#(which is definitely part of it)

[counting-stars-gayly]

I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?

Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.

Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.

Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[lazycranberrydoodles]

english translation book 5 baby we are in the ‘people assuming kid form hua cheng is xie lian’s son’ era 🔥🔥🔥 / follow for more hualian silliness

[pollyanna-nana]

One of the most tragic and compelling aspects of Dunmeshi, to me, is that we’ll probably never know (unless Kui tells us lol) how Delgal actually felt about Thistle. I’ve seen people say that he genuinely cared for him as a brother and his journey to the surface was to save him from his madness as much as it was his people. I’ve seen people say that he saw Thistle as nothing more than a fancy accessory or tool that ended up going astray. Others I’ve seen (and personally agree with) say that the truth lies somewhere in the middle. But honestly, I think any one of these interpretations has the potential to be correct… and that’s just heartbreaking.

After all, Delgal is dead. Like, dead-dead. The very first chapter of the manga starts with his spirit leaving this mortal coil, taking that answer with him. And…

How he talks about Thistle here… it’s interesting. He does not ask for him to be talked down, or captured or imprisoned, but instead “defeated”. Which Mithrun interprets as asking for his death… which is reasonable, because that’s likely how the vast majority of adventurers interpreted his words, too. Obviously as he was crumbling to dust he probably didn’t have the capacity to be particularly verbose or explain the complex backstory to how the kingdom ended up this way, but the effect is the same no matter how he may have felt with it. He asked for Thistle to be killed.

But… even in situations where he wasn’t under any such time limit to explain what was going on, he still seemed not to. Most glaringly:

Yaad seemingly has no idea that it was Delgal’s fault that Thistle sought the demon’s power. Obviously he couldn’t talk to him about it because Thistle was, uh, a little out there by that point, but why didn’t Delgal explain? Was he embarrassed? Mournful? Couldn’t find the words?

Delgal was scared of dying. He wanted prosperity at any cost, and how could Thistle possibly refuse? Did he even realize that what he was the one who pushed his own brother— One who basically helped raise him despite being a child himself, and in many ways is still a child— down this path? Or was it like watching an overzealous employee misinterpret directions?

The way Yaad describes things here makes it sound like Thistle simply dug too deep in his studies and fell into madness, but we know that’s not true. Delgal didn’t “suggest” he learn magic, he wanted a mage who could help himself and his people defy death, which he admits to Thistle openly:

So, why? Why not tell his grandson, at least, the truth of the matter? Did he worry it might make the remaining residents more likely to upset Thistle, and therefore suffer the consequences? Did he just not care? For what it’s worth though, Yaad does suspect the truth from Delgal’s behavior.

He “always blamed himself” for his descent into the dark arts. This is just Yaad’s observation, and that’s without knowing that it was quite literally Delgal’s fault Thistle went down this path. So, why? Why was it all kept a secret?

Of course, this made things ripe for the winged lion to manipulate to its advantage. Clearly despite knowing he’d pushed him into using it, Delgal still thought the lion was a force of good that was misused by Thistle as a result of his madness. His face in that last panel is particularly haunting. He looks terrible, gaunt and pale with overgrown hair and missing teeth. Had he gone mad, with grief and sorrow, as well?

Could he no longer see Thistle the way he did when they were younger? No one can ask him, because he died long before the story even began.

To go back to the original question, well, how did Delgal see Thistle? None of the previous points make a definitive answer any clearer, and I think that’s just brilliant. And so, so tragic.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[molinaesque]

"What are you?" "Oh, I'm you, sweetie. You just... give it a little time."

[thebutchtheory]

the more i read about transandrophobia as a concept from 'transandrophobia truthers', the more i just end up feeling like these specific experiences are better explained under things like 'gender essentialism' or 'oppositional sexism', or that at the very least these terms need to be brought into discussion of transandrophobia more, but they aren't.

a lot of transandrobros end up coming off like MRAs because they're trying to describe experiences that they don't have proper wording for, and then go on to speak in ways that clearly shows they haven't unlearned [internalized] misogyny/toxic masculinity, gender essentialism and oppositional sexism themselves. often because they haven't read any theory on the subject, and because a lot of them outright refuse to read up on transfeminist theory or understand transmisogyny as a systemic force outside of 'misogyny that trans women experience' or 'transphobia that trans women experience'. then they go on to try and talk over trans women about transmisogyny, or speak about trans women discussing transmisogyny in some extremely bigoted ways because of it.

like, the amount of trans women discussing transmisogyny who have read or even written entire books about transmisogyny, transfeminism and feminism in general seems to be astronomical compared to the amount of trans men discussing transandrophobia that i KEEP seeing. i've seen trans men who have read theory, but they seem to be the bigger popular bloggers that others base their opinions off of, if that makes sense. as if other people in the community are trying to theorize on what people who have actually read theory are saying, without reading any theory themselves.

so much of what transmascs experience is related to misogyny, but it's also related to gender essentialism, oppositional sexism, and toxic masculinity--all things which the trans community has taken from cisgender heterosexual society and applied it to themselves in a way that is Queer Inclusive This Time, yet they never question it.

i'm BEGGING transandrophobia truthers to read books about trans oppression, and to bring this language into your vocabulary when discussing your experiences. when i started doing that with my experiences as a butch on T, it gave me a new perspective on all of it, and the queer community itself.

[grif-hawaiian-rolls]

Movie night is a vital part of the Red Team experience

plus an honorary Doc to make the snack runs

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[sergle]

I heard someone talk about this one time, and now, I'm shocked to notice that I experience essentially NO sense of accomplishment/satisfaction after completing something. like. like. like.

[devilart2199-aibi]

Y'know I always smirk when I see your transformers art. Bc well- an 'Etho account' getting into transformers when it's Etho's favourite game franchise. On brand.

Hahaha very true 🤣 It was fate I suppose!

One of my favorite Etho clips is him freaking out over a call he got, letting him know the Transformers Fall of Cybertron game released a demo ( which this meme is referencing 😂) Here's the clip ⬇️ LOUD ETHO WARNING

This is from OOGE Vinyl Fantasy ep 19 Here at 6:23 roughly :3

[canisalbus]

Does adult Machete retain his childhood delight for snails? Does he keep a journal of notes and observations about them?

Imagining a present day timeline of your story where zoology students learn a number of species of snail native to southern Europe were extensively detailed and documented by some reclusive, weird twink cardinal who was later assassinated for political reasons.

Hard to say. Even if he wanted to do regular snail watching (a riveting activity for sure), he probably wouldn't have time for it, he's chronically stretched thin as it is. But it's a cute thought TvT

[ratwithhands]

Read Right to Left (Manga Format)

I have returned to watching demon slayer after a year and it came up while I was having a serious late night talk with my big sister. I was talking about the relationship between Michikatsu/Kokushibo and Yoriichi and it turns out we both see each other in Yoriichi's shoes and ourselves in Michikatsu's place. Definitely surprising, but really relieving to know that we both worry too much and we are not so far apart in skill as we believe.

This is technically the first piece of fanart I've ever made for the characters in Demon Slayer, I have made OCs before but I never drew an actual character from the story. For context this is mostly just a fun "what if" scenario with them meeting in the afterlife. I like to think Yoriichi's love would reawaken Michikatsu's humanity.

[liquidstar]

this is not a comprehensive list

[vaggieslefteye]

VOX, Media Overlord | 1x02 - Radio Killed The Video Star

"[He's] up in his tower waiting for a flat-faced prince to calm him down."

[tennessoui]

alrightalrightalright what about an au where newly knighted obi-wan kenobi is working as a jedi on a hugely top secret project in the middle of nowhere, outer rim, with a very small amount of help from the jedi order and strict instructions to not let anyone know what he's doing - and one night he gets involved in something he has no business getting involved in but this is obi-wan, after all, he never can leave well enough alone. he's trying to bust and rescue a slave ring he uncovers (again, completely on accident, he just took a night off for a drink)

and he decides to go undercover himself to get back to where the (pleasure) slaves are being held so he can set about freeing them, but before he's done, smuggler anakin skywalker bursts in and rushes all of them onto his ship to get them away, taking well-meaning but solidly jedi obi-wan with him

but obi-wan IS under strict orders to not disclose anything about himself or why he was on the planet because this is a super secret jedi project....and anakin thinks he just rescued him from slavery, so it's not like he can just politely ask to be dropped back off roughly around the location he was picked up

and the longer they fly about the galaxy, the more obi-wan is hesitant to return at all. not that he has issues with the order or anything. not that he doesn't feel extremely uncomfortable lying to anakin about his past when anakin is being very kind and understanding and opening up about his own past as a slave....

but despite his duty to the order to return to that planet, despite the guilt he feels when he cannot be as honest with anakin as the smuggler is with him....he sorta...he sorta really likes the other man. he likes the type of freedom he's showing him. he likes the miniature missions they send themselves on. he especially likes the way he catches anakin looking at him sometimes from the pilot's seat, as if he's the biggest, most precious, most unexpected gift he has ever received