#--theme: poetry

[paperlignes]

nandor the relentless and guillermo de la cruz, what we do in the shadows (2019-) / snow and dirty rain, richard siken (2005)

[lotrmusical]

never let anyone tell you that trawling through mediocre victorian poetry isn't worth it. we just happened upon an absolute BANGER of a worm poem. go read it or else 🪱🪱🪱

[lucidloving]

@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu Gotouge, Demon Slayer // Haruki Murakami, Dance Dance Dance // David Levithan, How They Met and Other Stories // Tennessee Williams, Notebooks

[dionyrtal]

"October" by Dion Anja, from Motion Sickness

You can buy Motion Sickness now!

[anteomnia]

just endlessly thinking about blue eye samurai.

thinking about how akemi, taigen, and mizu are if a coin had three sides or maybe just the two and mizu is the bridge of metal between them.

akemi being the ideal image for women, for the life they endure. she was simultaneously a princess, a prostitute, and a prisoner. her entire life was men making decisions for her, even the ones that had good intentions, and she believed her deepest desire was freedom. it still is, but she has been revealed to this heinous predicament of her gender, and she’s realized that to reach true freedom as a woman is to be the bird in the cage, to play nice and to earn the love of a man until he buys her a bigger cage and a bigger cage until he trusts her not to fly away. and it'll never be true freedom, but it will come with power. it'll come with the freedom of only one master rather than many.

taigen being the ideal image of a man. not all powerful, but not weak. he had a taste of what it'd be to succeed, and when it was taken from him, that easy success, he mistook it for his honor. he hunted mizu down to kill him, and instead he saved him. he saved him and saved him and he came closer to killing mizu when they were on the cliff's edge, and just when he gets to the point where he may actually fight mizu, he's tortured for information on him. he is tortured. Literally tortured within an inch of his life, enduring such a heinous violence, and he refuses to break. this man was a fight, was the torturer, and the victim of his torturing could've been his salvation from pain but he refused. mizu gave back taigen's honor but not by fighting him.

akemi wanted freedom and learned she would need power to have it.

taigen wanted power and learned that the violence that came with it was infinite and dishonorable.

and then there's mizu. mizu who wants revenge, wants acceptance. arguably the same things as them both. mizu wants acceptance, the freedom of living and the freedom to love and be loved. mizu wants revenge, which follows after violence and power, to get said acceptance. she thinks she must do both, have both, to live peacefully, and she's blatant about how she will not live without either.

she's given acceptance with the blacksmith, her "mother," her husband, but she sees the flecks of avoidance in it.

the blacksmith will not hear of her true gender. her "mother" will not acknowledge the crime of her birth. her husband can't find tolerance for the violence within her, the man of her.

and so she has to balance the woman and man of her, the ronin and the bride. taigen and akemi. and it's meeting mizu that they start to unravel their own identities.

mizu, who is both, and akemi and taigen who thought themselves one but turned out to be neither.

god.

[trulyfuly]

[asoftepiloguemylove]

Natalie Wee NEVER BEEN KISSED / pinterest / 밤의 해변에서 혼자 On the Beach at Night Alone (2017) dir. 홍상수 Hong Sang-soo / Evelyn Waugh Brideshead Revisited / Mary Oliver North Country / Cheryl Strayed Tiny Beautiful Things / Aftersun (2022) dir. Charlotte Wells / Franz Wright East Boston, 1996; God's Silence

[lena-oleanderson]

forgiveness and mercy in side wounds

[hometoursandotherstuff]

I heard of this before, and it really does work.

[emilbh]

bittersweet symphony - the verve / unknown / the civil war - anne sexton / sun bleached flies - ethel cain / unknown / head of a young girl - jean baptiste greuze / @avainblue / sun bleached flies - ethel cain

[mdemn]

your god comes and he is ordinary and terrible.

andalucia - lisa marie basile / the unabridged journals of sylvia plath - sylvia plath / christ in gethsemane, heinrich hofmann, 1886 / here come the regrets - epik high & lee hi / a city like a guillotine shivers on its way to the neck - ilya kaminsky / portrait of the illness as a nightmare - leila chatti

[namedvesta]

“I fear I will be ripped open and found unsightly.”

— Anne Sexton, from A Self-Portrait in Letters (𝟣𝟫𝟩𝟩).

[lucidloving]

Franz Kafka, Letters to Milena // Alain de Botton, Essays in Love // Eden Robinson, "Writing Prompts for the Broken-Hearted" // Chloe Liese, Always Only You // Anne Carson and Euripides, An Oresteia // Two—Sleeping At Last // Studio Bones, SK8 the Infinity // Trista Mateer, "is it okay to say this?" // @moodylilac // D. H. Lawrence, "The Rainbow"

[weusedtobegiants]

“You expected—more brutality?”

Anaïs Nin, from The Unexpurgated Diary of Anaïs Nin, 1931-1932

[raayllum]

No. I won't do it.

[writing-is-a-martial-art]

@thinkabouttheimplications