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#-as its own independent thing
heliianth · 1 year
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i havent watched the original series since i was like 11 but my recent obsession with saoa is really tempting me to revisit it
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harbingersecho · 7 months
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"zuzu, you didn't tell your friends about me? i'm hurt."
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beaulesbian · 6 months
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i was rereading some water 7 chapters, and the introduction of kaku was so funny. i love when luffy and zoro are using the same braincell even at a distance
luffy meeting kaku, ch. 325 "usopp?"
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and zoro meeting kaku, ch 326 "oh, just usopp"
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vs. Egghead arc and meeting kaku again post time skip - with nothing really changing of how luffy perceives some people (ch. 1078)
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and also kaku meeting zoro on the sunny on Egghead prior the scene above and their lines echoing the first meeting on Water 7 - "I'm sorry. Did I wake you?" vs here "Who dares to disturb my nap?"
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dxxtruction · 1 month
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Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.
He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.
That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).
Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.
50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"
Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.
They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.
This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.
Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.
#iwtv#iwtv character analysis#interview with the vampire#louis de pointe du lac#armand#loumand#amc iwtv#iwtv s2#iwtv season 2#don't be afraid just start the tape#Gotta feel bad for Louis for winding up falling in love again with someone ruled so much by their own undealt with shit#making him once again the victim of abuse for it#But at least I guess Lestat values his independence? And Louis to an extent.#Theres a lot less co-dependancy going on between them but it's still like ... there#I'm so serious tho when I say I really want IWTV to go in the direction of 'vampires all dealing with their shit and breaking generational#cycles of abuse' because THATS so IT too me. That's the juice tbh.#because a thing with immortality is that you can't partition away from dealing with shit through knowing you or someone is going to die#You have to confront it you're forced to or else its just FOREVER literally going to be there#Louis (or really Claudia) being the first to really confront that (chef kiss)#which is an interesting thing to depict because technically we all carry the burden of eternity w/in us. Our impact on the world lasts and#what violence we allow in the world without fighting or working against it will never change either.#We have to confront the truth and find reconciliation with all of it or it is just without end there is no bottom to it#theres a lot of discussion on it but I think Louis considers himself a survivor. He's lived to this point and will keep living.#He probably cares too much about the why he ends up a victim (the undealt with shit he can't blame them for) to admit otherwise that he is#Too an extent too he cares and loves the people he's been with to really view it that way. But also this survivor perspective is very#'immortality' accepting. Naming a victim sort of is like naming a kind of death that can't go on from there.#Might make these tags into their own post at some point
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blorbobutworse · 16 days
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Hey guys,,,,guess whos not dead?!
Teen Dad Logan :)
Or, I suppose more accurately, Young Dad Logan. And by adjacency, Uncle Dad Victor.
This turned out to be one of my largest pieces of writing ever Bee-Tee-Dubs so its going to be under this to not Kill You All:
So in this AU they meet when they're 10 and 11, Jimmy just out of foster care after they found out he's a mutant, and Vic a few weeks after murdering his Father.
At first, it's honestly Jimmy showing Victor a lot of things. Simple things, like how to forage and how to scent, but it's all...quiet. Jimmy already carries a sense of shame for his ferocity that Vic never enjoys. So he draws the kid into fights, helps him laugh until his face is red with laughter instead of shame. He learns about him, and in turn Jimmy learns about him. Happy enough kids until things turned south. One was locked up and the other ran away. They escaped and found each other. It was meant to be.
Victor gives him his new name. Jimmy hasn't felt like His in a long time and the first time Vic calls him Logan, he beams.
Vic still calls him Jimmy when he's scared, but it's their little secret.
Anyways, they stay rough and tumble until The developers in the Weapon X project find them, aged 14 and 15 respectively. It's Victor's idea that they stay. Logan, for all his desires to settle down, feels chafed by the military, but Vic sees through that, see's what they could be, in the future. See's him and his Runt living free after serving, what's a few years as lab rats if they get all their adult life? What's being looked at like a monster when he's allowed to be a monster and still get schooling? Logan doesn't think any of these things, but when Vic nods, he does too.
They're only allowed to be together for the first three months, and then their forced apart, to 'reduce codependency'. They last two years without each other, and when they're reunited...things are different.
Creed has grown into his role, with each murder proving that his dad wasn't special, he's always been meant for this, how dare Anyone Try to stop him. He's become an Animal. Sabretooth.
And Wolverine....is Wolverine now. But doesn't take long before Vic realizes somethings wrong. Wolverine glances at him, but there's no glint of recognition in his eyes. As Creed starts to question him, he thinks it's a clone. So he Kills It.
Its only the third time Logan revives and puts his claws through Creeds chest that Creed realizes it's his runt. Still, being forgotten stings, being ignored stings worse, and there's a lot more blood shed before the guards are able to separate the two.
Safe to say they butt heads a lot more. Vic goads him often, word for word the way he used to, and like a house of cards, Wolverine always folds. The only times he seems to come back to himself for a moment, are the moments after Creed's killed him, and he's just waking up. He'll get a look on his face, one Vic recognizes. He's seen it a hundred of times before, even if the runt always tried to hide it:
Fear. Exhaustion.
They never talk. Victor pets his hair as Logan's throat is rapidly sewing itself back together, or Logan rumbling under Vic's body as his puncture wounds close. In those moments, Logan Remembers.
...
It all starts to fall apart when one Logan Howlett, at the fresh age of 18, is chosen to become Weapon X.
Creed sees red. This was HIS goal, His to earn, that stupid brat doesn't even want to be here, Logan doesn't even remember why he's-
He doesn't even remember why he came here in the first place.
But Sabretooth is smart. He figures out when, and where, they're going to do the operation. And obviously, he bursts in.
As he does, he overhears a Commander noting that they should 'wipe wolverines mind clean one last time, to make sure he's only obedient to them.
And that is First Strike.
Victor lashes out, taking down a doctor and a guard before anyone can blink. But his noise distracts the surgeons and other doctors carefully monitoring The Wolverine's Adamantium intake, and one of them nudges their controls in their scramble to get away, pushing significantly more onto his skeleton than originally planned.
Victor stops when he hears screaming.
Logan hears....nothing. He knows the procedure is going to begin, but he doesn't know when. When the burning starts, he goes to that little place in his head he pretends he doesn't have. He sees flashes of Creed's face, snarling and smiling, and he feels...safe. He sees white, and red hair and...hears yelling. His eyes open, and immediately close as salt water rushes into them. He breathes unsteadily through his
The water stops draining but the burning doesn't stop. Worse, his head feels like it's being torn apart, a feeling he remembers but can't name. And suddenly, nothing matters because,
Sabretooth is calling him Jimmy and why why WHY DOES EVERYTHING HURT OW OW OW OW OW OW Victor help please please plEASE PLEASE VICTOR VIC-
...
Safe to say the adamantium causes even more psychological damage to them.
There is one single benefit: The Memory Adjustment failed. In fact, it failed so bad that Creed, for three whole days, get's Logan to himself.
They don't do much. Logan wakes up and launches himself at Vic, legs collapsing as his ligaments struggle to accustom themselves to the weight of his new bones. He's in constant pain, mostly just looking at Vic with big, sad brown eyes until he lies back down with him on the shitty Hospital ordered bed. It creaks under them, but thankfully never gives.
When they do talk, they don't talk about the memories. About Wolverine gutting Sabretooth to prove a point, about Sabretooth biting out his spinal chord, about Wolverine ripping out his teeth in claws. None of it matters. They know it can't last. Creed didn't plan, and Logan is too weak to think, not that he does much of that in the first place.
After those days of clarity post operation, Logan is wiped clean. And for the next year, it's back to normal. For Wolverine at least.
But of course, Logan has to beat him to the punch. Literally.
Around a month after the one year anniversary of his Surgery, Wolverine comes Bursting through the training rooms, with twenty guards hot on his trail. Sabretooth, a Predator, Obviously follows. Logan runs and runs and runs, and eventually rips the door of a particular room, to reveal...
an eerily large room filled with tubes. There's wires and things being suspended in liquid, and at first, Victor can't comprehend what he's looking at. By the time he reads 'X-02', Doner Wolverine, Logan's already broken three of the tubes with his claws, uncaring of the thick glass cutting him open in retribution for being shattered.
people go flying, and as they hit equipment the room itself begins to collapse, separating Sabretooth from Wolverine. Wolverine continues through the rooms, ensuring that there's nothing deeper inside that can help them make more of him. He has enough nightmares. Sabretooth stays back to help finish the job. All those tubes don't destroy themselves, you know?
He finds a room full of his samples, and a woman in a chair. A woman with a bullet in her neck instead of her head. Poor thing had probably gotten caught in between him and the guards. But why was she just sitting-
The woman has a baby in her arms, tubes still attached. He growls for a moment, moving to finishes her off, but freezes when she and she's groans.
"Laura...Laura..."
Logan looks at her little beady eyes, mousy brown hair, and knows...she's his.
Before he's even thought about it she's cradled in his arms, evidently all wrong because she starts to wail and Vic skids in, shoulder denting the doorframe as he stops and stares at the scene in front of him.
The woman gives one final shudder, and her head lulls. Dead.
Still, there's no time to think. Victor hears thuds getting closer to the room, and as he looks to his right he realizes there's only one way out. The window. Oh well.
with a swear, he lifts Logan by the back of his jacket and gives him a shove, and his back goes strait through the paneling and out of the fourth story. Victor whoops, and follows him down. By the time he's already made his much more elegant landing, Logan is groaning and cussing him out as much as his winded lungs will let him, which is a surprising amount. Still, Vic scruffs him again and sets him on his feet, and nods in the direction of the woods.
"Lets go"
And they do.
They end up being surrounded by the X-Men somewhere in Maine and are "Invited" to Stay at Xavier's school. Logan decides for them this time. A house, a promise that the government will be dealt with for them, and that he can get all of his memories back are very good motivators. And they an finish their education.
Victor actually...enjoys classes. He likes being smart, and it's easy. Logan does Charter school. He had lasted exactly a week in public education before deciding that if he had to deal with one more idiotic comment from one of those stupid fucking kids he was going to-
Well. His words were Not Child Friendly, so he made sure to cover his kid's ears. Besides, he's bonded with fellow teen Rogue and preteen Jubilee and Kitty (his daughters) like little sisters, but he never really settles unless he's with his Kid. His Laura.
He had to fight to keep her, a young unstable mutant like him was not the ideal parent, but for the first two months, she sobbed if anyone else held her, terrible screeches, and would reach for him to the point of falling out of peoples arms. And, he had imprinted on her to. He swore he could tell when she was happy or uncomfortable before she could, would burp her or flip her back onto her back before she got fed up with tummy time.
Vic is Terrified of touching her but refuses to admit it. He carefully runs his finger down her pudgy little cheek, in awe of her soft skin against his knuckle, when she moves suddenly, and she attempts to nuzzle her way into his palm. He, obligingly, opens his hand. When one of his claws scrapes her hair, he freezes, waiting for her to cry out. Instead, she burbles happily, honey brown eyes giving him long, slow blinks.
She likes his head scratches the best.
Logan sometimes falls asleep with her on his stomach on the couch, leaving Victor to carry him AND his clingy baby back to bed, the crib next to them so Laura can still grab onto Logans finger. They sleep together now, in a nest of blankets and pillows, Logans hand always off the bed but still somehow still touching Vic, as if to make sure he's still there.
Their codependency is back full swing, and the only time they can be reliably separated is when Vic goes to school, because he goes with Scotty, and the Boy Scout would never let anything happen to another mutant, even if that mutant makes him want to shoot him with his laser-beam full power just to see what would happen.
Thankfully, because of Victors presence, the Mind Adjustment does actually work, but it leaves Logan questioning his parallel memories for years. In the process they realize that...Victors memories have been tampered with too.
But that, is a story for another time.
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vodid · 9 months
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trust me to spend a solid hour looking over pics and footage just to figure out how a shoulder works and spending a meager 5 minutes finally drawing it.
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cleromancy · 1 year
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"tim needs to get a new mantle he didnt steal from his siblings" wrong. Say hello to the new huntress
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artsycooky13 · 16 days
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top 3 fave bbys in the burrito show (bonus SUPER LONG tags on how i feel bout the characters)
#my art#boruto naruto next generations#sarada uchiha#shikadai nara#inojin yamanaka#in no particular order except sarada is my fav- i think she shouldve been main focus- girl brings all of og team 7 together at all times#just her family history alone is very interesting and i WISH we had seen a convo with sausage boi about her uncle and just everything#but shes a pretty solid character on her own- VERY good mix of both parents yet still being her own self#shikadai is funny i really like seeing him- hes a sight for sore eyes- bro got EVERYTHING from his dad minus his eyes and maybe hair#his dynamic with boruto being besties is really fun to watch- sarada too- with both shika and sara being geniuses and all#i love inojin's simplicity and how ordinary he is.... its... realistic?#hes artistically talented yes with his ninja art stuff but everything else hes kinda... mundane? at times even bad?#Considering every other prev gen child's got all these cool stuff goin on- i like that hes just... kinda normal... i like that about him#boruto i actually do like as well- he'd make a GREAT support character- i love how big bro he is and how he wants to stand up for others#hes a lot like naruto in that way- and might be a hot topic to say this but i also like how - in his very first arc- boruto hates the hokag#not his dad but internalized that the job took his dad away from him- regardless on criticism i think that concept is really neat#i am not well versed in what the story is now for boruto- ive just kinda picked my snacks on what i wanna watch lmao#but i do wish there was more showings of slice of life for all the kids- cuz they are all really interesting- especially for prev gen's kid#>>wished they did timetravel arc with sarada so we coulda seen young sasuke & sakura interact with boruto and sarada T_T#one last note: borusara is very interesting- but i actually prefer them just being friends- at most friends with crushes on eachother#i do think its cute but i like the dynamic of it being unrequited idk its new for me i just prefer them as friends with crushes lmao#prob cuz they work as characters independently Im not really interested in ANY of the new gen hookin up- borusara is the most interesting#i mean it IS the ONLY one being pushed canonically but i like it- that boruto looks out for sarada and sarada worries for boruto#but ya i wish boruto was like mitsuki in being a side character - i think a LOT more people will find him less annoying that way#though- i REALLY want more sarada and sasuke dynamics being shown- actually the uchiha fam a TON more than what we got#they are just SUPER interesting to me lmao#im a sucker for the emo boy turns soft and has family and bonds with their kids- its one of my favourite things in media#i feel like scraping the ocean floor when im trying to find quality sasuke and sarada art pieces and story stuff#cuz ive exhausted all the content in these past what 2-3 years of knowing both boruto- and now more recently - naruto#(yes im one of those people who knew boruto before naruto- smite me)
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novella-november · 5 days
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Is this fanfic friendly? I feel like an outlier.
I guess this is my sign it's time to throw together a FAQ post to link to lol.
Yes, every event for this blog is fanfic friendly :D
Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!
It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!
As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!
Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),
but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--
you may find yourself pleasantly surprised by what you find down that rabbit hole!
#replies#novella november#long rambly tags to follow lol#including anti royalist / anti billionaire shit#ominous october#this is what my novella november is going to be#something that WAS a huge earth-shattering fanfic AU#but before I even got past a WIP Oneshot I'd already realized that what I was planning was going to turn canon so far on its head it would#be unrecognizable and it would be much better off and more coherent if I made it entirely original#so now it is!#not only does this involve changing every single characters name#everyone is now a completely different species other than human because thats always fun#and of course we're also tackling all the issues that had annoyed me in omega verse fics since I was like 14 and liked the#creature aspects but hated the biological essentialism and misogny / caste systems#if your fantasy people have an enforced caste system you gotta actually treat that like the horror and systemic oppression it is#not just say 'biological = right' like dude what do you think people have been saying about real women this whole time????#people literally insist women are biologically inferior to men do you really think supporting that idea is going to make you sound#progressive just because your main character is a tomboy independant woman?#also like she lost all her independence as soon as she found a man to marry so uhhhhh#what happened to being ready and willing to hit the bricks if people kept talking down to you and condescending you for being a woman????#why did you go from independant badass tomboy to fainting damsel who spends all her time worrying about failing to produce an heir#so her husband can take power#instead of just straight up telling your husband#'hey I don't want to deal with the bullshit from your father how about we do the-#- socially acceptable thing and just go off to make our own independant settlement with some of the villagers who are on your side'#like your husband would literally be escstatic about this idea of finally getting out from under his dad's tyrannical thumb#and its more like way more than half the villagers would go with you not just a handful#theyve been sick of the kings shit for years and only your husband's potential rise to rule kept them in check#cus he actually cares about the villagers and goes among them#while still clearly having some biases to work through when it comes to class and gender equality
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einsatzzz · 4 months
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art time-lapse of this piece that i posted in IG b4 to try out doing reels. i really like how this turned out overall plus "yasashii suisei" (link for eng tl) really fit the vibes so im queueing this here too
#khr#khre#khr oc#oniyanagi#hibari kyoya#ninomiya kanako#oc#hibakana#einart#tags yapping abt hibakana ahead 🫡#the quote that inspired this one still lives rent-free in my brain#“my alone feels so good i'll only have you if you're sweeter than my solitude”#both of them are the type of people who likes to move on their own and dislikes being restricted#and they thrive that way without needing to look out for things like social cues/other's perceptions/the will of a “majority”#there's this certain type of independence that i rlly admire for each of these two characters#if they don't feel comfortable with a person#or if the person's company does not spark any joy#as much as their peace and quiet does#then why would they even hang out and spend/invest time with them amirite? theyre not abt that fake life#nowadays its very common for me to hear abt boomers asking ppl when they're gonna get an s/o or marriage#or just others forcing ppl to conform with the social norms and what's considered as “normal”#so these two rlly bring me a lot of comfort#on their own; if i were to depict them on separate stories#khre aside and just considering khr; idt id ship hibari with anyone; he would be my a-spec king icon idol and legend who does wtv he wants🫶#kana too mdbxndbddjbd her previous version b4 this had another oc/canon ship but i don't rlly fck with that anymore (still funny tho)#(i realized that that previous ship rlly held her back character-wise---)#(but their (potential/established) platonic relationships with other characters are so *chef kiss* tho--working hard on brainstorming that)#on the other hand i started shipping hibakana for the comedy of their dynamic lmao (it should be around b4 sou & i reached kokuyo arc)#“wouldn't it be funny if---”#its just a joke there's supposed to be an “/hj” somewhere there i didn't know they would suit e/o's characters & personality this much wtf
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Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.
I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.
Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?
How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"
And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.
So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.
So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.
And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.
-
And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.
Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.
And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.
So you sail away in a boat together.
And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.
But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.
But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.
You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.
And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-
-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.
You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.
-
And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.
It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.
And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.
#succumbed to the stan twins angst visions and wrote 2000 words about this#ford pines#ford meta#this turned into a character analysis that almost reads like a fic#godswriting#<- i need to change my writing tag to this#something bothers me a little bit about the solution to their conflict being 'ford appreciates stan more now so he is now fine with-#-boat adventures with stan'. to me it leaves the initial conflict of 'he doesnt want to do that anymore' unresolved#obviously you could easily argue that ford never stopped wanting to go on boat adventures with stan and he just couldnt justify it to-#-himself when compared to the opportunity at west coast tech. but that has one less layer of conflict#compared to the possibility that he truly was not interested in boat adventures anymore. ESPECIALLY if its a manifestation of him#feeling suffocated by the whole dynamic-twins-duo thing#its normal to start wanting a little bit more space especially at that age. to want to have space to figure out who you are#the healthy thing would have been them talking about it and figuring out a compromise. like 'when ford needs space he can spend a few hours#-alone without stan being worried the whole time that it means ford hates him' and 'we still spend x amount of time working on the boat and#-we still chat on the way to and from school every day and hang out at the beach on weekends'#like of fucking course it was never about hating stan or about wanting to get away from him because of who he is as a person!#he literally just wanted to have a little bit of breathing room to be his own separate person. he just didn't know how to put it into words#I really think the crux of it all was them not knowing how to navigate that balance between independence and identity while staying close#so ford misattributing/reducing that feeling to 'I dont have the exact same dream as stan anymore. why does he still have that dream. oh no#feels like a good way of giving that conflict a tangible aspect to it thats easy for the stans to point at and talk about as a way of-#-alluding to the REAL core of the conflict between them.#and of course the show never says 'they sail around the world for the rest of their lives 24/7' so it's not like it Actually Conflicts with#-my interpretation of the conflict and how it should be resolved. but since its the last thing we see happen between them when theyre given#their happy ending. I feel compelled to say 'hey I know them living in the shack together and traveling in a boat every single year sounds-#-really fun and like a satisfying ending but I think they should have a Little Bit more space from eachother than that. Hanging out almost-#-daily but not literally being in the same house and same boat for the rest of their lives. bc if stan was ok with ford asking for that-#-little bit of space and if ford didnt panic and isolate himself from everyone whenever he needs like one hour of alone time? that would-#-feel like a big piece of the puzzle fitting into place for their conflict resolution and growth as characters. to me#and I think they deserve to have all the tied-up-loose-ends and resolved-conflicts and character-growth in the world.
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dukeofthomas · 3 months
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Seeing the words 'jason fighting crime w the batfam' makes me turn red w anger. Like his whole fucking point in utrh is that you can't defeat crime!! Batman's methods DON'T work!!! You can't defeat crime, you can only control it!!! His whole fucking point is that he's broken away from Bruce's ideals, Bruce's ways, Bruce's opinions and plans and now he's doing things his way. And then you just discard everything interesting about the Red Hood for the purposes of having him be part of the Batfam and it's infuriating!!!
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starheirxero · 8 months
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I feel like if I thought really hard about it, I could make some kinda gut wrenching connection between the fact that a total lunar eclipse is what's then called a blood moon and the fact that Bloodmoon was made before Lunar and Lunar was the one more dependent on Eclipse than Bloodmoon ever was. or smth.
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cherry-treelane · 5 months
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everytime i watch shameless I get hit with a jolt of sickness and remember how frank and monica stole fionas life from her and she'll never get it back because it never existed because she was a sister first her whole life (from the age of 4) and everything else second and its always just so casual in the show and normal and rarely touched upon but it's not normal at all and it's tragic
#another post made at 2am that i found in the drafts#but my god its messed up how frank and monica got to live their own lives and how the kids got to have aspirations kinda but fiona was just#always stuck with the feeling of being stuck#cause she was forced to devote a largeee chunk of her life to servitude#its so unbelievably telling of frank and monicas innate selfishness above anything else imo :#their willingness to fulfil their mutual desire to extend the feeling of things such as youth and excitement and fun#to the point that they stripped their own daughter of the ability to experience childhood#education#etc#my memory is hazy but frank definitely was in college and i think monica was too? either way they both got to finish HS / experience it#but not fiona!!! its the opposite of parents sacrificing so their children can have more#they had more than fiona did and didnt give a shit about the fact that they just took from her#(obviously im not saying they had rosy perfect lives as kids teens and young adults— far from it actually)#(but its shockingly clear that they had a great deal more than fiona...or at least less on their plates...)#like when frank speaks of being a boy in college#its like.. these opportunities he threw away while fiona would've loved to have them but instead she had to drop out of HS#against her will#like yes its complicated but bottom line is its just sad how frank and monica were both afforded with control over their lives to a degree#while all of fionas life decisions carried the weight of her whole family and she didnt get to have independent control over her life#like for example she didnt drop out of HS cause she actually wanted to#she just didn't have any other choice
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danielnelsen · 4 months
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i think it's severely under-explored that, in possibly the rarest timeline imaginable, hawke can potentially become both viscount of kirkwall and princess of starkhaven
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rinofwater · 2 months
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Hah, so uh how to explain to my parents that I have reconsidered wanting to move back to the wannabe fascist state after all
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