#...of a distant past
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love rediscovering things i thought i "outgrew." amazing how much mental energy i wasted being ashamed of interests that are actually the gold-bearing veins of my bedrock psyche? which i will be mining for profit and pleasure for decades to come? say it with me: reuse recycle reobsess
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havanillas · 2 months ago
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Any previous fandoms you have been in before ratiorine?
hard to even call it a separate fandom since it's genshin but i used to be a huge albedo fan in high school
i subsequently got really invested in rhinedottir too and made fandesign for her, i didn't post them anywhere so i think i lost most of them but i do have this (with addition of small albedo)
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timetravelsong · 7 months ago
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𝐒𝐨𝐦𝐞𝐭𝐢𝐦𝐞𝐬 𝐈 𝐬𝐭𝐚𝐫𝐭 𝐝𝐚𝐲𝐝𝐫𝐞𝐚𝐦𝐢𝐧𝐠 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐟𝐮𝐭𝐮𝐫𝐞 𝐰𝐡𝐞𝐫𝐞 𝐰𝐞 𝐫𝐮𝐧 𝐢𝐧𝐭𝐨 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫 𝐚𝐭 𝐚 𝐠𝐫𝐨𝐜𝐞𝐫𝐲 𝐬𝐭𝐨𝐫𝐞, 𝐬𝐡𝐨𝐩𝐩𝐢𝐧𝐠 𝐟𝐨𝐫 𝐛𝐨𝐭𝐡 𝐨𝐮𝐫 𝐟𝐚𝐦𝐢𝐥𝐢𝐞𝐬; 𝐭𝐡𝐞 𝐨𝐧𝐞 𝐰𝐞 𝐝𝐢𝐝𝐧’𝐭 𝐠𝐞𝐭 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫.
𝐖𝐞 𝐜𝐚𝐭𝐜𝐡 𝐮𝐩 𝐚𝐧𝐝 𝐥𝐚𝐮𝐠𝐡 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐡𝐞𝐚𝐫𝐭𝐛𝐫𝐞𝐚𝐤 𝐰𝐞 𝐜𝐚𝐮𝐬𝐞𝐝 𝐨����𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫 𝐚𝐧𝐝 𝐭𝐡𝐞𝐧 𝐥𝐞𝐚𝐯𝐞 𝐚𝐠𝐚𝐢𝐧.
𝐓𝐡𝐞𝐧 𝐥𝐚𝐭𝐞𝐫 𝐭𝐡𝐚𝐭 𝐧𝐢𝐠𝐡𝐭, 𝐈 𝐥𝐢𝐞 𝐰𝐢𝐝𝐞 𝐚𝐰𝐚𝐤𝐞 𝐚𝐧𝐝 𝐫𝐞𝐦𝐞𝐦𝐛𝐞𝐫 𝐲𝐨𝐮𝐫 𝐬𝐨𝐟𝐭 𝐡𝐚𝐢𝐫 𝐚𝐧𝐝 𝐰𝐢𝐥𝐝 𝐞𝐲𝐞𝐬 𝐟𝐫𝐨𝐦 𝟏𝟓 𝐲𝐞𝐚𝐫𝐬 𝐚𝐠𝐨 𝐰𝐡𝐞𝐧 𝐰𝐞 𝐬𝐚𝐢𝐝: “𝐟𝐨𝐫𝐞𝐯𝐞𝐫“; 𝐦𝐲 𝐡𝐞𝐚𝐫𝐭 𝐢𝐬 𝐬𝐭𝐢𝐥𝐥 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐡𝐚𝐧𝐝𝐬.
excerpts from a book I’ll never write
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please-read-the-manga · 6 months ago
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Was thinking about an 'alternate universe' where a young Sasuke, in the absence of guidance on how to carry out his clan traditions, tries to connect to his fractured identity by spending time in the Naka Shrine and accidentally summons the ghost/spirit of Izuna who hears his cries of injustice and grief from the other side.
Truthfully, I don't know why it would be Izuna in particular, but I'm kind of playing around with the idea that his death was viewed as so unjustifiable and horrific by Madara that Madara's devastation over it prevented Izuna's spirit from properly/completely passing over into the Pure Lands. So, Izuna's spirit remains in this unaware-but-restless state and one day it materializes to answer the call of another Uchiha (who also just so happens to be an Indra transmigrant, like Madara, if we want to go there... maybe their emotions carry extra weight and power within the spiritual world) now trying to process his own unimaginable grief, this time over the death of his entire family, bloodline, and culture. Thus they become bound to one another (for better or worse) and Izuna is, from then on, always there, carried by (and only visible to) Sasuke on his journey...
Maybe they both come to believe that if they get justice for the clan (which they initially believe is by killing Itachi, 'the kinslayer') then Izuna will finally be freed and Sasuke will have done right by his family and avenged them. But really, I think what would actually be keeping Izuna 'stuck' is the plan that evolved (at least partially) from Madara's grief over his death, Project Tsukuyomi... thus their quest expands and the two then need to figure out how to alleviate Madara's guilt/sense of loss over Izuna's death and rekindle his feelings of hope in the world once more (ie. stopping the plan). Somehow, lol.
And I think Izuna would be a fun character to do with this with because there's so little we truly know about him, but so much we can infer due to his impact on other characters' actions/story events.
Idk, in my opinion there's just a lot of opportunity here for a good mix of heart and comedy, especially with Izuna as a more defined character that has a little more freedom than other characters to be molded. I also think having someone Sasuke can connect to, that's from his clan (but is also still deceased and a reminder of how alone he is, ie. end of the day Izuna is still a ghost, an ancestral relic of the now-dying clan) would have a profound effect on him.
It'd almost be like his own inner Kurama voice except Izuna provides no chakra or power amps, only scathing commentary on how much he hates the injustices of the village (and its Senju leadership) lol. Also, I like to think his reactions to all the in-universe stories about 'Madara's deeds' (which is really Obito) would be entertaining.
A sketchy comic since I like the idea so much haha:
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fashion4standusers · 2 years ago
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Anyway, if I had a nickel for every time a series had six installments that gradually escalated in ridiculousness, only for the sixth installment to end with a universe reboot and the seventh installment to pick up in a new universe where alternate versions of the original characters now exist in the distant past, I'd have two nickels.
One of those series is JoJo's Bizarre Adventure. The other is Riverdale
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neversetyoufree · 10 months ago
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I cannot be the first person to point this out, but I never quite processed until now just how much the "cracks" spreading out from Luna's Mark on Vanitas resemble Altus's sky.
We know the spreading cracks from Luna's Mark are related to how Vanitas is being rewritten, and we know that Altus's existence traces back to the rewriting of the World Formula during the Babel incident, so it seems like this cracking effect is caused by Formula alterations. But in what context? We see lots of formula rewriting in this series, including some pretty massive revisions in Gévaudan, and I can't find or recall any other instance of reality cracking into spiderwebs like this.
Vanitas's Mark contains the power of The Vampire of the Blue Moon, and Altus's cracks center on its moon, so maybe that has something to do with it? Or perhaps it's a sign of a rewriting's instability, since from what we see with Misha, becoming "something else" as a result of the Mark is not a good or stable state of being for the blue moon boys.
In any case, there's no real way to know what's up with this right now, but this connection has been haunting me since I finally caught it this week.
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luna-the-cretar · 1 month ago
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Picture this, if you will
One day, at Carnivale Lecroux, Frost is on a ladder or something, trying to hang up decorations. Gricko is helping hold the ladder, but then Hootsie runs off or something, and Gricko runs off after her, accidentally kicking the ladder in his wake.
So the ladder is unstable, and just as Frost is about to fall, Torbek (who is always lurking, and is just never noticed) happens to catch him. They stare at each other in pure astonishment for a moment, before Frost says “…hello…”
Gricko, hearing the ladder fall, immediately turns around and goes “Frosty! Are you okay!?”, running up to Frost (who Torbek is setting down now, not saying a word). Frost assures Gricko that he’s fine, and he goes to turn around to thank this mysterious bugbear who saved him, but Torbek is nowhere to be seen (back in the shadows, as always).
A week later, when Frost pulls out decorations to hang up, Torbek emerges from the shadows, immediately offering to hang them instead. Frost is like “it’s you! I didn’t get the chance to thank you for saving me last time.”, and Torbek more or less waves him off. “It’s fine,” he says, “Torbek is used to it.”
Frost asks for his name, and Torbek gives it. Frost accepts his offer to help with decorating, and they become friendly with each other. I wouldn’t necessarily say friends, no, but on the rare occasion they cross paths, Frost gives him a friendly smile, maybe chat a bit if they have time, and hey! At least he actually remembers Torbek’s name!
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sergle · 10 months ago
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you talk about commissions and client work plenty but you don't really post any art. what's up with that
order of operations, sorted by importance: 1. you are a very unpleasant person and people don't like to talk to you if they can help it 2. people ask about this sometimes! I'm very neurotic about this actually, because I prefer to only post Finished Commissions when I'm open for NEW ones, and right now I'm really just trying to work through my queue. so, maybe 1 out of every 10 clients will ask that their commission be kept private, so I don't ever post those. THE REST I HOARD. anytime you post a finished commission, you're inherently promoting yourself as an artist who takes commissions, and I try not to do that until I've given myself enough room to take on a significant amount of work 3. I don't make a lot of non-work art (sticker art, promo art, commission art, etc) these days because I'm sick and twisted in the head, unmedicated, and also I have carpal tunnel
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tanadrin · 2 months ago
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Although human civilization on Qefre is a couple of thousand years old, it has developed along idiosyncratic lines due to the existence of a planet-wide teleporter network left behind by the long-departed terraformers. These teleporters are essentially stone rings a couple of meters across that can instantaneously exchange everything in a spherical bubble inside them with a similar bubble inside another teleporter (usually including a flat stone platform that provides a convenient surface to stand on). Although their capacity is limited--you can move a lot more people and certainly far more goods by train or ship than you can by teleporter, even if those conveyances go a lot slower--they allow far-flung cities to cheaply stay in close communication with one another.
The basic political unit of Qefre is not the state but the rashun, a kind of ritual-political association tasked with managing the eruni, the logistics management system that controls access to recovered ancient technology. The terraformers seemed to use the eruni as a kind of basic permissions system to distribute and manage responsibility for the planet-wide terraforming infrastructure and its supporting technology; the powerful nature of the eruni and the need to use them responsibly meant that the planet's human inhabitants quickly developed sophisticated social systems for protecting them against misuse, which inevitably became entangled with questions of political power and competing interests between social groups. Rashun became landholding organizations early in Qefre's history, and soon supplanted most early proto-states in regions of extensive human settlement.
In the modern era, rashun club together with local governments and private political associations into "circles" which undertake most low-level administrative functions; these small-scale circles are in turn grouped into larger planet-wide circles, of which there are about fifty; and these larger-scale circles in turn are grouped into ten loose associations, which collaborate to manage affairs of regional or global interest. Since circles can hold territory basically anywhere within the region of human settlement, there has in practice been a strong pressure toward institutionalizing various forms of collaborative and representative government at all levels in order to prevent an absolutely sclerotic degree of political deadlock strangling economic growth.
Not that this hasn't been an issue in the past; indeed, much of Qefre's history has been an endless series of petty local wars, some rising to the scale of planet-wide affrays, with the fragmented structure of territorial control only serving to increase the amount of chaos when violence did break out. Eventually the largest cities, including all the teleporter-networked ones, got so sick of this state of affairs that they ganged up to completely expel the rashun from their immediate territories, and implemented a "power-sharing" agreement that was really an early form of representative democracy, which came to have a profound influence on the internal administration of the rashun themselves.
When the Western Territories were opened up by the discovery of the teleporter at Ar-Amal, the independent cities and the rashun hammered out a set of agreements to prevent a destabilizing series of landgrabs in the surrounding region; but now that the Territories have a large native-born population, many have begun to grumble that they are simply living under a kind of shared fiefdom, quite different from the actual self-government that the cities in the east--or, indeed, the subjects of the modern, collaborative rashun--enjoy. There is a growing local home rule movement, which envisions something quite different from the governments of the east for itself: exclusive territorial sovereignty, with no role at all for the Delegations in its internal affairs. Opponents argue that this is preposterous: that not even the haughtiest of the eastern cities could get away with demanding complete political autarky. To which the Territorialist answer is that all the eastern cities are equals in political affairs, and their political affairs (and political interests) are irrevocably bound up with their neighbors, in a way that is very different from the subordinated and exploited Western Territories. It seems to be an intractable conflict, where neither side is willing to entertain any notion of compromise, nor is it clear what such a compromise would entail. How it will resolve ultimately is anyone's guess.
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comet-cola · 6 months ago
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"We set Breath of the Wild so far in the future of the other games as a seamless way to essentially reboot the series and lore so our new ideas don't have to be beholden to and limited by established canon."
OK 👍
"We set Tears of the Kingdom a few years after Breath of the Wild as a direct sequel, but we also liked how much freedom not adhering to established canon gave us, so we decided to clumsily retcon both fundamental lore & seemingly random mundane aspects of canon without any explanation, instead of properly expanding on existing plot threads and environmental storytelling cues firmly established in BotW, to the confusion of many returning players."
What 😐
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sarasa-cat · 4 months ago
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Compelling research by Erica Chenoweth, a political scientist at Harvard University, confirms that civil disobedience is not only the moral choice; it is also the most powerful way of shaping world politics – by a long way.
Looking at hundreds of campaigns over the last century, Chenoweth found that nonviolent campaigns are twice as likely to achieve their goals as violent campaigns. And although the exact dynamics will depend on many factors, she has shown it takes around 3.5% of the population actively participating in the protests to ensure serious political change.
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completeoveranalysis · 16 days ago
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[1]
Chapitre 230 - A World Reborn/Resurrected World
BROKEN JAM JAR CONFIRMED!
It’s hard to get more broken than that!
Also Evil Wolverine screaming Don’t do it in the sidelines is delightful. This is what the anxiety demon inside my head looks like whenever I have to answer the phone.
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And there we go! There goes the Tsubasa power being used to return everything to the way it was. 
I think I’ve said this elsewhere but I really love the symmetry of the wings being used this way at the end of the plot here. It ties up and inverts a lot of the plot beats that we’ve established throughout the series in a way that's very satisfying, like;
The Sakuras previously being used as tools, now being able to use their own power for themselves (and reclaiming both their agency and their personhood)
The wings being intended (by Evil Wolverine) to break the universe for what he wants, but here they’re used to restore it instead
The feathers being scattered across the dimensions was a method for Evil Wolverine’s plans, but now the fact that they have memories of the dimensions is working against him, leading to the ultimate ruin of his plan
The fact that the presence of the feathers in a world would typically cause some kind of disturbance or imbalance as a result, but now the fact that they were there at all is what is letting all the dimensions be healed 
Also the feathers also being parts of Sakura - their absence was initially going to kill her, and now the Sakuras get to use them to save her (and the others) from dying 
The flip of both Sakuras initially being Evil Wolverine’s victims, now being the people directly responsible for his downfall
And there’s something in the parallel of the feathers coming together to make Sakura who she was, and now the Sakuras are coming together to make the worlds what they were
And I like the idea that Evil Wolverine absolutely destroyed the lives of all these people individually, but now they’re all here together and he just can’t stand up against them all. If he hadn’t hurt them all they wouldn’t all be here, but here they all are saving themselves and all he can do is scream about it. 
It’s pretty straightforward but also very just narratively satisfying to see it wrap up this way. 
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hamletthedane · 8 months ago
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It’s time to call in the big guns, boys
*takes a shower, eats, and goes to bed early*
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peachducy · 1 year ago
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can you leave me in the distant past
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goldensunset · 6 days ago
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life in hisui has to be so incredibly bizarre for the protagonist if you choose to imagine them as being from modern sinnoh without amnesia. for all the usual reasons but also because like. to them ‘sinnoh’ is just the name of the region they live in but everyone else here keeps referring to this ‘almighty sinnoh’ being that they worship. maybe this is just me as an american but. if i stumbled upon a place where a bunch of people praised ‘the great god america’ i would assume them to be a freakishly patriotic nationalistic cult and nope out of there so fast. like imagine how that would sound without context
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rottoons · 7 months ago
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hc design for a younger kotoko but i based most of her appearance on the theory she's that one unknown girl we see in harrow.
she likes to play wolves when she's not fist fighting bullies on the playground.
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kotoko - age 11~ had long hair as a kid. cut it short in middle school for many reasons. though, she neither liked nor disliked having it. strong sense of justice / black & white thinking from an early age
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