This tiny gray cat showed up in our backyard and we were like oh shes so small she must be a little baby kitten, we have to help her, so we got her inside and took her to the vet and they were like nope. no she has all her adult teeth. shes just small. she's literally just that small.
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Danny was tired, like 'I feel it in my bones and soul' tired.
And he didn't want sleep at home because there's only so many nights, he could spend lying awake making sure his heart was beating in case his parents checked on him.
Currently he was flying aimlessly not really taking in his surroundings, but he could neither sleep while flying or fly forever.
Normally he'd sleep over at Sam or Tucker's, but the Mansons had made it clear that he wasn't welcome at their house anymore and Tucker was grounded.
Both would sneak him in if he asked, but he didn't want them to get in trouble for him.
Which leads him to decide between his two choices, sleeping in a graveyard, or sleeping in a forest.
The graveyard was a little crowded with all the ghosts that called it home but he could probably find a quiet spot to sleep.
The forest had a great view of the stars but was filled with traps from both his parents and the GIW after tracking his ecto-signature.
Both options weren't appealing, but he wasn't about to chance sleeping on the roof of his house again.
There were too many ghost detecting guns attached to it now.
Danny sighed, graveyard it was, at least the ecto from all the shades/ghosts would hide him well enough.
Decision made, now all he had to do was make his way over there.
But first, where the heck was he?
Danny looked around at the unfamiliar grey sky and gargoyles littered around and realized he had no clue where he was.
He must have flown too far away from Amity without noticing...Again.
It was really becoming a bad habit.
Danny stared down at the city's inhabitants that were going home or heading to nightshifts or whatever and dreaded the long flight back to his town.
And maybe it was ghost instinct, or maybe it was just his exhaustion.
But his brain suggested 'What if I just possess someone?' And to him that seemed like a perfectly logical train of thought.
He wouldn't control their body or anything, just sleep in their skin...That did not make it sound better at all.
Before he could think twice, someone left a general store, arms filled with stuff and somehow projecting an aura of safety.
The two thoughts of 'They look comfy' and 'screw it' clashed together in his head as he made the very stupid decision of performing a swan drive right into the someone.
"WHAT THE-" "Don't worry, I'll be gone by morning I just need to sleep" Danny cut off the persons freakout-he should really get their name at some point- he would have explained more but the sleep gods had already done their job.
This left one very confused, scared, and freaked out Batkid.
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You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.
The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.
It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.
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Prompt 261
“So is no one going to talk about the eldritch space child or…”
“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…”
“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-”
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