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#2 lives 1 yokai
cruilty-ink · 1 year
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Master post ig
Hiya! I dont really know what to put here, but this is just gonna be links to my projects that I'm working on. Like my fan fics and comics
Random shit:
the BOX
this is my youtube, if u just wanna see funny shit ig
THE TURTLE PROJECT!
My new DTIYS
sona ref
Heres is where you can find my fanfics:
{2 lives, 1 yokai} ( oc insert story)- currently on hiatus
{stuck together} (mini Leo meets bigger Leo)
My comics:
Is this right?(fin) / can't we go back (discontinued)
Leo, Donnie, Mikey, Raph
Pt.1, pt.2, pt.3, pt.4 pt.5, Pt.6, pt.7 pt.8 pt. 9 pt.10 pt.11 pt.12 pt.13 pt.14 pt.15 pt.16 pt.17 pt.18 pt.19 pt.20 pt.21 pt.22 pt.23 pt.24 end
The mindscape
Le discord for ITR
Guilt trip (fin)
(warning for blood & Gore ig)
Worm tv
NOT RISE RELATED COMICS
where sea meets sky
#1, #2
Thats it for now
Bai
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claitea · 2 years
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new world of steam looks so GOOOOOD AUGH I’M SO EXCITED
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ozzgin · 9 months
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Yandere! Yokai Harem x Reader (II)
The two yokai men reach an agreement and you begin your journey together, searching for clues regarding the mysterious case of your incomplete reincarnation. You learn about the third of the Legendary Yokai, a gargantuan monster worshipped in times of war.
[Part 1] [Part 2] [Part 3] [Character Guide]
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The next swish of the mysterious man's sword is parred by Kiritsubo, who managed to make his way to you in time.
"Wait! It's not entirely him, Murasaki, I can explain!" He shouts frantically.
"So you let him live. This is why you've never been good for anything." The dark haired man snarls in a low voice, disgust seeping through his sharp teeth.
It becomes obvious rather quickly that he has the advantage in terms of battle experience. You can only stare in fear, stuffing your wound with your jacket sleeve. What else can you do? You're bleeding profusely and if a demon of Kiritsubo's stature cannot compete, you'd be even less helpful.
"Listen to him, man, I genuinely don't know anything about your master!" You beg as your limbs are flooded with a prickling sensation. They're slowly going numb. "Please. I just want to go home."
Damn it. You have no idea whether the bleeding will stop anytime soon. Is this how you die? You won't even get a proper burial. Even worse, your family will live on thinking you vanished without a trace, unaware you've been stabbed to death by a crazy jackass in feudal Japan. You wish you could make them stop.
You squeeze your eyes tightly, trying to think of a way to escape, when you hear both men groan in pain. You look ahead to see them on the ground, clinging tightly to their chests, faces twisted in a grimace. Huh? They couldn't have killed each other in the few seconds they were out of your view. What is going on?
After a few agonizing moments, the yokai seem to calm down. Kiritsubo is gasping for air, clumsily pulling himself back up. Murasaki remains on the grass, forcing himself to appear collected despite the cold sweat coating his forehead.
"That's...what...I...meant..." The silver haired demon groans between hitched breaths. "Whew. You see it now, don't you? She doesn't emanate enough power to pull this off. It's coming from somewhere else."
Murasaki clicks his tongue in visible annoyance.
"So then, what do you suggest?"
"I don't know. But something is stopping you from killing her and there's a chance she's connected to the source."
"What are you guys whispering about?" You inquire, crawling closer towards the horned men. "And why did you suddenly collapse? You scared the hell out of me!"
"You didn't feel anything?" Kiritsubo questions you with raised eyebrows.
"Besides the, I don't know, stab wound? No, thankfully." You respond sarcastically.
Without a word, Murasaki stands up and approaches you. He crouches down to your level and nonchalantly slaps your hand away from your shoulder.
"Hey!"
"Have you ever tended to a wound in your life? You're shit at it." He uses his sword to cut off your sleeve and folds it over your gash with calculated movements. You hiss at the pain and glare at him. "Bite down on a stick if you can't handle it. Better than being dead."
The white haired yokai flashes you an awkward but reassuring smile.
"He might be an ass about it, but he knows what he's doing."
"Why are you helping me, anyways?" you point out, somewhat wary. "You literally tried to kill me a moment ago."
"I changed my mind. You'll help us find the damned bastard or whatever it is he's using to control us."
"What, the priest? Hell no, I'm going back to my world. I've had enough action for the rest of my life."
Murasaki finishes bandaging you and gives you one final press, almost as if messing with you, and you wince. He stands up and slides his sword back in its sheath.
"If you focus a little, you will find there was no question or request in my words. I'm not negotiating with a weakling like you."
Kiritsubo squats down before you and claps his hand together, pleadingly.
"Please think about it, (Y/N). I know you don't owe us anything, but there's a chance we could finally break the seal and be free. If you'd consider helping us. You can walk away, but that won't change the fact you're part of Abe no Nakamaro. He will want his powers back at some point, and we can protect you when the time comes."
You cross your arms and frown thoughtfully, pondering the options. He did save you twice already. So in a way, you're indebted to him. And if he's right, and you will have to deal with more crazy encounters in the future, it's probably better to have two powerful demons by your side.
"Alright, alright. I'll help you." You exclaim with a confident nod.
Kiritsubo grins, satisfied, and Murasaki huffs and looks away. There's a prolonged silence as you wait for them to continue with further instructions, but the men remain quiet.
"So...what now?" you eventually speak up.
"Oh. I thought you knew where to go next." the silver haired man retorts, confused.
"Idiot. She's not a compass." Murasaki scolds him. "Can you stand?" He adds, turning to you. "There's a shrine a few kilometers away that belonged to him. If we leave now, we should make it before sunset. Maybe we can find something there."
You try to prop yourself up, but Kiritsubo promptly scoops you with his sinewy arm and throws you on his back again.
"I'll carry you. Just hold on."
A faint blush dusts your cheeks, but you don't have the energy to argue it. You clutch onto his broad shoulders and nod.
The walk is uneventful and both yokai seem to be distracted. The gentle swaying is causing you to be more comfortable than you'd like to admit and your eyelids become heavy with exhaustion. Before you know it, your head drops against the toned back and you fall asleep.
By the time you open your eyes again, you've already reached your destination. You yawn and stretch, lazily scanning the surroundings. A heavy shadow looms over you and you glance up. Still groggy from your nap, you scream before you can fully process the object towering above.
It's a statue. A colossal statue of some sort of monster. A demon with thick, wide bull horns sprawling out imposingly, almost eclipsing the ridiculously muscular build. The creature has four arms, flexed in a threatening manner, with one hand gripping a heavy spear and the other a skull. The crimson light of the sunset creeps through the windows and reflects against the chiseled clay, giving the statue a devilish glow. You feel insignificant.
"That's Suma."
"W-what?" your head tilts to Kiritsubo.
"He's one of us. You might meet him soon, if he's been alerted of your presence. This is a shrine built for him, to bring good fortune during times of war."
You cannot help but gawk at the structure.
"Is it, uh, life sized?"
"Heh, almost. He's a little taller than this." He chuckles, slightly nostalgic.
You swallow dryly. Just a moment ago you thought Kiritsubo was unusually big.
"I'd rather not meet him, to be honest." You shiver at the idea.
"Don't worry about it. Now that Murasaki has joined us, you're pretty much safe from anything. He's the strongest of us." The yokai remarks with a sad smile.
"Really?"
You peek at the dark haired man, currently flipping through dusty manuscripts, and briefly observe him. Compared to Kiritsubo, he's quite slender, with noble, elegant features. And he'd be able to defeat this enormous beast? Then again, the glimpse you've caught of his swordsmanship is enough of a convincing argument.
What a bizarre gathering of creatures beyond your understanding.
You remember to look away when Murasaki grunts and throws the remaining scroll of paper. His lips form a thin line as he rakes his mind for the next step.
"Nothing here. But I'm rather certain he has to be at one of his hideouts. We'll check each and one of them if we have to." 
"Wait, are you saying he's still alive? We saw his body before Sekiya and Sakaki took him for the embalming and burial."
Murasaki scoffs at his partner's gullible nature.
"And you believed it? That parasite spent his entire life searching for ways to prolong his reign. He's probably hiding somewhere, waiting for his renewed part of the soul to return to him." 
He rests against the wall and points a clawed finger at you. 
"This must've been his solution. Releasing his remaining energy until it found a proper vessel to grow stronger, and patiently awaiting the body swap. Then we go back to being whipped dogs fulfilling his whims."
It's your turn to be outraged, twisting your mouth downwards.
"No way, I'll pound that old man into sand!" You bark and throw a jab against the air, emphasizing your threat. "As if I'd just hand myself over."
"I'm not sure if it'll be that easy, (Y/N)..." Kiritsubo glances at you with a hurt expression. "He's a terrifying, vengeful bastard."
"Not if we find him first and take him out." Murasaki counters with a glint of determination in his eyes. "Humans need to rest, don't they? We'll spend the night here and tomorrow we head out. Kiritsubo, find me a map so we can keep track of the locations. I'll bring the wood for a fire."
And with this, he marches out. Kiritsubo scurries to his duty and you quietly follow his movements. He seems to be used to executing Murasaki's orders. You hadn't considered their group dynamic much, but it appears to have some rather complex hierarchies involved. You almost wish you could witness all of them together, wondering how they'd interact with each other. 
Who knows? If you stick around, it could happen eventually. Murasaki was surprisingly easy to convince, so the other yokai might as well agree to keep you alive until you find their source of misfortune. Heh. Almost like a harem, or something. You snicker to yourself.
Which reminds you...
The fire has been lit and Murasaki mumbles something about guarding the perimeter. This time you hurry outside after him. You reach out to the dark haired man and pull on his kimono sleeve.
He turns to you, mildly irked.
"What?"
"Teach me how to use a sword." You state with the assertiveness of an order.
"Why? I can assure you I'm more than enough. I've never been defeated." He stares at you, incredulous.
"I don't want to rely on you all the time. You're already this close to being unbearable", you explain, pinching your fingers together. "Besides, if I'm going to be stuck among beasts, I'd very much prefer being the one doing the cool stuff."
And with that, you pretend to slice through an invisible enemy, whistling the sound of your sword cutting through the air. You furrow your eyebrows, imitating the engrossed expression of a seasoned samurai in the middle of a battleground. Murasaki quickly lifts a hand to his mouth - did he chuckle just now? - and responds, the faintest amusement in his voice:
"As you wish. But I'm warning you now, I won't hold back."
"I've been injured twice in less than 24 hours, I'm sturdy enough." You answer, patting your chest proudly.
Next time one of the Legendary Yokai comes for you, you won't be as vulnerable. That's for sure.
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daedelweiss · 1 year
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NEW MASTERPOST✨
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first up: Life Mission: Save My Brothers (Comic) 🌟
"Life Mission: Save My Brothers" is a Rise of the Teenage Mutant Ninja Turtles separated AU (alternate universe) where it explores on the concept that Splinter saved only one turtle after the mutation process: Leo. The other turtles are separated in the world: Raph was brought to and raised by Big Mama to be a Battle Nexus Champion, Mikey was taken by Draxum and trained to become a warrior to combat humans for the Yokai to take over the surface, and Donnie was thought to be dead but was taken in by a mob until he ran away and found Big Mama at the age of 7. Their story involves their process of finding out that they are not alone, that they have family, and how they reunite and become the ninjas they were always meant to be.
THE COMIC:
THE RED KNIGHT'S ARC Episode 1: The Buried Memory
SET 1 (Beginning of Episode)
SET 2
SET 3
SET 4 (End of Episode)
Episode 2: Found Alone (Coming Soon)
WEBSITE 🌟 SPOTIFY PLAYLIST YOUTUBE PLAYLIST
TRAILER:
youtube
TAGS: rottmnt life mission AU, life mission AU, life mission comic
more AUs under the cut 💖
THE SKY GARDEN DISCORD SERVER ⛅🌼🌷✨ (18+ ONLY)
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Quiet Your Mind (Fanfic) 🌌
15 years into the Krang invasion and everything is going south: food was running low, everyone had to take multiple shifts in multiple jobs, and almost everyone is missing a family member. Mikey's mystic powers haven't developed fully and Donnie's and Leo's were dwindling. There was one way to regain that power, one way to turn the tide to their favor, and, possibly, save the twins' bond.
The cost? Silence.
TAGS: rottmnt quiet your mind, quiet your mind
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Pieces of Home 🌊
"Pieces of Home" is an original TMNT iteration where Donnie is the oldest, followed by his twin Raph, their middle sibling Mikey, the youngest turtle Leo, and their little sister April. The turtles were all once human and lived a happy, normal life until one day, a mysterious person cursed them with a green, magical liquid that burnt away their human bodies and mutated them to half turtles. Their father, Splinter, was mutated to a rat and his husband was never seen since. 12 years later, Leo ventures to the surface despite his oldest brother's wishes and finds secrets about his other father. Their journey begins when they discover who he was and when they receive gifts he left them.
(More about the iteration coming soon...)
TAGS: my tmnt, tmnt: pieces of home, pieces of home AU
Links to my other socials can be found in the bottom of the Life Mission website ✨
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angelpuns · 1 month
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Lil Hater Au Masterpost!
The Lil Hater au is a Leosagi Au that takes place several years after the movie! Leo and Yuichi are living together and taking it day by day when they find a kid in the Hidden City!! Oh no!!
Character Refs:
Leo Ref | Yuichi | Lil Hater | Spot
Donnie | Mikey | Raph | CJ | April | Splinter
Comics:
First Day
First Night (mini)
First Meeting
Un-yokais your Usagi
Doodles:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
Info/Asks:
Anything not linked can be found in the tags: #lil hater au and # unnamed leosagi au
Enjoy!
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atlantahammy · 4 months
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Hamato Clan Pallets | So, part 2 of my project I started because I noticed a number of the colors from @pluvionpc's color pallets were Season 1 exclusives, or were tinted by the scene color overlay and thus not the true bases. (No offense to you man, you did what you could and without them, this wouldn't exist) The purple dragons were surprisingly hard to get colors for, because they only appear, in light / neutral lighting, in 1 episode of the 3 they appear in, either dark in the next or on a screen. That and I kept fucking up the pallets with errors, can ask those in @elliwoods Bean Server... There was screaming and crying into 2 AM as I live-blogged spotting the errors, after dropping it there like... 6 fuckin' times and dying each time I saw a new one. /rage.
I maaaay have psyched myself out a bit on Big Mama's spider form pallet because I thought it was going to be painful... It wasn't, It was easy, and the fastest, I got it done in less than an hour.
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Also, fun fact, Big Mama's Spider form is one of the few whose mouth gets colored in black. She also seems to have 2 web colors, that purple, and the silvery purple that is her human form's hair color.
Sunita was also pretty easy, as she's one of the few characters that have had their turn around posted, that I could pull base colors from, even from her Googlyschootz sheet, which has the opacity effect (I think it is around 80% or 90%)
On that note, Sunita still has the default mouth colors, but they're layered on top of her green color + opacity lowered.
Fun fact: Sunita inadvertently confirms that while 'Yokai' is the general term for all the "mythical's" (IE: Like ''Humans") in the world, they all do have individual names, IE: She and her dad are Googlyschootz. (Also the fact I had to go to the transcript to get her race name, instead of it being listed under trivia on her wiki page, greatly irritates me.)
Drax's villain armor was... Easier than I thought, I kept procrastinating on it because I thought it would end me out of frustration and it would end up being bigger than it was... Though it is clear his design had a few color changes before the show aired by all early art being all colored differently.
I also didn't do Huginn and Muninn with Drax's as I gave Mayhem is own, might as well give the two their own pallet too.
———————————– My Commissions | .Carrd | Ko-Fi
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starry-eyed-adam · 9 months
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ROTTMNT HEAD OVER BOOTS MASTERPOST
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ART CREDIT: @aversiteespabilas THANK YOU SO SO SO MUCH!!
FIC LINK
100 follower DTIYS / CTIYS!
Hello!! This is a future, Leosagi, Western/Cowboy ROTTMNT au that takes place in Montana, USA. Loosely based on the song linked above. It is a fic on AO3 that is updated every Sunday night CST. Occasionally I will upload early :)
SYNOPSIS:
Yuichi Usagi, former samurai, recently relocated to Montana from the headache that was New York, looking for a fresh start. The clear skies and mountain air provides a lot of calm—and new opportunities, he discovers when he meets four turtle brothers down the street from his farm, each with their own captivating personality and kind souls. One in particular has started to make his heart pound a little faster, and yet he can’t shake this strange feeling that he knows him from somewhere…
Leonardo Hamato has lived in the same rural community almost his entire life. His family packed up and left the city when he was seventeen, and there isn’t much he remembers from the months leading up to their move. One thing he does know is that this handsome stranger is about to make his life much more interesting.
Donatello Hamato has been described as a gunslinger, a vigilante, a cold force of unstoppable nature. That’s certainly what he looks like to Yuichi, and the rabbit yokai can’t explain the man’s unwelcoming attitude towards him. But as Donnie begins to block him out of Leo’s life, taking down old pictures from the wall, silently conveying that some things are best stayed buried, well… something is definitely wrong here.
CHARACTER REF SHEETS:
Yuichi
Leo
Donnie
Mikey
Raph
TAG:
#Head Over Boots, mostly where I draw, write, and reblog other people’s cowboys :))
2058 (CW: death)
parts 1 2 3
more updates to this post to come! if you’re reading the fic, thank you sooo much!!
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writingwithcolor · 1 year
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Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction?
Dear readers: 
Today we are trying something new. To give you some insight into our process in the Japanese moderator section, we are presenting our response in the form of running commentary to show you how we dissect and answer long asks. We hope this makes clear what points are useful and not useful when sending us a query. As always, this is for learning purposes, not callouts. Be prepared: this is a long one. 
To summarize: the asker is looking to create a comic drawn in Japanese manga style, and has provided a long summary of the story and worldbuilding which involves a mix of “reimagined” Japanese yokai mythos and cultural symbols from many other sources. They have questions with respect to cultural appropriation, coding etiquette, and “what is and isn’t ok.” 
Opening Comments
I know a common advice when it comes to the thing I am about to ask is to talk to people involved in __, but I struggle with opening up to strangers for reasons I'm uncomfortable explaining. 
Marika (M): This is already a red flag. If you want to engage with another culture without talking to people from that culture, then research is going to be very challenging. You won’t have members of that culture to guide you towards sources and perspectives they feel most accurately represents public opinion. If I were in your shoes, I might start with tackling my discomfort when engaging with other people, if only to improve my work. If you aren’t ready to engage with a culture and its people directly, then I think you should wait until you are. 
I should note, reaching out to the Japanese mod team at WWC does count as engagement, but WWC should not and cannot be the only point of contact because there is no single, legitimate cultural perspective. 
Rina (R): Also, you don’t need to “open up” to strangers or talk to them in person to get perspectives. Asking specific research questions anonymously to a forum or on social media requires very little vulnerability. You managed to do it here on WWC. So give it a try! 
Anyway, my question basically amounts to the what is and isn't ok [sic] in terms of depicting fantasy creatures and concepts outside of their respective culture.
R: So, the reason why we turn away rubber stamp questions by that ask “is XYZ okay?” is because “okay” & “not okay” 1) is vague and 2) creates a dichotomy where there isn’t one. 
When we say something is “not okay,” do we mean:
It’s offensive to the general majority of XYZ group? 
It’s contentious among people who ID in the group? 
It has a potential to be interpreted in a certain negative way, but may not be a red flag to everyone?
Insetad try asking:
What are the reasons this subject is offensive? 
What makes cultural appropriation bad? 
When might it be “okay” to intentionally discuss a difficult or controversial topic?
What is your reason for including something that may be interpreted as offensive and can it be sufficiently justified? 
What stereotypes or tropes might it be consistently identified as or associated with, and why? 
When might it be justified to bring up these tropes?
With That In Mind...
Let’s get into the rest of the ask below. 
…a story I've been working on in recent times is largely inspired off the Japanese yokai, and the setting is basically Earth in the far future, as far as when the next supercontinent may form. These yokai, although portrayed differently here, do retain their main characteristics [...] Included in this world are two goddesses of my own creation, primarily representing the sun and the moon. [...] There will be thirteen nations, named and based after the Chinese Zodiac, and the life force found in the living things in this world, called qi, comes in two forms that are always opposing each other but can never fully overpower the other, this being based off yin and yang. They're even directly named this; yin qi and yang qi.
M: This reads more like using Japanese and Chinese culture for the “aesthetics”, not the cultures themselves, which I personally feel falls under cultural appropriation. From a world-building/ coding standpoint, the actual use of concepts is workable, and, dare I say, typical, given how Chinese cosmology influences Japanese culture. However, naming a concept “yin qi” or “yang qi” is the equivalent of naming something “- charge” or “+ charge”, respectively. That you don’t seem aware of this tells me you are pretty early in your research phase. In that vein, we’ve covered translating terms and names from foreign languages in fantasy before. See the following article linked here for our recommendation against using RL terms outright but instead encouraging people to create their own conlangs. 
R: Worldbuilding-wise, I think you would have to figure out the chicken-or-egg of the zodiac nations. Did the nations come first, and the zodiac later as an origin folk story (which you would have to rewrite to serve the nation-building narrative)? Did the zodiac come first, and the nations named (most likely re-named) by a political entity? What is the justification? Otherwise, again, it’s a shoehorning of aesthetics. 
There is also a third, lesser known god based off of fox spirits and trickery and I imagined he's the patron deity of a family that honors and worships him, but his influence on them has transformed them into Kitsune-tsuki, which I depict as fox-like anthros. 
M: Not related to this ask directly, but I have jokingly ranted about how often non-Japanese people prefer using imagery related to kitsune-tsuki in Japanese coded world-building (link). This makes me feel the same level of petty irritation. See my troll answer below for a similar experience.
R: Same. It’s boring tbh. 
M: Troll Answer: I get that kitsune-tsuki are very sexy furries, but Japanese folklore has other sexy furries too! These underrepresented demographics also deserve recognition and appreciation!!
The plot of the story is this; modernization has left the goddesses neglected of their worship and forgotten, something that is necessary in this world to stop them from fighting each other. The Moon Goddess awakens first, punishing the humans by unleashing the yokai. Then the Sun Goddess wakes up to fight in humanity's defense…
M: This could feel rather like Shinto-like coding (Ex. the myth of Amaterasu and the Cave, or Tsukuyomi slaying Ukemochi), but something about this scenario feels a bit too binary in terms of themes of good v. evil, light v. dark to be Shinto. The plot also feels more Gaelic/ Nordic in influence for me as a person raised in a Japanese Buddhist and Hindu household. I imagine this dissonance could have been fixed with better guided research. 
…but their fighting has caused a perma-eclipse and this world is in danger of ending. The yokai have run rampant; some are loyal to the Moon Goddess, and some aren't, and it lies to the main characters to bring balance back to Midgard. Yeah... the name of this future Earth is Midgard. I debate changing it since it and some other things I will mention sorta feel out of place.
R: Marika, looks like you were right on the Gaelic/Nordic influence /j 
Also, worldbuilding question: if the Earth is in the far geologic future, how long has it been since modernization (19th-20th century)? Centuries? Millennia? How long has this fighting gone on for? What triggered the perma-eclipse, and why now? Why is this time depth necessary? 
One of the main characters in question is a humanoid woman with wolf features named Ling, and she is a descendant of the dynasty that had first ruled the one of the nations, particularly the one based off the dragon zodiac. She accidentally summons the other main character to this world as she's praying at a shrine, a humanoid with dragon features--I call them drakon--named Angelynn.
[on the names of characters] is it appropriating by not having the world entirely based on [Chinese, Japanese, and Indian] influence? it's a little weird to me how worldwide the creatures are referred to as yokai, implying a strong Japanese influence not unlike how it is today with Western culture being so dominant, yet there are still names like Keith and Kiara.
M: I will give you credit for recognizing you have unconsciously veered towards white-washing/ race-bending: either presenting European cultural influences (drakons, Angelynn, Keith, Kiara, Midgard) as default or utilizing general E. Asian cultural influences and aesthetics for a Western-style story (Ling, qi, Chinese zodiac, yokai). I agree with you that this creates a sense of cultural dissonance. At this point, I’d say you have a clear choice: write a Western-style high fantasy using a background with which you have more familiarity, or get some better guidance on research with East Asian cultures so you can code the story more effectively. 
The focus of this story is centered around meeting all these yokai and showing that there's more nuance to them than Ling believes, all while saving the world. But I worry if I'm appropriating these concepts and creatures by 1, drawing from more than one culture--I initially imagined that there would be a mix of Chinese, Japanese and Indian influence because according to a website I am getting the info on yokai from, the yokai in question already draw inspiration from or have been based on something in Chinese mythology or Hinduism [...]
R: Sure, some yokai have Chinese or Hindu parallels as that tends to happen with folk tales. But not all–some are unique to Japan, and some are more modern. Sometimes it’s very political–some people consider the Ainu Korpokkur as being a “Yokai of Japan” despite it belonging to the indigenous culture. It’s up to you to research, untangle, and understand these influences. 
The fact that you bring up that the Asian continent has seen a lot of cultural exchange is not a sufficient reason to randomly combine influences for the sake of visual appeal or “coolness.” That is appropriation. These influences must be understood in their historical context so that you know how/why certain things combined or morphed into another, and what makes sense to combine/morph. 
M: This also indicates that the character views the yokai as evil/inherently bad, which I would argue is not a typical stance for much Japanese folklore. Again, this shows a deficit in research. 
2, reimagining these yokai in a new context even though I have done the research on them, because one thing I kept seeing in regards to cultural appropriation is that it's bad to do that […]
R: Refer above to my note on “okay” and “not okay.” The thing with folklore and fairy tales is that every–and I mean every–folk tale is reinterpreted with every new iteration of it. Reimagining in a new context is what people do every time they pass on a story or tell a story with the same plot or characters. Do not think of folklore as an “original” that is altered and rebooted, but rather a living document that gets added to. Reimagining is not the inherent issue. HOW you reimagine something matters. 
So I suppose my question is...if someone were to do research upon the creature they want to use, given they are allowed to use it, and gained an understanding of what the creature or concept stood for, are they allowed to pick it apart and reimagine it? Alternatively, is it ok if it's explicitly pointed out that it is derivative of the original?
It has actually become my biggest fear that I may have internalized something that could both continue to do harm long after the fact and attract the wrong people to me work. I don't wanna let people down!
M: As Rina has noted several times, I think the problem is in trying to ID a set of specific variables and circumstances that make a thing “okay” or “not okay.” I want to recommend that you read my joking response about writing in secret rooms while wearing a disguise (Linked here). Who can you hurt if no one knows what you are doing? There’s a difference between creating for oneself and creating to share. 
You have internalized a message incorrectly, but not the one you cite. The goal of many recommendations against cultural appropriation is to avoid causing direct harm to people who have seen their cultures demeaned, discredited and devalued, especially in shared spaces. Assessing cultural engagement, whether we are talking about appropriation, appreciation or exchange is not a measure of personal virtue or a collection of commandment style do’s and don’t’s. Rather, I believe engaging with other cultures is the state of mind of acknowledging that when using these cultures’ in one’s own work, there is value in consulting members of that culture and giving credit where credit is due. This will be challenging if you are only comfortable engaging with all of these cultures in a distanced, minimal capacity. 
FWIW, I’ve written stories that probably will offend people from other cultures and backgrounds, but I don’t show them off. I don’t think writing these makes me a bad person, but I also don’t see the need to give unnecessary offense, so those stories are just for me, to be written and read in my own secret room. However, I’m not ashamed of having written them, and I’m also comfortable to “let people down” provided that my own shared work reflects my personal principles of what I consider to be sufficient research and engagement with other cultures,  As a creator, my work wouldn’t be mine if I didn’t first please myself. I think the trick to the creator role is deciding what to keep private, what to share and what constitutes sufficient engagement. 
P.S. 
We’ve referenced the need for research multiple times in this ask, and in some of the other asks that have gone up this week, so we thought this would be a good place to plug a beginner’s guide to academic research created by the mod team.. Look for it soon under WWC’s pinned posts!
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wanderingsimsfinds · 9 months
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WanderingSims Fave CC - Traditional Asian Décor List
1 - simbalances - Ohara Koson Prints
2 - ziggy28 - Virtue Asian Character Paintings (TSR)
3 - WanderingSims - Japan Wall Art
4 - chuchuwitch - Asian Paintings
5 - baufive - Flock of Woodcuts
6 - BionicZombie - 4t3 Snowy Escape Paintings
7 - baufive - Japanese Woodcuts
8 - LCC - Chinese Scroll Claborate Style Painting
9 - Devirose - Japanese Ideograms 1 (TSR)
10 - Devirose - Japanese Ideograms 2 (TSR)
11 - Devirose - Japanese Prints Collection (TSR)
12 - Devirose - Japanese Print 1 (TSR)
13 - Devirose - Japanese Print 2 (TSR)
14 - Devirose - Japanese Print 3 (TSR)
15 - Devirose - Japanese Art Collection 2 (TSR)
16 - ziggy28 - Japanese Scenes (TSR)
17 - Devirose - Japanese Art Collection 3 (TSR)
18 - Devirose - Japanese Manuscript (TSR)
19 - ziggy28 - Large Asian Cats Scroll (TSR)
20 - linasometimes - Wisteria & Blossom Paintings (TSR)
21, 25, 33, 37 - you-lust - Vaguely Japanese Pt. 1 Set (Eastern Blossoms Scroll, Blades of Masamune Wall, Japanese Cantankerous Splatter Painting, Zen Bonsai)
22, 32 - Kilhian - Japanese Painting Birds & Sea
23 - ohymysims - Painting Katsushika Hokusai
24, 27, 39-40, 52, 61 - you-lust - Vaguely Chinese Pt. 2 Set (Huabanzhu Chinese Scroll, Yuxi Winter Blossoms Scroll, MTSims Chinese Burner, The Daruma Wishing Doll, Yuxi Bamboo Slip, Shoyou Shoji Screen)
26 - MurfeeL - Wall Scrolls w/Tassels
28, 41, 70 - MurfeeL - Birthday 2020 Dump (EA WA EP Vintage Chinese Ads Framed, AMR Fan Decor Redone, Lacquer Byobu Decor)
29 - Living Dead Girl - Benjamin Bedroom Artwork Asian (TSR)
30, 38, 51, 54, 63 - you-lust - Vaguely Chinese Pt. 1 Set (Yuxi Tokonoma Series Scroll, The Little Jug of Wishes, Yuxi Dragon Scroll, Yuxi Scroll Clutter, Yuxi Ixinqin Screen)
31 - RD - From The East Wall Art
34-35, 50 - you-lust - Vaguely Japanese Pt. 2 Set (Yuxi Haruyo Morita Painting, BBSL Hanging Kimono, WFS Teapot)
36, 65-67 - KerriganHouseDesigns - Hayashi Set (Wallpanel, Floor Lamp, Golden Branch, Screen)
42-43 - you-lust - Azaya Fortune Cat & Higanbana Kokeshi Doll
44 - Martassimsbook - 4t3 novvvas Desierto Bedroom Buddha
45 - MurfeeL - Yokai E-Hon Books as Decor
46-47 - Ritsuka - Fortunate Cat & Japanese Lucky Cat
48 - Ziva-Sims - SimpleStudio404 Japanese Box Recs
49 - MurfeeL - MTCakestore Chinese Books Stackable
53 - HydrangeaChainsaw - Antique Set Chinese Table Lamp
55 - HydrangeaChainsaw - Sakura Bonsai
56 - you-lust - lisen-nymphy Buddha
57 - NoirandDarkSims - Mitarsi Kitsune
58 - SimpleStudio404 - Japanese Misc Set Emongake Deco
59 - you-lust - simaddict99 Oriental Paper Parasol
60, 68, 71-72, 76-77, 81-82 - TheNumbersWoman - Going Asian Outdoor Garden Set (Pagoda, Rock Path 2, Rock Path 1, Fountain, Ying Yang Garden, Water Feature, Deco Bridge Large, Apris Rocks Ponds) (TSR)
62 - Devirose - Japan Rug 1 (TSR)
64 - Angela - Kanto Garden Gong (TSR)
69, 73-75 - MurfeeL - C2077 Dashi no Matsuri Set (Parade Square Table Light, Parade Square Ceiling Light, Parade Round Ceiling Light, Parade Oval Ceiling Light)
78 - SIMCredible! - Asian Nook Fountain (TSR)
79 - DOT - Yard Wire Pole Lantern Mesh (TSR)
80 - SIMCredible! - Momentum Bamboo (TSR)
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hawkflame999 · 9 months
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I Have a Question For the Ninjago Fandom
WHY IS EVERYONE NOT ACKNOWLEDGING THE FACT THAT LOU NEGELECTED COLE?!?!?!?!?!
And how Kai must've had trust issues at first.
And how Lloyd must've had trust issues at first.
And how Wu is literally taking better care of the six than their freaking parents did.
(Garmadon, Lily, Jay's bio parents, + Ray and Maya get free passes bc one way or the other it wasn't their fault.)
AND ALSO THE NINJA (except Lloyd bc he's also not fully human) LIVE WITH A DUDE THAT'S 1/4 ONI, 1/4 DRAGON, AND 1/2 HUMAN.
SO if Wu actually got the stuff from the Yokai side of the fam then wouldn't Zane, Kai, Cole, Jay, and Nya classify as feral kids?
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taringill · 4 months
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Redesign of my Rise Renet🩵
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June 6, 2024
Old design:
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December 30, 2022
Bonus:
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I've been thinking about lightening Renet's hair for a long time so that she looks more like a blonde. I like it even more this way.
Я уже давно думала осветлить волосы Ренет, чтобы она была больше похожа на блондинку. Так мне нравится даже больше.
A little bit about my version of rottmnt Renet. I must say right away that I took the canon from the comics from Mirage and showed imagination, added something from myself.
A kind, cheerful, but restless girl, the soul of the company, a blonde with brown eyes named Renet Tilley, Mikey's love interest (she is 1 year older than him). She is a teenage student of Lord Simultaneous, studying to be the Keeper of Time and Dimensions. But besides Renet, he has a group young people studying with him, among whom is her friend Eric. She knows math, physics perfectly well and knows chemistry and biology well, but her favorite subject is history. She knows the subject very well. And this is not surprising. After all, her studies are mainly related to time, so knowledge of this subject is necessary.
But despite her curiosity, she is not particularly diligent. Due to boredom, Renet took the time and dimension scepter of her teacher (Lord Simultaneous) without asking. She got caught, but immediately jumped into the portal, which she opened with the help of a scepter. But she didn't jump into the past, but into another dimension. The dimension in which the turtles live. In this way, she wanted to deceive her teacher, but it still didn't work out. According to my headcannon, Renet also lives in the early 21st century, just like turtles, just in another dimension. This dimension is more technological, futuristic and advanced. In short, this is Donnie's paradise. I was inspired by how people from the last century imagined the beginning of the 21st century at least. More futuristic than it really is. In this dimension, yokai and humans have been communicating and living together for a long time, but long before that there was a war between them. It was a long time ago. Also, in the Renet dimension, they communicate with residents of other planets and even other dimensions.
P. S. I don't know what year the turtles have, but I can assume that around 2020 (+/- 1 year). The series takes place in our time, and it was released in 2018. Judging by the answer of one of the creators of the series, that April is 16 at the beginning of the series, and 18 in the movie, it takes about 2 years. Therefore, most likely (perhaps I don't know for sure), the film is set around 2020. In general, Renet is from the same year and century, only in a different dimension.
I'll write about it right away, they didn't know about turtles in the Renet dimension. But after their first meeting, Renet popularized her new friends.
Немного о моей версией rottmnt Ренет. Сразу скажу, что я взяла канон из комиксов от Мираж и проявила фантазию, добавила что-то от себя.
Добрая, весёлая, но непоседливая девочка, душа компании, блондинка с карими глазами по имени Ренет Тилли, любовный интерес Майки (она старше него на 1 год). Она ученица-подросток Лорда Симултениуса, учиться на Хранительницу Времени и Измерений. Но, помимо Ренет, у него учатся группа молодых людей, среди которых есть её друг Эрик. Она отлично знает математику, физику и хорошо знает химию и биологию, но её любимый предмет - это история. Она очень хорошо знает этот предмет. И это неудивительно. Всё-таки её учёба связана в основном с временем, поэтому знание этого предмета необходимо.
Но, несмотря на своё любопытство, она не особо усидчива. Из-за скуки Ренет взяла без спроса скипетр времени и измерений своего учителя (Лорд Симултениус). Она спалилась, но сразу же прыгнула в портал, который открыла с помощью скипетра. Но она прыгнула не в прошлое, а в другое измерение. Измерение, в котором живут черепашки-ниндзя. Она хотела обыграть своего учителя, но всё равно не получилось. По моему хэдканону Ренет также живёт в начале 21 века, как и черепахи, просто в другом измерении. Это измерение бол��е технологичное, футуристическое и развитое. Короче, это рай для Донни. Я вдохновлялась тем, как люди из прошлого века представляли начало 21 века минимум. Более футуристический, чем есть на самом деле. В этом измерение йокаи и люди давно общаются и живут вместе, но задолго до этого была война. Это было очень давно. Ещё, в измерении Ренет общаются с жителями других планет и даже других измерений.
P. S. Я не знаю какой год у черепах, но могу предположить, что примерно 2020 (+/- 1 год). Действие сериала происходит в наше время, а выходил он в 2018 году. Судя по твитту одного из создателей сериала, что в начале сериала Эйприл 16, а в фильме 18, проходит примерно 2 года. Следовательно, скорее всего (возможно, я точно не знаю), действие фильма происходит примерно в 2020 году. В общем, Ренет из того же года и века, только в другом измерении.
Сразу напишу об этом, о черепашках не знали в измерении Ренет. Но после их первой встречи, Ренет популяризировала своих новых друзей.
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cruilty-ink · 1 year
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ohoho! This next chapter is gonna be fun
Spoiler for donnnies design in the upcoming update
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I can't wait to finish it,
Everybody be prepared for some Donnie angst >:3
-yours truly, twig
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bestiarium · 4 months
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The Ushi-Oni [Japanese folklore, yokai]!
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Japanese folklore has a rich repertoire of strange beasts, spirits and creatures. And as Japanese Yokai go, the Ushi-Oni is one of the older ones. Though usually depicted as a giant spider with the head of a bull, some sources portray it with a feline body, resembling a monstrous bull-headed tiger. Regardless of its appearance, the Ushi-Oni is a cruel and vicious creature that enjoys killing people. In some versions this monster makes its home on mountains or in forested areas, but usually it is an aquatic spook, living either in the sea or in freshwater rivers, lakes or swamps.
The Ushi-Oni is married to a different monster: the Nure-Onna. This female fiend resembles a large snake with a human head and arms. She is an aquatic creature and lives near shores and riverbanks.
The two monsters work together to ambush people, with each having a set role: first they wait on a shore or coast for someone to pass by. When they spot a lone traveller, the Nure-Onna transforms into a young human woman holding an infant. She then walks up to the intended victim and asks them to hold her baby, and if they do, she casually walks into the sea and disappears, leaving the victim confused and holding a baby.
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Whether this baby is a sentient, separate entity or merely a magical illusion is unclear, but its weight magically increases when the victim is holding it. Eventually, the child is so heavy that the traveller is unable to move without dropping the infant. At this point, the bull-headed Ushi-Oni emerges from the sea and pounces on the unfortunate victim to devour its prey.
In the 14th century epic ‘Chronicle of Great Peace’, the hero Watanabe Tsuna faces and eventually defeats an Ushi-Oni.
Sources: Yoda, H. and Alt, M., 2016,  Japandemonium Illustrated: the Yokai Encyclopedias of Toriyama sekien. This work is a translation of the Gazu Hyakki Yagyo by Toriyama Sekien in the 18th century. Marks, A., 2023, Japanese Yokai and Other Supernatural Beings: Authentic Paintings and Prints of 100 Ghosts, Demons, Monsters and Magicians, Tuttle Publishing, 240 pp., p. 122. (image source 1: Vongraven on Artstation) (image source 2: Bakemonozukushie, an Edo period scroll currently in possession of the Brigham Young University collection)
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evanhamato · 7 months
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Good morning? Good after or goodnight! Hope you’re having a wonderful day! I have 2 scenarios that came to mind, so I’ll let you pick whatever you want, whatever makes you imagination, imagine.
Scenario 1- the turtles have an s/o that’s like really good at something they love, like amazing at this, but s/o dose not like doing this and sees it more like some sort of chore. Due to the fact the parents made them do if from really young age, makinh them quite any other things and or hang outs, parties or anything else as they where expected to put 110% into this, they are good at it not because they want to, but because they had no choice but to be good at it.
for the things the s/o is really good at:
for Donnie it could be something to do with robotics, or coding
for mikey someyhung to do with cooking or ballet.
For Raph something with boxing, wrestling or some sort of martial arts
And for Leo maybe something with modelling, or icon.
Scenario 2-there a/o is a yokai, maybe like a rabbit or a weasel so when winter comes they just start turning white, how would they react? Would they freak out? Would they find it cool? Or even annoying at the fact fue is everywhere?
[ Thermochromic ]
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ROTTMNT x GN!Reader who is a rabbit yokai
A/N: noe. what cameras do you have on me. bunnies are my special interest. REVEAL YOURSELF /J. I WAS BOUNCING OFF THE WALLS TO DO THIS ASK THANK YOU NOE. also the hazbin hotel ost is so good?? anyways back to the topic, THANK YOU NOE FOR REQUESTING!! <3
Relationships: Romantic, platonic, whatever you perceive it as, mostly romantic though
TW: Fluff, turts getting freaked out, fainting mentions, cuddling
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Raph
Squealed when he saw you.
He almost fainted, he thought someone had broken in until he saw your face.
When you explained that you were molting due to winter, you could see his shoulders drop in relief.
Gives you lots of scratches during your naps to get the extra fur off, he doesn't wanna make you itchy while awake.
If he hears you purring/clucking in your sleep, he knows he's not doing anything wrong.
Still, a little freaked out. But hey, you changes colors, that's cool in his eyes!
Leo
Genuinely fell over when he first witnessed you molting.
You had to repeat yourself a few times while explaining, you weren't sure if he was listening or not due to how surprised he was.
Whenever he leans in for a smooch, immediately starts to cough, he ALWAYS forgets molting includes free fur everywhere.
Please god why is there so much FUR.
Once tried to use his swords to cut off the extra fur.
It didn't end well. Thank god it was in a spot that wasn't noticeable.
Donnie
Already knew beforehand but seeing it in action is fascinating.
Star eyes in live action.
How many times are your lab privileges going to get revoked, reader?
Aside from the lab, you are to go for a shower before you cuddle or touch him at all.
Fur is nice sensory wise but, fur that isn't attached to you is prickly and icky.
After you molt, expect him to cling to you like a magnet. New fur equals heaven.
Mikey
If he isn't hanging out with you, he's hanging out with Donnie. So, of course he knew!
Still a little freaked out.
He actually adores the loose fur everywhere, it smells like you!
Plus, its like a little souvenir.
Extra plus, it's free art materials!
He sees you the same, regardless of changing color. <3
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gonetoforks · 9 days
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Poor Yuichi... Isn't he tired?
1. Can he make cute stuffed animal sounds when he's hit or falls to the ground?
2. How does he feel being surrounded by people different from him? (Since he is a stuffed animal and the others are flesh and blood).
3. Has he ever been in more complicated situations, on the verge of death, or seriously injured?
4. Is he too careful with his katana? What nicknames have the turtles given him? Does he know about Mrs. Cuddles?
5. Do some yokai know about him? Draxum, Big Mama, Hueso?
6. What was each turtle's and Splinter's first impression when they saw him? And how did Yuichi react?
7. I could see that Leo used to be afraid of him. If he isn't anymore, what does he think of Yuichi now?
Sorry for so many questions, I really liked the Au 👉👈🥺 (you can choose to answer some questions if you wish)
AAAAA NO WORRIES THIS IS LITERALLY ME WHEN PPL ASK ME QUESTIONS ABOUT MY BRAIN BLORBOS;
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1) yes, yes he does
2) He’s pretty used to it! both sides of his family are pretty different from him, the Cuddles’ being almost completely inorganic & his family in Japan being yokai. He doesn’t really feel it actively so much as it’s led him to think of himself as, *waving hands around face* different. For a few reasons, but it’s no more of an issue for him round the turtles than it usually is :D
3) He’s lucky enough to not have had serious injuries, his organs are pretty well protected by flexible metal! The most danger he’s been in is when he had to run away from a family gathering blind into a forest. (When he cries, water can get too deep in his eyes, & since they’re cameras they short out and go offline.)
But basically, it’s really hard to kill or injure him cause he’s kinda like if an octopus had metal protecting its organs lmao
4) He is absolutely not, since he can stitch limbs back on & sew himself up like nothing, Miyamoto has to constantly remind him to be more careful haha. (Since he’d be a yokai in Rise, his ghost lives in the Ki-stone; the Usagi family uses it as an artifact similar to the scrolls Splinter shredded in S1)
He has a few nicknames but they aren’t really used regularly; Jersey Jack, Raggedy Ichi, Cottontail, Skewer-Me-Elmo, mostly one liners like those haha. but Miyamoto calls him Ume-chan (lil plum) pretty regularly hahaha
& unfortunately yes, he is quite familiar with mrs cuddles ( ´△`)
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5) Yeah! Draxum’s seen him around cause he hangs out with his kids, Big Mama hasn’t really taken much notice cause he hasn’t done anything yet, & hueso knows him as “the guy who always orders motor oil to go with his breadsticks.” ksjfjaksjskjs
6) When they met, Raph was scared shitless for a solid few seconds, Don was like “hahaha you terrify my brother haha, who are you.”
Mikey, same as Cassandra & Magicsaurus, chilled out quickly & was excited to meet a new person & have a fun time with a new friend.
Leo was like “lmao, you from Jersey?” & Yuichi said “Yeah lmao,” & Leo was like “no wayyyy, surely you are evil and crazy/hj” and he proceeded to be completely biased towards Yuichi’s “jerseylike behavior.” (Yuichi in reality was just reminding Leo of all the things he dislikes about himself cause they’re so similar. Once he realizes this, their rivalry becomes a lot more jokey like Teru and Mob from mp100 & they grow closer)
Splinter did not really mind his presence either way, just some kid, friend of his kids, in his house.
Yuichi reacted in a very boisterous & unserious way in response to their interest & hesitation. & when he found out they were attacked by his aunt he was very apologetic haha, he got them a fruit basket that said “Sorry my estranged aunt attacked your home, the rest of my family dislikes her too, have some fruit, so sorry.”
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7) After Leo & Yuichi grow close, Leo begins to see him as a person he wants to stay close to. He thinks he’s impulsive, arrogant, but he also sees how he affects others and how they feel very easily. And he can talk a LOT. Note how in the show, Leo goes silent when he runs out of ideas, he’s incredibly stressed, & his family isn’t taking notice of him. As opposed to his family who he always feels the need to talk around to “cope,” Yuichi is the guy he trusts enough to let the mask slip and go quiet when he runs out of mana.
They get each other ( ^∀^)
aaaaaaaaaaaaaa genuinely tysm for all the questions, I’m happy you’re so interested in him!! ((o(^∇^)o)) leosagi doodles be upon ye 🫵
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angelpuns · 6 months
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Rural Au Masterpost
Hamamoto Yoshi finds 4 turtle yokai abandoned and decides to raise them in 1930s/40s rural Japan. I'm making it in the same vein as Grave of the Fireflies, This Corner of The World and The Wind Rises in that it mostly deals with the effect of the war on citizens and how it upended their lives in the smaller ways ( rationing, losing loved ones, etc ).
Character Refs:
Hamamoto Yoshi/Splinter | Raph | Donnie | Leo | Mikey
Additional Character Refs:
Usagi Yuichi
Taro
Height chart
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DTIYS
Canon Timeline:
NOT YET AVAILABLE --------
Infodumps: 1 2 3 4 5 6 7 8 9 10 11 (a lot of these are also doodles)
Mini Comics: 1 2
Doodles: 1 2 3 4 5 6
Leosagi Fic (in progress)
Webtoon (incomplete, will not be finished)
Tags:
#ruralauasks , #ruralau, #rottmntruralau
Additional Content:
My lil bro @3mutantsinatrenchcoat has made a ton of rural au content, so be sure to check that out here
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