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#(or at least what I draw just doesn't feel as interesting as Id like)
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Thanks for drawing all these Chuuya art! They're a delight to encounter!
Draw Chuuya making a heart gesture perhaps?
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Chu! Sorry for being so cute!
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gremlinmodetweeker · 18 days
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Bellowing Bull Calling Home
Please forgive me for not posting any stories in a hot minute! I've just been super busy and tired. I had a whole issue with my meds (thankfully it's been sorted out) and since I'm so angry I wrote something about König getting mad. I really like the idea of being yelled at by this man, so once I get to 500 followers, I might post some snippets of smut.
Also, I'm thinking about opening a Kofi soon. I don't make much money, but it would be a good place to post some more... Interesting drawings, so to speak. I could also take some comissions if anyone is interested. However, I'm not sure yet. I'm just floating the idea.
Anyways, enough about me! Time to read König getting mad because that's super hot.
TWs: König yelling and insulting recruits, slight allusions to degradation kink, allusions to a horrible government secret contained in a suitcase (you never learn what it is)
Wordcount: 4.1K
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Story below the cut
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Bellowing Bull Calling Home
 Normally, visiting König at work was a laughable concept. A PMC base was no place for a simple civilian such as yourself, yet here you were with König’s (supposedly) very important briefcase that he’d been directed to hold close to his chest for the foreseeable future. You’d begged König to let you read them, but he had simply laughed you off and changed the locks on the briefcase again. He then politely hid it out of view to keep you from trying to break into it. You had no intentions of doing so, but apparently whatever was in there was important enough for König to go to such lengths to protect it.
Unfortunately, by hiding the suitcase to keep it out of sight and out of mind from your curious fingers, König had forgotten about it entirely when he left that morning. You wouldn’t have known were the suitcase not sat proud and regal on your humble dining room table.
Sipping your drink and leaning against the counter, you realized you had the perfect opportunity to try and hack the damned thing open. Whatever was in there had König muttering darkly under his breath and leaning away from your touch. Those accursed documents were driving a wedge into your relationship the size and depth of a canyon. Of course, you knew the case was tamper-proof. You knew that if you so much as cracked it open as much as a millimeter, it would most likely set off some sort of alarm if a proper code wasn’t punched in the top. You had the strange feeling, based on the hefty weight in your hands, that the case wouldn’t even so much as dent if you took a simple butterknife to it.
You swung it back and forth as you left the home, the weight of your relationship hanging with the suitcase in your hand. Making your way to the main gates of the base.
A soldier checked your ID before waving you through, getting another soldier to help make your way to your husband.
“So, I don’t know if he’ll be in his office right now, but we can swing by there first,” Horangi chirped as he followed behind you to a long, grey building that sat close to the entrance.
You passed through a series of doors under the judgemental stares of low-ranking officers as Horangi brought you down the linoleum floors to come to a plain wood door, its only decor being a brown and white plaque reading ‘LEICHENBERG’ in big block letters. Horangi flicked the back of his knuckles against the doors twice before rolling back onto the balls of his heels. He looked at the door expectantly, then to you, then knocked again.
“Sometimes I knock and he thinks he’s going crazy,” Horangi explained before turning back to the door, “what he doesn't know is that sometimes I’m walking by and I’ll knock on the door and leave before he can answer it. I don’t think he’s caught on yet.”
You shook your head tiredly. That would at least explain some of König’s strange tendencies as of late, at least. Friends like Horangi tended to shorten lifespans, so if König dropped dead on his next mission, at least you knew who to blame now.
Horangi pulled out a set of keys and unlocked the door to step through into the minimalist office. You balked at his gall, but the way the soldier swaggered through the doorway had you thinking that Horangi was far too comfortable with pushing his way into your husband’s office.
You barely got a chance to see your wedding picture on König's desk before Horangi cleared his throat.
“Whelp, looks like he’s not here,” Horangi sighed as he turned to face you, “guess I can just hand that over to him myself, if you’d like.”
You sighed, “I was really hoping to hand this over to him personally…”
“Why?” Horangi snorted, “so you can go fuck in a closet or something?”
“No!” you gasped, “I just… I wanted to see him. I never get to see him at work so, you know... I thought this might be a good chance to see what he's like at work.”
“Well who am I to deny such a fine and noble venture?” you could hear Horangi’s shit-eating grin through his mask, “if we’re gonna track down König, we gotta use plan B.”
“Plan B?” you asked warily.
“Plan B!” Horangi cheered before sauntering over and slinging an arm over your shoulder, “looks like we’re going on a goose chase today.”
“Please not a wild one.”
“It’s gonna be a wild one.”
You groaned as Horangi’s laughter echoed off the empty walls of König’s office. It figured that the one day you had to go to König’s work he’d be squirreled away into the farthest corner of the base. He had a habit of being in the wrong spot at the wrong time, which made you all the more anxious every time he was sent on deployment. It also had a tendency to haunt you in your daily life when he returned home to your awaiting arms.
Horangi trotted down the halls, conveniently pushing you past anything he considered a bit too explicit for civilian eyes and ensuring you were in front of him to prevent you from skiving off to some derelict corner of the base.
“König usually likes to go to the gym when he’s frustrated about something,” Horangi explained as he brought you from the main building to a separate section of the base. Once inside, Horangi rounded on the help desk like a tiger on a deer.
“So, Matrice,” Horangi drawled as he leaned his chin on the heel of his hand, somehow exuding smugness through his mask and sunglasses, “you wouldn’t happen to know where ol’ Col. Leichenberg is, would you?”
“Uh…” Matrice darted her dark eyes between Horangi and you, then down to the suitcase fearfully.
“König’s my husband,” you offered.
“König has a wife?” Matrice shook her dark curls as she tapped away on her archaic keyboard, “nobody ever tells me anything around here...”
“Well maybe if you actually came to the staff parties, you might get to know us a bit better,” Horangi slyly slid the dig into the conversation with serpentine ease.
“Horangi, last time I attended a KorTac hoedown you threw up in my car,” Matrice grumbled, “I’m never gonna be your DD again.”
“I don’t remember it being that bad,” Horangi snorted, then turned and muttered, “not that I remember that much anyways…”
“And that’s why I’m not your DD anymore,” Matrice scrolled through the page a couple of times before shrugging and turning to you, “sorry ma'am, but you’re outta luck here. Maybe try checking the cafeteria? It’s nearly lunch. Big boy's gotta eat."
“König would be the first out to lunch,” you grumbled after you thanked the woman. Horangi paid no mind to your whinging and simply turned you back around to head back to the main building.
“If it makes you feel better,” Horangi offered as he firmly pushed you across the road, “I think I saw him cut down on red meat the other day.”
“We’ll see how long that lasts,” you rolled your eyes. 
Horangi only laughed as he opened the door for you.
“I’m serious! He needs to watch what he eats!” you insisted as Horangi led you into the belly of the PMC.
“You know, sometimes I think about what your grocery budget is like, and then I think I'd rather go back to South Africa than have to pay your bills for a month,” Horangi chirped as he stopped you from missing a right turn, “watch your step.”
“You know it would be easier if you were the one in front,” you huffed as you swung down the bland corridor.
“I don’t like the thought of you being out of sight,” Horangi explained as he guided you around yet another corner, “König’s said some interesting things about you.”
“You guys talk about me?” you cast a glare over your shoulder at the tall Korean man.
“What else are we gonna talk about?” Horangi shrugged, “living on base isn’t exactly exciting. Dunno if you civvies got the memo, but there’s only so many times you can talk about special secret missions before it just gets boring.”
“Special secret missions?” you perked up.
“Cleaning duty assigned to whatever poor fucker got the shit end of the stick,” Horangi clarified.
You groaned, then complained, “Please tell me he doesn’t say bad things.”
“Not really,” Horangi replied, “but he tells me a little bit. Just the juicy bits.”
“Really?” you scoffed, “like what?”
“Did you actually forget your own birthday this year?”
You flushed, which seemed to be enough proof for Horangi to laugh at your humiliation.
“He told me you nearly had a heart attack when he told you,” Horangi snickered.
“Oh really?” the cafeteria came into view, “well has he told you he eats other people’s lunches as snacks?”
Horangi sighed, “I figured it was him. It’s not hard to guess that one.”
“Has he told you that he ate Stilleto’s cake?”
Horangi paused, “I thought he was a better man.”
“We both did,” you shook your head morosely, “but I guess she stole his evening snack or something?”
“Oh my God he didn’t try to justify it, did he?” Horangi groaned.
“I tried to explain it to him but he wouldn’t have it,” you pushed the door to the cafeteria open.
The massive room was empty save for a table of sergeants playing poker and a couple of officers sharing a coffee. The room was notably absent of any giant men with a propensity for malicious snacking. The warm and inviting smell of the room made you want to grab one of those dishwater coffees they served and kick up your feet, get a taste of the military experience, but the suitcase felt hot in your hands.
“Looks like he’s not here,” Horangi pointed out the obvious, “so maybe he’s outside training one of his teams? I hope not…”
“Why don’t we check?” you offered.
“But it’s so far…” Horangi trailed off weakly as you marched past him, “hey! Where are you going!?”
“To see König!” you called back.
Horangi rolled his eyes, but followed behind you regardless.
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The outdoor training area had been split into three squads of men, each squad being led by a different officer. The first leader Horangi brought you to had looked you up and down suspiciously before promptly turning a shade of milk white when he spotted the suitcase in your arms.
“What the hell are you doing with that!?” the portly man squawked as he jabbed a finger at the offending black pleather suitcase.
“My husband forgot it before going to work,” you spoke softly, taken aback by the man’s animated reaction.
“Wh-König just left it at home?” the man’s pale skin was steadily flushing to a beet red the longer you let him sit with your answer.
“Can you show me where he is? I need to get this back to him,” you tried to calm him but he only grew steadily more upset.
“You’re telling me König left that suitcase in the hands of a damn civilian?” the man scoffed, “König’s an idiot, but he can’t be that stupid!”
“She’s probably telling the truth, Baker,” Horangi interjected.
Baker steamrolled over him with the grace of a bulldog chasing a rat, “So where the hell did you get that?”
“It was just on my kitchen ta-”
“It was on your what!?” Baker howled.
“Baker!” Horangi barked, finally making the man pause to let you breathe, “this is König’s wife.”
Baker’s eyes widened as his mouth dropped into a perfect ‘o’. He turned to you with a sheepish smile, “Sorry, ma’am, I… I should’ve put two and two together but just seeing a random civilian with that in their hands and… Well… You gotta understand, right?”
You tried to steel your nerves as you replied, “It’s alright! Don’t worry about it.”
“I really should apologize though,”  Baker blundered on, “I mean if I’d only known you were König’s wife I never would’ve-”
“Baker please,” Horangi pinched his nose bridge, “cut the shit. I’m really not in the mood to listen to you kiss ass for an hour straight.”
“Understood sir,” Baker snapped his jaw shut before subtly turning to you, “please don’t mention anything to König.”
“I won’t,” you assured him kindly.
“Thank God,” Baker quietly made the sign of a cross before returning back to his platoon.
Horangi dragged you along to the next platoon, quietly ignoring Baker’s inability to direct you to König. Instead you were brought before a short man with notably thick dark eyebrows, accentuating his severe browline as he scowled at his soldiers.
“G’day Horangi 'ow are what the hell is she holding,” the man glared at you as though you were but dirt beneath his steel-toed boots.
“This is König’s wife,” Horangi cut you off before you could even start, “she’s here to deliver what he forgot at home.”
The man’s dark eyes darted from you back to Horangi, “You’re tellin’ me big boy over there forgot the damn-”
“Don’t say it,” Horangi interjected harshly, “don’t you dare.”
“She don’t know?” the man whispered.
“Not a word,” Horangi’s threat was nearly lost under the shouts of men and the screams of whistles.
The man looked unnerved, but nodded along begrudgingly.
“Right, well, you’re lookin’ for the big guy?” the man glanced between you both.
“Sure are,” Horangi nodded.
“Well yer in luck!” the man’s face lit up, “big boy’s just over there.” With that, he pointed out into the distance at one big man sitting in a navy blue folding chair whilst commanding the smallest group of soldiers, no more than a squad in number. His back was to them, but it was clear it was none other than König. If nothing else, the mask on his face in the sweltering hot sun was a dead giveaway. It was a miracle you didn’t see him earlier.
“Damn,” Horangi spat, “you really think it would be easier to find him, but he’s damn good at getting lost in a crowd.”
“When ‘e’s in that chair it’s hard to spot ‘im,” the man chuckled, “now get outta my sight with that damned thing. Gives me the heebie-jeebies just lookin’ at it.”
You glanced down at the suitcase and back at Horangi.
“You don't want to know. Seriously,” Horangi muttered as he urged you onwards.
Instead of taking in the weight of Horangi's ominous utterances, you focussed on making your way to König with a skip in your step, eager to see your beloved husband. You were so eager that you didn’t notice how he tensed up as you drew close. Just as you were about to greet him, he slowly rose from his seat with a blood-curdling howl sent straight from hell itself.
“YOU!” König bellowed like a brazen bull, “JEFFERSON, YOUNG, MANDULU! GET OVER HERE RIGHT NOW.”
You stopped dead in your tracks. You had never, never, in your life ever heard König yell like that before. Sure he could curse up a wicked storm when he stunned his toe on the corner of your table, but this? This was another beast entirely. The mere thought of König yelling like this had been completely foreign to you.
“YOU USELESS ANIMALS,” König raged as he rounded in on the three cowering soldiers, “I have never, in my entire life, seen such incompetence,” König drew himself up to his full height, making even you shiver in your shoes, “and yet here you three are before me. What gives you the right to call yourself soldiers!?”
“I’m sorry sir, it won’t happen again,” the middle man’s voice quivered as he stepped forward for the others.
König’s laugh sounded downright demonic, “You’re apologizing for what? I haven’t even told you what you did wrong!”
You looked back at Horangi, who only threw you two thumbs up as he smartly backed away. You glared at his retreating form before König forcefully grabbed your attention.
“All three of you have been nothing but DEAD WEIGHT to the rest of your team. I’ve seen better performances from drunks moping up their own VOMIT!” König snarled as he drew close to the men, circling them like a hyena stalks its prey, “fucking Aziz is doing better than any of you. And Mandulu!” König clucked his tongue as the terracotta skinned man quivered like an aspen tree when König's voice dropped to a lull, “I expected better of you. You’re supposed to be up for promotion, yeah?" König leaned in close to scream, "DOES THIS PERFORMANCE WARRANT A GOD DAMN PROMOTION?” König’s face wasn’t even a foot from the man’s nose, leaning down and coating him with hot breaths from his draconic lungs.
The man, Mandulu, slumped as all fear left his body, totally replaced with encroaching shame. He dropped his head down, before tearfully admitting, “No sir.”
“THEN WHAT THE HELL ARE YOU DOING!?” König screamed.
A part of you wanted to intervene. You felt like you were witnessing a torture session with how König rounded on this poor man, but something held you back. Maybe it was fear, but maybe, just maybe… It was arousal.
You hated to admit it, but something about watching König’s muscles bulge in his neck as his mask swayed forth when he leaned down over men who easily dwarfed you excited you. You almost wished that you were in their shoes, but watching was more than enough. He was a glorious sight, rage burning like the sun as he lorded over his men like a god. He was a mountain of a man with how he held himself up above his victims. You wished to lay before him like Prometheus, let him rip you apart with his talons.
“And you two,” König spat as he turned to the others, “WHAT THE HELL ARE YOU DOING ON YOUR PHONES? What are you doing twenty feet off looking at the others while they work like ACTUAL FUCKING SOLDIERS.”
One meekly spluttered, “Sir we were just-”
“Just what? Laughing at Goetz?” you could see König whipping himself up into a frenzy as he hurled his next insults, “GOETZ HAD KNEE SURGERY THREE MONTHS AGO AND IS STILL HAULING YOUR USELESS ASSES ACROSS THE GODDAMN FIELD. AND WHAT ARE YOU DOING? PLAYING ON YOUR GODDAMN PHONES!!!”
You shuddered. If there was one thing König hated, it was soldiers on their phone during training. You gave a silent prayer for the poor men.
König stalked around them slowly, “I should have you thrown out. What would I be losing? Nothing! Not a single thing! I might actually gain something without you two dragging us down!”
The men cowered miserably. You couldn’t help but feel sorry for them, despite knowing the abuse was more than well deserved. From the sounds of it, it was a miracle König hadn’t beaten them to a pulp. Now that… That would be a sight to witness…
“ALL OF YOU,” König snapped as he finally stood to face the three men directly, “Mandulu! Give me a ten page report on all the reasons you’re still worthy of a promotion today at eighteen-hundred exactly, or you’re up for recycling. For the next half hour, you’re running laps around the yard. Maybe think how you'll structure your points, ja?” he turned to the other two, this time with a sadistic gleam in his eyes. You knew that under his mask, he was grinning from ear to ear through the fury etched into his face. “And you two!” he cackled, “give me your phones. For the next week, you’re going to be putting your phones in lock boxes. You’re going to carry those fucking boxes from the moment you wake up to the moment you go to sleep. If you’re good little boys, you’ll get your phone for an hour before lights out. Are we clear?”
“But sir, my wife-”
“I DON’T GIVE A GOOD GOD DAMN ABOUT YOUR WIFE,” König roared.
The man shrunk into himself like he’d been burned by the flames of König’s fury.
“You are to carry your phones in lockboxes for the next two weeks! Are we clear?” König snapped.
“Yes sir,” the two miserable whelps squeaked out before König finally relaxed.
The goliath finally stood straight before them, “All three of you! Dismissed!”
“Yes sir,” the three men saluted and slunk off miserably.
Just as Mandulu looked like he couldn’t be in any worse of a state, König called out, “And Mandulu?" the man raised his dark for eyes, "I’m disappointed.”
The poor man looked like his whole spirit had just been crushed to dust. His face crumpled in just briefly before he quickly turned his face and quietly left.
You watched the poor man leave with his tail tucked between his legs before turning to look at König. He was shaking his head slowly as he turned his back on his soldiers, all of whom were watching him for further instruction. He quietly turned to them, barked a couple of commands that had the soldiers scurrying into actions, then turned back to stare off into the distance. Incidentally, that was right at you.
“Ah!” König stiffened slightly as he locked eyes with you, “meine liebe! What are you doing here?”
“I brought this for you,” you held up the suitcase that had been weighing you down all day.
“Oh mein Gott,” König gasped as he rushed over, “ohhhhh mein Gott meine leibe I can’t believe you found this. I can’t believe I forgot oh mein Gott.”
“I figured you might need it,” you laughed as you handed the suitcase over.
“I knew I was forgetting something, but this? If one of my superiors saw me without this,” König shuddered, “I don’t even want to think about it.”
“Well it’s a good thing I got it for you!” you smiled brightly before scowling, “it was really hard to find you though.”
“Oh?” König put the case down and put his hands on your shoulders, “where did you think I was?”
“Well, first Horangi took me to your office-”
“Please tell me he didn’t take you inside,” König groaned.
“He did,” you chirped, “but he did knock twice at least.”
“Well that’s something,” König grumbled, “so where did you go next?”
“We went to the cafeteria afterwards,” you placed your hands on König’s hips and shifted from side to side.
“You went to the cafeteria? Why didn’t you come here first?” König scoffed in mock offense.
“König,” you cupped his masked face in your hands, “I know you too well to not check the cafeteria second.”
König sniffed indignantly but let you continue your regales of your odyssey.
“So anyways, when you weren’t in the cafeteria, Horangi took me out here to find you! It took us a couple of tries, but we got here in the end!” you lightly kissed the inside of his wrist, making him chuckle sheepishly.
“So you saw all that?” König grimaced.
“All of it,” you told him, “I feel kinda bad for them though…”
“Ach,” König scratched the back of his head, “Jefferson and Young are fucking idiots, but Mandulu is usually one of my best. I don’t know what got into him today…”
“Maybe he’s going through a tough time?” you asked.
“I really hope not,” König winced, “if he is… Well, I can’t apologize. And if he were out on the fields it wouldn’t matter, so this is a good experience. Still,” König paused as he looked off to where Mandulu left, “I hope tomorrow is better.”
“Can't you go easy on him?” you asked hopefully.
“It’s because I like him that I have to be harder,” König patted your head lovingly, “if I’m soft, he’ll never be what he wants to be. If I’m hard on him, he might get to my rank in a couple of years.”
“That fast!” you whistled, “he must really be something special.”
“I was the one who put him up for promotion,” König brought his hands back to his hils, “but… You weren’t upset by any of that, were you?”
“Not really,” you shook your head, “if anything, it was kinda hot.”
“You thought me going red in the face is ‘hot’?” König shook his head in disbelief, “you’re a strange woman.”
“It’s cool to see you when you get all angry and stuff,” you chirped, then quietly added, “it would be hot if you yelled at me like that.”
“I don’t want the neighbors to know about your kinks,” König drawled as you blushed, “but if you really want, we could always try something when we get home.”
“Could we really?” you grinned eagerly.
“Well, not like that,” König pointed over his shoulder at where the three men had stood, “but I’m sure we can figure something out. Now,” he picked up the suitcase, “do you need a lift home?”
“I’ll be alright,” you assured him, “do you need me to go?”
“I'd hate for you to go so soon. If you like, I can meet you back in my office, but as you can see I’m a bit busy just right now,” König gestured over to the soldiers hauling a massive log over their shoulders from one end of the muddy field to the other.
“Can you at least give me a kiss before I go?” you asked.
“Of course,” König laughed.
Without missing a beat, König lifted his mask up to lean down and press a kiss against your lips. He held you tight briefly, then let you step back from his grasp. His eyes shone with an undying warmth as he took in your form once more.
“Colonel König has a face!” a soldier screamed in the distance.
König closed his eyes as he let out an exasperated groan.
“They’ve never seen your face?” you asked.
“They’ve never been on the field with me,” König explained before ruffling your hair, “now go to my office. I’ll be there soon, okay? I love you.”
“I love you too,” you blew him a kiss as you walked off back to the main building.
As you did, you could hear König raging and roaring at the soldiers from behind you. You felt bad, but you knew you’d be on the receiving end of König’s rage soon enough. Funnily enough, you looked forward to it.
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Story Masterlist
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egophiliac · 2 years
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hi, just wanted to say I've just started to get into Twisted Wonderland and binge read your comics and content for it, it was really fun to read! i love how you draw the different characters' expressions! im still super new to it (haven't played the game yet but i got kinda hooked on reading the main story after looking it up by chance) but id love to play it eventually! do you have any suggestions on what to look up/read next as far as character backstories/interactions go? ive really enjoyed the parts from the birthday events (? i think?) that you have done comics from, they sound really fun! thanks for your time!
oh boy, GET READY because the personal stories/vignettes are where the real meat lies. like, the main story is the main draw, of course, and for good reason -- I am champing as the start of episode 7 grows nearer -- but Twst's strength is definitely in its enjoyable characters and their slice-of-life interactions in Zany Magic School. and fortunately, there's a lot of them!
(sorry this got so long, I have many feelings about anime characters)
most of the stories and events don't have a specific chronology aside from taking place sometime after episode 2 of the main story, so once you've gotten that far you're good to jump in almost anywhere! (the more recent events, starting with Fairy Gala IF, are explicitly set after episode 6 -- though if you're going off of the English version then I don't think any of them have been released yet.) event cards also assume that you've gone through the event story first and usually have spoilers or references for it. otherwise there's no real order, so you can just pick a character you like or event you think looks interesting and go from there!
one of the things I really like about Twst is that interactions aren't limited to defined groups -- everyone has inter-dorm friendships and clubs and sub-friend groups and opinions on everyone else that range from "well, I don't know if we're exactly friends, but we study together sometimes" to "I would literally die and/or murder for him" (and sometimes "I would literally die and/or murder for him but he won't let me >:("). characters pop up in each other's stories all the time, and pretty much everyone gets some extra depth or development to them that doesn't come out in the main story, so I do think it's worth it to read through at least a few for every character.
like, if you just go through the main story, you only really get to see Nice Mom Friend Trey, and not that he's actually kind of a petty asshole who is weirdly obsessed with dentistry and goes around sticking his hands in people's mouths. everybody has things like that! Jade is super into mushrooms! Leona is a feminist! Malleus has an intense emotional attachment to his tamagotchi! Cater participates in shallow consumerism because nothing in life has any meaning and actually his friends are pretty worried about him!
tl;dr read everything because this game knows what it's about and that's ✨Characters✨
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i need your thoughts on ts5 STAT, i like your account and posts on prideyear so id love to here your opinions on the current info we have atm.
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Oh well I’m flattered asghgdhj I had some thoughts saved I was gonna post sometime, so I’ll finish it off and put it here.
Guess I'm one of the few people that don't find toys vs electronics an inherently cringe premise, I trust Pixar enough not to have the message just be IPAD BAD (though given Wall-E maybe I shouldn’t lmao), there are legitimate issues concerning children and screen use that can be explored, and how that affects how kids play with actual toys is interesting to me.
My issue is more with the time period. Were "tablet kids” even a big thing by like 2007-2009 (giving a range here on the years TS3-4 seem to take place in)? Bonnie could be older (though she doesn't look it), but even then that seems early for kids with tablets to be a major thing yet. It just feels like too modern an issue for what should be just before the 2010s. But maybe that's just drawing from my experience and tablet kids were a problem by then?
Also a bunch of defective Buzzes is... potentially interesting in concept, but by now I feel the "delusional Buzz" schtick has gotten very, very tired. It's fine to repurpose ideas that got left on the cutting room floor, but again? Really? You can't even use the excuse of "well every movie has a delusional Buzz moment so this one must have too" because there was no delusional Buzz in 4. The concept worked in 1 because well that was the plot of the movie and wasn’t done before. In 2 it worked because it a) was a funny callback to the first movie that played on the humour of how Buzz used to be compared to how he was now and b) didn't interfere with the main story so much, as in, didn't bloat up the story with unnecessary detail or ruin the more emotional scenes. In 3, it worked because it was once again a subversion on the concept: while delusional Buzz was played for laughs before, here we are shown a darker side to it, with someone being able to turn your friend against you just like that and losing yourself with the flip of a switch (ofc it still had some laughs because it's Pixar, but ykwim).
In 5, what will the fresh twist be? I really can't tell. It feels like they've done what they can with the concept and they should just let it go now like they did in 4. How many times can the characters say “not again” before the audience is thinking the same thing?
As for showing Woody back with the gang and the lack of a Bo Peep mention of all, that’s probably the most interesting part for me personally. Bonnie doesn’t seem much older, if that’s who’s under the sheet in that picture—how much time has passed since the ending of 4? How long are Bonnie’s remaining toys separated from Woody before he returns? How do they meet up again? That was a travelling fair, it’s unlikely they would be seeing each other again any time soon. Did Woody/the toys deliberately seek each other out, or is this a happy coincidence? Are they working together towards a common goal and that’s it, or will Woody be returning to Bonnie’s room for good? I’ve got a lot of questions here.
If it isn’t Bonnie under the blanket, that drastically changes things. Is this set decades ahead with a grown-up Bonnie’s kid? Or perhaps in this future, Bonnie returned her toys to Andy, and this is Andy’s child instead? (Though the presence of Forky calls that into question, unless she just threw him in as a gift because she doesn’t gaf about this spork anymore lmao). If it’s Bonnie’s kid and we know for a fact that Andy will be in the movie again, what if Bonnie’s kid befriends Andy’s kid, and that’s how his old toys eventually find their way back to him (I feel Bonnie would at least offer Andy the toys back first, but who knows)? At any rate, I’m putting heavy money on the ending being the toys returning to Andy and being passed down to his children, maybe with this new kid imitating the opening of 1 as he plays with Woody just like Andy did.
I’ve joked before about 5 opening with 4 just being a dream and they retcon the whole movie away, but these new details make that reality seem a little less insane lmao
and okay but the REAL question is: what does the 6+ hour ts4 reviewer think about all this?
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forgottenroisin · 6 months
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OOC | Lord & Lady Malconaire
so this post might be pointless, and not to have yet another malconaire family thread running, but i was responding to aoife's comment <3 and i realized there's a lot i don't know about the girls' parents and i'd love to hash that out w you guys, if lizzy doesn't already know? @thelongforgottenrealm
ok so first id love to establish first names for our love birds? [ this site ] might help w that ;D next, id like to discuss a lil their timeline as well as the broader timeline re: valentina and her kids coming onto the scene etc, bc, for example, the thing tht actually spurred this comment was me realizing i have no idea if rosie remembers her mom at all!
speaking of, rosie's bio says she doesn't remember much abt when they were wealthy, so we know that she was still pr small when valentina arrived on the scene, and from that im guessing their mama died pr early into in her life but im not sure how long lord m was a widower -- was it decades? years? months? esp since the remarriage we now know was politically motivated it really could've been any timeframe at all since it wasnt him moving on, etc
but anway! yeah basically just a few basics would be great <3
so yeah to get us started imma start w what we know (using the first event as year 1 since im not sure what the years supposed to be plus lbr roderick's probs did smth stupidly dramatic like re-starting the calendar w year 1, day 1 being his coronation day etc smdh so who even knows whats going on)
year 1 -- birth of valentina (as a result of this being the first known malconaire event, this whole calendar is a timetable of valentina's ages when everything went down which is pr interesting for me as her rper heehee)
year 18 -- birth of cassimir
year 22 -- births of sonya, cillian
year 23 -- birth of eithne/presumably lord and lady m were married by this time, if not before?
year 25 -- birth of brigit
year 26 -- birth of saoirse
year 27 -- birth of aoife
year 29 -- birth of roisin/last known year in which lady m was def alive
year 48 -- surrender of astaira to roderick/battle of m may or may not have already taken place but obv would've been before the formal capitulation -- im guessing it was the same year tho since the v next battle led to the surrender, but anyway likely this is the year in which lord m died, and certainly he was dead by this time
year 50 -- the present
so some notes!! i believe @forgottencassimir said...somewhere haha that cassimir was probs abt ~teenage when valentina married lord m, so that puts the marriage likely between years 31-37, and we know that rosie hardly remembers their wealth at its full height, as well as the fact that valentina was the direct cause of its loss, so she was probs 6-8 when that happened, so that puts their marriage between years 35-37ish, most likely (also never fully appreciated the age gap between rosie and cassimir till i started really thinkin abt this alksdjfaklsdfj), so we're safe to say, i think, that lady m was def dead by year 37 also, i don't want to assume anything, but i do think we're pr safe to say that the battle of m took place in the year 48 and, therefore, that lord m died in year 48
this means that the smallest amount of time lord m spent without the woman he loved was 11 years SOB, and it ALSO means that at the smallest range valentina and he were married that long, and that its been at LEAST 13 years since the marriage of lord m and valentina and thus their kids have been siblings all that time/she's been their stepmom that long etc, but possibly for even longer!
are there any major events whose timetable we know that im forgetting? i feel like there are hahah but im drawing a blank
anyway, this is all quite rambly, and quite possibly lizzy already has all this info for us and i just never thought to ask before now hahaha but yeah!! i was wondering <3
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horsegirlwarcrimes · 5 months
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bury's tips to ACTUALLY combat writer's block
a lot of the time when you hear writers talk about writers block and what you can do to fight it, the advice that you hear is 'just write'
i took this to be true for a long time, and it's not the worst advice or whatever. at the end of the day anything you want to get done w writing does need to be solved by simply writing. but it took me until i was writing much more regularly to realize that actually thats nonsense
there are totally things you can do to help w writers block! ive been experiencing a bout of it recently, so i thought id share some tips partially to help out those who might read this, and partially to help myself out of that same slump
FEEDING THE MACHINE. in my experience, a lot of the time writers block is less of a blockage getting in the way of a flow of creativity and more like a machine running out of fuel. thoughts, ideas, and emotions CAN come from nowhere, but... usually they are coming from somewhere! i get my worst writers block when i am bored, under-stimulated, or stuck in my real life. try getting out into the world and doing something you don't usually do. this can be wild and exciting, or small and plain. take a different route home than usual, go for a drive somewhere cool, take yourself to a garden, bookstore, museum. if you're stuck at home try a new hobby; draw a weird picture, bake something, bird watch. this is really my top advice for myself at least, and something i have to remind myself when im despairing my own worth and dedication as a writer. you cant pour from an empty cup! you cant make something out of nothing! theres no point scraping yourself dry without trying to fill yourself back up.
FEEDING THE MACHINE... DIFFERENTLY. same principal applies here, but with what stories you are consuming. what actually got me to start writing and posting fic regularly was starting work in publishing that meant i was reading 1-2 books/manuscripts every day. they were often outside my usual reading genres, and sometimes i genuinely hated them... but they were food for the machine. the brain doesn't care if you like books about cows, the brain cares about variety and expanding its horizons. read something new and interesting! try a classic. try getting into queer classics you've never heard of if you're tired of old white men. read a murder mystery or a biography of a cool person or the history of the romance novel or frued's melancholia. try that new fantasy novel youve heard good things about. even if you only end up reading three chapters, thats still something new youre giving your brain. documentaries are also great for this if you're not feeling a new book; sit back and learn something.
CLEAN UP YOUR ENCLOSURE. humans feel yucky when we're in a yucky environment. cleaning is often exhausting and annoying and it sucks, but so is sitting in an environment that makes you feel bad. try clearing off your desk or table. set something nice you like nearby! choose a sunny spot to work in.
TALK YOUR IDEAS OUT. i really struggle with this one, because i dont like bothering people and im really embarrassed about my ideas, especially in the planning stage. it can really help though! try talking to yourself in the shower like you're being interviewed about your work. try going on some chat site, find a stranger to talk to, and infodump until they leave (or stay and you've made a new friend!). ask around for someone who wants to chat ideas; you can share yours, they can share theirs. if you have a loved one who would listen, ask if they would sit down for 45 minutes and let you talk.
LIMIT DISTRACTIONS. this one also sucks but yknow. turn on forest: stay focused. close discord. ask your dog politely to stop barking. get off tumblr and stop writing advice posts about writers block. turn on some ambient music and rain noises or chappell roan's red wine supernova on loop.
may add to this later as i think of others, but the point here is that writer's block isn't laziness and, even if you do in the end just need to write, there are ways to uplift yourself and make doing so more pleasant. these also dont fully apply to what i think the actual cause is of what we often call 'writer's block,' which is just exhaustion and lack of free time; i wouldn't consider that in itself writer's block. these tips are more for when you have that time, or you're making it, but you just cant seem to make it happen.
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bonefall · 2 years
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just read that briarlight from your rewrite doesn't only have her thing with Millie and her inappropriate behaviour (at least from what I got) BUT also has strained relationship with graystripe,which I think is interesting concept 👀 could we get more detail on that ?
Sure thing! I don't plan to completely eliminate Millie's inappropriate behavior, but her abelism is treated as abelism by the narrative.
Graystripe is not allowed to get off blameless here; he should have protected his daughter. But he didn't. Briarlight has complicated feelings towards the fact that her dad didn't help her when she really needed him.
I actually really like Graystripe as a character so this matters a lot to me; the narrative treats him like he's a perfect being when he's an extremely complex guy. Graystripe does what he wants to do, and is a passionate and loyal person, but how would he decide between telling his mate to back off, and protecting his daughter?
I don't think he can decide. Siding with one could mean losing the other, and after what he's lost, he can't do that. So instead he does nothing, trying to play 'Both Sides', and just ends up alienating both.
Briarlight
Around the time of Bramblestar's Storm, ThunderClan is working on a better mobility device for her that will allow her to get out of camp, on more types of uneven terrain. I plan for Jessie to actually be the one who finally figures this out, a proper kitty cat genius of engineering, using that blanket they salvaged to help prevent chafing.
Here is a mouse drawing in paint lmao, it is a modified version of @cryptidclaw's Briarlight design, which I asked for their permission to use!
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[ID: A drawing of a paraplegic cat, Briarlight, from Warrior Cats. She has a furry 'mullet' mane and a mobility device in three colors. There are green rings around the neck, hips, tail and back legs labelled 1, a blue blanket stretched over the belly labelled 2, and a red bark sled under the immobile legs marked 3]
The rings are made of twine of some sort, with the blanket sewn into the ones on the neck and legs, with the ones on the hips looping around the sides of the bark sled
The blanket prevents thorns and rocks from scratching her body; very important because if they were caught under her legs, she would not feel the pain to know it needs to be removed else cause infection
The bark sled is the only part that touches the ground, to prevent wear to the blanket and prevent it from getting ripped up too quickly. (oops I drew it too short lmao it should reach as far back as the paw)
This version is an improved model of the one that Wildfur used and made the entire TNP journey with; his would look very similar to Cryptidclaw's initial design (For the record it is the best mobility device for a paraplegic warrior I'd ever seen and they deserve a ton of credit here, I just improved some technical aspects of their design!)
ANYWAY back to discussion of abelism
So around this time, Briarlight finally sets a hard boundary with Millie. Her mom can't respect her, makes her feel horrible about herself, can't appreciate this incredible new mobility device, so finally Briar says, "Do not talk to me until you understand that my life isn't a tragedy!"
I think this actually does make Millie reconsider what she's been saying and doing to her kids, but fixing the relationship from this point is slow and gradual. Graystripe also gets caught in this; I'm thinking it was a sort of, "honey please speak to your mother," "Dad if you keep that up you're getting cut off too" situation.
Thankfully there's going to be plenty of time to do it since I'm not letting Briarlight die in AVoS. She survives AT LEAST until TBC, where her outspokenness against Bramblefake is going to put her in danger.
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kaistrashbin · 7 months
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Of course I'm doing good, I get to talk to you after all <3
But! I have a question for you :)
What's your favorite thing about Donna?
-Valentines anon
Daaayummm, that was a good line LOL got me there XDD
Favorite thing about Donna though! That's a very good question, I really can't pick because I deeply love all of her and think every aspect of Donna ties together wonderfully to create a very interesting character that just appeals more to me personally. Though, if I have to answer, I'd say that it's her personality! Sure, most of it comes from fan interpretation BUT, I just love it as well as that the mainly softer and more timid self she mainly shows (and ofc along with the darker, unhinged, etc. side 💕) feels more natural for her because of her in-game behavior. To me at least!!
More in depth under the cut!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Before we get into this, everything down here is written from my memory of RE8 and Resident Lover. Just in case anything is a bit inaccurate or incorrect
We can't forget that in-game she was the impressive mastermind of a terrifying labrynth, and the hallucinations she used to mess with Ethan's mind to draw him further into the "game" were very interesting as well as scary. I've heard from others, and I myself agree that Donna's house is the scariest part of RE8. She herself may appear to be a very timid, mysterious and grief-stricken woman but she is very smart (Miranda's notes of her being "mentally underdeveloped" are likely due to things like mental illnesses she may have, or if she is neurodivergent. We don't know because it doesn't say but clearly she can be a very capable individual, even if she wasn't to Miranda's standards...which were really just trying to get as close to "perfection" as possible. Not even Miranda's more "favored" children were good enough for her true purpose. Just good pawns and fodder). It's clear she knew what she was doing and regardless of why (whether it's because she wanted to toy with Ethan or simply out of desperation to follow orders and either keep him there or kill him), she was definitely creative, calculated, and targeted deeply personal things about Ethan (that being his wife Mia and him being a father).
But just looking at her and reading up on her (as well as listening to her only voice line- which I'm still sad about), you can see she's very mysterious and reserved. Angie is quite literally the most "personality" anyone sees in comparison to what Donna brings. I love that it leaves so much room for you to mess around with things but also that through so little you can really see a lot at the same time.
The fan game Resident Lover especially had me falling in love with Donna lmfaoo. She's just so sweet and shy and jumpy. <3 But then you can clearly see multiple times that she's not some helpless thing. She can and will take charge and be serious (and even dangerous/frightening) when she needs to (this is also shown in other routes). And then when her and MC get together, she's just constantly showering them in love and affection and id be lying if I said I didn't absolutely adore that XDDD I think Resident Lover did a good job of making Donna feel like well...Donna! While also adding to her.
Honestly I like most interpretations of Donna, especially when they incorporate all those different aspects. 😄😄
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sabrinahawthorne · 6 months
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The Forever Game, pt 2: What Gets to Be a Forever Game?
referencing this post
Let's talk about what counts as a Forever Game, shall we? Considering it's a term I saw once on a post I can no longer find and proceeded to formalize with Proper Noun Caps, it certainly can't prove to be a reductive taxonomy, can it?
As I mentioned in part 1, I think of Forever Games as being a type of game on its own - something with a certain approach to character design & progression, which is built with some assumption of long-term play. After all, I don't usually suggest Mage: The Awakening as a one-shot game.
This conception clearly isn't universal - a number of respondents brought up the fact that just about any game can be the one a table comes back to as their baseline, so long as they like it enough. And that's absolutely true - For the end user, any game can serve any purpose. Unfortunately, and with respect to the people who brought it up, this observation just isn't very useful for our purposes.
It's absolutely true that any game can be someone's forever game. But that's a feature of tabletop games as a medium - the fact is, at the end of the day all games take place inside our heads. This is why people use D&D 5th edition as a murder mystery game, or a tabletop-visual-novel; they understand that the fundamental mechanism of this art form is the limitless power of imagination, and are comfortable using the same rules framework every time to build whatever narrative they like, regardless of whether or not better-tailored alternatives exist.
If we want to get on the same page about Forever Games, we need to look at something concrete - like on-paper design of games themselves. That in mind, let me put forth some qualities that a Forever Game might have:
Almost certainly a trad game. While games like Wanderhome exist, the vast majority of titles I'd list as forever game candidates have a GM and probably use at least two denominations of dice.
A multi-faceted character framework. In other words, a race/class system is better suited for a Forever Game than simple Playbooks, generally speaking. This is for replayability's sake. Some folks play wizards all the time, every time - but if you've just spent five years as Slagnarr the Axinator, it might be nice to start over as a healer for the next go round.
A customizable progression track. The more a game allows you to make a capital-B-Build, the better. This is part & parcel with the above point, re: replayability, but it serves another purpose - embodying your character concept. Imagination is well and good, but there's something special about having a class feature that supports the way you want to play your character. It makes them feel more real.
At least one game mode that involves intricate mechanical interactions. The classic version of this is a grid combat system - but a crunchy exploration system or involved crafting mechanic are also good examples of this. The more rich and interesting a game's... well, game elements are, the better the game will hold up over time. Note that I don't say complex, but rich. There's a reason GURPS light is more popular than the full ruleset. Games tend to last longer when they give more of the table something to be doing at any given time, minimizing dead zones in play.
Little in the way of social mechanics. Hear me out on this - for a lot of tables, the ability to get together with friends, put on a mask, and goof off without fear of social repercussion is a huge draw. Having to do the same kinds of rules reference for politicking that you use for mosnter slaying doesn't facilitate the fantasy; it hinders freedom of play. You want the chance to fail your Will save because it creates interesting drama. The idea that you might be punished for shamelessly flirting with the King while his consort is Right There ruins the fun. A table's forever game is going to be something that lets them play casually. I don't think this is a controversial opinion; the idea of a "beer and pretzels" game is older than I am, and anyone who's been in a long-term game with friends knows how loosey-goosey things can get. I think that facilitating jokes has a solid correlation to facilitating coming back to the game.
This isn't really working towards anything. Really, I just wanted to take the opportunity of my own vagueness to elaborate a bit on what exactly I mean when I say "forever game," so if I decide to keep poking the hornet's nest, we can at least agree on whether I'm using a stick or a branch.
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will80sbyers · 2 years
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id love to draw more byler kisses but i and a couple other artists i’ve spoken to (i mean it was a couple months ago now ah) got kinda nervous to draw that back when some part of the fandom were ‘cancelling’ people over the smallest stuff or making up assumptions off of ~vibes~ that aren’t even true. it made it discouraging for smaller artists bc of course we want to explore the romance but sometimes more than a little peck on the lips is needed, or feels more right. like as an artist you want to evoke emotion, and you can’t do that holding back just bc some people can’t handle some characters growing up? most of us just want to draw the deeper level of love we’ll be getting in s5 anyway. i know it shouldn’t matter/we can post what we want etc but especially on twitter people were soo extreme about anything other than basic content. idk if I’m explaining right, but are romantic kisses (not crazy passionate lol) something the fandom wants to see, not just cute little ones? maybe it’s better now idk, this post made me happy to see tbh 😅
Oh I definitely want to see the romantic kisses, the real big kiss and even it being passionate (not in a crazy way) because that's how you get the intensity of the relationships in romance for me personally at least
and don't get me wrong, I absolutely love them just holding hands too or doing cute relationships stuff but kisses are part of the majority of relationships, that is an experience most people and couples have in life, obviously not all and I'm NOT saying that who doesn't do it doesn't love equally, but it's just a different expression that should be represented too along with all the others!
but I get it, you should do what you want obviously and if you don't want to deal with that part of the fandom it's totally valid!!! I'm sorry you had to experience that in the fandom :(
I think people must stop to associate simple kissing with sex, like, NO ONE is asking for more explicit art of byler because they are too young for that to be okay obviously, and no one wants to see that!!!! but a kiss is just a kiss
and I personally want to say that people CANCELLING people because they draw a couple in a ship only kissing are completely out of reality, a kiss is there to express affection and love not always to get to more intimate parts of the relationship
Teenagers kiss in movies constantly, it's an expression of love, and it doesn't have to be leading to sex EVER, unless they want it to in their private moment that we are definitely not interested in seeing!!!
if you seriously think that kissing someone can only lead you to sleep with them you have a distorted view of affection, maybe because someone made you think it should but it absolutely does not have to lead to more intimate things!!! ( Never do anything that you don't feel comfortable doing, if you're ok with kissing it means that you're ok with kissing, anything MORE than that should be discussed between the people involved. )
How are artists supposed to give us cute content and cute art about the ship if you start cancelling everybody even when they did nothing wrong...?
and also how are we supposed to take "cancelling" seriously anyway, if the situation is really this? shouldn't that be reserved for when people do something that's really harmful to others??? implying that who wants to see a kiss between two people in love in a story is a pedo is insane and completely out of reality... they are 15 not 10, it's perfectly normal and healthy for them to be kissing?????
and it's also stupid because the whole world is watching it happen constantly on TV, movies, books... and why is this a problem only for byler???? only the mlm couple has to be under scrutiny for this? interesting, I wonder why!
I WONDER if maybe people are sexualizing mlm ships more than they should and subconsciously thinking that people want to see them do more even when all they are asking is just a NORMAL healthy thing like a kiss... because of that, because they have that
gay = sexual
in automatic response!!!
THAT is harmful to real queer people around the world.
Examine yourself when you have thoughts like that, because that is rooted in homophobia or lesbiphobia...
also remember that real people often do have sex and teenagers are sexual beings, that doesn't mean that it should be depicted explicitly in the media or that it's any adults business what they do or don't, but it's not ok to want to just hide completely that part of reality and it's also DANGEROUS.
Teenagers MUST get safe and healthy sexual EDUCATION in a safe environment, from doctors and teachers because they will want to do that anyway and it's important to inform them about these things so that they can protect themselves from catching diseases, ending up pregnant when they are too young for it or being forced against their will to do something or not respect someone's consent because no one taught them about respecting it and they learned about sex from the porn industry that is rather violent in almost every video 😕
but going back to this specific situation and byler... this is also weird because IN the show we had Mike and El making out when they were even younger than Mike and Will now! That could have really been avoided but it also doesn't mean that the writers are pedophiles for writing them kissing when they are in a relationship, that's just writing reality, they are in their first relationship and they want to kiss, the Duffers were extremely respectful in their depiction of a part of reality because of their ages obviously... you should go to complain to people that are actually doing weird suff in this industry like the writer of Euphoria for example 😐
being RESPECTFUL is the same thing that artists do here when they handle byler, they stay respectful but still capture a moment of reality... it's just drawing their first kiss that it's a symbol of them confessing their romantic feelings, it is not meant to be anything more than that!!!
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aro-iceland · 8 months
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not really a drawing request but id love to know more about your ocs??? from what you’ve posted they look amazing??
Thank you VERY much!!! i forgot how much i love to talk about them
(sorry for the old art or picrews, i am too excited to not talk about them and simultaneously not patient enough to redraw them)
All picrew links: Kit + Kevín + Lilly Annalise Piper + Cecily Mikael + Claire Princeton
here's a general overview of everything that exists:
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part 1: em groups
you should at least be vaguely familiar with my em. every single au and whatever hetalia character i feel like grabbing for that day goes in there. interesting little tidbit that somehow hasn't come up so far is that in more human AUs of mine he's part irish! ~20% of icelandic males and 60% of females actually have irish/keltic ancestry!!! ireland being his mom hc is going WILD in me. he's also very magic because that headcanon singlehandedly started the ice obsession in me. how well in tune he is with it and how exactly it looks like depends on the au . i also make him closer friends with swe and fin because i can👍
(excerpt from my em content dedicated whatsapp group with just my (non-hetalia) best friend and me: )
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le is there a lot because i love him so so much. incredibly phoenix coded man
there's also monaco, gwendolyn or gwenny to me. she's a permanent resident because i support women's rights (slaying) and wrongs (gambling addictions)
a notable not fully formed character is faroe islands! petra sometimes, emma other times. i genuinely don't know where those names come from. i heard the faroe islands and iceland being referred to as "kind of like twins" and as each othere's "best friends" *somewhere* and i am VERY normal about that too. oh SO normal
part 2: mikael's world
a fusion of 2 groups put into one world, connected by one flimsy tie. it's mostly analogous to real life but no homophobia👍
Group A: Pentagon
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Mikael started out as a swedish micronation oc but we don't talk about that. he has a chicken called omelette because of inside jokes during... my wattpad era... shudders. i project onto him a lot and lots of his design is just wish fullfillment. while i love my ocs suffering and angst, because i put so much of myself in him, ultimately, his story is one of healing. major point of difference between us though is that his parents abandoned him and mine... didn't.do.that. 💀👍
Claire and Piper both actually started out as minecraft skins i made for fun!! and then i made them kith:3
Cecily and Kit were added becaue i felt like something was missing to complete the friendgroup!
Group B: menace club
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Kevín and Lilly are my ACNL and ACNH side accounts...... and Annalise was some pretty trans woman i drew one day there's nothing much to this
Part 3: D&D
so.. confession: i haven't actually played d&d yet! but my friends love it a lot, i love a couple ttrpg podcasts so.. yeah i have a couple concepts!
The Leighlar Pilayden, or blueberry bitchfuck as i like to call him, Half Elf sorcerer who was abandoned as a babg and raised in a cult which, in a world with multiple deities, somehow ended up believing in the *one* that doesn't exist! he's a sorcerer but they all think his powers a blessing from their god
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MY BABY MY SOBBING WET CAT SON! PRINCETON INTEKONA!!!
TIEFLING BARD I might get to play as him soon... negative strength, the only reason he has such a high charisma stat is because everyone pitties him... he accidentally ended up in a criminal gang... he plays the pan flute and bagpipes... pathetic baby
Part 4: Miscellaneous
All the Characters that are alone in their worlds!
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(^aesthetic wise but he definitely kins larry)
Brian is the brain cell a friend and i are sharing and also the last one we have. he's a SOO overworked office worker. he has to handle EVERYTHING he's so exhausted please give him a break. he recently got a boyfriend. good for my him
Recently re-named Ailbhe used to be Avery and is a genderless, fully white skinned(as in colour not the skin colour we associate with the word. imagine porcelaine!) and neon yellow haired fallen angel/ex-demi-god!! not much lore but... lots of potential!!
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Firenze is... idk he just happened in one history lesson in 2018 and now he's here. bunny boy with lots of responsibilities around the palace!!!
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and ... phew. i THINK that's it? mostly? oh my god. if. there's anyone you wanna know more about... tell ME
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chamerionwrites · 10 months
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Tag Nine People You'd Like To Get To Know Better
FAVOURITE COLOUR(s): Rusty red-orange, deep cool spruce green, bright cobalt blue, wine red, the various shades of slate green/grey/blue.
FAVOURITE FLAVOUR(s): Weirdly difficult question, in that what I think I most enjoy about food is the way that different flavors and textures complement each other to become more than the sum of their parts. But I am a huge fan of deep rich fruity-savory umami (sundried tomatoes, a great red chile sauce, things braised in red wine) as well as absolutely any kind of citrus or fresh herbs.
Also, while this isn't exactly one thing and it might be simpler just to say that I like strong flavors, I fall firmly into the These Are A Few Of My Favorite Things camp on a lot of polarizingly funky/briny things (smoked salmon, goat cheese, blue cheese, olives, anchovies, preserved lemons, etc).
Also the taste+aroma of both fresh bread and corn tortillas hot off the comal is imo the human equivalent of catnip, ie "provokes immoderate feral delight on some bizarrely primal level."
FAVOURITE MUSIC: The very sexy Bermuda Triangle where blues/rock/folk bleed into and/or influence one another. Anything else that takes my fancy, including but not limited to a lot of soul, post-punk, and highly danceable salsa or big band swing stuff. Sad jazz. Gratuitously melancholy strings. Great lyrics, great harmonies, deep rich vocals.
FAVOURITE MOVIE(s): I have never in my life been able to pick one favorite book, but Pan's Labyrinth is easily my favorite movie.
FAVOURITE BOOK(s): This is the impossible question to me but The Periodic Table, Signs Preceding The End of The World, The Things They Carried, The Little Drummer Girl, and everything Arundhati Roy has ever written are all on the list somewhere.
FAVOURITE SERIES(es): The Same Sky is exquisitely good and The Night Manager is my id-stroking comfort rewatch. I also loved Andor and the first season of Hannibal.
LAST SONG: I was just going through this tag earlier.
LAST SERIES: Thanks to holiday craft fair season I have had zero ability to do longform TV anytime within the last few months. (Also, frankly, multi-season TV series are the one of the most difficult media formats for my brain to engage with; it's a fantastic storytelling medium when done well, but I personally have a much harder time sitting down for two hours of TV than for two hours of reading and thus getting started often feels like a huge commitment. I am really a 3-6 eps and done miniseries person at heart.)
That said I am a big podcasts-while-working person and I've been listening to a lot of Friends At The Table and Bad Gays recently.
LAST MOVIE: The Wind That Shakes The Barley, which has been on the Somehow I've Never Seen This And I Really Should list for a while. It has promptly been moved to the OFC It's Possible To Make A War Movie That Doesn't Glorify War, Y'all Are Just Fools And Cowards list.
CURRENTLY READING: ...I have to admit that I'm re-reading Kissinger's Shadow (to Mark The Occasion).
CURRENTLY WATCHING: Nothing (see above), though I have ambitions of giving Black Sails a shot.
CURRENTLY WORKING ON: The sketching stage of some linocuts, some experimental worldbuild-y map-drawing (important as Cartography And Its Imperial Misuses are kinda thematically and plottily relevant to the story, at least in its nebulous conceptual form).
TAGGED BY @silkenred (thanks!), and TAGGING (only if you want ofc) @sassysnowperson, @tobermoriansass, @cosmonauthill, @essayofthoughts, and anybody else who feels like doing this. (No really, I'm shy about tagging but please do the thing if you're interested.)
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zombieluver · 10 months
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Adam in the bathroom.
about: Adam stuck in the bathroom, maybe he has a different ending.
triggers: saw typical mentions of violence and bodies
a/n: i might write another part for this if there's interest in it :) i love saw so much id be happy to write more
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He thought the silence was the worst part of this.
Adam can handle the dark, he's lived long enough with all the lights out or in a dimly lit room, that he was used enough to it.
But, the silence was threatening to drive him insane.
Then the ringing started.
The first ring got a startled sound from him, the chain clattering in his scared jump. He quickly realized what it was.
The screen lights up, showing a call, and Adam blinks a few times, adjusting to the new light.
It's too far from him. Hell, it was too far for Lawrence, and he cut his foot off to get to it, and he was closer than Adam is now.
Not that Adam was that desperate... yet.
He did still have a sizeable amount of the saw left, although... he's not entirely sure where it is and he's not entirely sure he could stomach sawing his foot off like Lawerence could.
It's a softer jingle than he realized earlier, though he supposes he wasn't really paying attention to how it sounded. Moreso that it was sounding at all, and Lawerence answered it quickly anyway.
He huffs, leaning against the wall, better it soft than chirpy and grating.
He might've used that saw piece to kill himself to escape an annoying ringtune.
It rings until it stops, and the phone screen goes dark.
Adam sighs, fully back in the dark. He prods Zep's side with his foot, "Just you and me now... again."
He frowns, "For a corpse you're pretty fucking annoying, you know that?"
The corpse, as expected, doesn't reply. Adam clears his throat and pitches his voice up, "You're so mean, Adam! I'm dead, dead as hell! I can't do shit to entertain you!"
He sighs, rubbing at an eye, "It's been thirty minutes, and I'm already losing it. Talking out loud to myself."
He lets his head knock against the wall, "Lawrence, you better hurry with the reinforcem-"
The phone rings again, blue screen glowing again.
Adam swallows, more nervous than previous. "C'mon, it can't take that long to trace a call." He ignores the slight panicked whine in his voice.
The phone, a non-living object, doesn't respond and keeps playing its soft cheery tune.
"Zep, pretend I didn't just bash your head in a bit ago and crawl over and pick the phone up."
The corpse doesn't reply either.
Adam draws his knees to his chest and lets out a breath, eyes trained on the phone. At least it's a calm jingle.
He lets his head drop onto his knees. Maybe he can at least rest. Covered in blood from multiple people, dirt and grime, he can't say this is the best place he's slept but... probably not the worst, either.
The phone stops, leaving him in the dark again. Except a few moments later, it starts up again.
Adam clenches his jaw, but continues listening.
On the 7th call, he finally moves.
His shoulder aches, but the curled up sitting position he was in is starting to hurt his shoulder.
Zep's thigh isn't comfortable and he feels kinda gross using a corpse as a pillow, but it's better than nothing, he supposes.
The phone starts up again and Adam feels like he's going to go insane.
"If this is Alison calling, just know that I think your husband is attempting to get me help." He says, "Or maybe not. For all I fucking know he could be dead outside this room."
The realization that Lawrence could be dead hits him hard, and he feels nauseous.
He rolls onto his side, facing the door and the little light. "Please, please, find a way out of here, Lawrence. At least one of us needs to survive today."
The jingle stops, and the phone turns off after a few seconds.
Every time it happens now, Adam fears it'll die. Then it starts up a few moments later, driving Adam insane all over again before it descends into despair.
Adam thinks over the events of the day and comes to a realization.
If he had enough of a throw, he could use his clothes to drag the phone over to him like he did with the tape recorder earlier.
Quickly, he grabs his shirt and the drain stopper, and on the phones next ring, he throws and comes up short.
Multiple tries happen until the phone go dark.
It's not long enough.
"No, no, has to be another way."
He puts a hand to his shoulder wound, trying to help with whatever pain is there. Then, get it.
With much pain from the gunshot, he pulls his shirt off and ties it to the end of his jacket and throws.
It catches, and Adam shouts in excitement.
The phone catches on Zep's brains but Adam doesn't care, he just climbs over and grabs the phone.
He flips it open and waits.
A call comes in, and he immediately hits the answer.
"Lawrence? Lawrence, is that you?"
A choked sob escapes Adam, and he shakes his head, then realizes he needs to speak. "No, shit, it's Adam. I-I was stuck in here with him. He's out now. I don't know where he is. He.. shit, you need to send help. I don't know if he's okay."
There's chatter besides Alison, and quickly, her panicked questions give way to a new voice, "This is Officer Spenceman, may I ask who you are."
"A-Adam." He says, shaky, "Adam Faulkner Stanheight."
"Do you know where you are right now?"
"I'm in a bathroom. I don't know where this bathroom is, but it seems like a warehouse. Please, you need to send help. I'm still chained up and can't get to him. I don't want to die here."
"Is there anything you can use to identify where you are? Any clues?"
Adam shakes his head, "No, nothing shows me where I am, and I'm in the dark anyway. I can't see shit."
"Okay, stay on the line. We're using the call to track where your location is. Can you talk to me about something pleasant?"
Adam sputters for a moment, "I'm sorry?"
"Talk to me about something positive you remember."
Adam pauses and then talks, "There's a black cat that roams my apartment complex. I don't know who owns her or who the fuck lets their cat roam a place like that. But, I carry treats on me to feed to her, and I pet her whenever I see her. She's visited my apartment a few times."
"Did you name her?"
Adam wonders why he's talking about this, "I just called her cat. She felt more like a person to me than most people I actually knew."
"Can you-"
Beep.
Adam blinks, suddenly plunged into darkness again.
He pulls the phone away and sees the little screen had gone dark.
"No, nonono. FUCK! NO!" He screams, throwing the phone.
He hears the device shatter and break.
He's once again left in the dark.
Maybe he'll die here.
He looks up to the ceiling, into the black abyss that surrounds him in this hell of a bathroom.
"God, I've never been your biggest fan, and I know you're definitely not mine. But, if there's anything you could do for me, it'd be letting me live past this. Please, I'm not your favorite son but I'll do whatever you need to survive."
---
A loud bang startles Adam awake.
He opens his eyes and reflexively covers them from the light.
Wait, light?
"H-Hello?" He calls weakly.
"Adam?" Comes a soft voice.
He recognizes it but can't remember where.
"Yes! Yes, that's me!" He scrambles up, ignoring the pain searing through his body, "Please, please get me out of here!"
He hears a soft choked cry, and he blinks, trying to get the woman's face in view. "Adam, you're supposed to be dead."
"I'm not, just, get me out. Please, I'll do anything, just please." He whines, pulling himself up and closer.
A woman's face is what greets him behind the flashlight. The lady from his apartment.
"Rockstar?" He says weakly.
"Y-yeah, that's me. The rockstar in the hallway. The photo you never developed." She sits in front of him, flashlight clattering to the ground.
Adam blinks, confused beyond reason. 
Did she bring him here? No, she's saving him.
With his leftover strength, he crawls over to her, chain just barely catching him from moving closer. He heaves himself to sit up.
"Rockstar, please, I need help out of here. I'll do anything you need."
"You survived the part of your test, and he didn't yet he lived, and you were left to die." Rockstar wipes at her face, mascara trailing down her face, "I didn't want that. I wanted you to live."
"I'm alive now. You can get me out of here, can't you?"
Rockstar nods weakly, hands fumbling around a key.
"Please, Rockstar. Help me out."
Rockstar looks to him, brown eyes watery and weak, "Will you help me live?"
Adam nods, "I have a place you can stay at. Just let me recover, and I'll clean it and do anything you need."
She shakes her head, "No, I have a place to live. I just..." She takes a shaky breath, "Be my friend?"
Adam pauses, "I wouldn't have hoped to see you at my buddy's concert if I didn't want to get to know you."
"Okay," Rockstar says softly, "You'll be helping me with more of this. Part of my family."
Rockstar moves the light closer to his foot and unlocks the chain.
Adam doesn't move, doesn't want to scare her.
For someone who put him into a death trap, he's surprisingly calm around her.
"Come on, Adam." She says softly, helping him to his feet.
Adam sways, feeling extremely weak. "Hospital?"
"Something like it." She mumbles.
Adam nods lamely, "Yea, sounds like every rock show I've gone to."
She laughs weakly, and Adam follows.
It's the last sound that echoes in the bathroom's walls. The sound of survival.
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go-to-the-mirror · 2 years
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HEY WELL AT LEAST THEY'RE NONBINARY RIGHT?
he/they jonbinary rights. also oh god oh fuck, time for MAG 132.
@a-mag-a-day
CW: canon- typical suicidal ideation and attempt, canon-typical self sacrificial tendencies. Both discussed more frankly than in the actual podcast.
Also, I'm allowing myself free use of my reaction images (with image descriptions) because I'm in SHAMBLES. Mostly words though.
ARCHIVIST Hello, Melanie. I know I said we’d wait until Basira was back, but I don’t… I’m sorry. I know she won’t… She’d want to do it a different way.
headinhands
Wish me luck. Although, I suppose if you’re hearing this, then I didn’t have any.
The way he says "wish me luck" with that levity and then just hhh like yk joking is one his coping mechanisms for like, crushing fear and grief and stuff, and just the way they SAY it just makes me want to CRY, AAA
I don’t know. I’m… I’m scared. When does the fear go away?
I remember in my first listen, this line stood out to me, I was in shambles, shambles. "When does the fear go away" I'm so, so sorry Jon.
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[ID: Drawing of a person sitting at a computer, hands covering their face, crying. /End ID]
Anyway, I’m sorry. You too, Basira, if you’re hearing this. I know you’d stop me. You’d be right to, but … But if this goes wrong, all you lose is … I’m not risking anyone else.
This is a suicide note. Now, he's hoping he'll get out -- probably -- maybe -- but that. It is. Similar. The apology. All you lose is another monster. He might get stuck there forever, he's terrified, he's doing this for someone he doesn't even like out of guilt, out of the crushing -- ha -- amount of guilt, over Tim, over Daisy, over Martin and Basira and Melanie, over his... victims.
In case I don't make it. In case I don't get lucky.
Jonny stop making this podcast so good I'm going to cry.
Let’s do this one properly.
A reference to the Unknowing, where they... did not do it properly.
Stone steps. Roughly hewn. They… They keep going.
Just wanted to point out that he's like, ooh, information gathering. For information's sake, for the people in Artefacts. I think it's neat that he's doing this, and it's a way that makes sense in the world to let us know what's going on. Like how in Malevolent, Arthur's blind and John describes stuff in eloquent detail like some sort of poet or whatever, the statement givers describe the environment and people in their statements, and Jon is describing The Buried.
[The Archivist struggles forward]
Jon's voice in this, it sounds like they're confined, Jonny did a great job on the voice acting there. And the soundscaping in general is like, oh boy claustrophobia time! It's so good.
ARCHIVIST I heard someone. He was begging for me to save him. He said he couldn’t breathe. I can barely breathe. I couldn’t find him, but I am not here for him. I don’t even know him.
The Buried and putting you under the crushing weight of responsibility? Jon went into the coffin because he felt 'crushing' guilt over Tim's death and Daisy's imprisonment in the coffin, and the whole mess that The Unknowing was. In the coffin he's being called by others, and the responsibility of their safety is put on him. Now obviously it's not the other victims who are at fault, however it's interesting that The Buried does that. Perhaps that's how it makes people stay in it, alongside the spooky magic. With putting the responsibility of others on them, making them dig themselves a hole, and not be able to climb out. But Jon has Daisy's tapes as an anchor, he has a purpose, and so he can press on without getting too weighed down?
Just some thoughts.
For all this place closes around me, I feel adrift, like nothing can get through the dirt and the muck and …
This reminds me of how a lot of people say that The Buried and The Vast are quite similar, as an example -- the statement in MAG 195 - Adrift could be either Buried or Vast, big creature, but also crushing depths of water and drowning, but also lots of water. Also the categorizations aren't really like that, again like gender and colours.
The air is heavy – soil and dust. I am very thirsty, but I know I won’t die of it.
Two fun facts about me!
1. I used to live in a desert and the air was like weighted blanket air. I loved it.
2. I used to forget to drink water a lot, and I'd go days where I'd drink like... a glass? Now I drink a minimum of two glasses a day because meds, which has really helped lessen the constant headaches lol. Yea um. Drink water, kiddos.
[He struggles to breath as the Buried squeezes him. The Buried relaxes.]
THE SOUND EDITORS THIS EPISODE WERE KILLING IT!
DAISY —just alone. I think, I think … I hear this, sometimes, singing, when it’s wet. Or, or scratching, trying to get out. But I don’t … I don’t think there’s anyone there. It’s just been me, until now.
Fay Roberts did an excellent job as well. The voice acting <333 10/10 no notes, or like yes notes, and the notes are Feeling Claustrophobic well done.
ARCHIVIST It’s okay, I’ve, uh … I’ve got a plan. DAISY This like all your other plans?
If by "all [their] other plans" she means impulsive, borderline suicidal, and likely to fail... yes.
ARCHIVIST No. I know where we are. There is no out. Not here. This is … This is forever deep below creation, where the weight of existence bears down. This is the Buried, and we are alive. There isn’t even an up. Oh God. What have I done? What have I done?
I really like the way he delivers that line, especially the "This is the Buried, and we are alive" and "Oh God" parts.
DAISY Not alone, though? ARCHIVIST No. No, not alone.
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[ID: A blurry screenshot of CC!GoodTimesWithScar from his stream. He's a bit further away from the camera than usual for streams, and has his head in his hands. /End ID]
DAISY Scared. I’m scared. I’ve been scared the whole time here, not just when it’s crushing, when it fills your mouth with dirt. It knows when to stop, or when to ease back so you don’t lose it or grow numb. Leaves you terrified for when it starts again, and when it does, you’re scared it’ll never stop.
My friend, Jay Mapleejay -- who you should follow by the way, @/mapleejay or @/mapleeowl everywhere -- once wondered how the Domains in the Eyepocolypse kept people afraid without the memory loss like in MAG 170. And there's your answer probably.
Also :(
The Hunt was me, but I don’t think I liked it. I think it just made me need it.
Idk what to say, just like this line.
I don’t … I don’t know who I am without the chase. I just know that I don’t like who I was back outside. I don’t want to be her again. I want to be better.
Same for this.
ARCHIVIST One thing I’ve learned, Daisy, is that we all get a choice. Even if it doesn’t feel like one.
Themes of choice in The Magnus Archivessssss this podcast makes me abnormal in so many ways <333
ARCHIVIST And now? DAISY Don’t know. I miss dreaming. You don’t sleep down here. ARCHIVIST Daisy, you should know I’m … If I wasn’t human before, I’m even less human now. DAISY Yeah, well. At the moment, I don’t care. ARCHIVIST And if we get out? DAISY But we can’t get out. [The Earth shifts.] (The Archivist grunts in pain.) DAISY (Pained) I’m sorry. I’m sorry, John. I’m sorry.
I just really like this exchange :(
[The coffin door creaks open and, groaning with effort, the Archivist and Daisy crawl out into the office. There are many tape recorders playing in the background.] [...] ARCHIVIST Tape recorders. M-must be dozens of them.
The Web my absolute beloathed. Now, I love Martin K-Anchor Blackwood as much as the next hopeless (a)romantic, however I don't think that it was Martin's love for Jon that pulled Jon out The Buried, I think it was The Web. Well, The Web definitely influenced Martin, however we do know that The Web has used their... undying love for one another against them *cough cough* *wink wink* *nudge nudge*, so it could have been the act of Martin leaving the tape recorders, but my personal theory is that it was just The Web. Uh oh, Jo(h)n (/ref).
Anyway! Ain't it great! Daisy's back! Jon isn't constantly alone!
He...
I'm going to have a lot of talking to do come MAG 136.
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swaggypsyduck · 1 year
Note
ramosita <3
what about you tell us an actress/artist you think would be perfect to play you in your biopic?
im so sorry i answered this late but ive actually put a lot thought into this bc it was an assignment we had in highschool.
id like my biopic to be animated. i think the idea came after i literally couldn't find a large enough name in the industry to do my project on that looked like me who wasn't middle-eastern, latina, or isr*eli (they had to at least be from the same continent as me) so i had a small crisis and thought "wouldn't it be easier to just draw me?". anyways after clearing it w my teacher i did it on a animation studio.
so 15yrld me chose studio ghibli bc i was (and still am) a sucker for it's whimsical art style. i modeled the biopic after the wind rises. i had it in my head it was gonna be a sports bio pic bc it was just before or after i stopped playing football "temporarily". anyways this was also when my voice was weird for some reason so i sounded a lot like claire danes specifically when she does san from princess mononoke. i dont sound like this at all today LOL
youtube
20smth yrld me doesn't think my life is interesting enough for studio ghibli anymore BUT i do love whimsical art styles so itd probably be directed in part by tomm moore bc i love his irish folklore trilogy and i think with the right direction it'd be able to be translated into moroccan culture?? especially bc spirituality is such a big part of my life that id need to factor that in too. luke pearson (creator of hilda) would also be a huge inspo. cuz his art feels both so still and so alive. he also has a loud lil shit main child character who my mom thinks is the perfect child me "you just need to add the curls and that's basically what i had to deal with". i just think he'd depict vancouver perfectly. some of his art for reference:
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as for a voice actor?? idk actually?? probably melanie lynskey as beatrice from "over the garden wall" it's just the correct amount of holier than thou attitude w the roasts. my only thing is im much more of a talker but in terms of voice yah that's me lololol
youtube
you probably didn't want the ask to be this long so ill stop here for u 😭😭
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tasteofgummies · 2 years
Note
ive been reading all of the relationship dynamic things and id just love to request one!! thanks so much in advance, love your stuff ^^ could i request bruno and/or jotaro, please? i go by he and they mostly (i'm trans masc!), a scorpio, an ENTP, and a 4w3. i'm also on the aro-ace spectrum (quoiromantic, cupiosexual!). pretty much my life's passion is anthropology and history, but a little more so anthropology - i'm totally enthralled by the science, but also totally in love with humanity as a whole. i also love art, and it's been a life long hobby of mine. i tend to draw things for the people i love as gifts - my love language could be considered a mixture of gifts and acts of service. some other interests of mine include collecting (mostly random things i find outside and plush toys), zoology, watching documentaries, TTRPGS, and videography. as for pretty much everything else you'd need to know about me -
i don’t talk to strangers very much, unless I feel very comfortable or at least safe in a situation. When I am comfortable, though, i can’t shut up. I have a hard time communicating my actual emotions through tone and body language (autism stuff), so i make up for it by being as animated as possible when trying to communicate. i’m naturally pretty polite and relatively mild-mannered, but i tend to make pretty crude jokes at times. i have a hard time taking things totally seriously, and I find humor in pretty much everything. I also have a bad habit of correcting everyone on anything, but not out of malice. i value knowledge and truth above all else, and so I feel the need to mend any faulty information I might hear. sharing information, to me, is a form of love. that also makes me a bad liar. notably, I am incredibly long-winded, and I tend to use what some people would consider to be “big words”. for the most part, I’m pretty chill - but I have what some would consider repressed anger issues, and I can be very verbally aggressive when provoked.
as if this wasn’t long enough (sorry by the way ^^), appearance wise - i’m very short, enough that it gets pointed out aggressively. i look pretty average and unremarkable, just brown hair and brown eyes. i’ve been told that i have a “resting thousand-yard stare”, and i have comedically thick glasses. i’m also a couple years on T, and i’m gonna be getting top surgery this summer!
thank you for reading this absolute brick of text! this was horrendously and obscenely long. :’D
Jotaro x you ✨
>I think Kakyoin talked to him about TTRPGs, so he isn't new to the concept, but I don't think he'd participate. He would listen to you telling him about your characters and adventures though
>He doesn't understand humanity, he appreciates things like music, but he'd definitely not be one to cry with anthropology
>(By crying with it, I mean getting emotional with things like that Margaret Mead quote about civilization starting with a healed femur bone)
>But he really loves life on earth, it's so wonderful how everything came aligned to form the incredible biodiversity in this planet
>When you hand him a drawing, he thanks you and pulls his hat down to hide his blush
>If you have a box with your findings, he'll tell you that you act like an octopus while subtly smiling (it may look like he's making fun of you, but he isn't, he thinks you're cute)
>Pretty much has the same issue with tone and body language, so he doesn't pressure you to act one way or the other, you can use your natural voice with him
>To others it looks like he's being really rude while you're laughing at him, but you're actually having a pleasant conversation
>He's been waiting forever to watch documentaries with someone else
>The first time you corrected him, he thought you were sort of challenging him in some way, (he's not used to people not being intimidated by him)
>But then he saw your expression, and noticed you were authentically trying to help him
>He's still a little prideful but he does appreciate it
>You're a "talks a lot x listens" couple<3
>I think Jotaro shows affection by parallel play and gift giving
>You are different in many things, but it still works perfectly
>Was probably taken aback the first time he saw you being aggressive
>But also quite proud?? Yes, that's his boyfriend right there, don't mess with them, he's a savage
>He wouldn't want to be in the receiving end tho, when he's overwhelmed he shuts down and does whatever it takes to get people to leave him alone, this manifests as insulting people so they'll be offended and leave
>To Jotaro everyone's short, so I don't see him making a big deal about your height, but (thanks to your bad influence /jk) he can make the most out of pocket jokes about it
>Since Jotaro's autistic too (Araki told me) he wouldn't even notice the thousand yard stare
>X: "Your partner looks like he's been through a war or something
Jotaro: "Yeah, they was looking at you, it left them traumatized"
>He's there for everything you need around the time of your surgery, and tells you he's proud of you for taking such a big step
>I think you would be such a wholesome couple tbh
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