#...i don't even know what the point of this post was

[fandomxo00]

Logan and reader being in a secret relationship while at the mansion and him staying awake late (though let’s be honest he was awake anyways) just so he can sneak into her room to spend time with her, snuggle, watch a movie (bonus points if it’s a twin bed - I love the idea of a 6’2” man squishing himself on a twin bed with his partner just to spend time with her no matter how uncomfortable it is) x 🥺💕✨

note: logan in his sweats makes me feral, 2000 logan makes me feral, logan makes feral - he's such a night owl and id soo match his freak lmao -trying to work on the requests i have won't be super long or edited, but i'm excitedd xooo, if your request isnt posted soon, i'm just still working on it! i so appreciate all of the requests i get, thank you guys ❤️❤️❤️

it would be super late at night; he'd been tossing and turning for hours. Thinking about you and trying not to give in to see you. The two of you weren't technically together, though he claimed you whenever he did fold. You were much younger than him, you were still technically a student. You just got here a little while ago, already an adult when he met you. But you were still in the student side of the building, he even had to fuck you in a twin bed. Most of the time you didn't fold and come to him, you were far too nervous to sneak into the teacher's dorms of the school Plus, sometimes you tricked yourself into thinking he didn't want you, so you wouldn't risk it.

So with the moon's light shining through his window, he kicked off his sheets, turning so his feet hit the floor. Logan was only in his gray sweatpants, his hand coming to scratch as his belly before he rose to his feet. He knew that if he didn't go to you wouldn't go to bed til much-much later, your mind never able to turn off. So he walked over to the back of his door, grabbing his zip up hoodie and walking out of his room. Padding down the hallways, listening carefully to things around him. Before coming up to your door that had little stars around your name. His hand came around the handle, his jaw clenching as he twisted the knob and moved the door open.

That's when he saw you, completely unaware that he was in the room. You had your glasses on the bridge of your nose, your chin dipped as your brown eyes focused on the screen. You were typing away with your earbuds in, the music you were listening could be heard from the outside. Though with his hearing he knew what song you liked, always listening to the same playlist whenever he came in. Little did he know you had a playlist labeled, 12, for the first letter of his first name. Songs that reminded you of him, or songs you heard him playing in his classroom. He glanced over at the window that was cracked open, your rig and torch sitting below.

You even smoked late at night, trying to get your mind to slowly shut off but sometimes it was like your sleep medication and the weed kept you awake. Though some nights it was the opposite, but he saw the tired look in your eyes. You were fighting sleep, and your mind probably kept going. When he closed your door, your head lifted up and you yelped, jumping.

Logan laughed as you took out your headphones, "Like you don't see me every night." He joked, as you scoffed, closing your laptop quickly and setting your thighs to the side.

"Was waiting for you."

"Should've just come to me, sunshine." Logan hummed as he sauntered over to the bed, your hands reached out to the sides of his jacket zipper, pulling him into you. His lips find yours in a soft kiss as you rise on to your knees.

The two of you crawled into bed together, Logan pulling you in closer to him so you comfortably lay on the bed, his legs folding into yours to create room. Curling his head into your neck with one arm under your neck or arm, the other around your waist or hip. The two of you couldn't really move much and when you did, the other had to be aware in order to not fall off the bed. You usually didn't just find sleep, when you first started doing this it was filled with a lot of sex. But the two of you were just too tired, so you listened to each other talk. Feeling the vibrations of each other's chest, breathing, hands tracing over each other's skin as you rambled.

Logan having to turn you into him so he could kiss you, looking into your eyes as you rambled on about the story you were writing. He loved how much detail you went in with him, especially when it got dirty. Logan listened to every detail fascinated by the way your mind worked and how excited you would get at some plot points. You would wound up in the crook of his arm, while he found his home tickling the skin of your neck with his beard. His natural musk invading his senses and drawing the sleep out of him as he found solicae and comfort in your embrace. Your own hand draped over his waist, moving under his jacket to feel his warm skin. Then he'd peel off the jacket, pressing you to his skin and making you practically purr as you melted into him.

tags: @ohtobemare @jessjessmarvelandhp @chronicallybubbly @delicateholland @bubblegumholland @mega-kittyglitter-1

[thaatdigitaldiary]

for the first time

hopkins paige bueckers x hopkins fem reader

for a long time, paige didn’t know why she felt the way she did about her best friend, someone who she “wasn’t” supposed to love, she didn’t want to ruin things. it was unfortunate she didn’t know you were waiting for her first. (kinda got this idea while listening to bags by clairo so i hope this makes your heart tingle and your eyes water!)

fluff and flirtationnnn (ofc🙏🏽), slight angst & minor argument, internal homophobia, cuteness and clarity at the end | this is lengthy! i hope ya like

enjoy!🙂‍↕️

disclaimer: i write nothing but angst or fluff when it comes to hopkins p, considering she was in highschool. thank you! - im considering this a “throwback story” so i can make a part two for older reader and older paige. 🫶🏽

paige and you were completely different when it came to high school. her priorities consisted of basketball, her future career, and passing senior year so she can make way to uconn. you however, were all about academics. you were in basically any club available, maintained a 4.0 gpa, and quickly climbed the rank of class president. how you two met was random, your sophomore year you were in photography club, meaning you took pictures of all the sports teams for the yearbook, and she stayed behind to talk to you.

"cool ass camera." she said going to touch it, but you quickly swat her hand away.

"hey! no touching. you break you buy." you say slightly stern, pointing your finger at her.

"technically YOU'D have to buy, this has nothing to do with me." she says laughing and shrugging her shoulders, getting a smile out of you. for her first time seeing you smile, she sure was in love with it.

"okay "miss photographer", what's your name?" she asks you, hoping she can get to know you. "mine's paige."

"i know, i see you all the time, you're like.. the best basketball player here." you say bragging on her, feeling kind of shy when you give away that you're a big fan of her.

"oh really, you think so?" she says in a flirty tone while she flexes, making you blush out of nervousness.

"okay, okay, don't get too in your head now, but yeah, you're really good. i'm the one who records and snaps all your shots. but my name is y/n, since you asked." you say with such a sweet voice, something that sent her in a trance, completely dazed in the sound of you speaking.

"cute name. hey uh, i was gonna ask did you need any help packing this stuff up, i won't break it i promise." paige says chuckling, her smile pure and full of life, an image that stayed in your head since you met her.

two years pass, and you and paige can never separate. despite being utter opposites of each other, you're glued to the hip. you still did photography, getting the best candid photos of your best friend on the court, excited to post them on social media so she gets the attention she deserves. you gathered the pictures together and created a collage to post on instagram.

you were paige's biggest fan to say the least, buying a hoodie with her name and number on it, and being able to sit on the sidelines and watch her play, with your photographer privilege of course. anytime she made a three, she'd point at you, making you smile. watching her play was something you couldn't get enough of, learning the game so you could understand when she was frustrated with a play, or if she just rambled on to you about it, you'd know exactly what she was talking about.

paige and your bond grew stronger, going to family events together, having sleepovers every weekend, even during the week, as well as going on family trips with her. you felt like you had your person when it came down to paige. you didn't really know much about anyone at your school, and you definitely didn't expect the school's star basketball player to befriend you.

life wasn't always so peachy though. you really struggled finding yourself. for a long time you were confused, not when it came to school, when it came down to your feelings. ever since you met paige, there was this feeling you couldn't shake, this feeling of nurture and love that you gained from her, the type no one else could give you. growing up, you weren't one to express your feelings to your parents. they were always busy, super strict, and for some reason never found too much time for you. but paige, she always dropped anything even if meant seeing you for 5 minutes.

the first time paige saw you, she noticed how you radiated positive energy, even though she had no clue what you were going through at home. all she wanted was to be the person by your side through thick and thin, forever and always.

with about a month and a half of school left, paige and her teammates took home the trophy for the final game of the season, and you were more than proud for her, ecstatic even. when the final buzzer went off for the end of the game, paige made a 3 pointer, beating the buzzer. you stood up and cheered as loud as you could, while paige ran towards you and swiftly lifted you up into a hug, making your feet dangle in the air.

"i'm so proud of you p." you said, muffled into her shoulder, as you feel her start to tear up from her words, and one of her biggest achievements.

"i really couldn't have done it without you, you're my motivation y/n." you feel a catch in your throat, signaling you're about to cry, and she quickly wipes your tears.

her family takes you both out to eat, and you had a duffel bag in their trunk that you packed the night before, so you could stay over at paige's house tonight.

after eating and making it to paige's place, you and paige made it up to her room, where she dropped her bags and your duffel that she insisted on carrying so you didn't "hurt your pretty hands" as she'd say. her room has evolved so much over the years, furniture moved around, basketball posters growing on the walls every visit, but one thing that never changed, was the framed picture of you and her on your nightstand, you on her back after her first win, both of your smiles bright and lively. the same picture lingered on her lockscreen ever since you two took it, your lockscreen being a picture you and her took at a sleepover at your house, you two under a fuzzy olive green blanket, exceptionally close for "best friends", but you never really cared.

that's another thing when it came down to paige, you never really cared. sure, questions and rumors spread, "are y/n and paige together?" "is paige gay?" "what's y/n's sexuality?"

it got annoying after a while, and paige and you always seemed to avoid the questions, and simply ignore them. it sucked that you wondered the same thing though. that was a sensitive topic, you couldn't ask paige about that, what if she finds you weird and stops talking to you?

you though, you should've been asking yourself that question. you've dated one guy throughout high school, and sure you liked him, (so you thought), but he was rude and belittling. after a conversation with paige, you immediately broke up with him. "he's not good enough for you," she said to you, always knowing what was best.

the real question was, what really was good enough for me?

paige never dated anyone in highschool, she turned down girls AND guys, so it made it extra hard to read her, even though you knew her like a book, cover page to the summary on the back of it. you wanted to know, but you didn't want to lose her in the midst of your curiosity.

sitting on paige's bed, you took your shoes off and got comfortable like you usually do, and she took off her practice gear and sat next to you.

"thank you for always being here for me y/n, like seriously." she sounds so genuine and would do anything to keep you here forever.

"p, i'm always gonna be here for you, you're my best friend." you go to embrace her, her muscular arms holding you close, your perfume lingering in her nose, making her feel at home.

you and her let go and look at each other for a while, eye contact never breaking, when she leans in for a kiss, and you let her in. the kiss is slow, as she tries to learn your body language, the kiss is meaningful, but is cut short when she starts freaking out.

"jesus christ y/n i'm sorry."

"i didn't mean to do that, it was an accident,"

an accident?

"oh, uh, yeah it's fine." you say, confused on what the big deal was, you've been wanting to do that forever, but i guess things weren't reciprocated.

things quickly got awkward, and then paige says something that honestly breaks your heart a little.

"maybe you shouldn't stay the night tonight, i uh, got family stuff."

you knew that wasn't true, she just didn't want you around after a moment like this just happened. but why is she shutting it down?

"you don't wanna talk first, i mean a lot just happened i think we should ta-" you try to explain to her when she cuts you off.

"just go home y/n." her voice cold and bleak, making you queasy.

paige was never like this with you, can a kiss really change everything? you thought asking your best friend a question would make you lose her, but you two KISSED. your heart dropped to your feet with the thoughts swarming in your head, "is she gonna leave me?" being the main one.

the next day rolls around, it was 12:30, the time she usually got back home after practicing with her dad, and you’ve received no sign of her, no texts or missed facetimes, which was unusual since you promised each other two years ago you'd try to facetime every. single. day. "she just needs time," you thought to yourself, but you text her anyway.

"hey paigeyyy, i'm gonna go to the store later, did you want me to pick anything up for you? i can drop by your house and give it to you?"

read 12:35pm

she read your message, but didn't respond until ten minutes later with a simple and dry "no" which made you sigh and move on about the day.

you missed paige. you slowly start to regret last night, but there's nothing you can do to change it. you already miss her face, her hugs, her lips, and how she looked at you. you open your camera roll to see a picture you and her took last night after her game, her holding you bridal style while you hold up her trophy, both of you smiling at each other. you put your phone down and decide to lay down for the rest of the day, as you had no motivation to do anything knowing your best friend didn't even wanna speak to you.

but deep down it was more than that, you had really fallen for paige, not wanting anyone but her, was that so wrong?

paige on the other hand, was losing it. she didn't know what to do with herself. there was no way she liked girls, let alone her best friend.

so why did she kiss her?

she wanted answers, but she couldn't and didn't want to talk to anyone about it, scared of how others would perceive her, worried she'd lose people over this, and worst of all, she didn't want to lose her best friend. she had to push her away, she needed space to think.

she thought there was nothing wrong with that, but it was the worst thing she could've done.

a week passes, neither of you are talking much, you haven't facetimed in what seems like forever, and her responses to you are weak and bland, making you feel as if she's not interested in talking to you anymore.

prom is approaching, you and paige planned to go together, to dance, make fun of other peoples dancing, and have another lively moment before summer break. but after that night, you're not sure what you two are gonna do, mainly because the day of prom, paige hadn't texted you at all. you weren't gonna go since you figured she wasn't, but you needed to get out of bed and go do something fun to get your mind off of the situation.

a couple hours go by, and you're finished getting ready. you have on an all black floor length dress, with small purple accents, since you already pre picked it out, intending to match with paige. you took your pictures with your parents, and drove to the school, as prom was being held in the gym this year.

you get there, hands clammy from your nervousness. you hate being here without paige, you wanted to take so many pictures, make so many memories, slow dance, and this was gonna be the night you were ACTUALLY planning on kissing her for the first time, showing her how long you've loved her.

the whole time you've been standing around looking bored, knowing you'd have so much fun if paige were here. that's until a guy from the football team comes up to you, asking you to dance with him. you insist, as you have nothing better to do. a slow song starts, and you and him are dancing slowly, until you notice a familiar face walk in the gym. paige.

she sees you and him and storms off to the bathroom, furious at the fact that you looked so beautiful, and that she wasn't the one with hands around your waist, taking in all your beauty.

you excuse yourself from his grasp, walking towards the bathroom, letting it clear out before you walk in.

"hey.." you say softly, not wanting to come off aggressive as if she hasn't been talking to you in what seemed like ages.

"what the fuck is he doing slow dancing with you? that was our thing y/n." she says, sort of yelling at you, but you quickly retaliate.

"no paige. you don't get to be mad at me because YOU shut me out. all i wanted to do was talk to you, you made me feel crazy, like something was wrong with me." you say, starting to cry.

"you completely went ghost on me, since before that night i've wanted no one but you, but i guess it doesn't matter,"

"i didn't come with him, he just asked me to dance because i looked bored, so i said yes." you tell her, looking at the tiled bathroom floor.

paige cups your chin and pulls your head up so you can look her in the eyes.

"i'm sorry y/n. i shouldn't have ran from you, i was scared. i really did mean to kiss you, just not like that. i wanted it to be special, i wanted it to be while we danced. i thought he was about to take that opportunity away from me. it woulda been memorable y'know?" she says while looking deep in your eyes, hoping you'd forgive her. “i know i’ve been acting weird, i just didn’t know what to do if i lost you.”

"i was also scared of what people would think of me, yknow, liking girls and shit. especially liking you, you're perfect, i didn't wanna ruin anything for you."

you don't respond immediately, until she says what's been on her mind since she met you.

"i'm in love with you, y/n. i've loved you since the first time i met you, you keep me sane, and without you i was losing my shit. there’s nothing wrong with you ma, and i apologize for making you feel that way."

your eyes go a little bit wider, and you finally respond, "i love you too paige, i always have. forget what other people think p, nobody matters but me with you." you smile wide at her and she smiles back, finally feeling content with herself, knowing she said what needed to be said, and could kiss you whenever she wanted to.

she leans in to kiss you, but you stop her.

"what cmon, i can't kiss you now?" she said to you while rolling her eyes.

"you said you wanted it to be special right?" you grab her hand and hold it for a while.

"yes ma'am i did," she says, leading you out of the bathroom and back to the gym, where another slow song has started. she quickly rests her hands on your waist, your hands on her shoulders, as you two sway to the song blasting through the cheap speakers the school borrowed.

"god, you look beautiful baby." paige says, finally taking in all of your perfection. your hair, makeup, and jewelry aligned perfectly, fitting you so well, she just loved looking at you. before you two continue dancing, she pulls her phone out of her dress pants pocket, and while she does so you take a good look at her. she looks stunning. a black button up and black dress pants, a silver chain completing the look. she goes to her camera app, and you kiss her on the cheek as a pose for the picture. she snaps multiple and eagerly changes her lockscreen.

"i love seeing this beautiful face everytime i turn my phone on," she says, you roll your eyes out of her corniness, but it still makes you blush. you also take a picture of the two of you, and you update your lockscreen as well.

"and i love seeing yours, and plus, this button up looks a little too good on you," you tell her, making her bite her lip slightly.

she grabs your hand and twirls you, bringing you back in, your faces exceptionally close to one another. the slow song comes to and end, and paige takes one hand off of your waist to cup your face, and connects her lips with yours and utters the words that make you happy to have met her,

"i love you y/n."

"i love you too paige."

and for the first time, you knew you had a forever person, and that person was paige bueckers.

HEY BAD BITCHESSS!! I HOPE YOU ENJOYEDDD I KNOW THERE’S NOT MANY HOPKINS FICS OUT THERE SO I WANTED TO TRY! i’ll try and be consistent with posting, just bare with me 🙂‍↕️ love you

tags: @rosemariiaa @mrsarnold @wbbgetsmewetter

🫶🏽🫶🏽

the collage that “would’ve been posted”

[gossippool]

so i do think it's very interesting how, at least from what i've observed, people see/depict worst logan as kind of different from the x men logan in terms of their propensity for violence, or rather how this violence is released. i think it has to do with a couple of things:

as many have pointed out, wade is the only one who has ever been able to match him in a fight. so it makes sense that people would headcanon their relationship as involving fights on the regular. but also;

most of what we see from him in the movie is him fighting, and so we assume that he has a tendency towards it, especially since the past he's trying to escape from is exactly that: him being violent towards others, including those who don't deserve it. i think this has definitely subconsciously shaped some people's perception of him in some way.

but i think it's good to remember that what we are shown isn't proportionate to who he is, because the movie necessarily can't develop his character much outside of the plot. i don't think worst logan and x-men logan are different at all in the sense of x-men logan being "gentler", because not only have we just not had the chance to see worst logan act otherwise, but x-men logan also has this same animalistic violence in him. we can see how quickly he unleashes himself in the movies when the situation calls for it, and even when he's doing it to protect, there's still that rage underneath it all.

worst logan is violent towards wade because 1. he's projecting, and 2. wade can take it. but also it's a symptom of something else that he hasn't worked through, possibly decades of trauma he hasn't worked through. i'm working on a fic that explores this rn, but my headcanon is that his post-x-men rampage was a sort of addiction for him because of the release it gave him, which he then replaced with getting shitfaced, and finding someone who could take him in a fight (wade) could be a reversion to the former addiction if he doesn't work on it. (i think that especially with superhero movies, it's so easy to brush off violence as just another normal thing, but realistically, a failure to unpack all that baggage could escalate his problems into something way worse.)

so imo i think worst logan is practically the same, if not very similar, to x-men logan, just that he's a variant that was dealt the worst card, but we interpret his character differently because all we're shown is what he became because of it. we all know logan is gentle with his lovers, and i think that unless wade shows that he enjoys it, logan would not be violent towards him just because wade can take it. just because you can doesn't mean you should, and i think he of all people would understand that

[felibrary]

╭──╯GOOD DAYS | even as the snow falls atop his hair and the colorful fireworks launch in the distance, sylus can't help but keep his eyes off of you.

pairing: sylus x reader (gender neutral) | content & warnings: just some toothrotting fluff, bit of banter and bicker, reader is implied to be shorter than sylus, possibly ooc sylus | wordcount: 1.1k ; ficlet

author's note: this is based off his nightplume card with my own little add-ons lolll (also i don't even play lad anymore..so if you see any mischaracterizations here..yeah..)

A/N: Loll finally posted again and it's lad haha, enjoy!!

"sylus, i'm cold."

your boyfriend raises his brow and sighs, having the audacity to act disappointed. "i've warned you about the cold weather. should've listened to me about wearing a scarf," he smirks while you on the other hand only huff, frown deepening.

"well, i didn't know it'd be this cold," you shudder as the snowflakes meet your nape and slowly dissolve.

you're pretty sure you look absolutely ridiculous right now — with a runny nose and a hoarse voice complaining about something you're at fault for, to sylus who simply enjoys watching your dilemma and chuckles in amusement.

there aren’t often moments when sylus feels at ease, always on the lookout if something happens to you when he isn’t around. but he knows that if he stays by your side there won’t ever be something bad happening to you — he makes sure of that and instead decides to enjoy these simple but meaningful moments with you.

so maybe these little moments make him pay less attention to his surroundings than usual, oblivious to the snow that gets stuck in his hair and you can’t help but cackle a bit. “what?” he asks curiously. “there’s snow in your hair,” you point out. sylus’ gaze drifts up for a split-second before smiling and lowering his head. “help me,” his voice is soft as he requests you to help him.

even through hands covered in mittens, you can feel how soft sylus’ hair is, you play with his hair for a bit, rubbing your hand over his head before finally brushing the remaining snow out. “be careful, even a crow can turn into a dove in this weather,” you smile. “a crow? what a funny thing of you to say,” sylus returns your smile before turning his head away from you to look at the fireworks and so do you.

the fireworks are pretty, magnificent even. they vary in size, motive, and color but despite all of that each of them is unique and beautiful in its own way, making it unable to rip your eyes off them..besides maybe one exception.

not even a moment later, the exception in question turns to you, expectant ruby eyes staring down at you before swaying his gaze down to the snow-covered railing, smiling. "want me to draw you?" the turned-up collar of his stuffed leather jacket rises and falls along his neck as he exhales.

you follow his gaze and scoff. "sylus, what are you up to," you mutter under your breath. he doesn't respond, instead his gloved hand meets the metal railing before slowly tracing circles in the snow, and soon after you're able to recognize what he drew — a cat.

“seriously? a cat? i thought i’d at least be something more intimidating like a tiger,” you complain in faux offense. sylus only hums “do you know what you look like right now?” he doesn’t wait for you to respond before tracing lines onto the cat’s forehead.

"like a tiger that meows when it opens its mouth," he says, voice laced with sarcasm. upon seeing it, you can't help but crack a smile. "you're so stupid," you express with a shake of your head. "says the stubborn one who refused to dress warmly," he huffs before turning away from you again.

those ruby eyes full of danger and a lust for adventure soften upon seeing the shower of fireworks being cast in the sky. a mixture of bright red and blue colors paints the sky and casts a light shadow over sylus’ figure. 

you playfully roll your eyes at him, grinning as you scoop some of the snow off the railing. “sylus, you still have snow in your hair, want me to get it out for you?” you offer, a sweet smile gracing your lips. “what, you want to deepen our relationship? but if you insist,” he smirks before lowering his head.

you reach forward and unlike sylus’ expectation your hand lands on his cheek, making his eyes widen in surprise while you bite your bottom lip, suppressing the giggle you’ve been meaning to let out ever since you got the idea. sylus shoots you a boyish smile before flicking his fingers against your forehead which catches you off guard. “unprompted benevolence wasn't out of the kindness of your heart,”

before you’re able to process what’s happening, sylus pulls you into a tight embrace, strong arms snaking around your waist and holding you closely to his chest. "sylus let me go, i can't see the fireworks" you muffle into his jacket. "mhm, but weren't you the one who was complaining about the cold just now?” he says absentmindedly and you gaze up at him as he turns his head to the fireworks. 

his eyes find yours again, ruby eyes locking with yours as he gives you a mirthful smile. i'd rather not let you be exposed to the cold again" you glare at him which seems to amuse him even more because his next move is to pull you closer than before. (which you didn’t even know was possible from how close the two of you were already.)

luckily he lets you go soon after and you breathe in relief and observe him curiously as he pulls something out of the pocket of his jacket — a scarf. you gasp in surprise. “you had a scarf with you all along?” you ask him dumbfoundedly, not sure whether to be grateful for having something to warm your neck which isn’t sylus’ biceps, or if you should feel betrayed that he hid it from you.

“i’ve had a hunch that you’d forget yours in the rush, always so forgetful.” he smiles softly before wrapping the scarf around your neck, twice around your neck, and once around your.. eyes? “sylus, i swear to god.” even with your eyes covered beneath the wool scarf you can practically see sylus smirking to himself. “fine, fine,” he mutters, smiling before removing the scarf from your eyes.

the scarf sits nicely around your neck and not to mention it’s very comfortable and keeps you warm. you exchange glances with sylus before turning your attention to the fireworks again. 

from beneath you, on the riverbank, a bunch of people are lighting up their fireworks before watching after them as they fly into the distance. your eyes follow the fireworks as they light up the night sky and their reflections shimmer on the surface of the river. “the fireworks are so pretty, aren’t they?” you turn to sylus, expecting him to watch the fireworks too, instead you find his ruby eyes fixated on yours. 

“yeah, they really are.”

TAGS: @azullumi we're just gonna ignore the fact that this is dedicated to you and your birthday you oldie gramps of a geezer which was one week ago.....but anyway although i don't want to repeat what i said in my birthday letter (which you haven't read yet LOL) i want to tell you that in such a short period of time you've grown to a person I've learned to love so easily as if it were naturally - which it is. you're so loveable that it makes me wonder how anyone could ever hold a grudge towards you? you're the sweetest soul on earth and i wish i would've been there for your birthday to congratulate you in person but well beggars can't be choosers. azul, you're my soulmate and i appreciate everything about you and everything that you've done for me. i love how clear and easy our communication is, i love our little playful banters that other people find questionable and i love that people associate the two of us together, even when it means mistaking us for one another, which just proves how close we even appear to other people. you're the embodiment of lovely and loveable to me. i love you to death azul and once again happy birthday! <3

© FELIBRARY 2024. stealing, copying, translating, reposting my works on other platforms or feeding them to ai is not permitted.

[jetii]

So excited you are taking requests! I love your work ❤! Could I request a S(ish)FW (language and innuendos ok, basically anything except actual smut) with Prompt #56? I was thing fem Jedi!reader and Crosshair having a snarky/flirting conversation post mission? Maybe leads up to implied sexy times, I'll leave that up to you.

This prompt was so Crosshair lol thank you for requesting it!

Grateful

Pairing: Crosshair x Jedi!Reader

Words: 3,132

Tags/Warnings: fluff, canon-typical violence, arguing as a form of flirting, a gratuitous amount of swearing, some making out but nothing too crazy

Prompt: 56. “I-I don’t know if I want to yell at you or fuck you.” / “Surprisingly that is not the first time I’ve heard that.”

500 Follower Celebration Masterlist | Main Masterlist

“Eyes up, General.” Crosshair's smooth voice sounds in your ear. “You’ve got company.”

You quickly pocket your datapad, taking a look around the forest. You don't see anything, and you look up at the tree where you know Crosshair is perched, the tip of his rifle just barely poking through the leaves. 

"How many?" you ask, keeping your voice low.

"Just one, but it's a big one."

You take another look around the trees. "Where is it? I don't see anything."

"You will."

“That’s not helpful,” you grumble, turning back to your datapad, tapping on the screen to wake it back up. The screen lights up, and you go back to your notes, continuing your read through as you walk through the woods, your eyes flicking up every so often to glance around you.

Nothing.

Your eyes focus back on the datapad. You’re still searching for an elusive herb that is supposedly native to this planet, one which is a rare and valuable medicinal ingredient. It’s not uncommon for Jedi and other medics to search for them, though it was a pain to do so. Making matters more complicated was that this planet was so far removed from the Republic that you were risking getting into trouble just by being here. 

The natives had yet to be contacted by the Republic, so your presence was an unknown to them. You don't even know if they're civilized enough to communicate with you, and if they were, whether or not they'd be hostile to you.

What you do know is that you’d be punished if you were caught on this planet without permission, and the last thing you wanted was to be sent to the AgriCorps. Again.

Crosshair, of course, thinks you're stupid for even thinking about searching for this herb. He had made a point to tell you exactly what he thought as the two of you set off earlier this morning. You’d left Tech and Echo behind to repair the ship’s systems, while the two of you went out to explore, Hunter and Wrecker doing the same in the opposite direction.

Crosshair was less than pleased at the idea, but he'd agreed to go with you anyway, even if his reasoning was more to ensure you wouldn’t get yourself killed.

As much as you hated to admit it, the sniper was probably right. Your chances of actually finding this herb was slim. You'd spent several days searching for it already, and your only reward was sore feet and an empty vial. You didn't even know how the plant was supposed to look, other than the brief description provided to you by a Jedi Master who had been on this planet before and some poor quality photos.

Small, white, fragrant flowers. Leaves long and thin, shaped like a star, growing in groups of five.

You were sure there was plenty of vegetation that matched the description on this planet. Hell, it was a forest, and it seemed like everything was green. The only problem was finding the right one.

You had no idea how long you had until the flower stopped blooming, and the plant lost its medicinal value. If you didn't find it soon, you'd have to leave, and then you'd be forced to return home empty handed, without the rare herb and with no explanation as to why you'd returned without it.

And worse, Crosshair would be proven right.

The thought of that alone was enough to make you want to find the damn thing.

You walk a few steps farther, pausing at a small clearing in the forest. You glance at your datapad again, checking your notes, then scan the ground for any sign of the flower.

"It's not there."

You look up. You don't see Crosshair anywhere.

"Where are you?" you ask.

"Behind you."

You turn and look, and you still can't see him. "Well, if you're going to criticize my choices, the least you could do is get down here and help."

"I am helping. By keeping you alive."

You scowl. "Where the hell are you?"

"You should really watch your language, General."

You roll your eyes. "Come down here and help me," you say.

"Help you with what?"

You jump and turn, letting out a surprised yelp when you see Crosshair standing next to you, the butt of his rifle resting on the ground, one hand resting on it, the other on his hip. His helmet is still on, and you're unable to read his expression. You hadn't heard him approach, and it had startled you, enough so that your hand had gone to the lightsaber at your waist.

"What is wrong with you?" you demand.

He tilts his head. "I didn't realize you were so jumpy.”

"Yeah, well, if you weren't always hiding in trees and making creepy comments, I wouldn't be," you grumble, releasing your hold on your saber one finger at a time.

"If I wasn't always watching your back, you'd be dead," he retorts.

"Yeah, yeah," you mutter. "You're the only reason we're not all dead."

"You're welcome."

You let out a sigh and roll your eyes. You’re sure he’s smirking underneath his helmet, and you're not entirely sure how you feel about it. There's something about him that irritates you, that gets under your skin, but he's also the only one on the squad that seems to pay attention to you. And he does a good job of it, too.

It's strange, really, because he seems to notice things about you that nobody else does. He knows when you're annoyed, or upset, or when you need to eat. He can tell when you're not sleeping well, or when you're tired, or when you're distracted. And when you're focused, like now.

The two of you spend a moment staring at each other, neither of you saying anything. You can practically see the smirk on his face, and you narrow your eyes, not trusting him. He's the most unpredictable member of the squad, and he always seems to catch you off guard. He seems to take great pride in it, too, and you don't appreciate it.

"Whatever," you finally say, turning back to your datapad and looking at it again. The description of the herb and its supposed medicinal value was all well and good, but the picture of the plant was very generic. It looked like pretty much every plant in this damn forest.

"Do you actually have any idea what you're looking for?" he asks, stepping up next to you.

You give him a withering look, and he just stares back at you.

"No," you hiss. He chuckles, a low, warm sound that makes your skin prickle. "You wanna tell me what's so funny?"

"Not really," he says, his helmet turning towards you.

"Asshole," you mutter, turning away from him and scanning the ground. He's still staring at you, and the feeling of his eyes on you makes your skin crawl. "Do you mind?"

"No," he replies, his voice low. His helmet tilts to the side as he watches you, and you can feel your cheeks growing warm. He's close, and it makes you feel uneasy, but you don't back down, and he doesn't move.

“Look, if you don't want to be here, you can leave," you say, turning to him, your voice rising.

He takes a step closer, and you have to fight the urge to back away. You stand your ground, and he leans closer, the black visor of his helmet mere inches from your face.

He scoffs. “And get blamed when you disappear and die on this planet? No thanks."

"You'd love that, wouldn't you?"

He shrugs. "Wouldn't matter to me," he says. "But I like to think of myself as a loyal soldier. Wouldn't leave a comrade behind, no matter how idiotic the mission. Or the person.”

You roll your eyes. He's just trying to piss you off, and he's succeeding.

"You're insufferable," you hiss. "Get lost, and stop following me. That's an order."

He chuckles, the sound sending a shiver down your spine. "Can't," he says. "I'm stuck with you."

"Why?"

He doesn't answer, just shrugs.

"Then just leave," you mutter, turning and walking away. You hear him follow behind, but you don't bother to look. You know he'll keep pace with you.

You walk in silence for a few minutes, before he speaks.

"What exactly are we looking for, anyway?"

"Are you actually going to help, or are you just gonna complain?"

"Complain, probably."

"Then leave."

"Not until you do."

"Ugh," you groan. "Fine. Look for anything with long, thin leaves, and white flowers."

"What does it do?"

"You don't care."

"Probably not, but I'm asking anyway."

"It's for an antidote," you reply. "For a poison. It's very rare, and expensive, and the only way to obtain it is by harvesting the flower. If we can find one with roots in tact, we can bring it back with us and grow our own. But the only place it's grown is here, and the blooming season is only a few days and then it's over."

"Sounds like a lot of trouble," he comments.

"It's worth it," you argue. "This could save thousands of lives."

"So, what do I look for?" he asks. You give him a look, and he shakes his head. "What? You asked for my help. Tell me what to do."

"Fine," you sigh. "The flower is usually found growing at the base of a tree or shrub, and the roots are long and deep, and it has a unique scent."

"Unique how?"

"I don't know, it's like..." You wrinkle your nose, thinking. "Like... honey and mint, I think? It's hard to explain. I don't really smell it myself, but that's what I was told."

Crosshair stares at you for a moment, his hands flexing. He looks like he's contemplating something, but doesn't say anything. Instead, he just turns away, walking into the woods.

"Cross?"

"Keep your eyes open, and don't die," he calls back.

"Where are you going?"

"To find your precious herb," he replies, waving over his shoulder.

You roll your eyes. "Just don't get lost!"

He doesn't answer, disappearing among the trees.

You continue on your way, stopping every so often to check the ground for any sign of the flower, and then move on. The day passes slowly, and you feel yourself getting more and more frustrated. Your frustration only grows when you see the sun starting to set, the sky slowly darkening.

"Fuck," you grumble, turning and heading back in the direction of the ship. Crosshair had left hours ago, and you hadn't seen or heard from him since. You had no idea where he was, or if he was still alive.

"Cross, you there?" you ask, tapping your comm.

Nothing.

"Crosshair, come in."

Still nothing.

You let out a frustrated huff. He was probably fine, but that didn't stop the worry from creeping up inside of you. It wasn't unusual for him to disappear, but you had expected him to stay close to you, especially after insisting that he stick with you.

"Dammit," you growl, turning back around. You're about to call out for him again, when you hear a twig snap behind you. You go still, your hand instinctively going to your lightsaber, and you spin around, igniting it.

You're not prepared for what greets you.

You're met by a massive, six-legged creature, easily three times your size, and twice as wide. It's covered in thick, shaggy fur, its legs ending in sharp talons. It lets out a growl, its teeth bared, saliva dripping from its mouth.

You're frozen in place, your heart pounding. You can't move, your limbs trembling, and you try to think, to find a way out of this, but you can't.

The creature takes a step towards you, its head lowered, and you can feel the air around you shift as it inhales. It's trying to catch your scent.

You grip the hilt of your lightsaber tightly, willing your hands to stop shaking, trying to keep the blade steady. You’ve fought bigger, more dangerous things than this. You can handle it.

You swallow hard, trying to calm your nerves. You can do this. You're a Jedi.

The creature opens its mouth, a low, rumbling growl echoing in the woods. It's almost on top of you now, and you brace yourself, knowing you have to act, or you'll be dead.

You move forward, swinging your lightsaber towards the creature. It reacts immediately, lunging at you.

A loud shot rings through the forest, and the creature stumbles, its head jerking to the side. Another shot, and another, and the creature falls, the life draining from its body.

You stand there for a moment, your lightsaber humming quietly, the smell of the creature's blood filling the air. You can feel your heart beating wildly, and you know you should be relieved, but you're not. You're angry, and terrified.

“What the fuck is wrong with you? You could have gotten yourself killed."

Crosshair is standing next to you, his rifle aimed at the creature, his eyes hidden behind the black visor of his helmet. His hands are steady, his finger resting lightly on the trigger, and you can feel the tension radiating off of him.

Okay, now you're furious.

"What the fuck is wrong with you?!" you demand, glaring at him. "There’s no way the locals didn’t hear that. We're going to be in so much shit."

"That thing was about to kill you, and all you can think about is how much trouble you're going to be in?"

"Yes!"

He lowers his rifle and pulls off his helmet, and you're met with his usual expression of disdain. "You're unbelievable."

"Where the hell were you, anyway?"

"Helping you," he says.

"Bullshit," you hiss. "If you were helping me, we'd have found the damn flower by now."

He holsters his rifle and digs into the pouch on his belt, pulling out a vial and holding it up.

You stare at it for a moment, not believing what you're seeing. It can't be. There's no way.

"Are you kidding me?" you ask, snatching the vial out of his hand and turning it over. Sure enough, inside is a small, white flower, its roots still intact.

"You're welcome."

"This can't be real," you murmur, your eyes widening as you stare at the herb. It's everything you'd hoped for, and more.

"It is," he says.

You turn to him, your mouth hanging open. “I…”

"It's okay," he says, taking the vial back and handing you his helmet. "You can say it."

“I—I don’t know if I want to yell at you or fuck you.” The words are out of your mouth before you can stop them, and you cover your mouth with your free hand, your face burning.

His eyebrows shoot up, and he tilts his head.

“Surprisingly not the first time I’ve heard that," he says, a smile tugging at the corner of his mouth.

"It just slipped out," you protest. "I didn't--"

"Sure you did," Crosshair cuts in, taking a step towards you. He's close, so close that you can feel the heat of his breath against your skin, and it makes your knees weak. "I've got that effect on people."

"I hate you," you whisper, unable to look away from him.

"No, you don't," he murmurs, leaning in and pressing his lips against yours.

You gasp, but don't pull away, your eyes fluttering closed as his hands rest on your hips, pulling you against him. His lips are soft, his kiss gentle, and you can't help but kiss him back, your arms wrapping around his neck, his helmet dangling from your fingers.

The two of you are pressed together, his warmth surrounding you, and you melt into his embrace. You're not sure how long you stand there, your lips moving against his, your heart pounding in your chest.

You can't seem to think straight, and all you can focus on is him, his touch, his scent, his taste. He takes a step forward, and you gasp as your back hits a tree, his body pinning you there. He takes advantage of the opportunity, his tongue slipping past your lips, exploring your mouth. You moan softly, and he deepens the kiss, his hands gripping your hips tighter.

Your knees are trembling, and you have to wrap your arms around his neck, afraid that you'll fall. He seems to sense this, his hands moving to your waist, pulling you flush against him. His armor is hard, digging into your skin, and you let out a soft whimper, a sound that makes him smirk against your lips.

He breaks the kiss, resting his forehead against yours, his breath hot against your skin. His eyes are dark and hooded, his cheeks flushed, and he's breathing hard. He doesn't speak, just stares at you, his gaze intense.

"Thank you," you finally whisper.

“For the flowers or the kiss?" he asks.

"Both."

He smiles, and it's one of the first genuine smiles you've ever seen from him. He's beautiful, and you can't help but stare at him, his sharp features, his piercing eyes.

"Come on," he says, pulling back and taking your hand. "Let's get back to the ship before the locals figure out we're here. You can show me how grateful you are later."

Your cheeks burn, and you quickly look away, trying to hide the blush that's creeping up your neck. 

"Yeah, yeah," you mutter, rolling your eyes, though you can't help but smile as he takes your hand and tugs you towards the ship. The two of you walk in silence, his fingers laced through yours. He's surprisingly gentle, his touch light, his thumb brushing over your skin.

You're still not entirely sure what to make of him. He's cocky and arrogant, but he's also protective, and attentive. He notices things that others don't, and he does what needs to be done, even when he doesn't want to. And he doesn't let anyone else tell him what to do.

But most of all, he's the one person who's always been there for you. He's the one who's always watched over you, even when you didn't want him to. And even when he's a pain in the ass, you're glad he's there.

You steal a glance at him, and he's looking at you, his expression soft.

"What?" you ask.

"Nothing," he replies, a smirk tugging at the corner of his mouth. "Just wondering how grateful you're going to be."

You flush, looking away, and he chuckles, squeezing your hand.

"Shut up," you mutter, trying, and failing, to hold back a smile. You can’t deny you’re looking forward to it.

Taglist: @baddest-batchers @covert1ntrovert @stellarbit @bruh-myguy-what @qvnthesia

@spicy-clones @kindalonleystars @cw80831 @totallyunidentified @heidnspeak

@lovelytech9902 @frozenreptile @chocolatewastelandtriumph @etod @puppetscenario

@umekohiganbana @resistantecho @dindjarins1ut @tech-aficionado @aynavaano

@burningnerdchild @ihatesaaand @lolwey @hobbititties @mere-bear

@thegreatpipster @lordofthenerds97 @tentakelspektakel @notslaybabes @mali-777

@schrodingersraven @megmegalodondon @dangraccoon @dreamie411 @sukithebean

@bimboshaggy @anything-forourmoony @9902sgirl @jedi-dreea @salaminus

@ghostymarni @gottalovehistory @burningnerdchild @yoitsjay @callsign-denmark

@julli-bee @sonicrainbooms @captn-trex @feral-ferrule @webslinger-holland

@marchingviolist @deerspringdreams @chaicilatte @somewhere-on-kamino @silly-starfish

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find. im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial! (this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals. it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically: contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark. BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer! the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only), i absolutely encourage you to play around and experiment with gradient maps. there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way. you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes. don't be afraid to change things you don't like or change your mind about certain aspects way later on that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared. like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different. on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art. rendering is a process that's both very perfectionist yet also very careless. find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment. particularly, the sleeves changed A LOT (because i really didn't like them) but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker. it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[mentalmeles]

Well. While the brain rot has me, I wanna talk about some lines in ‘Trust Love’ that have been bothering me lately. Mostly how they blatantly reference Penny and how she just might return once more.

Yes, it’s that kind of Penny posting. If you don’t subscribe to the Penny 3.0 theory or think she should stay dead, please carry on and let me have my silly little thoughts in peace. Also this is 100% Nuts and Dolts propaganda. I will not apologize.

ANYWAY! Onto the lyrics!

Right now, your hopes are shattered / Just pointless ever after

This line obviously talks about the loss of hope. Penny, time and again, has been the character to symbolize hope. The most obvious time this has been done was during Jinxy’s auction in Volume 9.

Ruby is inexplicably drawn to the jade marionette, which we all know turns out to be one of Penny’s swords. (And ofc let’s not forget that weapons are considered an extension of their owners in this world.)

Without knowing why, Ruby wants it and tries to wager for it. But Jinxy asks for something in particular—something Ruby has lost.

“Enough hope to fill [a] jar.”

I also want to point out that the pov making it look like the jade marionette is fitting inside the jar as well as the star charm tied around the top are not at all coincidences. This is the show telling us point blank that Penny is the personification of hope. Or at least Ruby’s hope.

But Ruby just lost her. She has no hope left.

But in time, you'll find / Through love, your power just shines

(I felt the need to put this gif here since it is exactly what plays during these lines in the Volume 7 intro, so let’s just sit and think about the implications of that for a moment. Cool? Cool.)

When you don't know where to turn to / And you're sure all hope is gone / When the day you waited for won't come / And dark won't yield to dawn / Trust love and open up your eyes

Now these lines are what get me. They talk about Ruby losing hope and direction, caught in darkness. Now, while this is the intro song for Volume 7, it’s clear that Ruby has not lost her hope yet. If anything, she just got a big chunk of it back.

And I’d argue that even In Volume 8 when shit has hit the fan and it just keeps coming and coming, Ruby hasn’t lost her resolve yet. There are definitely moments when she comes very, very close to it and she falters, but she does end up maintaining it for the most part.

(I can't find it, but imagine the gif where Ruby is looking down at Penny's unconscious body and is tearing up while saying "It's all...too much." Wow. Such a pretty gif.)

(It's also funny how these moments where Ruby's doubts are the strongest are taking place when Penny is seriously wounded and incapacitated, now isn't it? Surely that's just a funny coincidence...)

But then she and the rest of team RWBY fall into the Ever After and, after learning about Penny's second death, Ruby's mental state just falls deeper and deeper.

But then the lyrics tell Ruby that all she has to do during this dark and harrowing moment is to 'trust love.' Who's love is she supposed to trust? The song has been relating to keeping hope up till now, so it's not a stretch to say that she's supposed to trust the love she had for Penny, platonic or otherwise.

Trust love, the truth is there, but sometimes in disguise

These lines are certainly interesting when put into the context that they're also related to Penny somehow. Personally, all I can think of is when Penny transferred the Winter Maiden powers to Winter. I'm definitely not the first to mention this, but it's awfully suspicious that the aura glow was yellow and not green, isn't it? Sure, there were motes of green, but that isn't what happened when Fria gave Penny the powers previously. So why the change? Unless the truth, while there, is disguised. The truth is that Penny is dying and giving up her power, but it's disguised somehow...

The way's uncertain but we're together / Movin' toward the light / When we trust in love and open up our eyes

Mention of Ruby being together with someone. Obviously, this could just be referring to team RWBY or the whole group being together, united under the mission of saving Remnant from Salem. But, again, when mostly every other line has been tied to hope--and by extension Penny--, it's hard to believe it's talking about that. So, maybe a reunion with a certain someone that hasn't happened yet? A reunion that will bring Ruby back towards the light--towards regaining her hope--once and for all? I mean, if Ruby's character arc in the second Justice League crossover movie is where her arc will go in the show proper, it's not too far of a stretch.

(The reason I mention the Justice League crossover movies is because Ruby's arc in the first movie was very reminiscent to the arc she had about her leadership role in Volumes 7 and 8. So, since she became very self sacrificing in that movie, diving headfirst into mission after mission with no regard to her safety, maybe that's what will happen in Volume 10 too? Maybe having the potential of getting Penny back will be the thing to make her stop?)

Anyways... I don't know if any of this really made any sense and I might just be rambling nonsense, but yeah. Some things that I noticed and felt the need to shout out into the ether.

Thanks for reading!

[nthspecialll]

Bill Williamson shaped by an army knife

(This post is a casual explanation(ish), not meant to defend but rather explore and discuss Bill Williamson's character and how it is shaped by the army, it has also been sensitivity and proof read by a native to ensure that I did not accidently word anything in a way that would hurt the native community)

As many knows, Bill Williamson was in the army, and if you look closer you can see the many different ways in which it formed him, the ways in which a constantly stressful envioment filled with death shaped the person he is.

I am going to mention the one thing that stood out to me first, racism. Now hang on when I say this, he isn't, he is not racist, but you know what he is? A parot who got fed words and repeats them. And why would I say that? Do I have evidence? Yes.

The two characters we see Bill go after is Javier and Lenny, he calls Lenny "boy" and says "come over here!" or "I don't like your attitude", meanwhile with Javier he straight up calls him a slur. But something to notice is that Bill praises both of those characters at other times. Bill calls Lenny "son" and yells to everyone about how amazing he is and the proud almost fatherly instrict is oozing. With Javier there is a similar interaction where he is drunk and he is yapping Sean's ear off about how amazing Javier is.

We do not see that with Micah (That I can find), the only possitive thing Micah says to either of them is "you aren't so bad, for a greaser". Another thing to point out is that Micah is constantly belittling both Lenny and Javier, saying things like "you can write and everything, unusual for one of you. Oh you know, hoodlums," Bill does not, he does not belittle them.

So why would he say such things? Because he was angry, and why would he say that because he is upset?

Bill was in the army, common knowledge, uncommon (or at least commonly forgotten) is the fact that he fought the American Indian War. He did not fight other white people, he fought the native americans, and they were scary. He tells that story himself in a camp interaction, talking about how scary it was, and I do think he was frightened and not just empty words as he at the end jumps at the sound of a neighing horse.

Bill saw people get murdered, he saw his friends get slaughtered and he was told by the army to turn that anger towards the natives. The army implimented racist ideologies to excuse the genocide they were making and to rile their armies.

I often think of the line between Bill and Dutch where Bill says "I saw things!" and Dutch says "I am sure you do! But I don't think you could understand it" and I think that is spot on. Bill saw his friends dying, he saw his comrades dying, people he was likely as close to as he was the VDL gang (I will return to that later) dying. All he saw were these people murdering his friends, not that those people were fighting for their right to exist, and for every body the army framed it all on the natives, that it was all their fault, without mentioning anything that the army was doing to the natives.

The only times Bill acts out in a racist manner is when he is angry and he is often angry at himself, but he has always been told that when he is angry he should direct it towards people of color by the army, so he does. He does not believe it, but he does it anyways. There are a few times, like in the camp interactions mentioned, where he is not angry, but that is simply the brainwash that the army put him under to justify killing. He is saying those things because he has been told to.

He says the words but they seem empty as his actions are more supportive of his friends than anything.

Another thing I noticed is how protective he is of the gang, not just of Dutch, but the gang, even though he is painted as lazy, many times he is not, especially when it comes to protection. I often see him standing at the edge of camp even when he is off guard, and in that one camp interaction where strangers find camp, he is there, he is watching over them, in the Valentine robbery he was also smart enough to know to bring backup, he knew that if things were to go wrong, he needed to have someone there, Arthur.

Now some people are going to come and say "Oh but he didn't realise the security job was a trick," no, he did not, do you know who also did not? Dutch, Lenny, Karen, characters whom it was mentioned in front of. The only ones who did realise were Arthur and Sean, and despite Bill trying to throw the blame off himself at first, he does blame himself, there are interactions of him saying he blames himself for Sean's death. Similarly when Angelo Bronte offers up money, he is not planning to take it, he is making sure no one else is, I got a whole post on that.

One of the other things about Bill, is that people say he did not care when Lenny died. I do think he did, he has so many camp interactions where he is calling Lenny son, being proud of him and so on, but I do think that the army got to him there too. When in battle people die, people die often and you cannot stop because they do, no matter how much you loved that person, if you are on an open battle field charging towards the enemy, you do not have time to stop.

When in the army you are expected to be a tough manly dude, in chapter six Arthur can ask if Bill is okay and he never gives a real answer, instead he shifts the convosation away. Bill believes he is not allowed to show weakness because doing so in the army was not allowed, anything unmanly was not allowed. I do also believe that is where he gets his fucked up realtionship with his sexuality (I am not even going to explain why I think of him as queer, I do believe others are able to see if, but also if anyone says "No he aint!" that is a fair opinion but the va does hc him to be queer), wanting to flirt (or at least befriend) Kieran but not knowing how to without coming off as unmanly.

Returning to how he would care for the army friends he made, is how he ended after he got thrown out. Bill says his biggest fear as a kid was to be an alcoholic and look at where he ended up. He even says he completely lost himself after the army, that Dutch "saved Bill Williamson."

Well even if it was not everyone whom he liked, there was at least one person. If we look at his letter from the army, he is thrown out for attempted murder and deviancy ("the fact or state of diverging from usual or accepted standards, especially in social or sexual behaviour." aka can be used for homosexuality). An interesting thing to note is that both of those alone is enough to throw someone out of the army, so why is both there unless they happened at the same time? I see it likely that Bill was discovered with a lover and either the person found them attacked Bill and lover or Bill attacked the person who found them to silence them. Either way, Bill did not succeed and instead he got thrown.

Tags: @cupidsbeartrap

[hotvintagepoll]

Welcome to the HOT AND VINTAGE MOVIE STARS poll blog!

The Scrungly Little Guys (gender neutral) Contest will start THIS THURSDAY, September 26th. All contestants have now been processed and are ready to scrungle it up for your enjoyment. Reminder that this contest enshrines the weird, the off-putting, the comic, the character actor, and the strange cinema legend. If you need a reminder of what scrungle means, this picture is the golden standard.

All polls—including ongoing polls, previous rounds, old tournaments, the various shadow brackets, the Dracula Daily polls, and fun mini polls—can be found in the #hotvintagepoll tag. I am working on a more complete tagging system so people just here for the polls can navigate the blog more easily, but that's still in the works.

FAQs:

“Define scrungly?” For the purposes of this tournament, a contestant must noticeably present in some way as at least one of these: odd, bizarre, off-putting, disheveled, creeping, feral, small, filthy, silly, funny, kooky, comical, exhausted, or just plain strange. This contest presents a wide array of scrungly appeal, so not every contestant will hit every single one of these (but should, ideally, be a few of them). Scrungles were chosen based on how convincing their submitted propaganda was. This contest is all about oddball character actors, creeping henchmen, comic relief sidekicks—the side characters who never get the credit they deserve in proper rundowns of famous old movie actors.

"How do I decide who to vote for?" Vote on whoever seems scrungliest to you. Do not vote for someone based on hotness alone. The video propaganda, included under the cut, is highly encouraged for showcasing scrungles.

"Is this just like the hotness tournaments?" No. This contest is sillier.

"Hey! Some of these guys sucked and they shouldn't be here!" Yes, some of these guys sucked. I agree with you. For reasons I've gone into before, I don't exclude anyone from the contest for moral reasons, even if I personally think they were garbage. I do this because I cannot responsibly research and vet every competitor's background and legacy, and I'm not comfortable being the moral barometer for everyone, even in cases where I think it's really obvious. You are welcome to vote against people for moral reasons, but as mod I don’t post or boost negative propaganda about anyone.

If I see repetitive, trolling, or bigoted remarks in the comments, I will block you from this bracket. If you want to point out a competitor’s problematic aspects in the replies, that’s fine, but if I see bad-faith trolling, you will be blocked. I will also block if you start harassing other people voting on the polls. If you really hate that someone is winning, please post positive propaganda for their opponent instead.

I welcome additional propaganda for the scrungly little guys in reblogs or asks. I boost the best propaganda I see and try to boost equally for everyone. I don't accept propaganda that’s post-1970 or from non-film appearances. When sending your propaganda, please don't send me too many pics or videos at once (I max out at about four per ask.)

The views expressed in the propaganda are not my own. I don’t alter submissions beyond fixing obvious spelling mistakes. I do choose the poll pics, purposely trying to pick the silliest ones possible for this contest; if you think I could do even sillier, send me one I can use instead. If you think a contestant needs more propaganda, send me an ask with some and let me know if you'd like it added to the poll post if they make it to the next round.

“Who won the major hottie tournaments?” Eartha Kitt and Toshiro Mifune are the reigning hotness champions. They are both living it up by the pool in the sunshine, as far from the shadow realm as possible.

“The....the shadow realm?” All hotties who fail to continue in a hotness tournament are sent to the shadow realm, far below the crust of the earth where the sun never shines, a dark and dismal and gloomy place. (Boris Karloff keeps making everyone try his brandy-based guacamole.)

“Was [this famous person] submitted to any of the tournaments?” Try a tag search for them (ie, [#famous person name] in my search bar). If you still haven’t found your hottie, they either did not fit the criteria of working in movies from 1910-1970, weren't convincingly scrungly in their submission, or were not submitted at all.

“My FAQ isn’t on here :(” send me an ask! I love hearing from you guys—just please check these basics first.

Thank you for being here! Enjoy the polls.

Tournament schedule post-hiatus:

Ongoing: Dracula Daily casting polls

Starting September 26th: Scrungly Little Guys contest (gender neutral)

After that: Ultimate Hottie Tournament (top brackets of the hot men & hot women competing together)

TBD: Hottest On-Screen Couples (Astaire and Rogers, Bogie and Bacall, etc)

TBD: Horror Hotties (Frankensteins, Draculas, Brides, etc.)

TBD: Dandy Detectives (Marples, Sherlocks, Nancy Drews, etc.)

fun mini polls that pit sets of characters from the same movie together, like the Philadelphia Story or Seven Brides for Seven Brothers ones (these can be found in the #minis tag)

[another-goblin]

Doc and Gambler: An essay A disjointed musing

I've been thinking about the words they use to address or refer to each other. Gambler and Doctor are rather special nicknames. I can't think of other characters who talk to each other a lot but avoid calling each other by actual names so deliberately.

First of all, of course I can see it as a sign of their relationship. They are old friends, so it makes sense that they have cute special names for each other.

Can there be other explanations?

1. We never see them use each other's actual first names.

It's understandable with Aventurine. If he's ever comfortable being called Kakavasha, it's definitely not now. And I can understand if he'd prefer Kakavasha to just remain a happy, innocent child in his memories forever.

It's more interesting with Ratio. Nobody calls him just "Veritas" (I think?..) He's referred to as Veritas Ratio in some official situations in his character stories. Even his elderly professor, who talks about teaching Ratio when he was a child, only calls him "Ratio."

Actually, I remember a theory that "Veritas" isn't a personal name but a kind of honorific. Maybe a title that Veritas University gives to its most distinguished members. But if Veritas is his actual first name, then I think it's quite significant that nobody seems to call him that. Especially while all of the other characters who have identifiable western-style first and second names are mostly referred to by their first name. (I'm sorry, I don't know how the Xianzhou characters' names work.)

A little off topic, but is Ratio even his real name? According to the wiki, his full name means "truth of the matter," and his Chinese name means "doctor truth." What a coincidence that a person with such a name became a famous scientist. Although there can be other explanations too.

2. They do use each other's more commonly used names sometimes (I think Ratio called him Aventurine once in the game when discussing him with us, and Aventurine addressed Ratio by name a couple of times). But it's mostly nicknames. Mostly Doc(tor) and Gambler, but also "learned professor," "knowledgeable friend," and a hundred of silly ways Ratio refers to Aventurine. I made a whole post about it long ago.

3. Can it be because all of their direct interaction happened in Penacony, in the middle of a murder mystery somewhat reminiscent of the board game Clue, with our little "Mrs. Peacock" and "Professor Plum" here just imitating the naming conventions of such a game? Like archetypes from a classical detective story, where most characters can be described with one word like that. But it's a bit of a crack theory.

4. The only situation we saw them talking to each other was when they had to play their roles for Sunday.

It's interesting that Sunday later proceeds to call Ratio just "doctor" or "learned doctor" too, the way Aventurine did. I mean, strictly speaking, there isn't anything unusual in calling a doctor "doctor", but it's funny in an awkward way. Imagine two close friends having special names for each other. And then a complete stranger who's been eavesdropping starts using these names too. Umm, that's "Dr. Ratio", Mr. Sunday, thank you very much.

Btw, that's another point to the theory that Sunday only knows (and tries to use against them) the things they deliberately fed him through their conversations.

So it might be that they did it deliberately for Sunday to hear. Like, see? we are so not friends that we don't even call each other by name. But then we see them using similar words when mentioning each other while talking to other people, and in Aventurine's thoughts too (in mission descriptions during Double Indemnity).

5. Although it might still be the way for them to try and distance themselves from each other, at least verbally, trying to deny the obvious special connection between them.

6. Or maybe it's about their "masks". They both have public personas to hide their real selves behind. (Ratio directly tells us about it and wears a literal mask to hide behind, and Aventurine's whole Harmony ordeal was basically to show his inner self, so unlike the confident and cocky Aventurine other people know.)

But they know each other better and see deeper than just their public personas of "Aventurine" and "Dr. Ratio". And it's still too early in their relationship to prod deeper ("Kakavasha" and "Veritas"). So a secret third thing it is.

[pygmi-says-hi]

writing tips - sick/poisoning fics

so since you guys ate up the injury thing like holy fuck 1.5k notes in 24 hours??? hello?? I thought I'd do a semi-related one about sickness.

disclaimer because you guys thoroughly reminded me of this: medicine is fucking weird and everybody reacts differently. this is blanket statement information, not the mayo clinic. idc that 'oh my cousin had that disease and he didn't have that symptom' okay whatever like sorry but that's not the point of this post. this is just to eliminate egregious mistakes. I'm not looking into every possible way this illness will show up. chill your tits. the comments on the last post were just like. dude. chill.

aurkay so.

poison-related illness.

okay poisoning is such a cool concept and there are literally so many cool effects it can have. Idk why everyone goes with the holy trinity of hallucinations, fainting and nausea. like yeah those are good but there are so many other things???

like internal bleeding. literally the best. I love it. It's slow but hella deadly and sometimes people can't even feel it/don't know what's happening. that's such a great option for whump or some angst. like they didn't know until it was too late. gold.

also - some poisons are not dissolvable in food or drink. Like certain medicines, they lose effectiveness if digested instead of injected intravenously. obviously you don't have to know that but if you wanna get into it, do a lil bit of research. could bring up some intriguing scenarios.

infection or sepsis

yoooo. sepsis is lowkey terrifying. infections are similar to actual illness but are caused because of an unsanitary wound. lots of interesting symptoms to browse here:

fever, cramps, fainting, hallucinations, dehydration, delirium, nausea, sores, sepsis, organ failure and on and on and on.

infection happens so fast too. like forget to change a bandage once and boom it could be infected. (is that a whump opportunity I hear...?)

sepsis is like the point of no return pretty much. Unless you've got crazy medical technology, sepsis is really really bad. basically, it's when the body overreacts and starts to damage its own tissue. leading to organ failure and then eventually death. spooky.

regular illness

this just means like a virus or something. a key point of viruses is an elevated temperature and dehydration; the body's primary responses. burn the bug out and dehydrate it.

depending on the illness, symptoms will vary. respiratory infections or viruses involve congestion, coughing, sore throats, a rattly breathing sound, and productive coughing (phlegm and mucus). Stomach illnesses include cramps, nausea, dehydration, dizziness, low blood sugar, weight loss, and diarrhea. these can overlap but mostly those are the groupings.

with fevers come achy joints and sensitive skin. fever is inflammation, like mild swelling everywhere because of how intense the antibody reaction is.

dehydration sets in really quick. really bad dehydration induces dizziness, nausea, diarrhea, delirium, lethargy, and fainting. great motivation for a whumper to possibly restrict whumpee's water intake...?

just some prompts! kinda low energy today sorry I haven't been posting, xox

[ladykailitha]

A Love Connection Part 1

In a very special engagement (as in a don't normally post 5 days a week), I introduce "A Love Connection"!

If the premise looks familiar the original idea is from here, where a couple of people in the notes or tags said they'd love to try it. And after a year, I figured I'd try my own hand at the idea.

This will update on Tuesdays at 10am and 10pm EST. With hopefully eight chapters.

Summary: Steve has tried everything under the sun to find someone to truly connect with, so he gives up after a particularly horrible date. Then Chrissy introduces him to her favorite game show "Love Connection". When Chrissy and Robin apply for him, they don't think they'll except him, but he does. His suitors are Billy Hargrove, Tommy Hagan, and Eddie Munson. Will Steve crash and burn again or will his connection be there waiting for him?

~

Look, to say Steve’s love life was a disaster would be unfair. That would be underselling it. It was a fucking catastrophe. He had gone to bars, joined hobby groups, used all the apps, even Grindr; though that was mostly for hookups, which sucked. But that was the nature of the beast if he was honest.

And the beast had completely devoured him. All his dates were either only interested the casual, cheated on him, or wanted one-night stands. Which Steve absolutely did not want. He wanted connection. Intimacy.

“I absolutely give up,” he whined to Robin, after the last date tried to slip out in the middle of the night, knocked over their lamp into their goldfish bowl, killing the goldfish, then he tried to hide the evidence by dumping it down the garbage disposal and turning it on! Lied about it, then stole their last beer as “compensation for his trauma’ and told Steve to never call him again.

“Look, Ryan wasn’t the best guy,” Robin replied with a grimace. “He liked Oasis and Tool unironically. Always a red flag.”

Steve snorted. Robin was a music snob most days, but she wasn’t wrong about that. Ryan and he had been dancing around and with each other for weeks before they finally got so hot and heavy that they went back to Steve’s for sex.

“It’s not fair,” he huffed. “You went to that bar and you a hottie girlfriend and I went to that bar and fucked a fish killer! I loved Garfield! He lived for five years before that bastard mercilessly murdered him. That’s long than my last ten relationships combined!”

Robin winced. “Ooh... I’m going to have to call Chrissy and let her know we can’t go back to that gay bar again.”

“Oh he’s so dead now!” Steve ranted. “Not only is he fish killer, he has driven us from our favorite bar!”

“Let me order us some take out,” Robin said standing up, “then I’ll call Chrissy over and we’ll all cry over Ciarán Hinds and Amanda Root falling in love.”

Steve sniffed away a couple of tears and nodded. “Then can we have a funeral for Garfield?”

Robin tilted her head and smiled sadly. “Of course we can. It’s a Sunday so none of us have work. We can watch as many weepy romance movies as you want, okay?”

“Okay,” Steve croaked. She gave him a big hug and kissed his cheek. He watched her wander into the kitchen to see what leftovers they had in the fridge so they could order from somewhere else. He loved her so much.

~

Sometime in the afternoon when they were more than a little tipsy, Chrissy commandeered the remote and turned on her favorite game show.

“Love Connection”

“Noooo...” Steve whined, burying his head into a throw pillow. It was Garfield shaped. It was what inspired the naming of the valiant fish. “This is the last thing I want to see. It’s so fake. No one gets together on these things. It’s so cheesy.”

“Exactly!” Chrissy crowed. “That’s why it’s perfect, we get to make fun of them!”

Steve thought that the only good part of the show was the second half. The first half was split into three different rounds. The first round was each suitor answer the one question, for a total of fifteen and then the catch would rank them, best got three points, second two, and third only one.

Then in the second round there were a set of rapid fire either or questions that the catch would yell out and the suitors would write down their answers. If their answer matched the catch’s they would get a tally. Whoever had the most tallies would win five points. Then three points to second place and one to the last place.

Then in the final round, each suitor would be asked separate questions and the catch would rate their answer one through three and that’s how many points they would get. Then at the end of the round all the points would be tallied up and the two highest would move on to the next round.

To the part that Steve actually liked. The first question always asked was “what would you do for a first date?” And the suitors got to take the catch out for the date and then afterward for drinks, the two dates would ask the catch some of the questions he asked them. Then the catch would pick the one they connected to the best.

It was all the stupid questions that bothered Steve. That was the fun part of dating, having these conversations and learning about them as you go. But then maybe that’s what Steve’s problem was, is that the people he dated didn’t care about these types of conversations.

“Why would you say you hate sports,” Steve huffed, waving his hand at the screen, “when the guy is a major soccer fan? Like did she think that she was going to put a stop to him enjoying it after starting dating?”

“Ooh yeah,” Chrissy agreed. “Just pick a different catch.”

Robin turned to her and tilted her head. “Do they get to chose their catch? I thought it was all random.”

Chrissy paused the show and pulled out her phone and the Wikipedia article. “Okay, it says here that people can apply to be suitors,” she waved at the row of women in the three booths. “Or catches.” She indicated the guy with her hand. “If they’re chosen to be a suitor then they are given a list of catches, headshot included. Then they rank vote them, so if four people pick Henry, then one will be on their second rank vote. And that part is randomized. According to them, anyway.”

Steve snorted. He highly doubted anything was randomized or voted on. They went for the biggest drama and everyone knew it.

“How long has this show been going on?” he huffed. “Like please tell it’s new and shiny and that’s why people like it.”

Robin snorted and shook her head. “Sorry, babe. But this is season twelve.”

“Oohh...” Chrissy said. “We need to show him the season six finale. That was hella juicy!”

So despite Steve’s protests, Chrissy pulled it up on her streaming services even though they hadn’t even finished the episode they were on.

When the credits rolled, Steve stared at the screen in utter shock. “What the honest fuck was that?”

Two of the three guys got into an all out brawl when the one guy had scored the lowest and felt that the second place suitor cheated. Not first place, second. Both guys were arrested and hauled off the set.

“It came out later Sven was right,” Robin said. “Elliot cheated. His cousin was an ex of the catch so he went in knowing a lot about Stella. The things he got wrong were things that had changed since she was dating his cousin.”

Chrissy nodded. “That’s why the have partitions up between the suitors now and why they have vigorous screening now. The show was almost canceled.”

“So why wasn’t it?” Steve asked honestly. “That was a shit show, if I was Stella I would have sued them into oblivion.”

Robin squirmed uncomfortably in her seat. “She did, but they settled out of court.”

“Basically,” Chrissy said, pouring them more wine and handing the first glass to Steve, “she wanted them to completely overhaul the system. She didn’t want it off the air, she wanted it safer for future participants.”

“The more the fool them,” Steve huffed. He took a long sip of his wine. “All right, fine. Let’s start at the beginning.”

Robin and Chrissy cheered and they all huddled up together on the sofa to watch this absolute train wreck of a show.

They were about half way through the third season and twice as drunk when Steve slurred, “Why are there no gay peemles in this? It’s a trav–trad–tramajesty.”

“Travesty!” Robin slurred back, her language skills always being the last to go when she’s three sheets to the wind. “And you are absolutely right! This is homophobic!”

Chrissy nodded solemnly and pulled out her phone. “I’mma show them...” she muttered with her tongue sticking out. “At loveconnectionUSA Need more gays, hashtag loveconnection hashtag need more gays.”

It wasn’t long after that that the three of them passed out on the sofa, empty bottles all around them and a message on the screen asking if they’re still watching.

~

There was a loud beeping noise and it absolutely was hurting his head. He reached over to where his phone was usually plugged in on his nightstand, but his hand went straight through it. He waved his arm all over the place but still his nightstand eluded him.

He peaked open one eye but his vision was obscured by a mass of blonde hair. He tried to push it out of the way but it kept falling back into his face. Finally he pushed Robin off him and onto the floor with a thud.

“Hey!” she yelped.

Steve peered over the edge of the sofa with a look of confusion. “Why are you on the floor?” he muttered over the still beeping of his alarm.

“Stop!” he mumbled and somehow, blissfully it did.

“I’m on the floor because you pushed me there,” Robin huffed, getting to her feet. She did a sniff test and grimaced when she completely failed. “God... how much did we drink yesterday?”

Chrissy struggled to sit up and blinked at her girlfriend groggily. “Not enough if I feel like this.”

Steve rolled over and looked at them both in confusion, then the events of Saturday and all day Sunday came flooding back in.

“Oh fuck...” he muttered, sitting up himself and rubbing his face. One eye was blurry from where his contact had shifted in the night. He wasn’t even sure why he had them on. Probably from sheer force of habit.

He got up and stumbled toward the bathroom where he emptied his stomach of all its boozy contents. He really didn’t remember them eating after breakfast, only a steady stream of harder and harder liquor.

While his was puking his guts out, Chrissy and Robin stole the shower. Thankfully only taking the time they needed to get the gross feeling of being hungover off their skin.

Then Steve closed his eyes as they exited the shower and snuck into Robin’s room to get ready for work. They all worked at Hawkins Middle School, where Steve was a history teacher who coached swimming and basketball. Chrissy was a health teacher and advisor for cheerleading. And Robin was the language teacher. The principal snatched her up because she could teach French, Spanish, and Italian, with her only needing to hire a German teacher.

Steve got his shower and then opted for glasses instead of his contacts, not trusting his shaky hands not poke out his eye or some shit.

They all were mostly human once they got coffee, painkillers, and cereal in them, the three of them, no doubt looking like escaped extras from a zombie flick. They moved as one, gathering up their stuff and shuffling out to Steve’s car. Chrissy sat in the back, Robin riding shotgun.

Chrissy opened her phone to check to see if she had any messages. “Holy shit!”

~

Part 2

Look I'd be sorry about the cliffhanger, but you're only waiting 12 hours for it, soooo...

Have fun!

Tag List: TEN SLOTS OPEN

1-@mira-jadeamethyst @rozzieroos @itsall-taken @redfreckledwolf @zerokrox-blog

2- @gregre369 ​@a-little-unsteddie @chaosgremlinmunson @messrs-weasley @cryptid-system

3- @maya-custodios-dionach @goodolefashionedloverboi @val-from-lawrence @carlyv @wonderland-girl143-blog

4- @justforthedead89 @irregular-child @bookbinderbitch @bookworm0690 @forgottenkanji

5- @anne-bennett-cosplayer @yikes-a-bee @awkwardgravity1 @littlewildflowerkitten @genderless-spoon

6- @dragonmama76 @ellietheasexylibrarian @thedragonsaunt @useless-nb-bisexual @disrespectedgoatman

7- @counting-dollars-counting-stars @tinyplanet95 @ravenfrog @swimmingbirdrunningrock @lingeringmirth

8- @gutterflower77 @a-lovely-craziness @just-a-tiny-void @w1ll0wtr33 @beelze-the-bubkiss

[coca-lastic]

5 Green flags 🟩 VS 5 Red Flags 🟥

I'M BACK 👹

Well well, My last post about Keigo have lots of support from you all, and like I said, I'm willing to do a part 2 about Bakugo Katsuki sooo, here I am.

Tell me if you want a part 3 and which character you would like.

Let's start with his red flags. Let's be clear that Katsuki does have a few, it's true that it's nice to imagine him as an attentive boyfriend who takes the initiative, and I firmly believe that he would be like that, but that shouldn't hide the little things he has that can get on your nerves at the time of a fight.

Now, let's start listing his bad things:

1. He acts like you're a burden: I don't think he would do this on purpose, but he would. Comments like "What the fuck do you want now?", "Stop bothering me", "You're too intense", "Will you shut up?" can come up at the beginning of the relationship. Even to the point that you feel bad about his independent actions, as if you were just another thing on his list. Of course, deep down he doesn't consider you a burden, but he expresses himself as if you were one.

2. He doesn't open up to you: Katsuki has this constant thought that he can't be inferior, that he has to be the best and his feelings can be a difficult thing, and I think that in a relationship he feels a lot more pressure about all this to be strong and show you how tough he is. So I think that for a long time he won't tell you if something is wrong with him even if it's clear that something is wrong with him. This could just be something normal, but I add it as a red flag since a large part of Katsuki's life is clouded by those insecurities, so he doesn't tell you how he feels every time he sees Deku, or how he was in training, or how he felt when he won something, because if he does, his facade will fall apart. This ends up being something that can affect the communication between you two.

3. He doesn't understand you: He tries, he really does, but he just has a hard time understanding when you feel bad. He's so used to minimizing what's happening to him that he doesn't understand why it affects you so much. So you might be crying in his arms, and he might be hugging you, but deep down he doesn't understand, and that's terrible in arguments, because he doesn't understand why you're angry or why you're sad or why you're disappointed, he tries to fix it but he doesn't understand the roots of the problem.

4. He's jealous: Like, not jealous to get insecure when he sees you with a friend, jealous to get furious when he sees you with another man. And that, OBVIOUSLY, brings problems. He trusts you, he doesn't trust them, he knows you're hot and he also knows that the other jerks know it. So don't doubt that he's going to complain to you repeatedly that a certain person shouldn't be so close to you, or that he doesn't get along very well with a certain friend.

5. His anger: In the anime we can already see that he is a little bit... impatient. He tries to control himself with you, he truly loves you and treats you with his best version, but there are times when you simply act in a bad way, I mean, you also have your red flags, and that makes him angry, and you too, then you fight. A lot. For a long time. A lot of yelling. And probably a lot of painful words that he doesn't really feel, but says them, because his fury is faster to speak than to think, analyze and meditate.

Now, like every person, he has his flaws and his virtues. He has things to improve and things that you should love, because they are incredible.

So let's see what those good sides are and let's see which side of his personality ends up winning, let's see the second side of his furious personality.

1. He doesn't talk, he acts: Maybe he doesn't open up to you as much as he should, but he decides to make you feel comfortable by letting you know that he loves you through more practical methods. Are you hungry? He cooks, are you sick? He takes care of you, do you want a snack? He buys it. Because actions are worth more than words, so he decides to act, he decides to give you what you want, and consider yourself lucky because you are the only one who sees his helpful side.

2. He puts you first: If his friends invited him out to eat something, he won't care if you sent him a text telling him to go with you to buy something. If his mother told him she was going to celebrate a birthday with the family, he'll run away because you asked him to bring you some chocolates. Because he knows that if you love someone, you're not going to replace them with the smallest things, so if he has to make a decision that involves you, you'll always be the right answer.

3. He is not ashamed to show you off, he loves to do it: You are also part of his achievements, and being the show-off that he is, he will show you off. God, he has a sexy, smart, strong, kind and hot girlfriend, he has to show you and show them that you two are together, that he is a lucky and happy man.

4. He knows you: I think this is important, but not all men do it, in fact those who do are very few. Because not all of them observe you, remember, learn and please you, but Katsuki does. He is observant and knows how to listen, maybe he doesn't understand perfectly why you feel so much, why you get excited and sad about small things, but he knows that you do it, he knows how you feel, he knows how you reacts, he knows what you like and how he knows you, he knows how to please you, he knows how to make you happy with a gift, he knows how to excite you, he knows how to make you laugh and he knows how to make you feel loved.

5. You're part of his future: If he sees himself as a great hero, he sees you by his side, making and fulfilling your dream. Holding your hand. Kissing you. Hugging you. Caressing you. That's what he sees. Maybe two house, or a single one, whatever you want, maybe 2 children, or maybe none, just a pet, maybe a red car, or maybe a black car, but within all those variables there is one constant: you.

Sorry, this doesn't match your way of seeing Katsuki. Remember that he is still a character that each one sees and imagines in their own way, but I try to do it in a way that everyone feels comfortable.

Now, did the 🟩 flags or the 🟥 flags win?

[olderthannetfic]

I accidentally killed my own desire to write, and I need some advice. To be really blunt about it, what's the point of writing? When I would spend lots of time laboring over making a good story with a plot and characters who were in-character and connecting all the dots narratively so payoffs were satisfying, my reward was dead silence and virtually no clicks. I posted some mindless smut to my side account one day and got more hits in a day than most of my other works combined got in a year. I know, I know. "Write for ~*~yourself~*~" is the common response. It's the "be yourself!" of writing. It's supposed to be a magical phrase that'll make everything okay. But... I don't like knowing that something I spend months working on won't be read by anyone while something I write in a car while bored got thousands of clicks. I don't like making something I'm proud of and then no one ever looks at it. That's not fun for me. It's not fulfilling.

For a solid decade, I've tried to ignore how the level of interactivity in fandom is falling. Fewer comments. Fewer kudos. No comments in the bookmarks. You put your tumblr and Discord in the AN and get a handful of asks and one person who adds you, talks to you twice and then ghosts you. Most of the comments are "well, actuallys", made even more annoying by them being wrong as opposed to actually correcting an error. I avoid fandom drama, wank, and infighting. I don't engage with things I know will make me unhappy. I try to be happy over in my own little corner. I comment on every single work I read. I want people to enjoy fandom. I used to.

Some dumb smut I wrote in 40 minutes gets five times the hits of the writing I'm most proud of, and it gets it in just under three months. I am not a great smut writer. I haven't stumbled onto an incredible talent I had that makes it so the issue is that I'm so amazing my smut brings all the boys to the yard. People just don't like what I write and put effort into. It's very likely that despite 20 years of writing fic, I suck at writing. And people enjoy my writing most when they don't have to put up with anything substantial and can just skip to the sex.

So for the last eight months, when I write, I just sort of give up. Close the Word doc without saving. No one will read this. No one cares about this. There is no fan eagerly awaiting every update like I await updates from my favorite authors. There's not even someone saying, "update soon!" Close the Word doc. Delete old WIPs. There's no point. I do not tell stories worth reading. I used to. In the FFN days people genuinely enjoyed my work. I'd never have had an opportunity to do the 'I won't update until I get 3 reviews' thing because getting that many on a chapter was usually something I'd do overnight. Post before bed. Wake up. Read the reviews before school. I peaked in high school, I guess.

And now I'm just sort of lost. I still have lots of ideas. Ideas for fics fall into my head all the time. That's never been a problem. What I don't have is any motivation to write them. What's the point of writing? If no one else is reading, I guess the point would be so I could go back and read my own story and have fun with it. Write for myself. But I can review the story and have fun with it in my head without writing it down. It's substantially faster and more importantly, isn't incredibly depressing.

So, at the risk of definitely being calld the second-coming of True Art Anon or a troll or validation-seeking or haha mentally ill haha... what's the point of writing?

--

Okay, so write porn in a car while you're bored.

Look, you can whine all you want about my response, but what you've written here is blatantly about depression.

Lots of people in fandom are still interacting. And no, it isn't just on fics that are objectively written to some pro fiction standard or whatever. Teenagers still breathlessly review poorly spelled cracky masterpieces about this year's big anime and so forth.

Yes, there may be reasons why you in particular are in a slump when it comes to fandom friendships or "plz update" comments. We can talk about that. But this ask is all gloom about fandom in general. That's not realism: that's you having a problem.

--

As for why a person should write: because the actual hours you spend doing the writing are fun.

If they aren't pleasurable in some way, find another hobby.

--

But if you want an answer to the age old "Why did my 5 minute fic get 1000000x more asspats", I've seen meta about this for literally decades.

The most likely reason is that the fic we write quickly and without much thought often feels fresher and more fun. The things we labor over endlessly can feel overworked. Even in cases where they don't, they're often heavier subject matter or more niche subject matter. On top of all that, we just care more, so even a high level of feedback doesn't really feel like enough for the effort and care we put in.

--

Do you really need me to tell you why you don't feel the same as in high school when things were fresh and new?

Go read up on combatting burnout or dealing with post-college anxiety or managing stress in a dead-end job in your 30s or finding meaning in your 40s or whatever is going on.

Everyone goes through fallow periods in fandom and in life.

Feeling reinvigorated has to do with internal factors and some general life circumstance stuff. It doesn't have that much to do with number of kudos. That's just the surface trigger for a mood that was already there.

[coco-cinnamon]

Enemies With Benefits Drabble.

Warnings: 18+ mdni, cussing, drinking & sexual themes.

Author's Note: this is a drabble that I had written and posted on my original blog but, I'm posting it over here because the full version of this fic will be coming out this week. The full fic is gonna be Frat!Rafe x Bunny!Reader. And if the full version does well then, I may make it into a series. <3

© coco-cinnamon 2024, please do not steal, copy, modify, repost, or translate my work.

You and Rafe were in a fight, as usual. You had gone to a party with a few of your friends but, you never would have went if you knew that Rafe fucking Cameron was going to be there. You both had hated eachother for as long as you could remember and at this point, you couldn't even remember what started your lifelong feud.

"God, just shut the fuck up and leave me alone, Rafe." You groaned from annoyance. You couldn't even remeber how the argument started, the alcohol making your memory hazy. "You have always been such a fucking bitch, Y/N!" He spat. "I can't even go to a goddamn party without running into you and having to deal with your spoiled ass. You're lucky that no one has tried to fix that attitude problem of yours yet." He growled.

At this point Rafe had pushed you to your limit. You knew that Rafe was an asshole, he was an asshole to everyone but, today had snapped your last thread of patience. You try to slap Rafe but, before you are even able to, he catches your wrists before backing you up against the wall and pinning your arms above your head with one hand and he wrapped his free hand around your throat.

Rafe leaned down, his warm breath tickling your skin as he spoke, "you wanna try that again baby?" He asked with a smirk. "Because I don't think you want to mess with me, babygirl." He whispered. He was so close to you and yet you wanted him closer. You wanted nothing more than to close the gap between the two of you but, you couldn't let Rafe know that. "And if I do?" You asked, trying to keep your voice from wavering.

"If you do then I will bend you over this fucking counter and pound that little pussy until you're so fucking cock dumb that the only thing you remember is my name." He said darkly.

Author's Note: hope you enjoy the drabble! full fic coming this week!

[wilcze-kudly]

Using the Avatar state scenes as an example and saying this is katara relationship with aang is so vile 🤦‍♂️

https://www.tumblr.com/sunandmoongobrrr/662596151677190144?source=share

Ugh this take again. It honestly always exhausts me to see this because the thing about Aang going into the Avatar state is that it is, at it's core, a defence mechanism. Aang goes into it in life threatening situations, or otherwise, incredibly distressing situations. I've even pointed out its similarities to panic attacks:

Katara is an incredibly empathetic person, and she is able to emphasise with Aang's pain. Because a) she's just that type of person and b) her and Aang share the trauma of genocide and loss.

Katara's interactions with Aang when he is in the Avatar's state aren't based around tempering his anger, but providing comfort and reassurance. It almost seems that Katara just reminding Aang that she is there and that she cares is usually enough to calm him which makes sense. Because, at the core of it, Aang's greatest pain, likely the root of most of his nrgative emotions is that he is the last airbender. His people are dead, have been dead for ages. He is alone, the last of his kind, and it destroys him.

Aang: [To the winged-lemur.] You, me and Appa; we're all that's left of this place. [Looks at the lemur.] We have to stick together.

Enter Katara, who reassures Aang that she is with him, that she cares, that she won't leave him. Because she sees that he is hurting. She hugs him as normal people hug their friend when they are upset, and later, when their relationship is more established, it's just enough for her to make eye contact with him and remind him that she's there.

Katara : Aang! I know you're upset and I know how hard it is to lose the people you love. I went through the same thing when I lost my mom. Monk Gyatso and the other airbenders may be gone, but you still have a family. Sokka and I! We're your family now!

And I truly don't think Katara does this out of a sense of obligation or fear. She does this because she sees her friend, and later, romantic partner, is hurting. And she knows that pain intimately. So she offers her comfort. Of her own free will, because she cares.

Katara : Do you remember when we were at the air temple and you found Monk Gyatso's skeleton? It must have been so horrible and traumatic for you. I saw you get so upset that you weren't even you anymore. I'm not saying the Avatar State doesn't have incredible and helpful power ... but you have to understand ... for the people who love you, watching you be in that much rage and pain is really scary.

I think the emphasis on "the people who love you" is important here. Katara isn't afraid of the Avatar state itself. She is saddened and scared for Aang, because she knows he is in pain. And he is someone she loves, be that platonically, or romantically.

Side note; I always found it so cool that when Aang went into the Avatar State in the Avatar State episode and wreaked havoc on general Fong's base, Katara, who was literally in the middle of it, remained completely unharmed.

See, the theme with Avatar is that holding onto anger and pain can be incredibly self destructive. We see this, of course, with Zuko, but also with Aang and Katara.

Of course, we're shown how one's anger affects others, but we also see how painful it can be on oneself. Which is a very poignant theme that isn't often explored.

This is what Aang was trying to communicate to Katara in The Southern Raiders. And this is what people like this, who commented under OP's post don't get.

Oh, something crazy? Like for example going against her entire morality and do something she might regret for the rest of her life? That type of crazy? Hell, look at how strongly "The Southern Raiders" ties back to "The Puppetmaster", an episode about a victimised Southern Waterbender driven to near madness by her grief pain, and rage.

Aang isn't stopping Katara from feeling anger, he's trying to make sure she doesn't do something that will weigh on her and compromise her morals and ideals, because he knows how important they are to her.

Aang: The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

Hell, he even supports and believes in her, letting her take Appa and believing she would make the choice right for her. Which she did, in the end.

Aang: I wasn't planning to. This is a journey you need to take. You need to face this man. But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

And no, I don't think he was trying to save face, since he has never had a problem disagreeing with Katara before, for example in the Avatar State episode, where he followed his sense of duty as the Avatar, despite acknowledging and valuing her criticisms of the matter.

Aang and Katara's relationship is one of mutual support, particularly in helping alleviate each others pain, since they are both genocide survivours, both lost a parental figure to the fire nation, both value their cultures and desperately try to perserve them etc.

I think some excellent aymbolism of this can be in how Aang tries to help Katara with her dismay and discomfort around losing her mother's necklace, something she's expressed was very valuable to her due to her loss. First by making a symbollic replacement, and then risking himself by retrieving the necklace from Zuko.

I also genuinely enjoy that in both of these instances, Katara put the necklace on herself? Like it would be so easy to just make a cliche meaningful scene where Aang puts it on her and "proposes" but theres almost something more appealing to me of Katara taking the necklace from Aang and putting it on completely on her own.

Katara does not need Aang to calm her down when she's angry, because, with the exception of the Southern Raiders, her anger is usually benign squabbling which is completely normal 14 year old behaviour. Wheras for Aang, his anger usually rears its head on rare occasions when he's in deep distress.

But Aang is there to comfort Katara, to bolster her confidence, to support her, make sure she's having fun almost whenever she needs it.

These are just a few examples of Aang providing comfort to Katara.

These actions may not be as bombastic and awe worthy as Katara ripping Aang out of a state of deity like power, but they are nonetheless important to Katara and make a big difference.

Aang and Katara's live language with each other is providing comfort, in any way they can. Be it by alleviating anger and pain, making the other feel good about themself, or connecting over the horrific genocides that brutally deprived them of their loved ones. You know, just normal couple things 💗

And this is where I could slander Zutara, but I'll simply tactfully say that Zuko... prioritised things other than Katara's comfort and happiness.

Also, incredibly rich that one of OP's examples of Aang going into the Avatar state out of anger was in the comics. OP neglected, however, to include the scene leading up to this where Aang is extremely calm and nonconfrontational until Zuko grabs Katara and refuses to let go of her despite both Aang and Katara telling him he's hurting her and then attacking Aang after Aang knocks him away from Katara.

Like hun this is not a good look.

And another point I'd like to raise is this persob in the comments who apparently watched the show blindfolded.

why are we still here just to suffer etc etc. Like have you folks even watched the show why do you have beef with a twelve year old who commited the crime of loving a girl his age. If you're that fucking upset about it you can just not have him do that in your mind palace you don't have to pick violence.

Aang is a genuinely amazing character who deserves so much more than what his haters say. It's fine if he's not your fave character I just don't understand why people have to be dicks about it.

Genuinely the only good thing I get from examining this type of bullshit rethoric is that it lets me inspect Kataang more closely and find new things I genuinely love about it.