their notes app with their phones. these notes count as "receipts" and the total amount must always equal the amount the person/people are trying to raise. example: say i am raising $10K to evacuate, but am planning on putting aside $3K for other future living expenses like rent -> all of that needs to be documented fully. basically- as long as goal amounts match up to your expense report- the campaign should be fine. i understand that some families may need to keep raising their goals in order to cover the cost of living before they are able to evacuate. if that is the case- each time they raise/decrease the goal- i believe they need to update their gfm page to address the new total costs for their fundraiser. please forward this information to the affected families when you get the chance 🖤 perhaps this new info can help them solve the problem on their end *edit: another problem i forgot to mention- the currencies must match between the fundraiser and the bank account it is linked to. this means that if the fundraiser is in euros-- the bank tied to the account must also be in a country that uses euros as their primary currency. a US-based bank account would not work if the fundraiser is in euros.

all three campaigns have the same characteristics: not enough info is being disclosed in the fundraisers. another common theme: they are all recently made (may 2024). the decision to evacuate is a painful choice for families to make as none of want to be displaced yet again- but the situation in gaza has prompted many families to make this decision in an attempt to save themselves + their loved ones. the issue is that many of those who are now choosing to make campaigns are not aware of the ins and outs of how to properly start a gfm (+ i'm most certain there are other factors at play as to why this keeps happening to families in desperate need of aid).

this is bound to happen again and again unless this information is being spread widely. which is why i am also asking for this:

please share this w/ anyone who is fluent in arabic that can translate this in its entirety (DO NOT TRY TO USE GOOGLE TRANSLATE). i have a lot of new followers from 🇵🇸, some of them with newly made gfm pages that may be at risk of being frozen if they do not correct the issues i've addressed above. this information is vital to ensuring they are able to continue fundraising.

i have seen campaigns launched in june formatted similarly to the three that have been abruptly terminated. obtaining a stable internet connection in gaza requires people to put themselves at greater risk as they travel to locations with a working signal. people have been brutally murdered by just trying to activate the e-sims being sent over. so it makes sense that these newer campaigns made by these families would not have all the necessary info required- as these guidelines may be difficult to obtain on their end/may be worded in a way they cannot understand (you try reading the terms and policies of gfm yourself and tell me how fast your brain shuts off- and you're doing so in the comfort of your own homes. imagine what it's like to do so while facing constant bombardment).

a mutual of mine has already tried to contact gfm on behalf of omar- and they have informed me of gfm's response to their question:

Omar has already contacted them and is apparently in contact with the team according to the person i chatted with. they cannot disclose to me *why* the fundraiser was terminated they said they are working with Omar to solve the issue. if the issue cannot be solved, the money will be refunded to everyone... ^ this "contact" is likely using the same chatbox the rest of us need to use in order to even speak to a representative at gfm one-on-one. a very annoying system, but unless someone has a direct line to gfm- it is our only option.

we need to mobilize right now and put pressure on gfm to give these families the time they need to rework their campaign pages.

through the wayback machine i was able to figure out the organizers for each campaign.

omar is the organizer for his own -> says he is located in vienna but that is in direct conflict w/ the location he says he is in under the fundraiser info (displaced in rafah). i'm unsure if he has a contact in vienna that is actually the one responsible for holding/transferring the money, but this information needs to get to them so they can try to fix the issue ASAP

the other two have beneficiaries listed, but there could be additional problems with how that whole thing is currently set up.

i still do not know the emails for raina/iman's gfm's (and the wayback machine doesn't let you see the contact info on the archived pages 😓) but- we can try to mobilize right now for omar. he is absolutely devastated and has lost hope that he will be able to recuperate the money he has already raised. this is not the time for the rest of us to lose faith in his cause.

for anyone interested in helping out- i have laid out all this information so you can question gfm directly. if you come in knowing your stuff, they may be more receptive in their responses than the first initial attempts. please contact me directly if you wish to email on omar's behalf so i can forward you his email linked to the gfm account.

tagging for more reach: @appsa @palms-upturned @malcriada

#not choices #signal boost #🍉#sorry for any typos #this is hella long but pls read it all the way through

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corvys-clover · 4 months

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Happy pride, folks <3<3<3

Commissions open!

@corvys.clover on Instagram

#wifey approved #some subtle pride shenanigans here #this one's been a long time in the planning and a day in the making so ayyy #headcanons obviously but I enjoy them #my ace senses were tingling but also he's got hella bi vibes so he CAN and WILL be both to me #R.M. Renfield #Robert Montague Renfield #Renfield #Renfield 2023 #asexual #biromantic #ace pride #bi pride #ace headcanons #I just feel that the man would enjoy a good cake #Happy pride friends <3<3<3 #my art

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hellagator · 5 months

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Pls don’t tell her no one says that anymore she’ll cry 💕

#hella draws #furry art #furry artist #furry #scalie #digital art #anthro snake #snake furry #pink #girly aesthetic #pls appreciate the Kandi I spent too long on it lol #pinky #oc art #original character #pink and yellow #pastel pink

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theshy1sout · 4 months

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Okay, so

I finally got my bf into reading Homestuck. I was on a phone call with him as he read it at loud, voice-acting and stuff, while I was drawing. Today he reached the Dave first appearance and he discovered Sweet Bro and Hella Jeff.

You have to understand that I always thought that this comics was just a stupid joke that only Hussie understands and finds funny. Bc the moment I saw the page with the dog (you know which one) I left the comics and never looked at it again. Until today.

My boyfriend read every single page of Sweet Bro and Hella Jeff in complete silence. I asked him what's wrong, and he said "This is extremely sad". I was confused so he started explaining to me how this comics is a way little Dave was coping with trauma of living with his abusive brother. I didn't believe that, so I started reading the comics again and you know what?

Imagine adult Dirk, being completely under Lord English control, going shopping with little Dave and destroying supermarket in frustration of not finding anything that Calliborn would recognize as a food, being arrested by police in process and leaving little Dave alone hidden somewhere in the shop.

Imagine little Dave being pushed from the stairs so many times by his bro, he drew a caricature of himself pushing his bro off the stairs in revenge. Or being regularly beaten so hard and often, so he drew comics in which his brother got beaten up, shitted on and even brutally killed.

Imagine little Dave being so hungry (bc of course brother didnt give him proper food) he literally threw himself at a Subway sandwich machine during idk a walk with his bro (probably) and tried to steal some food or even just smell the actual normal food and while doing so got abandoned by his brother. Again.

Of course we can't interpret this way every single page of Sweet Bro and Hella Jeff, but come on, if you start seeing it, you cant stop sensing that every single page is either a way Dave coped with a traumatic experience or a way he kind of got revenge on his brother in a way his brother wouldn't understand and notice and beat him up for doing so.

I searched internet for so long and can't find a single person who would interpret it this way. Am I wrong though??

It gets better. As we know, Dave from universe B also drew this comic. And we even got a directly explained to us interpretation: he started drawing it as a simple comic (probably to cope with the loneliness). Then when Batterwitch became a real danger and he saw that but couldn't react directly, he started using his comics as a way to show what Betty Crocker was really like. So we also had this two characters, one represented Betty Crocker and the second one represented society, and they had this very abusive relationship that had references to situations in real life in Universe B.

So my theory (or more like my bfs theory) is that Dave from universe A was using his comics for the same exact thing. He drew situations from his life in a unreadable for others way (and also no one taught him how to draw or write, and maybe later he kept the shitty format so it's unreadable and too shitty for his brother to read) to cope with trauma. We see in this comics that Sweet Bro is shaving himself above Jeffs face while he sleeps, a thing that Dave's bro could definitely do. We see some pages of Dave trying to understand sport, economy and politics in his own way, bc his brother of course didn't teach him shit. And we even got a page that might suggest that Dave was sexually molested by his bro. There are many scenes of Bro being abusive to Jeff or Jeff getting his revenge. We also have Geromy, a possible interpretation of John, and on one page Jeff (Dave) tries to come to Geromy's (John's) place to visit him, but he can't and he drowns instead (which is so sad???).

I could go through every single page with this interpretation. I think some pages being a foreshadowings for what is happening later in Homestuck is just an additional joke, Hussie loves having layers of meta twists and many unrelated things relating or referencing each other for no reason. I don't think the comics is Dave's unconscious traveling through time and revealing the future, bc if so then we would see every single page of Sweet Bro and Hella Jeff being a foreshadowing, and they are not. I also think that the huge wink to the audience was the scene of Dave being pushed by his bro down the stairs and we see him falling with accompaniment of a little panel of Jeff saying "I warned you about the stairs, bro". For me this is a visible hint that this is what this page of the comics was about, it was a way of coping with trauma, it was Dave drawing his brother falling down the stairs and himself saying probably a line that his brother irl was saying to him a lot.

Dave drew his life. His own horror of a life and it was probably more terrifying than he revealed in act 6.

Do you remember the iconic "bro hug" from Sweet Bro and Hella Jeff? A hug from his bro, sth that Dave really needed and wanted, a simple hug that he was very nervous to asked for, he literally drew himself hugging his brother in his second comic, and then we have the very same scene of Davepeta and Arquius hugging (part of them was Dave hugging Dirk, even if artificial), and then we have the exactly opposite of the scene between actual Dave and Dirk, when instead of enthusiastic "we're doing it bro, its happening, were making it" it's Dave saying "fuck forgive me for what I'm doing, this is so messed up fuck" and it's not even full embrace like in his comic, it's awkwardly side by side hug when they didn't even sit on the same level (like in the comic or with sprites), no, Dave is lower, he's smaller, he's scared, he cant face his brother, he wants to but he can't and this is just aaaansnanbska dmnsksnsdkydykdky

Can someone talk about this comic more? This flashy shitty documentary of Dave's life drawn by idk maybe 8 years old Dave ? The more I read Sweet Bro and Hella Jeff, the more depressed I am, cause this is so sad if I'm right about it. I really wish it was just stupid colorful comic without any deeper meaning, just faking to have one or sth....

Also I think Geromy is black bc either Dave didn't know how John looks like so he imagined him being somewhat similar to his fav president Obama or maybe he was just trying to make John's character as unlike John as possible so no one would suspect a thing. Or maybe he just imagine himself being friends with young Obama, who knows.

After editing this chaotic rambling I have two more things as a prove for my theory. One is picture above, and second is what Hussie said about Sweet Bro and Hella Jeff:

“SBaHJ is absolutely inseparable from HS, and has been almost from the start. If you don't understand this, then you don't understand HS very well. SBaHJ is like the mentally handicapped step brother of MSPA, requiring special attention, but no less cherished as a part of the family. It was originally intended as the chief source of in-house memes for dialogue, but this is ultimately a superficial purpose. Though it only has 20+ strips, it contains a pretty dense and internally consistent language of recurring symbols and typo-driven grammars, applicable as a rich sub-cognitive lexicon for highlighting elusive elements woven into the mythology of the story which tend to be shrouded in the unconscious.”

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