#(but something i haven't really seen discussed is the fact that even if they don't know all the biographical details that connect them...

[chainofclovers]

(ted and rebecca)

Something that confuses me a little is the idea that because Ted and Rebecca don't get together before he goes back to Kansas, their connection doesn't amount to anything or have an explainable meaning

(I don't need a bunch of notes explaining it to me, it's just not something that makes sense to me 😬)

Because...when you interact with someone you're that connected to, it feels extremely good

It feels good whether or not you're fucking, it feels good whether or not you've been able to articulate what it means yet, it feels good even if the status of your relationship to that person changes over time

And you can tell from Ted and Rebecca's interactions that they feel extremely good when they are in the same place. When you're that connected to someone you can tell that you are! And it feels fucking incredible, and experiencing those sensations is valuable and life-improving

Their ending (their 3x12 ending, which is neither the end of their lives nor the end of their relationship) isn't meaningless; it's sad

(See also: this beautiful art and these tags)

[maxwell-grant]

So is Worm good from what you have read

"Yes" doesn't begin to cover it but yes. Worm is a brain-rewiring mobius strip disguised as a bible disguised as a superhero web serial that either cured your cancer or shot your dog or both depending on who you ask, and it has many extremely dedicated, brilliant scholar priest surgeons publicly dissecting it on this platform on the regular to the point I don't think I have much to add to the conversations surrounding it, even if I do have some The Thoughts about it. I had never even really seriously thought about superhero prose before and Worm isn't a thing I go back and reread frequently but it did a complete and total 180 on the way I think about superheroes and even fiction, and I've never stopped thinking about it since I've read it.

It is a monumentally impressive story with completely absolutely incredible characters that I cannot stop thinking about. No matter where it was going, even past stretches that were less interesting or more of a slog to read or worse, I could not put the story of Taylor Hebert down for one minute. Tattletale fascinated me every step of the way, I had to keep up with her. Rachel Lindt was a character I feel like I'd been waiting my whole life for. What was I gonna do, not see them through? I feel like Worm easily loses you if you don't particularly connect with the characters enough to justify to yourself the amount of time you'll spend with them, but man, I could not unglue my eyeballs from these people enough (I love all the core Undersiders, to be clear, I'd say it's Rachel > Taylor > Tattletale > Aisha and Alec and Brian, there are very small gaps between these, I just don't go berserk for the last three like I do for the first three, I'm taking Bitch and Skitter to the grave I'm dead serious)

Worm irreparably destroys your ability to engage with superhero fiction the same way ever again, as evidenced by the fact that it destroyed the author's own ability to engage with his own superhero fiction ever again. And everybody who read it has one or several gripes with it with some major dealbreakers in the mix. Tumblr's kinda the only place online where you can really talk about them at length without the spectre of John Wildbow hanging over the discussion, which enables discussion to the point where yes, maybe it does look like to outsiders that nobody can agree on whether Worm is good or what is it even about or whether it even has worms in it (it has at least one, although it's a very big one).

And it is good, it has the Undersiders in it and the Undersiders are one of the greatest groups of characters ever put together, but everyone has at least one major point of contention with Worm whether it's the timeskip or the length or the racism or the gross fatphobia or aspects surrounding the Dallon-Pelham Torment Nexus and etc. I'd say it has maybe the most racist vision of Latin America I've ever seen in a superhero text a hair short of pro-colonial tracts in Golden Age comics and that is a tall fucking order by any metric (part of why I started WEON4 as a project was motivated by spite, to try and make my own stories about non-American superheroes even if just as practice). It is Complicated, and that winds up making it so fascinating to talk about.

Worm has self-sustaining ecological systems of posts up here, far away from the Spacebattles and Reddit battlegrounds where it has different ones and that's not getting into Weaverdice or the sequel or Wildbow's larger body of work, which I haven't gotten to and probably will not any time soon because Worm was enough of a commitment as is. Do I recommend Worm to everyone? It is certainly not to everyone's tastes and I personally find it difficult to describe it simply enough to make it sound appealing or not like a pyramid scheme. But yes I do think it's good, in fact great, in fact, amazing, except when it isn't, and except it Plainly Sucks, but then something like Taylor vs Mannequin or Kevin Norton's interlude or "You needed worthy opponents" happens and it fucks harder than anything has ever fucked before and you don't walk away from it the same, so yes I guess "good" will have to do now.

It's certainly a lot but I definitely found it worth my time to read and then read the texts written about it here. You'll have to take my endorsement of Worm as proof of it's quality and proof of how deranged it makes it's readerbase, they're not mutually exclusive. If you can make it, Worm and the wormosphere has layers and layers to wade through and talk about and enjoy, despite how we're all so very small in the end *gunshot*.

[bluemooniegif]

Soukoku's first meeting could not have been written more perfectly. Allow me to explain

A quick note on the manga panels: these are fan translations from BSD Bibliophile. At one stage they refer to Dazai as 'the youngest boss in Mafia history,' and the executive meeting as 'a meeting of five bosses.' This is just a stylistic choice! All of the panels shown here are from chapters 8 (volume 2), 10 & 11 (volume 3)

I love this scene more than life itself, because it is literally the PERFECT introduction to Chuuya, his character, and his relationship with Dazai. Let's talk about it!

First: some context. Dazai seems to be in a bit of a predicament- he's walked right into a trap set by the Port Mafia, an organisation that we don't know much about at this stage in the story. What we do know, and what we can observe, is this:

Dazai is a former executive, and appears to have walked into the trap on purpose

He is now being held in a room that Akutagawa describes very negatively- the fact of being here is dangerous

Dazai reveals that Akutagawa was once his subordinate, and that he thought very lowly of him at the time. He claims to still think of him this way. Akutagawa has a violent reaction to this.

This is a PERFECT example of 'showing, not telling' within a story. Rather than making a bunch of asides, describing what Dazai and Akutagawa are feeling and why, Asagiri & Harukawa have plopped us into the middle of a rather awkward reunion. I feel like I've walked into my friend's Christmas dinner and am now witnessing family politics unfold real time. It's like watching a car crash.

Now, we move between settings a bit, jumping around to watch Yosano DESTROY Kajii, Atsushi rescue Kyouka, and subsequently be injured and kidnapped by Akutagawa. We watch the Agency fall into disarray when Fukuzawa demands that everyone go looking for Atsushi- interesting, considering that Dazai is IN THE BASEMENT OF THE PORT MAFIA RIGHT NOW.

I've had lots of discussions and arguments about the meaning and significance of this. I won't delve too deep into it for now, but the way I see it is this: something the ADA is really REALLY good at is splitting up Mystery-Inc. style and working to solve cases etc., together, but apart. Dazai is also something of a stray dog (... cat), regularly wandering off and reappearing of his own accord. He's been with the ADA for several years at this point, and they would understand the way he operates well. Even if there's no indication whether he explicitly told anyone what he's doing or where he's going (which honestly, does that matter, when Ranpo would know immediately anyway?), we can safely assume that this is more or less a regular thing for them.

Anyway, back to the point. the Agency is not fazed by Dazai's disappearance... and neither, for some reason, is Dazai. He stands chained to the wall in the PM's basement- the same one, we discover later, where he's brutally tortured countless victims and traitors, and he's humming a little tune to himself, smiling, totally relaxed. We as the audience know he's pretty unflappable, and Akutagawa's expression when he sees him confirms this, too.

But. BUT. This doesn't last.

With the ADA descending into chaos, we switch perspectives back to Dazai again. He's bored at this stage, and thinking to himself that they must be searching for Atsushi soon (an indication that he was riling Akutagawa up earlier, btw) when he hears it: A voice that makes his resolve crack. A look of panic on his face that, at this stage, we haven't seen yet.

He turns, and we see Chuuya for the first time! He's got this strange smug look on his face, something deeply vindictive. Here's a current mafia executive, and he's so happy to see Dazai chained to the wall of their Torture Basement that you can't help but wonder... is there something that Dazai did to him, personally, that makes him feel this way? Or is this guy just so deeply involved with the PM that the fact Dazai left is like a personal slight against him?

Now, we don't really have long enough to truly panic over this predicament, because almost immediately these two fall into their old habits. Dazai isn't PLEASED, but he isn't afraid. He goes right into bantering with Chuuya, who surprisingly meets him right in the middle. Their regular dynamic shines right through: it's quick-witted quips, inside jokes, and knowing looks. It's this odd relaxation in their posture. In all of this, we have an acknowledgement of what they were, and evidence to suggest that they still are... whatever that thing is. Whatever you wanna call it: partners, boyfriends, best friends, buddies. That much is up to interpretation; the only undeniable fact is that they once knew each other better than themselves, and still do.

Then, the fight. This, to me, comes across as more of a way to display how powerful they both are individually: Chuuya punches concrete so hard it shatters in several places, Dazai snaps his fingers and breaks out of handcuffs.

We have front-row seats to what is in my opinion one of the best action sequences in early BSD, not just for what physically transpires, but what it tells us: they deeply understand each other on multiple levels. They're constantly predicting each other's moves, and they know where each other's weak spots are.

But there's also been a lot of growth. Dazai surprises Chuuya a few times, and vice-versa. Despite their apparent closeness, it's still clear that they haven't been together like this for a long, long time.

Then, they reach checkmate. It appears as though Chuuya has won, and we're fed some more Dazai lore- he was the youngest executive the PM ever saw.

This is how Chuuya remembers Dazai. Again, I want to remind you that this is the first time so far we're seeing PM-zai, and he is worlds away from the Dazai we've grown to know so far.

Though Chuuya seems to have driven Dazai into a corner, the roles are quickly reversed when Dazai claims to know something about a meeting between all five of the Mafia's executives. Chuuya quickly realises this is one of his 'predictions,' further proving the depth of their mutual understanding.

With hindsight, we know just how big a deal a meeting of this scale is, and knowing a certain stormbro (who I won't reveal just in case of spoilers) will be there makes me lose my mind, personally. It clearly affects Chuuya, as well, which was undoubtedly Dazai's goal.

With the power balance disrupted again, they quickly fall back into that same bantering dynamic. The volatile nature of their relationship is so perfectly portrayed within this short scene that it actually makes me sick, I genuinely don't think it could have been more perfect

Anyway. Chuuya has realised, at this stage, that Dazai had multiple goals when he allowed himself to be kidnapped, and one of those was to piss Chuuya off (which is something I think he could've managed even if Chuuya wasn't physically there). This, in turn, pisses Chuuya off, especially when he realises the predicament Dazai has left him in- let him escape, or the Mafia suffers. A test of loyalty, Chuuya's greatest weakness. Do you understand why I am tearing my hair out and howling at the moon??? This is fucking insanity.

And then, the final moment! The part we all know and love! Not only does Chuuya choose to err on the side of caution, allowing Dazai to escape- he also leaves with the repetition of another inside joke. And Dazai laughs- he looks genuinely happy, too.

That is all. I'm gonna go cry now ಥ_ಥ

read this original thread on twitter

[happy74827]

Burning Bridges

[Dexter Morgan x Female!Reader]

Synopsis: Upon an incident that was out of your control, Dexter comes to the realization that it wasn't just a coincidence.

WC: 1951

Category: Slight Angst, Hurt/Comfort

I forgot how much I missed this show (him), so I decided to write another. It's been so long since I last wrote for him that I actually see the difference in my writing. It's wack.

『••✎••』

Dexter was many things… a brother, a son, a pro bowler, a serial killer… but what he lacked was being a good friend.

He didn't understand friendship or its value. It was something that he simply couldn't grasp. Sure, he was able to fake it well enough in order to make sure that people liked him and didn't find him too creepy or strange, but there was never any real emotional connection. In his mind, everyone was either someone he needed or someone he didn't need, and he would treat them accordingly. The only exceptions to this rule were his sister, Debra, and you.

The two of you had met back in college, having been assigned to be each other's partners for a group project. It was a poetry class and a course that Dexter hadn't really wanted to take, but a general education requirement and the promise of an easy A convinced him to at least show-up and suffer through it. Well, for a guy who had to fake every single aspect of his personality in order to fit in with society, it turned out that poetry didn’t come quite as easily as he thought it would.

He had always found the art form to be rather silly, with all the emphasis on metaphors and flowery language. There was no purpose or goal other than to be creative and artsy, and it bored him to no end. The first time you had sat down with him to discuss the project, you could tell how much he didn't want to be there, and the look of complete disinterest on his face as he tried to figure out what your poem meant was the most hilarious thing that you had seen in a while. You couldn't help but laugh, the sound of which made him sit up and give you a quizzical look.

"What?" He asked, tilting his head slightly, confused.

"Nothing," you replied, still giggling. "It's just that I can tell that you don't like poetry."

"Why would you think that?"

"Because you haven't said a word; you're just sitting there, staring off into space and twirling your pencil between your fingers," you told him, and he glanced down at the utensil as if he didn't realize that he was doing that.

"Oh. Sorry, I guess," he apologized, his tone making it clear that he was actually a little annoyed at having been called out on his inattentiveness.

"That's okay. I like poetry, so I'll be happy to do most of the work," you offered, smiling sweetly, and his eyebrows raised.

And that you did. In fact, you loved it so much that you majored in English and planned on getting your Masters, while Dexter got his degree in criminology. It was a nice trade-off because while he struggled in poetry, getting down into the debts of his feelings that were nonexistent, you struggled with chemistry, unable to wrap your head around the subject no matter how hard you tried.

So, the two of you had a mutually beneficial agreement. You did all the work for the poetry class, and in exchange, he tutored you in chemistry and made sure that you got a decent grade. Once the class was over and done with, the two of you stayed friends, though you had very little in common. Dexter had no interest in books, and you had no interest in criminology. He was a loner, and you had plenty of friends. You were a romantic, and he was completely unromantic. He didn't even have a girlfriend, and you had been in three different relationships over the course of the two years that you had known him.

Still, the two of you got along well enough. You were one of the only people that Dexter could actually stand for more than five minutes, and he was the same to you. So you went out to the bar sometimes, hung out with his sister, and did your best to keep him company while also doing your best to try to set him up on dates, hoping that one of these days, he'd actually find someone. It eventually did work out when you found him Rita, but as of right now, she had broken up with him, and he was back to being a lonely bachelor which it didn't bother him much until now.

You were in the hospital, your head wrapped and bandaged like a mummy. You were apparently attacked outside the grocery store, and if it wasn’t for the small instructions he had given you for self-defense, you most likely wouldn’t have survived.

At first, Dexter didn’t think of it as anything important in terms of his line of work. He believed it to be a coincidence, a random crime in the night. But it turned into something more the night he decided to visit with some cake.

“How’s the head?” He asked as he came inside, seeing you propped up reading. Of course, you were reading.

You shrugged. “Like I’m wearing a sweater hat, but it doesn't hurt, so there's that." You paused, setting down your book and glancing at him. "I’m still salty about my groceries. Almost two hundred dollars I spent on that stuff. Gone. Wasted. Poof."

Dexter had to chuckle a bit. "Hey, I can't do much about the food, but I brought you something," he said, revealing the white box.

"Is it chocolate? If it is, I love you," you joked.

"No, it's just vanilla. But, here."

He opened the lid and showed you, and you immediately lit up.

"Awww, Dexter! You are the best friend ever," you gushed, giving him a warm smile.

He smiled back. "It's the least I could do."

He was cutting it up for you when he noticed movement out of the corner of his eye. You didn’t seem to notice, but out in the hall, a shadow passed by the window. His body went on alert, eyes flickering towards the door. He couldn’t see much, but he could make out an elderly man with gray hair and a beard.

Dexter's face remained unchanged, though his body language betrayed him as he sat the cake knife down. He knew that look. That look in a man's eyes when he was looking at prey. This was a predator.

"Hey, uh, what was that description again? Of the man who attacked you," Dexter asked, his tone a bit distracted.

"You mean Santa Claus on drugs? That pretty much sums it up. Why?" You looked up, confused.

"I don't know. It's probably nothing."

But it was something. The man had apparently come back to finish the job, and Dexter's jaw clenched at the thought. He was already planning his death in his mind. It wouldn’t be pretty. He gave you a piece of cake, swearing that he’d be back soon before going after the man. He stopped at the lobby momentarily, informing Angel to keep an eye on you, which, of course, the cop complied with.

Angel was a good cop. He was loyal, smart, and a damn good shot. But there was one thing that made him a great cop. He cared about his city and the people in it. He would protect the innocent no matter the cost, especially when it came down to those he was closest to. He was the kind of guy who would risk his life without a second thought if it meant saving others.

This is why Dexter liked Angel and why he was the only one that he trusted with this job.

Finding the man was extremely easy on his part. Dexter already knew what the guy’s plan was, so he stuck around outside the parking lot, watching the shadows. After a few minutes, the man appeared, heading towards the entrance once again.

He never got that far.

A hand was clamped over his mouth while the other dragged him away from the double doors and towards the side of the building. Dexter didn’t pull out his knife, though, only resorting to his arms as he applied pressure against his throat. The man fought, trying to break free, but he didn't get the chance. Dexter didn’t kill him, no, not yet, but his arm was still strong, and he had no plans to let go.

“Listen closely. If you so much as look the wrong way, I will rip your heart out and shove it down your throat. Understand? Nod if you do," he threatened, his voice calm and even. The man nodded, terrified, his eyes wide.

"Good," Dexter replied, “Why are you here?"

The man was quiet, but he was breathing heavily, and his eyes were watering.

"Talk. That girl, why are you after her?"

"I’m not—”

"You attacked her, and now you came back to finish the job, did you not? Who sent you?"

The man was sweating; his face was flushed and red. Dexter was pressing too hard, and his victim was starting to lose air. He didn’t care.

"Who?" He repeated.

The man choked, unable to speak.

"Last chance. Who sent you? And don't lie to me."

The man didn’t answer, and Dexter tightened his hold. That finally did it. The man began to squirm violently, trying to break free, but it was too late. His face started to turn purple, and Dexter had to adjust his grip and pull him closer.

“It wasn’t personal! I had to! I didn't have a choice! It was just a job!" He gasped out, struggling for air. “I got paid to do it. I was just doing what I was told! Please, please, don't kill me."

"Who was it?"

"I—I don’t know. It was some lady. I met her at a bar. She didn’t give her name, but he wasn’t American. She gave me ten thousand dollars and told me that the job was to attack this chick in the parking lot and make it look like an attempted robbery. Said it had to be done in a couple of days. Listen, man, I didn't want to do it. But the money—"

"What did she look like?" Dexter cut in.

"Dark hair. Young. I don't know! I don't know, I swear. She wore sunglasses the whole time. Please, don’t kill me. Please."

Suddenly, it hit him like a ton of bricks. The Dark Passenger was roaring, the realization washing over him like cold water.

Lila.

Everything made sense now. The way she had suddenly showed up out of nowhere, the incident outside the bowling alley, her sudden interest in you. It all made sense. She was behind it. She had done it.

Dexter wanted to snap the man's neck. He wanted to rip his throat out. He wanted to take his knife and stab him over and over again, to punish him for what he had done to you, but he refrained. He had the answers he needed, and the cameras around were still running.

He dropped him and watched him collapse, gasping for air. He didn't move, too scared and in shock to do so. Dexter didn’t say a word; his anger was silent, but it was boiling beneath his skin.

He was going to kill her. He was going to hunt her down and end her, and there was no place on Earth where she could hide.

“You ever, and I mean ever, come near her again; I will tear out your spine and make you choke on it. Understand?"

"Yeah. Yeah, I understand."

Dexter didn’t say anything else; he simply walked off, his hands stuffed into his pockets. He had a lot to think about.

[wellofdean]

Not to discourse, but...I do not understand at all why people think Jensen Ross Ackles is gonna answer questions about things that haven't happened yet in an ongoing story in any kind of way that tells you anything concrete about what is going to happen, or what his character is going to feel or do, when his character has not had a chance to feel or do them yet? Do people really want him to start spinning fucking yarns up there?

Also, I cannot understand why anyone wants him to?! Like, thank you Jensen for NOT TELLING US. I don't want to go into it having been told what to feel and think about it! I want to see it, be surprised and experience emotions that aren't just the smug satisfaction of watching what I already know will happen play out. Like, when Supernatural returns, y'all know they are not going to just immediately throw the whole cow to us piranhas, right?

And while I'm here, on my horse, I would also like to say that I can't help but feel that this whole discussion that I have seen elsewhere in my feed here, is predicated on the idea that Jensen has not known ALL ALONG what character he was acting or what Dean feels and thinks, and that he is not good at his job. Does it ever occur to people that he DOES KNOW, because he is, in fact, fucking great at his job?

One of the best things about that guy is the way he does not say anything coercive EVER about this story or his character. He is letting his work as an actor speak for him, AS HE SHOULD. Do you feel like there is a deep sadness in Dean? A loneliness and an unspoken inner life? A desire for something more? Do you feel like he has made it clear in a million tiny ways that Dean cannot carry on without Cas, but that he fucking tried because Cas died to save him, and he had to make it mean something? Did you not see how he hugged that fucking dog that one time?? Do you not watch Dean, and see these things? These things are the actual content of the actual narrative. The narrative is the place where Dean's feelings and thoughts and actions are stored. Jensen speculating about it on a con stage is not a thing I even sort of want!

If you are disappointed that Jensen did not say: oh yeah, they will RESOLVE IT (nudge nudge wink wink har har har) my question is: why don't you trust your own eyes? Why do you think he is not in control of what he is putting across as an actor? Why do you need him to tell you, in kindergarten terms, what happened? Why don't you want to just watch it and be surprised by joy? The truth is, he has been very consistent in his responses to these kinds of questions, AND he made a whole season of television (TW) with his production company that is consistent with everything he has said. What can he possibly do to satisfy you?

I can only say that personally? I AM SATISFIED. Dean is Dean, and I love him. Jensen made him, and I love that guy's work. Please make more of him, because I cannot wait to love Dean some more. I am here because it's fun, and I am having a good time. Y'all should try it!

[pillarsalt]

hi um

I was? transmasc but recently I’ve been seeing a lot of really misogynistic sexist transphobic stuff from trans community and it’s just been totally accepted, even by other transmascs. It’s been going on for a while but recently there was a murder of a nonbinary afab person and yet the whole trans community here has been silent, instead screaming about a transfem user being banned or something? This isn’t the first time an afab trans persons suffering has been dismissed, but now right after this awful death, i see transfems making posts about how transmascs talking about their oppression are terfs.

I didn’t want to think about it but all i could think about was that it was weird how despite everyone claiming trans men have all this privilege, trans women always come first…they get the most representation, they get the fame the admiration and the opportunities, their voices are always the loudest and their problems always always come first no matter what.

But despite popular belief trans men’s issues aren’t actually less significant, in some cases we suffer far more than trans women especially in regard to sexual violence. Yet we are silenced. We are frequently left poor, we are discriminated against for our sex we are discriminated against for being trans we are discriminated against for being perceived as lesbians. Yet we are made to be silent?

Why are our voices less important than trans women’s?

And all I could think about was that this is how females are treated in every other area.

I don’t know what else to say… I tried so hard not to reach that conclusion because I don’t want to be transmysogynist but I kept coming back to it and I couldn’t find an argument against it. This is how females are treated. This is what male privilege look like. And if trans women have male privilege, then why the fuck am I sitting here letting them talk over me?

I just feel really really angry. Your a blog who I liked your art but I blocked you when I discovered you were a radfem, but I sort of had you in the back of my mind for some reason and now I feel lost and confused, and I don’t think I want to be part of the trans community anymore.

Hey anon, firstly I really appreciate your willingness to have an open discussion with me. This must be weighing on you pretty heavily.

Secondly, holy shit, you're right. While the entire website is treating this user's ban as a national travesty, I haven't seen a single person talking about Nex's murder despite how much they claim to care about trans people. That's really fucking low, and this situation does very much encapsulate the state of misogyny within the trans community.

And you're right, this IS how females are treated in every other area. Throughout history, the suffering and injustice women face is minimized, laughed at, ignored, and when we want to talk about it, we're shut down and told we're making people uncomfortable and our pain isn't that bad. And here we are again, with a female person's death outweighed by a male person's inconvenience.

The denial of sex-based oppression that permeates trans spaces is a blatant lie that can only be held together if nobody is allowed to acknowledge it, and those who do are punished. If the trans community truly stood behind what they say, discussion would be encouraged! The foundation of their movement would be backed up with facts and replicable science! But instead, they'll call you a bigot for pointing out systems of oppression you can see with your own eyes. Because if you do, transwomen's position as Most Oppressed, and therefore the final authority on what's right and wrong, collapses. You are correct when you say that it seems like transwomen always come first; I don't remember who said it first, but just look at magazine covers featuring trans people -- the transwomen are fully clothed CEOs, athletes, movie stars, but transmen mostly get on magazine covers for... being pregnant and half naked. Misogyny is built into every society on earth, and individuals simply calling themselves something else doesn't change that. And when you give male people free reign to be as misogynistic as they want without consequence, they'll grab that opportunity and hold on like their lives depend on it. The way they weaponize transmen's sex against them is indistinguishable from what 'cis' men do to 'cis' women, but if you ever speak out about it, somehow YOU'RE the one hurting THEM. They do not want transmascs to find solidarity with other female people, because then they would have to face the reality of their own place in a patriarchal world, and face the fact that there are experiences exclusive to female people and that we have the right to speak about it. I mean you see shit like this and the motives become completely transparent:

I do find it funny how hard the trans community and their allies work to prevent anyone from hearing what radfems have to say in case they "corrupt" you with mere words. A lot of the time, it's simply listening to transwomen themselves that sparks the feeling of "something's not right here" in your brain. That's what happened with me too. I'll tell you that most of us also used to be proponents of trans activism, many formerly identifying as trans too. You are seeing through manipulation, and I know it's quite shocking to realize. Even when I first started having doubts about trans rhetoric, I thought "well everyone else agrees about this, so I need to shut up and be nice about it even if I don't agree." It's an unpleasant place to be in. The cognitive dissonance is exhausting though, and it becomes impossible to ignore.

The mistreatment of transmasc people in the trans community by transfems is brutal, and It's hard to watch from the outside because I just want to say "Hey, you know you don't have to take this shit, right?" And you really don't. You are not at all a bad person for recognizing the frankly absurd amount of misogyny in the trans community. Feeling lost and confused is shitty, but it's normal for this situation. The best thing you can do is keep observing, keep reading, form your own opinions, and never let anyone tell you to shut up. Above all, prioritize yourself and your mental wellbeing. If you need to remove yourself from gender-related spaces and discussion for a while, that's totally alright. Just know you're not evil or a bigot for not blindly agreeing with everything the trans community has told you. Your opinions and experiences are worthwhile too.

[peaxhygirl]

𝙰𝚁𝙼𝙰𝙽𝙳𝙾 𝙰𝚁𝙴𝚃𝙰𝚂 𝚇 𝙵𝙴𝙼𝙰𝙻𝙴 𝚁𝙴𝙰𝙳𝙴𝚁 - 𝚆𝙷𝙰𝚃 𝙰𝙱𝙾𝚄𝚃 𝙼𝙴?

: ̗̀➛𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝙱𝙻𝙰𝙲𝙺 𝚏𝚎𝚖𝚊𝚕𝚎 𝙾𝙲

: ̗̀➛𝚂𝚞𝚖𝚖𝚊𝚛𝚢: Armando offers himself as a sacrifice in a heroic effort, but what about the one that loves him?

: ̗̀➛𝙰𝙽: I'm not sure if I'll make Keller a series but I do have a fc in mind so hm.

'I'll go." Keller watched as Armando stepped towards his father. She couldn't see his face, but even from behind she could tell he was on the verge of choking up. "Let my life be worth something." Her eyebrows furrowed, watching the interaction. It came to no surprise when Mike immediately declined Armando's sacrifice.

Despite the idea of her boyfriend willingly being offered up to a murderous psychopath being shot down with haste, her heart still felt like it was in her throat. Beating so hard that it pounded in her ears, overtaking all her senses as her vision began to blur with tears.

"Hey, you okay?" The woman was snapped out of her trance, being met with the sight of her boyfriend who did in fact have tears in his eyes. She glanced around to see everyone had left them to have a private discussion, when had that happened? She didn't know because she could only truly process him being so willing to sacrifice himself.

"You were going to just leave me like that?" Her voice was so low, eye casted so far down that Armando barely heard her. "What?" His voice tender as he stepped closer, placing his hands on her shoulders. "It's okay, I'm not going anywhere. I'm right here." He attempted to bring the shorter woman into a hug only for her to push him away. Tears pooled in her eyes, she now stared up at him, hurt etched across her face. "But you were just about to sacrifice yourself, Armando!"

"You-- you. I haven't seen you in months. Months I spent writing you letters, sending pictures, not even really being able to see you because you were so heavily locked away. Then you get out and you almost get killed, you fought so hard to make it here only to just what? Serve yourself up on a fucking platter?" Keller, who was always an expressive woman had never truly acted like this. She was normally vocal about the things she didn't like unafraid to be stern, would gladly stand in her convictions and say fuck off to those angry black woman stereotypes that got casted on her simply for expressing the same emotions everyone else had.

This was a more deep-rooted hurt. It killed just a small piece of her to hear the man she loved so much be that willing to leave her behind. Granted, it was noble of him. It was probably the most noble thing she'd ever seen a person do, but she couldn't fight off the hurt. "Kell, I was just trying to do the right thing. I play a huge role about why we're in this mess. " He hadn't even thought out his request when he made it. The last thing he wanted to do was leave her, but he could tell by the dismay in her eyes told him that even after this, there'd be some things left to figure out.

When she began to freely cry, he pulled her into his chest, an action that she accepted. Her facing pressing into his God-awful Bud Light shirt that he somehow made look good. "I just don't want you to go." She cried. One hand wrapped around her protectively while the other cradled the back of her head, rubbing it gently. "I'm sorry." He whispered. "I'm sorry." His mumbled into the top of her head.

[ftmtftm]

I've been scrolling through your blog, and I saw your post about discussing the racialized nature of gender. As someone who has several transmasc POC friends, and someone who's a nonbinary POC themself, I wanted to give my 2 cents.

It's important to understand that "woman" in the "man vs woman" gender binary is a colonialist, white supremacist construct, especially in Western countries where you are the numerical minority. My trans friends aren't on T, they haven't gotten top surgery, we are all quite young. But they all have numerous stories about being addressed as "sir" which brings them euphoria but as one person said, while we were making fun of the amount of white people in our club, "Due to my race and skin color, I get masculinized."

And again I'd like to emphasize, that since we're young, none of us really have medically transitioned due to financial and familial barriers. Their hair is long, our binders we definitely have notable chests, and even if they dress masculine, it's notable that no one in our communities would ever gender us properly. It's often white people calling them "sir." Again, I think this reflects how gender performances in mainstream queer communities are deeply White. Like, trans boys talk about having haircuts, but only one of my friends has that wavier, more manageable hair that will help them pass. When you've got curly/kinky hair, the standards are different. For a white person, what's the difference between a "girl" Afro and a boy "Afro"? White cis people have a harder time identifying us, and literally talk to any black girl, and they'll tell you about being mocked, dehumanized, and called "manly".

I don't have much else to say. These are just my personal experiences. But if you want to be an ally to POC in the queer community, this is why it's so fucking important to bring in colonialism/imperialism/white supremacy into discussions of queer liberation. My biggest gripe with ignorant white queers is when they ignore their white privilege, and act like "cishets" (AKA the patriarchal system regulating sexuality and gender) is the only enemy. Because cishet POC deal with plenty of shit with being infantilized, masculinized, feminized, seen as brutish & dangerous, the list goes on. Doberbutts had a post saying, "Believe me, your family's going to care more about me being black than my queerness." towards his white partners. Acknowledging and creating a framework that centers these intersections of queerness and race into your beliefs is true allyship. This is why if you're not anti-imperialist, anti-capitalist, ACAB...I do not think you care for queer liberation. None of us are free until all of us are free.

Please don't view this post as an attack. But this is my perspective, and I thought you'd be receptive to me sharing my lived experiences.

Oh I absolutely don't view this ask as an attack, and I really appreciate you bringing these things up because you're right! Like, just very plainly: You are right and your and your friends lived experiences are extremely important to the conversation on the racialized aspects of gender.

It gets me thinking about where Misogynoir and the social White Fear of Black manhood intersect for Black trans men in particular. Because Black women and Women of Color in general are masculinized by White gender standards and the ways in which Black trans masculine people are gendered in alignment with their identity is absolutely not always done with gender affirming intent. In fact, it's often actually done with racist intent or is fueled by racist bias when it's coming from White people or even from non-Black POC.

That's kind of restating things you've said but differently, it's just such a topic worth highlighting explicitly since it's extremely relevant to the conversation that's been happening about Male Privilege here the last few days.

I do think I know exactly what @doberbutts post you're talking about and yeah. It's just truth. It's something Black queer people have been talking about for ages in both theory and in pop culture (my mind immediately goes to Kevin Abstract and "American Boyfriend") where Black queer/trans identity is both materially different from (neutral) and is treated differently from (negative) White queer/trans identity in multitudes of ways and those differences are worth sharing and exploring and talking about.

Genuinely, thank you for sharing! I try really hard not to lead these kinds of conversations outside of explicitly referencing back to non-White theorists because I don't particularly feel like it's my place to do so, but I will always provide a platform for them because they're extremely important conversations to be had.

[jangofettjamz]

Unlovable Child

Jenna Ortega x Autistic!Male!Reader

Warnings: Child abuse

2nd Person POV

"I'm going out of town for a week to see my parents" you tell Jenna. The two of you were snuggled up together on the couch, binge watching The Mandalorian on Disney+.

"Oh, do you want some company?" Jenna offered to which you shook your head no. Your parents wasn't exactly the gold standard when it comes to parenting, in fact they'd probably win an award as being one of the worst.

You've never discussed your parents with Jenna because of this, not wanting her to be involved with them due to their toxic nature. You feared that exposing them to her would only cause more trouble than its worth.

"You sure you don't want me to come with? I can--"

"No no you really don't have to" you said, cutting her off a little too quickly to go unnoticed. She gave you a look of suspicion, knowing there was likely some underlying tension between your parents and you.

You tried to put her at ease "I-I mean... they haven't seen me for a while... I wouldn't want to overwhelm them by introducing you to them... y'know given your fame and all. No offence"

Your stuttering and lack of a believable reason wasn't enough to ease Jenna's growing concern for you, but she smiled anyway, which in turn made you smile. You knew she wasn't convinced.

She pulled you in closer, making sure you were nestled into her chest. She had a feeling deep down that you were keeping something from; something terrible. Anxiousness flooded her nervous system, making her rethink about letting you go.

Her heartbeat quickened because of this, something you caught by having your head on her chest. "Jenna? Are you okay?" You asked.

She looked at you and smiled to put you at ease "Everything's fine, sweet boy. Everything's okay." She reassured, kissing your forehead to ease your worries.

But it wasn't her you were worried about, it was meeting your parents for the first time in years. The last time you spoke to your parents was 2 years prior, just before you moved out for your new job, just before you met Jenna for the first time. It didn't exactly end on the greatest of terms.

You parents were vile; abelists who took pleasure in calling you the most horrid of insults for their own sick pleasure. It made them feel better about themselves, like they were superior. They were never proud of you, even though your academics should make them so. They could never be proud of someone like you, someone who was autistic.

Of course, with many dysfunctional households come with their fair share of physical abuse, which in your case was fairly common place. The slightest of mistakes ended in severe punishment, that being knocking a drink over, talking to loudly .etc.

You were deemed a failure in the eyes of your parents despite everything you've accomplished in school, your well paying job; it meant nothing. You were never good enough for them. You were simply too much of a "spaz" to love. You were nothing to them, only when money was an issue were you of any use.

You held Jenna a little tighter just think about this. Painful memories from your past flashed through your mind, reminding you of the awful people they were.

But you maybe they had changed, maybe they realised the error of their ways, you naively thought to yourself, only setting yourself up for a meeting that would inevitably send you crashing down.

But you had to believe. "They have changed. Of course they changed, they only said and did all that stuff to make me into the man I am today. They love me. Don't they?"

- 1 day later

Jenna was on the phone with her director discussing filming dates. She was currently working multiple films at once and needed to negotiate dates so that it wouldn't impede on her schedule.

You always admired how she could do so many films at once, though, you wished she would take a break sometimes as it can tire her out.

Jenna's phone call was immediately interrupted by the sound of the door opening revealing your figure. "Mark I'm gonna have to call you back" she hangs up the phone, confused as to why you were back 6 days earlier than anticipated.

You were wearing sunglasses, unusual considering the weather outside was quite gloomy. Perhaps you just felt like wearing them, she thought to herself.

"Hi, baby boy." She kisses your cheek, but noticed that it looked awfully red and... swollen? "You're back early. Did everything go okay down there?" Jenna asked to which you nodded with a smile, albeit a dishonest smile.

"Yeah everything went great, just gad to cut the trip short because they were busy and stuff. My parents are busy people after all" you say in a somewhat cheery tone. The swollen part of your face was pulsing, as though the nerve endings in your face had been set alight.

Jenna continued to examine your face, still finding it strange that you haven't taken off your shades yet. "Wait, he wasn't even wearing shades when he left. Why was he wearing them now?" She thought, trying to ascertain the situation.

She noticed your hands were shaking; odd considering you were always calm around her most of the time and it wasn't cold indoors because of the heating. One of your arms was holding your stomach too.

All this information, combined with the fact that your back 6 days ahead of schedule is enough to tell Jenna that something was very very wrong.

"Hey babe can you take off those glasses for me? I wanna see those pretty eyes of yours." She asked sweetly, forceful was not the right approach. You looked at her, trying to strum up a lame excuse not to oblige.

"No!" He exclaims, catching Jenna off guard. You quickly try to come up with a better excuse. "I mean i-it's really bright in here Jenna, my eyes are kinda tired from driving, y'know" you play off terribly, adding a smile to try and convince otherwise.

Jenna isn't buying it, you know this. She's too smart. "Y/N your face is bright red, and swollen" His smile quickly drops. "Your hands are shaking too, and I can see a cut behind your hair. You and I both know it isn't cold in here and that cut is recent too." She exhales sadly, turning her attention too your stomach "You're holding you're stomach babe, like you're in pain. What happened over there?"

You panic, you knew she wasn't an idiot but you can't bare to let her find out about your parents, about your past. It was too embarrassing, she'd surely leave you for not being man enough to fight back. That what your father had conditioned you to believe, that you weren't a real man because of your condition, that you were sub-human.

"I-I d-dont--" "let me see your eyes, my love" bowing your head in defeat, you allowed Jenna to remove your shades, the sight horrified her, sending shivers down to the deepest depths of her soul. She gasped, her hands covering her mouth as you she saw the damage.

A massive purple bruise covered your right eye, the eye itself was completely red. The area around the eye was completely swollen too. The left eye was also bruised, not as bad but still bruised nonetheless.

Anger bubbled within Jenna, the prospect of someone hurting her baby was sickening to her, she knoew this had to be your parent's doing. "They did this to you, didn't they"

"W-what no! They would never do this to me. My family love me, Jenna. They do" you tried convince her, you tried to convince yourself mostly. Tears pricked at your eyes, stinging even more due to the beating you took.

"Honey... why would they do this to you? What happened?" She asked gently with a tinge of sadness in her tone. You couldn't keep up with the lie any longer.

You took a deep breath. You wanted to tell her what happened, tell her about the desperation you felt when your father's belt connected with your back. How your mother held you down as he did it, beating and beating and beating you for being the spaz who disappointed his parents just by looking at him. She held your hands "It's okay. It's just me. Just Jenna"

A single tear fell down your cheek causing Jenna to wipe it away. "They wanted money..." you started, taking a deep breath before continuing "They wanted money that were apparently "owed" for not getting rid of me. I said no, and I'm sure you can imagine how they reacted to that. They beat me, Jenna. They both did. I couldn't stop them, I tried as hard as I could but they kept..." you sniffled, holding back what would have been a giant sob.

"They kept pummelling me with the belt, punching me in the stomach. Mom held me down and I couldn't anything. They said I was unlovable... I'm unlovable, Jenna!" He broke down completely, falling onto his knees. Your emotions that you'd been holding since you left your parents had escaped, the dull pain now fresh again.

Jenna lifted the back of your shirt to find the purple lashes that layed there, where your father had taken out his anger with the belt. She immediately held you, her own eyes tearing up at your broken state. You clung to her like a lifeline.

"Shhhh, its okay baby. You're safe now. You're safe with me again." He whales in anguish and pain, his sobs became louder as each one left his mouth.

"Jen it hurts" you said like a scared child, exactly what you were at your parent's house.

Upon hearing this Jenna decided it was best for you to lay down on your side to avoid laying on your lashed back. "Come on, honey let's lay you on the couch. Lay on your side for me, my sweet." You did as instructed.

She lifted up your top to see the bruises on your stomach, purple and still fresh. She was going to annihilate your parents, but that comes later. "I'm gonna go get an ice pack, then we're taking you to the hospital"

"No! No! Please no doctors!" You pleaded

She knelt down and stroked your hair to out you at ease as best she could "Shh shh shh, don't think about that now okay. Let me go get an ice pack for your stomach. I'll be right back." She left quickly for the ice, returning as quickly as she left.

She lifted up your shirt and let you get ready for the ice. "On three. One. Two. Three." She presses the ice to your abdomen, the cooling sensation soothed the pain little by little bringing you great relief. "Good boy baby, you being so brave for me" she cooed, kissing the top of his head.

She held the ice pack as you writhed in pain on the couch. Her free hand alternates between rubbing your arm and combing through your hair. She placed little kisses on your swollen cheek, not hurting at all when she did.

The recollection of events that played in your mind caused you to cry again. Jenna brought your head into her neck as she held you close, her skin absorbing most of the tears. "Oh baby, please don't cry. You're not unlovable. You're my very beautiful boy who I love so very very much. They don't deserve you."

You held onto her tight, thinking how lucky you were to have such a wonderful woman in your life. Your parents would've definitely said you didn't deserve her, and maybe you didn't. But that didn't detract from how much you loved her, and appreciated her.

"I love you, Y/N. I love you with every fibre of my being" hearing this made you smile out of pure gratitude and love.

"I love you too, Jenna" you say, voice still wobbly from crying. You pulled your head from the crook of her neck and the two of you just smile at each other, you took in the beauty of her face while Jenna gazed upon your battered one. She pulls you in for a gentle kiss, a long kiss that you desperately needed.

"Bubs we do need to get your tummy looked at. We'll call my mom to have a look at you, but we may need to go to the hospital if it's bad. We can do all that tomorrow though, just rest in my arms for now. Can you do that for me?" You nodded your head "I won't let them get away with this Y/N. Mark my words they're finished."

You'd never seen Jenna this angry, but it brought a strange sense of reassurance, like everything was going to be okay. "Can we watch a movie? I wanna take my mind off of this"

"Of course we can, bubs. What do you wanna watch? Empire strikes back?" She asked, knowing how much you loved that movie. You nodded making her smile and kiss you again.

She layed down next to you, inviting you to curl up next to her and lay your head on her chest. "You're not unlovable, flower. You're a very loveable and amazing person." You smile at her words, Jenna loved you very much and today was evidence of that.

She cradles your body in her arms, still feeling you tremble from everything that has happened. It would be a long road to you heal from this but she'd be with you the whole way there.

She gently rocks you while you watch the film, the sight of Darth Vader igniting your child-like love that Jenna adored.

"Hey bubs, promise you'll never think yourself as unlovable. Promise me that my love."

"I promise." You say, even though you still didn't fully believe it. Your parents words still hurt.

"Good boy. My special beautiful boy"

[directdogman]

(Sorry if I have bad English, I'm from Spain.)

I'm super hyperfixated on the original managers, so I have 2 questions.

1. In Dialtown, Tango/Terrence says no one called him Tango before. Assuming that in the DSaF universe he also liked that nickname, did any of the other original managers call him Tango or not?

2. A headcanon I've seen in the DSaF fandom is that Abel hated everyone BUT the real Scott Cawthon, and that Scott was the only one that tolerated Abel (some ppl even ship them). Is that close to canon? Or the og Scott Cawthon also hated Abel? I really want to know what they thought about each other.

Btw, I really love your games, I've played the DSaF trilogy many times, and the Dialtown demo (I haven't played the full version of Dialtown yet, but I've seen gameplays and I'll buy it for my birthday), thank you for making 4 incredible games <3

I don't answer many DSaF questions these days, but this one's interesting so here goes:

1)Tango's nickname is a DT invention as far as I remember. If he preferred the name in DSaF's universe, Harry would've used it for sure, given how much he liked Terrence and since he's literally using a name he doesn't believe is really 'his' because it makes him feel better. He of all people would understand.

2)Yeah, that's a pretty good way of stating it, but there's a little more nuance to it that explains a little bit more about Abel/Joe's rift.

Basically, the original Scott Cawthon was a unifying figure. He got on with every single one of the original managers and they all thought the world of him. The Phone Guy process was started in an attempt to recreate him by Abel (and the other managers at first) and you gotta consider why they'd all want to do that. He was the glue that held the group together, the only manager liked by everyone else there without exception, someone who could defuse tension and resolve conflicts amicably.

It's true that he had the most patience for Abel and never badmouthed Abel to the other managers and even defended him earnestly, knowing Abel the best of the other managers and knowing some of Abel's early life and where he came from, while the others were more willing to honestly discuss Abel's short fuse and occasionally mean nature (even Terrence to some extent!) This led Abel to develop more of a bond with him than the other managers and somewhat distrust the others.

While Abel was essentially Scott's number 2, as time went on, Joe became more and more integral to the running of their budding company, since he was a skilled accountant and managed to balance the books despite Scott's somewhat reckless spending at times (he was overgenerous to the point where it sometimes led to financial trouble for the company, a stark contrast to what Freddy's became later.) Since Joe was so blunt (and Abel's biggest critic), Abel was incredibly jealous and insecure that if the trend continued, Joe would supplant him.

This also explains why Abel was so willing to toss his other managers into the 'machine' when each of them suffered accidents. Ultimately, it wasn't just sheer cowardice, it was him trying to recreate the past - to recreate the one person who seemingly saw him as anything other than a vampire. Someone who actually wanted him around. Of course, no two snowflakes are ever exactly the same. Abel was a poor replacement as the owner of the company, Joe was barely able to keep things afloat amidst a messy and chaotic expansion and Harry wound up presiding over the company's demise.

There's a pretty widespread narrative theme in DSaF of damaged people trying to recreate something they've lost - Dave trying to turn Jack into the new Henry, Jake and his family, Harry and his former identity, the Kennedy family reuniting.

“Can’t repeat the past? Why, of course you can!”

But, the fact is, you can't recreate the past. The only way forward is to pick up the pieces and build something new.

[eva-of-the-sea]

Y'all ever notice that Fujiko receives a disproportionate amount of hate in the fandom? I'm sure it's something we've all seen, especially if you're a fan of her, but I don't really see it discussed.

I'm bringing it up now because for the past couple of months, I keep running into new fans that are very vocal about disliking her. And while I understand that everyone has their preferences, the reasons they give for why they hate her bother me the most:

"She's a bitch, she's so awful to the poor guys and especially to Lupin."

"She's a slut. She's constantly using her body to get what she wants."

"She betrays the gang so much it's annoying how she always does the same thing."

"It's the writers' fault for making her so unlikable."

While I partially understand one of these points, some of these other ones confuse me.

Fujiko is a character that looks out for herself. She goes into every heist with the thought of "what can I get out of this?" And despite this, she's been shown many times to care about all of the gang. Yes, even in part 2 where folks usually base their hatred of her off of. This is because she is a multifaceted character that isn't just driven by a single motivation.

"But Jigen and Goemon hate her!"

Do they? Because while they do get mad at her shenanigans, we also see them going out of their way to protect her and comfort her. Hell, Fujigoe is a common canon occurrence! Do you really think Goemon would be dating her if he didn't like her? Or that Jigen would be pushing her out of the way of bullets or shielding her with his body if he didn't care about her? Being mad or annoyed with someone's actions aren't the same as hatred. No one ever points out how they get mad at Lupin, and I'd argue that happens more often!

And on the point of her being a slut...where? I'm genuinely confused with this one. Fujiko does use her beauty and charms both to manipulate rich men into giving her treasure and to get out of dangerous situations. That's kind of the point of her being a femme fatale. But how often does she sleep with the people she manipulates? Most instances I can think of, she knocks them out when she gets that far. In fact, I would argue she doesn't seem to be that interested in having sex at all. Do they count her flirting as being slutty? If so, c'mon. And even if she did sleep with her targets, why would this be a bad thing? Are women characters not allowed to have sex? And again, how come Lupin doesn't get the third degree for HIS sluttiness. In fact, I see people joke about it and celebrate it if anything.

On the point of her betraying gang, yeah it is very one-note and does get old. You know what else is very one-note? Literally the actions of every other character in the show. I don't see people complaining about Zenigata chasing the gang getting old. Or about Lupin flirting with every woman he sees. Or about Jigen and Goemon using the same weapons in the same way to get out of every situation. Y'know, maybe this is just a repetitive show! And tbh, the writing lately has been shaken up. The modern series doesn't really have Fujiko betray the gang much anymore. She's either off doing her own thing or she's working with the gang as a member of the team. A lot of people complain about parts 4-6, but I think this is one of the elements it does right.

And finally, on the note of "poor Lupin", I think this one pisses me off the most lol. The fuck y'all mean "poor Lupin"?? I think fans either forget or don't realize that Lupin is a pretty smart guy. He knows Fujiko is most likely going to betray him if he does something for her, the bastard LIKES IT. This is foreplay for both of them. In case you haven't noticed yet, both of them are kind of freaks lol. There's a reason that most of the time, Jigen and Goemon are mad at HIM. Lupin is not a poor sweet baby that needs protection from Fujiko. He specifically loves the chase, the constant push and pull of their relationship. She's an exciting challenge for him, he's a stable home for her.

While I agree that Fujiko has not always been written great in the past, and I'm sure a lot of that was due to misogyny, I think fans need to reevaluate why they criticize her more harshly than the rest of the gang. There's a lot of things she's done that the fandom deems unforgivable, yet the boys have done some of the same stuff without so much as a slap on the wrist. Lupin constantly puts them all in unnecessary danger. Jigen has made some really unsavory comments about women. Goemon has betrayed the gang more than once. And I don't see nearly enough discussion about how Lupin really used to push himself on Fujiko, to the point of it being uncomfortable sometimes. Like damn I'd sell his ass out too😬.

I think it all boils down to Fujiko being a woman. And as a woman, she has to work harder to please the fans. If she's too nice, then she doesn't really have a personality or a reason for anyone to like her. If she's too selfish, she's a mean bitch and everyone should hate her. What if people saw her as a character first? Because no she's not a good person, but neither are the rest of the gang. Their morals are all on a sliding scale of what works best for the plot. But damn she's a great character. She stands out on her own and really makes you remember her. She's so much more than "the girl" character, and I'm so grateful for that. I hope more fans come to this conclusion too.

[mimikoolover]

I haven't seen any hate or negative comments directly, I've only seen people discuss the negativity and this is not meant to come across defensive but I wanted to write out some of my thoughts cause why not lol

some things that stood out to me about the travel show include confirmation again about the thing I keep saying is that jikook make the effort to understand and care for each other (and as a side note I find it so hilarious that people are so determined to misunderstand them) for example when jimin said he knew it had to be him to make the travel show happen. what this means (I think) is that he pushed the idea forward so that it actually became a reality (with the implication that it would not have been jungkook to do that). it's so funny that people wanna say this means that jungkook doesn't care about jimin when that is not true at all and such a wild thing to imply (if it was true, jimin would know by now and he would not try. also jungkook would keep rejecting jimin's ideas). if you look at it from jungkook's perspective it undoubtedly feels really nice to have someone care this much about you. they know each other well and they care for each other a ton which is just so obvious. jimin had no problem pushing to make it happen and he actually /did/ which says a lot. they know what they need to do for each other and they actually do it which is a massive deal to be quite honest.

I do not agree at all that jungkook was 'off' and the whole thing about people always claiming that he's off around jimin makes me lowkey uncomfortable at this point tbh. for whatever reason people really struggle accepting that jungkook is human and that he doesn't mask his emotions 24/7 and that his emotions fluctuate throughout the day like everyone else's. when he's around jimin people expect him to have one flat emotion (happy) for some reason and also expect that nothing else outside of jimin would affect his emotions somehow. like that's wild to me. and funny in a way cause once again this show has shown that jimin reads jungkook's emotions well and when jungkook gets mad or upset about things like falling off that bleeding kayak he responds in a way that will help jk get over it. you have to be pretty close to someone to be able to do that, js. if he's upset about something and he happens to be around jimin, it's not jimin he's upset with but that is literally what people are saying and that's so beyond ridiculous. again to be around someone you don't have to put up a front for and can say whatever you want and tease each other knowing you won't offend each other fr shows closeness jfc.

personally in the car in episode 1 at the start I see jungkook holding himself back a little but he probably would've preferred to talk more with jimin when they're not being filmed, then they got distracted when they did stuff so he seemed more relaxed after a while. but I think them talking about what happened when they weren't seeing each other etc., I think jungkook would've preferred to discuss that off camera, like talking about missing each other and stuff like that, that he probably wanted to say off cam. even if I completely disregard that opinion, they did not seem awkward to me at all at any point. I think I've been off twitter for so long and have not seen the fandom chatter for so long that it doesn't affect me any longer which feels great but sometimes I really wonder how much people think for themselves vs think based on what they read about other people's perception. and that's funny to say given I just wrote down my own perceptions but really I think people online state and word things as if they were facts and I'm sure that affects a lot of people subconsciously. so all of this is just my opinion but if you actually try to put yourself in jikook's shoes without any preconceived ideas, knowing them to be the friends that they are, it's pretty easy to see how much they care about each other.

[thetravelingmaster]

Reasons Why you Should Check Out ROM

(readonlymind.com)

I've done a similar posts before for this site when I first joined up ROM as an author, but I feel like it deserves a little boost and some visibility out here as one of the many sites where one can enjoy erotic mind control literature. And also, because I'm a little selfish! I figure that if more people know about it, there's going to be more erotic stories to read.

Back when I joined, thanks to @arihi 's post on the matter during the 2018 tumblrapocalypse, I believe that there were barely 150 authors that published on the site, but as of today, that number has risen to 446. The list keeps growing and so does the variety of stories available.

Much like mcstories.com, the site is very easy to navigate and search through, even if you aren't 'logged in' as an author or reader. It offers us simple ways to search out and find the stories or authors we most want to read about. They've done an awesome job with the tag system so that regardless of which story you are reading, you can click on a tag to see what other stories that have the same theme.

It's a lot like a porn site actually, but for mind control themes.

And speaking of the tags...

The search function is rather advanced. Not only can you click a specific tag to see which stories have them, but you can also use the 'advanced search' to combine them and refine your search. You can add as many as you want to really find out if a specific theme is available. In fact you can also exclude tags to make sure you only get the stories you truly want.

Of course, when you do find a story you like, the author name will be a link to their page, which will list their stories as well as an introduction about themselves if they chose to add one. Since the site is all about open discussion, they accept self promotion so you can expect to find contact information on authors you like or even a link to other sites they post on.

Another very useful thing you'll find on their page, which I haven't seen on any other MC site before, is the 'story suggestion' link. There, you'll find all the stories the author recommends.

I've found that it's a great way to discover other authors because if you enjoy someone's writing, there's also a good chance you'll enjoy reading the stories they've enjoyed and recommended. Plus, if the author is so inclined, they can do more than just list off a bunch of stories, but also add a comment as to why they enjoyed it. I personally try to always add a little something to entice those that end up on my list.

Another feature I truly enjoy as an author is the fact that you can always go back an edit your stories because you always have full control of what is posted. Honestly, if I had discovered this before I opened up my own website, there would have been no need for me to do it. Although, I might have been a little disappointed about the fact I couldn't add the lovely images that inspire me so much... hehehe

But regardless, as an author that has many stories with many chapters, I've quickly discovered how easy it is to organize my stories because I can add a new chapter to an existing story, which is great because the reader doesn't have to look for previous chapters. Plus, you can add titles and even small descriptions to each, which will show up in the story index. In addition, you always get a word count for each chapter (or full story in the story list) so you know how long it should take you to get through it.

Speaking of readers, the site offers a little more than just a well organized and searchable site.

Well... If you register that is!

You don't have to post anything though, so registering is simply like creating an account. What you get for registering are a few fun bonuses like the ability to 'snap' a story you liked. Which is basically the equivalent of a 'like' here on tumblr. As an author, it's always a great inspiration to add chapters when I notice that one of my stories becomes popular and I know readers want more. It's also a great indicator for readers, as you well know!

Another bonus you get by registering is being able to comment on each chapter. I love the comments section because it not only gives me the ability to get feedback, but it also allows registered people to tag each other and reply to comments. As an added bonus, once you register, you get access to a notification page and if someone's replied or tagged you, you'll be notified there.

Speaking of notifications...

As an author, I get a bunch of notifications every time a user 'snaps' one of my stories, leaves a comment or recommends it to others. But as a reader, I can also 'follow' specific authors and be notified when ever they publish a new story or add a chapter to an existing one. But hey, that could be bothersome too so you ALSO have the option of just following ONE specific story so you are sure to know when the latest chapter drops. I'll admit, I use this option a lot!

Another option you may notice in the above image is the 'Read Later' option. I've used that as both a place to list off stories I like to read multiple times, as well as the obvious happenstance where I find a good one I want to read, but don't have the time.

As you ALSO may have notice, there are well known authors publishing their stories there too. @scifiscribbler, @jukeboxemcsa, @darthkyra, @ellaenchanting, @hypnoticharlequin and @skaetlett, to name a few you might know from tumblr.

If you can't get enough of reading MC stories, then this site will definitely help to feed your cravings. It's still relatively new and small when compared to others, but so far, it's proven its potential for growth.

The more the merrier

TM

[ineffable-endearments]

Hello, everyone!

In light of Neil Gaiman's comment that Amazon is close to officially renewing Good Omens but hasn't done so yet, I think those of us who can should start sending physical postcards to Amazon Studios!

The TL;DR of this post is that you can easily send a postcard from MyPostcard.com for about $3 (USD, I'm sure other currencies can vary). The Web site will print and mail it for you, so you don't have to do any printing or mailing yourself. The postage is included in the $3.

If you don't already have an image or card you want to use, you can just use one of mine above. Some of them are small because of small source images, but the site seems to resize them appropriately for the card. There are bigger versions in a Google Drive folder that you shouldn't have to be logged in to see.

You can send the postcards asking for a third season of Good Omens addressed to Jennifer Salke and Vernon Sanders, co-heads of Amazon Studios, at:

AMAZON STUDIOS 1620 26TH STREET, SUITE 4000N SANTA MONICA, CA 90404 USA

@fuckyeahgoodomens was the first to post this contact information for Amazon, so thank you, Ixi.

If it's something you don't mind, I would very deeply appreciate reblogs on this, since it works better if lots of people see it! No pressure if you don't want to, though.

And if you have Questions, click through below for my reasoning on all this.

Why should we send postcards to Amazon Studios?

We've made lots of noise online about renewal, and we've done a lot of streaming Good Omens. But I haven't seen much discussion of sending physical mail or, specifically, postcards.

Mail takes up space in the real world. It's slightly harder to ignore than email. It's way more attention-grabbing than posts on X or Tumblr or any other social media site. Because postage is required, physical mail can also appear more "committed."

Postcards specifically are great because of their convenience for the recipient. No one has to open them to read them. All it takes is a quick glance to see what we're asking for, and realistically, a quick glance is the best we can ask for in a corporate office. That's why I'm emphasizing postcards over regular letters (although really, anything helps).

Is sending postcards really going to motivate Amazon to make more Good Omens?

Postcard and letter-writing campaigns have helped get shows renewed in the past. Star Trek: The Original Series is a good example of a series that got another season after a letter-writing campaign. This article has more examples.

We don't actually know what's going on in Good Omens's case. Maybe postcards would make a difference; maybe they wouldn't. We can only make our most determined effort at making sure we're heard, and sending mail is part of that.

The cost of sending a postcard is too much for me.

I understand that sending a postcard will not be an option for many of us. This post isn't intended to try to push you into spending money you don't have. If you still want to find a way to participate, you can also send an email to cs-reply@amazon.com with your comments about wanting Good Omens 3. It's not physical mail, but it is still a personal message from a customer.

In fact, people who are sending postcards might want to follow up with an email, too.

Do we have to use your postcard designs?

No! Not necessarily! You can use anything.

As long as the message you write includes how much you want Good Omens 3, your postcard's image doesn't necessarily have to relate. You could send a souvenir postcard that says "Greetings from Los Angeles, CA / Tadfield, England / etc" from your local post office and just write your message on the back.

Technically, even a plain index card should be thick enough to mail as a postcard, at least by USPS standards. Just write your desire for Good Omens 3 on it, put a stamp and Amazon's address on it, and make sure it's at least 90mm x 127mm (3.5in x 5in).

Isn't Amazon Studios going to notice a bunch of postcards being mailed from the same Web site?

I'm sure they will. But the messages will each be unique, and again, they'll know each card represents a person who had to order the card and postage themselves.

Speaking of unique messages, what should I write?

One sentence is enough. Definitely indicate that you want Season 3 of Good Omens. If you want to add more, you could also write a sentence or two about how much you love the series so far.

Above all, be polite and straightforward! Remember that sarcasm and jokes often do not come across well in print, so it may be best to stick with simple statements that can be taken at face value.

What address should the cards go to?

The co-heads of Amazon Studios appear to be Vernon Sanders and Jennifer Salke; you can address them by name, although I'm guessing it will be someone else who does the reading/glancing.

Amazon Studios's address is:

AMAZON STUDIOS 1620 26TH STREET, SUITE 4000N SANTA MONICA, CA 90404 USA

Where did you get these images?

The images for the nightingale postcard and the Crowley postcard are screencaps from directedbypiper.

The Please Do Not Lick the Walls and Fell the Marvelous posters were downloads from the Amazon X-Ray feature.

The Nice and Accurate Prophecies postcard was adapted from cover art I did for A Nice and Interpretive Fanzine. Most of it is my own, although the mottled background is an extremely blurred version of a free stock texture from Pixabay, users chrisfiedler and/or humusak.

The bookshop postcard is a promotional image from Amazon used in a Den of Geek article.

[aeithalian]

Rick. Buddy. Amigo. Explain something to me. Real quick, I promise.

[The Trials of Apollo: The Tower of Nero, Chapter 4]

Good genetic package, Rick/Apollo? Are you sure about that?

Listen.

Estelle's physical description *clap* makes *clap* no *clap* sense. Why on earth does one of the only fully human characters in this series have to have unique and weird physical traits? Also, it makes no sense in the larger scope of Rick's writing style to have chosen this unless he had some sort of larger intention behind it. Not to mention the theories by fans haven't really done much to fully flesh out any perceivable reason as to why this might be:

Poseidon blessed Sally when she was pregnant - By far, this is the most believable to me, but it's still eh, because this feels very weird and I don't get the vibes from Poseidon that he would have done so to the extent that it shows up in Estelle's physical traits. Also if that were true, it doesn't make sense for Rick to just fully drop it in the story without the intention to flesh it out further, because to my knowledge he doesn't have plans for another novel that takes place after ToA.

Paul isn't Estelle's father - Firstly, this is out of character for Sally, and this doesn't fully justify why Estelle has Percy's eyes. PLUS, salt-and-pepper hair still wouldn't be natural for a newborn

Paul is Poseidon in disguise - This explains her traits the best, but Paul's character is so much more satisfying if this isn't true. It's also total bullshit.

Enter me. I have a theory. Yay. But first, we must discuss.

Firstly, I want to talk about her eyes. Going back to the theories, and based on my fair amount of knowledge of genetics (clarification: I write this as I procrastinate studying for my final genetics exam), the eyes are mostly interesting because Apollo specifies that they are immediately similar Percy's. The thing about eye genetics, though, is that they are what we consider to be 'complex traits', meaning that they are influenced by the interactions of multiple genes from both parents. What I mean to point out here is that Sally could definitely have the genes to produce two children with 'sea-green' eyes, considering her canonical eye color is blue. We don't know what Paul's eye color is, which makes my job a whole lot easier because I can assume that it doesn't directly contradict the possibility that Sally just has really strong eye genes (?). ALSO, who's to say that Poseidon didn't just change his eye color to match Percy's when he was born? Ah, yes, the perks of having a shapeshifting dad who seemingly loves you and your eye color a lot (but is still absentee, WHOOPS).

But what I actually found the most interesting about Estelle was her hair color. More specifically, the fact that Apollo says he's never seen an infant with that color hair. And we know Apollo is somewhat of an unreliable narrator (although this rarely affects his descriptions of people other than himself, and has also mostly evolved into a more honest narration since the end of book 3), but I believe we're supposed to trust this dude who just so happens to have been alive for over four millennia. Based on Apollo's previous descriptions of his own powers (see his conversations with Percy in TTC, when he pulls a Mufasa and basically admits to seeing everything the light touches), we know that Apollo knows and has seen a lot of stuff. So, how is this the first time he's seemingly witnessed this type of hair mutation?

I did some research, as one does. To me, it seems as if Estelle has what's called Griscelli syndrome, which is a type of rare autosomal genetic mutation that typically results in phenotypic hypopigmentation of the skin and hair. (It can also result in neurological disorders and immunodeficiency, based on the type, but I digress.) It's also pretty rare, considering both parents have to be carriers, and even then the child still has a one in four chance of being affected. Current statistics from the NIH say that Griscelli syndrome currently presents in less than 1000 Americans, and is rapidly fatal in 1-4 years without aggressive treatment.

That sad note aside, it's weird to me that the way Rick wrote Estelle's physical description makes it seem as if Apollo had never seen anything similar. I feel like a god of both medicine and knowledge would probably be a bit more up to speed with rare genetic disorders, especially because he's so old. The only explanations are that Apollo, in his mortal state, can't make a diagnosis, OR what he's seeing isn't actually something he can diagnose.

FURTHERMORE, from the same chapter, Apollo says something that muddies the waters even further:

It doesn't make sense that Apollo thinks that Zeus would take such an interest in Estelle. Her nature alone doesn't make me think that the king of the gods would take a sudden interest in a literal newborn, regardless of how much Apollo loves her (and honestly, I don't blame him).

What I think? Rick pulled the strings just tight enough that he has a very interesting plot point to go off of if he ever decides to pick up the pen again and write a new book.

What I think? Estelle doesn't have Griscelli syndrome, she is in much more danger than anyone realizes, and Apollo's subconscious put this together from the second he saw her.

Actually, let's rewind. I'm in the process of writing a fic (stay tuned!) and I had a random thought: do the Greeks have an apocalypse story? You know, like Ragnarök in the Norse mythos, and the Revelation stories in the Bible.

The answer? They don't. I guess that's what you get when the Greco-Roman gods are fully immortal and literally can't be killed.

That didn't stop the rabbit hole, though, and what I found was actually very interesting and I couldn't believe what I was reading.

I give you: Hesiod. More specifically, his poem Works and Days. More more specifically, his 'ages of man'. More more more specifically, the iron age.

For context, Hesiod was an ancient Greek poet who lived in the 8th century BC, and was walking right along with Homer in terms of fame at the time. The poem Works and Days is actually more of a really long Facebook post where he complains about anything and everything, especially in his section on the ages of man.

In summary, Hesiod wrote about what he perceived to be the five stages of human life since the creation of mankind by Zeus' hand:

gold: perfect in every way, pious, and blessed by the gods

silver: real bitches, the ugly middle child, so Zeus killed them

bronze: were so violent they wiped each other out

heroic: golden child, contained the heroes of the Greek mythos

iron: middle-aged men still living in their mom's basement

Hesiod wrote his poem during what he perceived to be the Iron age (it's really just him complaining about being born in the wrong generation), but he ends up listing a lot of qualities: 'everyone works too hard, the gods hate us, nobody respects family values anymore', blah blah blah.

I know what you're thinking: Tia, what does this have to do with an apocalypse?

Well, dear reader, bear with me. You see, every time Zeus didn't like an age of mankind, or it became too violent, or it generally wasn't pious enough, Zeus wouldn't hesitate to destroy that race and start over. Basically, an apocalypse.

So, you may ask a new question: what is the criteria for Zeus to destroy the Iron age? And, assuming that this is the age we're currently in, what would it take for Zeus to destroy everything our beloved Riordanverse characters know and love?

My friend, that is where Estelle comes in. Yes, a baby.

Take this excerpt regarding the Iron age:

"And Zeus will destroy this race of mortal men also when they come to have grey hair on the temples at their birth."

I think you see where I'm going with this.

My theory? Estelle, in her unique position as a bridge between not just the mortals and the demigods (eg. her relationship with Percy), but also the mortals and the gods (eg. her great impression on Apollo), is a living, breathing prophecy. A prophecy that the end is nigh for this current age of mankind.

Furthermore, I also think that Apollo made this connection, somewhere in the back of his mind, the very second he realized that her hair was entirely unique. According to Hesiod (who Apollo also mentions later in the book, so we know he knows who Hesiod is), the day that babies are born with gray hair (or, salt-and-pepper for the sake of the theory) is the second Zeus basically get the go-ahead to commit genocide.

This also brilliantly explains why Apollo suddenly, and seemingly without reason, makes to keep Estelle's existence a secret from Zeus, because he knows that it might be the easiest way to get everyone he knows and loves killed by his own father for "the greater good" as I'm sure Zeus will put it. Plus, in his mortal state, Rick didn't have to explain why Apollo did what he did, since Apollo's been having memory issues since the beginning of the series: why would he remember one line from a poem written almost three thousand years ago?

Frankly, Zeus doesn't care about mortals: the only reason he really cares about anyone is if they have enough power to threaten his own, or if they have some sort of power he can benefit from. This, certainly, falls under the category of the latter. Wouldn't you want a chance to remake humanity into the perfect image that it used to be? You would, if you hadn't gone through a five book long grow-a-conscience speedrun like our lovely Apollo over here.

Fortunately for Rick, this is such an outrageous theory that if it never comes to fruition, I won't be surprised. If he ever writes something similar, though, know I called it first.

EDIT: here's the fic i mentioned i was (am) writing

EDIT: a masterlist of my other metas

[sansacherie]

so allegedly based on episode 5 leaks, alicent tries to vie for regent while aegon is (temporarily) incapacitated.

predictably, there have been stupid takes from both sides of the fandom. i just know that y'all rhaenyra fans (and a lot of the general audience) aren't going to realize that alicent would be asking for something VERY different than what rhaenyra wants. a queen regent is not the same thing as a queen regnant, and there have been examples of queen regents in westeros before. call alicent a hypocrite on everything else (which is a whole other discussion) but i will fight anyone who tries to call her a hypocrite for this. not to mention if the other leaks its true it's obvious that the writers are trying to draw a parallel between rhaenyra and her where rhaenyra also gets undermined.

but moving on to the aegonwives- just as i call out daemonwives/viserys fanboys when they piss me off, im going to do same with you lol.

ive seen comments like "alicent cares more about having power than the fact her son almost died" im sorry but have you actually seen the episode yet or are you just jumping to conclusions? dont get me wrong, the writing HAS done aegon dirty, so a lack of faith is understandable, but that doesn't mean abandoning all common sense especially when there have been times y'all were wrong about something. like i haven't forgotten how so many assumed alicent saying "proceed cautiously" was after blood and cheese and yet turns out it was the small council deciding what their next move should be after aemond killed luke.

anyway, i honestly don't know how based on a single line you can interpret alicent wanting to be regent in that way. if anything, her wanting to be regent shows her LOYALTY to aegon. she put him in that position (pushing his claim) so she owes it to him to be his regent while they wait for what is to become of him. it doesnt matter if she hasnt ruled in wartime, she has to help her son somehow. according to these same leaks, alicent is also suspicious of aemond. if that's true, then yeah it makes perfect sense why she would want to be regent. what's the bet y'all would get mad if alicent despite her suspicions, doesnt have any objections to aemond taking over? she can never win. i love aemond BUT depending on what they do with it he has put her in a situation where alicent can't really confront him for aegon because that would mean making alicent's other children and granddaughter even more vulnerable than they are now

finally, ill end it here by bringing up that according to professional reviews from people who've seen past episode 4, alicent has been described as someone who "screams for vengeance when her son is scarred in battle" now how does that scream indifference or lack of love??