#Along with everyone else who did as well.

[woso-dreamzzz]

Loud

Mapi León x Reader x Ingrid Engen

Summary: You and Mapi have always been loud

*TW: referenced sexual content*

It starts off with you and Mapi.

You’d grown up together, fallen in love under the slide at school when Mapi pushed over annoying Matty P for pulling on your pigtails. She’d been your knight in…well not really shining armour but definitely your knight in shining shoes.

You did everything together. Eating. Sleeping. Playing football.

You were attached at the hip and then Ingrid came along.

A tall Norwegian woman who had your jaw falling to the ground and Mapi nearly walking into a pole.

Opening up your relationship wasn’t new to the pair of you. At first, it had just been sex but sex spiralled into a third in the relationship and that usually ended up in a breakup.

But not with Ingrid.

You’d opened up your bed for her, already weak at the knees the moment she took her clothes on and very bluntly told you and Mapi to put on a show for her.

And you’d certainly done that.

You’d put on enough of a show that she’d taken you both that night, in all the positions you liked and ended it all with you and Mapi holding hands over Ingrid’s stomach as you lazily kissed while your heads rested on her chest, her hands gently stroking both of your hairs.

And, like always, sex spiralled into a relationship but the breakup never came.

Ingrid fit so perfectly into you life and your relationship, adored by you, Mapi and Bagheera. Two princesses in the house to spoil and love, although one of them never got to travel with you much to everyone’s disappointment.

“You’ve got something there!” Mapi declares, her voice booming loudly across the dining hall and you look up from your plate.

You were deep in discussion with some of the others but you stop immediately to turn to look at Mapi.

Your table is nearly full, just one seat empty next to you. Ingrid sits on your other side, talking softly to Frido while Esmee and Aitana talk next to them and Alexia and Irene sit opposite.

“What?!” You yell back.

Mapi’s across the room from you, still at the buffet and trying to fill up her plate with food that looks like it’s going to tumble onto the floor any minute now.

“You’ve got something on your face!” Mapi replies, her voice just as loud and clear as before.

You frown, wiping your face with a napkin but seeing no kind of staining as you pull it away. You frown.

“Did I get it?!”

Mapi doesn’t even need to come closer to answer. “No!”

“Where is it?!”

“Do you have to yell?” Irene gripes good-naturedly but you and Mapi are so loud that you don’t even register her talking.

A hand grips your chin though. Ingrid’s slender fingers angle your face towards her and you go willingly. She moves your face around, eyes narrowed as she tries to see what Mapi had so clearly seen from across the room.

“There’s nothing,” Ingrid says, leaning forward to press a flutter of kisses onto your lips,” I don’t know what she’s talking about.”

“Mapi’s silly,” You agree.

“Mapi’s loud,” You hear Frido complain.

“They’re both loud,” Ingrid says over her shoulder though her eyes stay on you.

You fight to keep the blush off your face.

You and Mapi are both loud, something Ingrid is intimately familiar. You’re loud on the pitch and off the pitch and definitely in bed, though the only other person in the team that knows that is Ingrid.

She seemed to thrive on it, to make you and Mapi moan louder and louder. She took it as a challenge, to string as much pleasure out of both of you until you’re just a crescendo trying to come back down.

But nobody else knew that was what Ingrid was referencing and you fight to keep your face turning bright red.

Ingrid’s hand drops from your face to take your own under the table and you smile as you pick your fork up again.

“I haven’t got anything on my face!” You tell Mapi as she sits down next to you. “Hey! Don’t take my food!”

You swat at Mapi’s grabby hands but Ingrid’s tug on your other one has you stopping.

“Sharing is caring!” Mapi laughs and you stick your tongue out,” And you’ve still got it on your face.”

“I haven’t got anything on my face!”

Mapi leans closer and crashes her lips against yours.

“You had my lips on your face,” She teases, tapping your nose with her finger,” I could see them from a mile away!”

You laugh at that, the head thrown back kind of laugh as you and Mapi snicker together. Even Ingrid, consistently the quietest member of your relationship, lets out a little chuckle.

“Come on,” Irene groans,” You’re telling me you enjoyed that?”

“Mapi’s jokes are funny!” You defend, still laughing and Irene rolls her eyes fondly.

Honestly, you thought she would be used to Mapi’s antics by now but Irene likes to pretend to be surprised every time.

“I will never get your sense of humour,” Is what Irene decides on as a response.

“You can always ignore us!” Mapi says with a rbight smile and Irene rolls her eyes again.

“No one can ignore you two. You’re both so loud.”

“Actually, I have to talk to you about your loudness,” Alexia says, one of the few things she’s said this morning before finishing her coffee,” It kept us all up last night.”

Ingrid’s hand squeezes yours and you almost choke on your food.

“What?”

“Look, I don’t care what card game you were playing but can we stop playing so late at night? I get you guys are competitive but those walls are thick and I could still kind of here you guys going at it.”

You and Mapi exchange panicked looks. For once, you’re both speechless, mouths opening and closing as you try to think of something to say.

“Don’t worry, Alexia,” Ingrid says, her hand still holding yours,” I’ll keep them both a bit quieter tonight. You know how they get.”

Oh, Alexia didn’t know the half of it.

“Thank you, Ingrid,” You captain says,” At least you can keep those two in line.”

“Of course.”

Mapi coughs a little bit, speaking under her breath so only you can hear as you exchange secret smiles. “Ingrid’s the one keeping us loud.”

[acowardinmordor]

Risk and Reward

Steddie-adjacent. Tw: homophobia

I always love fics where Steve makes himself Eddie’s alibi while Eddie is still unconscious/in a coma. Knows that it will work because he knows in this town there is no way anyone would believe that Steve Harrington would come out if it wasn’t real. No one would believe it, because everyone knows that his parents are always gone, because his dad is in Congress railing against the gays and their depravity and how they deserve to die and burn.

Steve saying it. Signing an affidavit about it. Giving quotes to the ravenous press. It has to be true. And everyone who doesn’t think it’s disgusting think it’s the most romantic thing in the world.

The government was stepping in, all eyes were pointed at Munson, and he was going to be thrown in a cell for life. Or, to save the cost of the trial, he would have vanished somewhere between the hospital and the prison.

Steve coming out stops that. Airtight alibi, reinforced by the knowledge that there will be consequences.

Eddie is safe, and the government has changed tactics, is blaming dead Jason Carver for it all. Eddie wakes up six weeks later, shocked to wake up at all, and trusts his uncle enough to play along. ‘Why didn’t you tell me you were dating the Harrington kid?’ Eddie knows how to tell a story that leaves space for a player to fill in their side. He tells stories about little moments and always describes things from his perspective. That way, if it contradicts the story that’s already out there, he can make a find quip about how he remembers it different.

When he finally gets a moment alone with his uncle, two days later, his guess gets confirmed. Wayne knows damn well that Eddie’s gayer than a maypole, and also knows that Eddie has called Steve his nemesis for years. Wayne knew from the second Steve said it that it was a lie, and knew it would work if it was believed.

The only thing confusing Eddie - well, the only thing in this tiny slice of his world - is why his fake boyfriend/no-longer-nemesis, isn’t in the hospital too, playing the part. If the guy was willing to say it at all, then he’d go all in. If there was one thing Eddie’d learned during those days, it was that Steve only ever did something at 100%

And yes, part of him feels terrible that Steve did this just to save him. He feels awful knowing that this is going to ruin a chance for a normal life. Wayne said the Indianapolis paper picked up a story about it. But at the same time, he’s so fucking grateful. Steve saved him. Again. And now, at least for a while, they’ll need to keep up the story. He’ll get to hang out with him, pretend they’re dating, stand close and cuddle closer. He also feels bad about how excited he is for that chance.

It’s the next morning when Eddie realizes his uncle dodged every question about why Steve wasn’t here. Wayne dodged almost every question after explaining what happened with Steve and the press and the Feds in the first weeks. Then, nothing.

The party visits him that afternoon, a veneer of joy stretched thin over something worse. Eddie’s first guess is that Red didn’t make it. But he hears her a moment later, complaining about ‘these stupid casts slowing me down’. The kids aren’t as good at dodging as Wayne is. Eddie gets the story quickly, such as it is.

The Harringtons came home from DC, gave a few speeches in praise of law enforcement against a serial killer. They visited the families of those that died.

They sent an assistant to find Steve in the hospital to deliver a message. No one else heard it, but the best guess is that it was a threat. Steve went with the assistant. They haven’t seen him since. When Dustin confronted the Harringtons at their last event in town, all they’d say was that ‘our son is getting the best help, and we love him dearly’

Eddie looks at Robin when he hears that for what it is. She drops the kids back home and begs a sympathetic nurse to let her talk to Eddie past visiting hours.

“It’s been a month since he vanished”

“Where?”

“We don’t know, we tried, even Hopper - he’s not dead - couldn’t find him. And this guy named Murray. We don’t know.”

“But…. ‘The best help’. You know that means…”

“I know”

“He’s, Christ, Buckley, he’s straight. Ladykiller. He’s straight and they sent him to some—“

“Yeah, but Eddie… I don’t know if I should… I guess, not that it matters now, and he never said anything, but he’s my best friend. He’s my soulmate. I know him and I think… if his dad wasn’t like he is… if he’d ever felt safe saying so… he knew they’d be furious when he came forward as your alibi, but he told me they’d just disown him, and it would be over. He was scared, but he was okay with what he thought was going to happen”

“I thought he hates me”

“He kinda did”

“Not anymore?”

“No.” There’s a pause where they both think about where Steve might be right now.

“Maybe he hates me again now.”

“I don’t think he would, but…”

And Eddie thinks how weird it is to see spastic Robin Buckley, who rambled in the Upside Down and always had more energy that she could contain, acting so subdued. No. So broken.

They both heard the Harringtons’ speeches and ads when he ran for office. They know what the man thinks about people like them. They both heard stories about what the places are like, where someone can go to ‘get help’

“Do you think I’ll ever get to thank him?”

“No.”

“Do you think we’ll ever see him again? You and the kids at least?”

She’s quiet for a long time, before she picks up her bag.

“If he ever gets to leave wherever they put him, and we ever see him, I don’t think he’ll be the person we knew anymore.”

[it-happened-one-fic]

Sleep Well - Vil

Author Notes: Just based on this and the fact that I have the entire vampires series it looks like I have a serious Vil issue. But, in reality, I've had this written for a bit and it's just been gathering dust in my google docs while I occasionally polish it. This fic was written and edited while I listened to the acoustic version "If I Lose Myself" by OneRepublic. As per usual, reader is gender-neutral. I hope you enjoy!

Type: Gender Neutral Reader/ sfw/ fluff/ romance

Word Count: 1243

Everyone had a safe place that they liked to lose themselves in. This was a simple and true fact. And for Vil, that place was you. 

But, to be honest, he really didn’t know who or what your safe place was. Though he couldn’t entirely deny that he would like for it to be him. 

Though it hadn’t been immediate by any means, you had become his safe place after you accepted him even when you’d seen him at his worst. Not just the pretty face, not just the poised person, and not just the fame.

Him, in his entirety. Everything that was and would always be Vil Schoenheit. 

You weren’t daunted by his fame or sometimes less-than-pleasant demeanor, and you hardly seemed to demand any bizarre expectations of him that so often came along with anyone who was a fan. Instead, you just existed and allowed him to exist in that same way. No real expectations beyond him being himself.

But since the moment Vil had realized that about you, you’d always been in Vil’s world. Even when it wasn’t always obvious.

Sometimes you were just on the outer fringes of his life, attending the very same school he did, but from another dorm. And at other times you would appear in his peripheral vision, laughing alongside your friends and waving at Epel as he walked over to join your little group. And if your eyes met Vil’s then you would always smile and wave at him. 

Joyful and welcoming of his presence even when others were whispering about how Pomefiore’s Housewarden was in this corridor and about what he might be doing.

It was refreshing and even a little startling. Rather like splashing water in one’s face after a lengthy and tiring day. It would surprise him, and then he would immediately relax before raising a hand in a return greeting.

If he was totally honest with himself, Vil far preferred the moments when you were close to him, though.

Even if it was just the two of you sitting side by side as you awaited some sort of class activity or for Crowley to explain his new grand scheme to the entire school, there was something relaxing about your presence and the way you always greeted him with at least a small smile. 

Even when you were perfectly exhausted, just as you obviously were today.

None of you knew exactly what Crowley wanted, and the headmage simply would not get on with his speech. You, Vil, and everyone else of any real importance were assembled here and had been seated for what felt like hours. 

You’d approached the young man and sat down next to him, a slight smile and a weary, “Hello,” on your lips before you’d turned your gaze to the dais that Crowley had appeared on. And that had been at least an hour ago.

Vil hadn’t been able to ask how your day had been or if you knew what Crowley wanted this time. But he’d been content to simply sit by your side as the two of you listened to the exuberant headmage prattle on about this, that, and, of course, the other. And at this point, even Vil’s attention was beginning to stray as the headmage continued on.

But Vil stiffened as suddenly he felt a light weight rest against his shoulder. 

He didn’t have to glance to know what it was, but he still found himself looking down and immediately seeing your peaceful, sleeping face.

If it were anyone else, Vil probably would’ve woken them up and even felt slightly miffed. But it wasn’t just anyone. It was you, and you were exhausted. And even if he might never admit it, Vil knew perfectly well that he played favorites when it came to you.

So Vil relaxed, not drawing attention to your relaxed, slumbering position as he continued to listen to Crowley’s droning speech.

A droning speech that lasted for at least another thirty minutes.

Thirty minutes during which Vil carefully slipped an arm around you to better support you as you rested so that you wouldn’t wake with any soreness.

It didn’t take long for everyone to file out of the room after Crowley finished. Everyone filling the area with muttered complaints and sleepy yawns until the room was empty except for two people.

You and Vil.

Your eyelids fluttered as the clatter continued as people finally finished exiting, and Vil felt an amused smile cross his face at the motion. Idly wondering if you were dreaming about something that somehow explained the racket from just moments ago.

Through the window the sky was an exquisite painting of reds, yellows, and oranges. The death of the lengthy day that had seemingly drained you. 

But Vil wasn’t complaining. Instead, he carefully woke you with a gentle squeeze of your shoulder.

You mumbled something unintelligible that had Vil’s smile spreading as your eyes slowly opened. A bleariness to your gaze that clearly revealed exactly how well you’d been resting as you blinked groggily. 

“Vil?” You slowly lifted your head, frowning as you slowly focused your gaze on him. His name was mumbled, but he could at least understand you this time, and he dipped his head in a half-nod to better meet your eyes.

“Did you sleep well, Tater tot?” There was a teasing lilt to his tone that seemed only to make you frown more until realization began to dawn in your eyes as you abruptly finished waking up.

“I-” You glanced around, almost frantically, as you began to register exactly what had happened and where you’d been napping.

“Crowley’s speech is already done. Don’t worry. You didn’t miss anything important. He managed to not say anything in all that time that he spoke,” Vil reassured you in a dry tone as he watched you scan the room with wide eyes before looking back his way, this time with a flustered expression.

“I’m so sorry; I really didn’t mean to-”

“It’s fine, Tater tot. I didn’t mind.” Vil could practically hear the smile on his face in his own words. And if this were a conversation he were overhearing, he probably would’ve rolled his eyes at how soft his voice sounded. 

But here he was, doting on you and losing his usual chilly demeanor as he smiled fondly at your embarrassment.

“I do recommend that you work on getting more sleep during nighttime hours, though. Not resting is horrible for your skin, your mentality, and your entire body.”  He paused, tilting his head as he scanned your face before he smiled and dropped his scolding tone, “Take better care of yourself, Tater tot. You’ll worry those who care for you.”

He watched as you visibly relaxed, a half-smile appearing on your face as you nodded, “I’ll try.”

You looked out the window towards the slowly darkening sky, “I guess I should let you go though. You’ve got better places to be than sitting here next to me.”

Your words made him frown, simply because of how wrong they were. But he didn’t object as you stood, raising your hand in farewell as you smiled fondly down at him, “I’ll see you tomorrow, Vil. Sleep well.”

A half-smile worked its way onto his face at your well wishes, and he found himself standing and grasping your hand in his. Startling you as he gave it an affectionate squeeze, “Indeed. Sweet dreams, my sweet potato.”

[thefandomenchantress]

I know I predicted radio silence from me...But I had what I think is a cool idea and wanted to share it before anything gets disproven in the next episode (Brief, singular mention of the Eden!Culprit theory).

So, I saw a lot of people talking about the Arei-Eden parallels, and the Ace-Arei parallels (and differences), and the Min-Eden parallels in the hug scene...Because of that, I started thinking about how Eden and Ace relate to all the others. And then I remembered the very obvious Teruko-Ace parallels.

Ace and Teruko both trusted someone who betrayed them in one way or another. Teruko with...Well, everyone, and especially Min, and Ace with Levi. In chapter two, they're both pretty similar, being closed-off and trying to not care about others with varying degrees of success. And, of course, Ace almost dies just like Teruko did, in an attempted murder.

All those things are fairly obvious, especially them being the only participants to be almost-victims. And I'd always noticed that, but it got me thinking...

In chapter one, Teruko was the victim of an attempted murder, surviving on the pure luck of the knife just-so-happening to miss anything vital in her abdomen. Then, instead of sympathy for her life almost being taken, people are upset with/suspicious of her because they think she was the one who killed Xander. And that fact is no fault of Teruko's, she just had the misfortune of being at the scene of the crime (and Min moving the evidence to further incriminate her). Barely anyone asks if she's okay or shows much concern other than Min, who betrays her, and Eden. She is then forced to defend herself in the trial almost completely alone until finally some others start to come to her defense.

In chapter two, Ace has been put in the position of being the victim of a murder attempt but surviving through the pure luck of Eden and Teruko just-so-happening to come to the second floor late at night. If Teruko hadn't happened to forget her clothes on the second floor, chances are that Ace would be dead. No one feels sorry for what Ace went through, because he was a total asshole to Nico and along with no one taking him seriously to begin with, they think he, in a way, had it coming, trauma and injuries be damned. Now, he is forced to defend himself, presumably alone unless Levi decides he wants to help and be the Eden equivalent. And Ace has been blamed for Arei's death not through any fault of his own, but because he had the misfortune of being at the scene of the crime, where someone else tried to murder him.

I guess what I'm trying to say is that it would honestly be pretty cool if Ace finished this chapter going through rather similar events to the ones Teruko experienced last chapter. Some people say that Ace being her parallel will show her during this chapter that distrusting isn't the right way to go, but he doesn't have to die to show her that at this very moment. Hell, it might hit even harder if he manages to go through everything she did, since it would make them even more similar.

Plus, if Eden is the Min parallel, and Ace is the Teruko parallel, that's pretty dang cool! Of course, if Ace does all the Teruko stuff during the trial, it makes sense for Eden to have done all the Min stuff...And I mean, the episode seems to be saying that's depressingly possible, so maybe.

So yeah, I just thought Ace and Teruko's similarities continuing into the trial would be fun. After all, he's been pretty consistent about following in her footsteps so far, so you never know. Like imagine if he says a protag line or something it'd be hilarious. Especially if all his points during his defense are like Teruko's, but with an Ace-y twist that makes them more funny or stupid or whatever. Fun!

Or who knows, maybe Ace will just hire David as his defense attorney, since he's the only one to have successfully defended Ace so far. /j

[howlsofbloodhounds]

You know, I think Killer getting reunited with his brother after his escape with Color would be really interesting, whether it goes well or horribly wrong.

If it goes well, it would be really interesting to see how Something New Paps deals with Killer not really being his brother (though I am of the idea that he'd love Killer for Killer as well. I just also think it would mean him grieving his brother yet again. This time knowing he'll never have his brother back). It would also be cool to see how he'd get along with the Epic Sanses. I also really would love to see explored what his tentative new dynamic with Killer might be, and how that may change Killer's dynamic with the others too (would he be less codependent with Color with Paps in the picture? Or would he just become dependent on both?).

If it goes horribly, well, it would be interesting to see exactly how horribly. Would Killer panic enough to kill him again? How would he react to that after so long? Would Killer even believe that that's his brother? Would he just deny everything and turn away and then be haunted by the possibilities forever?

I just hhhhhhhh. I've been thinking about them so much. I've never see content about them explored, ever, and the possibilities are giving me brainrot

Yes! This is the stuff I want to see with killer from this fandom. Not more of the same! Let me watch these doomed siblings suffer or heal. The angst having to grief the person you never knew you lost while they’re right in front of you, looking at you, looking through you—only it’s something else with your loved one’s face. Uncanny valley im telling you.

I personally think Papyrus will have a difficult time actually accepting that his brother is gone. Hed subconsciously see signs in Killer—same smile, same twist of the corner of the mouth even if the nature of the smile is different from when Sans told an awful pun, because now Killer is smiling like that when he tells horrible stories he seems to think aren’t horrific at all.

I think how this reunion unfolds definitely depends on the exact situation. If Killer is still trapped under Nightmare or not, or if Color has rescued him.

And if Papyrus has any memory of what Killer did to him and everyone else—because Killer did spend years upon years murdering and horrifically torturing Papyrus and all the others as if they were nothing more than toys.

Killer could look at him, and all Papyrus could see is that empty, dead eyed look as he screams and cries while Killer breaks his bones. As if Killer didn’t recognize who Papyrus was, and if he didn’t care who he was.

And Papyrus, how his reactions during those times could’ve affected Killer. He was in unimaginable pain, terror, and confusion. Hatred and anger and spite are understandable reactions. What are some things he might’ve said to Killer during these moments that stuck with Killer? Begging and pleading, cursing and screaming? Attempting to get Sans to “remember who he is”?

As the world Reset around Killer, did others eventually start changing too? Even if only in small easily missed ways, even if they forgot by the next Reset. Chara and Killer were always in search of something new, after all.

Could Killer trust himself at all around Papyrus? Or would he immediately start thinking about how he has killed him before, how Papyrus could be here for revenge or even worse—for Sans.

Would some part of Killer despise Papyrus for being weak enough to forgive him, just like he always did for the human? Would Killer feel the need to kill Papyrus again—believing it’s what it has to do to prevent something even worse (Stage 4), or perhaps out of panic as you mentioned, or even that anger at Papyrus or just the unimaginable confusion and stress and pain that Papyrus’ presence brings (Stage 3).

Would Papyrus’ presence disjoint Killer’s “placement” in time.

Would seeing him make Killer think he’s back in the Underground with Chara, and thus Papyrus is another enemy he has to deal with. Would he be unable to accept that the Papyrus in front of him is his Papyrus, or would he think it’s just one Papyrus out of a gazillion more, and therefore not worth wasting energy on?

I can definitely see Stage 1 being reluctant to actually be around Papyrus. Not because he hates him or is disgusted by his “weakness” and not even because he thinks he has to kill Papyrus—although he’s very aware that some parts of him very likely do think those things—not only because he can’t trust his own mind, his own desires, but also because he just..feels horrible around Papyrus.

He idealized this image of Papyrus and the life he thinks they used to have, but he has changed. He has done a lot of things. He couldn’t even accept a hug from Papyrus for very long without pushing him away in tears. I think he’d definitely benefit from having his brother back in his life, although I doubt it’d be a very frequent thing.

I can see many instances where guilt, fear, and shame just leads to him trying to “hide” from his emotions in Stage 2, which leads to the usual avoidance behaviors. Which may also lead to him subconsciously blaming Papyrus for being able to have any effect on him at all—given how Stage 2 views it when situations and people are able to make him “feel” anything. As if they are attempting to control him.

So many interesting possibilities—especially given how much Papyrus may know. How much knowledge is he working off?

{ @stellocchia }

[caesarsaladinn]

Today in “Sal, what the fuck are you talking about?”: the middle Byzantine period.

The period from the mid-ninth century to the late 11th was defined by a resurgence in the empire’s fortunes, as the Abbasid Caliphate weakened and the bloody stalemate on the eastern border yielded to conquest, plunder, and expansion into regions that the empire hadn’t controlled for centuries. Domestic politics responded predictably to this influx of land, wealth, and prestige: the generals who led these conquests became immensely rich, respected, and in some cases powerful enough to make themselves emperor. Byzantium had never had a true hereditary aristocracy—when you died, your titles generally died with you—but these guys came pretty close, as a few dozen intermarried clans came to dominate both military and civilian politics for generations.

Making military leadership into a family business generally went well, as future commanders could begin learning the trade from a young age, instructed by the most experienced leaders in the empire. The downside was that their egos grew along with their conquests, and when they felt they weren’t being treated with the honor due to such a distinguished family, they had all the resources they needed to launch a rebellion against the throne. This happened again, and again, and again, and again; it’s no coincidence that this was the period when surnames became common among the wealthy.

In the palace, this era was defined by the so-called Macedonian Dynasty, a string of emperors and usurpers founded by Basil, a peasant from—you guessed it—the military district of Macedonia. Basil took the throne by becoming the emperor’s confidant and most trusted servant, before quite literally stabbing him in the back.

The next two centuries saw an alternating series of Basil’s descendants and usurpers take the throne, with coups and rebellions too numerous to list here. Basil’s heirs had a tendency to die while their sons were still minors (or to leave no sons at all), leaving a mad scramble for a new man to marry or kill his way into the imperial family. This was also the heyday of the court eunuch, as aristocrats looked for servants who would serve their family without trying to displace them in favor of their own sons; of course, plenty of eunuch did displace emperors in favor of their own friends and family, or else overshadowed them so completely as to become the functional ruler themselves.

Culturally, this period was quintessentially Byzantine. Emperors were very concerned with soft power, so they poured money into anything that would make them seem like the holy sovereign they considered themselves to be—histories, encyclopedias, churches, monasteries, public games, bejeweled reliquaries, and the like. Foreign ambassadors were feted with gold and silk in front of a throne that could rise from the floor until the emperor was looking down at the from the heavens. My favorite piece of writing from this era is the Book of Ceremonies, which spends hundreds of pages detailing the protocol for every imaginable public event, from the order of seating at imperial feasts to the proper weight of cargo loaded onto an army packhorse; it shows how the emperors tried to synthesize the importance of orderly, standardized, professional administration with the need to appear wise, just, and all-powerful to their subjects. It also shows how unbelievably wealthy the government was—very few states, at any point in history, had the time and resources and literal tons of gold to spend on court ceremonies that intricate and impressive!

I’ll spare you the list of emperors, their personalities, and the various schemes and subordinates that put them on the throne; that’s a whole separate post. Suffice to say that I think this is one of the most interesting eras of history, and I encourage everyone to learn more about it.

[sanderssidesthehouse]

Sanders Sides Ranked: Flirting???

Why do I have “For Legal Reasons This is a Joke” stamped on the front here? Because I get to saying some shit later that is NOT meant to be taken seriously. I enjoy saying words recreationally and making bits, not everything I say all the time is an accurate representation of my thoughts or beliefs and I just want to make that clear when posting on the piss on the poor webbed site.

Sorry, Logan. I don’t think he cares actually, but just in case. I would [verb] you. I also don’t think he cares about that, but just in case.

Also after adding the text on Logan's picture I decided I should add a little blurb to every slide so you can tell exactly how not biased I am.

When trying to decide on widespread appeal I had to acknowledge that most people would probably find him kind of annoying, which is his right, for sure, but then I had to gauge how annoying and how much that mattered and it took me a while.

For niche appeal, I just think that most theater kids™ don’t want to [verb] other theater kids™. They do [verb] for sure, but mostly because they can’t get anyone else because they’re theater kids™ and I think other insecure people mostly want to give him a hug.

(I was a theater kid but not a theater kid™, though I knew some. I just want theater kids™ to know it is their right to be insufferable.)

He's really kind of got two tricks, one is being dad and the other is being sad. I think I'd like to give him a Patt-on the head. If you're into that, though, hopefully you're also into frogs.

Look I was at one point part of all four niche appeal groups and I’m still part of two, this may be a targeted attack, but I caught myself in the crossfire.

Putting Roman in there was a joke bc you cannot tell me you don't classify what Janus was doing as flirting and it worked very well on our prince.

And unrelated to the ranking, I just get jump scared every time I see what Janus actually looks like bc he has long hair to me now. Where are his beautiful locks? Who cut my wife's hair?

Ok look. Quality of banter. We ALL saw his episode, ok? That was NOT top tier creative work. Granted he’s been locked in the basement for a long time so it’s understandable, but that doesn’t change the facts. 

For his blurb I was between what I wrote and something along the lines of "I would forcefem him" and I don't think either of those convey to you how not biased I am but just know that I adore him.

I had a blast making this, I kept cracking myself up, which means probably zero other people think it’s funny but here we are.

I actually went into this thinking I would have Logan as the worst and I thought Roman and Janus would tie for best so I’m glad to see we all have the same general consensus. It looks like this list would go Roman, Janus, Patton, Remus, Virgil, Logan.

I did my best to cut out any egregious swearing and anything explicit so I hope everyone can appreciate my sacrifice /j. Thanks for joining me, argue about it in the comments and reblogs. (<- Also a joke, please be nice.)

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[bomber-grl]

Enemies to lovers with Leo Valdez

Pairing(s): Leo Valdez x Gn!Reader

If anything it probs stemmed from a misunderstanding

Maybe you were cranky the first two times he ever approached you

And perhaps you may have taken it out on him

And maybe just maybe he thought u were those stereotypical condescending people

Basically what ensued from then on was just you two attacking each other verbally each time you ran into each other

But then you’re officially introduced to him by either Percy or Annabeth or anyone else that’s part of the 7 that’s close to you

He’d be especially shocked if it’s Piper or Jason who introduces you two to eachother

Of course that doesn’t automatically solve anything and you’re both total assholes to each other still

Leo is complaining about you and how could any of his friends also be yours?

You feel the same exact way

And unfortunately this is a case of forced proximity as is all my hcs because I’m an uncreative bitch

Maybe it’s just me but I’d imagine constant bickering and making faces would be a bit hard to ignore and go unnoticed

So they all agree to force you two to get along

So you’re on the Argo ll and are forced to clean the stables

(Before the Athena Parthenos is put there obv)

It’s not messy messy but it’s still something

You two both finally agreed to be quiet

But then he gets almost thrown out the window by the ship getting rocked by a monster or something

And so you have to save him by obligation

You two are literally hanging out the window and Leo is yelling like crazy bro

Eventually you bring him back and he thanks you

It was done reluctantly- you make sure he knows that

Plus the situation gives you material to make fun of him for 💀

Then some time after that you’re fighting some daily monsters and he (despite not rlly being a fighter) helps you out by firing some of the weapons on the Argo

This incident spawns this unspoken alliance??

Literally everyone else is made aware of it too and even they’re confused

But honestly at least you’re not constantly at each others throats anymore

Instances where you saved each others asses continued from then on out

It got to the point where you saved eachother so often that you became literal 4lifers

Like genuinely enjoying each other’s company despite the occasional off handed remarks

There was obvious tension that you were both teased for by your individual friends

Even couch Hedge acknowledged it 💀

And youd both deny it

I mean it was the obvious choice

But there had always been tension between you two if you’re being honest

Like if someone asked you if you thought Leo was cute , well let’s not say you’d say he was, just that you really couldn’t deny it

And so your interactions and dynamic continued all the way until the prophecy that started this quest came to an end

And so did you interacting with Leo

He was dead, and despite having liked him, you’d never be able to tell him.

That’s something you had come to accept, and something you realized you’d never get the chance to admit to him

Until you could.

Leo appears back at camp with Calypso in tow

Let’s just say Leo felt ok about her and saved her cuz he’s a good guy and she went along cuz she wanted an escape)

Anyway like everyone else you line up to hit him

Ain’t no way you’re running to him when there’s so many other ppl infront 💀

Gods forbid YOU end up being the one that gets jumped

Even from the good amount of distance you’re away from him you can still very much see his- what can be best as described- upset demeanor

Why he looked that way? You didn’t know and couldn’t tell even if held at gunpoint

Well anyways eventually you end up face to face with him and his expression can’t even be described with just a few words

So ill try anyway

Hes absolutely star struck and, in truth, made breathless from the sight of you alone

I mean with the way Leo looks at you, you’d think he spotted his only true want in this world.

The guy doesn’t say anything at all but then he sorta gains consciousness (?)

He tries to hug you but then hesitates- tries again/ then hesitates

Before he could do anything else you slap the hell out of him 💀

The act is honestly so violate and loud it was genuinely startling

Some would say that you jumped him that day of his return but what did they know??

And then you hugged him

A deep, emotionally charged hug

All the days you had spent mourning him, being tortured by his death that you couldn’t help but feel was avoidable despite the prophecy-

And yet you couldn’t help but melt into the hug

Obviously awkwardness follows after- and for a good while after too

But in the end you two end up together (per advice from emmie and Jo once Apollo casually mentioned the undefined relationship between you two as defense against a remark Leo had made)

And after Apollo is done at the waystation (and you’re not already involved there)Leo will ask if you’d want to stay there together and go to school and be “normal” teens.

The answer is up to you, but we all know what you’re gonna choose

Cmon you’re reading this so you’re obviously down bad 💀

[3rizu]

A Weeping Willows Dream

His pretty toy

Contents: Gojo x fem!reader - Shoko x Utahime - modern au! - pet names (sweetheart, pretty girl, and etc) - ooc

Word Count: 2,519

A/N: This is a bit shorter bc I had a project but the rest will be 5k+

Chapter 1 | Chapter 2

It was nice and warm in the morning due to Utahime keeping the heater on, and Shoko had woken up, though she was a bit angry after Utahime told her about what Suguru had said and done to you.

“Gosh, you know he’s such an asshole. I can’t believe he did that to you.”

“You can say it; I know you want to.” You said knowing she wanted to say that she was right all along, and you messed up by not listening.

“I’m not going to be bitchy—I told you so. I’m sorry, you know I had to; it was tempting.”

Shokos said apologetically, though she was a bit glad Suguru was going to be gone from your life. Although Shoko hated the way he had hurt you before leaving, she was happy he left. At least for a little while, and hopefully enough time by the time he came back, you had someone else in your mind, preferably not somebody who was just as toxic as him.

“Nope, I knew you would. Although I am definitely taking your advice next time, I do not want to repeat those things again.”

"Well, I’m just glad you’ll finally be able to get over him. Though there’s a party happening, it's the birthday party of some girl, but everyone’s invited, so wanna come with me and Utahime?” She asked, though she was a bit nervous if you rejected the offer, knowing it’d either be because of Suguru or you just don’t want to go.

“Oh, really? Uhm… you know why not?" You said after thinking about it in your mind for a bit.

"Okay, that’s great. I’m sure they’ll be umm guys for you or whatever you like." Shoko said trying to coax you into coming with her and Utahime

"Yeah, after what happened, maybe not, but if I feel like it, I’ll definitely come with you guys.”

“Hah! Come” Shoko laughed at your words before settling down.

“Shut up”

—

11:31 pm

It was already late at night while you were watching a movie after not being able to sleep and having been worried if the girls would need a ride home. So you decided to watch whatever movie seemed interesting to you. Your phone rang, thinking it was Shoko or Utahime. You grabbed it and answered, not stopping to check the contact name.

“Shoko? Utahime?”

“Hey, sweetheart. It’s Satoru, not whoever you’re calling out to.” He said softly to you after hearing the worry in your voice.

“Oh, it’s you?” You said taking your phone away from your ear to see his contact name, ‘Weirdo🐇’

“Yes, I was calling to see if you hadn’t slept yet.”

"Well, I haven't, so is that all?”

“No! Uhm, I mean no. Anyway, I was going to ask if you wanted to come over tonight.”

"Uhm, I’m not sure about that.”

“Pretty please? I’ll do whatever you want me to.”

"Fine, I’ll come; just you pick me up. I don’t feel like driving.”

“Got it, princess.”

—

Gojo hummed while he walked to your door, knocking on it, waiting for you to answer. You opened the door a bit surprised, forgetting that he was coming to pick you up.

“I completely forgot that you were coming.”

“Have you really forgotten me so easily, sweetheart?” He said, acting dramatic and putting his hand over his heart as if he were truly hurt by your words.

“Yes.”

“I hate you.”

“Yeah, you’re a liar.”

“I know, I could never hate my future wife.”

You rolled your eyes at his comment while you closed the door behind yourself. His hand grabbed onto yours, leading you into the car and opening the door for you.

“Such a gentleman, hm?” You hummed getting inside the car.

“Of course, why would I ever treat less than you deserve?” The door closed while he walked to the driver's seat.

“Do you want to stop anywhere before we go to my place?”

“Uhm, no, I’m fine; we can just go.”

“Yes, ma’am. Though do you want any music playing?”

“No, it’s okay.”

“Alright”

He continued driving while you kept your gaze on the road, turning your head to your window to watch as you both passed buildings. He looked at you while the light was red. Seeing if it was alright to hold onto your hand, you shook your head. You weren’t yet ready to start with another guy; your heart was still recovering from Geto. He nodded as you declined with a shake of your head, and he put both of his hands back on the steering wheel.

Finally, after a couple minutes, he arrived at his place. He opened your door as per usual. His hand led you inside the house while he locked his car and closed the door behind the both of you. He turned on the lights so he could see you more clearly and also so neither of you would run into something by accident.

“So what do you want to do, sweetheart? Watch a movie? Or do we want to bake something together?”

"Mm, you know what baking something sounds like?”

“Alright, what should we bake?” He said turning on the kitchen lights and heading to his pantry, which was stoked up on a lot of junk food, though he had some healthy things.

“I hope you actually have a healthy diet, but uhm, I’m not sure. Maybe a cake or cupcakes?” You said after having glanced inside his pantry.

"Oh, don’t worry, I do, but uhm, we can do both if you want to.”

“Really? Can we do both?” You said, smiling happily at his words.

“Yeah, of course, anything for my sweet girl.”

"Okay, but if you play careless whisper, I’m out." You said it jokingly while he frowned at your words.

“You wouldn’t dare, and I was going to play it, y'know, be romantic again.”

“Oh yeah, definitely you had me on my knees.”

He chuckled, smiling at your words. His smile was beautiful; gosh, if you hadn't known any better, you would’ve thought he was an angel.

"Yup, I did.” He said, finally grabbing the ingredients for you and him to make the cake and cupcakes.

"Totally.” You giggled before helping him out with grabbing a bowl and a whisk. He hummed, pulling you closer to him.

“What’s with you?” You said look as his hand wrapped around your waist.

“Can’t I be romantic? I mean, you’re going to be my future girlfriend.”

"Yeah, calm down, mister, it's not going to happen.” You said, patting his shoulder before focusing your attention back onto making the cupcakes.

“Well, I’ll work on the cupcakes, and you can make the cake.”

"Alright, I got it, ma’am.” He said moving away and starting to work on the cake.

"Great, now it better look decent.” you said, starting to grab the eggs out of the fridge for the both of you.

“Of course I'll try my absolute hardest to make it look as pretty as you.”

He said, cracking the egg against the edge of the bowl, letting the egg fall into the bowl. His movements continued, and you watched him. You liked the way he looked, the way he spoke to you kindly, his beautiful diamond eyes, and most of all, the way he treated you.

“Princess? Are you okay? You’re staring at me." His said his tone soft while he seemed concerned. You shook your head no and focused on making your cupcakes.

“Wanna listen to some music?” He said, looking at you before his gaze focused back on the bowl with the batter.

“Can we listen to Heavenly?” You said focusing on your own batter of cupcakes.

He smiled at your words and then spoke with that soft tone he always used when speaking to you. “Cigarettes After Sex? I would’ve never known.”

“Well, Alexa? Play Heavenly by Cigarettes After Sex.”

"Well, I just like it. It sounds nice to me. It’s kind of calming or peaceful.”

—

After having baked and waiting for the cake and cupcakes to cool down, Satoru ate some then went to bed. Although there he was watching over you while you slept like a guardian angel, he loved looking at your peaceful face. He knew you were home, and he hoped whichever spiritual being existed that they blessed him with having you in his arms. Gosh, how he longed to feel you in his arms; he’d treated you beautifully like a queen; no man would ever hurt you in his presence.

You shifted in your sleep, causing one strand of hair to cover your face. He hated that, so he moved it and tucked it behind your ear. He smiled as you moved and tried to get warmed under the blankets. He kissed your forehead and went back to his own bedroom to fall asleep thinking about you.

—

You were back at home, and Shoko was asking you all types of questions, asking who you were with last night. She seemed eager to know who interested you so much you stayed overnight. Although you kept dismissing her questions and got ready to go out to the mall together, she was already ready, and so was Utahime.

“Come on? Answer me” Shoko said, obviously impatient, and she had to know which man it was and if he was a good man to you.

“Shoko, he’s just a friend.”

She scoffed, rolling her eyes at your stupid words. “Ha! You expect me to believe that bullshit?”

“Fine, he may or may not be someone who’s interested in being with me." The words came out of your mouth softly and too quickly for her to fully understand, but it clicked soon enough.

“Is he a good man? No more Suguru situation, right?

“Yeah no. He’s uhm something.” You said a bit nervous; you still weren’t sure what you classified your relationship or friendship as.”

 

“That’s great, gosh, am I glad it’s not some toxic guy? Anyway, come on, let's go to the mall now.”

 

—

 

Shoko and Utahime were looking at jewelry, and you wandered off still near them, but instead you entered another store and looked around. It was a candy store where you wanted to see if they had anything you liked, so you kept looking around till you finally found something you liked. You grabbed it and looked for anything else, grabbing other things. You went up to the cashier and bought your candy.

 

Finally, Shoko and Utahime came back after Shoko bought Utahime a necklace. You left the store and went into another to see if you wanted any clothing.

 

"Oh, this would look great if you tried it on.” Utahime said sweetly to you, and you listened, going into the changing rooms while they followed and sat on one of the benches. You changed and looked in the mirror. You looked nice just as Utahime said you would; you opened the door, and Utahime nodded. 

 

“You have to get it. It looks beautiful on you.” She smiled, and Shoko nodded, agreeing with her girlfriend.

 

“Really? You think so?” 

 

You went into the changing room, looking at yourself in the mirror. You looked lovely, but at that moment you didn’t think of that but how Satoru would react to the dress.

 

“Maybe your ‘friend’ will love it.” Shoko said, making air quotes while saying friend.

 

“Shut up.” 

 

She shrugged as she kept speaking. “The truth hurts.” 

 

"Well, we can leave after this because that should be all for us, right?”

 

“You we’re done.”

 

—

 

Utahime and Shoko had long left to go out together for a date while you texted for Satoru to come over. 

 

You: Wanna come to my place, Gojo?”

 

Weirdo🐇: Yeah, that’d be lovely.

 

You: Okay, come over now.

 

Gojo🐇🎀: So demanding, sweetheart.

 

You: I’ll see you in a bit.

 

Gojo🐇🎀: Okay, bye, honey.

—

He made himself comfortable on the sofa while you both watched a movie. You decided to watch a kids movie. He didn't mind at all if anything; he found it adorable that you would want to watch such a thing with him, and you must’ve been comfortable to watch such things as Sleeping Beauty. A blanket was draped over the both of you while you leaned a bit closer to him. He wrapped his arm around you and kept you close to his chest.

 

“Why is the beginning so long?” You hummed as the beginning was a bit too long for your liking and also because you were impatient.

 

“Just wait, princess. I promise you’ll like this movie.” 

 

"Mhm, I will." You hummed, focusing back onto the screen, the fairies appearing and giving Aurora one gift. The singing was nice and peaceful. You loved the way it was made; although it was years ago, it was your second time watching after forgetting what happened when you watched it for the very first time. 

 

 

He nodded and kissed your forehead while still focusing on the movie. You tucked yourself deeper into the blankets, sleep overtook you slowly but surely, and you got tired. Satoru noticed your sleepiness and smiled. He let you doze off; you closed your eyes and opened them, drifting in and out of consciousness.

 

He chuckled and kept you closer soon enough; your head lay against his chest fully, and you were asleep. He turned the TV off and carried you into your bedroom, laying you under your blankets.

 

"Satoru, don’t leave." You mumbled sleepily, and you grabbed onto his arm. He seemed conflicted but nodded and got into bed with you. He held you close enough that you were practically molded together. 

 

You smiled, and he closed his eyes, finally falling asleep with you in his arms.

—

It was 7:30 am, and Satoru was still in bed with you snoring softly and his leg thrown over your body. It felt somewhat suffocating, but it was fine; you didn’t mind one bit. The only thing on your mind at the moment was how pretty he looked over the night. You had changed positions, and you could see his pretty face. You moved closer to him, and his arms instinctively wrapped around your body, pulling you closer to his chest.

 

“Oh princess?” He said a bit groggily he had just woken up and his eyes opened, taking a bit to adjust to the light peeking from your blinds.

 

“Yes?” You said while he moved one of his hands away from you and clasped it with yours.

 

“Nothing; you’re so pretty." You smiled at his kind words, cuddling ever closer if it was even possible to do so.

 

“Wait, how come you’re in my bed?” 

 

“Last night you asked me to sleep with you; not that way, just sleep.”

 

“And you stayed?” You said a bit taken aback he had listened to you, although you were half asleep while saying it.

 

“Should I go? No, yeah, I totally should’ve let you sleep." He seemed a bit nervous and scared to hear that you were weirded out by him.

 

“No, stay, Satoru; you're like my personal heater.

[unproduciblesmackdown]

billions also comedy gold presenting winston as a scapegoat for abuse culture fans when it's like but hey it can't be actual scapegoating if you Enjoy It or consider it Justified or experience Reassurance from Its Opportunity For A Group Cohesion Substitute For A Cohesion Based On An Inherent Equal Degree Of Belonging, The Absence Of Which Allows For, Encourages, Reinforces, & Rewards Scapegoating

it can't be Bullying if someone's Weird or you Just Don't Personally Like Them or Nobody's Actually Stopping You, Maybe At Least If They Don't See Too Much Of It, Maybe Others Are Supporting It

it can't be Abuse if you're just doing things Normally or are Following Rules or Aren't Feeling Malicious And Aren't Getting Divine Revelations Otherwise and probably it's just that a lot of abnormal people are being whiny &/or unfair &/or the Real malicious ones. kinda just like how that scapegoat is the real person ruining everything and really just forcing you to treat them like this

[whoviandoodler]

you ever go into a tag for a show or whatever and find several painstakingly created gif sets from interviews with the actors where they're just like. fully mocking fans? talking about them like they're the most despicable thing on this earth kind of bitter mocking. and on the one hand you're like, okay, i get it, fans can really be shit and get overly parasocial and think you owe them something beyond the work you created but on the other it's like. bro this makes me not want to engage with anything you do at all. ever. you don't have to sing your fans praises but you can do them the basic courtesy of professionalism and not ridiculing the entirety of everyone who both engages with your creative work and whose interest ultimately results in your paycheck.

[vampiresuns]

having a tav that's a Lloth-sworn life domain cleric of a noble background who before getting yeeted into the nautiloid was a sacrificial priestess (gn) during one of the cycles of Drow society and had their own altar and temple under their care, means Solune would have the most insane however many minutes they spent interacting with Minthara and I am obsessed about it. As far as I'm conceptualising it, I'm thinking of Lloth as extremely Ungoliant-like. Goddess of hunger, goddess of wanting and consumption, goddess of excess and exuberance, goddess who unmasked the hypocritical gods of starvation, guilt and purity into a society that cherishes a certain kind of clarity about the double standard they impose. For Drow are evil for their wars and their wanting and their taking, but those other people with their other gods kill, warmonger and enslave with no regard and no self-awareness, calling the indignation about receiving scraps from a bunch of silent, unrepentant gods, "guilt and shame". There is violence in denial and her Children will not suffer it.

In the season of Life, they do not sacrifice the unwilling. It is taboo. The only sacrifice that matters is the desire to be devoured and destroyed by the things you love the most.

And Solune sees Minthara and is like fucking finally, someone rational enough to get what I'm going through, that they're losing their mind that their life was taken from them and if they become this other thing, if they transform, if they do not remain Luxe Solune Mizzmyrra, Life Knife of Lloth, they're never going to be able to be reintegrated into that life. They will die away from home, from their temple, from their (first) spouse, from their mother and their siblings and there won't be the day when they too succumb to the knife, when it is time, when the day they no longer feel hunger comes.

And then the parasite gives them an in into Minthara thinking she was raised from the darkness into a FALSE GOD? One thing you do not do is steal from Lady Lloth, and oh my god, there could've been a time, a chance that existed only in ignorance, of Solune lending a hand to Minthara but this to them is unforgivable because Solune is genuinely a good friend to their friends, but if you keep peeking into whatever mindset nobility and religious authority has given them it's like realising your friend is a cesspool of "what the actual and everliving fuck", and when the knife of the morningstar priestess comes down on Minthara it won't be with love but with absolute rage, grief and disgust and I will be thinking about this for evermore. Thanks, I'm not well

[arolesbianism]

While I may not be allowing myself to post spiraling upwards spoilers, I see no issue with posting art of a bunch of folks who are dead before the story starts and one Conetalon who isn't

[spaceratprodigy]

me reading the tags everyone left on my art