#.......i think this post speaks for itself

[jinwoosbabyboo]

So, you did a post of the boys being jealous, but I was wondering how would you rank each guy from most jealous to least jealous/possessive? Also, what kind of jealous are they.

P.S. Xavier's "It's nothing personal" still cracks me up. You're hilarious.

Most to Least Jealous

Who's the most to least jealous among the four of them? Here's what I think.

A/N: had to do a little switcher-roo w/ Zayne & Sylus because Zayne definitely gets more jealous than Sylus & it’s adorable

Xavier

Xavier without a doubt is taking first place here. This man was jealous when Jeremiah had his arm around MCs shoulder. He gets upset anytime MC compliments Lumiere. Xavier PLEASE Lumiere IS YOU.

Don't get me wrong I understand the notion of "He wants MC to love him for him not his Lumiere alter-ego" I get that. It's sweet that he's "Xavier .... Just Xavier" with MC.

Aside from him being jealous of himself though even in his myth he gets jealous when Jeremiah touches her or she speaks about Jeremiah he even blew in her eye because she "had a hooligan in her eye" referring to Jeremiah. He wants to be the only person in her eyes, mind, and heart.

Rafayel

Rafayel is jealous, but he's more clingy/needy than jealous (and I love that) He doesn't like being ignored by MC and gets antsy and dramatic when she takes too long to respond.

He wants all of MCs attention at all hours of the day. He wants to have her attention 24/7, but realistically he knows that can't happen so he just wants as much as possible.

Zayne

Zayne does indeed get jealous he’s not as jealous as Xav or as dramatic and pouty as Raf but he gets jealous. He isn’t as expressive with his jealousy but he still has a childlike jealousy vibe. He’s so smitten with MC he just wants all her affection he’s touch starved for heavens sake. He's secure within himself, but he finds the world itself boring and MCs vivacity makes his life interesting. So of course he gets jealous when something else is stealing his girls attention.

Also I imagine him being a little possessive when it comes to doing something for you because that’s how he shows his love. His actions are louder than his words.

Sylus

Sylus is extremely secure in himself he doesn't get jealous. At least that's probably what he tells himself. This man isn't "im gonna pout" jealous he's more of flash/zing of jealousy before setting himself straight like "Wait a minute ... she's mine ... I'm the whole loaf the rest of you are the breadcrumbs" and he's back to his confident self-assured sexy self.

If you want to see him get jealous change his pet name for you and when he asks "Am I the only one to call you that?" if you choose the "You should be" answer he's like "Who else is there? that doesn't matter you have me now" or something like that.

[meredithgran]

About Newspaper Comics

An ask cross-posted from Cohost, which is not long for this world.

Anonymous User asked: I would like to know your opinions about newspaper comics

This is a very choose your own adventure kind of question. Am I meant to speak about the art or the business of newspaper strips? The current state of newspaper comics or their century-spanning history? Stream of consciousness it is.

Newspaper comics were the original dream for me before all other dreams. I fell in love with Garfield and the story of its success, and wanted to make a syndicated strip at an early age. Later, I fell in love with Calvin and Hobbes - itself a lesson in craft, history and business - and abandoned the syndication dream for “art by any means necessary”, and dove into webcomics. (There were a few more steps along the way, but that’s the basic trajectory and not uncommon for my age.)

In the 80s and 90s when I was dreaming Garfield dreams, syndicated newspaper strips were already dying. They’d been jam packed so tightly into rectangles in the comics section that no room for great cartooning remained. The schedules were brutal, the audience was broad and apt to complain, and the aging comics legends were phoning in or delegating their work, so even the full-page Sunday strips were gridded and lifeless. Even fresh new artists (rare as they were) were hammered creatively into the shape of the paper. The death of most major newspapers from the late 00s onward spelled the end of Garfield Meredith's dream.

The thing is, Garfield Meredith would be very pleased with the present day. Comics are bountiful, they're free to read online, and they're all accessible from a single app. Even better, the creators interact with their audiences day and night. In comics we have safely returned to the late-stage newspaper syndication model, after a brief "art by any means" era, with 24/7 access to the creators as a bonus. It goes without saying that most of the money these comics generate goes to the platform. As more people discover online comics, the memory of any other model has faded. Comics is a pushover industry, easily steamrolled by detached parties with money.

So what do we do? I'm afraid that's not what this post is about. Mom's tired. My heads is not really in the comics game anymore, and big tech & our rotting internet is a problem everywhere. But I think discussions about our history as cartoonists and comics appreciators - and an acknowledgment of what is disappearing - is important. It's no surprise that Bill Watterson's stubborn refusal to license, adapt, or needlessly continue his creation past its prime shocked me and many others onto a different path. I think it is useful to be a high-functioning crank in your own age: to fully accept the now without forgetting past possibilities or drawing a border around the future.

And of course, we mustn't let current trends tame our wild imaginations or our command of the craft. We have been given the tools to create beauty and make sense of life, and these creations - not the platforms that indiscriminately corral them - are worth sharing.

[sequids]

[leoruby-draws]

Been on a bit of a roll with posting my drawings lately, just getting rid of some backlog. Anyways, here's a funny doodle of the batkids bothering their big brother Nightwing on a date with Starfire. They're so annoying lmao.

Its kinda a sequel to this comic from way back. I say kinda because I meant to put with the comic itself but I was too lazy to do so. But I'm posting it now!

Speaking of that comic, I got an ask asking for a follow-up to it showcasing Dick and Starfire's kids getting some 'revenge' for them. Here's Mar'i (NightStar) and Jake Grayson popping in from the future! (btw I accidentally deleted the ask, feel bad esp considering how long it took to actually do art they wanted.)

They're all having so much fun! Look at little Jake, I actually wasn't sure if I should put him here since Mar'i is from Kingdom Come and Jake is from The New Order. Two different universes, the ask did ask for both of them so I did so. Also I forgot his eyes were green, aw well.

Speaking of Kingdom Come, I remember reading that in my middle school library along with some other DC/Batman comics. I was already a total weeb and loved manga so I decided to try out western comics too (since I did like the DCAU cartoons). Read them for a few weeks got bored, then picked up Akira and wouldn't read superhero comics again for more than a decade. Just weren't as easy to get into as manga, took some effort to try them again.

Anyways, here's an extra Mar'i as Nightstar:

I love her outfit, such a wonderful design. And its fun to play around with it too, its fun. But I'll probably take off those wings on her headband, they clutter the design I think. Gosh I love doing her hair its so fun.

Here's an extra Mar'i, with Jake included:

Would Mar'i be Robin as a kid? Or take on a different kid hero persona? How about Jake? Just played around with some costumes for them. Look at Jake clinging to Mar'i, think she'll be a good big sister?

Played around with Nightstar's outfit some more . Wanted to draw them longer so make it look like actual wings on her, and also like tassels on a performer's costumes.

Well this was fun to do, hope you like all this!

[ai0lisauce]

Avatar: The Legend of The Miraculous (Teaser #2)

Raava tilts her head (can you call it a head?) up at him. When she speaks again, she echoes, like a chorus of voices speaking as one. “Because we are different from the others. We are not tangible like the rocks of the Earth, or the heat of fire. We are order and chaos, creation and destruction. We did not share our gifts with humanity at large. We were known only by our holders.” “We? Who’s we?” “Vaatu, destruction itself. Like I said, order and chaos.”

Hello everyone, I'm so excited I get to share teaser number 2 with you guys! I'm thinking I'll do another teaser and then post the poster for book 1 sometime before October.

I really appreciate your patience and excitement for this series! I hope I don't have to keep you guys waiting for much longer, but I really want to make sure this story is as good as I can make it!

Stay saucy!

Click here to see teaser #1

[machveil]

Beautiful, cute, dulzura, A quick question, do you have any advice for drawing? I see your drawings and I just fell in love with them, I just started drawing again but it's difficult...

I don't know, sorry, English is not my first language, using translator jiji 🤎🍁

(note: this post is long, grab a snack lol) ah! no problem, don’t worry about the translator haha (pinterest link - this is my masterboard for human references! I’ll talk about it more below)

I think my best advice for anyone wanting to draw is to break down your piece into shapes! (also, depending on your style, using different line weights)

from my experience, while looking at the whole reference is good, it’s easier to break down individual parts! while some parts can look complicated, a lot of things can be broken down into triangles, squares, and circles (or half circles)

I focus on character art, so I’ll be speaking about that - but it can applied to scenery and objects too. a lot of characters clothes are broken up into colored articles already - in the top reference, Ghost has a red bandanna on his arm! that bandanna helps break up his arm: the top near his shoulder is triangular, the bandanna itself is overall rectangular, and the bottom of his sleeve is a square

of course, depending on how you’re posing the character it can change the angle of what we’re seeing - there’s also an accommodation that your art probably won’t be a 1-to-1 copy with your reference. Ghost’s right arm (bandanna) has a white rolled up sleeve - while the model’s sleeve is square, I prefer to draw rolled sleeves more triangular

I think line weight is also important depending on your style! I prefer thicker lines around the entire character, and defining qualities also get thicker lines

I like thinner lines inside the character to help define dimensional shape and form. I use thicker lines on the inside of the body if there’s a shape/area that’s more in the foreground - example: König’s chest and midsection have thick line art to help differentiate from his left arm (behind his body)

I know a common piece of advice is to use real life references, and I agree… but, I never hear people talk about how to use references in a way that actually helps (“just draw from real life”, or “drawing with a reference is good practice”). I experienced that and wasn’t able to take anything away for years!

within the past year or so I seriously took a look at how using references can help me, so I want to try and talk about that - if I had trouble learning from references I’d wager someone else has

here’s my best example of using a reference because I actually remembered to! I labeled the figure to make it a little easier to follow

(1) my first tip is using a reference to figure out how the body ‘flows’. the human body has a lot of soft, rounded lines when you look at a picture - very few things are legitimately straight and sharp. I used the reference specifically to figure out how men’s pecs are shaped (of course, this is just one reference… because this is my headcanon for König’s body type haha)

(1) looking at references can help you understand how muscles move. in the reference with the woman, you notice how her right arm (down) muscles are layered - the shape portrayed by the reference lets you see how an arm’s muscles might be laid out in that position

(2) my second tip from the König reference is to look at negative space! the highlighted red portion between the arm and midsection is roughly the same negative space as the reference. if you’re using a reference and something feels off with the placement of what you’ve drawn I’d recommend looking at the space your reference takes up

(2) the negative space trick helps me line up where proportions should meet up - the distance between her arms lets me gauge how the rest of her body should be proportioned

(2) while it doesn’t match up 1-to-1 with the reference when layered overtop, it doesn’t have to! the negative space between the arms was enough for the sketch to mimic what the reference looks like. art doesn’t have to be a 1-to-1, but negative space can help you figure out ‘why does that arm look funny?’, “that arm looks funny because, compared to the negative space of your reference, it’s too (far away/close) to the body.”

(3) my last tip is the simplest, so I’ll just be referring to the König figure! when using references I look to gauge the distance between different body parts - it helps me get more realistic proportions. the bit I specifically compared to was the man’s stomach placement compared to his waist. I didn’t copy it 1-to-1 because I like the idea König has more of a tummy, but the reference allowed me to figure out an anatomical placement for where König’s stomach would be compared to his waist

I hope my advice wasn’t terrible haha everyone’s art journey is different, but these are tips I would have liked to know a few years ago (specifically the reference material ones lol). I wanted to focus more on the reference material because when people say ‘just use a reference, it’ll help’ it didn’t do it for me

I personally needed a more in depth explanation on why I would use a reference, what should I be looking at - because just drawing a person doesn’t necessarily help, and how should I be learning from it - I accidentally taught myself negative space before I knew what it was

but uhm… yeah, I hope this wasn’t awful! good luck on everyone’s art journeys, just remember that you’re allowed to take your time and try different things

if you guys have any other questions about my art feel free to jump into my inbox; process wise, inspiration, etc - I’ll answer anything I can<3

[olderthannetfic]

I find it really sad when proshippers partake in "cringe culture" so to speak. you can't build your platform on anti-harassment and then make fun of people for being into something you deem stupid/trash/etc.

Like, I know in my mind that proshipping is more about anti-censorship and being pro "darker" stuff so to speak, and that it's not REALLY built on "we shouldn't make fun of people for reading/watching Stupid Stuff" but shouldn't the two be connected? I'd honestly argue that the latter argument is a stepping stool to the former?

Because how can you reblog "all ships are good ships" "ship and let ship" and then make fun of someone for being for an adult who still ships Steven Universe characters? How can you post "RPF is fine" but then make fun of that person on stan twitter who's a bit too into kpop rpf?

just makes me sad. The people who have made fun of me for the most for my MCU hyperfixation are my fellow proshippers. I've unfollowed people for posting book-tok screenshots that are clearly just mocking the OP for the fact that they read Colleen Hoover or whatever.

And I'm not talking about privately shittalking something, or just hating something in general; I'm not not even really talking about laughing at the *media/media creator itself* and criticizing it. I mean, I myself still laugh at the "read another book" Harry Potter meme (which, if i really need to add a disclaimer, i am DEFINITELY not talking about people who think it's weird and fucked up af that some people still like JKR as a person because. . .how can you at this point?). Moreso I mean people who claim to be SOOOO anti harassment and SOOOO pro-all-forms-of-art-even-'bad'-art (whether the art be bad in a moral way or in a creative way, whatever "art" "bad" "moral" and "creative" even MEAN because it changes with everyone.)

Obviously no one is going to like every single piece of art ever, and it's, imho, really human to be a "hater" to some degree! I just have a problem when someone genuinely makes fun of the FANS of something or thinks that someone is less intellectual just because the someone in general likes Disney/Twilight/Taylor Swift/Hamilton/whatever. No one gives af if you think a certain writing or acting style is cringe, but if you think the fans are cringe, that says more about you than it does about the fandom.

(also as a send off -- all the 'yous' i said here were general, def not directed at anyone on this blog. I'm just venting and this seems like the best place to do so where people will agree with my words.)

--

[thoughtsonkm]

Goodbye, for now

BABY? HONEY? BOYFRIEND SHOT? Jikook you're too much

This episode was truly the best way to end the show, maybe even the best episode of the series. (Neck in neck with episode 2 of course) The way they enjoyed it so much but were also so sad it was over. The hot tension all around, the soft boyfriends mood who can't stop flirting and name calling each other with the most low-key couple-like sweet names. They could not stop laughing, they could not stop touching and they couldn't stop being hilarious without even trying.

~

SK Spotify daily chart end of November 2023 :

Jimin Jungkook Jimin Jungkook Jimin Jimin

~

It would be such a full circle moment if Jimin posted the boyfriend photo (which won't happen). Would be almost like a soft launch of some sort.

Not the underwear too?? Gosh I love my little gay freaks!! (didn't understand why Jimin would quote their 'yet another inner joke meme' right at that moment but I've learned to not question their inner workings)

~

Sorry but i have to be pretty one last time and say that I kinda had enough of seeing so much from the crew around or even in Jikook's shots and angles. It breaks the fourth wall a little too much and ruins the whole bubble idea. Ok I'm done lol

~

Returning to the issue at hand, the "seeing the beds for the first time" scene keeps getting funnier and funnier. As if they don't already have designated sides of the bed 😏

~

Ah the never ending bickering gives me life. Peep the half korean half english talk when they get on each others nerves playfully 👀😂

I better not speak on the jacuzzi shenanigans cause otherwise.. Let's just say the photo speaks for itself..

NO YOU KNOW WHAT IMMA SPEAK. We all know that jacuzzi time is always intimate, relaxing and personal for people that's why I wish Jikook had enjoyed it fully without cameras. Yes I'm pissed on their behalf that they had to film the whole thing with 382929 different angles. lol

His face is literally saying "oh so you're really gonna make me do it huh? if I was in your place I would've folded immediately and would've never let you go through with it!!" 😂

~

No one ever:

Jikook every 2sec : HONEY OH HONEY

(I was actually listening to the song while writing this and idk why it's so funny to me even tho it's a sad love ballad)

~

They must've loved getting the chance to at least see one episode of the show, plus the idea of watching it together..

Jungkook being so entertained by it meanwhile Jimin being mortified about half of the things that happened. HILARIOUS

HAHAHHAHAHA all parties were concerned if they'd be able to pull it off, I can't

BEST BELIEVE they're always gonna find a way to touch. Consciously or unconsciously.

~

This show made me realize that my favourite thing ever is Jk making food for Jimin, then making him hysterically laugh and therefore getting to hear Jimin's adorable giggles.

~

"Hello it is I the one and only, the only one who can touch Jimin's head ble ble ble ble" - JK

Jk was like: How can you imagine Jimin without me in your dream? Are you crazy? What is this delusional dream world you live in Jin hyung??

~

Tbh it's so meaningful and a huge thing saying that these trips were literally the best trips of your life. I think the statement almost went over people's heads.

I can't get enough of Jimin looking pretty and cuddly and Jungkook's immediate thought being: I HAVE TO FILM YOU

Them saying they can do a reboot when they come back gave me some hope that maybe just maybe this is not the end of AYS 😭

The ending bonus clip left me fulfilled but also sad and with goosebumps all over.

Thank you Jimin & Jungkook for letting us peek into this trip and getting to witness some of your precious moments.

Signing off, J&J 🥹

Ps. So I'm guessing the 52 minute video that comes with the photobook is probably the 3 bts videos combined that they've been reviewing for 48392 months right?

[ssruis]

love seeing you hate on the showtime ruler set . keep up the good work

I appreciate it! but I don’t think it’s something praise worthy. I think speaking up about the issues with RMD should be the norm and it’s disappointing that it isn’t. You would think that “I don’t think the cultures of historically marginalized and oppressed groups should be used as costumes” wouldn’t be a hot take. but apparently it is.

On the subject of that: I’ve heard a lot of people say “it’s not really based on native Americans” and “they didn’t know any better.”

To the first point: that is probably correct. It most likely draws inspiration from the colonist idea of indigenous people in general, but more specifically the Ainu (indigenous people to Japan).

Which brings me to the second point - they absolutely should have known better (and saying otherwise warrants a discussion on the infantilization of East Asians as well as Japan apologism in general. but that’s off topic).

The Ainu have historically been subjected to absolutely horrific violence and oppression by the Japanese government, on par with how the US has treated Native Americans. They were viewed as primitive and barbaric. Their land was taken, Ainu women were sexually assaulted, they were forbidden from practicing their religion, they were put into Japanese speaking schools and forbidden to speak their own language. They were forced to assimilate by law. In 2008 there were ~100 native Ainu speakers. The Ainu weren’t recognized as an ethnically distinct group by the Japanese government until 2019, but they are still continually erased by the push for a homogenous national identity.

Portraying the colonization of indigenous people as a simple “well both sides were prejudiced against each other they just needed to hold hands and get along :)” erases the very real history of oppression against indigenous groups. It allows people to ignore the atrocities committed and their lasting impact. Native Americans and the Ainu (as well as other indigenous people) are still feeling the effects of colonization. It’s not an issue that can or should be viewed as a thing of the past.

Portraying indigenous people as a vague fantasy race/group or as a costume contributes to their continued erasure. It leads to people believing indigenous people and their culture no longer exist. The reality is replaced by the fictional representation.

Phrased more eloquently by Gerald Vizenor (and the person he is quoting) in Mannifest Manners:

“… other masters of manifest manners in the nineteenth century, and earlier, represented tribal cultures as the other; to them ‘language did the capturing, binding Indian society to a future of certain extinction,’ wrote Larzer Ziff in Writing in the New Nation. ‘Treating living Indians as sources for a literary construction of a vanished way of life rather than as members of a vital continuing culture, such writers used words to replace rather than to represent Indian reality.’

[…]

“Those who ‘memorialized rather than perpetuated’ a tribal presence and wrote ‘Indian history as obituary’ were unconsciously collaborating ‘with those bent on physical extermination’ argued Ziff.”

(P.8, emphasis mine)

Vizenor is speaking about Native Americans here, but I think it’s applicable to this situation as well.

This post goes into it a bit more, in terms of harmful tropes present in the RMD story itself.

There’s definitely character related reasons to dislike the RMD story, but I think it cheapens the discussion to center it around “why rui wouldn’t write that” because that is not the important issue and defending a fictional character from the colonization apologist allegations is like. A non issue. Considering everything else.

[its-short-for-jackalope]

[hmmbo]

profane form.

[charmac]

[uhbasicallyjustmilex]

i’m sorry but alex’s reaction to being shown a compilation of nude men and half-clothed male athletes on a french talk show is quite simply one of the best things i’ve ever witnessed

[royalarchivist]

Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community. [...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.

Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.

[ Full Transcript ↓ ]

-

Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.

Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.

Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.

In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.

That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.

Thank you for all the love and support, I love you all so much.

[spoopdeedoop]

brush test ft. this tumblr post that is on my mind 24/7

[not-the-coffee-machine4]

“didn’t David Bowie have heterochromia??”

first of all, David Bowie didn’t have hetero anything, so write that down