Hey guys,,,,guess whos not dead?!
Teen Dad Logan :)
Or, I suppose more accurately, Young Dad Logan. And by adjacency, Uncle Dad Victor.
This turned out to be one of my largest pieces of writing ever Bee-Tee-Dubs so its going to be under this to not Kill You All:
So in this AU they meet when they're 10 and 11, Jimmy just out of foster care after they found out he's a mutant, and Vic a few weeks after murdering his Father.
At first, it's honestly Jimmy showing Victor a lot of things. Simple things, like how to forage and how to scent, but it's all...quiet. Jimmy already carries a sense of shame for his ferocity that Vic never enjoys. So he draws the kid into fights, helps him laugh until his face is red with laughter instead of shame. He learns about him, and in turn Jimmy learns about him. Happy enough kids until things turned south. One was locked up and the other ran away. They escaped and found each other. It was meant to be.
Victor gives him his new name. Jimmy hasn't felt like His in a long time and the first time Vic calls him Logan, he beams.
Vic still calls him Jimmy when he's scared, but it's their little secret.
Anyways, they stay rough and tumble until The developers in the Weapon X project find them, aged 14 and 15 respectively. It's Victor's idea that they stay. Logan, for all his desires to settle down, feels chafed by the military, but Vic sees through that, see's what they could be, in the future. See's him and his Runt living free after serving, what's a few years as lab rats if they get all their adult life? What's being looked at like a monster when he's allowed to be a monster and still get schooling? Logan doesn't think any of these things, but when Vic nods, he does too.
They're only allowed to be together for the first three months, and then their forced apart, to 'reduce codependency'. They last two years without each other, and when they're reunited...things are different.
Creed has grown into his role, with each murder proving that his dad wasn't special, he's always been meant for this, how dare Anyone Try to stop him. He's become an Animal. Sabretooth.
And Wolverine....is Wolverine now. But doesn't take long before Vic realizes somethings wrong. Wolverine glances at him, but there's no glint of recognition in his eyes. As Creed starts to question him, he thinks it's a clone. So he Kills It.
Its only the third time Logan revives and puts his claws through Creeds chest that Creed realizes it's his runt. Still, being forgotten stings, being ignored stings worse, and there's a lot more blood shed before the guards are able to separate the two.
Safe to say they butt heads a lot more. Vic goads him often, word for word the way he used to, and like a house of cards, Wolverine always folds. The only times he seems to come back to himself for a moment, are the moments after Creed's killed him, and he's just waking up. He'll get a look on his face, one Vic recognizes. He's seen it a hundred of times before, even if the runt always tried to hide it:
Fear. Exhaustion.
They never talk. Victor pets his hair as Logan's throat is rapidly sewing itself back together, or Logan rumbling under Vic's body as his puncture wounds close. In those moments, Logan Remembers.
...
It all starts to fall apart when one Logan Howlett, at the fresh age of 18, is chosen to become Weapon X.
Creed sees red. This was HIS goal, His to earn, that stupid brat doesn't even want to be here, Logan doesn't even remember why he's-
He doesn't even remember why he came here in the first place.
But Sabretooth is smart. He figures out when, and where, they're going to do the operation. And obviously, he bursts in.
As he does, he overhears a Commander noting that they should 'wipe wolverines mind clean one last time, to make sure he's only obedient to them.
And that is First Strike.
Victor lashes out, taking down a doctor and a guard before anyone can blink. But his noise distracts the surgeons and other doctors carefully monitoring The Wolverine's Adamantium intake, and one of them nudges their controls in their scramble to get away, pushing significantly more onto his skeleton than originally planned.
Victor stops when he hears screaming.
Logan hears....nothing. He knows the procedure is going to begin, but he doesn't know when. When the burning starts, he goes to that little place in his head he pretends he doesn't have. He sees flashes of Creed's face, snarling and smiling, and he feels...safe. He sees white, and red hair and...hears yelling. His eyes open, and immediately close as salt water rushes into them. He breathes unsteadily through his
The water stops draining but the burning doesn't stop. Worse, his head feels like it's being torn apart, a feeling he remembers but can't name. And suddenly, nothing matters because,
Sabretooth is calling him Jimmy and why why WHY DOES EVERYTHING HURT OW OW OW OW OW OW Victor help please please plEASE PLEASE VICTOR VIC-
...
Safe to say the adamantium causes even more psychological damage to them.
There is one single benefit: The Memory Adjustment failed. In fact, it failed so bad that Creed, for three whole days, get's Logan to himself.
They don't do much. Logan wakes up and launches himself at Vic, legs collapsing as his ligaments struggle to accustom themselves to the weight of his new bones. He's in constant pain, mostly just looking at Vic with big, sad brown eyes until he lies back down with him on the shitty Hospital ordered bed. It creaks under them, but thankfully never gives.
When they do talk, they don't talk about the memories. About Wolverine gutting Sabretooth to prove a point, about Sabretooth biting out his spinal chord, about Wolverine ripping out his teeth in claws. None of it matters. They know it can't last. Creed didn't plan, and Logan is too weak to think, not that he does much of that in the first place.
After those days of clarity post operation, Logan is wiped clean. And for the next year, it's back to normal. For Wolverine at least.
But of course, Logan has to beat him to the punch. Literally.
Around a month after the one year anniversary of his Surgery, Wolverine comes Bursting through the training rooms, with twenty guards hot on his trail. Sabretooth, a Predator, Obviously follows. Logan runs and runs and runs, and eventually rips the door of a particular room, to reveal...
an eerily large room filled with tubes. There's wires and things being suspended in liquid, and at first, Victor can't comprehend what he's looking at. By the time he reads 'X-02', Doner Wolverine, Logan's already broken three of the tubes with his claws, uncaring of the thick glass cutting him open in retribution for being shattered.
people go flying, and as they hit equipment the room itself begins to collapse, separating Sabretooth from Wolverine. Wolverine continues through the rooms, ensuring that there's nothing deeper inside that can help them make more of him. He has enough nightmares. Sabretooth stays back to help finish the job. All those tubes don't destroy themselves, you know?
He finds a room full of his samples, and a woman in a chair. A woman with a bullet in her neck instead of her head. Poor thing had probably gotten caught in between him and the guards. But why was she just sitting-
The woman has a baby in her arms, tubes still attached. He growls for a moment, moving to finishes her off, but freezes when she and she's groans.
"Laura...Laura..."
Logan looks at her little beady eyes, mousy brown hair, and knows...she's his.
Before he's even thought about it she's cradled in his arms, evidently all wrong because she starts to wail and Vic skids in, shoulder denting the doorframe as he stops and stares at the scene in front of him.
The woman gives one final shudder, and her head lulls. Dead.
Still, there's no time to think. Victor hears thuds getting closer to the room, and as he looks to his right he realizes there's only one way out. The window. Oh well.
with a swear, he lifts Logan by the back of his jacket and gives him a shove, and his back goes strait through the paneling and out of the fourth story. Victor whoops, and follows him down. By the time he's already made his much more elegant landing, Logan is groaning and cussing him out as much as his winded lungs will let him, which is a surprising amount. Still, Vic scruffs him again and sets him on his feet, and nods in the direction of the woods.
"Lets go"
And they do.
They end up being surrounded by the X-Men somewhere in Maine and are "Invited" to Stay at Xavier's school. Logan decides for them this time. A house, a promise that the government will be dealt with for them, and that he can get all of his memories back are very good motivators. And they an finish their education.
Victor actually...enjoys classes. He likes being smart, and it's easy. Logan does Charter school. He had lasted exactly a week in public education before deciding that if he had to deal with one more idiotic comment from one of those stupid fucking kids he was going to-
Well. His words were Not Child Friendly, so he made sure to cover his kid's ears. Besides, he's bonded with fellow teen Rogue and preteen Jubilee and Kitty (his daughters) like little sisters, but he never really settles unless he's with his Kid. His Laura.
He had to fight to keep her, a young unstable mutant like him was not the ideal parent, but for the first two months, she sobbed if anyone else held her, terrible screeches, and would reach for him to the point of falling out of peoples arms. And, he had imprinted on her to. He swore he could tell when she was happy or uncomfortable before she could, would burp her or flip her back onto her back before she got fed up with tummy time.
Vic is Terrified of touching her but refuses to admit it. He carefully runs his finger down her pudgy little cheek, in awe of her soft skin against his knuckle, when she moves suddenly, and she attempts to nuzzle her way into his palm. He, obligingly, opens his hand. When one of his claws scrapes her hair, he freezes, waiting for her to cry out. Instead, she burbles happily, honey brown eyes giving him long, slow blinks.
She likes his head scratches the best.
Logan sometimes falls asleep with her on his stomach on the couch, leaving Victor to carry him AND his clingy baby back to bed, the crib next to them so Laura can still grab onto Logans finger. They sleep together now, in a nest of blankets and pillows, Logans hand always off the bed but still somehow still touching Vic, as if to make sure he's still there.
Their codependency is back full swing, and the only time they can be reliably separated is when Vic goes to school, because he goes with Scotty, and the Boy Scout would never let anything happen to another mutant, even if that mutant makes him want to shoot him with his laser-beam full power just to see what would happen.
Thankfully, because of Victors presence, the Mind Adjustment does actually work, but it leaves Logan questioning his parallel memories for years. In the process they realize that...Victors memories have been tampered with too.
But that, is a story for another time.
25 notes
·
View notes
Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.
I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.
Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?
How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"
And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.
So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.
So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.
And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.
-
And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.
Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.
And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.
So you sail away in a boat together.
And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.
But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.
But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.
You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.
And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-
-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.
You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.
-
And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.
It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.
And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.
81 notes
·
View notes