#(its okay as long as I can justify it in story!)

[wolfjackle-creates]

Ghost!Robin Arc 2 Part 4

Here's everything I shared during the ask game event with some minor edits. Most of the edits are around the results of the scan, I more accurately described what I was trying to say.

Story Summary: Everything changed the evening Jason met Jazz's brother. Danny introduced him and his entire family to the ghost that is, apparently, haunting him. The ghost of the Robin he had been.

The ghost of the person everyone he's ever known wishes he still was.

All he wants is to make it go away.

Arc 1: First, Last

Arc 2: First, Previous

Word Count: 1.7k

-----

Frostbite looked between them and hummed. “I should like a blood sample from you”—he nodded to Jason—“and an ectoplasm sample from you”—he indicated the ghost—“please hold out one of your arms.”

Jason sighed and gave his left arm. The yeti took out a syringe, thankfully a normal sized one, though it looked tiny in his giant hands. He watched as Frostbite carefully pierced his vein and filled a vial with blood. It went as smoothly as any blood draw he’d ever received from Dr. Thompkins or Alfred.

“You’re good at that,” he commented.

The yeti gave him an amused look. “I should hope so. I have been a doctor for many times longer than you’ve been alive.”

Jason flushed. “Sorry, it’s just… I wasn’t sure how many living patients you’ve ever had.”

“Many ghosts come to us for healing. And of those who were once alive, their ghostly bodies often mimic the ones they had in life. It is not so different, drawing blood from a living body as it is drawing ectoplasm from a ghostly one.”

“Huh. I guess that makes sense. I didn’t realize.”

Frostbite ruffled his hair and it took every ounce of self control he had to not pull away. “That is quite all right. You will learn in time.”

Jason had to bite his tongue to keep from saying he didn’t want to learn.

But the doctor was already turning to the interloper and reaching for his arm. Jason couldn’t help but watch as they made more of those chirps and trills at each other. The ones from Frostbite were much deeper than the ones from Danny or the ghost, but they were unmistakably the same sort of noises.

When Frostbite took the ectoplasm sample, it really didn’t look any different than a normal blood draw. Except the resulting fluid was bright Lazarus-green. He shuddered and looked away.

Frostbite pulled out what looked like a transparent tablet and typed something on it. “A technician will be along shortly to collect the samples and run a few tests on them. Now, Prince Phantom said he scanned you and it showed the two of you are tied together. I should like to repeat the process but with our own scanners.”

“What do your scanners do?” asked Jason.

“I will show you. See this machine?” Frostbite indicated a machine that was positioned in the corner of the room. It looked like an old-fashioned x-ray machine you might find at a dentists’ office. It was about the size of a standing shower and was mostly open. “This part here”—he touched a piece of metal that reached from floor to ceiling—“will circle around the two of you and track your ectoplasm. It serves a similar purpose in ghost anatomy to an x-ray of a human. From the readings, I will be able to assess your core, young Robin, and your liminality, Sir Jason.”

“Just Jason, please.”

“Are you not a warrior of your people? And you are courting Princess Jasmine. No, to call you anything else would be improper.”

Jason flushed. “Then what should I call you? Aren’t you the leader here? Is it King Frostbite?”

“You may call me Doctor or Chief Frostbite should you wish.”

“You’ve got it, Dr. Frostbite. So will you have to scan us together? Doesn’t look like there’s a lot of room in there.”

Frostbite hummed. “I believe three full scans, one of each of you alone and one with both of you together. I apologize for the size; this is the first time we’ve had to scan two individuals together like this.”

Jason scowled, but didn’t comment. He would do anything to get rid of the interloper.

Before they could start, however, a knock sounded on the door. Frostbite opened it to reveal two more yetis.

“Ah, Silverclaw and Snowfur. Thank you for getting here so quickly.” He grabbed the vials of blood and ectoplasm. “These are the samples I want tested.”

“Of course, Chief. We’ll get to work on them right away.”

“I know you will. Thank you.” Frostbite nodded his farewell. Once the two yetis had left, he shut the door and turned back to Jason and the ghost. “Which of you would like to get scanned first?”

Before Jason could even think of volunteering, the ghost let out a trill and flew to the machine.

Frostbite chuckled. “Very well, young one. I shall begin the process shortly. Please remain still as the scan is in progress.”

Jason watched, curious, as Frostbite pressed a few buttons. The machine whirred to life, blue lines lighting up along the metal. Then the panel Frostbite had pointed out before slowly rotated around the ghost. Five times it completed the circuit before stopping in it’s original position by the wall.

A screen lit up on the wall, also transparent like the tablet, and on it images very much like a human x-ray appeared. Only instead of bones, it showed a ball of red-orange light. Tendrils spread out in the shape of a humanoid body. A thick cord of light extended off the screen. The cord was mostly gray and it’s tendrils wound around the red-orange ball and mixed in with the branches that made up the rest of the ghost’s body.

Frostbite hummed, but didn’t comment further, and Jason didn’t know him well enough to know if it was a good or bad hum. “Sir Jason, it is your turn.”

The ghost flew out of the scanner and Jason entered. “Will it feel like anything?”

The doctor shook his head. “Indeed not. You may hear a humming, but the scan itself will not affect you in any other way.”

“So I just need to stand here for a minute while it goes?”

“Indeed. Simply remain still. Are you ready?”

Jason took a deep breath and stood tall, arms by his side. “Go ahead.”

Frostbite hit a button and the device lit up with the same blue light he’d seen before. Then the scanner began rotating around him. As the yeti had promised, he didn’t feel anything but the hum of the machine.

And soon enough, it settled back into its rest position.

Jason didn’t wait for permission before stepping out and taking a look at the results of the scan. The same cord of light that had been coming off the ghost seemed to be stretching to him. Tendrils of it wrapped around the areas where his heart and brain would be if the scan showed human organs. Thinner tendrils stretched through the rest of his body, but the majority clustered around his heart and brain. His light was mostly gray with the red and orange bleeding in.

Chills ran down his spine. The ghost had integrated himself entirely into Jason’s body. Would it even be possible to get rid of him without killing himself? But could he go on living knowing that the interloper, no, the parasite was tied so closely to him? He’d finally started to move on from his death and the anger!

“Calm down, Sir Jason.” Frostbite’s steady voice cut through his thoughts. “We have one more scan and then I shall explain my theories as to what is going on and how we might address the situation.”

Jason gave a single nod and unclenched his fists. He closed his eyes and took a few seconds to go through a breathing exercise Jazz had taught him. “Fine,” he said when he was sure he wouldn’t start throwing out cursed.

Didn’t stop him from stomping over to the scanner.

Frostbite rested one giant paw on his head for a moment. “I understand this is a lot for you. But I will assist you to the best of my abilities.” He glanced away from Jason towards the interloper. “Both of you.”

Jason frowned but didn’t bother mentioning that that was what he was worried about.

“Now, young Robin. If you could come here as well.”

Frostbite took a moment arranging Jason and the ghost within the scanner. This was the closest Jason had been to the interloper since he learned about his existence and the proximity raised goosebumps on his arm. Why did things like this always have to happen to him? He hated it. He just wanted to go back to arguing with Bruce and trading insults with Tim and pranking Dick. But he couldn’t do that if the ghost of who he’d used to be was following him everywhere.

Jason closed his eyes so he wouldn’t have to see the creature’s stupid uniform or too-young face.

Then the humming started again and Jason could only assume he the scanner was running. He held entirely still, both because the scanner needed it and because he and the ghost were so close that if he moved, they might brush arms or touch.

He held back a shudder and didn’t open his eyes until the humming had stopped.

He couldn’t have said who evacuated the scanner first, they both rushed out quickly and set themselves up on either side of Frostbite while the image loaded.

As predicted, it was as if the two previous scans had been put together. The cord connecting Jason and the ghost was thick and strong. It originated from what Jason could only assume was the ghost’s core and spread out until it latched onto Jason’s brain and heart.

Frostbite hummed again. “I will need to ask both of you some questions that you may not want to answer. I apologize in advance for any discomfort my questions may cause. But let us get comfortable first. Afterwards, I shall explain my suspicions.”

Jason nodded and took a seat on the examination bed that Frostbite gestured to. Robin crossed his legs and appeared to sit in midair. The doctor pulled up a chair for himself and settled in.

Even sitting and with Jason on a high bed, they were roughly eye-to-eye due to the yeti’s large size.

“Young Robin, what do you remember of the time between your death and Sir Jason’s resurrection?”

The ghost, of course, only replied in the trilling language, leaving Jason out of the conversation. Asshole could’ve signed if he wanted to. Jason bit his tongue to keep from saying anything, though.

After a time, Frostbite nodded and turned to Jason. “And now, Sir Jason, I must know how you were brought back to life.”

-----

Ah, Jason really isn't going to like this conversation. None of it is fun, but this conversation will be his least favorite.

And look at Robin being just as petty back! Refusing to bring Jason in on the conversation.

How will they move forward from this?

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[dimiclaudeblaigan]

I'm... kind of confused about this? Like Ignatz is basically saying the only way for people to move forward is by continuing to fight and destroy? That's a pretty awful message in general, but coming from Ignatz it just feels weird. It sounds like he's just accepted war and that it's just... something that happens so we should shrug it off and move on?

I know this game tends to have very strong pro-war/pro-invasion messages which is already really gross to me, but it went from being annoying and icky to just making me feel disgusted. Also, Ignatz of all people shouldn't just shrug his shoulders and be like well that's just the way of things, I guess! There's an active war going on so it makes sense that towns could be rebuilt and destroyed again. It doesn't mean just give up on it.

Also really doesn't feel like an Ignatz thing to say.

[spotsupstuff]

i'm glad you enjoyed brandon F

little note about the uniform thing, the reason why he drags on a bit on that is cause he's a reenactor, 18th century uniforms are his insane obsession. he even jokes about it in the video i sent, saying "i'm finally back to my insufferable self!" when talking about the muskets

i don't blame him tbh, after watching his content for a while i had the realization that 18th century isn't like the romans, whose equipment we deduce through archeology, old sources and guess work.

like, the actual documents that standardized 18th century uniforms still exist and are not hard to access, i realized that after Brandon noted that his source was the fucking British Royal Library in London. ( i mean ffs there's literally photos of Napoleonic era vets heres a video: https://www.youtube.com/watch?v=npSru7xEzX8)

and i honestly think its relevant, because if a million dollar historical production didn't want to put in the effort to go to a library and get the official documents. then what else they weren't bothered to get right?

but Brandon doesn't just do historical reviews he also talks a lot about the history in general. like, why fight in lines? what were marines in the 18th century? the history of tactics. and what role did cavalry play in line warfare? for example

heavens bless people of utube that manage to get hyperfixated on one topic for basically their entire life and then proceed to make stuff about it for us to watch, right? it's a delight to listen to someone who actually enjoys the subject and their subject therefore basically guarantees the authencity of what they put out

oooh but yes, the concept itself of what we actually get to know about things in what manner is fascinating in on itself. so since i was small i had been very fascinated by chinese mythology and mythology somewhat comes along with other parts of the culture and so on. and you know how the chinese culture is one of the oldest in the world?

as a result i've somewhat grown accustomed to the numbers that are typical to the span of chinese history and now whenever i go look into the history of my own country i'm actually stumped over how recently certain things happened! then again you wouldn't believe how oppressed or manipulated slovaks had been across history. ain't that right -glares at hungary-

to what extent we know which culture's history is so wild. the ability for certain historical things to simply last is absolutely incredible (such as military uniform documents or musical pieces of 18th century). fun fact! there's still messages written in stone by the soldiers of the roman empire on slovakia's territory. right near Danube, i think, p sure i visited that

thank fuck for reliable sourcing and also thank u for that vid that's gon come in handy for clothing references at Some point, i can feel it

and you are absolutely correct, yes! it Is relevant! as mister Brandon has said, there's of course a certain leeway allowed when it comes to more kid oriented stuff, but i'll admit! i was surprised to learn that serious historical productions apparently put less effort into these kind of things than the sea beast did (i don't usually watch those kind of things, i'm very fantasy/sci-fi and cartoon focused)

this kind of muddling of history that may seem "insignificant" to money grabbing bastards really screws up the perception of the eras for people who don't really have the time or the drive to look into things themselves. it's annoying

oh while we are on this history stuff, i saw this originally in utube shorts, but Apparently they are making a netflix movie or smth about Cleopatra and they made her black?? which is weird, considering that Cleopatra was greek and all that stuff. like don't get me wrong, yes give silenced/less known cultures like black folk more space to present themselves and who they are but like don't do it in a way that heavily skews the history? why are you going out of your way to create misinformation that could heavily impact understanding of history by taking out an already famous (not poc) person instead of Actually making the space for historically important black people. like maybe why not make a movie about that one super rich king from the southwestern coast of Africa (i think) that crashed the egyptian economy twice by being just too damn generous. that would be SO much more helpful to black peeps' history than shoving a black person into the place of a white one

i swear films nowadays either lack soul, heart, spine or brain like 98% of time

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

[fxoye]

i'm honestly at a loss right now. like... what even is happening on the SNW star trek reddit thread?

i know i shouldn't be surprised at this point, but the level of pushback and dismissal when it comes to even the mere possibility of spock being queer is just... baffling.

like, i get that reddit has its share of toxicity and closed-mindedness, but for some reason i thought the star trek fandom would be a bit more evolved, you know? this is literally a franchise that has always been about inclusivity, diversity, and pushing social boundaries. and yet here we are, in 2024, still having to justify the basic idea that hey, maybe the character with a decades-long history of queer subtext and coding could, in fact, be queer.

it's just wild to me that this is even a debate. like, i'm sorry, but the idea of kirk and spock's relationship having homoerotic undertones is not some fringe tumblr headcanon - it has been acknowledged and explored by literal cast members, writers, and even gene roddenberry himself. the term "slash" in fanfiction comes from kirk/spock stories, for crying out loud. this is not new!

and yet we have people in that reddit thread acting like the mere suggestion of a queer spock is some sort of sacrilegious retcon that would ruin the character forever. as if spock's entire 50+ year history would be erased if he so much as looked at a man with anything other than heterosexual brotherhood.

it's just so frustrating and disheartening to see this level of knee-jerk dismissal and erasure, especially in a fandom that prides itself on being progressive and imaginative. like, we can envision a future with warp drives and aliens and literal magic space gods, but a queer vulcan is a bridge too far? okay then.

and the thing is, no one is even saying that spock is definitively, unquestionably gay, or that every single iteration of his character needs to be explicitly queer. all we're saying is that there is room for that interpretation, and that queer stories have just as much right to be told as any others. but apparently even that is too much for some folks.

it's a reminder that even in supposedly "enlightened" geeky spaces, homophobia and heteronormativity are still alive and well. and it's exhausting, honestly. as a queer trekkie, i'm just so tired of having to constantly justify my existence and fight for scraps of representation.

you know what, i'm gonna say it: the erasure and denial of spock's queer subtext, and specifically the spirk ship, is not just frustrating - it's straight up homophobic.

like, let's look at the facts here. kirk and spock's relationship has been coded as romantic and even erotic since literally the beginning of the franchise. the term "t'hy'la", which has been used to describe their bond, translates to "friend, brother, lover" in vulcan. that's not subtext, that's just... text.

and the evidence just keeps piling up from there. the way spock is the only person who can pull kirk out of his darkest moments, the way they constantly risk their lives and careers for each other, the "this simple feeling" speech in the motion picture... like, come on. even the kelvin timeline movies had scenes of them practically eye-fucking on the bridge.

and don't even get me started on the plethora of literary references that heavily code their relationship as queer. kirk and spock's dynamic has been compared to achilles and patroclus, gilgamesh and enkidu, alexander the great and hephaestion... all classic examples of homoerotic male partnerships. the iconic back-to-back pose from the episode "bread and circuses" evokes imagery reminiscent of these historical and mythological duos, visually reinforcing the deep bond between kirk and spock. plus, their relationship has been likened to that of horatio nelson and his "band of brothers," particularly his close friendship with captain thomas hardy, which some historians have interpreted as having romantic undertones.

these are not coincidences or fan delusions - they are deliberate, well-documented artistic choices layered into the very foundation of kirk and spock's relationship. and the fact that so many people are eager to ignore or downplay them in order to cling to a heteronormative fantasy of male friendship is honestly pretty telling.

and look, i get it. it's easy to claim "they were just best friends" because that's what we've been culturally conditioned to see as the default. but the reality is, intimate male relationships have been historically desexualized and stripped of romantic coding in order to maintain heterosexual norms. the achilles/patroclus model of male love used to be widely understood as having a romantic and even sexual element - it was only in the 19th and 20th centuries that it was aggressively reframed as "platonic friendship" in a textbook example of straightwashing.

so when people insist that kirk and spock's bond could never be anything other than a sexless bromance, they are literally upholding centuries of homophobic revisionism designed to erase queer love from our cultural narratives. and i'm sorry, but that's not something i can get behind as a queer fan.

you cannot look at the overwhelming evidence of kirk and spock's queer subtext, the decades of analysis exploring their relationship through a romantic lens, the undeniable impact and influence of queer interpretations on the very fabric of this fandom... and tell me with a straight face that it's all meaningless or invalid.

kirk/spock walked so that every other slash pairing could run. it is the ur-text of queer shipping in modern fandom. and while it may have started as subtext, it has long since transcended those limitations to become an integral part of star trek's cultural legacy.

but at the end of the day, i know that fandom will always be what we make of it. no amount of downvotes or closed-minded rhetoric can change the fact that queer interpretations of spock have been part of his story since day one, and will continue to be so long as there are lgbtq+ fans who see ourselves in him.

so to my fellow queer trekkies: keep boldly going, keep reading the subtext, keep telling our stories. they can call it illogical all they want - we know the truth. and as a wise vulcan once said: "there's no point in denying the facts of one's nature." 🖖🏳️‍🌈

[artificialfanfiction]

Can you do something with Noah and reader being friends for a very long time, he has only ever known her as having a boyfriend. Reader and Noah have grown closer over the years but right now he can't seem to figure out what's bothering her, she's very quiet and withdrawn lately. Everyone comes over for a BBQ or get together and Noah realizes reader isn't wearing the ring her boyfriend got for her so many years ago (maybe there's a tan line on her finger). When he asks her, she just smiles sadly and makes up an excuse. Noah somehow eventually finds out that reader has been living in her car since the breakup (a few weeks) and when he confronts her, she breaks down and tells him she caught her boyfriend cheating and couldn't stay in the apartment they shared but was too stubborn to ask for help (maybe she tries to justify it by saying it's only for a little while, she almost has enough saved for an apartment). Noah moves her into the house but they have to share a room. The rest is up to you ❤️❤️

Thank you for your request! Hope you liked it!

The sun was setting, casting a warm glow over the lively BBQ gathering in Noah's backyard. The smell of sizzling burgers and laughter filled the air, yet y/n remained unusually subdued, her eyes often drifting to the spot where her ring finger once gleamed with a symbol of commitment. Noah noticed the absence of the ring, a ring he had seen on her hand countless times over the years, and the faint tan line that whispered of its recent departure. Concern etched his features as he approached her, a plate of food in hand. "Hey, you okay?" he asked gently, placing the plate down next to her. "You've been pretty quiet today." y/n managed a weak smile, pushing a strand of hair behind her ear. "Yeah, I'm just tired," she replied, her voice a soft echo of its usual vibrancy. "You know, work and stuff." But the sadness in her eyes spoke volumes, and Noah couldn't shake the feeling that something was deeply amiss.

Noah's heart sank at her response, knowing there was more to the story than she was letting on. He studied her for a moment, the silence between them thick with unspoken words. "Look, if there's anything you want to talk about, I'm here," he offered, his voice filled with genuine concern. y/n's eyes searched his, and for a brief moment, it seemed she might just crumble under the weight of her secret. But she took a deep breath and composed herself, flashing him a smile that didn't quite reach her eyes. "Thanks, Noah," she said, her voice a little too bright. "It's just…well, it's complicated." The conversation lingered awkwardly until the buzz of the gathering grew louder as more guests arrived, pulling Noah away to tend to the grill. Yet, his mind remained with her, the unspoken truth a persistent thorn in his side. As the night wore on and the stars began to peek through the darkening sky, he found himself unable to ignore the sadness that seemed to have taken up residence in his once vibrant friend.

The evening progressed, with the clinking of glasses and the hum of conversations, but Noah couldn't shake the feeling that something was off with y/n. After everyone had left and the last embers of the BBQ had died down, he found her sitting alone on the porch, her eyes fixed on the distant horizon. He sat down beside her, the quiet of the night enveloping them. "You know, I've known you for a really long time," he began, his voice low and measured. "And I can tell when something's bothering you." He reached over and took her hand, the absence of the ring glaringly obvious. "What's going on, really?" y/n's eyes filled with unshed tears, and she took a shaky breath. "It's over," she finally whispered. "What's over?" Noah asked, though he had a sinking suspicion he already knew the answer. She looked at him, her gaze filled with a mix of pain and embarrassment. "Me and Mark. He…he cheated on me." The words hung in the air, heavy and laden with hurt. Noah's jaw tightened as he processed the revelation, his protective instincts flaring. "Why didn't you tell me?"

Y/n shrugged, her eyes downcast. "I don't know," she murmured. "I guess I was too proud. I thought I could handle it on my own." Noah squeezed her hand reassuringly. "You don't have to handle everything alone," he said firmly. "Not when you've got friends like us." The silence that followed was filled with the unspoken understanding that their friendship had shifted, grown stronger in the face of her heartache. He could see the struggle in her eyes, the internal battle between admitting her vulnerability and maintaining her independence. But he knew that sometimes, the bravest thing you could do was ask for help. And he was determined to be there for her, no matter what the cost.

With a heavy sigh, y/n leaned into Noah's side, the weight of her secret finally lifted. "I've been living in my car," she admitted, her voice barely audible. "I couldn't stay in the apartment after…you know." Noah's eyes widened in shock and disbelief. "What? That's ridiculous!" He pulled her into a tight embrace, his mind racing with the implications of her confession. "You can't keep doing that," he murmured against her hair. "You're coming home with me." y/n stiffened, protests forming on her lips, but Noah cut her off gently. "I insist. You can stay with me until you get back on your feet. It's only for a little while." Despite her initial hesitation, the warmth of his embrace and the sincerity in his voice melted her stubbornness. She nodded, her voice trembling. "Okay. Thank you."

As they walked inside, the reality of their new living situation began to sink in. They would be sharing a room, a thought that sent a strange mix of comfort and anxiety through Noah. He had never seen her so vulnerable, so broken, and the urge to protect and care for her was overwhelming. They climbed the stairs to the spare room, the space suddenly feeling much smaller with the weight of their shared secret between them. "You can have the bed," he said, gesturing to the neatly made up mattress. "I'll take the couch." y/n's eyes searched his, a silent question in their depths. "Are you sure?" she asked, her voice a mere whisper. Noah nodded, his resolve unwavering. "Yeah, I'm sure." He helped her gather her things from the car, each item a stark reminder of her shattered life. As they settled in for the night, the walls of their friendship grew thinner, the line between comfort and something more undefined blurring ever so slightly. And as they lay in the quiet darkness, separated by the span of a room that now felt like a world, Noah made a silent vow to be the rock she needed, no matter where their newfound closeness might lead.

The next day dawned with a soft light, filling the room and illuminating y/n’s tear stained pillow. Noah awoke early, his mind racing with thoughts of how to make her feel more at home. He slipped out of the room quietly, not wanting to disturb her, and started a pot of coffee. Downstairs, he found an empty spot on the fridge, the perfect place for the reader's favorite childhood photo, which she had brought with her the night before. As he placed it there, he heard the soft padding of her footsteps on the stairs. She looked exhausted, but there was a hint of gratitude in her eyes when she saw the photo. "Thank you," she murmured, her voice still thick with sleep. Noah handed her a steaming mug, and they sat at the kitchen table, the quiet of the early morning wrapping around them like a blanket. "We're going to get through this together," he assured her, his voice strong and steady. y/n took a sip of her coffee, her hand trembling slightly. "I've never been so scared," she confessed. "But I'm not alone anymore." And with that, their journey of healing and rebuilding began, one shared meal and comforting conversation at a time, the walls between them continuing to crumble as they found refuge in their unshakeable friendship.

Over the following days, Noah and y/n fell into a gentle routine, their friendship evolving into something more profound as they navigated the complexities of her heartbreak. They spent their mornings sipping coffee and sharing stories, the warmth of their bond a soothing balm to the raw wounds of her recent past. Afternoons were filled with job hunting and apartment searching, y/n's determination to regain her independence a testament to her strength. And at night, as they lay in the quiet of their shared space, the air grew thick with unspoken feelings, the line between friendship and something deeper becoming increasingly difficult to discern. One evening, as they watched a movie together, the silence grew heavier than usual. Noah felt y/n's eyes on him, and when he turned to meet her gaze, he knew that she was contemplating whether to speak her truth. He held his breath, waiting for the words that might forever alter the course of their relationship. y/n took a deep breath, her eyes searched Noah's, and she finally spoke. "I know you've noticed…I've been looking at apartments, but the truth is, I'm not ready to leave yet," she confessed, her voice barely above a whisper. "I don't know if it's because of what happened or because of how safe I feel here with you, but…I just can't imagine being anywhere else right now." Noah's heart skipped a beat, the weight of her words settling in his chest. He knew he had feelings for her, feelings that went beyond friendship, but he didn't want to burden her with them during such a fragile time. "You can stay as long as you need," he assured her, his voice gentle. "But we should talk about what this means for us. I don't want to complicate things, but I can't ignore what I'm feeling." y/n's eyes searched his, and she nodded slowly, a soft smile gracing her lips. "I think we should," she said. "Because I've been feeling it too." With that, the air in the room shifted, the tension of their unspoken confessions melding into a newfound understanding. They sat there, in the quiet of the night, the flicker of the TV their only company, as they both contemplated the uncharted waters of love that lay before them, unsure of where their hearts would lead but ready to explore it together.

The next day, after a morning of apartment hunting that yielded no promising results, y/n decided to stay in, feeling emotionally drained. Noah suggested they take a break from the stress and watch a movie, hoping to lift her spirits. As the film played out, their bodies grew closer on the couch, and without thinking, his arm found its way around her shoulders. y/n leaned into him, her eyes never leaving the screen. When the movie ended, the silence stretched between them, charged with a newfound awareness of their proximity. Noah cleared his throat, his heart racing. "You know," he began, his voice tentative. "We don't have to rush into anything." y/n turned to face him, her eyes reflecting the same uncertainty and hope. "I know," she said softly. "But I don't want to ignore this either." And with that, she reached up and touched his cheek, her hand lingering there for a moment before he leaned in and kissed her, a gentle pressure that spoke of years of pent up emotions. It was a kiss that promised comfort, understanding, and maybe, just maybe, the beginnings of something more. The room seemed to hold its breath as they pulled away, their eyes locked, and for the first time in weeks, the reader felt a spark of something other than pain it was the flicker of a new possibility, a light in the darkness that promised a future filled with love and healing.

[plleeeepppyyyy]

I absolutely adore your Wally fanfics!

If it’s alright with you, can you make a slightly jealous Wally fic? Again, it’s okay if you don’t want to, but if you do, here’s how it would go—

You’ve been hanging around with Barnaby, Julie, Frank, Poppy, Sally, Eddie, and Howdy quite often. Usually it’s because some of them request help, or it’s because they just want to hang out with you!

Unfortunately, this comes at the (slight) dismay of Wally. At first, he’s delighted you’re making friends with the others, or at least getting to know them better. But as time goes on, hanging out with him is less and less— of course, you still try to MAINTAIN hangouts with him, but it seems that fate dislikes him so! Every time you’re just having the best fun with him, someone has to come and take you away.

(Like say Frank needs you to catch butterflies with him just when you and Wally are drawing, or Eddie needs your help delivering packages.)

Either way, it makes Wally more jealous.

How he deals with it is all up to you! Again, if you want to write this, I hope I provided enough detail for you to base a story off of this! :)!!

iiiii think i accidentally made wally a bit more than slightly jealous? its really fun to write him being jelly ngl!! it was really fun to write this, ٥(¯ ³¯)

i also made him a bit (maybe too) rude to julie,, so sorry julie! :(

(i also would’ve posted this earlier but i had a busy day, sorry!!!!)

“slightly” jealous wally + reader!

⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂

______

•wally is just so…. happy that everyone wants to hang out with you!! so… happy… (ง'̀-'́)ง

•honestly he’s jealous at times, he’s honestly a very jealous man.

•like dont get wally wrong, he’s happy that you’re getting on great with his friends! it’s just he prefers to have all of your attention on him.

•just him, he wants you all to himself.

•but just as long as you hang around him, it’s perfectly fine—

•no it wasn’t. why’d you stop hanging out with him more? :(

•he doesn’t blame everyone for being excited , after all.. you were y/n. just great, fun, a good person to be around. how could people not stay by you?

•and that’s what wally wanted to do, stay by you.

•even if you guys hang out with the others, his eyes are only on you. like said before, you’re the apple of his eye. his bff, everything, ofc he wants to look at you.

•he notices quickly on that everyone else is just taking ur attention further and further, which makes you more busy and busy to not hang out with him! he’s legit so distraught, he immediately runs to house for some advice.

•like, how can he get your attention more?!

•he’s handsome, he’s entertaining, he’s got like,, everything, why do you pay more attention to his friends more than him?

•you guys could just be sitting around sketching, as wally watches you intently, someone has to come up and poof! you’re being whisked away..

•okay, he feels a bit guilty thinking of his friends in a not so friendly manner. but they keep taking you away from him! you were supposed to be his!

•he’s also kinda in his delulu arc,, he makes himself feel better that you’re just busy! ofc you want to hang out with him! you like wally, he likes you! literally he keeps trying to convince himself that everyday you’re just YEARNING to be with him 24/7. (like he is with you.) wally also convinced himself he is justified for feeling this way. i mean, you’re his best friend, he didn’t go all this way to bring you back just for you to be distracted from him.

•if one of the neighbors like for instance,, barnaby come up to you while you and wally are spending time together beautifully and grabs you away,, he’s so heartbroken. like don’t go! :( barnaby’s jokes can wait!

•as patient as wally can be, he gets a bit snarky.!(not a bit, a LOT) literally if frank comes up to you asking for help with something, wally spews out a quiet sassy comment. he’s so passive aggressive. as you ask him what he said, he turns to you with the most innocent face ever and says, “nothing, darling!🫶” (lies,,)

•you know how elmo got passive aggressive if rocko and susie? that is wally, elmo is wally..

•if sally walks up to you guys, wally will legit glare at her and be like, “hello sally.” and just eyeing her. like WALLY??? are you okay? 😭

•he can get SO desperate for you to stay with him, he comes up with every excuse in the book. he’s on the brink of grabbing you and just running away. he’s very on the verge of going on his knees of begging.

•he’s honestly like a dog who cannot live without your attention for a second. it makes everyone else so confused, like why is wally being so clingy to you?

•if you ever notice the snarky comments he’s been making and call him out on it. he apologizes and comes up with an excuse. that he was stressed; whatnot.. well,, it wasn’t a lie.

•if anything he’s starting to envy his friends, which is something he wouldn’t want to happen. but, if they keep taking him away from him. sometimes he just gets frustrated. you’re his bff!

•just as things start to get great, someone has to swoop on in and snatch you. he wants you to look at him and him only at times.

•hell, he even getz a bit jealous of barnaby! his other bff, even if you both hang out with him, he still gets a bit jealous.

•as he is left there alone as you go help howdy with his shop, he just thinks to himself. why can’t you stay by him? you’re supposed to be friends, the best of friends! doesn’t howdy have four arms? what did he need help with? it should be him getting attention from you, its just not fair. why?

•he literally is on the verge of breaking down as he goes back to home miserably. wally legit starts ranting again to home, what is he doing wrong? he rants a lot to the point where tears of frustration are clouding his eyes. why is he upset over you? no, you were his best friend, he had every right to be mad.

•just as he kept ranting, his telephone rang. it was you!

•finally you were able to give him at least some attention, and he could hear your lovely voice.. (attention starved i swear,,)

•you apologize to him for leaving, that stuff was just getting busier, but then offered to hang out with him.

•of course he said yes!! he felt excited, but it dawned on him. how was he going to keep you to himself? where it was just you and him.

•simple, just be stern.

•this time, he was going to keep you right, beside him. :)

_____________

“again, i’m sorry i’ve been so busy lately. its as if i’m just a celebrity here, huh?” you chuckled, it was a normal day. sunny, nice, and it was just you and wally. walking around, trying to find something to do.

“hah, you could say that.. it’s okay though, y/n. i’m just glad we have time together. especially now.” wally hummed in happiness, he wouldn’t lie. he was really happy. you sighed and nodded, you couldn’t but feel bad.

it was if you kept leaving wally behind, so you might as well give him some time too, right?

“yeah, me too. i’ll try to be around you more, of course if you want it.”

wally wanted it, definitely, it was like he couldn’t live without even talking to you for a day.

“mhm, i’d very much like that.” he nodded, finally some time to be alone with just you. no one else.

“i’ve been feeling bad for just leaving you by yourself, and..” you sighed and shook your head, clearly thinking as wally looked at you.

“wally i really want to have more time with you. thanks for being understanding about this whole thing.. don’t get me wrong, i like how your friends are so welcoming!” wally winced at the “welcoming” part, if anything they were too welcoming. but he listened on.

“it’s just.. sometimes they leave me barely any time to just hang out with you, you know? and for sure in the future, i’ll be sure to give you some attention.” you said in confidence, seemingly determined as you grabbed his hands.

which made wally a bit taken back, wow.. did you really felt this determined to make it up to him? he felt so happy at this fact and held your hands back.

“well, thank you.. y/n. i know it’s out of your control, since you are so exciting to be around. i guess people can’t help themselves but be around you.” he huffed jokingly.

“you’re a good friend though, y/n. i really appreciate you being this considerate.” wally smiled at you, which made you feel a bit better about the whole situation. you hummed and shook both of his hands, then let go. despite wally’s disappointment.

“yeah, of course! don’t wanna make you feel left out.. hey, you wanna go?—“ as you were about to finish your question, both of you heard julie. much to wally’s dismay.

again?

“heyyyy y/n! hiya wally!” julie hummed as she skipped over to both of you. wally glared at her ever so slightly as he looked at you, you were smiling. maybe out of kindness? manners?

he felt his heart sink a bit, “oh, hi julie! what’s up?” you greeted as wally stared directly at julie. if she even tried to steal you away this time..

“sooo, uhm, i need some help with something.” she sighed as she poked your cheek lightly, seemingly a bit shy.

“uhm, what is it?” you asked, wally kept looking at julie. practically serving knives right into her, as bad it would make him feel afterwards. he couldn’t just have you go away, not again, not now. you were his today. nothing was going to change that. home even agreed that you should give wally more time!

as wally begged internally for you to not go away again, julie explained her situation.

“so, i was gonna do this surprise for poppy, but i really need some help with some suggestions. could you—?” as julie was about to continue, wally quickly grabbed your hand and tugged you close.

“ah, sorry, julie! y/n’s a bit busy with me today, why don’t you ask someone else?” wally asked, if you listened close enough you could almost hear the passive aggressiveness. you and julie were both startled as wally basically held you. he smiled his usual smile, keeping you close. and tight. to him, you weren’t going anywhere without him.

“uhm, but it’ll only take a bit, i swear!—“ wally quickly shot her down and glared at her, his smile slightly faltering. “ask someone else. they promised to stay with me, right y/n?” wally said sternly. he looked at you, you were a bit taken back. a little flustered, yet confused.

“uhm, well, i did..” you mumbled back, you were a bit taken back as well. she seemed to be a bit scared and pitiful. “oh, uh, okay.. sorry for bothering you two. my bad!” she sighed and gave you both a pity smile, as if she was a bit embarrassed.

“it’s fine— uhm,” wally let go of your hand and smiled at you, “anyways, what place were you going to say, y/n?” you paused and looked at julie. feeling a bit bad as she looked around, backing up a bit.

“uh, that one cafe i talked about a couple days ago! remember?.” you stammered out, wally nodded and smiled at you. “lead the way then!”

you paused and nodded, mouthing a sorry to julie as you tugged on wally’s cardigan. motioning for him to follow you, you started to walk after you did so. thinking of how weird the interaction you just had.

wally lingered a bit and whispered to julie up close, “sorry julie.. but they’re mine.” he smiled at her, the way he mumbled to her made her confused. a bit embarrassed as well. what did he mean by that, you can’t just..

“for today at least, you know how it is.” wally winked and walked away, julie looked at him. a bit confused, no really confused. is wally okay? why was he being rude? she sighed sorrowfully and made her way, maybe someone else could help her.

you looked back a bit as you were paused in your steps, what did wally say to julie that made her run away? you felt really bad for that encounter, why would wally do that?

wally caught up to you and took your hand, “sorry if i was a bit.. stern to julie. she just.. needed to back off a bit, you know?” he assured you, you looked at him with confusion.

but you nodded, holding his hand back. “uh, you’re right.. i did promise you that i was yours today. huh?” you asked him. you decided to try to least not be too tense today at least. it was the least you could do for wally.

he nodded and kept his grip on your hand tight enough. adoring at the statement you recalled.

yes, you were his today.

and no one was going to change that.

_________________

•over the whole time this is happening he becomes more clingy, more around you. to the point where he just drags you along with him.

•he’s dismissive of his other friends at times too, he focus all on you. he waves eddie off and just listens on what you have to say. which does make him a bit more distant from the neighbors.

•even over the time, he gets more jealous and slightly more convictive, snarky, and just overall mean. in fact if you didn’t reprimand him for those comments he could’ve been way rude. it still makes him feel a bit bad too, those are also his friends. yet he’s just being rude. he can’t help it but feel annoyed though..

•he is trying to work on himself be less rude, to the point where he went to you and talked about it.

•you, being an understanding person thankfully, offered to help him out. make him less tense, jealous, and whatnot.

•and with your help, he does get better with his jealousy issues too! which makes him glad, it def gets him out of his delulu arc too.

•at times though, the thought of jealousy comes up.

•even if he tries to calm down, he can’t help but feel it. the emotions spring up at times.

•wally is still jealous nonetheless, and even if it is an ugly thing. it won’t go away for him. he just appreciates you so much, that’s what friends do, right?

⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂

ackjjj,, okay went a bit overboard ngl. but writing a jealous wally is just fun ! (￣▽￣)

thanks to anon for givin me some stuff to work with too, you got some good writing ideas!!(•̀ᴗ•́)و

yet again; sorry for posting this one later than usual! days are getting a little busy for me, but i’m definitely trying to get all of these requests done!

i also realized how much traction my clumsy and silly reader fic is gettin too, so thanks for that! i’m glad my writing is getting somewhere,,´･ᴗ･`

love y’all!!

ミ★

[paper-mario-wiki]

i have now watched all of what has been animated of Overlord, here is my review:

okay i'll watch the fifth season but if Renner doesn't act like a fucking freak openly on-screen in at least half of the episodes im gonna be pissed. to be quite frank, and quite self indulgent, there are SO few yandere women that are given proper screentime these days-- and that's in manga AND anime. why is nobody brave enough to go full yuno gasai? what's wrong with these people? have they forgotten one of the core dere archetypes? my god. the only time girls get to act crazy on screen in anime is when they're an abusive guardian, a power ranger tier villain, or traumatized into helplessness. i want to watch someone whose derangement gives her power and i dunno, maybe she wields them selfishly for the one she loves! and that SEEMS like it's whats been promised to me in the 5th season, but ive been wrong before!!! theyve strung me along with the promise of seeing her do some real insane shit with no more than 6ish minutes spread thin over the 1248 minutes of animation the show's runtime has been composed of thus far. but god dammit. im still gonna watch.

anyway, everything else was pretty cool too, at least enough to keep me interested in the meantime. the animation was pretty bad for most of it. but the writing, voice acting, and overall direction were able to keep the story enjoyable despite that. to compare it to another isekai with a similar premise, though executed very differently; the politics are more interesting in this show than in Slime Show, but Slime Show's world feels more consistent, and the events contained within more justified, where Overlord does ass-pulls often. but i like this world too. i like these characters. i like how complicated they are. much of it is very edgy, and it's chock-full of what i'd call "anime bullshit", but that's a seinen story for ya.

my ratings for the seasons are as follows

6/10

7/10

6/10

7/10

Overall verdict:

this show is hard carried by its sprawling cast of deeply insane women, and god dammit they carried my girl-loving ass through 52 episodes. and probably 13-26 more depending on whether or not the studio really does end up wrapping up the story in the next season. due to the shamelessness of this shows content, i don't know that i can think of many people who i would recommend it to without feeling embarrassed about it. HOWEVER. if you're the kind of person who kept reading this because of the multiple mentions of really, really insane women, and that was enough to get you to read this whole thing, you'll like this show. i mean. as long as you can tolerate all of the *blech* Heterosexuality.

[loveinhawkins]

Up until recent events, Eddie hasn’t really put much thought into flashlights—save for that time he had to take out the batteries in the T.V remote to get his to work, back when the power went wonky last summer.

But now? Oh, as soon as he’s through with this whole nightmare, Eddie’s gonna find out whichever saint invented the damn things and start a petition to get them a federal holiday. That’s gonna be his whole… raisin something, something—he thinks it’s French, Buckley will know.

Fucking wondrous creations.

… Okay, he might still be a little jittery.

So sue him. It’s either run with his increasingly stupid train of thought or have a thoroughly justified panic about—well, there’s just so much to choose from: the ash in the air, the apparently sentient vines on the ground, how it’s so fucking cold and dark—

Jesus H. Christ, calm down.

It’s not all that dark anyway—or at least, it’s not as dark as it could be. Steve’s lighting the way, flashlight in hand. Honestly, Eddie thinks he should get it preserved, like in one of those glass cabinets in museums, complete with a plaque: This bulb somehow survived a journey from the depths of a lake into an alternate dimension, and all for the low, low price of…

Well, Eddie doesn’t know how much it cost. He’ll workshop the whole plaque thing.

In his reverie, he stumbles carelessly, nearly pitching over right into Hive Mind territory.

“Ah, shit,” he whispers.

Steve’s hand must move because the light drifts over—ends up illuminating much more of Eddie’s path than Steve’s.

“Thanks,” Eddie says—glances sideways to find Steve already looking at him.

“Think I’m the one who should be thanking you,” Steve replies.

His hand flexes, as if he’d gone to twirl the flashlight before catching himself; Eddie has a very faint memory of Steve doing the same with pencils in class and fights a private smile.

“You gave me it,” Steve continues. “I would’ve just… gone right in without thinking.”

It’s said self-deprecatingly, but Eddie would argue that Steve’s impulsivity (his courage) is an admirable character trait, even if it sets his heart pounding.

His own problem is that he thinks too damn much, until the window of opportunity has almost been and gone.

He was the only one to hesitate before diving into the lake: he knows all too well how that could’ve made its way onto the increasingly long list of moments that haunt him.

He could’ve been too late, could’ve not found the Gate at all—and then, would only have been able to pathetically swim back to the kids and tell them that their heroes were gone.

The light skips onwards just a little, encourages Eddie to look up from his feet. He blinks a few times to try and adjust to the darkness looming ahead. There, the indistinct outline of trees, and he’s drawn back to a classroom again, to the soporific noise of chalk on a blackboard, to…

The woods are lovely, dark and deep.

“The hell is that from?” Eddie wonders, and he doesn’t realise he’s also said the quote aloud until Steve speaks.

“S’a poem. Robert Frost.”

Eddie clicks his fingers. “See, that’s why you actually passed English.”

Steve rocks his hand back and forth, so-so.

Eddie raises an eyebrow. “Don’t play coy now, Harrington.”

“I’m not, I passed by the skin of my teeth, dude.” Steve looks into the distance as he walks, like he’s being drawn back to some place, too. “I was meant to, um, submit a portfolio thing, and I just… didn’t.”

“Like stories and shit?”

Steve smiles. “Mm-hmm, and shit. Poems, too.”

“So why didn’t you…?”

Steve just shrugs in reply so Eddie changes tack—rolls his eyes expansively, but only at himself.

“Fucking Frost. Ugh, why can I remember that shit now, but when a paper’s in front of me, it’s just…” Eddie mimes an explosion in the back of his head, gone.

“Well,” Steve says, chuckling, “if the, uh, lovely atmosphere of this place jogs your memory, we’ll make some time, get you to write an essay.” He grins at Eddie, teasing and charming in equal measure. “We’re nothing if not productive.”

“Sure, that’s one word for it.”

Joking aside, Eddie finds that the mention of school calms his heart somewhat: to think of the foreboding sights around him as part of a story. Maybe it’s a control thing, like his campaigns. Dress shit up, put a film on top, then you don’t have to look at it directly.

He suggests as such to Steve in a longwinded ramble, and gets a thoughtful look in response.

“Like the Shire? And Mordor?”

“Yeah,” Eddie says. “Yeah, exactly.”

Steve nods slightly. The movement dislodges some particles in his hair—and yes, it helps, Eddie thinks, to believe it’s just freshly fallen snow.

“Yeah, that sorta never really worked for me?” Steve’s voice goes up at the end, almost apologetically, although for the life of him, Eddie can’t work out what he’s apologising for. “Like, when the kids ran with all the D&D stuff, the uh… analogy? Metaphor?”

Eddie gestures at himself with one hand, I failed English.

Steve laughs. “Yeah, whatever. Dustin and Lucas keep hashing that one out. Anyway, it didn’t exactly… help. Help me, I mean. Just made everything more…”

He sighs heavily.

Eddie thinks he understands. All his bullshit is just a veneer, after all: it doesn’t truly mask the fear.

“Hey, maybe you could give it a shot,” Steve adds. The light dances for a second, like he’s just barely resisted twirling the flashlight again.

“What?”

Steve smirks—juvenile, light-hearted, almost like he’s about to challenge Eddie at the school gym, like, bet you can’t make that shot from center court, Munson.

“You could write a poem. Make sense of…” Steve gestures around them.

“Harrington, as I keep reminding you, I failed English.”

“Yeah, so? I’ve heard Henderson go on about your campaigns, dude, s’not like they come from nothing.” Steve looks Eddie up and down in exaggerated scrutiny. “You look like the kinda guy who loves a theme.”

“Oh, really,” Eddie says flatly. He can’t hide his smile even if he tried.

“That’s what I thought, every time you’d come into class late: oh, here he is. The symbolism.”

“Jesus Christ, Harrington, shut up.” Eddie steps into Steve’s space just to shove him away (just to touch). He thinks that if he were to try his hand at poetry, it’d be horrendously self-indulgent—something about how he might not be the one holding a flashlight right now, but he’s certainly carrying a torch.

“I don’t work for free, Steve. You’ve gotta do one, too.”

“A poem for a poem, huh?” Steve says. “Sure. It’s a deal.”

And yeah, they might just be saying anything to pass the time. But Eddie chooses to believe otherwise; there’s still a pensive flicker in Steve’s eyes that makes him think he might just get lucky, that Steve might even dig up some old stuff from his abandoned portfolio.

It’s a nice thought—something to look forward to, at the end of all this.

He considers Steve, and even though he knows it’s not snow, he can’t help but turn the particles into flakes in his mind again, into something prettier, safe—almost as if Steve’s presence has softened the danger.

He wants to stop here, suddenly. Linger. It doesn’t make sense. But it feels like time is…

A gentle nudge—a warm elbow to his side.

“C’mon, daydreamer,” Steve says. “You can write down whatever you’re thinking later.”

Eddie snaps out of it with a breath of a chuckle, follows Steve’s light again. Keeps moving forward—past the ash, and the vines, and the trees.

The woods won’t be forever.

After all, he’s got promises to keep.

[enemywasp]

Alright so someone on tiktok sent me a link to a compiled list of arguments against proshippers and so I wanted to put a sort of brief response of my own thoughts of each point.

Long post warning!

"Proshippers are non-offending minor attracted people in a fresh paint of coat"

What a start, am I right? Okay so first off this is a huge generalisation, not every proshipper engages with or is even comfortable with anything that sexualises fictional children, or ships them with adults. And of those that do ship adult/minor ships, it doesn't always mean they're attracted to the character themselves or gains any sexual pleasure from that.

They then went on to say that although they might be non-offending, they still fantasise about and romanticise children- in the case of proshippers by creating art and stories. And I am not personally educated enough on how people's minds works to go in depth here, but I do know a lot of pedophilic thoughts can be intrusive and unwanted. And I would much rather people engage in this and deal with their thoughts through fiction where no actual children are harmed, than actually go touch a real child or engage is any form of CSEM.

“People can draw and ship whatever they want!”

Here they went on to say that surely to ship and create content you must justify these things in some capacity regardless of them being fictional. And immediately I'd argue, the justification it that they're fictional. And that sometimes you want to read about things you'd never approve of in real life, it's a natural curiosity. And again, regardless of what the dark content is I would take someone engaging in fiction over harming a real person any day.

They compared this to alt-right groups and dark humour justifying racism and transphobia, etc. And whilst I think something we should always be aware of in fiction is stereotypes and how we may be representing people. Youtube videos like this are usually a type of propaganda that AIM to change people's mindsets and turn them against groups. Whereas fiction tells a story, some may have meanings and connections to real life, be a political piece, etc. Not everything is that serious and has a clear distinction from reality.

Think for example, reading/watching about murder and gore. More on that in a second.

"Fiction doesn't affect reality!"

I'm going to be honest I rolled my eyes at this as their main example was slenderman. If you don't know about that, those girls were schizophrenic. Anything could of set off and caused delusions, it just so happened to be fiction. Those girls needed help- not to just read purer content. They also basically brought up propaganda again, which is again deliberate and designed to warp peoples perceptions. Its based of lying and spreading misinformation and passing it as facts. The only thing I strongly believe can be directly harmful is stereotypes if not handled with care. But I think that's something for anyone who writes and consumes content should be aware of regardless of their stances.

Again here they implied that all proshippers are peodophiles. And that they normalise abuse of children. I'd also like to point out that most proshippers I've interacted with online have age boundaries to avoid interacting with minors depending on how graphic or sexual their content is.

"What do you think all stories about murder should stop existing?"

Here they basically argued that killing in media isn't the same as its not romanticised or condoned. YA Novels disagree- mafia stories being the most immediate example to spring to mind. Furthermore, morally grey villains. One of my favourite films is Mr Right. It's about a hitman killing people. Anna kendrick falls in love with him and its framed as a romantic comedy. Funny how its only fanfiction that's criticised like this? I actually have more thoughts on this if anyones interested.

Again they bring up kids not knowing adults pursuing children is wrong, and I'm questioning why children this young are unsupervised on the Internet. How young were you when you were allowed to watch anything with graphic blood or violence? This content isn't made for kids! Especially not anyone so young they can't seperate fiction from reality as most sites have a specific age you have to be to join. And I'm sorry to say it, but on websites and social media where adults can interact with kids, anything can be used to groom kids. (The real thing you should be mad about here is how there's no websites aimed just for children and safe spaces on the Internet anymore cause it can't be monetised as easily)

"Artists are allowed to draw and write about dark people"

They basically said, yes but it's not the same as promoting. Writing something under a romantic light and not saying "Don't do at home!" Isn't promoting. No ones encouraging these things in real life. Or rather, if they are its not because they're a proshipper but rather who they are as a person and their intentions.

The trans example they used is very extreme and honestly something I agree with a little more, fiction can definitely be used as an excuse to say and act out hateful and discriminatory things. Whilst I do think it's something we should discuss and unpack more, I'm not certain of my view on how I would fix this without risking silencing people talking about their experiences.

"Its not my responsibility to look after other people, just block me and the tags"

Here they threw all kinds of accusations. And says that we're making traumatised people jump through hoops to avoid getting retraumatised. I hate this argument, you know people have actual triggers they may not be able to avoid in real life? The world can't bend around you. And I am very sorry if any content online is traumatising to you, but someone could also be traumatised by a certain breed of dog and not want to see it. Should no one post dogs online ever again? A bald man reminds you of an abusive ex? Bald men get off the Internet! You see how this thing can just keep escalating? The tags and warnings are important because they're the best you can get. You can't control the world to protect everyone from everything ever. No ones forcing you to interact, and if you're on any algorithm based content that will encourage that content on your for your page more.

The only thing I think we should take from this is the reminder that warnings and tags are always important.

"You only care about censoring creativity"

Here they defend themselves that oh wouldn't you want freaks out the community! Which again immediately makes me lose respect for you, if you're just going to brand us all as freaks as an argument and generalize us.

No comment on that first line when you can easily argue antishipper do the same.

"Proshippers are not remotely innocent of targeted harrasement" Neither are antis. There's people who take things too far both sides and I'm not going to defend either for that.

"Real kids get assaulted and all you care about is censoring people online!"

Here they shout "oh I can care about both!" But what I don't think they realise is censorship can make it difficult for kids and to learn about how to speak up and to look for signs, or to speak up about their experiences. How do you plan on removing the topic from the Internet whilst also letting victims speak up? And people may want to write fiction based off their experiences. Who are you to go through it and proclaim what is too far, what romanticises it too much? More on this later.

"Antis are reducing my trauma"

They compared this to saying "date rape victims are reducing my trauma because they weren't taken advantage of in the same way as me" which is a disgusting parallel?? Date rape is still rape. Someone writing about something isn't the same as it happening. Although it can be used as harrasment, grooming, etc if directly addressed to you or being constantly sent to you, written about you. But the content existing in general? No.

"I'm coping"

Compared it to self harm, and such. Poetry and diaries are also used to write about your experiences and unpack trauma. Some of which may write it in an unrealistically positive light cause that's how they want to unpack it or explain those thoughts. And yes these things get posted online.

I can't imagine a single therapist or professional psychiatrist of any kind disapproving of creative writing because, again, it's much better than any alternatives of doing real harm to yourself or people around you. Although I do agree that if something is traumatising for you to read about and just upsets you further, be aware of your own boundaries but not everyone is the same so how are you going to police people's own thoughts and emotions.

Also I can't remember who or where as it was years ago now, but I have heard of people who actually realised they were being groomed or abused and just how bad it was through reading about it in a fanfic and seeing it in an outside perspective.

They also say to do it in private, but doesn't everyone on the Internet now have an understanding of finding a community and looking out for eachother and sharing experiences?

"There's more nuance here than just calling proshippers peodophiles"

Here they say no matter what it still comes down to whether it's ever okay to sexualise minors in certain contexts. And again, not every proshipper does this or is even comfortable with engaging in this kind of content. And further, no one is sexualising real minors in this context.

"I'm a proshipper and a minor tho!"

I'd agree minors should be wary of the spaces they're in but proship spaces aren't always necessarily sexual, graphic or 18+. Saying they're being groomed feels like you're watering down that term. I was a proshipper at age 13, I didn't interact with anyone online about it though, I didn't even know that was the term. I just came to the conclusion that it's just fiction all on my own. Minors aren't idiots.

At then end they talk about their own experience being groomed and I'm obviously not going to nitpick or criticise their experiences. I will point out that one person being bad and taking advantage of you and using content to do so doesn't mean everyone is like that. I am sorry to anyone who has been taken advantage of by someone who claims they're a proshipper though. There are people who have turned out to be horrible on both sides.

I am ill and it's late but I want to get this up sooner rather than later so please ask for clarification on anything. I'm always up for a discussion on this topic as I do believe some of these points do have merits at times and that this whole topic is not black and white

[writingwithcolor]

Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction?

Dear readers: 

Today we are trying something new. To give you some insight into our process in the Japanese moderator section, we are presenting our response in the form of running commentary to show you how we dissect and answer long asks. We hope this makes clear what points are useful and not useful when sending us a query. As always, this is for learning purposes, not callouts. Be prepared: this is a long one. 

To summarize: the asker is looking to create a comic drawn in Japanese manga style, and has provided a long summary of the story and worldbuilding which involves a mix of “reimagined” Japanese yokai mythos and cultural symbols from many other sources. They have questions with respect to cultural appropriation, coding etiquette, and “what is and isn’t ok.” 

Opening Comments

I know a common advice when it comes to the thing I am about to ask is to talk to people involved in __, but I struggle with opening up to strangers for reasons I'm uncomfortable explaining. 

Marika (M): This is already a red flag. If you want to engage with another culture without talking to people from that culture, then research is going to be very challenging. You won’t have members of that culture to guide you towards sources and perspectives they feel most accurately represents public opinion. If I were in your shoes, I might start with tackling my discomfort when engaging with other people, if only to improve my work. If you aren’t ready to engage with a culture and its people directly, then I think you should wait until you are. 

I should note, reaching out to the Japanese mod team at WWC does count as engagement, but WWC should not and cannot be the only point of contact because there is no single, legitimate cultural perspective. 

Rina (R): Also, you don’t need to “open up” to strangers or talk to them in person to get perspectives. Asking specific research questions anonymously to a forum or on social media requires very little vulnerability. You managed to do it here on WWC. So give it a try! 

Anyway, my question basically amounts to the what is and isn't ok [sic] in terms of depicting fantasy creatures and concepts outside of their respective culture.

R: So, the reason why we turn away rubber stamp questions by that ask “is XYZ okay?” is because “okay” & “not okay” 1) is vague and 2) creates a dichotomy where there isn’t one. 

When we say something is “not okay,” do we mean:

It’s offensive to the general majority of XYZ group? 

It’s contentious among people who ID in the group? 

It has a potential to be interpreted in a certain negative way, but may not be a red flag to everyone?

Insetad try asking:

What are the reasons this subject is offensive? 

What makes cultural appropriation bad? 

When might it be “okay” to intentionally discuss a difficult or controversial topic?

What is your reason for including something that may be interpreted as offensive and can it be sufficiently justified? 

What stereotypes or tropes might it be consistently identified as or associated with, and why? 

When might it be justified to bring up these tropes?

With That In Mind...

Let’s get into the rest of the ask below. 

…a story I've been working on in recent times is largely inspired off the Japanese yokai, and the setting is basically Earth in the far future, as far as when the next supercontinent may form. These yokai, although portrayed differently here, do retain their main characteristics [...] Included in this world are two goddesses of my own creation, primarily representing the sun and the moon. [...] There will be thirteen nations, named and based after the Chinese Zodiac, and the life force found in the living things in this world, called qi, comes in two forms that are always opposing each other but can never fully overpower the other, this being based off yin and yang. They're even directly named this; yin qi and yang qi.

M: This reads more like using Japanese and Chinese culture for the “aesthetics”, not the cultures themselves, which I personally feel falls under cultural appropriation. From a world-building/ coding standpoint, the actual use of concepts is workable, and, dare I say, typical, given how Chinese cosmology influences Japanese culture. However, naming a concept “yin qi” or “yang qi” is the equivalent of naming something “- charge” or “+ charge”, respectively. That you don’t seem aware of this tells me you are pretty early in your research phase. In that vein, we’ve covered translating terms and names from foreign languages in fantasy before. See the following article linked here for our recommendation against using RL terms outright but instead encouraging people to create their own conlangs. 

R: Worldbuilding-wise, I think you would have to figure out the chicken-or-egg of the zodiac nations. Did the nations come first, and the zodiac later as an origin folk story (which you would have to rewrite to serve the nation-building narrative)? Did the zodiac come first, and the nations named (most likely re-named) by a political entity? What is the justification? Otherwise, again, it’s a shoehorning of aesthetics. 

There is also a third, lesser known god based off of fox spirits and trickery and I imagined he's the patron deity of a family that honors and worships him, but his influence on them has transformed them into Kitsune-tsuki, which I depict as fox-like anthros. 

M: Not related to this ask directly, but I have jokingly ranted about how often non-Japanese people prefer using imagery related to kitsune-tsuki in Japanese coded world-building (link). This makes me feel the same level of petty irritation. See my troll answer below for a similar experience.

R: Same. It’s boring tbh. 

M: Troll Answer: I get that kitsune-tsuki are very sexy furries, but Japanese folklore has other sexy furries too! These underrepresented demographics also deserve recognition and appreciation!!

The plot of the story is this; modernization has left the goddesses neglected of their worship and forgotten, something that is necessary in this world to stop them from fighting each other. The Moon Goddess awakens first, punishing the humans by unleashing the yokai. Then the Sun Goddess wakes up to fight in humanity's defense…

M: This could feel rather like Shinto-like coding (Ex. the myth of Amaterasu and the Cave, or Tsukuyomi slaying Ukemochi), but something about this scenario feels a bit too binary in terms of themes of good v. evil, light v. dark to be Shinto. The plot also feels more Gaelic/ Nordic in influence for me as a person raised in a Japanese Buddhist and Hindu household. I imagine this dissonance could have been fixed with better guided research. 

…but their fighting has caused a perma-eclipse and this world is in danger of ending. The yokai have run rampant; some are loyal to the Moon Goddess, and some aren't, and it lies to the main characters to bring balance back to Midgard. Yeah... the name of this future Earth is Midgard. I debate changing it since it and some other things I will mention sorta feel out of place.

R: Marika, looks like you were right on the Gaelic/Nordic influence /j 

Also, worldbuilding question: if the Earth is in the far geologic future, how long has it been since modernization (19th-20th century)? Centuries? Millennia? How long has this fighting gone on for? What triggered the perma-eclipse, and why now? Why is this time depth necessary? 

One of the main characters in question is a humanoid woman with wolf features named Ling, and she is a descendant of the dynasty that had first ruled the one of the nations, particularly the one based off the dragon zodiac. She accidentally summons the other main character to this world as she's praying at a shrine, a humanoid with dragon features--I call them drakon--named Angelynn.

[on the names of characters] is it appropriating by not having the world entirely based on [Chinese, Japanese, and Indian] influence? it's a little weird to me how worldwide the creatures are referred to as yokai, implying a strong Japanese influence not unlike how it is today with Western culture being so dominant, yet there are still names like Keith and Kiara.

M: I will give you credit for recognizing you have unconsciously veered towards white-washing/ race-bending: either presenting European cultural influences (drakons, Angelynn, Keith, Kiara, Midgard) as default or utilizing general E. Asian cultural influences and aesthetics for a Western-style story (Ling, qi, Chinese zodiac, yokai). I agree with you that this creates a sense of cultural dissonance. At this point, I’d say you have a clear choice: write a Western-style high fantasy using a background with which you have more familiarity, or get some better guidance on research with East Asian cultures so you can code the story more effectively. 

The focus of this story is centered around meeting all these yokai and showing that there's more nuance to them than Ling believes, all while saving the world. But I worry if I'm appropriating these concepts and creatures by 1, drawing from more than one culture--I initially imagined that there would be a mix of Chinese, Japanese and Indian influence because according to a website I am getting the info on yokai from, the yokai in question already draw inspiration from or have been based on something in Chinese mythology or Hinduism [...]

R: Sure, some yokai have Chinese or Hindu parallels as that tends to happen with folk tales. But not all–some are unique to Japan, and some are more modern. Sometimes it’s very political–some people consider the Ainu Korpokkur as being a “Yokai of Japan” despite it belonging to the indigenous culture. It’s up to you to research, untangle, and understand these influences. 

The fact that you bring up that the Asian continent has seen a lot of cultural exchange is not a sufficient reason to randomly combine influences for the sake of visual appeal or “coolness.” That is appropriation. These influences must be understood in their historical context so that you know how/why certain things combined or morphed into another, and what makes sense to combine/morph. 

M: This also indicates that the character views the yokai as evil/inherently bad, which I would argue is not a typical stance for much Japanese folklore. Again, this shows a deficit in research. 

2, reimagining these yokai in a new context even though I have done the research on them, because one thing I kept seeing in regards to cultural appropriation is that it's bad to do that […]

R: Refer above to my note on “okay” and “not okay.” The thing with folklore and fairy tales is that every–and I mean every–folk tale is reinterpreted with every new iteration of it. Reimagining in a new context is what people do every time they pass on a story or tell a story with the same plot or characters. Do not think of folklore as an “original” that is altered and rebooted, but rather a living document that gets added to. Reimagining is not the inherent issue. HOW you reimagine something matters. 

So I suppose my question is...if someone were to do research upon the creature they want to use, given they are allowed to use it, and gained an understanding of what the creature or concept stood for, are they allowed to pick it apart and reimagine it? Alternatively, is it ok if it's explicitly pointed out that it is derivative of the original?

It has actually become my biggest fear that I may have internalized something that could both continue to do harm long after the fact and attract the wrong people to me work. I don't wanna let people down!

M: As Rina has noted several times, I think the problem is in trying to ID a set of specific variables and circumstances that make a thing “okay” or “not okay.” I want to recommend that you read my joking response about writing in secret rooms while wearing a disguise (Linked here). Who can you hurt if no one knows what you are doing? There’s a difference between creating for oneself and creating to share. 

You have internalized a message incorrectly, but not the one you cite. The goal of many recommendations against cultural appropriation is to avoid causing direct harm to people who have seen their cultures demeaned, discredited and devalued, especially in shared spaces. Assessing cultural engagement, whether we are talking about appropriation, appreciation or exchange is not a measure of personal virtue or a collection of commandment style do’s and don’t’s. Rather, I believe engaging with other cultures is the state of mind of acknowledging that when using these cultures’ in one’s own work, there is value in consulting members of that culture and giving credit where credit is due. This will be challenging if you are only comfortable engaging with all of these cultures in a distanced, minimal capacity. 

FWIW, I’ve written stories that probably will offend people from other cultures and backgrounds, but I don’t show them off. I don’t think writing these makes me a bad person, but I also don’t see the need to give unnecessary offense, so those stories are just for me, to be written and read in my own secret room. However, I’m not ashamed of having written them, and I’m also comfortable to “let people down” provided that my own shared work reflects my personal principles of what I consider to be sufficient research and engagement with other cultures,  As a creator, my work wouldn’t be mine if I didn’t first please myself. I think the trick to the creator role is deciding what to keep private, what to share and what constitutes sufficient engagement. 

P.S. 

We’ve referenced the need for research multiple times in this ask, and in some of the other asks that have gone up this week, so we thought this would be a good place to plug a beginner’s guide to academic research created by the mod team.. Look for it soon under WWC’s pinned posts!

[lavendertales]

SEÑORITA: Chapter 9**

pairing: Javier Peña x Murphy!f!reader

summary: you get Javier to open up about his life in Colombia. meanwhile, when Steve invites the whole lot of you to brunch, it becomes tough to keep your relationship a secret, especially when Javier's confession burns on the tip of his tongue.

word count: 7k

series warnings: reluctant friends to lovers, lots of playful banter, mutual pining, slow burn, secret relationship, filthy smut; lots of flirting, love confessions, mirror sex, cunnilingus & fingering, some dry humping , cockwarming, lil bit of praise kink & gentle dom!Javi.

A/N: so hiiii yes I am not dead, I am just not really posting anymore but I will see this story through. idk if this is as good as I'd hoped, but I do hope you enjoy it nonetheless 💕

AGELESS/EMPTY BLOGS & MINORS WILL BE BLOCKED!

series masterlist | AO3

There’s loud screams all around him. Smoke, screams, and the unmistakable scent of death and despair, all around him.

Someone’s screaming for him. Saying his name on a loop. Javier, Javier, Javier. Followed by Javi. Then a toe-curling help me and please, and then—silence.

A silence so loud his ears are ringing and pouring blood.

Except when he looks around him, there’s blood everywhere.

Blood, mass destruction, and an impending sense of doom that no matter how far he runs, no matter what lies he tells, it never leaves him. It is then, in that very second as he’s looking down at the bloodied and bruised face of a woman he once thought he could be with and save, Javier realizes that sense of doom will never leave him. He will remain forever locked in its harsh and cold grip, forever followed by the inevitable shame and guilt, doomed to drown in them.

“I’m sorry,” he mutters. “’m sorry—I’m—I couldn’t—“

“Javi. Hey. It’s okay. Can you hear me? Javi. It’s me.”

His name on a loop, pronounced so carefully and sincerely, so rich with care and an almost soul-crushing sweetness, awakens him at long last. He’s disoriented as he looks around, his temples and forehead dripping with sweat. There’s a hand gently resting on his chest, steadying his heartbeat, and it’s then that Javier’s eyes come into focus and they see your face. And then slowly the realization that he’s no longer in Colombia, no longer surrounded by pain, comes into focus as well, and that he’s in his bed, next to the most wonderful woman he’s ever known.

“Are you alright?” you ask, gently rubbing his chest through the t-shirt.

“Yeah. I’m definitely better now.”

He cracks a reassuring smile and so do you.

“Nightmare?” you ask next.

Javier nods, rather hesitantly. “I was back in Colombia. In Bogota.”

“Do you want to talk about it?”

Upon noticing the hesitation on his face, you’re quick to add, “It’s okay if you don’t want to though. I don’t have to know everything about your past.”

Something about that feels oddly endearing; Javier hasn’t met anyone who has been as kind and understanding as you and for every genuine word you throw at him, for every gentle caress of his hand or his cheek, he feels his chest impossibly lighter, as if all the pain he has been carrying with him for the past few years is beginning to wear off at long last.

Though his tongue aches for verbal release, Javier isn’t certain that he wants to burden you with the horrors he had witnessed and done in Colombia. You are far too tame to handle such harsh realities, even if you clearly expect the truth and nothing but it.

“I did things I’m not proud of,” he lets out in a coarser than expected voice. “Terrible things. Either for information or out of… helplessness or desperation.”

You don’t say anything; you adjust your position so that you face him clearer, even in the darkness, and let him continue.

“I’m no saint, by no means. I guess sometimes I thought my actions were justified because the end result would be good. But it rarely ever was.”

And before he knows it, Javier is telling you the chapter of his life which he deemed closed some time ago, from start to finish: he tells you about him and Steve and how they worked together; he tells you about working with the most gruesome group in all of Colombia in order to get to Pablo Escobar; he tells you about Helena and how he cared about her and how he got her traumatized simply because he pushed her too much for information; he tells you of all the people he threatened, shot, of all the plans he made and failed, how he got the so-called promotion in Cali and how it meant that Steve was the one who ended Escobar eventually. By the end of it, it’s nearly morning and you’re cuddled at his chest, listening to him breathe and caressing his cheek.

“I appreciate you opening up about this,” you murmur. “I know it can’t possibly be easy.”

“It is. It feels easier with you.”

You smile, chastely kissing his lips. Javier’s chest rises and falls with each additional shaky breath he takes as he forces his mind to collaborate with his mouth in order to get out those pesky three words that have been pressing on his conscience for weeks now. Yet the way you kiss him tenderly and sweetly, as if to reassure him that he’s safe and sound from any harm in this world, it shuts him up real good.

His mother once told him that when he’ll meet someone special, he’ll know it and he’ll know just what to say and when. He was still a kid at the time and he dismissed his mother’s words, but now he feels them to be truer than ever.

“So if we were in Colombia,” you say suddenly as a smirk graces your lips, “would I be one of your girls?”

Javier turns to you, faintly amused. He cocks an eyebrow at you, his interest visibly peaked.

“What?”

“Would I be one of many girls that fall at Javier Peña’s feet? One of the lucky ones who get to go to bed with him?”

Something aches inside Javier as you pose that question. It’s a playful one and while you have no ill intentions behind it, it dawns on Javier that the idea repulses him on a certain level. The idea of you being just another pretty face to add to that seemingly endless list of conquests, another forgettable name on there… he doesn’t want that.

Especially not when the reality could not be more farther from the truth.

“No,” he responds, shifting closer to you and removing a strand of hair from your face. “No, absolutely not.”

You smile, somewhat confused. “Why not?”

“Because you’re—better. You’re—you’re everything, you—“

His heart starts pounding, his throat feels beyond dry and it feels as if there is a huge ball of fire in his chest, waiting to burst at the slightest movement.

“I—what?”

Tell her. Tell her now.

Tell her you fucking coward!

“We should get some rest,” Javier mutters, stroking your hair and coaxing you into his arms so that you fall asleep as soon as possible. Once you do, he finally exhales, still burdened and haunted, but much more secure in his decision to finally come clean to you tomorrow, no matter what.

Except that when tomorrow comes, Javier receives an unexpected invitation.

“You free in about two hours?” Steve’s voice asks through the phone, and Javier gulps out of instinct.

“Yeah, think so. Why?”

“How would you feel about having brunch with me and Connie?”

He falters, and it’s as if Steve can sense the hesitation on his part because he’s quick to add, “Hopefully my sister’s gonna be there too. Also Sylvie and her boyfriend Zack, they’re coming too. You know, my sister’s friends.”

“Right, yeah, I think she mentioned them at some point.”

“Yeah. I thought a nice friendly meal would do us all good. What do you say?”

Javier meets your face from the corner of his eye and notices the question written all over it. He shakes his head briefly, a little “I’ll handle this for us” sign, and resumes his conversation with Steve.

“Sounds nice, I’m in,” he tells Steve.

“Great. Just gotta call my sister now. Or hope to get in touch with her at least.”

“Just call her, I’m sure it’s gonna be fine.”

The moment he hangs up, he stares at you with the same guilty face he’s been having whenever Steve’s been around lately.

“You need to go to your apartment,” he tells you in a grim voice.

You frown. “Are you kicking me out?”

Javier makes a face. “No, of course not. But you need to go to your apartment because your brother’s gonna call you and you need to answer the phone.”

“I could be sleeping in. It’s Sunday, after all. I could’ve been out last night. Hell, I could’ve been with somebody. Maybe I was with Dean and we—“

“Okay, stop.”

You try not to smile seeing the bothered look on Javier’s face. Instead, you inch closer to him and wrap your arms around his neck.

“Aw, honey, are you jealous of Dean?” you peck his lips.

“I think we’ve already established that I was. But not anymore. I’ve got you, and he can go suck a lemon for all I care.”

You scoff, kissing him again, utterly enjoying the sensation of Javier simply melting into your arms, into the kiss you share.

“You really should stop with this because if you don’t, we’re gonna be stuck in here for the rest of the day, spent and sweaty,” Javier warns, to which you cock an eyebrow at him.

“Okay, so what did my brother want?”

“He invited us to brunch.”

“Us?”

“Well, me. And he should be calling you any moment, so if you could go to your apartment and answer the phone, I’d really appreciate that.”

“But I could be—“

“Please. For me?”

You roll your eyes, sighing. “Fine. You’re lucky I’m sweet on you.”

Javier presses a kiss to your cheek, stroking your hand.

“But we need to set up some ground rules for this brunch,” he tells you sternly.

“Rules? For what?”

“We said we’re not gonna tell Steve about us until we’re ready, and we’re not really there yet, so no sitting together, no touching, no looking at each other unless absolutely necessary.”

“Don’t you think that makes it more suspicious?”

“Hopefully not.”

You chuckle. “For someone who used to be a bad boy, you sure like setting down rules.”

“I’m just saying—okay, just—just go upstairs.”

“Ooh, yes, sir.”

He knows you’re joking; he knows you’re teasing him, especially in that falsely impressed and sultry tone of voice, and yet a part of him still twitches at the thought of you being so willing, so malleable and needy for him.

It’s a thought that will never leave his mind—or his body.

The little bistro Steve chose—aka claims, because everyone knows Connie is the one who actually picked it—for the brunch is quite cozy: floral arrangements adorn the outside windows, little lights hang from the walls on the inside, and plenty of people buzzing and chatting, completely immersed in their conversations.

If he were honest, Javier preferred if the two of you showed up at this brunch separately—although in hindsight, that would probably raise more questions instead of burying them for good. But he still has a knot in his throat even when you assure him that nobody’s going to bat an eyelash and that they will all think you coming together here was nothing more but an act of convenience.

“I’m telling you, it’s fine,” you sneakily squeeze Javier’s hand. “Could you at least try to look less constipated? Just—you know, for at least an hour or two.”

Javier frowns at you, taking a deep breath and taking one last, long look at you, as if he’s trying to memorize every single detail about you. You crack a smile.

“It’s going to be fine,” you reassure him. “You care far more about Steven’s opinion than I do. I don’t care if he finds out.”

“I kind of do.”

“I know you do. And it’s so sweet. But so what if he finds out? I mean… what’s he gonna uncover? That his little sister is in the healthiest and best relationship she’s ever had?”

“With his friend and partner whom he particularly asked not to fool around with his little sister.”

“Javi, we’re not just fooling around.” After a pause, you continue somewhat concerned. “Are we?”

“No, absolutely not.”

“Then you shouldn’t worry this much.”

It’s quite astounding how fast you’re capable of calming Javier down with minimal effort. But it works, and when the two of you enter the place and take your seats at the table, greeted by the rest of the party, Javier breathes a little easier. He avoids Steve’s eyes as he shakes hands with Zach and Sylvie, guilt weighing on his conscience like the heaviest boulder. He tries his best in remembering your words that this isn’t about Steve, it’s about the two of you and your newfound happiness, but alas, he remains just a little bit stiff throughout brunch as conversation starts flowing between all of you.

On the brighter side, Javier smiles to himself seeing you and Steve engaged in conversation, laughing with each other. You’re sitting side by side to your brother, which means Javier is right in front of you and gets to notice the two of you mending your relationship.

Then he thinks again of how hopelessly in love he feels with you, how he has been for the past several weeks, if not more, and how it’s all happening behind Steve’s back. Maybe you were right, though; maybe it wouldn’t be so bad for Steve to find out at last. He’d find out that his little sister is happy, and that his best friend is content, at peace.

Would that be so bad?

And then he feels your foot rubbing against his, sneaking its way up, just in the slightest; he inhales a sharp breath, giving you a death stare, and he gets his answer.

Maybe it would be so bad.

“I hear you finished writing your book?” Sylvie asks you, redirecting Javier’s attention to the subject matter.

“I did,” you proudly say. “I need to do the final editing, run it by someone, but I’m pretty confident it’ll be out by next year. At least that’s the hope.”

“That’s so damn cool,” Zach says in between mouthfuls.

“Truly amazing,” Connie adds.

“I’m so proud of you.”

Everyone turns to look at Steve, who’s got the brightest smile on his face and his glass raised up. They all follow suit with the gesture, toasting your accomplishment as you stare at your big brother.

“Really, I am,” Steve goes on. “I’ve always been. Always thought you’re amazing. Much cooler than me.”

“By miles.”

The table laughs.

“But it dawned on me that I never really told you this. So… I want you to know that I am very proud of you, every day. And I love you.”

“Thank you. And I love you too.”

“Here, here!”

 The conversation begins to flow easily afterwards: Connie shares Olivia’s latest endeavors and how she started walking; Zach and Sylvie talk about their relationship and how it is to live together, to which you make a tasteful joke about her pretending to still live with you as well and how you and Zach basically share Sylvie; then Steve talks about work and how he enjoys it, being similar and yet different than what he used to do in Colombia. Javier remains silent during this portion, sipping on his black coffee and pretending not to feel your leg sliding up his.

“What about you, Javier?” Sylvie asks.

“What about me what?”

“How do you like it at the precinct?”

“It’s okay.”

You eye him briefly, affectionately rubbing your leg on his shin, concealing a smile as you see him squirm in his seat.

“Javi’s having a bit of a tough time adjusting,” Steve intervenes.

“It’s police work. It’s what I know, and it’s what I do.”

“It’s what gives you nightmares.”

Everyone at the table turns towards you, the same surprised look on all of their faces. You shrug, ignoring Javier’s deadly stare.

“And you know this how?” Steve asks reticently.

“By talking. By asking and by actually getting to know people, Steven.”

“Let’s move on, shall we?” Javier suggests.

“What do you mean?” Steve resumes, focusing solely on you. “I know people, I talk to them.”

You take a deep breath, maintaining a neutral tone even if your pulse increases rapidly.

“You refer to Javier as your best friend, but besides work, how much do you really talk to each other?”

“We talk.”

“Sometimes too much if you ask me,” Javier adds.

“Point is, he is my best friend.”

“Really? Did you know that he has night terrors? Not nightmares, terrors. And not every night, but he has ‘em. He mumbles and groans in his sleep, sometimes cries or even screams. He apologizes over and over to dead people, to you and to Connie.”

“Oh, Javi…” Connie mumbles.

“Do you know how I know this?”

There’s a lightbulb moment happening inside Steve’s head, and it is perfectly legible on his face as he stares at you, then at Javier, who gulps. Steve says your name, still processing, and it is only then that Javier stands up abruptly, his eyes shooting right at you.

“Can I talk to you for a minute? All the way over there?”

You raise your eyebrows, quite surprised, but nod and follow Javier all the way to the buffet table. You notice the little crease between his brows, the way he purses his lips and you can tell something’s making him uncomfortable. Suddenly the thought makes you feel guilty.

“Javi, I’m sorry if I crossed a line—“

“You thought at brunch would be a good idea to rub your leg against me? With your friends and brother right next to you?”

You furrow your brows, even more taken aback. “Okay, not where I thought this conversation was headed,” you confess.

“Tell me.”

As much as you’d like to deny it or pretend like it doesn’t affect you, Javier’s demeanor is getting through to you in ways you wouldn’t have thought possible; the way he’s being so adamant about his request, his voice low and husky—

“I thought it would be fun, yes,” you shamelessly admit.

“You gotta stop it because otherwise I might excuse us again and fuck you in that bathroom.”

Speechless, you stare at him, mouth ajar and heart pounding in your ears. You find yourself incapable of saying anything for the next few seconds, and even more shocking, you find yourself seriously debating Javier’s words.

“Don’t tell me you’re actually thinking about it,” he says.

“Don’t tell me you’re not,” you chuckle.

Javier huffs, frustrated to the point of taking his own words into consideration.

Except he is trying really hard not to be that kind of man and be more respectful and wary.

“Gotta be honest, I thought you were gonna be upset about me saying you have nightmares,” you mutter.

“No, I’m upset because you were rubbing up against me with your brother right next to you, and I can’t keep going like this. So either you tell him about us, or I do.”

You stare at him incredulously. “Wait, seriously? You wanna tell him?”

“I need a clear conscience. And I really need it so next time I fuck you, I won’t feel so guilty.”

You chuckle, stroking his arm. You’re fully aware that the gesture hasn’t gone unnoticed by the four people who are most likely still staring at you two, but all of a sudden, you no longer care. Javier is right; just as he doesn’t want to deny or hide it anymore, neither do you.

So when you return to the table, the perfect comeback is hatched from your brain.

“Sorry about that,” you smile, turning straight to Steven.

“What’s going on?”

“As I was saying, do you know how I know all of those things about Javier?”

“Don’t say it.”

“I’ve been spending the nights at his place. Every night for like three months now.”

Connie and Sylvie are the only ones smiling, except the latter is sipping from her cup of coffee with utmost interest.

“Three months?” Steven repeats. “So you chose to sleep with my best friend to what? To prove a point, to—to laugh in my face?”

“Neither. Actually, it did start as a way to get back at you. But as it turns out, he’s great in the sack.”

“As advertised,” Javier adds.

“And you wanted to skip brunch today,” Sylvie whispers to Zach, who’s watching the exchange as speechless as Connie.

“Don’t—“Steve shakes his head.

“Oh yeah, he’s fantastic. Knows his way around a woman’s body better than she knows it. I’m talking about waves and waves of endless pleasure.”

“I think I’m gonna throw up.”

“Actually, I think I might too. We haven’t really been careful, you know? It’s been a lot of sweaty, rough and yet so passionate—“

“Okay, stop! Why are you being like this? Both of you!”

You exchange a glare with Javier, both of you smiling at each other.

“Like what? Wild, unhinged?”

“Kind of, yes!”

“The way you’ve been treating me since I was 15? Which I haven’t been in years, by the way.”

“Please tell me you were using some form of birth control though.”

“Ew, shut up! Would you calm down already? We’re both responsible adults, we know what to do. Besides, we’re not just sleeping together. We’re going on dates and spending time together and… we like each other.”

“We’re not just fooling around,” Javier adds, unable to look away from you. “I’m in love with her.”

You stare back at him, ignoring Connie’s soft oh my God in your vicinity, even Sylvie’s I fuckin’ knew it towards Zach.

“Javi, it’s okay, you don’t have to—“

“I love her, Steve. And I did keep my promise to not fool around with her. What I can do is promise to keep her safe and treat her with respect and care.”

It dawns on you that this is the first time you’ve heard Javier say those words, and realizing he also hasn’t said them since his last real relationship. It’s a huge milestone in both your lives, and the fact that Javier chose this moment to confess makes you realize how much he must care about you.

“It’s true,” you add. “I—I love him too. I have for quite some time.”

“I fuckin’ told you,” Sylvie smiles. “I told you, and I knew sooner or later—“

“Not now, Syl.”

“Right, sorry. Continue.”

“Honey?” Connie presses her hand to Steve’s shoulder. “Don’t you wanna say something to them?”

“I’m really sorry, guys. I never wanted to… to treat you this way, to push you even further, sis. I guess I was just afraid that what Colombia did to me and Javier would be too much for you to handle. I know Connie got overwhelmed at some point. Rightfully so. But after all, I had her to come home to. Javier was… alone, and burying his problems in alcohol, cigarettes and random women. Relationships were out of question for him, and I saw what Colombia did to him overall, what all of that did to him. I didn’t want any of that for you. I obviously want you both to be happy, that’s all I’ve ever wanted. And I see you guys now being so happy with each other… it makes me happy.”

“We’re sorry we didn’t tell you earlier,” Javier says. “I guess we needed some time to figure things out ourselves.”

“Doesn’t matter now. Point is, I know my sister, she’s an amazing woman, and I—I missed the angle where that might be something good for Javier. Which it clearly is. And clearly he was full of shit when he said you’re not his type.”

“Just out of curiosity,” you intervene, “what exactly is Javier’s type?”

“The usual sexy, sultry woman.”

You raise your brows, to which Steve panics. “Not that you’re not! I mean, not that I think you as my sister are sexy… okay, this is weird, let’s move on.”

“Yeah, let’s.”

“I meant, you’re more the next door girl kind of woman, I suppose, and Javier usually went for the ‘right in your face sexy’ kind of a woman.”

“Relax, I know. I’m just teasing you.”

“Yeah, it’s what you do best.”

Everyone laughs, with Connie affectionately rubbing Steve’s arm.

“But listen, as glad as I am that we are talking about this and being open and mature about it, please do be safe, okay?” Steve says, and you make a face. “Also I know this goes without saying, probably—hopefully—but please don’t have a baby just to spite me.”

“Steven—“

“Please, I’ve learned my lesson, I swear. I promise I’ll be good! I’ll stay out of your relationship, just don’t—“

“Steven!”

“I’m not totally ready to be an uncle. I need to mentally prepare myself for a baby that’s half Murphy, half Peña.”

You roll your eyes. “Would you relax? We are not there yet. We may never be there. I don’t know. I don’t know what the future holds for us, but for now we’re good the way we are. Plus he’s teaching me Spanish too.”

“Oh, that’s nice.”

“But don’t worry, we only do it when I get a full sentence right.”

Seeing the scandalized look on Steve’s face, you burst into laughter, and the rest follow suit.

“I’m kidding! Oh my God, it’s so fun messing with you.”

“Something is seriously wrong with you.”

You can’t help but share the laughter with the rest of the company, never quite managing to capture Javier’s eyes in your direction, not even on the way home. It only hits you the weight of the words that had been hastily, yet calculatedly, been spilled at the brunch table among friends and family once you get the inside of his apartment. You look around, finally allowing the day’s events to hit you, and then you turn to look at Javier, a warm smile gracing your face.

He confessed to everyone present that he loved you, standing up to your overly protective older brother.

“What’s going on?” Javier asks.

It somehow still surprises you that he’s able to capture the concern on your face, even when it’s not there. You’re not concerned this time around. Quite the opposite; you’ve never felt more at ease and more impressed by a partner. Granted, not that you had many serious relationships in the past, but this right now with Javier, it has so much potential to be something grand that it astounds you.

“About what you said before,” you start, your heart thrumming in your ears. “At brunch.”

Then it hits Javier as well. He inhales deeply, steadying himself.

“Right. So here’s the thing,” he clears his throat. “I’ve only ever said those words once before, and as we know, it didn’t end very well. Okay, in all fairness, it wasn’t paradise city from the beginning, it was more of a masked—that’s not the point. Anyway—“

You conceal a chuckle, staring at him with anticipation and a warmth that exceeds any expectation.

“I’ve only said those words once,” he resumes, “and I did mean it at the time. But I wasn’t really… in love when I said them. It didn’t feel like it should. But now, I think for the first time in my life, I feel those words the way they should feel. I thought I’m the kind of guy who doesn’t do relationships because I suck at them and there was never any time back in Colombia but… I think I just needed to find my match.”

You take his hand into yours. “Javi…”

“I’m serious. I’ve never met anyone so witty and funny, so—so badass. Frankly you could probably kick my ass and I’d be hella turned on.”

You don’t stifle the hearty laugh that escapes your mouth this time, and it triggers the same reaction out of Javier.

“The point I’m trying to make is… I meant what I said. I didn’t just say it to shut Steve up. I—I do love you. The best that I can, which I don’t think is near enough to what you deserve, but… I’m trying to do better, to—“

You cup his cheeks, kissing him tenderly. Javier blinks surprised at you, and his flustered face with his big brown eyes is so sweet it weakens your knees.

“You’re doing just fine, Javi,” you reassure him. “Are you kidding me? You’re so attentive and sweet and—and I love you too.”

Javier blinks in surprise again. Somehow it slipped right by him that you could reciprocate his feelings, hence why he’s rendered speechless for several seconds.

“What uh—I mean… you do?” he finally asks.

“I do. I love you. I should’ve said it sooner, I think, after you turned my story into a book. That’s… kind of when I knew. I guess I chickened out.”

“You chickened out? Why?”

You sigh. “Because… I never said the words before.”

“Wait, you never said ‘I love you’ to someone?”

You shake your head, slightly shuddering. “Well, you know my dating history and patterns, so none of those boys stuck around long enough for me to actually develop real feelings. And there was never any real connection between us. All we really had—“

“Ah, okay, I can—I can visualize what you had.”

“Aw, honey, are you jealous?”

“No. Just… not really a fan of picturing you have sweaty sex with some douchebag.”

“How about if I have some sweaty sex with a very good man?”

Though his interest visibly peaked, Javier still gulps at the notion of being referred to as “a very good man”. It’s the lie he’s told himself countless times back in Medellin and Cali and Bogota, and the same lie he operated under with the hope of excusing his horrid choices. But to hear now as something factual, something that someone as wonderful as you actually believes in…

“You could,” he finally says, stepping closer to you.

His hands roam around your waist, teasing from the small of your back; shivers run down your spine, prickling your skin.

“Is this how you were with the women back then?” you dare ask.

“Why the sudden interest?”

You shrug. “Not sudden. I’m a writer. Everyone has the potential to be an interesting character. Besides, I find the Javier stories fascinating.”

“That so?”

“Mhm.”

“Well, that Javier isn’t really around. All he was good for was some fast and rough outlet for release and… not much more.”

“So I take it that dominant, needy Javier is gone?”

He raises his brows, chuckling at the way you’re sneakily handling him. A part of him still fears this power you hold over him, but a bigger part of him is thrilled even by the still of your hand, let alone the way you’re capable of handling him.

He’s never had that, he realizes; he’s never had a woman meet him right where he’s at, handle him like a pro and then some more, and he enjoys it far more than he would’ve expected.

“I meant gone as in… gone on a vacation, not dead.”

You smile, teasingly playing with the hem of his shirt.

“That what you need now?” Javier teases.

“I want whatever you’re comfortable with giving me.”

That’s what ultimately sets him off. So when he finally kisses you, it’s rugged, needy and asserting dominance, but there’s also something very tender in the way Javier is holding you, pulling you into his body. Javier’s sole focus right now is exposing more of you to him, feeling you as close as humanly possible; therefore, he doesn’t tell you just how affected he is by your choice of words. He doesn’t tell you that this is the weakest, yet strongest he’s ever felt. If someone were to ask him how he feels, he’d easily reply “disgustingly happy”, words which he never used before.

He doesn’t tell you any of this; he lets actions speak louder. Calloused fingers, accustomed to manhandling and roughhousing, caress and cup your ass. With each passing second, the kiss you share deepens further, his pulse quickens and his jeans become more and more constricted. Never mind that it’s the middle of the day, in broad daylight; Javier wants—needs—to marvel at every inch of you, exactly as it is.

“Whatever you want from me,” he tells you through a shuddering breath as he slowly undresses you, “it’s yours. Anything.”

Javier surprises himself at how malleable he finds himself to be, caught under your spell, but he does not care one bit. When you look into his eyes and see his blown out pupils, you know he means it. You feel his words to be true.

You smile as you close your eyes and pull him in for another hasty kiss, stumbling your way to the bed. Javier strips you slowly, stealing kisses down your body while a breath catches in your throat. The sun shines right through the big windows on this crisp fall day, so there’s nothing to hide. It’s only when Javier’s hands finally pull down your panties and expose you to him that you notice you’re facing the mirror hanging from the wall of his bedroom. You shiver and on cue, Javier’s hungry eyes look up to meet yours. He smirks—because of course he does, son of a bitch.

“It’s a great view, isn’t it?” he murmurs, tentatively licking a stripe up your pussy.

His eyes don’t leave you when you sneak another glance at the mirror: it’s not huge, but big enough to fit your naked body and Javier’s head right between your legs. No good words cross your mind, even if your mind is in overdrive, begging your mouth to release some form of verbal speech. Your knees buckle and your heart beats rapidly when Javier takes his first taste. It feels like the first time he’s ever done this, though it’s really old news by this point. Recently you thought Javier’s existence is limited to one place and one place alone, and that is in between your legs, based on how much he loves spending time down there—whether he’s snug inside you or eating you out.

“Watch how gorgeous you are when you come on my tongue,” you hear Javier’s voice, lustful and dark.

“Presumptuous, aren’t we?”

You laugh a little, but it quickly fades when you feel two digits moving slowly in and out of you, a tongue collecting the slick gathered in your most sensitive spot. His nose nudges your clit, his whole mouth is seemingly buried in your pussy, and all you can do is moan helplessly, let one of your hands grab a handful of his hair and keep your eyes locked on the way your body curves and aches at his mercy. God, he’s so needy, so eager to please you and to give you orgasms; almost like this is his purpose in this world.

“Does it feel good?” you hear his husky voice.

His fingers feel like they’re splitting you open while you nearly fall apart in his mouth, and at the same time it’s not enough. It drives you insane.

You nod frantically, locked in the same trance of watching yourself getting ate out by Javier.

“With words, señorita.”

Oh fuck. You hadn’t expected that, certainly not the reaction it triggers out of you.

“Yes,” you exhale. “It feels so, so good, Javi.”

“Good. Touch yourself.”

Though your mind is in a haze, you’re able to follow his instruction. Your hand bolts to your clit, rubbing in circling motions. That, paired with his fingers pumping in and out of you and his mouth like a hot furnace devouring your pussy, it doesn’t take that much longer to get you to where you desperately need. Seeing you like this, being able to make you feel this way, it’s all getting to Javier too; he’s gotten so hard by this point it’s borderline masochistic how much pain he’s voluntarily taking in, so he unconsciously starts to rub against the edge of the bed. The friction is so good, but nowhere near enough. It’ll have to do for now, he thinks. He needs to get you off first.

A moan is harshly ripped from the back of your throat, your legs jerk and nearly trap Javier between them as pleasure jolts throughout your body. It’s electric, overwhelming, and simply unmatched. It’s too much all at once, to look in the mirror and see how painfully needy you are for this man, how beautifully fucked out you look in at this very moment. You notice his hips, desperately humping the bed, unbeknownst even to himself.

Javier pulls out his fingers, only his tongue remaining on your overly sensitive area, the strokes of it now gentler. You tug on his hair to make him attentive, and when he looks up, you see his face contorted in a mixture of delight, pleasure and neediness. And just like that, your body aches again, only this time for something more.

“Ah fuck,” Javier groans in his fast attempt to dispose of his clothes. “Didn’t notice I was—“

He sighs right as you smile, taking in the sight of a naked Javier, all in broad daylight for you to savor. He’s so hard now it almost pains you, so when you make a motion to get to him and stroke him, Javier nearly swats your hand away.

“Why not?” you ask with a pout.

“Because it’s gonna be a fucking miracle if I last more than a few seconds and I wanna be inside you when we come.”

You raise your brows. “We?”

“What did I tell you in the beginning that you’ll always have from me?”

“At least two orgasms.”

“I live up to my words.”

He’s wrapped the condom around his cock, now crawling in between your legs, the place he has claimed as his own and by far the most incredible place he’s ever resided in. He’s done this plenty of times before now, it’s nothing new; and yet, this very moment which reeks of anticipation and desire, this single moment in time when his hand is curled around his cock, guiding himself to your already soaked entrance, Javier wishes he could freeze it, keep it to himself forever.

When he slides right at home, deep inside you, you both moan in tandem. And it is the most damnable, beguiling and intoxicating sensation he’s ever known.

Probably because you’re not just another girl passing through his life and his bed. You’re not another random face or a number to the list of women he’s been with.

You’re the woman he loves, the woman he’d take a bullet for if he had to, the woman he’d move mountains for.

“Javi?”

You have this ability to bring him back with his feet to the ground whenever he tends to wander off, and Javier is nothing if not grateful for it, particularly now.

“Can you move? Please?” you plead and it’s so sweet he could come just from that.

Javier chuckles, the sound resembling that of a madman—and he supposes he is one, in a sense.

“Keep lookin’,” he instructs, a little bit of his Texan roots slipping in his tone as he starts to roll his hips. “Want you to watch how good you take me. How—beautiful you are when you take me.”

The grip you have over his shoulders tightens as his hips pick up a moderate pace, pounding into you with a mixture of greed and love. The more he sinks into you, whispering sweet nothings and giving the occasional order, the more you feel pressure building inside your belly. You do as he says, watching your body writhing beneath his in the mirror, and you shudder. His back covers a lot of the frame, so you mostly notice him from behind, pounding into you, and your nearly limp body underneath, taking him as he is giving himself to you.

The sensation of having him atop of you is stellar, something almost like it was meant for you and you alone; Javier’s stealing the occasional kiss from you, his hips more erratic with each additional thrust and his mouth whispering that he’s so close, so fucking close.

“D’you see?” he manages to get out through a wicked smile. “See how—how fuckin’ good you look hmm?”

“Yes—yes, I see it—“

“Mhm—good girl. My good fuckin’ girl.”

Javier loses any train of thought, be it rational or not, and when his orgasm finally hits, it’s all too much and too sudden, and when he can’t stop cussing or thrusting furiously into you, you cup his cheeks and tell him a simple “I love you”.

And he lets go, almost violently.

He’s struggling to catch his breath when he feels you spasming around him, and there’s pride to be felt even when he’s dumbfounded that you came almost at the same time.

“I’m sorry,” he says, and you make a face at him trying to regulate his breaths. “I was kinda hoping… I’d last longer.”

You kiss him sweetly, gently, still feeling him ache inside of you. “It’s the sexiest thing,” you murmur.

“Having the endurance of a teenage boy?”

“No, the idea that someone needs you this desperately they can’t hold themselves in one piece. I love that. And I love you.”

Javier pecks your lips. “I don’t think I’ll get used to you saying that.”

“You should.”

“I love you too.”

You stay snugged up like that for who knows how long, while the sun rays beam down on your naked bodies. And then it starts to get dark, and you’re on Javier’s lap, slowly riding him and kissing him, aiming for nothing in particular but intimacy.

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tags: @pedrostories @psychedelic-ink @milkymoon2483 @ifall4dilfs @casa-boiardi @fallenkitten @jenispunk

[velvateen]

Hi you, I'm writing to you from Belgium! Thank you so much for your work, omg I love your writing so much!!! (you managed to make me get SICK butterflies in my stomach on your fiction "i am your singer" -smut LMAO-)

I'd like to suggest a story idea for zoro, I dreamt about him yesterday and in my dream he always found an excuse to get into the rooms I was in (very often the bathroom… While I was showering of course…) (example: it's dinner time // we're looking for you everywhere, I wanted to make sure you were okay…) Would you be willing to smut this dream into reality? 💚

(of course, it's a proposal, you're free to choose! Thank you so much for reading! 🥰)

don’t bother knocking - zoro x reader nsfw

hiiiii tysm for the request this is lowkey one of my fav pieces for this blog yet lol. enjoy!!

warnings: oral sex (m receiving), unprotected sex, fem bodied reader, no pronouns used

1.6k words

You ran your hands through your hair, making sure all of the soap had been wrung out. Ears blocked by water, you nearly missed the squeak of the door hinge as it opened. Sticking your head out of the shower, you saw Zoro, leaning against the counter.

“Can I help you?” You drew back into the water.

“No,” he hummed, “Just wanted to let you know that dinner’s ready.”

“Alright, yeah, I’ll be out in a minute! Don’t let them all wait up for me, alright?”

He grunted in response, and it took a few more seconds for you to hear the door open and close again.

Weird. Whatever. You stepped out of the shower, spotting wet footprints across the bathmat as you dried yourself off.

Zoro’s been acting this way lately. Always seeming to be where you want to go. Always showing up where you are. You try not to read too much into stuff with Zoro, maybe it’s just his way of trying to be closer friends with you. He’s got so many lofty aspirations that it’s hard for you to justify what your heart wants and what the crew already sees unfolding: Zoro’s got a thing for you. He just doesn’t know how to show it.

You towel off your hair and make your way to the kitchen, where you take your seat next to Zoro. Luffy is lunging for everyone’s plates although they’re all almost done eating, Zoro included. You sigh as you start to eat, relishing in the taste of Sanji’s perfect meal, and you rest your head on your hand as you start to pick at the plate. Distracted by the dinner, you don’t notice how close your arm on the table has gotten to Zoro’s. The heat of the shower is radiating off of your skin and onto his, and the hair on his arms raises. He fights the blush that settles on his ears, making no effort to pull away from your touch.

He stays there long after he’s finished eating.

The knock on your door is most unexpected, at this hour. You get out of your bed, setting down the book you’d been reading, and peek through the sliver of the door. When you see who it is, you open it wider.

“Oh hey, what’s up?” Zoro avoids your gaze a bit. Not completely, just enough to notice. He shrugs.

“Was bored. Mind if I hang out with you?”

You lick your lips. Zoro notices.

“Yeah, come on in, I was just reading,” you back away from the door and fall back into place on your bed. Picking up your book, Zoro sits on the side of your bed.

“What’s this about?” You take the book from him and set it down on your nightstand.

“I don’t really know yet, just started it tonight. But the cover is pretty so that means its gotta be good,” you laugh.

“Pretty sure there’s a phrase advising directly against that way of thinking but whatever,” Zoro mutters. You lean against the headboard as you laugh.

“Right, yeah, ‘don’t judge a book by its cover’, well I happen to find that is the best method to finding anything good.”

“Is that right?” Zoro inches unperceptively closer to you, the arm bracing himself now over your legs.

“Yeah, that’s right.” Zoro licks his lips. You notice.

“What have you been doing hanging out with me so much? What’s the angle?”

“No angle.”

“No angle?”

“Maybe there’s an angle,” he smiles. His eyes dart down to your lips for a fraction of a second, but long enough to ignite a heat that’s started to burn in your stomach. Maybe, you realize, it’s been burning for a while now.

Zoro’s grown closer to you now, something you both realize. But the realization doesn’t make you pull away, not now that he’s got a hand cupping your jaw and tilting your face as if he’s practiced it a thousand times, just for this. Just for you.

You eyes close slowly as you feel the touch of warm, chapped, rough lips ghost your own. It’s as if he’s afraid to push too hard, to break a spell or scare you off, he touches you so dearly. The kiss deepens slightly, but never in a rough way, no, Zoro’s staked so much on this moment to ever make any motion that might scare you off.

You pull away, a giddy laugh making it’s way past your lips. Zoro searches your eyes for any trace of doubt or unrequited emotion, but he doesn’t find it. And he can’t help but catch that infectious laugh, that smile that cracks across your face with such abandon that it takes all of his efforts to not let it consume the entirety of his soul. It does anyway. You lean back up and let Zoro follow you down to where you sat against the headboard, and he moved to straddle you, running a hand through your hair and gently holding by the roots, committing all of these feelings to memory. He’s waited long enough to feel you, and now that he’s got you in his hands, he wants nothing more than to break down every wall you’ve built around yourself, to touch your skin, to sink into you.

He sinks his teeth, experimentally, into you. Not to damage, but to be able to look back tomorrow at breakfast and know that it wasn’t all a dream. Your fingers make his earrings clink as you run a thumb over them, tugging his ear close to your mouth.

“You wanna?” You whisper, the soft smile you’re wearing evident in your cadence.

“If you’ll let me,” he answers, trying not to give himself away. He does anyways. His hands, antsy to roam, have made their way down to your pajama pants and make a move to tug, but you pull away.

“Me first.”

You move to the floor, and Zoro’s hand flies to your nape, not wanting to lose touch with you for a second. His pants have pooled near you on the floor, and with it come his boxers. You lick your lips. And boy, does he notice.

The grip he has on your hair tightens, but is never harsh. Never with you. Even as your lips and tongue start to envelop and swirl around the tip of his dick. Never harsh. Even when his other hand clenches tightly into the mattress. Even as you take him further, noting every vein present and pulsing under your administrations. Even as he fights the urge to tell you every thought he’s ever had about you. Never harsh. Even when his hand leaves your hair to wipe tears brimming at your eyes, he does it with such tenderness that you start to question if the tears are from the gag at all.

Zoro pulls away from you, clearly a motion of great strain, and he pulls you back up to the bed, where you finally kick off those damn pajama pants. Laying down, Zoro’s eyes ask an unspoken affirmation from you, as his fingers hook around the edges of your underwear. You nod, and the haste of which he pulls them down makes you laugh. His lips are back on yours, tasting your laughter, until he pulls away to cup a hand on your cheek, slipping his thumb into your mouth, greeted by an unexpecting hum. He draws it out of your mouth with a pop, and brings it down to your center, dragging it across your folds, holding you open. You take in a sharp inhale as he rubs his thumb across your clit in circular, steady motions. He smiles, watching as you start to clench around nothing, and all for him. His lips are back on your neck, kissing further down until they ghost over your chest, pause, and continue kissing over the cloth of your shirt. Your back arches towards his warm breath, the fire in your stomach reaching a blaze. Your hands are all over his back as he continues to work you open, steadily puting more pressure on your nerves. You groan at the feeling, impatience starting to wear you down.

Zoro hears the quickening of your breath, and decides to sink a finger into you, working it around to get you adjusted. You huff in exasperation as he pulls away, only long enough to get himself settled towards you. His hand is above your head as he angles himself, dragging his dick along your folds. You groan in unison as you feel each other’s warmth, the culmination of all this waiting paying off after all these years. He sinks in, slightly, not so much to satiate you by any means, no, but it’s enough to get you adjusted.

Zoro takes a deep breath, and lets it go as he slides fully, sheathed impossibly tight within you.

You take a deep breath, and you let it go as you’re filled, depths reached.

“Good?”

“Good.”

With your affirmation, he moves, slowly at first, and then picking up the pace. But never harsh, never abrasive.

Not tonight.

There will be other nights, nights with less on the line, where Zoro will allow himself to tear into you, to deny and restrain you, but not tonight.

Tonight, Zoro focuses on loving you, which comes easily, given that it seems as he was born to do just that.

_____

The warmth of the hot water soothes your legs as you bend down to turn the shower off. The cool air of the night hits you as you step out of the shower, not surprised to see Zoro leaning against the counter. He watches as you wrap the towel around yourself.

“Can I help you?” You muse, tucking the towel in and wrapping your arms around his shoulders. He smiles at you, resting his hands on your waist.

“Nope,” he presses a kiss onto your lips, “no angle here.”

a/n: hey everypony mwahahaha almost got carried away w this one it’s like one billion words. anyways school is still kicking my ass. sorry responding to this took so long!! hope everyone has a good day and eats good food! okay bye kitties meow

[crooked-wasteland]

Best and worst character in Hazbin Hotel and Helluva Boss respectively?

That's extremely difficult to narrow down to the "worst" as I feel every aspect of the main cast in Hazbin and Helluva are the "worst" in different ways. They each do their own unique part in ruining their respective story and its convoluted messages. They are all deeply unlikeable on a human level and those that have points of intrigue or sympathy are ruined by the narrative bending over backwards to justify their worst aspects or they exist solely as style over substance rather than allowing them to truly come to life.

That being said, the best characters are Nifty and Barbie Wire, simply because they both have been ignored by the writers and the plot, as such they have not been given sufficient time to be ruined as of yet.

The worst character in Hazbin is much harder to narrow down.

Is it Charlie for being the least interesting protagonist and being unimportant in her own story?

Is it Vaggie for being functionally cancerous to the plot in how she fails to be the one person who should have realized that Angelic Weapons hurt angels. Hell, her wings get torn off by Lute's bare hands and that building did wonders in causing so much damage to Lute that she's now an amputee. It seems plenty can kill or at the very least grievously injure angels to have the entire plot point Vaggie served to be moot.

Is it Angel Dust for being a purity culture caricature whose entire storyline came down to "It's okay to be gay as long as you do it Christian-ly"?

But no, we can go on and on how the entire cast of Hazbin is a cesspool, but the worst, for both shows, amount to essentially the same person/character. That being Alastor and Stolas.

They may not appear the same on the surface with a veneer of originality between them, but pulling back the curtains reveals that they are fundamentally the same character. Both are self-absorbed, egotistical, self-important abusers who take overt delight in tormenting those around them. They both treat relationships as transactional and both come from a position of power and superiority over the rest of the cast.

Both Stolas and Alastor go so far as to even have their own hype teams within the show. Mimzy in the series and Vaggie in the pilot have essentially the same monologue between them where swaths of time are dedicated to building up this character who, for all intents and purposes, is extremely underwhelming and uninteresting. Whereas Stolas has something similar in AT with Verosika dignifying his delusions and treating him like he ever had a valid relationship with Blitz. The respective narratives are so self indulgent of these two characters and their perspectives that it actively devalues the characters' depth as a whole and the narratives suffer for it.

Not so ironically, both were conceived as antagonists to their respective shows and have somehow monopolized the story with not an ounce of grace.

[boyfridged]

I think an really interesting thing about when they have the character's say that Bruce was saving Jason a life of crime or teaching Jason to be good is that it not only isn't true, it directly contradicts other canon.

We have at least two separate alternate time lines (caused specifically by time travel events where the consequences included no Bruce adoption) both of which were Jason was still a moral person. In Flashpoint he is a priest who believes in helping people not matter if they are church goers or not. A world without young justice has AU Jason die trying to do the right thing.

On top of that Jason is at the very least strongly implied to have taken care of his sick mother and the more recent portrayals of him meeting people from his pre-Bruce life also portray him as a caring person.

This adds up to although the writer means for the character to be right, and that Bruce is so noble for helping (failing) this poor child. They are actually being canonically classist towards Jason as what they are saying is an untrue assumption based on his background.

Selina in Gotham War saying he taught Jason to be good is her being classist. Alfred treating Jason like he was just a bad seed Bruce couldn't save is classist. Bruce and his whole reasoning that it is okay for Jason specifically to be endangered because of his background is classist.

Obviously that isn't the intent but when writers who are less classist about Jason write him these classist things aren't be true. It doesn't matter if Zdarsky retcons Jason being such a 'bad kid' when there are a bunch of other writers who didn't do that.

(Zdarsky: Look at this 'bad kid' before Bruce taught him morals. Ignore all the times he was portrayed as a good kid, those aren't canon anymore. Bruce is the source of all his morality. Bruce is actually less classist than Jason. This is definitely not classist writing.)

you summarized it excellently. i think it is also related to bruce projecting both his own trauma and his own worldview on jay and his background. i have written a very long post about this exactly, with receipts too. you can find it here. oh and another one, in which i explain why it would be more interesting to allow bruce to be wrong too.

and as i cited it in the above post – bruce is wrong and that fact is quite evident in-text, at least in the early versions of the story. this is also what i love so much about barr’s detective comics run – because barr calls bullshit and gets leslie to tell bruce his reasoning behind putting jason in field are unbecoming and that he is “doing it for himself.”

of course, post jay’s death that awareness has evaporated and instead we got revised versions of the story that were more than ever deadset on proving that jason did possess some fatal flaw, a violent seed that bruce did not manage to eradicate (like the issues of gotham knights, which again, i have no idea as to why they are so popular, given how malicious they are in the evaluation of jason’s fate). the latest retcons such as zdarsky’s work also fall into the trap of attempting to justify bruce’s decisions irt jason & his role as robin by diminishing jay and rewriting his story to be tainted with inevitability. even a death in the family (2020, the animated movie) provides the audience with plenty alternative endings, all of which are to make a murderer or a villain out of jason.

that is not to say that i think there should not be a sense of inevitability of jay’s tragedy at all – but its source is stubbornly misplaced for bruce’s benefit despite even the actual aditf storyline and barr’s run before placing the responsibility for it in bruce’s inability to compartmentalise his parental and vigilante duties (the chapter of aditf titled choices relates to bruce’s decision to go after the joker instead of jason; it does turn out it did not matter as jason has long been tied up in that family-vs-heroics conflict.)

bringing up the alternative versions of jay is a good way to illustrate it; in the world in which he does not meet bruce, he is not damned to participate in the cycle of abuse forever. i’m not gonna lie, i also wish countdown went in that direction and has given us more glances at realities like that. because i do believe that jason’s resolve to stop at nothing when faced by crime, the sense of obligation to do so that leaves his hands bloody, is something that was cultivated in him primarily by the robin training.

[speakingwords]

Marauders Fandom, a huge nightmare.

WARNING: this post is long!!

Hello, everyone. Today I conducted a thorough analysis of the Marauders Fandom, searching across multiple social media platforms, and discovered that this fandom is the most disturbing thing I have ever seen. I have been reading CANON Harry Potter since I was a kid, and I know almost everything there is to know about the series; however, people appear to be incorporating fanon into the canon, which I find strange and unacceptable.

It is acceptable to dislike the author, but changing and twisting the entire story until it is unrecognizable and laughable is strange. Like, the Marauders fanbase should read this post and consider seeing a therapist! IMMEDIANTLY!

For example, let us start with something I find strange: everyone is gay. It is fine to be gay; I am gay myself, but making every character gay and claiming it is their entire personality is laughable. I have read canon and looked at the wizarding world's perspective, and I am going to say this: they probably do not even accept gay people, and purebloods probably do not even know what a gay person is, and probably despise anyone who is. Gay people were not always as accepted as they are now, and the wizarding world lags behind in some ways, so they may have bad ideals, which they do. If you could stop making every character gay, because they most likely aren't, and probably just have close friendships and are a canon STRAIGHT, do not make a character gay just to be likeable or for your own pleasure; everyone should be comfortable with a character's sexuality and should not have to change it. It is disgusting, and you look really weird doing it. You are fetishizing gay relationships and gay people by doing it that way. I honestly throw up when I see how you people treat these characters; why not create your own or something? These are not your little dolls that you just throw around.

“Fetishizing a character or making being gay their entire personality can be harmful and offensive to members of the LGBTQ+ community. Making a character's personality all about their sexuality can imply that it is the only thing that defines them as a person, and can reduce them to a stereotype. Additionally, making a character gay solely for the purpose of shipping them with someone of the same gender can also be problematic, as it can perpetuate stereotypes and objectify gay relationships.

It is important to create well-developed, complex characters who just happen to be gay, and to show that they are more than just their sexuality. This can create representation that is not based on harmful stereotypes and that shows the diversity of the LGBTQ+ community. When creating characters, it's important to focus on their personalities, goals, and motivations, rather than solely on their sexuality. It's also important to avoid perpetuating harmful stereotypes and objectifying gay relationships.

It is important to be aware of and sensitive to issues related to representation in media, and to ensure that characters are portrayed in a way that is respectful and inclusive, rather than perpetuating harmful tropes or stereotypes.”

Please make sure you aren’t doing this because its actually extremely offensive to do so. It also does not help justify or improve a character's appearance, nor does it make them more attractive or less disgusting than they were previously!

Making characters transgender is something else that I find strange and disgusting. I believe it is okay to be trans; that is who you are; however, changing a character's canon gender to your liking is disgusting, regardless of the reason; unless it is your character that you created, do not do it. I have seen so many Marauders fans change the genders of characters or headcanon them as trans people, which is not true, and you guys make it their entire personality and something they have to have to be attractive, so go take a shower. If you are doing these things, stop. Instead of trying to change someone else's character because you want them to be a certain way, create your own character.

“Changing a character's gender, making them trans, or headcanoning them as trans can be acceptable if it is done with respect and sensitivity. It's important to remember that trans representation is still relatively new to popular media, so it is important to be mindful of how it is portrayed.

However, making being trans a character's entire personality and making them unattractive unless they are trans can be problematic and could be seen as fetishizing trans identity. It's important to be mindful of how these characters are portrayed and to avoid perpetuating stereotypes or objectifying trans folks. It's also important to recognize that trans identity is just one aspect of a person's identity and should not be the only defining characteristic of a character.

When it comes to a character created by someone else, it is important to be respectful of their choices and not change their character without their permission. However, if you're creating your own character, then it's up to you to decide how you want to portray them. As long as you are respectful and mindful of the way you portray trans identities, it can create meaningful representation for a community that is often underrepresented in the media."

Another thing is changing characters' entire personalities; I understand it is what you want to do, but the way you go about it disgusts me. But you guys change a person's entire personality to make them what you want and attractive in your eyes, or what you want from a character. To be honest, you should just start creating your own characters. Can you please stop changing an author's characters so much that I can not tell who they are and fetishizing them? It is okay to do whatever you want, but it is getting out of hand. Also, it makes a lot of people uncomfortable, and I have heard several people say they are no longer fans because of you.

“It's generally not a good idea to change a character's identity, personality, and characteristics to the point of being unrecognizable. This can be problematic and can come across as disrespectful and disrespectful to the original creator of the character and to the fans who love and appreciate the character as they are.

Changing a character to the point of being unrecognizable and having them solely defined by a specific trait could potentially be seen as fetishizing, especially if the trait is related to a historically marginalized or underrepresented group such as a certain race, sexuality, or gender.

In general, it's important to be respectful of the original creator's intentions and not change their characters too much. However, if you want to create your own original character and make them completely different from the original, that is more acceptable and allows for more creativity and artistic freedom.”

Last but not least, they are changing their race, ethnicity, and nationality. When did we decide that such behavior was acceptable? I find it strange and disguising, especially changing a white character to different races and things to make them more appealing and pleasant to your taste; I find this to be extremely problematic in general, as seen in the Marauders fandom! Especially if the character was originally of a different race, ethnicity, and nationality but is now white and something else. I know the author isn’t good, but this kind of behavior is unacceptable.

“Changing a character's race, ethnicity, or nationality to make them "better" or more attractive is not acceptable, as it can perpetuate harmful stereotypes and may be seen as disrespectful and insensitive to the original creator of the character and to members of that community. The same is true for making a character's race, ethnicity, or nationality the primary focus of their personality, as it can be seen as fetishizing and objectifying.

When it comes to a character created by someone else, it's important to be respectful of the original creator's choices and not change their character without their permission. It's important to remember that representation matters and that changing a character's race, ethnicity, or nationality can be disrespectful and harmful to the members of the community that the character represents.

It's also important to be aware that changing a character's race, ethnicity, or nationality can have broader implications on society and culture, especially if the character is a popular cultural figure. It could perpetuate harmful stereotypes and may be seen as exclusionary or racist.

In short, it's important to be mindful of the implications of changing a character's identity and to refrain from doing so. Instead, it's better to create an entirely new character that aligns with one's vision and values.” 

Also, forget about the Marauders vs. Snape rivalry; it is just straight up bullying. The Marauders fandom enjoys making excuses for their characters, but there should be no excuses for these characters, and I will link something below that explains why this is bullying, and I would like to quickly address the Marauders fandom.

Could you please, Marauders Fandom, stop changing characters and fetishizing them? I should not have to ask you to do this; it is common sense. Why do this is my question; you guys are so disgusting that you resort to such strange behavior.