#(as little interest as I have in canon in fact)

[infernally-fond]

Orb of Infernal Envisioning - Unused Lines

I hadn't seen this mentioned prior - but there are some (to my knowledge) unused lines for the Orb of Infernal Envisioning in Helsik's shop for any interested.

Disclaimers, disclaimers -- if something doesn't make it into the final text of the published work, it's perfectly reasonable to ignore it for the sake of implications/theories that result from what is explicitly in the text/game itself.

This is just for fun. As is, you know, *all* of this. So.

If Raph's alive:

Narrator: *Your reflection looks back at you, smiling. As the skin burns and peels from its skull, the smile grows wider and wider and wider...*

Narrator: *The ball shows you a vision of yourself so lewd and blasphemous that your soul feels stained.*

Narrator: *Within the crystal, you see the devil Raphael sipping from a goblet of blood-red wine. He smiles as he catches your eye - can he see you?* [[the line we normally encounter]]

Narrator: *The image within the ball drifts through the corridors of an elegant house. Corpses hang from the walls.*

Narrator: *With the clarity of truth, you see an image of yourself laid out on a table like a suckling pig, ready for the carving.*

If you've been a Bad Client (TM):

Narrator: *You see the corridors of the House of Hope. Bloated flies buzz lazily around the corpses of imps and debtors.*

Narrator: *The ball replays the final moments of Raphael's life over and over and over and over...*

Narrator: *Within the ball you see Raphael, broken and bloody, dangling above the maw of the archdevil Mephistopheles who is preparing to devour him.* [[the line we normally encounter]]

Screenshot of the above:

I'm by no means a lore repository - no amount of hyperfixation can make digesting it en masse particularly easy for me. But! I'll tie my thoughts to this nonetheless.

First, we have our canon line: "...He smiles as he catches your eye - can he see you? *denotes: final phrase as incredulous and a little scared"

So we have the writers prompting us to at least entertain the idea that Raphael is placidly aware that you (or someone) is looking in on him - and he smiles! No big deal, favored client! Cheers to you, etc, etc. You're meant to be ill at ease here. I doubt any of us do - but, you're meant to. The average person would.

We'll block these out temporally because it was my first instinct to do so. :)

Past Events -

We have the play-by-play of Raphael's last moments. (GLaDOS voice: "You know, after you murdered me?")

To any player who would have seen this, this is real. Verifiable. The orb is showing you a true thing that happened, and you know because you were there. Doesn't get better than that.

Even if he doesn't ultimately die and there's some grand plot hitherto unseen, the beatdown replayed on the big screen is correct. You'd know if it wasn't.

Premise 1: The orb can show you accurately represented events.

Current 'Events' -

Example: Your reflection has a lab accident moment.

The use of reflection is critical to establish the point in time. You move to the left, it moves to the left. It's right now. And, right now, your skin seems to be melting off your face.

Unless there was an intended accompanied face-melted ending that would have accompanied this dropped line, this was written to be scary and provably false. Tav, touch your face. Exactly.

So:

Premise 2: The orb can show you grotesque illusions not bounded by fact.

Future Events

Ex 1: "*With the clarity of truth, you see an image of yourself laid out on a table like a suckling pig, ready for the carving."

'With the clarity of truth' is an obvious bid to double check any accusations of falsehood, and we're diligent enough to play along.

The only condition to checked to trigger this text is for Raphael to be alive -- regardless if you take his deal, go to his home, etc.

For all roads to lead to Player-Character-buffet seems unreasonable. Impossible, even. Unlawful. I'm calling a lawyer, hang on-

And so we hit a debate on how to interpret the sense of 'truth' you feel from the orb. I think this line reads best from the equivalence of failing some Wisdom check -- you are very sure it's true, but it's an Orb of Infernal Envisioning. Click again. You just saw your reflection melt.

So I think this is a lie.

So we expand Premise 2 a little.

Premise 2, v2: The orb can show you grotesque illusions not bounded by fact. This includes false visions of the future.

Ex. 2: The Blasphemy.

*The ball shows you a vision of yourself so lewd and blasphemous that your soul feels stained.*

Right.

So this has to be the future, because unless you are electing to do some very wild shit while looking into the orb, this is not the current situation.

There is a lot of vagueness here - but, I think that because it is so vague and any variety of Tav/Durge/Origin character can see it and have this response. This is a run-of-the-mill, customized vision of torment meant to get the desired reaction.

It's not about truth, it's not about warning. It's just the infernal variation of a jump scare.

If the content of the vision can be customizable in this fashion, it reveals something else - it's not a specific lie, a specific truth, or any quality of the content itself that 'matters' to the orb. No, what matters is the reaction. Your soul feels stained, doesn't matter how.

Varying Perspectives

Across these, we see the vision in the orb take the perspective of someone following/viewing Raphael (Wine-Snob-Hour, Looped-Death, Saturn-Moment), following/viewing you (Lab-Accident, Dead-Dove-Do-Not-Ohhh Yikes), some unanchored POV that isn't dead-phael ("You see the corridors of the House of Hope. Bloated flies buzz lazily around the corpses of imps and debtors.")

The visions mostly occur in the House of Hope; Cambion dinner is in Mephistar, your reflection is presumably in the Devil's Fee on the Material Plane.

We're not fixed to see any specific time, in any specific realm, to see any specific person. And we're not even guaranteed to see any specific degree of lie.

So what's the point of this fucking thing?

Provable fact is used one time across this set - the first thing we covered. You killed Raphael.

The only time the orb tells you the verifiable truth, it does so "over and over and over and over..."

Because it hurts you. Or, well, it's intended to.

That's it, that's the whole thing. The only time it evokes the (known) truth is when said truth torments you. Otherwise, it's scary what-ifs, cheap jump scares, and the corpses of imps and debtors you had a hand in creating.

All of this can be context to slightly reframe the vision of the moment before filicide with Mephistopheles. All of these visions are brief and so what one selects to provide details of is very revealing.

In this vision you're granted two adjectives:

You see Raphael, broken and bloody, about to die again.

If we stick to the expanded interpretation that the orb shows only what will get the desired reaction, this isn't narrative to resolve a loose thread. It's not closure. It's shown because the orb manifests what is expected to make you suffer - or at least take pause and sort of steep in the disquiet of the consequences for a moment.

Reaching waaaay across the narrative and very out of my lane for this post, so much of the tone in the HoH arc is campy humor, but I don't think this was meant to be.

The specific call out to watching him die 'over and over and over and over', to his 'broken and bloody' form is not flippant language. It's certainly not campy.

I think the tonal shift for this conclusion (while pretty jarring, I gotta admit) is meant to be pretty somber for Raph.

But many players have just bounced down the sequence of "lol he's a bottom" to "Haarlep said that's twice as long as-" to "omg he sings his own song" to victory and, then -- "wtf someone's eating him?"

It's an odd pivot. People have to be primed for sympathy, and I certainly didn't read the writing for the orb as intending to pull at something uncomfortable in the player post-HoH when put in context with the high-score-streak of chamberpot-humor. I can only back into that interpretation when looking at the full set of narration the orb was set to provide at some point.

Kinda wild.

[exhausted-archivist]

Common Fanons That Are Confused As Canon

Through my time of collecting lore and learning things about Thedas I've come across a couple things of fanon that leaked into lists of canon elements. Which was an interesting little thing to follow the rabbit hole of where they even originated. While making this list I did ask others for any that I might have missed or not seen because I wanted to be thorough as I could when even making this list. I haven't been in the fandom long enough to see all the things that have come up.

To be clear, I thought it was neat to see what became so pervasive in the fandom to become easily mistaken as canon or misunderstood. I'm also not discussing whether canon as it stands is "good" or judging the fanon or anything like that.

I just wanted to put it all together in a list, especially as I have had friends who were getting into the series and ask about certain things; as well as Dragon Age Summer hitting us soon and new interest in the series abound.

General

Mages can sense other mages The closest source I can find to this is the fact that Anders states that he can "feel the power in you". No other mage states anything similar and could likely be attributed to the fact that he is possessed. Much like how Cole can sense your magical connection as an Inquisitor. An outlier is how Keiran can sense your magic regardless of if he has the Old God soul; but he is also not confirmed to be a mage as of yet.

All Saarebas always have their lips sewn shut/horns cut off This seems to originate from da2 specifically, with the model of Ketojan having the scarring, the other saarebas missing horns, the concept art, and then boils down to BioWare being inconsistent with their lore/depictions. Most of Thedas fixates on the fact that the Qunari have saarebas with their lips sewn shut, the Seer's yarn tale denotes that tamassrans tell the story of a saarebas with their lips sewn shut, the tarot art for Saarath, and the flippant joke between Sera and Iron Bull. But, the lore specifies that it is in extreme cases or in general that it can occurs but it is not the standard. [WOT p. 103 & 128] Much like tranquility, it is used as a form of punishment - one that we know can and is abused by certain factions. We also see saarebas characters in Inquisition who do not carry either of those traits. Specifically Hissera (multiplayer), Saareth (Trespasser), Heroes of Dragon Age models, and some Qunari in da2.

All Saarebas have their tongues cut out This is seperate from the previous point due to the different source of this fanon. It seems to be an exaggeration of one particulare line from Sten. In dao, Sten will state during the Broken Circle quest that "This is why we cut the tongues from mages, in Par Vollen." He is very general with the statement, but contextually it is reasonable people took this to mean all mages. However, since dao it has been made clear that it is not a universal practice throughout the Qun.

Elves are shorter than humans This one does have a clear point of where this started, though it is never stated in lore, back in Origins elven models were universally shorter than humans. But from DA2 onward, male elves were only shorter than their human counterparts of the same sex while female elves are shorter than both human sexes. Fenris is taller than f!Hawke while both forms of Hawke are taller than Merrill. Solas, Abelas, and a m!Lavellan are taller than female human characters but all human characters are taller than female elves (except Sera who has a female human model).

Dalish are illiterate This is a little less clear to me where its origins started. Perhaps based off of medieval period history (which da isn't necessarily medieval in time period) or due to the fact that most common folk in certain regions in Thedas are illiterate and reliant on pictures over written words. But we know from the Witch Hunt dlc that the Dalish keep tomes of their history and of the ancient elven empire. They also actively translate ancient elven script for their own records. Whether this is role restrictive or not is unclear, but we do know that the Dalish are literate in both Common and semi-literate in ancient elven script.

Dalish and City Elves don't have contact This seemingly comes from a misunderstanding stemming in the city elf origins in dao where some npcs will comment on how Dalish might be myths. However, in dao, da2, dai, the comic Knight Errant, and the novel The Masked Empire, that elves from both sides do semi-regularly trade people with each other if not visit certain alienages, as well have other points of contact with each other. Pol, Zevran, Coran (Vaea's uncle), and potentially Feynriel are all city elves that join Dalish clans. Merrill and Arianni are known Dalish who join alienages.

City elves are genetic/physical differences from the Dalish elves This one I have seen around a lot, most stemming from the idea of the previous one that the elves in the city are generations apart from the Dalish, implying they have no contact with each other. Which could be true for certain alienages. But as far as lore is concerned there isn't any example of this, not even as being a point of reference for the Dalish to consider any of the aspects as to what makes them "less of an elf" in comparison to Dalish.

Elves pass on their elven traits Most seem to know this isn't canon, albeit one of the less popular canon elements; but new fans don't always know this. It is popular fanon to give half-elven children the reflective eyes, smaller stature, more angular features, straighter nose bridge, and/or pointed ears from their elven parent.

Only elves can have mixed kids with other races This seems to come from the fact that elven traits aren't passed on to their kids when mixed parentage is involved. However humans, dwarves, and vashoth can all have mixed kids from the other races. According to Patrick Weekes, this decision was made consciously to avoid very racist and harmful rhetoric. We know of many elf/human mixed kids: Alistair, Eiton, Feynriel, Gestan and Thale (residents of elven area of Halamshiral), Kieran (conditions), Michel de Chevin, Rinnala, "Sabina's Brat" (son of the elven prostitute Sabina at the Blooming Rose), Slim Couldry, Tainsley (Potentially. Is described as a 7'(2.13m) human, though he references a Dalish uncle.) While mixed dwarf children are rare simply due to dwarven fertility issues we do know of two dwarf/human kids: Keiran (conditional) and the child of Tyrdaa Bright-Axe(Avvar) and Hendir (dwarf).

Elfroot leaves get you high/is Thedosian marijuana This is another Origins era thing, due to an easter egg that made a play on the American "This is your brain on drugs" anti-drug campaign using elfroot. This was then repeated in 2015 when Patrick Weekes said that its medicinal properties were rediscovered in 4:20. [Source] Elfroot hasn't been shown to get anyone high in canon, it is the roots that are primarily used as medicinal. In World of Thedas (WoT) vol. 2 the recipe for Dalish Deep Forest Comfort says you can substitute elfroot for spinach making the leaves more vegetable in quality. That said, marijuana leaves are edible and rather nutritious. They just don't have the chemical make up to induce a high. Those lie strictly in the buds. According to Origins, elfroot does flower though.

Red lyrium is completely different and more dangerous from blue lyrium This one is all on BioWare in regards to this misconception. Because while yes, it is more dangerous than the blue lyrium, they aren't two seperate substances. More that red lyrium is a branch off. To cover the generals of the written lore of lyrium it breaks down like this: Blue lyrium in it's raw form innately toxic to just be around to all but dwarves, however it will kill a mage who gets too close in proximity. That proximity being within the same room while non-mages would have to touch the stuff. It also has a pension of self-combustion without warning or a clear cause. When it is refined down for templar use it is "safe" for non-mages to come in contact with and consume. Whether this level of refinement is the same level as what is used to make various cocktails and liqueur is unclear. But we do know that getting too close, being in same room as lyrium refined to this level, is enough to make a mage sick. Finally, we have the most refined and diluted stage of lyrium, this is used by mages to make potions, certain alchemical work, and other things. This isn't enough to kill a mage, make them sick (without extreme over use), and infact can result in positive outcomes for a mage. Red lyrium overlaps with most of that, with a couple key differences. First off is that red lyrium doesn't seem to self-combust. There is some contradiction on whether or not non-dwarves can mine it as due to game mechanics you can destroy it, but the only ones we see mining wild nodes are dwarves. But if the red lyrium is grown from a living creature it seems accessible to all races? In codices about the various types of red templars, we learn that a small vial around a templar's neck is enough to make all the mages in the area around him sick.

Character Specific

Alistair

Alistair is a dog person I couldn't track any clear origins for this, it seems to be a case of overlap with the stereotype that "all Fereldan's love dogs" and a mix of building off of a line of dialogue about him being raised by the hounds and them being his family. However, he doesn't seem overly one way or the other. He mocks dog at times, talks down in not such a playful way, and at times seems to treat dog with the same attitude he does Morrigan though not as blatantly. This could be chalked up to his joking nature though.

Alistair's obsession with cheese While he does admit to an obsession to cheese, it is often cited that Alistair makes a ton of cheese jokes in dao. When in truth he only makes four through out the entire game. Given his joking nature it is up to personal interpretation of how much he actually loves cheese.

Alistair and Cullen knew each other before Origins This is more specifically that the two went to the same monastery for their templar training. There is no canon evidence for this though. That said, there is a possibility due to not knowing much of anything about how the Templar Order trains its recruits nor the amount of monasteries they have in Ferelden for training.

Alistair collects toy soldiers This seems to come from the gifts he can be given during the Feastday dlc. Canonically he is given runestones and carved statuettes of various types stone. These statuettes are described in a manner closer to effigies than toy soldiers.

Alistair's mother is not Fiona This one is a bit funny as it has multiple origins and is dependent on the player's experience with the series. From what I have gathered there seems to be one of three sources: - People who never read the Dragon Age novel The Calling - People who read The Calling after playing dao and feels like it is a retcon (though The Calling was released prior to the release of dao, same with the novel The Stolen Throne) - People who take a "chuck the baby with the bathwater" approach to the lore The funny thing about this is that the cover story in dao for Alistair's mom is based off a combo of things; the hypothetical scenario Fiona told Maric and answers she gave Maric when he asked what to tell Alistair if he asked about his mother. The hypothetical was that Fiona would not return to the Circle and would hide from the templars and pretend to be a washer woman. When Maric asked what to tell Alistair of his mother, Fiona said to tell him his mother was human as she did not want him to deal with being half elven and all the stigma that comes with that as well as to tell Alistair that she was dead.

Avaline

Aveline is straight She will kiss Hawke regardless of gender and ask them if they ever considered her and them. Though it is clear she never had romantic interest in Hawke in particular. An easily missed aspect I think given the general opinion of Aveline as well as most people seeming to not choose the flirtatious option with her.

Blackwall

Blackwall doesn't have a sense of humor This one genuinely surprised me considering he jokes with Sera, The Iron Bull, and Solas. His banter shows as much that he does have a sense of humor and tells jokes. But it does seem pretty common of a fanon characterization for him.

Dorian

Dorian paints his nails His model doesn't have painted nails in game, but it is a popular fanon. There is nail polish in Thedas though. It's mentioned in the novel Masked Empire as well as the novel Last Flight. It seems to be of Anderfles origins, but given the Last Flight is post Orlesian occupation, it could originate in Orlais.

Lady Mantillon said, tapping an elegantly lacquered fingernail on the polished wooden arm of her chair, “we will fail, or we will be killed. Neither is acceptable.” - Masked Empire, Chapter 17 p. 362 Every one of her fingers glimmered with a jeweled ring, and her nails had been freshly lacquered. - Last Flight, Chapter 13 p. 144

Fenris

Lyrium can be drawn from Fenris' tattoos There is no mention of this being possible in da2 or any of the subsequent media. There isn't even mention of others being able to sense the lyrium in his tattoos or even mages getting sick around him as they sometimes will dependent on the concentrations and/or purity of lyrium.

Fiona

How Fiona was cured of the taint This comes from The Calling novel, where it isn't ever clarified what actually removed the taint from Fiona. The common fanon is that it was either the mentioned brooch, or that by having Alistair. That it was by having Maric's son who has Great Dragon blood due to being of the Theirin bloodline that cured her. However, in the novel she is very clear that the mages at Weisshaupt aren't sure what cured her. She only offers one explanation that the Grey Wardens theorized and trails off before saying what the second one was.

“It’s gone,” she said flatly. “The mages at Weisshaupt weren’t sure if it was because the First Enchanter’s brooch sped things up artificially, or... at any rate, all the corruption vanished. They don’t think it’s going to come back, either. There was test after test, but they think I may be the first Grey Warden that never has to endure the Calling again.”

Hawke

Hawke is stabbed by the Arishok This fanon likely came into being due to one of the moves the Arishok has where it will leave you almost dead. So a bit of canon as it is in his move set, but fanon in the idea it is something that always happens in canon.

Unable to confirm if Fanon, Canon, or a mix of both

Teagan marries Bella, the barmaid from Redcliffe This one goes back really far and is hard to tell if it is a case of mistaken identity and association, or a really buggy option for the epilogue, or isn't actually a possibility. What I can confirm is that Teagan does have a woman he can marry given certain conditions are met in dao, but it is actually Kaitlyn, the sister who's brother goes missing in Redcliffe. If you properly compensate her for her grandfather's sword she'll open up a foundry in Denerim and will marry Teagan after having known him for a few months. According to this thread, you have to get Kaitlyn to move to Denerim with her brother, make Bella the maid to Teagan and in the ending slide Teagan and Bella will get married. Though I haven't been able to confirm that this is possible. (If you have a screenshot/video of this slide and know how to trigger this please let me know) This is also not an option mentioned in the Keep, however neither is Kaitlyn's. Which isn't surprising given some of the ending slides that were not direct player choice (ex) choosing Orzammar's king) are mostly cut from canon.

[lesbiansforboromir]

Alright, I saw too many posts about DA4 and the pressure valve on dragon age opinions burst so I'm breaking my silence about mage discourse.

One day someone at bioware, can't remember who, made the worst possible PR decision and openly declared mages as an allegory for mental illness. It has all been downhill from there. Quite literally I could not be less interested in treating mages and mental illness as even tangentally related. Within the canon of DA, mages are people who literally have demons speaking to them, can literally become possessed by demons, and who are literally dangerous in extremely real and unavoidable ways even without the demon stuff. Lobotomies not only exist, but also work, the 'tranquil' are no longer plagued by the demons, nor do they have the powers of fireball anymore. It's like they called the 1300's and asked a witch hunter to write this.

And I am absolutely certain this framing is extremely cathartic for some people to relate too. Themactically speaking, turning all the dials up on a social issue for a fantasy world will always resonate with many of the victims of that issue. There is something impactful about taking all the insane stereotypes society has created around your lived experience, deciding they're real in an imaginary world and then playing out scenarios where you deal with them. God only knows gay people love vampires and werewolves.

But in that case it also has to be understood that others will not like it, or find it cathartic at all. The sticking point for me is probably the fact that mages are immensely powerful, something I find so egregiously unrelatable that any possible power fantasy it might be tempting me into just evaporates. And then of course there is Tevinter, which if we're following the allegorical logic is a state ruled by the mentally ill whom have 'embraced their demons' and so are now ruling an empire built on the enslavement of the 'pure' and 'untainted undemonic' population. Which I feel like, if we're weighing the mage narrative on the merit of it's being a cathartic themactic framing, is stretching the concept quite thin.

So I've always experienced mage based narratives as entirely seperate from their irl allegories at least emotionally, even if cognitively I do understand the parallels. And when you look at it like that, so sorry, it actually is a grey moral issue. If there were people in real life who could, without any additional equipment or technology, just create a fire/lightning storm from thin air, that on it's own would be a problem society would have to grapple with solving. You could not just let people with such power live under the same rules as everyone else. Like Wynne as a child nearly burned a barn down and scarred another child. These are not hypothetical issues within the canon.

And somewhat unrelated side tangent but I've seen people say, without an ounce of irony, 'magic doesn't kill people, people kill people' as an argument against the need for magic control. Which is just a fascinating framing all by itself, given the only difference between guns and DA magic is that one is an external tool and the other is built into select people. AND given that witholding gun licenses from the so called 'mentally disturbed' is an often advocated for policy... it's just kind of ironic is all!

Anyway the POINT is this is kind of frustrating to me because technically the mages COULD be a fun little play pretend thought morality experiment. This IS a difficult problem to solve, DA rightly engages with the fact that any institution created to control a subsection of people will create an environment of horrific abuse and dehumanisation. And that is only doubled with the introduction of religious control. When presented neutrally this is a 'do you sacrifice the few for the sake of the many' quandary with a lot of interesting caviates. IS it for the sake of the many? Would the actual number of people harmed by mages really exceed the number of mages themselves? Are we not just sacrificing the peace and freedom of many people for a hypothetical? But IS it a hypothetical since the slaver empire ruled by mages exists? But the hypothetical in the other direction isn't a hypothetical either, since the mage rebellion also exists and arguably did greater harm than free mages might have otherwise! But is that true? What about all the years worth of people in history hypothetically saved from harm by the strict control over mages? Isn't pushing for a more ethical circle a better plan than total abolishion? But is an ethical circle even possible given the cultural position mages hold? But in that case are free mages really going to be able to lead peaceful lives anyway? Doesn't the circle also protect them? But that is a situation the circle created and enforced right? Or is it? Since, once again, Demons definitely exist and mages have become possessed by them for centuries, and other mages have used their powers to dominate and abuse others in the past!

Theoretically, two people with exactly the same humanitarian purposes could argue the opposite ends of this debate in good faith, which is a fantasy. Because in the real world no one is born with a body inherrently able to cause more harm than the majority of other bodies. In fact, the opposite is true, people are born with more vulnerable bodies than the majority and are oppressed for it, their vulnerability taken advantage of by the dominant states in order to further those state's agendas in some way or other. Oppression does not have a 'good reason' to exist that originates from the oppressed class, those supposed reasons are fabricated after the fact to justify oppression in the minds of the general populace whom hold themselves to moral standards that a State does not. So, inherrently, the mages in DA are a fantasy idea and should be thought of as such.

But, amongst many DA fans, this is not the case. We've all seen people argue without irony that NOT taking a moral stance on the side of the mages and against the circles reflects badly upon your actual IRL moral compass. And it's not just that you cannot be pro-templar, even being neutral about it or finding the pro-mage characters or the mage narrative uninteresting is treated as an immoral action. People will ask things like 'who would even side with Meredith?' or 'does anyone even save the templars in DAI?' as if the choices you make narratively in a game have to be a moral judgement! Which we all know is nothing new in terms of fandom discourse, but within the mage/templar discussion it is so pervasive and so volatile that it makes it worth noting.

And like, obviously 'people get too serious about fiction on the internet' is such a non-issue that it's barely worth talking about. But I do find it interesting nonetheless as it's been a major part of my experience of being in the DA fandom, which now spans longer than a decade of my life (screams).

People have told me that I shouldn't treat this narrative theme as debatable because they relate to mage struggles as an autistic. And at the time I was pretty young and didn't really have a response to that other than a vague but powerful sense of discomfort. Nowadays, when I'm pretty sure I'm also autistic, I realise I was made deeply uncomfortable by the idea that there was anything relatable for me within the mage narrative. I do not have magic powers and I can't blow people up with my mind, I can't even get out of bed most days. Most people feel like mages to me just for being able to work a job or take care of themselves without help. And narratives of oppression that surround people with inherrent powers that far exceed anyone else just do not resonate! Which ultimately is just a reinforcement of the concept that the way people engage with fiction is not equivalent to actual real social issues, and really should not be treated as such.

[ratgrinders]

HIII i’m also a rat grinders fan in the “not interested in pretending they aren’t fucked up” but rather “interested in Why they are so fucked up” way 💥💥💥 i have Thoughts on how the shatterstar ritual affected the rat grinders in different ways and i wanted to know if u had any similar thoughts :3 - @teenagerebellion

THIS IS SUCH A GOOD ASK thank you for sending it!!!!!!!!

Ok so I AM gonna be working off the assumption that a rage crystal functions less like "mind control" and more so amplifying existing feelings to murderous extremes. Think Adaine in the mall fight when she's asked to picture "what would the world look like if all Adaine thought about was rage" and we see a destroyed Sylvaire from Adaine's search for her mother. We know that Adaine would never do that, but we see the underlying motivation is the same.

Off the bat we know Kipperlilly's ritual is different from the others since she chose to do it "willingly" and wasn't forced to choose via death (it's described as having no scar, unlike the others, so she may have not even had to die at all). That doesn't mean though that she wasn't infected with a rage that caused her to do things she never would've done normally, as I don't think Freshman Year Kipperlilly, whose biggest grievances were "I think Aguefort likes them more", would jump to coldblooded murder. I think the fact that Kipperlilly chose the shatterstar affects her mindset pretty greatly going in to rest of the year, because there's no easy way to differentiate between what's "her" and what's the rage star. She probably is constantly thinking things like "This is all me. I am in control of my own faculties. There was no coercion involved I'm just naturally a villain", partially because she doesn't want to admit that she, a mastermind, let herself get controlled like that. Essentially, the ritual itself was so seamless and the descent so gradual, I don't think even Kipperlilly has a strong sense anymore of who she is without rage.

Ruben we know canonically has a bit of amnesia after being revived, not even seeming to remember the entire year he was shatterstarred. Ruben basically has the opposite problem from Kipperlilly, where his change in identity post-shatterstar is so drastic that his sense of self is almost completely eroded, because "how could I have been motivated to become someone like that?". Ruben's not a naturally angry person, but still though, that WAS Ruben, the rage star just tapping in to Ruben's underlying desperate need for approval, emotionality, etc. and bringing it to the forefront. The rage star imbued Ruben with such an intense pain and rage that he felt he could only express it through his music. Post finale revival I think was Ruben just being in shock at how much he's changed, but I think the memories will come back to him and he'll have to reconcile these two Vastly Different versions of himself.

Ivy I believe was still kind of a mean girl before the shatter star, the shatter star just made it more likely for her to say it to people's faces rather than behind their backs. Honestly, I'm imagining her maybe as a young Sandra Lynn before, in the sense of both having this constant bemusement. Beyond that, though, I think Ivy may have been the most likely to take the rage star willingly as opposed to being killed for it (I actually think most of the Rat Grinders still could've been persuaded to take it willingly, but that's a post for another time). Ivy seems to have a lot of pent up rage and disdain for the world around her, and the shatter star only amplified that.

Oisin got buff after getting shatterstarred, which is a really funny canonical fact to think about lmao, because I'm just imagining him doing a bunch of angry push-ups or something. Anyways Oisin before the ritual I'm honestly imagining him to be the type to hang out with guys like Skrank and Shellford, aka those kind of nerdy unpopular guys who nonetheless are still kind of egotistical and little dicks sometimes. (This is actually why I think they were the ones playing pong at the party with Oisin, because they were actually kind of friends before.) Just like Ivy, the rage crystal just gave Oisin more of an excuse to externalize his rage at the world, but I think the main thing it did was just give Oisin a little more self-confidence because now he has all this power backing him up.

Mary Ann was EXACTLY the same before and after the ritual, it was actually a little disconcerting to Jace and Porter and they didn't know what to make of it. The main thing for Mary Ann, I think, is that she really doesn't have much of an emotional stake in the rage ritual, or the beef with the bad kids, or anything like that. She's just Entirely Indifferent to whatever atrocities are being committed, which is just a different type of fucked up lol. Honestly, I think as a barbarian Mary Ann's a bit more used to controlling her rage which is why the rage crystal might've had less of an effect, Lydia Barkrock style.

Buddy's death was so sudden and traumatic, with such a short amount of time to get used to the implications before the finale, I think Buddy's mind is just in a tailspin post-ritual just trying to grab on to anything that makes sense lol. He knows worship and devotion, its been a crutch in his life for so long, and that's what he defaults to when he can no longer reach Helio. In fact it almost seems a bit like a coping mechanism, latching onto it so securely even in the face of all other logic.

[brucewaynehater101]

I'm seeing a lot of asks about this and I want to give my two cents: I'm cool with Bruce being a bad father, but only if DC admits that he is a bad father.

You can't have him doing downright abusive shit only to never address it. The only character that consistently criticizes Bruce parenting is painted as entitled and vindictive. I genuinely think the reason why we can't have a decent Red Hood arc is because if you want Jason to make sense you're gonna have to admit Bruce is a fucked up father or rewrite canon.

Same reason for Tim "never aging", not so much physically but emotionally. Because to have the character establish itself like Nightwing did you would need to address at some point all the bullshit he went through. Even with Dick. Like sometimes it looks like they want to recognize how being raised by Batman fucked him up by they end up settling for "oh it's the pressure". Like that's the most DC will say "Batman puts his kids under a lot of pressure buuuuuut it's justified because they're fighting evil :)".

Not just the kids, I think Batman himself would be so much more interesting if DC was willing to let him confront these things. As a redemption arc or as a fatal flaw that keeps his family at arms length. But they want to have their cake (have Batman be edgy and give the Robins Character Development™ through good old child abuse) and eat it (have Batman be Dad of the year). And that's what doesn't work.

Batfam fandom is great because you have people making content for Good Father Bruce, Bad Dad Bruce (he's trying and it's a bit funny/tragic), Awful Father Bruce (with no intention of changing. Every option is way more interesting than DC's directionless mess. Like, we don't even need them to make Bruce Good™ we just want them to pick a side and stick to it.

Thank you. My gods that sums it up perfectly.

Like, I've got no problem consuming Good Dad Bruce content... if it's not the comics. The animated stuff is usually fine, and fanwork is also great. There's a ton to like about it.

Hell, I'm even chill if Bruce makes mistakes and errors and fucks up with his kids. That's realistic, as long as they address that he did, in fact, do that shit. They need to talk about how his actions have hurt his kids and his relationships with them. He can try to do better, or he can stay distant with his kids because of it (low to no contact). It's truly not that difficult to chat about.

Now, media that addresses all of the horrid stuff he's done and considers realistic reactions/solutions to it? Fantastic. I love that so much. It's so cathartic watching him get his ass handed to him.

It's not necessary, though. I'm chill with good dad Bruce.

Despite that, outright ignoring what he does or brushing it under the rug? That's horrific. That reads like a sickening cycle of abuse, and I can't stand it. It's the exact same shit an abuser pulls by harming their victim (psychologically, mentally, physically, etc.), apologizing (ish), finding a way to pin the blame back on the victim, and then love bombing. Like, my gods. Bruce will beat the shit out of Jason and say it's Jason's fault for killing someone... "I wouldn't harm you/take a machine to permanetly fuck up your brain if you didn't do that. It's not my fault that I decided to hurt you. It's your fault that I did."

I just fucking can't.

I think Tim, with his little statement of "I don't expect you to apologize" after Bruce caused him to have a nervous breakdown post 16th birthday, that's a close approximation to admitting that Bruce is a piece of shit that does tendencies like an abuser. No matter what someone's intentions are, they should still apologize if they've cause unjustified/unintentional harm. Only assholes who don't regret their actions or people who feel their actions are justified won't apologize. There's times when apologizing isn't necessary or desired. That's fine. I won't apologize if Comic!Bruce and I are in a room, and I "accidentally" set him on fire.

Yet, Bruce is out here fucking up his kids. At the very LEAST, they deserve a fucking apology. Maybe a restraining order.

I ranted a bit. My bad. Anyways, have DC acknowledge the shitty actions Bruce does or don't have him do them. It's simple.

[lunarthecorvus]

Kanej Major Injury fanfiction recommendations

part of Lunar's soc fanfiction rec series

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searching for something they call peace of mind by @patrocool

Wordcount: 2.2k Chapters: 1/1

Characters: Inej Ghafa, Kaz Brekker

Tags: Hurt/Comfort, Angst, Head Injury, Concussions, Implied/Referenced Violence, Post-Canon, Post-Book 2: Crooked Kingdom, Established Relationship, Blood and Injury, wound care, Patching each other up as a love language, Angst with a Happy Ending, Fluff and Angst, Fluff and Angst, light fluff, Major Character Injury, kaz infodumps abt a new safe to distract inej, Autistic Kaz Brekker,

Author's summary/notes: It didn’t take long for Kaz to realize something was off. In fact, he noticed it almost instantly; something was very wrong with his Wraith. She made noise as she came through his window. OR Inej has a concussion so Kaz takes care of her. My summary/notes: A mix of cute moments and angsty moments, this injury fic hits real good. I love the level of vulnerability Kanej have being an established relationship gave this fic. I reread this fic and damn its so good.

---------- ☾₊ ⊹

Not The Waking, It's The Rising by @boybi_i

Wordcount: 20k Chapters: 11/11

Characters: Inej Ghafa, Kaz Brekker, Jesper Fahey, Wylan Van Eck, Nina Zenik, Dregs, Anika, Colm Fahey, Dime Lions

Tags: Hurt/Comfort, Angst, Whump, Major Character Injury, Injury Recovery, Blood and Injury, Haphephobia, Mentions of canon backstories, Hurt No Comfort, Well - Freeform, a bit of comfort later on, Sadness, Gunshot Wounds, Canon-Typical Violence, those dime lions are in a silly goofy mood again, Medical Inaccuracies, there is pain but at least there is Kanej?, Post-Canon, Parallels to canon

Author's summary/notes: Inej was far too aware of the moment when Kaz crashed into the waves. She'd watched him teeter on the edge, barely holding his own together during the fight, and she'd watched the bullet that tore through the crowd, almost prophetic in the way that it hit his jaw perfectly. She'd watched and yet been helpless to do anything to stop it from happening. Some things even the Saints can't control. Sometimes, you just have to survive and deal with the after. My summary/notes: This fic will take you through a whol range of emotions. They wrote Inej's pain and struggle after seeing Kaz injured so well, the angst surrounding Kanej and Inej's actions hurts so much so bring popcorn and tissues. There's just a whole lot of heartbreak and then some healing.

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burn, baby, burn by @harsassypotters

Wordcount: 3.7k Chapters: 1/1

Characters: Kaz Brekker, Inej Ghafa, Nina Zenik

Tags: Major Character Injury, Cauterization, Whump, Hurt/Comfort, Book 1: Six Of Crows, Alternate Universe - Canon Divergence, (david attenborough voice), And here we see, rare footage of kaz brekker in the wild, attempting to deal with emotions, and having no idea what to do

Author's summary/notes: “Okay. Okay.” Inej sucks in a few deep breaths. The knife is glowing a shade of ominous orange-red, and she eyes it with a sort of tentative confidence. “I can do this. I’ve survived the Menagerie, and I’ve survived staring at Kaz’s hideous outfits everyday for two years. I can do this.” “You think my outfits are hideous?” +++ six of crows au, in which the stab wound inej received before the ship voyage is a little more serious, nina can't heal it, cauterization is necessary, and kaz is somehow roped into the entire thing, undergoing more emotions that he initially bargained for. My summary/notes: This fic is so interesting, we see Kaz verbally express more emotion in this scene than we do in canon and I'm a sucker for Nina + Kaz being siblings which is what they are like in this fic (I ate it up). It goes into Kaz and Inej's close soc canon dynamic more and shows how much he cares about her. You will scream when Nina says a certain thing to Kaz at the end of the fic.

---------- ☾₊ ⊹

If somebody hurts you, I wanna fight by @whynotcherries

Wordcount: 2.3k Chapters: 1/1

Characters: Kaz Brekker, Jesper Fahey, Inej Ghafa, Wylan Van Eck

Tags: Post-Canon, Captain Inej Ghafa, Hurt/Comfort, Angst, Fluff, Fluff and Humour, Blood and Injury, Stabbing, Non-Graphic Violence, Injury, Hurt, POV Kaz Brekker, Inej Ghafa-centric, Major Character Injury, Idiots in Love, Matthias Helvar Lives

Author's summary/notes: Inej comes back from her maiden voyage bleeding and bruised. My summary/notes: After finding out Inej was injured on her maiden voyage and at first he feels rage, but in dealing those feelings you can see how he's been growing/healing with how he deals with emotions when it comes to Inej being hurt. With some brotherly love between Kaz and Jesper. The author Syd is such an incredible writer and has written so many soc fics I would definitely recommend all of them

[alice-after-dark]

Gang Boss Vox (Pre-Canon)

Okay so I've been thinking about this for a while and then this art by @smthaboutuss happened and I have to babble about it now.

(Fun fact, I actually lost and had to rewrite this post from memory after it didn't save properly lol fml)

So while I absolutely love the RadioStatic trope of Vox being the pathetic newly fallen Sinner who Alastor finds in the trash and takes under his wing, I also love the idea of Vox being this young upstart who catches Alastor's interest.

By the time they meet, Vox already has his own little gang going. The current Entertainment Overlord is pretty much a lazy fuck who does nothing with his territory, so Vox's gang has carved out a nice little corner for themselves there where they are basically in charge and steadily expanding their reach as they take over more and more media sources. They definitely have eyes on overthrowing the current Entertainment Overlord. Fun self-indulgent side note is that Eeliot (Vox's assistant) is absolutely a member of this gang and has been with Vox from the start and stuck by him through everything and that is why he is unapologetically Vox's favorite.

Vox and Alastor's meeting is a complete accident. A Sinner in charge of one of Vox's acquired television networks kidnaps Niffty with the plan to ransom her back to Alastor in order to get the money he needs to pay back Vox what he owes him (he had been smuggling profits under the table and Vox found out and wants his missing money or else). Alastor is lurking in the shadows when a black van shows up and some goons pile out, a strange looking Sinner with a picture box for a head jumping off the back. He and the rabble make their way inside and Alastor learns very quickly from the trembling Sinner holding Niffty hostage that the picture box's name is Vox. The Sinner pleads for more time, explaining his plan and presenting Niffty like some kind of golden ticket.

Vox is...not impressed. The Overlord is clearly just going to kill the idiot. How could he possibly have thought this plan was going to work? On top of all that, Vox finds him picking on a woman distasteful. The Sinner got himself into this mess, he should be getting himself out. Vox snaps his fingers and orders his goons to raid the place for anything valuable. In the meantime, Vox berates the Sinner for taking such a weak way out.

Alastor chooses at this moment to make his presence known. He saunters out of the shadows, announcing his agreement and confirming Vox's statement that he just planned to torture and kill the Sinner for daring to touch what is his. The Sinner is appropriately terrified and Vox...

Vox is cackling. Utterly losing his shit. Like holding his stomach doubled over laughing his ass off.

"Holy fuck, are you serious?! Of all the fucking Overlords you could have snatched a thrall from, you picked the fucking Radio Demon?! Oh fuck, you are so dead! Like...captital D Dead!"

And Alastor is intrigued. Normally Sinners flee in fear at the very sight of him (like Vox's goons very much want to do, if their expressions are anything to go by. How unfortunate for them they'd have to walk past him to get to the door), but this strange picture box is delighted. He's thrilled by Alastor's appearance, like it's the best thing that's happened to him all day. And the Sinner caught in the middle here is looking more and more like he regrets his afterlife choices. He hasn't even noticed that Niffty has already chewed her way through the ropes that once tied her to the chair and is now skittering around the building assisting Vox's goons in locating valuables ("Look at all this junk! What a mess! Here, you take this!"). Vox is already watching her with an amused fondness.

Alastor decides he's keeping this one then and there.

"So what shall we do with him then? He appears to have wronged us both, so how best to settle this?"

"If I'm being honest, I'm a big fan of your show. I'd be satisfied just watching you work."

Yes, definitely keeping this one.

[multifandombullshitbabes]

Random Merlin Rewatch: Where a random number generator gives me a season and an episode from BBC Merlin; and then I comment on it as I go.

Today's episode: Season 4 Episode 7 - The Secret Sharer

Before I start, let me just say and I have done my uni exam and that's why I haven't been posting these even though I really wanted to. Not joking, I had to let my fingers rest 'cause I wrote all my notes and shit. It was a lot. Anyways, let's fucking do this.

LET'S GO INTRO!!!! YOUNG MAN!!!!!!!!!!!!!!!!! WOOOOOH

EWWWWW WHY IS AGRAVAINE TOUCHING MORGANA LIKE THAT I'M GONNA PUKE BRO

Damn, Morgana's eyes are so GREEN, that makeup really does it for her. Kinda funny she's wearing it to bed though. Girl.

GOOD LORD MAMA, HELLO

Agravaine needs to chill the fuck out. Every time he's on screen he gives me the ick. Ugh. Also Morgana looked so damn paranoid talking about Emrys. "He knows everything. All our plans, all our secrets." Girl.... RIP Morgana you would've loved therapy (or not).

Ohhh... interesting Morgana's reaction to Agravaine's accusation of Gaius, saying that he's the ones working with Emrys. She almost looks... hurt? Like. She really doesn't want to face the reality that Gaius exists, in the sense that she's just so hurt by everything these people that "loved" her have done. She just feels so betrayed by everyone, so hurt, so ANGRY. It's so tragic.

Oh my GOD. I NEED PEOPLE TO STOP MANIPULATING MORGANA!!! I'M SICK OF IT!!!! The way she hesitates!!! When she knows that it means that they're going to use Gaius or maybe even kill him!!! The way that she moves away from Agravaine, processing this, the way he INTERRUPTS THIS and insists, again, that it has to be Gaius, they have to do something. And for a second she almost looks so fucking scared, like!!

LOOK AT HER!!! ANOTHER PERSON THAT'S BETRAYED HER!!! SHE'S SO HURT AND SCARED!!! OH GOD HER AND ARTHUR ARE SO SIMILAR.

She even blinks her eyes after that line from Agravaine, like blinking away tears, her eyes are so shiny bro, I'm gonna cry :((. And after blinking she turns all smirky and "evil" and shit. Jesus Christ. I could write a whole thesis about Morgana and her character progression holy shit.

LET'S GO MUSICCCCCCC

AHHHHHH the iconic breakfast in bed scene!!! Yay!!!

I don't blame Arthur for spitting that out, shit looked dry as FUCK. Also there's a bunch of crumbs on the bed, Merlin, YOU'LL have to clean that up!!! Don't give yourself more work!!

"I don't know anything about Polishing." We really need more appreciation about how Bradley delivers his lines, this one is just too funny, only hearing it, bro. Also. Merlin writes Arthur's speeches. One of the best pieces of canon in my opinion. It's just so comical, for some reason. And they must be good too, 'cause no one's questioning them. It's just such a subtle way to show that Merlin IS smart. Sometimes. A little bit.

Merlin, babe, you cannot be serious. You writing the new bible or something, what the fuck is this.

"You don't have hours." Most threatening and terrifying Merlin's ever sounded. Arthur's better than me, I would've have an anxiety attack so bad it'd send me straight to hell.

THIS INTRO IS EVERYTHING!!! WHY ARE THEY SAYING THINGS SO PERFECTLY SILLY!! I LOVE IT!!! Also, damn, Arthur's BUSY. I guess we do forget that kings had to, y'know. Do basically everything, like be a judge sometimes. Hello??

Ah yes, what I've been waiting for: the wrestling Arthur out of the bed scene. Love it. No notes, really.

"You're doing very well, Arthur." WHAT IF I CRY???

"I don't think so."???? ARTHUR WHAT IF I SMACK SOME SENSE INTO YOU, SHUT UP!!! YOU'RE DOING PRETTY GREAT IN MY OPINION, LISTEN TO YOUR MANSERVANT FOR ONCE.

A tiny bit of appreciation for Arthur's chest hair.

Thank you.

Love that Agravaine just. Ignores that it's Merlin writing Arthur's shit. He must have gotten such a shock right at the start and now nothing's surprising anymore.

The fact that Morgana, all in black, has a white horse is so fucking cool to me. Work that shit, queen.

OK GORGEOUS?????

Hate the way Agravaine speaks. Shut the FUCK UP.

Arthur. Arthur, honey. Yeah, you've got to stop being so easy to manipulate. I know it's hard, but your uncle is so fucking obvious doing it, please, please, just. Please. Holy shit.

Morgana's dress (cloak?? hood?? idk) is so pretty.

Morgana being the last of her kind, High Priestess of the Triple Goddess. Merlin being the last Dragonlord. Something something...

Also. Some obvious orientalism is this episode. Kinda icky, but unsurprising giving it's BBC and also like. 2011 or whatever. But still. Ugh.

Welp. Welp, welp. Can't really say much about that, can I??

I can't remember, but I'm assuming that bracelet she gives to the Catha is from Morgause, simply by the look of pain in her face when it's out of her grasp. Literally, when will my wife's suffering end?

I wonder just how many different kinds of magic beings and users there are in JUST the five kingdoms. What about the rest of the world?? Like. that's just so cool!! I love world building, maybe one day I'll waste away some days just building up lore and lore, probably some made up, but mostly from all cultures and countries. That would be cool as fuck actually.

Agravaine's smile is so FAKE, FUCK OFFFFFFF

Ew, why does he just touch everybody. Weird uncle vibes, for sure.

Oh, I just don't like how Arthur's so quiet. I bet Agravaine's just gotten in his head so bad. He already looks ready to cry, like Gaius has already betrayed him. He's so used to that, what's one more?

Jesus, this hurts to watch. The fact that Gaius knows exactly what's happening, and he's trying to be as truthful as he can but Agravaine's just. making it all worse and horrible. This is so bad.

Ok, Gaius, I know you're better at lying than this. Fucking damnit.

EW. Agravaine's little smirk?? What the fuck is wrong with him? Jesus, I feel so sick watching this, knowing that he's just basically sentenced Gaius as a liar!! Fuck!!!

Well, at least Arthur noticed that Agravaine was being a fucking bitch. Not all is lost.

"... we might find some (proof)." Oh, ok, so you're just admitting that you're going to fabricated evidence against Gaius? Oh ok.

JESUS THESE MAN'S TITTIES ARE JIGGLING GOOD LORD

OH MY GOD, NOT THE PECS FLEXING??? I'm assuming normally you don't see that when you're on a horse adjusting yourself 'cause you got clothes on but this guy DOESN'T and you can SEE EVERYTHING.

The way that Merlin opens the door is so funny. He is NOT amused to be called upon by Agravaine. Mood.

Why is Agravaine's smile literally so disgusting, I cannot.

EWWWWWWWWWWWWWWWW WHY DOES HE SMILE SO MUCH???? VERY MUCH WEIRD UNCLE VIBES. VERY MUCH "PUT SOME CLOTHES ON, YOUR UNCLE'S COMING." VIBES. EW. EW EW EWWWW

Love seeing Agravaine getting humbled, thank you big titty man.

Really? Really??? A book boldly proclaiming that it's about magic and sorcery, kinda hidden by one (1) sheet of paper as your proof? Really??? Are you for real right now?? Fuck off.

It is actually so upsetting seeing Agravaine in Merlin and Gaius's space. Like that's not for you, disgusting bitch.

Not Merlin finishing polishing the dagger and setting it on Arthur's nightstand JUST as the warning bells start to sound. Lol. Lmao even.

OH MY GOD THEY'RE DESTROYING GAIUS' SHIT??? WHAT THE FUCK

No no no. I hate this. The fact that Merlin now get's why Agravaine made him polish that dagger. He's fucking blaming himself right away, oh I can't do this.

Merlin literally looks like a baby in this shot, holy shit. My baby :(((.

Agravaine's acting (not the actor's, is the actor acting the character acting!! which is so fucking cool) is so fucking annoying. It's so obvious, dammit, Arthur, you're a king, how can you not see it!!! I know he's family, but you barely know him!!! I know he's from your mother's side and you want THAT side to be good unlike your father's side that's brought you so much pain, I know, but come ON!!!

Oh, Merlin's so mad, not at Arthur, at Agravaine and himself, but he's so hurt, so scared, so pained that it comes across as quietly, restrained angry, and it's fucking heart breaking.

Oh god. This is one of their most painful fights in my opinion. I think they get so fucking heart breaking when it's Merlin just. trying to show his side, trying to get Arthur to understand but Arthur just cannot because he's been given a certain information that WOULD make his actions sensible, but WE know they're lies!!! We do, Merlin does, but he can't just say that 'cause it might reveal HIS lie, and it's just UGH!!!!!!!!!! FUCK

MERLIN IS FUCKING TEARING UP I CAN'T. "He would not leave without saying goodbye to me." I AM GOING TO PUKE.

The way Merlin turns away when he's close to crying, ohhhhh. Oh BBC Merlin writers when I catch you. Colin Morgan when I catch you.

"I don't wanna lose another friend." I think these are the moments that really make me wanna chortle Arthur. I truly feel like he cannot understand the depth of the power that he has compared to Merlin. 'Cause what does that threat mean? Just them stop being friends but Merlin's still employed? Arthur sacking Merlin? Arthur treating Merlin how he's treating Gaius right now? Because, truthfully, with the power that Arthur has, any of these options is viable. I think this is what scares me, Arthur just cannot comprehend that he just cannot threaten his friends, his loved ones, like this just because he's king now. He simply cannot. The weight of it is different. Even if he would never hurt them, it doesn't matter, he has the POWER to. That's what's so scary. And then he wonders why Merlin doesn't tell him things. How can he?

The way things just. Change between the early seasons and now. The way Gaius talks to Morgana, knowing she wants to kill him, when he saw her grow up. I'm gonna be so fucking sick, y'all, what the fuck.

Does she braid some of her hair with leaves?? Or a green ribbon? What is that in her hair??

Not gonna lie, Morgana is so hot in this scene. Jesus. Love that voice, and that's all I'm gonna say.

HE LOOKS SO BABY!!!!!!!!!!1

I love that Gwen doesn't even question that Agravaine's behind it. She's like "I'll use my charms to get Arthur to see reason, don't worry bestie."

ICONICCCC GAIUS USING MAGIC!!!!!!!!

Oh, I love when Merlin doesn't even use words. Just golden eyes and BOOM. Magic.

MERLIN FOR FUCK'S SAKE BRO YOU CAN'T EVEN SNEAK OUT CORRECTLY WHAT THE FUCK!!!!!!!!!! That's so fucking funny though, I'm losing it-

GWAINE!!!! MY BABY!!! You look like a puppy :,).

Oop. Cock blocked.

Merlin is just in a fucking mood and honestly he deserves to be. But it is interesting how differently he acted with Gwaine and Gwen. I wonder if he's being shorter with Gwaine 'cause he's a knight now, and he knows that knights talk and are closer to the king's views than the servants. Classic class division and such, even if Gwaine is not like other knights. He just cannot be sure now. Also 'cause he almost got found out my Agravaine which does not good for your nerves I bet.

WOW. Gwaine, baby, STAND UP. Get some self-respect. Good god. At Merlin's back and call, it's really ridiculous bro.

Immediately on a secret mission, love these boys.

Not Agravaine seeing his plans fall apart, GET REKT LOSER.

I wonder if Morgana's a good cook. I think she isn't actually. Just never gets recipes right. Burns things, undercooks others.

Oh, poor Gaius... he really tried to fight it but...

It's really fun watching the series and recognizing common clips used in edits.

The way Gaius speaks about Merlin with such wonder and pride... crying rn.

LMAO NOT MERLIN JUST COMPLETELY TRIPPING BOTH OF THE GUY'S FEET. ALSO THE WAY THE CATH TURNED??? HELLO??? HE LOOKED LIKE A SQUIRREL.

"We should split up." "Yeah." two dumb bitches saying "exactlyyyy"

"If you find him, don't wait for me." Gwaine IMMEDIATELY disagreed with that, Merlin dearest, he's not gonna let that happen.

Oh my god, Morgana hasn't met Gwaine yet. All she knows, from Agravaine, is that he's a "hothead". Lmao. lol even.

I love how Agravaine, literal dagger to Gaius' neck, is disagreeing with Gwaine's very keen observation, that he's the kidnapper and traitor. Girl, shut the fuck up.

Gwaine is so handsome. Also, yes, not completely stupid because, if Agravaine didn't kidnap Gaius, how did he know where he was, hm?? Bitchass.

Jesus. Credit when credit's due, he can be a good liar. Also, I feel like Gwaine's acting like he believes Agravaine's innocent, mainly because he can sense something fishy about him. His question, "So you agree he was abducted then?" is so SMART. 'Cause what else can Agravaine do but agree and declare Gaius an innocent man? Yeah that's fucking right, bitch.

Morgana is literally so hot and tragic when evil, good lord.

UGH, Morgana using magic without words, YES!!! Love her being powerful.

Face card never declines for either one of them, good god. Y'know what, more and more I understand Mergana. Just. Look at them!!!

OH THE WAY MERLIN KNOWS THAT ALATOR KNOWS HE'S EMRYS. OH MY GOD?????

Oh jesus, the way Morgana's just RELIEVED to finally know who Emrys is, she's so scared of him she just doesn't want to be scared anymore. Her voice is so soft here :(.

HOLY FUCKING SHIT HE YEETED THE FUCK OUT OF MORGANA WHAT THE FUCK, WOAH!!!!!!!!1

Oh wow that scene just gave me chills, holy shit holy shit. The way Alator just kneels and allies himself to Merlin. Jesus Christ, that's my drug bro.

Gwaine and Arthur interacting. Gwaine being so soft about Gaius, so worried :(. Arthur too :(((.

I really do love how royals just think the servants can't fucking hear. Gwen is right there as they speak very sensitive matters. Like bitch?? They have ears I promise??

The way Gaius and Merlin communicate their fears and anxieties :((( I'm so emotional bro.

"My worry is Arthur." and THOSE are your loyalties, while Alator and other's loyalties are to YOU, Merlin, 'cause you're supposed to bring forth Albion, but you're too busy having a fucking CRUSH TO DO IT!!!!!!!!!!

Oh, the way Arthur walks into the room and Merlin cannot even BEAR to look at him. He's HURT. As is his right.

The way Merlin immediately lightens the mood, 'cause he wants things to be easy as possible, even if it gets hurts swept under the rug like this. UGH. AGHHHHHHHHH.

Boys. Stop eye fucking. You're supposed to at least be a little mad at him, Merlin, you kinda deserve that, y'know.

Love that Arthur believes without a doubt that Gaius withstood torture for him and Camelot and won. Like. He truly sees Gaius as this strong figure. Just always there since he was born, bro. Even before, while he was being made!! That's bonkers.

I love how Arthur understood Gaius' lied even though Agravaine talks in the "evil manipulative guy" voice all the time. Fuck off bro, I swear.

The Gaius is trying to teach Arthur to understand the complexities of magic, that it's all evil or all good, it's all different. I love this scene so much.

Pretty boy.

And that is it!!! God, what an episode!! I feel like this episode is a good starting point for a show rewrite, in which Arthur gets more and more curious about magic and tries to understand, and maybe we'd get a magic reveal and shit like. I like that a lot.

[deadendtracks]

it's actually very interesting to look at how grace's betrayal in s1 impacted, long term, tommy's ability to trust and behavior with his love interests/people he has sexual relationship s with, including Lizzie. polly even points it out (though I think she's wrong to broaden it to all women --namely herself).

it's not cut and dried -- Tommy was already someone who doesn't ever tell anyone everything he's thinking, and doesn't confide in people easily or at all -- but it's absolutely canon that he doesn't confide in grace in s3 until their literal wedding when he's coming apart at the seams (and even then he gives her a very incomplete story), and this has to be directly related to what happened in season 1. that's just characterization and cause and effect.

Anyway, blaming Tommy's lack of trust/confiding on Lizzie herself or on Tommy's specific lack of affection for her is just so completely missing the forest for the trees, intentionally imo. because to do so you have to ignore the fact he did the same thing with Grace, and does the same thing with Arthur and Polly (and everyone else).

There is *context* with all of this, and very little of it is about Tommy disliking/distrusting/demeaning Lizzie specifically.

[starrykatamari]

Saw Lore Contained Within SAW II: Flesh & Blood

Hello again!! I'm still Kris, and today I'm going to be showing you all the lore bits you can find through collecting case files and audio logs in the second third-person action game that was made for the Saw franchise. Once again I will only briefly be touching on the plot of the game itself since it only serves as a sequel to the gap-filling narrative of its predecessor.

Long post incoming, but if you're interested, let's begin! I wanna play (another) game...

TW: Sui mentions, SH mentions, canon-typical violence mentions and imagery, drug use mentions-- it's a Saw media, please be careful I love you.

Disclaimer: I will not be covering any material that is not directly relevant to the movie franchise this game is based on. If it’s in the game and you don’t see it here, it’s skippable, I promise. This post will also have less trap and film references simply due to the fact that they are mostly just repeats of the first game’s.

The plot to this game revolves around Michael Tapp, David Tapp’s son. He is a journalist, and the person who leaked David’s police negligence on the Jigsaw Killer case to the press. He is kidnapped, put into one of the Jigsaw Killer’s games, and pitted against those David Tapp arrested during his career. He must also save certain individuals while navigating the maze of traps and tests. This game is a direct continuation of the ending to the first game in which David Tapp takes his own life in his apartment. Again, this is a gap-filler of a story, we’re here mostly to talk about the references to the movie and the lore the case files give to us. Let’s begin!

Case File: The Right Choice

A memo apparently written by Detective David Tapp, in reference to the events of Saw (2004). For reference, most of these case files are written by David Tapp– but I’ll keep writing that in so that it continues to be easy to follow.

“I met the Jigsaw Killer, and I let him escape. His price was too high. And I was too weak.

Jigsaw was holding Gordon’s family hostage at gunpoint. Shots were fired, and I ran over to respond. If I hadn’t been in the next building…I don’t know what would’ve happened. We had a shootout in Gordon’s apartment, then Jigsaw escaped and I gave chase.

Jigsaw was a short man with brown hair, large blue eyes. I gave a render to the officer that found me after I was released from that hellhole, Whitehurst. Jigsaw trapped me there…he did…horrible things. In the end, he made me choose; give up chasing him so that others may live, or continue pursuit and watch them die. I gave up the chase. 

I don’t know if I made the right choice.”

The Whitehurst in question refers to the asylum the first game took place in, in case that wasn’t clear.

Case File: Team Members: Kerry

A memo written by David Tapp about Kerry.

“Allison Kerry - I’ve heard stories about how she screwed her way to a detective shield, but that is most likely gossip. Gorgeous, though. She seems sharp enough, maybe a little too flirty with the other detectives. Her file says she’s applied to FBI a couple times, but they haven’t gotten back to her. May need to watch her as a potential leak.”

Case File: Team Members: Sing

A memo written by David Tapp about Sing.

“Steven Sing - I’ve worked with Sing before on the Bilson murders, and he’s the best cop I know. He knows the job, never quits, and has unerring focus. If there’s anything I would say I don’t like about him, it’s that he tends to drink more than most. Doesn’t seem to affect his judgment though. Looking forward to working with him.”

Case File: Team Members: Hoffman

A memo written by David Tapp about Hoffman.

“Mark Hoffman - This guy is pretty quiet, sort of an introvert. Good for unpaid overtime hours, willing to do the busy work. May want to keep him out of the field though; he’s a straight arrow, and won’t be willing to bend the rules.”

Audio Tape: Assignment

Voice of David Tapp about the murder of Cecil Adams and the beginning of the Jigsaw Killer case.

“Chief Jacobs put me on a murder today that I just can’t seem to wrap my head around. I’m hoping that keeping track of the case using this journal will help organize my thoughts, keep me sharp. I’ve worked plenty of murders before, but this one is different.

Victim is Cecil Adams, a typical drug addict asshole by all accounts. He was found tangled up in razor wire, cause of death is exsanguination (AN: blood loss). The murder weapon was a frame to which the razor wire was wound, and it looks like he was thrown into the tangle of razor wire. The more he struggled, the more the wire constricted and cut him. I would most likely conclude this was some sick gang violence, if it wasn’t for two outlying variables.

First, the victim had eight straight incisions on his face, atypical of injuries sustained by razor wire. They are clean blade wounds, but all eight are perfectly parallel across the face. This leads me to believe that the wounds were industrial by nature, which doesn’t fit any gang modus operandi I’ve ever seen.

Second, the victim had a piece of flesh missing from his upper left shoulder. Since the body was in such bad shape, we missed it on initial examination. The missing flesh was cut out in the shape of a jigsaw puzzle piece.”

Case File: Paul Leahy

A memo written by David Tapp about the murder of Paul Leahy.

“Another victim, this one named Paul Leahy. Jigsaw left behind a tape, some bullshit about how Leahy cut himself and how he has to cut himself to escape the razor wire cage. Looks like Leahy didn’t have much choice in the matter; none of us could see a clear way through the wire.

The killing cage looks very similar to what killed Cecil Adams - I’m having Hoffman check into what kind of razor wire they both used.”

Case File: Amanda Young

A memo written by David Tapp about Amanda Young and her test

“Someone survived one of Jigsaw’s sick games. Her name is Amanda Young, a junkie. No known address or family. She’s still recovering from shock, but what she has given us is substantial. Everything about this one was different.

Jigsaw’s usual audio tape was replaced by a videotape. He is speaking through a carved wooden puppet that we later found sitting on a toy tricycle within the crime scene. Sing thinks the reason he used a video and puppet this time was to show off what would happen to Amanda if she didn’t unlock her device in time.

By Young’s account, her ‘test’ involved the murder of a man named Donald Greco. She stated that she had to cut open Greco’s abdomen to find a key hidden somewhere in his small intestine. No body was found, but Greco was identified by blood evidence found at the crime scene. Frankly, Young is covered either way with a duress defense - her life was definitely in danger.”

Trap Reference: Razor Box

A clear reference to the same trap from Saw II! Only this time the victim has to turn cubes to arrange numbers into a code (given by Michael from another room).

Audio Tape: Reverse Bear Trap

Voice of David Tapp about the device used to test Amanda.

“The Jigsaw device unlocked by Amanda Young is different from his other killings. This device, what he describes as a ‘Reverse Bear Trap’, is mechanically more complex than what we’ve seen so far. The design is elegant. There’s no other word for it. Elegant. It’s a hinged retractor, spring-loaded with enough force to wrench open the victim’s jaw well past the tearing point. I’ve studied it so much by this point I wouldn’t even need the key to release it.”

Case File: Seth Baxter

A memo written by David Tapp about Seth Baxter’s murder.

“I.D. came back on a victim, name is Seth Baxter. He was identified on the spot, in fact. Every cop in the department knew this scumbag - he killed Hoffman’s sister, got away with 5 years on a technicality. Looks like Jigsaw did us a favor for once.

Jigsaw’s devices are getting bigger, more technical. He built a giant pendulum this time, the blade of which slashed open Baxter’s gut. His hands were also crushed in what looks like two mechanical vices. I’m not sure how this one is supposed to work yet.

Hoffman isn’t taking the news well, and I guess I can understand why. He asked to avoid the crime scene, so I put him out to knock on doors.”

Quick aside here to note that I do like the choice of having Hoffman avoid the scene entirely rather than coming right face to face with it the way he does with Fisk in Saw V. It just makes more sense from a character standpoint. Although I do understand to a point that he’d want control over the scene.

Case File: Interrogation

A memo written by David Tapp about his and Detective Sing’s interrogation of Lawrence.

“Sing and I interrogated Gordon earlier this afternoon. Guy is definitely missing some bolts - I have pretty good instincts for these things. I brought in Amanda Young to recount her story in front of him, behind the two-way of course. Told Sing to observe him, see if there was any recognition, guilt, anything that would give him away. Sing said he seemed genuinely horrified, but I’m not so sure. He’s hiding something from us.

Could be his alibi, one of his students named Carla Song. She said Gordon was helping her setting IVs on patients for her rounds on the night in question. It’s not too crazy to think the family man is stepping outside his marriage with a student, is it?”

Case File: Following Amanda

A memo written by David Tapp about sending Hoffman to tail Amanda for information.

“I had Detective Hoffman follow Amanda Young home after she was released this morning. Station doc said she’s good to go, just a little shaken up. The DA isn’t going to press charges for the whole disemboweling element. She’s been through enough.

Hoffman’s report is pretty uneventful. Young got cleaned up at her shithole apartment, went down to the international District and looked like she was trying to score some drugs from a blonde with tattoos. The blonde in question happens to be an informant named Sarah Blalock, so she was very co-operative.”

Audio Tape: Dr. Lawrence Gordon

Voice of David Tapp about Lawrence’s penlight being found at a Jigsaw scene.

“Positive ID on the fingerprints came back as Dr. Lawrence Gordon. He’s an Oncologist, a cancer surgeon. He was in the system because of some trouble when he was 19; apparently he had a breakdown, had to be institutionalized for 6 months. His medical file is…chilling. White male, mid-to late thirties, obsession with human biology - checks all the boxes for a typical serial killer profile.

We’ve got a work address - I’m waiting on Sing to get back from Forensics and we’re going to pick him up for questioning.”

Again, worth mentioning here since I got an ask about Lawrence being the potential patient in the two redacted case files from the first game– Lawrence is canonically forty-six during the events of Saw (2004). I have no idea why they fudged this to mid-late thirties…it looks like they are either possibly trying to have us believe those medical files were for Lawrence when they were so clearly describing John, or moved his age back to fit the serial killer profile better (which does exist and is as Tapp described). Now, I am aware of the overlap in their general philosophy– it’s what makes Lawrence such a good and loyal apprentice– but some of the things in those files don’t describe what we see Gordon act like in Saw (2004). Just some food for thought. It could all be the writers on this game being devil-may-care about ages. 

Bonus point that my husband put forth as I was writing this: why the hell would they redact Lawrence’s name on medical files? It’s gotta be John since Tapp’s game in the first entry to this videogame series revolved around his obsession with finding out who Jigsaw is. Anyway…

Case File: Jill Tuck

A memo written by David Tapp about Jill Tuck and her involvement with the case after reading Cecil’s journal (which detailed the events that lead to her losing Gideon).

“Finding the woman mentioned in Cecil Adams’ journal was fairly easy. What he did to her, to her unborn child…what a monster. There were only six reported assaults on females that night, and only one at a Free Clinic.

Suspect’s name is Dr. Jill Tuck. No spouse listed. Cursory search shows heavy community involvement, not surprising since she works at a Free Clinic. Revenge for the death of her unborn son is a possibility, but I don’t see her stalking Cecil for any length of time. Maybe look to a boyfriend or family member.

The ‘pig mask’ element mentioned by Cecil is also interesting. Celebrations for the Year of the Pig are going on in the International District. Pig mask used for camouflage, maybe? Or is there something more significant behind it?”

Case File: Gordon Surveillance

A memo written by David Tapp about sending Kerry to tail Lawrence.

“I put Detective Kerry on Gordon duty. Her reports have been pretty standard up to now - man works long hours, goes home to have a late dinner with his family, sleeps, and repeats. But there was an anomaly last night. He spent 30 minutes in his car with Carla Song. Nothing sexual, but definitely outside a healthy teacher-student relationship.

If Gordon is manipulating Carla Song, his alibi is no longer reliable. Gordon is back on the table as our chief suspect.”

Audio Tape: Jennings

Voice of David Tapp, about trying to get information on the case after he was officially taken off (due to his negligence causing Sing’s death in Saw (2004)).

“I got Jennings in a corner, tried to get some details on the case. Gotta give the guy credit, he stalled until Kerry turned me around and told me to back off. She basically cut my balls off, screaming at me about how I just need to let it go and that she’s the lead Detective now.

She’s young, she doesn’t understand. She can’t. I will never stop for what that bastard did to Sing.”

Case File: Hiring Adam

A memo written by David Tapp about hiring Adam to take pictures of Lawrence.

“I followed Dr. Gordon from his office last night, but he spotted me before he got where he was going. He knows my car, my face…I’m going to need outside help on this one. Bernie at the station mentioned a guy he used to catch his wife cheating on him…Adam something. I’ll give him a call.”

And honestly that’s all folks! This game is worse in quality than the first, but I really do recommend watching a no-commentary longplay of it just to have the experience. It’s pretty funny at the very least.

Just like before, if you have any questions or anything funny to share in reference to this game, PLEASE don't hesitate to send me an ask! I'm basically a font of knowledge about these two spinoff games. :)

Be kind to yourselves and remember to cherish your life (YOUR LIFE)!! Oh and happy pride!! Bye!!

[canisalbus]

you say machete has to be closeted then why's he always wearing them little heels

Maybe he thinks he's a tiny bit nicer looking in them.

[sonknuxadow]

theres multiple reasons i dont like s/urgeamy but one of the things ive seen people do with it that annoys me a bit is the idea that surge and kit are going to become good because surge is gonna fall in love with amy and thats gonna be her only motivation to change.. and im sorry but am i the only one who thinks it would suck so bad for such fun antagonists to instantly switch sides just because one of them was "fixed" by romance and no other reason

[miraclemioart]

mashing together my two teenage years interests for dopamine

[angeltannis]

Thinking about how in BL1 Tannis says that “she pretty much built Pandora’s ECHOnet system” herself. And therefore, in that game’s lore at least, it’s Tannis’ tech that allowed Angel to reach out and connect with others (for better or worse) . and also in the process kinda doomed her (though Jack certainly would’ve found some other way to turn Angel into a living weapon) . Hh

[commsroom]

Hi, you’ve probably already addressed this at some point and I’ve simply missed it, but what’s your thoughts on Hera’s ending? (Particularly, how Pryce just removes the ‘I can’t do this, I’m not good enough’ line, and she stops glitching?) Personally it always felt rather… bad, honestly, given the whole “they could’ve made me better, they made me me” thing, if that makes sense?

hi! first: that absolutely makes sense, and i'm also very sensitive to anything that seems to "fix" disability or trauma, so i understand where you're coming from. that was not personally my takeaway about hera in the finale; i'll try to explain why:

pryce didn't remove that loop from hera's head. i don't think she could have - even if it's technically possible for her to do (and she is capable of a lot more than maxwell), she just had her mind wiped and wouldn't have access to that information, and even if she did retain it on an instinctual level, that would require allowing pryce access to the most vulnerable parts of hera's mind. and she would never allow that. there's a reason pryce is still a prisoner.

hera speaks to pryce not for reconciliation, but for reclamation. she's lived her whole life in fear of what pryce (and people like pryce) can do to her, with every aspect of who she is and what she does controlled and dictated by anyone with power over her. the finale opens with pryce telling her life's story from her perspective - at once self-mythologizing and self-victimizing - and, the final time we ever hear from or about pryce, hera is about to tell her own story. we never find out what was actually said, or how pryce reacted, because it doesn't matter. hera gets to take control of her own narrative. hera gets to confront her abuser, and feel in control and safe from harm.

it's worth keeping in mind that hera doesn't glitch consistently. that's one of the things i think also makes it a useful comparison to chronic illness. when, why, and how much hera glitches was an intentionally crafted part of the sound design. it happens more often, and more intensely, when she's stressed out, overwhelmed, or upset.

and, with that in mind... the ending leaves the characters on a generally positive note, because it's the end of the show and that's the feeling it wants to leave you with: that everything will be more or less okay, in the end. but it isn't the end of their lives. once they get back to earth, a lot of things are going to be very difficult for hera. even in the final scene, she says she's not ready to go back, but "when has that ever stopped us before?" when she's able to honestly say she's good, i don't think that means she's good forever. just, in that moment, that's a crucial step in her healing process, and i hope in the future she'll have a lot more moments that feel like that one.

[martianbugsbunny]

Here u can have this screenshot of a...idk a thing I found in my notes app this morning

I'm pretty sure when I wrote this I was considering a post-Endgame fic and I was thinking about the "historians will call them best friends" trope and I was like yes...but when they're actually best friends is that ever important? or is the importance of a best friend to history only when the label can be used to ignore a sexual/romantic queer relationship

So I was doing this thing where Bucky thought about how in a couple of years his legacy would probably be erased from Steve's because he was just his best friend, no big deal right? nobody wants to read about that anymore, they want to read about the epic love story with a female British agent and anyway this is literally all I have I'm so annoyed at myself for not following through more because it looks like it would've been amazing and very sad