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#17 re
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Voglio idee per sopravvivere
E mille, mille, mille non bastano
E quel sogno, sai
Continua a chiamarmi nella profondità del mare
Un caduta dentro i vortici d'acqua
Le mie mani, che non si fermano più (non si fermano più)
Eh rispetta le mie idee
Eh
Rispetta le mie idee
Apapaia, apapaia, apapaia, apapaia
Che album 17 Re nel cuore❤️
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JONATHAN HARKER'S JOURNAL
(Kept in shorthand.)
17 June.—
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somecunttookmyurl · 5 months
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if doctors looked for hypermobility in children you could give them appropriate physical therapy exercises from a young age as their muscles grow, orthotics to correct leg/foot placement, and where necessary additional support like professional k-tape application or other mobility aids before you obtain essentially permanent overtraining injuries from your poor muscles trying their best to stop you comedically collapsing into a pile of bones
but no it's just growing pains. kids don't have things wrong. it'll go away
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Lucy……. 😭
The way today’s Re: Dracula episode is built up is so perfectly suspenseful. First Lucy’s diary, telling us she’s doing so well and she’s not even scared about Van Helsing leaving—wait, what? Then Seward, aside from Renfield’s behaviour being linked to Dracula activity, casually mentions he’s not going to the Westenra’s—does he not know..? Then the letter, unopened… The telegram, late… Followed by one of the most harrowing entries in the entire book. (With amazing sound design btw.) Whew!
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kibby-reaper · 1 month
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vic really loves his cursed boys
- mod kibby
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its-time-to-be-silly · 11 months
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Arthur was like "that's my stuff probably" and the ship people were like "you seem fancy, go ahead and tamper with the cargo". It's nice to be a lord 🎩💅
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enddaysengine · 3 days
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You want classics of horror literature to feel horrific again? Go listen to @re-dracula. It is the best. You won’t regret it.
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kozachenko · 9 months
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Starting off the 2024 season with Keiki because I've been thinking about her a lot lately
Artist's Note:
I decided to experiment a little more with my rendering style via using a more traditional approach to drawing in the shadows. I like how much texture this piece has as a result, my friend told me it looks like something out of a storybook and that was the look I was inspired by so I'm glad it turned out that way.
Also, when it came to doing the front view of the nose, I just went "fuck it" and made it a dot because why learn anatomy when you can just default to what 5 year old you did when drawing faces?
I also had an idea of how to draw Keiki's dress as that has always been something I've struggled with since it's kinda confusing to draw lol. I also gave Keiki some earrings in the shape of a kofun tomb because we need more Keiki with earrings (I could have also taken from IRL but I'll save that for when I draw Keiki next). Speaking of Kofun tombs, I made the thing she's laying down on the shape of a Kofun tomb, because this is also kind of a redraw of some old Keiki fanart from 2021 that I will show right here.
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I liked the concept of it (i.e. Keiki in the middle of a Kofun keyhole with the fire thing she has surrounding her) so I decided to try at that concept again just for fun. Back then I was very adamant on staying as close to canon as possible, but now I'm a lot more lenient with how I draw the characters. The pose in the 2021 drawing was inspired by that one Shinra-Bansho records MV where Keiki showed up for 5 seconds and the rest of it was Yachie but yeah. Also I always thought Keiki's apron was a dark green BUT NO IT WAS JUST A DARK SHADE OF FUCKING TEAL ZUN WHAT IS THE COLOUR THEORY BULLSHIT YOU HAVE CONFUSED ME FOR SO LONG-
anyways, I would say this is a pretty strong start to 2024 art wise, I'm gonna keep experimenting with this new rendering style because I like it a lot!
Below I put a comparison between the two drawings in case any of you wanted to see the two drawings side by side
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solargeist · 2 months
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a bunch of random OCs and languages they speak
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AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
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likeniobe · 2 months
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portrait of margaret layton by marcus gheeraerts the younger, ca. 1620, and waistcoat, at the v&a
This fine early 17th-century woman's waistcoat is particularly significant because it is shown being worn in the Portrait of Margaret Layton [...] In the portrait, Margaret Layton wears the waistcoat with an Italian needlelace collar and cuffs, a black velvet gown, a red silk petticoat and a whitework apron. [...] Although the waistcoat was made about 1610, the portrait was painted more than 10 years later. By this time, waistlines had risen. Margaret Layton adapted to the new style by raising her petticoat and covering the lower half of the waistcoat.
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bisexualmcqueen · 1 month
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this is why i need to look at COTR frame by frame ok
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the tree grew
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Us: Oh my goodness Jonathan I haven't heard from you in ages! What have you been up to?
Jonathan:
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Rewatched The Mighty Ducks trilogy. Have some shitty memes.
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marggri · 4 months
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Four days and nights of peace
I need not forego my sleep; to-night I could not well do without it
very important; do not fail
delivered late by twenty-two hours
(Unopened by her.)
😭
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