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lokiondisneyplus · 3 years

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'Loki' takes over: Tom Hiddleston on his new TV series and a decade in the MCU

Ten years after Hiddleston first chose chaos in Thor, Marvel’s fan favorite God of Mischief is going even bigger with his time-bending Disney+ show.

Tom Hiddleston is Loki, and he is burdened with glorious purpose: After playing Thor's puckish brother for over a decade in the Marvel Cinematic Universe, no one understands the mercurial Asgardian God of Mischief as well as the actor. He can teach an entire seminar on Loki if given the opportunity — which he actually did during pre-production on his forthcoming Disney+ show. In conversation, Hiddleston quotes lines from his MCU debut, 2011's Thor, almost verbatim, and will playfully correct you if you mistakenly refer to Asgard's Rainbow Bridge as the Bifrost, which is the portal that connects Loki and Thor's homeworld to the Nine Realms, including Midgard, a.k.a. Earth. "Well, the Bifrost technically is the energy that runs through the bridge," he says with a smile. "But nine points to Gryffindor!" And when he shows up to the photo shoot for this very digital cover, he hops on a call with our photo editor to pitch ways the concept could be even more Loki, like incorporating the flourish the trickster does whenever magically conjuring something. The lasting impression is that playing Loki isn't just a paycheck.

"Rather than ownership, it's a sense of responsibility I feel to give my best every time and do the best I can because I feel so grateful to be a part of what Marvel Studios has created," the 40-year-old Brit tells EW over Zoom a few days after the shoot and a week out from Thor's 10th anniversary. "I just want to make sure I've honored that responsibility with the best that I can give and the most care and thought and energy."

After appearing in three Thor movies and three Avengers, Hiddleston is bringing that passion to his first solo Marvel project, Loki, the House of Ideas' third Disney+ series following the sitcom pastiche WandaVision and the topical The Falcon and the Winter Soldier. Led by head writer Michael Waldron (Doctor Strange in the Multiverse of Madness, Heels), the six-episode drama sees Hiddleston's shapeshifting agent of chaos step out from behind his brother's shadow and into the spotlight for a timey-wimey, sci-fi adventure that aims to get to the bottom of who Loki really is. "I wanted to explore slightly more complex character questions," says Waldron. "It's not just good versus bad. Is anybody all good? Is anybody all bad? What makes a hero, a hero? A villain, a villain?"

Even though Loki — who loves sowing mayhem with his illusion magic and shapeshifting, all with a major chip on his shoulder — has never been one for introspection, the idea of building an entire show around him was a no-brainer for Marvel. When asked why Loki was one of the studio's first Disney+ shows, Marvel president Kevin Feige replies matter-of-factly, "More Hiddleston, more Loki." First introduced as Thor's (Chris Hemsworth) envious brother in Kenneth Branagh's Thor, Loki went full Big Bad in 2012's The Avengers. That film cemented the impish rogue as one of the shared universe's fan favorites, thanks to Hiddleston's ability to make him deliciously villainous yet charismatic and, most importantly, empathetic. The character's popularity is one of the reasons he's managed to avoid death many times.

"He's been around for thousands of years. He had all sorts of adventures," says Feige. "Wanting to fill in the blanks and see much more of Loki's story [was] the initial desire [for the series]."

The Loki we meet on the show is not the one who fought the Avengers in 2012 and evolved into an antihero in Thor: The Dark World and Thor: Ragnarok before meeting his demise at the hands of the mad titan Thanos (Josh Brolin) in 2018's Avengers: Infinity War. Instead, we'll be following a Loki from a branched timeline (a variant, if you will) after he stole the Tesseract following his thwarted New York invasion and escaped S.H.I.E.L.D. custody during the time heist featured in Avengers: Endgame. In other words, this Loki hasn't gone through any sort of redemption arc. He's still the charming yet petulant god who firmly believes he's destined to rule and has never gotten his due.

Premiering June 9, Loki begins with the Time Variance Authority — a bureaucratic organization tasked with safeguarding the proper flow of time — arresting the Loki Variant seen in Endgame because they want his help fixing all of the timeline problems he caused while on the run with the Tesseract. So there will be time travel, and a lot more of it than in Endgame. As Loki makes his way through his own procedural, he'll match wits with new characters including Owen Wilson's Agent Mobius, a brilliant TVA analyst, and Gugu Mbatha-Raw's Judge Renslayer. The question in early episodes is whether Loki will help them or take over.

"One of the things Kevin Feige led on was, 'I think we should find a way of exploring the parts of Loki that are independent of his relationship with Thor,' or see him in a duality or in relationship with others, which I thought was very exciting," says Hiddleston, who also serves as an executive producer on the show. "So the Odinson saga, that trilogy of films, still has its integrity, and we don't have to reopen it and retell it."

Yet, in order to understand where Loki is going, it's important to see where he came from.

Hiddleston can't believe how long he and Loki have been connected. "I've been playing this character for 11 years," he says. "Which is the first time I have said that sentence, I realize, and it [blows] my mind. I don't know what percentage that is exactly of my 40 years of being alive, but it's substantial."

His time as Loki actually goes a bit further back, to 2009 — a year after Robert Downey Jr. big banged the MCU into existence with Iron Man — when he auditioned for Thor. It's no secret that Hiddleston initially went in for the role of the titular God of Thunder, but Feige and director Kenneth Branagh thought his natural charm and flexibility as an actor made him better suited for the movie's damaged antagonist. "Tom gave you an impression that he could be ready for anything, performance-wise," says Branagh, who had previously worked with him on a West End revival of Checkov's Ivanov and the BBC series Wallander. "Tom has a wild imagination, so does Loki. He's got a mischievous sense of humor and he was ready to play. It felt like he had a star personality, but he was a team player."

Hiddleston fully immersed himself in the character. Outside of studying Loki's history in the Marvel Comics, he also researched how Loki and the Trickster God archetype appeared across mythology and different cultures. "He understood that he was already in something special [and] it was a special character in a special part of that early moment in the life of the Marvel universe where [he] also needed to step up in other ways," says Branagh, who was impressed by the emotional depth Hiddleston brought to the part, especially when it came to how isolated Loki felt in the Asgardian royal family.

There was a lot riding on that first Thor feature. For one, no one knew if audiences would immediately latch onto a Shakespearean superhero movie partially set on an alien planet populated by the Norse Gods of legend. Second, it was integral to Feige's plans for the shared universe. Loki was supposed to be the main villain in The Avengers, which would not only mirror how Earth's mightiest heroes joined forces in 1963's Avengers #1 but also give Thor a believable reason for teaming up with Iron Man, Captain America (Chris Evans), and the rest of the capes. Feige first clued Hiddleston into those larger plans when the actor was in L.A. before Thor started shooting.

"I was like, 'Excuse me?' Because he was already three, four steps ahead," says Hiddleston. "That took me a few minutes to process, because I didn't quite realize how it just suddenly had a scope. And being cast as Loki, I realized, was a very significant moment for me in my life, and was going to remain. The creative journey was going to be so exciting."

Hiddleston relished the opportunity to go full villain in Avengers, like in the scene where Loki ordered a crowd to kneel before him outside a German opera house: "It's the unspoken truth of humanity, that you crave subjugation," says the Machiavellian god. "The bright lure of freedom diminishes your life's joy in a mad scramble for power, for identity. You were made to be ruled. In the end, you will always kneel."

"I just knew that in the structure of that film, I had to lean into his role as a pure antagonist," Hiddleston recalls. "What I always found curious and complex about the way Loki is written in Avengers, is that his status as an antagonist comes from the same well of not belonging and being marginalized and isolated in the first Thor film. Loki now knows he has no place in Asgard."

Loki did find a place within the audience's hearts, though. Feige was "all in" on Hiddleston as his Loki from the beginning, but even he couldn't predict how much fans would love him. Feige recalls the reaction at the 2013 San Diego Comic-Con: "Did we know that after he was the villain in two movies, he would be bringing thousands of people to their feet in Hall H, in costume, chanting his name? No, that was above and beyond the plan that we were hoping for and dreaming of." It was a dream Feige first got an inkling of a year earlier during the Avengers press tour when a Russian fan slipped past security, snuck into Mark Ruffalo's car, and asked the Hulk actor to give Hiddleston a piece of fan art she created. "That was one of the early signs there was much more happening with this quote-unquote villain."

Despite that popularity, the plan was to kill Loki off in 2013's Thor: The Dark World, but the studio reversed course after test audiences refused to believe he actually died fighting the Dark Elves. Alas, he couldn't out-illusion death forever. After returning in Taika Waititi's colorful and idiosyncratic Thor: Ragnarok, Hiddleston's character perished for real in the opening moments of Infinity War. In typical Loki fashion, before Thanos crushed his windpipe, he delivered a defiant speech that indicated he'd finally made peace with the anger he felt toward his family.

"It felt very, very final, and I thought, 'Okay, that's it. This is Loki's final bow and a conclusive end to the Odinson saga,'" says Hiddleston, who shot that well-earned death scene in 2017.

But, though he didn't know it yet, the actor's MCU story was far from over.

Credit: Charlie Gray for EW

When Hiddleston returned to film two scenes in Avengers: Endgame in 2017, he had no idea where Loki portaled off to after snatching the Tesseract. "Where'd he go? When does he go? How does he get there? These are all questions I remember asking on the day, and then not being given any answers," Hiddleston recalls. To be fair, it's likely the Powers That Be didn't necessarily have answers then. While Feige can't exactly recall when the writers' room for Endgame first devised Loki's escape sequence, he does know that setting up a future show wasn't the primary goal — because a Loki series wasn't on the horizon just yet.

"[That scene] was really more of a wrinkle so that one of the missions that the Avengers went on in Endgame could get screwed up and not go well, which is what required Cap and Tony to go further back in time to the '70s," says Feige. Soon after that, though, former Disney CEO Bob Iger approached Feige about producing content for the studio's forthcoming streaming service. "I think the notion that we had left this hanging loose end with Loki gave us the in for what a Loki series could be. So by the time [Endgame] came out, we did know where it was going."

As for Hiddleston, he didn't find out about the plans for a Loki show until spring 2018, a few weeks before Infinity War hit theaters. "I probably should not have been surprised, but I was," says the actor. "But only because Infinity War had felt so final."

Nevertheless, Hiddleston was excited about returning for his show. He was eager to explore Loki's powers, especially the shapeshifting, and what it meant that this disruptive figure still managed to find a seat beside the gods in mythology. "I love this idea [of] Loki's chaotic energy somehow being something we need. Even though, for all sorts of reasons, you don't know whether you can trust him. You don't know whether he's going to betray you. You don't why he's doing what he's doing," says Hiddleston. "If he's shapeshifting so often, does he even know who he is? And is he even interested in understanding who he is? Underneath all those masks, underneath the charm and the wit, which is kind of a defense anyway, does Loki have an authentic self? Is he introspective enough or brave enough to find out? I think all of those ideas are all in the series — ideas about identity, ideas about self-knowledge, self-acceptance, and the difficulty of it."

“The series will explore Loki's powers in a way they have not yet been explored, which is very, very exciting.”

The thing that truly sold Hiddleston on the show was Marvel's decision to include the Time Variance Authority, a move he describes as "the best idea that anybody had pertaining to the series." Feige and Loki executive producer Stephen Broussard had hoped to find a place for the TVA — an organization that debuted in 1986's Thor #372 and has appeared in She-Hulk and Fantastic Four stories — in the MCU for years, but the right opportunity never presented itself until Loki came along. "Putting Loki into his own procedural series became the eureka moment for the show," says Feige.

The TVA's perspective on time and reality also tied into the themes that Waldron, Loki's head writer, was hoping to explore. "Loki is a character that's always reckoning with his own identity, and the TVA, by virtue of what they do, is uniquely suited to hold up a mirror to Loki and make him really confront who he is and who he was supposed to be," says Waldron. Hiddleston adds: "[That] was very exciting because in the other films, there was always something about Loki that was very controlled. He seemed to know exactly what the cards in his hand were and how he was going to play them…. And Loki versus the TVA is Loki out of control immediately, and in an environment in which he's completely behind the pace, out of his comfort zone, destabilized, and acting out."

To truly dig into who Loki is, the creative team had to learn from the man who knows him best: Hiddleston. "I got him to do a thing called Loki School when we first started," says director Kate Herron. "I asked him to basically talk through his 10 years of the MCU — from costumes to stunts, to emotionally how he felt in each movie. It was fantastic."

Hiddleston got something out of the Loki school, too. Owen Wilson both attended the class and interviewed Hiddleston afterward so that he could better understand Loki, as his character Mobius is supposed to be an expert on him. During their conversation, Wilson pointedly asked Hiddleston what he loved about playing the character.

"And I said, 'I think it's because he has so much range,'" says Hiddleston. "I remember saying this to him: 'On the 88 keys on the piano, he can play the twinkly light keys at the top. He can keep it witty and light, and he's the God of Mischief, but he can also go down to the other side and play the heavy keys. And he can play some really profound chords down there, which are about grief and betrayal and loss and heartbreak and jealousy and pride.'" Hiddleston recalls Wilson being moved by the description: "He said, 'I think I might say that in the show.' And it was such a brilliant insight for me into how open Owen is as an artist and a performer.'"

Owen Wilson as Mobius and Tom Hiddleston as Loki in 'Loki.'| Credit: Chuck Zlotnick/Marvel Studios

Everyone involved is particularly excited for audiences to see Hiddleston and Wilson's on-screen chemistry. "Mobius is not unlike Owen Wilson in that he's sort of nonplussed by the MCU," says Feige. "[Loki] is used to getting a reaction out of people, whether it's his brother or his father, or the other Avengers. He likes to be very flamboyant and theatrical. Mobius doesn't give him the reaction he's looking for. That leads to a very unique relationship that Loki's not used to."

As for the rest of the series, we know that Loki will be jumping around time and reality, but the creative team isn't keen on revealing when and where. "Every episode, we tried to take inspiration from different things," says Waldron, citing Blade Runner's noir aesthetic as one example.

"Part of the fun of the multiverse and playing with time is seeing other versions of characters, and other versions of the titular character in particular," says Feige, who also declined to confirm if Loki ties into Doctor Strange in the Multiverse of Madness and/or other upcoming projects.

Making Loki was especially meaningful to Hiddleston because they shot most of it during the pandemic, in late 2020. "It will remain one of the absolute most intense, most rewarding experiences of my life," he says. "It's a series about time, and the value of time, and what time is worth, and I suppose what the experience of being alive is worth. And I don't quite know yet, and maybe I don't have perspective on it, if all the thinking and the reflecting that we did during the lockdown ended up in the series. But in some way, it must have because everything we make is a snapshot of where we were in our lives at that time."

While it remains to be seen what the future holds for Loki beyond this initial season, Hiddleston isn't preparing to put the character to bed yet. "I'm open to everything," he says. "I have said goodbye to the character. I've said hello to the character. I said goodbye to the character [again]. I've learned not to make assumptions, I suppose. I'm just grateful that I'm still here, and there are still new roads to explore."

#Tom Hiddleston #Loki #Disney+#interview

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writingwithcolor · 3 years

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Follow-up to How Special is Too Special

In reference to this post on a mixed Japanese character, a user said:

“Sounds more like an OC than a fully realized character”? I’m sorry, but maybe do you mean a character outline? All characters, before they become canon, are original characters. And originality isn’t an automatic lack of fleshing out. Like, I truly do appreciate the work that goes into this blog but that’s a really poor take and more than a little offensive to literally anyone who has ever bothered to write an original character, myself included.

Hello, my definition of “OC”/ Original Character as someone not involved in fandoms for over 15 years is confined to writer avatars and related proxies that are useful in certain fandom settings, but less useful in original works because of their over-reliance on tropes and lack of integration within the universe of a single story. This is how I’ve always considered the many OCs I have created. If the above is not your definition of OC, let’s call this a terminology mismatch and leave it at that. Rather like how coke versus soda versus pop can all mean the same thing or not, and it not being my business to judge your beverage terminology or rank your preferred beverages, it is also not my business to evaluate your original characters or how you define OC. However one chooses to define the term, the description presented in the ask didn’t strike me as a fully realized character without more information.

Marika.

Hi—I currently make OCs too! It's very enjoyable! Some of them are also a part of stories that I might someday make into a full creative work! I'm younger than Marika and I totally understand where you're coming from in the current context of fanfiction writers fighting to get their creative endeavours recognized as legitimate. However, that's precisely why we used "OC" in that post, to describe the kind of character creation that takes place specifically in hobbyist internet content creation (so not necessarily connected to derivative works, but nonetheless characters written about/drawn and shared online). Given the term's origin in fanfiction, I think that semantically broadening the term "OC" to literally mean "any Original Character in Any Human Work of Art" just because the acronym happens to literally spell "original character" makes the term a bit useless, don't you agree?

I define an “OC” as connected to a creator culture where these characters can be built upon by community reaction and engagement, and where creation and development of the character itself is the goal. OCs, by and large, exist in a vacuum; it's not about the plot that employs them, it's about them. It's about the creator's personal connection to them, their enjoyment of creating content with and developing them. And this includes developing the world that they’re in, which you could theoretically continue building forever.

However, when you're making a character for a novel or some other work, other considerations become far more important. You need to view your character as a cog in a larger system, and think more carefully about the role they serve in a plot that has a distinct beginning and end. You need to think about how much story and how many scenes you can afford to place in a novel/short story/TV show/etc with a limited length, and you have to be willing to cut.

I make a distinction between "OC" and "publishable story character" because it’s the difference between creating to form a final product (complete characters) and creating as an end in itself (OCs).

I do acknowledge that in some cases, the line between "OC" and "character that is original" begins to blur. Eg.

I do know that there are many creators out there who have made their internet OC creations part of a complete story that is published, like taking an OC's backstory and expanding on the worldbuilding, supporting cast, and everything else for a single arc/plot. You can see many creators on something like Webtoon for instance earning commercial success from serializing their OC content which started on social media.

You could probably even argue that comic book superheroes are taxonomically closer to "OCs" due to their single character-driven origins, endless serialization, and multiple universes and retconning (an "is a pop-tart a ravioli" sort of question).

But given there is a significant contextual difference here, I do ask that our reading in the post be interpreted in good faith.

Nowhere in this post do we disparage OP's motivations for creating a fun character. That's not our place. You should be free to do whatever you want with your OCs because that is the point of making them! Our blog, however, is for people who are writing a complete story that is constrained by the limits of publishing (online or traditional). These are limits of length, audience engagement, and author intervention. Hope that helps

- Rina

#fanfiction #fandom #characters #asks #Blog Things #wwc replies #oc

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klm-zoflorr · 3 years

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Why It Is Bad That We Never See Mai or Ty Lee in the Comics Deal With Their Imperialist Past

How come we never see Mai or Ty Lee deal with their imperialist past in the comics? For yeah comics!Azula is a horrible person and it is implied that Azula was never friends with Mai & Ty Lee, who where coerced subjects trying to keep their mad sovereigns (Azulon, Ozai, & Azula) happy. But I find it odd that neither no one in-universe or the narrative challenges them for their past. Like Zuko, Iroh, Piandao, Jeong Jeong, and Chey all had to confront their imperialist past before redeeming themselves despite having as good an argument, if not better, that they were being coerced or faced life threatening consequences if they didn’t comply. So what makes Mai or Ty Lee different any different? And before people say they went to prison, it was for committing treason against the Fire Nation/attacking their Princess; not for realizing the error of their ways and wanting to change.

Though in Ty Lee’s case she did say she did join the Kyoshi Warriors in order to fix a broken world in the Sisters comic so maybe Ty Lee did confront her past. But I wish we saw her time in prison so we saw her change considering she enthusiastically fought against the Kyoshi Warriors & The Gaang and mocked the Kyoshi Warriors’ style, not knowing or caring for the reason behind their makeup or dress.

However comics!Mai really hasn’t really done anything…in fact she kept from Zuko and The Gaang the fact that her father was leading the New Ozai Society until Zuko almost got killed (and was only saved by PIS and a last minute unexpected heel-face turn) and The Fire Warriors were able to kidnap around a dozen kids, including Mai’s own brother and Azula/Zuko’s half sister. And even more galling, when confronted for her treason, she has the gall tell an understandably angry Zuko that he of all people should understand how hard it is to betray your father. As if there wasn’t a difference between betraying the all powerful ruler of your country who has a cult of personality, has burned you before, can quickly fire off lethal amounts of lighting on command, and has said before he wanted to kill you versus betraying your mentally and physically weak father who rejected being integrated into the new government and seeks to put someone back in power who would likely kill you for committing treason against him.

On a sidenote, isn’t crazy that Zuko then quickly apologized and the story never brought up the topic of Mai’s treason ever again?

But getting back on track, are we being unreasonable in asking that Mai and Ty Lee confront their past or if they already did, that we actually see it on page/screen? Especially since the message sent by them not doing so is that if you turn at almost the last point possible, the people you have wronged repeatedly and the world community will instantly forgive you despite constantly engaging in imperialism (ex. fighting against the rebels in Omashu, jailing and impersonating The Kyoshi Warriors), let alone helping commit one of the biggest acts of imperialism in history (helping Azula take over Ba Sing Se)?

Also on a sidenote, I do have an on-going series where I post my thoughts on the Avatar series (this is where this post came from) so feel free to read the rest of them and comment on them.

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I absolutely agree, Anon. I also think Avatar does have a huge problem with putting people into "boxes", like the Good Guys: Zuko, Aang, Katara, Iroh, Ty Lee, Mai, Ursa, even Azulon somehow who can NEVER do or ever did anything wrong (even tho anyone with even a piece of a critical mind knows they did and are flawed human beings) and the Bad Guys: Azula, Zhao, Ozai who are entirely bad and never did anything right and are basically souless emotionless demons.

"it is implied that Azula was never friends with Mai & Ty Lee"

Tbh I feel like this point was a retcon. In the show we see Azula genuinely likes them (hugging Ty Lee, apologising to her, setting Mai up with Zuko, playing with them as kids, being genuinely hurt when they betray her) and I'd be strongly tempted to say they did too. That might just be my interpretation but I feel like Mai really was awfully bored in Omashu and she was happy Azula came to give her something to do. Same for Ty Lee, she looked happy when Azula came at the circus (before she started threatening her), and when they were playing as kids. And I don't think her constant compliments were 100% genuine, of course, she's smarter than this, but I don't believe she was completely lying to her either.

Imo, they were friends, it was just so much complicated by Azula being their commander, war, and living in an imperialistic nation.

The comics (and the last episode of the show too) don't care about that, of course. The narrative they propose is just "Mai and Ty Lee always hated and feared Azula, they had to do everything she told them and so they never have to face any consequences" even tho we know Zuko, who was actually in that situation, had to face consequences for his.

Also, Mai is a perfect New Ozai Society supporter if I've ever seen one. I'm gonna start headcanoning her as a legit villain who consciously manipulated her way to avoid consequences for her actions thanks to being the Firelord's gf and her "treason", it's fun.

«The message sent is that if you turn at almost the last point possible, the people you have wronged repeatedly will instantly forgive you.»

Preach it! Ironically enough, last-minute traitors are often forgiven injustly in real-life wars even tho they might be objectively terrible people, but I don't think the comics writers were aiming to explore this particular subject xD

#atla #azula #ty lee #mai #avatar the last airbender #submission #atla analysis #analysis #klm-zoflorr #anti mai

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hyenahunt · 3 years

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Secret Service: TERRORISM - 6

Writer: Akira

Season: Winter

Characters: Nagisa, Madara, Ibara

Proofreading: bakemonoremy (JP) & Skyress (ENG)

Translation: haranami

Madara: This isn’t really a battle of good versus evil — it’s just two evil parties fighting over their turf.

Location: A café in Shikoku

Nagisa: …In the past, I was essentially a decoration — an ornament adorning the room.

…I was very young when Father was alive, so I didn’t often get the chance to listen in on the adults. And, considering how difficult their conversations were, I certainly didn’t have the intellectual capability to understand them in the first place.

…If you were hoping to extract information about Father from me, Madara-kun, I’m afraid I won’t be of much use.

Madara: I wasn’t trying to do anything of the sort. As someone who personally knew the Godfather, your opinions are more important than you might think, though.

You mentioned those three commanders like they were yesterday’s news, but I’ve never even heard of ‘em till now. [1]

Ibara: Honestly, this is the first I’ve heard of them as well.

Nagisa: …Oh. They aren’t as well known as I expected.

Ibara: Yes, I was under the impression that the Godfather’s only confidant was my great-uncle, the Gatekeeper.

I’ve never heard of this “Priest” or “Apostle.”

Nagisa: …I see. I’m simply recalling what Father said; whether those three were truly close to him is mere conjecture on my part.

…Although I made it sound like they are people, aside from the Gatekeeper I'm not even certain as to whether the Priest and Apostle are actual living humans.

…Truthfully, I was almost surprised when the Gatekeeper revealed himself and started taking action. My first thought was, “Oh, he really does exist.”

…I’m not certain that the Gatekeeper whom Father spoke of is the same Gatekeeper that has revealed himself to us either. [2]

…It’s possible that he’s a different person who simply inherited the name.

…Compared to what I was told of him, he seems oddly meek now. But, then again, he loved and respected Father; perhaps he simply mellowed after suffering from that loss.

Madara: If he’s “meek” and “mellow” now, I’d hate to see what he was like back then. How wild was he?

Nagisa: …I believe it would be more accurate to describe him as fearsome. He took care of all the dirty work in Father’s place.

…Father would often make use of him when he needed to get rid of thorns in his side.

Madara: Hmm… It’s not like I could say, “Villains like those only exist in comic books!” or something — my own mother’s in a similar business.

Ibara: Yes. There’s no denying the fact that crime and violence exist in this world, as do corrupt people.

My great-uncle is one of them, acting like he has the right to be the Godfather’s proxy and take control of SS…

As he attempts to contaminate the idol industry we so love.

I wish to prevent that.

Although that makes me sound like some goodie-goodie who fights for the sake of justice, this is a purely pragmatic decision. He’s simply getting in the way of business, you see.

And the same applies to the late Godfather, whose presence continues to lurk in the background.

Madara: That’s why you’re gonna crush ‘em, huh? This isn’t really a battle of good versus evil — it’s just two evil parties fighting over their turf.

Ibara: Correct. I toiled, joining forces with everyone else to build ES from the ground up. After painstakingly completing my preparations, I was ready to reap in a huge profit…

But then my great-uncle crawled out of the woodwork, trying to rob me of my dues. I refuse to allow him to succeed.

Nagisa: …I don’t believe the Gatekeeper’s objective is to steal away ES’s vast profits.

Ibara: Nevertheless, he’s a pest. As a businessman, I’ve made a wide range of calculations in order to best profit from SS.

Although I’m not alone in that regard; I’m sure His Eminence Eichi has done the same.

My great-uncle’s sudden actions have thrown everything into disarray, however, rendering all my preparations useless.

If I handle this poorly, all my prior investments will go to waste, and I’ll suffer great losses.

That is why I wish to make him disappear as soon as possible.

Personally, I’ve always found the Godfather to be an eyesore, so I’d also like to remove all that remains of him while I’m at it.

Of course, getting rid of my great-uncle this late in the game won’t change much; SS has already begun.

But I at least wish to discover what he’s plotting and gain more insight on what he might do later on. If I’m able to make a pawn out of him, I’m sure we’ll be able to gain even more profits in the future.

It is for that purpose that I am employing Mikejima-shi to investigate this matter.

Madara: Yup. And, being the diligent and hardworking person I am, I aaabsolutely aced it!

Ibara: Indeed. You said that you had important information regarding the Godfather, correct? What is it?

I don’t have high hopes, but I ought to at least hear you out.

Madara: Yeah, you’re in for the surprise of your liiife! Y’see—

…Whoopsie. Looks like someone’s calling me.

Ibara: Are you purposely trying to drag this out, Mikejima-shi?!

Madara: Sooorry! It’s not like I don’t wanna give you the info, I just always get hit with bad timing.

…Uh oh. Sorry again — this is from someone I can’t really ignore.

Hellooo? Kohaku-san? Is there something you need from Mamaaa?

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Translation Notes:

1. The term Madara uses here was coined in Kamen Rider and is used to refer to the baddies that work directly under the big baddie: the semi-final bosses.

2. Once again, Nagisa refers to the Gatekeper as 門番 (monban) first, then as ゲートキーパー (geetokiipaa).

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#enstars #enstars translation #ensemble stars #s: secret service #hyenahunttl #era: !!#type: event #ibara saegusa #nagisa ran #madara mikejima

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thesaltofcarthage · 3 years

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Loki takes over: Tom Hiddleston on his new TV series and a decade in the MCU

from Entertainment Weekly

Ten years after Hiddleston first chose chaos in Thor, Marvel’s fan favorite God of Mischief is going even bigger with his time-bending Disney+ show.

By Chancellor Agard May 20, 2021

"He's been around for thousands of years. He had all sorts of adventures," says Feige. "Wanting to fill in the blanks and see much more of Loki's story [was] the initial desire [for the series]."

Yet, in order to understand where Loki is going, it's important to see where he came from.

"It felt very, very final, and I thought, 'Okay, that's it. This is Loki's final bow and a conclusive end to the Odinson saga,'" says Hiddleston, who shot that well-earned death scene in 2017.

But, though he didn't know it yet, the actor's MCU story was far from over.

“The series will explore Loki's powers in a way they have not yet been explored, which is very, very exciting.”

Additional reporting by Jessica Derschowitz

#loki #loki series #tom hiddleston #entertainment weekly

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disneytva · 4 years

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‘The Owl House’: It’s a Hoot!

You would never think that the dark art of 15th century Dutch artist Hieronymus Bosch would serve as the inspiration for a children’s cartoon. Well, thanks to Dana Terrace and her wild imagination, the strange creatures conjured by the European painter have found their way in the new Disney Channel series The Owl House. The show, which debuts in January, and is already in production of its second season, follows the adventures of a young teenage girl named Luz who decides to pursue her dreams of becoming a witch after she stumbles into a strange realm, inhabited by feisty witch Eda and her tiny warrior friend King.

Terrace, a former director on DuckTales and storyboard artist on Gravity Falls, recalls starting to collect her notes and images and putting together her pitch for the story back in 2015. Then, she finally began pitching her story about a young girl who becomes a witch’s apprentice only a few months after she started directing DuckTales.

“Many of the characters have barely changed since then,” recalls Terrace. “I knew I wanted an older witch mentor figure and a young optimistic girl who was the main character, who learns and grows throughout the show. There’s also this trickster little jerk character named King (voiced by Gravity Falls creator Alex Hirsch).”

The setting for The Owl House changed a little bit since its early days. Terrace says for a brief time, she was toying with the idea of the whole show being set after the young character dies, so that the Owl House is all set in the afterlife. What really had a clear impact on her work is the work of artists such as Bosch, John Bauer, Remedios Varos and the puppetry of Jim Henson.

Real-Life Models

In addition to the crazy creatures of Bosch and religious illuminated manuscripts, Terrace found inspiration in some of the familiar elements in her life as well. “I have always wanted to tell a story about a rough-around-the-edges mother figure, based off of my aunt, nana and mother who raised me,” she recalls.

Terrace says the show’s central character Luz evolved from late-night conversations she used to have with her former roommate roommate and close college friend. “We were both dorks together,” she recalls. “We tried to cut our own hair and it never worked out. We didn’t have many friends. So, in a way, Luz bubbled out of our conversations. When I told her that I was going to base the main character on her, she said, ‘Yes , but you’ll have to make her Dominican.’ So that’s what happened. Luz now also works on the show as a storyboard artist and consultant, and I get to work with my best friend every day.”

As a young girl, Terrace used sneak into the living room to watch cartoons and copy what she liked in her flip books. Her love for shows such as The Simpsons, Pokémon, The PowerPuff Girls and Studio Ghibli movies finally lead her to study animation at School of Visual Arts in New York and make her way out to L.A. to pursue a career in the animation business. Her first big break happened when someone discovered her art blog and sent her a storyboarding test, which led to her landing a job at Gravity Falls and opened other doors as well.

During her big pitch to Disney, Terrace says she was a bit worried to mention Bosch and his odd, evil creatures, but to her surprise, one of the executive’s response was, “Heck, yeah!” “They have been nothing more than enthusiastic and helpful from day one,” she notes.

After spending a good year writing and making the pilot, Terrace began building her production team in 2018. Art director Ricky Cometa and supervising producer Stephen Sandoval also joined the Disney TV Animation production. At capacity, the show has about 50 staffers as part of its pre-production crew, and an overall count of 120 including the overseas teams at Sunwoo, Rough Draft and Sugarcube in Korea. We’ve been very fortunate to work with all of them,” says Terrace. “They’ve made the show really, really spark.”

The Owl House has attracted a top-notch list of vocal talent as well, including Wendie Malick as Eda, Hirsch as King and Sarah-Nicole Robles as Luz. Among the guest star lineup for the show’s first season are Matthew Rhys, Isabella Rossellini, Tati Gabrielle, Issac Ryan Brown, Mae Whitman, Bumper Robinson and Parvesh Cheena. Terrace points out that having a sterling class led by Malick has been a real treat. “Our witch could have been a very hard character to cast, because we wanted to have sass and energy, and Wendie was absolutely perfect. She came in with all her talent and experience, and my first instinct was ‘You don’t need any direction. Do whatever you want to do because you are amazing!”

She also mentions that she knew Alex Hirsch was going to end up playing the little sidekick King. “I used to hear him pitch when I worked on Gravity Falls. I knew that he can bring a lot to the characters he plays. He would also give me some helpful advice about running his own show and working at Disney.”

Art director Ricky Cometa (Steven Universe, Costume Quest) says he was swept away by Terrace’s wild ideas and spectacular imagery, things that were not usually seen in children’s animation. “The second she came in and said, ‘I want you to read this show bible. The first thing that caught my eye was ‘Bosch and the demon world?’ I very much needed help to figure out what this world looks like. We had this blank canvas and there was a lot of religious iconography. I knew we were going to push the boundaries. I mean we are doing the demon realm on the Disney Channel? You bet I’m in!”

Cometa points out that it was clear that they needed to balance the darker aspects of the witch’s world with the more light-hearted and fun components of Luz’s comical adventures. “At first, I wasn’t sure how dark we could have made the world this world that Luz jumps into initially. We had to make clear decisions about when the story needed to be scary— when do we highlight the darker moments versus when the story is lighthearted and welcoming. It was all about finding that right balance of warmth and spookiness.”

Terrace agrees. “If we made everything super scary and spooky — which is something I’m not afraid of, scaring my audience — but if we made everything the same color, then the scary parts and the day-to-day light-hearted parts wouldn’t have popped. We needed that contrast for writing purposes.”

Amazingly enough, Terrace is only the fourth woman to solely create and run an animated series for Disney — following in the footsteps of Sue Rose (Pepper Ann), Chris Nee (Doc McStuffins) and Daron Nefcy (Star vs. The Forces of Evil). She says one of her biggest challenges on the show was going through the learning process to run a writer’s room, which includes four other writers and a writer’s assistant. “Before this show I had always written and drawn my own comics and cartoons, but this was the first time I had written scripts professionally. Learning the process of writing scripts and learning to run a writers’ room was probably the biggest challenge for me. Luckily, I was with a team of talented writers, and we all kind of learned together. Most of that team has carried on to the second season, and we’re very excited to keep writing together.

As the show begins its run on Disney Channel, Terrace says that ultimately she hopes audiences will be entertained by Luz’s world and her off-the-wall adventures. “There are so many different kinds of animated shows out there and so many traditional and streaming services, that I don’t think it’s possible to have a gigantic blowout hit anymore. At the end of the day, no matter how much stuff is out there, stories with interesting core characters and relatable, understandable stories will shine through.”

#The Owl House #Owl House #Dana Terrace #Disney Channel #Ricky Cometa

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incoherentbabblings · 4 years

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What are your favourite comics anyway?

Oh! Oh! Oh! Okay. Full disclaimer. We’re going for what comics I re-read over and over again. Are these comics...good? Eh. Are they bad? No, I don’t think so. Some were meh to wow! when first released that time has either been kinder or harsher to, but I don’t think I have a series or a run or a title which is I like which is like... hot guilty garbage. Though, of course, feel free to disagree. There are some authors on here which people will not want to touch with a barge pole, and I totally understand and encourage not touching them if you don’t want to.

Having said that, here are my favourite popcorn comics (largely Titans and Batfam because I am... basic):

The Flash (2016) issues 39-45 + Annual #1

Having said that, Flash time first. People think Williamson is a real hit or miss writer and I do agree, but I think this whole arc is one big hit. It’s frantic in its energy, I love Gorilla Grodd as a villain, I love the modern Flashfam trying to help, I love how Wally coming in to help totally turns the tide and the mood. I love how everyone looks at Wally like… this guys is powerful, more powerful than any other speedster… but also noting there’s something very fragile about him. I didn’t include Flash War in this because I’m still waiting for the payoff for that angst regarding Wally, but this arc… mwah. Wallace Rudolph West being vindicated as the greatest Flash (whilst allowing Barry to be flawed and to lead his family)? Yes please. Also I love Carmine’s art. I gather it’s hit and miss for some folk but I love the line work. Also Carlos D’Anda’s issue (come baaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaack draw Dick and Roy again your work has gotten so much cuter this past decade) is a beauty too. Big ol’ eyes.

(Under the cut ‘cause this is LONG)

Batman Dark Victory

One of two Loeb stories for me. And yeah sure Long Halloween is objectively better but…jelly bean

Also, angry traumatised Dick smacking a dying man with a stick. What a legend.

Gates of Gotham

Cass! Damian! Dick!Bats! Tim! A mystery villain! World building for Gotham! Stuff exploding! Batfam banter! Trevor McCarthy art! This bizarre panel of Jim Gordon holding Tim’s hand like he’s checking the time?

It’s one of the last ‘pure’ Batman stories before the reboot – Bat Inc aside – so it’s how I like to read the Batfam’s relationship by the end of that universe. Everyone’s a lot more content, proud Dad Bruce, happy and settled Dick and Damian, Cassandra returning home, Tim chopping off the emo hair… it’s all good.

Grayson (particularly #5)

I know why people can’t stand it. The circumstances leading up to it are bog awful. Opinions on Tom King’s writing has only grown more spliced with time. The (sex) jokes are too on the nose and hit too close to home for many. The cheesecake art is too stilted for some. But! Issue #5 is my favourite single issue story. Ever. You never have thought boxes in this series, because everyone is lying, but you aren’t told when. You never know how genuine Dick is being at any given moment, until it is just him and the baby. I love how single-minded it allows him to be. I love how he flat out lies and manipulates to protect that little girl, whilst also caring for Helena. About how seriously he takes his job of protecting Bruce and his family (and that’s why he’s even doing the stupid spy thing in the first place). And maaaaybe it’s unrealistic that Dick could outlast Midnighter crossing the desert, but screw it. Bruce can be better than metahumans all the time. Let Dick get an issue to be so to. Saving a little girl who is probably going to grow up to be akin to Superwoman. Just because he’s given himself that responsibility. He’s going to double cross twenty groups at the same time and come out clean as a whistle. And he’ll cross a desert with a newborn to do it.

Light of my fricking life.

Infinite Crisis

I…I like that things go boom. John’s is very good for that. Also, the Nightwing and Batman moments howowheheheheheheeeeeeee. Almost wish Bruce had shot Alexander. I wonder what would have happened?

(Brief side note: Graphic Audio’s adaptation of this is great fun. I dropped a bowl of cereal at the part of Superboy Prime versus the Titans. Cassie’s scream when Pantha’s head got punched off was a bit…intense. The No Man’s Land one is very good too if you have cash to burn - the voice actors are the same in both and Nightwing’s voice actor has this lisp and I don’t know man... I love it. He’s now the voice in my head for Dick).

Titans/JLA and The Titans (1999) issues 1-25

The Titans are now known I think for not being a very proactive hero group. Books struggle with balancing team dynamics versus plot, and this one is no exception. I know people don’t want to touch Devin Grayson’s stuff with a barge pole. My justification for this is flimsy I accept that, however, the JLA/Titans comic was the very first comic I read when I was like six or seven. I was rummaging through my brother’s room as a nosy kid does and this was at the top of his pile. Thank god for the little info boxes as each Titan was captured/referenced. I fell in love with Kory, I fell in love with Dick, I fell in love with Donna (oh Donna…) and then I tumbled down a hole and pretended I hadn’t until about six years ago. So that’s nice. So yes, this one is one hundred percent nostalgia based.

But honestly, Linkara did a retrospective on this event comic and series years ago, and his reasons for loving it are the same as mine really, so go watch those if you have like five hours to kill. When Devin leaves the comic remains strong for just a moment then... absolutely plummets off a cliff. So I really wouldn’t bother with the second half of the series but hey. You do you.

Teen Titans/Outsiders: The Insiders

More Geoff John’s explosions. My first comic that got bought for me. My brother walked in to the shop and said: “I need a comic for my sister where Starfire gets a good showing” and the men went… ah yes.

Eleven-year old me was like EXPLOSIONSSSSS but also was intrigued by Kory and Dick’s bedtime convos (perhaps…I was a bit under the age bracket for this book - Kory gets a good showing huh?) but uh. Anyway. Also this is when I was thoroughly enamoured with Roy. This crossover is typical Winnick and John’s angsty angst with overly poetic narration and tropey tropes which, combined with what came before and what was to come for the Outsiders, can make both series such a slog to get through, but in isolation, I think it’s a real fun crossover which gave everyone a bit of time to shine and some real fan-ficcy moments (very self-indulgent, and I love that in a comic).

Teen Titans: Year One

I love Amy Wolfram and I love Karl Kerschel. It’s a good intro to those five characters with cute stories. Does exactly what it says on the tin. Batman is demonstrably a major prick in this, even after de-brainwashing, so it’s obviously going with the ‘Dick is only half as functioning as he is thanks to Roy, Wally, Garth and Donna’, which I can get behind 100% depending on what story they are trying to tell, but it’s just… it’s still sad to read. I just think the art is brilliant at giving each of the five very clear characteristics just from their body language, and you know immediately what each character dynamic is like with another.

Batman Hush

The other Loeb story. Again, it has what I like in a Batman story. A mystery, the family, appearances of villains, flashbacks and brooding, fighting, Jim Lee’s Nightwing being hunky… Ahem. It’s a fun read I think. Also, I really like Loeb’s Bruce? I don’t think people talk about it much. But he’s really chatty in his own head. And he’s witty and dry and funny. I like that! Also, Babs is such a backbone of this story. I adore that. She’s treated well here, I think.

Black Mirror

I flipping love this arc. I love it. I love the two contrasting but deeply disturbing in different manner art styles, I love the mystery, I love Babs role in the story, I love Tim’s little appearances and the banter with Dick, I love the weird villains and the terrifying ones, and how you think one is one of the two only to be revealed to be the other or both. I love Dick’s investigation and how he goes about it differently to Bruce. I love Dick’s relationship with Jim, I love the flipping reference to the vultures and owls seemingly following Dick (a whole reboot before Snyder got to tell that story), I love the monologue about how James thinks Dick is weird and weak for his compassion and love, when really that’s his greatest strength, I love Jim wanting so hard to believe James is trying against Babs’s cynicism, but also does try to get an unbiased opinion of someone who is proven good at reading people (Dick) and does what he needs to when his son is actively harming people, I love that ambiguous ending and the questionable science, I even love the Joker’s one (1) scene with Dick. I love this line,

I love Snyder at his best. When he’s good…mwah. Great.

…And yeah. That’s my story.

#dc #dick grayson #bruce wayne #wally west #koriand'r #roy harper #batfam #the titans #the fab five #I love talking about things I like I'm sorry this is so long!#ask and I'll babble #Anonymous

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popculturebuffet · 4 years

Text

Darkwing Duck Reviews: Darkly Dawns the Duck Pts 1 and 2

It’s a Darkwing Double Feature! Just in time for his ducktales special, I take a look at the introduction of everyone’s favorite Daring Duck of Mystery. In his daring debut we meet Darkwing Duck, an egositical and attention hungry superhero who soon finds himself having to look after a feisty orphan to keep her from getting nabbed by local kingpin of crime Taurus Bulba with the help of his biggest fan. Darkwing owns the night under the cut with decades old spoilers.

Let’s Get Dangerous.. is tommorow so with that in mind i’m doing a darkwing double feature to refresh myself before the big special. So i’ll be covering both the original series pilot “Darkly Dawns the Duck” and the ducktales reboot episode “The Duck Knight Returns”. Let’s Get Dangerous Itself because I was so wiped yesterday I didn’t get the other review done and unexpectly got acess to the new episode way earlier than usual so i’d rather focus on that. Got it? Good. Let’s continue past me.

As usual with a new show a breif bit about my history with it: I watched it years ago, as a friend of mine lent me the first two discs of the season 1 dvd and never found the third one nor asked for them back, nor cared I had them. I thoughtly enjoyed it, had a great time and then it took me a decade or so to actually watch the series again due to a combination of being too stubborn to just buy the season 1 dvd again, a very darkwing move of me in hindsight, and then when disney plus meant I had all episodes at my finger tips I.. sat on them till now.. though to be fair i’ve sat on a LOT of great shows on there including the mandalorian, gargoyles and boy meets world. I have a bad tendency to procastinate, the fact this is coming out so late in the day should be a giveaway. I did read about half of volume 1 of the comic and all of volume 2, so there’s that at least. Point is this new episode finally made me decide to get off my ass and watch darkwing once again, starting with the pilot and the episodes related to the fearsome four to be ready for tomorrow to see what the differences are (Thoguh I did remember bushroot vividly, so I had that at least). Something to note before I get started talking about the pilot itself though, is the episode order for Darkwing Duck is a Darkwing Clusterfuck. Now I do understand WHY they aired this way: While some episodes do logically take place after other episodes, you can reasonably pop on just about any darkwing and watch it and enjoy it with minimal need to know what happened in previous episodes, kinda like batman the animated series oddly enough. It was also aired between two networks so on some level I get disney’s confusion here.. but on the other hand it’d take ten minutes, they clearly can call up the creator easily as Tad Stones made a cameo in ducktales 2017 we’ll get to so they could easily get a better order from the creator himself, so they really don’t have an excuse for this, or for slapping the pilot in the middle of season 1. Then again both ducktales 2017 and x-men the animated series were sort of a mess order wise when first put up, so not giving a shit about where episodes are placed for re-watching clearly is a pastime of theirs.

Now i’ve got that out of my system we can dive into the episode itself and a breif plot synopsis. Darkwing Duck is the superhero protector of St. Canard, a masked vigiliante who takes out crime but wishes he actually got fame and credit for his work. Kind of like Booster Gold but without taking endorsments or as far as we know coming from the future. He also has nothing else as shown by the fact he fights crime, does a training regimine to prepare his breakfast that’s a delight to watch then prepares to sleep. It’s an intresting concept, a hero who HAD a civlian identity once, as the rest of the series would play out, he just no longer needs it. And it’s also ahead of it’s time as batman would explore this idea both seriously with bruce wayne murderer and comedically and seriously with the lego batman movie LONG after this series aired, meaning the writers here figured out what many probably knew about batman and put it into their parody version: Batman is the real identity and Bruce is the mask. Batman only keeps his old self because the bruce id is useful to him: It keeps people away from his company, puts up a playboy facade that draws attention away from him being batman, and allows him to do various charities and what not and help honor his parents in a way that dosen’t involve swooping in and kicking people in the throat. And as seen with bruce wayne murderer when the option to throw bruce away for good came up Batman gladly took it. This is the same idea: Drake Mallard ONLY cares about crime fighting, has no friends no family, we never do find out jack about his family hopefully if there’s a full reboot series Frank and Matt fix it for their version. He has nothing, and is fine with that. He hasn’t really had a reason to care about anything else than his own glory and works alone not because it’s less efficent but because his oversized ego means he dosen’t want to share credit. IT’s an intresting start and his ego would be a defining bit of who he is and used intrestingly int he reboot but we’ll get to that there.

His life changes forever though when local crime boss Taurus Bulba unleashes his latest scheme: To steal the Ramrod, a gravity manipulating device created by the late Dr. Quackmeyer.. late because Bulba’s men killed him and were dumb enough not to get the arming code for the ramrod first a year ago. Bulba is also behind bars but in one of my faviorite gags of the episode despite the warden’s constnat gloating, Bulba has taken the “Supervillian makes jail into a base” Or “Jail is nothing to a supervillian who can easily get out trope” to ludcrious machines. He has whole meetings with his minions, keeps the ramrod once he gets his hands on it in the laundry and has a ship SHAPED LIKE HIS FACE built into his cellblock. I’ts just so over the top it’s glorious. But yeah since Bulba can’t go after it at first he sends his three goofy minons, one played by eddie “Mandark” deezen in.. love that guy.

THey do end up stealing the ramrod thanks to the help of bulba’s cool, non-anthromporhic condor who he uses as his right hand man and as his link to his minons via a small tv aroudn it’s neck. That.. is awesome. Darkwing spots the condor but fails to stop the three stooges or the condor and gets unknowingly blamed for the robbery..and stopped to get glamor shots not realizing the guy thought he was a criminla which.. fair enough. It is a shadowy disguise after all.

Darkwing ends up grabbing onto the vulture sonic 3 style, but ends up falling off him into a hangar where we meet the original version of Launchpad McQuack, whose apparently quit working for scrooge and has his own hangar now though it wouldn’t be a stretch that scrooge bought it for him.. he does , stingy as he is, appricate hard work and launchpad wanting to start his own buisness and while hte planes were probably all on launchpad, Scrooge would gladly buy a run down buliding for a loyal friend who wants to put in some hard honest work. Plus it’s a free place to store any vehicles he has in the st canard area.. I mean it’s still scrooge. And yes I know the whole “Tad stones said they aren’t the same universe” non sense. I do have the utmost respect for the guy and he seems really, nice but I don’ tlike that, no one likes that and both the comics and the current duckverse with the ducktales reboot entirely ignore that for good reason.While the two shows are diffrent in tone they stil lfit and it’s not a stretch for launchpad to want to spread his wings or failing that scrooge to help push him out of the nest and give him his own buisness or one of scrooge’s to run.

But while Launchpad does help DW with a propeller plane they fail and while launchpad offers to be his sidekick, DW gives him the old I work alone bit. However him being alone won’t last for long as Bulba still needs that arming code and since his only lead is Waddlemeyer’s grandaughter who grew up in his lab, he sends his buffonish minons to go get him. Why he never sends his lone female minon with them is because it’s funnier if she dosen’t I guess. Which it is so fair enough. So thus we enter Goslyn, who the head of the orphanage is fed up with due to her antics. Goslyn is played as most of you knwo by christine cavanagh.. I honestly forgot and it still throws me off a bit she’s using what would later be her chucky finster voice for a character so completely diffrent. Granted it’s not unusual in voice acting, just weird here and only for me personally having grown up with rugrats but not darkwing. The orphanage head is a bit less jarring as she’s played by Marcia Wallace, aka Edna Krabable from the simpsons but A) that show was already running at this point and B), the character is basically a nicer version of edna versus chuckies voice coming out of a tiny if immensly fun to watch hellion. I do like goslyn, sh’es a fun character even in her shadier moments, it’s just something i’d forgotten about i’ll need to get used to is all.

Bulba’s hired goons come in claming ot be friends of her grandpas and we actually get some really heartwrenching context for Gos’ behavior: While she does act out she actually LIKES THE orphanage.. ti’s just her friends keep getting adopted while no one wants someone “full of spirit”. It’s heartwrecnhing to hear.. and only gets worse when the goons try and kidnap her. Thankfully Darkwing.. also kidnaps her, but he kindaps her from kidnappers and while Goslyn naturally takes a second to realize he’s the good guy them shooting at him clues her in. Darkwing, in a rare for the series as a whole moment of reason and not wanting to just power though something himself TRIES to do the responsible thing and leave gos with the police where she’ll be protected.. but given they think he’s a wanted criminal they shoot at him.. and the small child in his motorcycle. Yup that’s the police alright.

So with no other options Darkwing takes gos home, hyjinks insue including her activintg the breakfast thing. But the two genuinely start to bond. While Darkwing dosen’t WANT to keep her around, the whole not wanting connections thing, it’s clear he’s growing fond of the little snot as she holds her own with his trianing course, they have a tickle fight and in the sweetest moment of the episode the two sing little girl blue, a song her grandfather used to sing her to sleep that she teaches darkwing. It’s an utterly heartmelting bit and Cummings and Cavanagh really sell the hell out of it. It also however turns out ot be plot relevant: Turns out just in case Dr. Waddlemeyer hid the code for the ramrod in the song, and when Darkwing sees a photo Goslyn got from bulba’s goons, he realizes this and realizes that depsite thinking she didn’t know it Goslyn had it all along.. and that as long as h’es around she won’t know. Bulba is naturally livid at his minons failure and decides now’s the time to take this into his own hands and while he actually liked the prison hq setup, as it did make sense as it was the perfect cover and the warden was too full of himself to realize Bulba was still active and too convinced the bull was beaten down when he clearly wasn’t, but instead as mentioned above awesomely converts his cellblock into a flying ship in the shape of his own head. Bulba.. is a great villian and I only think the show didn’t use him more because he’s a dead serious, deadly dangerous villian in an otherwise goofy but fun superhero parody show. The show later gained Negaduck, so they had a more dangerous threat for darkwing that fit the show’s tone better while still being utterly terrifying, and likely simply didn’t need him till the idea for the steerminator came up. But I love the guy: he reminds me a lot of the kingpin, a threatning villian who uses his sheer size to beat our hero down, is cool and suave and is an utter mastermind at planning. He also wears a nice suit. And naturlaly he has a plan to take out darkwing since despite the two never having met, as Darkwing disparages when Goslyn assumes their lifelong mortal enmies like in the comics, they know of each other.. and thus bulba knows exactly what trap to spring to get him out of the way and goslyn into his ship: He flashes a message in morris code that he wants to surrender to Darkwing while stroking his ego a LOT. And it works... while i’ts an obvious trap Darkwing’s so full of himself he goes despite Goslyn telling him it’s very obviously a trap. Naturally everything goes pear shaped as a result: Bulba shows up, revealing gos not only to be right but easily pummling Darkwing. Which makes sense: While Darkwing is a vetran crime fighter and secret agent, Bulba’s been at being a villian longer clearly as he’s built up enough of a rep both for Darkwing to know him out of hand and for the warden to be proud capturing him. Given what univese this is, it probably isn’t Bulba’s first round with a superhero and given at this stage St Canard only has one.. yeah Darkwing is outclasssed and the police grab him while Bulba scarpers. And while Gos puts up a good fight using the trianing course, Bulba’s vulture gets her. Bulba has everything he needs. Darkwing meanwhile actually bemoans what a dick he’s been, that the first person he’s cared about besides himself in possibly ever is now in the hands of a murderous mastermind, and that he’s stuck in jail with no one to call on for help. Thankfully.. help arrives.. and by help I mean launchpad backing the ratcatcher, Darkwing’s bike, into the prisoin. He DID come just to bail DW out despite his earlier jerkishness, but backed in and Darkwing not beliving superheroes have time for paperwork, decides to just bust out. And to be ifair int his case he’s probably right as you know, a ten year old might die if they don’t get there in time. So off they go.. but with Bulba in the air they need something with wings to catch him. ANd luckily as Launchpad mentioned earlier he’s been working on something special for darkwing. It’s with this we enter the thunderquack, which is DW”S awesome headshaped plane. It’s just cool it’s got a nice design, goofy enough tof it the universe but cool enoguh to still be fun to watch. Darkwing has really damn cool vehicles, as the ratcatcher is also awesomely iconic. But yeah the thunderquack impresses darkwing and rightfully so and he decides to make LP his sidekick afterall. So now our heroes fly into the danger zone and attack bulba’s airship with Darkwing landing on the bow and a scuffle insues with darkwing and hte minons.. who use actual guns which for a 90′s kids show is a suprise, especially one this intentioanlly goofy, but boy is it nice. However Bulba, being awesomely evil, isn’t dumb and instead of fighting darkwing, which he could win but would win him nothing and having gotten nothing out of goslyn, figures the hero might know the code.. and while Darkwing lies and says he dosen’t, Bulba points out .. he’s right.. but he’s always been a gambling man and has his condor drop goslyn to lure drake into telling him , with DW putting in the code and bulba testing it with a bank robbery.. before predictably having his condor drop the girl because he no longer needs her. Thankfully launchpad catches her in time and then they get revenge on the condor with the thunderquack BITING IT.. which is awesome. Hopefully the reboot version does that.

Darkwing meanwhile saves the day, his new daughter and the city by simply sneaking over to the ramrod and mashign the keys till it overloads, silly, but undeniably awesome and effective. Bulba TRIES to finish off darkwing this time for foiling his plan.. btu the ramrod explodes and while bulba’s minons and goslyn and launchpad are safe... bulba and darkwing are apparently dead and it’s effective. A few weeks later Goslyn’s back at the orphanage utterly distraught and broken at being basically orphaned again. Naturally though Darkwing’s alive, having taken his old identnity back since now he has something worth using it for and adopts her, hinting at who he is so she goes with him. And Drake has changed.. sure he’ll still be as egostical and impuslive as he was here.. but he’s no longer just darkwing.. he’s drake again as he has someone worth fighting for.. two someones in fact. He has a friend, a loyal partner to help him fight cime. And more importantly.. he has a loving daughter. And both needed each other: Goslyn needed someone who understood her despite her manic energy, and Drake needed someone who needed him and not darkwing, a reason to be a person outside the cape and cowl and outside the attention again. He needed a reason to live again... and he’s got it. And it’s going to be great.

Final Thoughts: This pilot is excellent. Well paced, plenty of laughs, tense action and great introductions for everyone involved as well as a hell of a vilian> This is how you do a first episode: it introduces the main themes of the show, both comedically and dramatically, introduces the cast and gives us a one off , or rather two off it’d turn out, villian whose compelling and intresting. IT’s really damn good stuff and I can’t wait ot see what frank does with a simlar story tommorow. Until then, stay safe, and happy hallowen. We’ll be back shortly for The Duck Knight returns and then Let’s Get Dangerous tommorow.

#darkwing duck #reviews #ducktales #darkly dawns the duck #drake mallard #goslyn mallard #launchpad mcquack #tarus bulba #the disney afternoon #the 90's

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dropintomanga · 4 years

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I Give Up on Anime (Almost) - A Discussion on Anime vs. Manga

Over the past few years, I started to enjoy anime a lot less than I used to. I used to watch quite a bunch of anime series around 2013-2015. Since then, my anime viewing has went down to almost zero while my manga consumption increased steadily. I sometimes felt I was the only person left behind as almost all my friends and peers talk about what’s hot and not each and every new anime season.

I don’t know if it was a sheer coincidence, but I found a Reddit manga thread that spoke to me and maybe some other people. A user on the platform honestly asked “Is anyone else literally unable to watch anime since you got into manga?”

The premise behind the post was that the user felt like anime takes too long to get going while in a few short minutes, plot development in manga ramps up. There were about 750+ comments chiming into the discussion. A majority of fans do feel that anime wasn’t worth their time as manga is still serialized even when a 12-24 episode anime season ends. Some fans feel that a lot of anime adaptations tend to be subpar. There’s also still the argument that anime adaptations are just advertisements for the source material that is the manga. Some discussion about clever usage of manga panels telling a quicker story was mentioned as well. And of course, multiple fillers is another big reason for fans’ preference of manga over anime.

But when I think about the argument about anime adaptations being ads, isn’t that a good thing? This is true especially in America, where most fans tend to read/buy manga after noticing how hot an anime series is. In Japan, a decent number of manga sells well before an anime adaptation is announced. However, even constant “ads” become annoying over time when the novelty wears off.

It doesn’t mean that certain series are necessarily better as manga though. The best example I can give is Gintama. Sunrise, the studio behind the anime adaptation, goes balls-out on the series. I love how all the Gintama voice actors take so much pride in their roles. I sometimes find Hideaki Sorachi’s art to be lacking in certain areas and Sunrise helps to enhance it. It’s funny because reading chapters of the Gintama manga made me enjoy seeing its eventual anime adaptation. I think it depends of the kind of series you want as anime. I don’t think every seinen series should be anime as a good number of them are much slower-paced even if there’s action. Certain slice-of-life series (Yotsuba&!, a much-demanded series for an anime adaptation, comes to mind here) might have pacing issues when put on a TV screen versus a drawing board.

Someone on the Reddit thread did point out a potential elephant in the room - isekai light novel adaptations. Isekai is pretty much everywhere and a lot of the series aren’t always of the best quality. But so many fans worldwide eat it up because of fantasy tropes. I remember reading a convention recap of New York Comic-Con one year and the writer, who is a manga reviewer, of that recap noted that while waiting inside a panel room for a manga panel, he went through a Sword Art Online panel. The writer found it somewhat depressing that there were a ton more fans at the SAO panel compared to the manga panel that happened later. I think he said what he said because the lovable diversity of manga titles out there is being passed over for an isekai series whose reception gets divisive pretty fast.

What to say about fantasy tropes? I remember trying out one of the hottest video games today, Genshin Impact. After playing it for a few hours, I just gave up and that’s not because of the gacha mechanics. I wasn’t invested in the story as it sounds like stuff I’ve heard over and over again. Genshin Impact plays up fantasy anime tropes that I’m mostly over at my age.

I think maybe my mind is not satisfied by tropes that are just easily rehashed. However, that kind of thinking has been challenged at times. For starters, I really enjoy Kaguya-sama: Love is War. I don’t like romantic comedies, but the way the story is told in Kaguya-sama and how it gives every character a good amount of emotional depth has left me impressed. The serious stories being jumbled in reminds me so much of Gintama.

Maybe the real elephant in the discussion is the usage of common tropes and how often they’re used to cater to the lowest common denominator. I know manga can be guilty of this, but anime adaptations make them a lot more visible. That’s because most people would prefer watching anime a lot more than reading manga. Anime is a more mainstream form of media. You need to appeal to those fans a lot more as they bring in more money via other means (The Demon Slayer: Mugen Train movie is a big case of this right now) than just manga volumes.

Combine that with how consuming anime is more passive than reading a manga and you may have fans who just don’t stop and think about the media they consume. I sometimes feel that anime production committees view fans as mindless consumers of media and only think of them as such. I also wonder if fans reinforce that thinking since corporations enable them to do so.

Honestly, I think in my case, when you learn something that’s outside your comfort zone, you start to come down with uncomfortable truths. I’ll admit that there’s a little cognitive dissonance, but I’ve accepted that my mind has changed. Maybe I was never much of an anime fan in the first place. Maybe I realized watching anime takes up much of my time. A lot of folks stay away from certain truths since people are afraid to admit that they may be wrong about certain things. This is what happens when you begin to understand more about the psychology of crowds/groups and public opinion. I like being in solitude to reflectively gather my thoughts. Being outside of a “popular” group doesn’t subject you to certain cognitive bias that can become damaging over time.

I watched a panel featuring the digital manga service Mangamo and one of its executive editors said that he’s always been more of a manga guy. He said he doesn’t watch much anime with some exceptions (Japan Sinks 2020 was a relevant example, he gave). I’m still going to watch anime series here and there because hey, I got to preach some notable series worth everyone’s time.

I know I’m talking out of my butt here, but I feel that discussing a topic like “why manga over anime?” and vice versa (in a way that doesn’t become a shouting match) is warranted. Hell, I think it’s best to discuss both at the same time. It’s conversations like this that develop into newer insights. I wish more people realize that despite whatever you prefer, anime and manga are very much yin and yang to each other. I think experiencing both anime and manga worlds lead to a better appreciation and understanding of why Japanese pop culture media fascinates us and will continue to do so.

#anime fandom #manga fandom #manga #psychology #tropes #Japanese pop culture

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a-little-slice-of-fandom · 4 years

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unpopular opinion: lgbtq coding or actors/writers/producers/whoever else works on a movie i don't know enough about film saying that a character is lgbtq doesn't make it canon. if that's how they view the character (especially writers or producers) then they can fucking put it in the script. it's essentially queerbaiting while pandering to conservative audiences

Okay I’m assuming you’re talking about birds of prey and not Six (which also has queercoded characters), and I have some thoughts.

Firstly, Birds of Prey DID put canon queer characters in the script. Harley is confirmed to be bisexual within the first five minutes of the film, with Poison Ivy (or someone who looks suspiciously like her) appearing in that slot machine bit where Harley talks about her previous relationships. As a bisexual women who never really sees myself represented in blockbuster films (especially superhero films), I was so glad that BOP carried over Harley’s bisexuality from the comics. And we have to remember, this isn’t some throwaway character...this is Harley fucking Quinn, one of the most popular DCEU characters to date. And she’s queer and it’s not treated as a big deal! It’s just a part of her character. (Plus, Margot Robbie herself and Cathy Yan want to introduce poison Ivy into the DCEU soon and get that queer relationship going which would be absolutely fantastic and I for one cannot wait). And that’s not even mentioning Renee Montoya, was confirmed to be a lesbian within the script and whose sexuality directly impacts the plot via her ex wife. That was literally in the script.

I’m not going to get in to the whole thing surrounding Black Mask and Zsasz because I don’t feel qualified to discuss that and I understand why some people dislike how they portrayed them, but what I can get in to is Huntress and Black Canary’s relationship. Because I have a lot of feelings.

Do these characters specifically say that they’re part of the LGBT community within the script? No. They don’t. But there was no point in the script where it would have come up naturally. Huntress spent 90 percent of the script being awkward and fighting people. At what point would she bring up her sexuality? Same with Dinah. They had shit to do and honestly in their situations I don’t see why they would need to bring up that they’re gay. Contrary to some people’s beliefs...gay people don’t go around announcing that they’re gay every four seconds. Why would these characters do that?

But what Birds of Prey did do was show some small moments of chemistry between those two characters, specifically the diner scene at the end where Dinah keeps complimenting Helena and correcting Renee on Helena’s behalf. When I first saw that scene, I definitely got some vibes there...and then I find this interview a few weeks later where the actresses confirmed that that’s what they were actively going for!

But here’s the thing: I don’t personally see any of what birds of prey did queerbaiting. Why? Because the film never really flaunted it’s gay characters or tried to gain brownie points with the LGBT community by saying that it was some cornerstone of representation. There was a little bit of coverage on Harley being confirmed to be bi, but Margot Robbie (who also produced the film) was very casual about the whole thing. She didn’t see it as a big deal, didn’t act as if she was some amazing person for putting it in, she just treated it as a normal, everyday thing that she wanted to carry over from the comic books. Compare that to another comic book oriented series of films that keeps saying they have queer representation and keep acting as if they’re doing something amazing for the queer community by having these characters exist but the actual scenes that would back these claims up are mysteriously nowhere to be seen. Or how about teen wolf? Remember that video of two of the actors hinting that their characters would be in a relationship in the upcoming but they actually weren’t. Or fuck it, how about Supergirl? They keep teasing the audience that maybe Kara and Lena will get into a relationship but refuse to go anywhere with it or commit to it. These series draw in LGBT people with the hints that these characters are maybe possibly part of the community but never want to take the dive and fully commit.

But Birds of prey didn’t tease anyone. It didn’t try and draw LGBT people in by flaunting their characters. Birds of Prey simply showed us a handful of confirmed queer characters, and also showed some characters who either have great chemistry (Dinah and Helena) or hint towards their relationships in a different way (for example Black Mask and Zsasz wearing each other’s clothes) and then confirmed beyond the film that, yeah, that’s what they were going for. It doesn’t mean that these characters are 100 canonically gay, but feels a hell of a lot more genuine than other studios or other films.

And pander to a conservative audience? I’m pretty sure all conservatives hated this film for its stance on patriarchal structures and misogyny. Birds of Prey did a lot of things...pandering wasn’t one of them.

Could the film have been gayer? Yeah...a lot of it is blink and you’ll miss it moments and I would have loved for characters like Poison Ivy to actually show up. But,,, damn it I respect the film for a) putting it all in there and b) never treating any of it like a big deal or trying to act as if they did something amazing for representation. And, just like I said in my last post, I feel like there’s a big difference in having one vaguely queer coded character versus having 2 definitely confirmed ones and 4 coded ones. And if we want more openly and explicitly gay characters or more LGBT romances (such as Harley and Ivy) then we need to show support for a film that, while it wasn’t perfect in the representation department, was at least trying to give audiences queer characters.

As always feel free to disagree with me on this or continue to discuss it. I can only speak from my personal experiences with my sexuality, but I (for the most part) enjoyed how BoP added LGBT characters into the film without trying to act as if it was revolutionary.

#birds of prey #birds of prey (2020)#birds of prey (and the fantabulous emancipation of one harley quinn)#harley quinn #helena bertinelli #huntress #dinah lance #black canary #renee montoya #black mask #victor zsasz #roman sionis #enya discusses: birds of prey 2020

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robynmarkius · 4 years

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Language Differences

So I have a bit of a long ramble, which involves Spoilers for the end of 5.3; obviously. Some of it’s already out there as I replied on mobile while half asleep, but it led to talking to the lovely @shiro-from-cafeberry about the German text. (Once again, thank you so much! I enjoy talking to you! :D <3 I have discovered I have even more questions for you to help with. lol) I then bothered my friend and co-writer @xehniscreations about French and she said it’d be a good practice to shake off the rust. (She ended up translating the whole ending scene for practice! <33 lol )

This all started because I am married to a man who has a degree in Linguistics and a simple questioning of one line/part led to hours of jokes and discussions. Which then turned into me putting my game client into two languages that I don’t speak a word of just to see what a character said... XD And! And! Learning a few other things along the way. I’ve been having so much fun with this and I hope you all can too. Plopping a cut here so as not to completely destroy anyone still trying to avoid Spoilers... or those who want to prepare some tissues. lol

I have cried a lot in the process of this entire Translation, and keep crying. lol As long as this post/translator ramble got, I made sure to post the ‘screenshot comic’, “Remnant” [as its own post] for the sake of focus. That was the scene that started this trip down the rabbit hole, after all. xD

After three days of editing this post, I decided to split it, so that this was just the ending scene. There’s flashbacks I also covered, but this was getting extremely long and I realize that I had not asked Shiro about the first flashback at all! So I still have things to finish and more to talk about before I have more.

For now, though, let’s talk!

Part One: Elidibus’ Explanation

The lines in question came from when Elidibus picked up the crystals, then told us he heard the voices of despair/cries and lamentations of his friends. After which there’s a slightly awkward explanation about how there were lots of opinions and thoughts about the world/star, which led to Elidibus pulling himself free of Zodiark in order to help his friends. It bothered Hubs because it felt kinda “clunky”; he explained:

“I think it’s because of a general norm of Japanese society we hear so much about. That it’s important to have a consensus and not to stir up trouble or stick out too much; which is how that part kind of reads. Your direct Translation is fine. I just feel like the localization team just kinda gave up when they wrote the English version. They could have give a little more context on it when they wrote it. Instead, what happens is, it feels out of place and awkward where it is. It also doesn’t give the context of when Elidibus freed himself from Zodiark. Is there any context that says that wasn’t when Hydaelyn shattered the star into the reflections or Shards?”

Putting aside his question about when Elidibus actually separated from Zodiark for now; as that’s a whole ‘nother discussion that’s rather interesting; I finally understood what he meant by my Translation felt clunky. It was accurate to a “direct translation” versus a “localization”. I re-translated the whole part just to make sure I hadn’t missed anything, and made sure that the final lines I wrote in English still made sense. lol

First, I wanted to note the differences in terms; in case I slip when putting this together. ^^; The literal translation of 「十四人委員会」 would be "Fourteen-person Committee"; but in the context of FF14, (at least in English,) we call it the "Convocation of Fourteen", so I try to stick with that for final translations. What makes anything with the Ancients more difficult, is that they're not speaking a language that we can immediately understand, but rather making sounds that our Echo/超える力/l'Écho/Kraft des Transzendierens interprets into words we/the WoL/WoD can understand. The downside is lack of clarification for actual translation if you don't fluently read or speak another language. lol

For example, when Elidibus speaks, we hear the words spoken, so if there's a kanji that's said more than one way, I can hear which definition is correct by listening to the sentence. But the Ancients' "woop woop wop wah wahp woo" is harder to interpret... but, at least it's the same in every language, right? XD For German, they have “The Convent”, and French has “The Council of Fourteen”.

Second, in English, we called him “The Emissary”, which is another term for “Mediator; Arbitrator; Go-Between” which is the definition of the term 調停者 [shouteisha] , his Japanese title. When translating from German, Shiro used the term “The Advocate”. His French title is “le Médiateur” His role seems to be the same, at least, he settled disputes, found the facts, kept things in check, and generally maintained balance. That was the seat of Elidibus; which is necessary to understand why he said what he said about being needed. (Those titles come from the first flashback as well as the second one; which I’ll get to in the next post. <3 )

The English lines that started this conversation are: “Divided -- over the fate of the star. A rare occurrence, always fleeting. But not this time. Not this time... Reconciliation. Elidibus. I was needed. I withdrew myself from Zodiark. For them...”

Japanese: ��界��行く末について、たくさんの意見が出た…… そんなことは珍しいから、委員会のみんなが悩んでいた。

だったら、エリディブスが手助けしに行かないと…… そう思って、ゾディアークから零れ落ちたんだ。

Final Translation: (after edits and all this discussion) "A great many opinions were expressed regarding the fate of the world, Everyone in the Convocation was troubled, since such a thing was unusual.

That being the case, I could not go help them in my role as Emissary. I believed that they needed Elidibus, so I pulled myself from Zodiark.”

In French, from Xehnis: "Le Concile avait perdu sa cohésion...Face à l’anéantissement, les avis divergeaient sur la marche à suivre pour sauver notre planéte…

Ça ne leur ressemblait pas...Plus que jamais, ils avaient besoin d’Elidibus...Ils avaient besoin de moi...Alors, je me suis détaché de Zordiarche pour voler à leur secours…”

Her final translation: “The Council had lost its cohesion...In the face of annihilation, opinions differed on the way to save our planet…

It does not resemble them...more than ever, they needed Elidibus...they needed me....so, I detached from Zordiark to fly to their aid…”

The German lines, from Cafe Berry’s Shiro, along with the explanations: "Die Zukunft der Welt hing in der Schwebe und Chaos machte sich breit. Die Ascians waren zutiefst gespalten. Der Konvent uneins..."

Here, they are talking about how the Ascians, and most importantly, the convent is divided. How the future of the world was not clear and with that chaos spread.

"Elidibus, der Fürsprecher, musste etwas tun. Ich musste etwas tun. Und so spaltete ich mich wieder von Zodiark ab ..."

Here, Elidibus says that Elidibus, as the Emissary, had to do something. HE had to do something. So he split off from Zodiark.

Their translation they gave me then, was: "The future of the world hung in the balance and chaos spread. The Ascians were deeply divided. The convent divided ...

Elidibus, the advocate, had to do something. I had to do something. And so I split off from Zodiark again ... "

This was the part that my husband had called into question; with my original translation to:

"Many opinions and thoughts came forth, regarding the fate of our world.... The Convocation was worried, as such a thing was unusual."

世界の行く末について、たくさんの意見が出た…… そんなことは珍しいから、委員会のみんなが悩んでいた。

The literal translation of it all, would be: "The world's future/fate concerning/regarding, a great many/a lot (of) comments were brought up/expressed......

such thing(s) are/is curious/rare/unusual because/since, committee of everyone("Everyone on the Committee") (was/were actively being) troubled/worried.”

There was also the lines that followed, which were also rough to word in English, so the whole section had felt awkward.

だったら、エリディブスが手助けしに行かないと…… そう思って、ゾディアークから零れ落ちたんだ。

“if that's the case, Elidibus (from) assistance (as/in the role of) to go/to do (could not),

so/appearing that/seeming that considered/believed/reckoned/judged/decided/desired, Zodiark (from) spilled over/scattered from (n'da - 'no desu' / 'no da' used to add emphasis)"

I had tried: "I decided that they needed Elidibus, but as I was I couldn't help them, so I pulled myself away from Zodiark.

Which was another way to put the idea of: "That being the case, Elidibus could not go rescue/help, I believed, then spilled and fell over/scattered from Zodiark."

It ended up: "A great many thoughts and opinions were expressed regarding the fate of the world, Everyone on the Committee was troubled, since such a thing was unusual.If that was the case, I could not give them assistance in the role of Arbitrator. I believed that they needed Elidibus, so I fell/scattered from Zodiark."

In the end, for this part, it really helped to learn what was said in French and German, because it helped solidify more what was trying to be said, and that there probably is at least a little societal influence in the Japanese text. If it hadn’t been for Xehnis and Shiro’s assistance, I probably wouldn’t have landed on something that felt comfortable enough in English. <3

They all feel different, but have the same general idea: that even after Zodiark was summoned; and Elidibus became his Heart; things hadn’t been fixed. Things continued to grow worse, and they began to fight, and have conflict. As Arbitrator/Emissary/Advocate/Mediator, Elidibus’ job was to maintain balance, and settle disputes, but he could no longer do the job of his seat as the Heart of Zodiark, and it seemed to be destroying the Convocation; making things worse; so he yanked himself out of a Primal to go tell everyone to SIMMER DOWN, NOW.

Sidenote/Side Question here... I wonder what happened with Venat and Hydaelyn...? Perhaps we’ll get clarification in the future, as the only person who’s become/been anything like Elidibus has been Minfilia as the ‘Words of the Mother’, then sent off as an “Emissary” of sorts to the First. lol

This all led to wondering about the last line; as it was clearly different in the Japanese Audio than the English Text. I do want to state that I think what they did in English worked just as well for the emotional gut punch intended from Elidibus’ last words; but it’s very different. It did lead to looking at the flashback in Anemnesis Anyder where we heard the line about the rain, which will be in the next post.

English: “The rains have ceased, and we have been graced with another beautiful day. But you are not here to see it.”

Japanese: 私が最後に残ったって……仕方ないじゃないか……。 Translation: “There’s nothing for it then, is there? I’m the last one left...”

French: Je devais partir en dernier... Comment aurais-je pu abandonner mes amis, esseulés en ce bas monde? Translation: “I had to leave last...how could I abandon (forsake) my friends, lonely in this lowly world?”

German: Es ist vorbei ... Alles verloren ... Ich bin der Letzte ... Translation: "It is over. Everything lost... I am the last..."

Japanese can also be read as “I’m the last one left... I guess it can’t be helped, huh?” but even in context, it didn’t flow quite as well as I’d like.. but that doesn’t take away from the crying, does it... ; A; I got the term “Remnant” from Japanese, where “watashi ga saigo ni nokotta tte” would literally translate to “I’m the final remnant”/”I’m the last leftover”, which I did word as “I’m the last one remaining/left.” (It is also 'Sumo term, cried by the referee to indicate that a rikishi is still in the ring’, but that didn’t quite feel right here, however, you can take the sumo joke if you’d like. <3)

I’m going to repeat that I think referring back to the line he was told back when he’d gotten the title of Elidibus wasn’t bad, and it did still work very well to convey that lost, lonely, longing he was left with as a remnant; what little was left of him, lamented the loss of his beloved people; people that he’d just wanted to save. This is evidenced in French and German; where he states that he’s all that’s left, everything is lost, it is over... that he had to go last, so he wouldn’t abandon his friends.

I appreciate that we gave Elidibus all the constellation stones, which, in a way, let him finally be with all of his friends once more. All the stones, except for ours; we kept that, because Hades made it for us. He made it for us to remember, so that the story of the Ancients wouldn’t be forgotten; the ‘truth’ he made sure he told us when we asked about the past.

At least, that’s what I choose to believe for now.

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choccos-aaart · 3 years

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Antag interview!

>>BASE<<

Feat. the five major antagonists of the story of April and friends: Mr Skatra, Dr Sarlife Aufel, Wyra, Eyn, and Farqua

*NOTE: Definitely got spoilers for the story I’m writing, if you’re interested :P*

**NOTE: I better’ve not written anything wrong here...**

Greetings, and welcome to the "Villians Interview Meme". Whether you like it or not, you've been brought here to answer some questions about yourself. This is a recording, pausing and starting controlled by your author, so you cannot attack me. If you begin to fight with one another, you WILL be sedated/strait-jacketed. Alright now, let's start.

Would you show the viewers a shred of kindness by allowing us to know your name(s)?

Skatra: Oh…? I’m first? Alright, then… Hello, my name is Abarran. ...Known by most as Mr Skatra.

Doc: Evening! I’m Sarlife. Others call me Doc. And, I am not sharing my surname. Who’s next?

Wyra: It’s me. Hi, hello, my name’s Wyra. I’m Sarlife’s action partner. I keep a look out for her, too.

Eyn: I’m Eyn, and I’m Abarran’s kid.

Farqua: Suppose they left the best for last, huh! Hi! The name’s Farqua Pells!

Are you male or female?

Skatra: I’m male.

Doc: I don’t conform. Next,

Wyra: I am female!

Eyn: Usually people get me all wrong, but I’m a girl. Don’t blame ‘em though…

Farqua: And I’m a man, haha!

How old are you in human years?

Skatra: Forty-nine. Almost fifty... *sigh*

Doc: I’ve existed for 77 years, but my AI depicts me as, I dunno, somewhere in my 30s? 40s? Either way, I’m a working adult.

Farqua: So ya let us know your age but y’ain’t givin’ off your last name? For real?

Doc: It’s embarrassing. Wyra, it’s your turn.

Wyra: My AI depicts me as about the same as Doc! But I could be younger. I was built in year X701 which was about 65 years ago.

Eyn: I’m 16. Well, at least I’m programmed to be 16. I was actually built six years ago. What about you, Farqua? Gonna bet you’re like programmed to be 10, haha.

Farqua: Shut up. Uhh, I’m in my 30s... In my programmin’, of course. Almost reachin’ my 50 years milestone in real time, though!

What exactly are you?

Skatra: Excuse me… what? If you’re asking whether I’m human or not, I’m human.

Doc; Yeah, a pathetic one.

Skatra: Would you shut up?! …By the way, the rest of them are androids.

Doc: You really had to answer for us, didn’t you?

Skatra: It saves time.

Do you have any powers?

Skatra: No… Doctor?

Doc: Well, a lot of medical tools can be transformed out of my arm. And I’ve built myself a little machine that can automatically mix different medicines and whatnot.

Wyra: Well, I’ve learned to use my power source abilities for things that aren’t just powering things. Something I can do is produce power from both my star-panels and my natural gas source, which I think is cool.

Eyn: Alright. Uh… My arm’s literally a toolbox. No, literally, it can like, shoot a bunch of tools out of it. Well, those tools really are just these cool things that unfold from these tiny boxes. Weird science stuff I don’t wanna explain. Also, my arm used to be for weapons n’ stuff. Oh yeah, I forgot to mention I was originally built to commit some revenge robbery or something, so I’m packed with a whole bunch of stealth n’ robbery stuff like, y’know. Too lazy to list it all down, though…

Farqua: Damnit Eyn, now you’re makin’ me feel pathetic!

Eyn: Well, boo-hoo.

Farqua: So, uhh… ‘s just my arm can transform into just a whole buncha garden n’ landscapin’ tools. That’s it, really.

Skatra: If it makes you happy, that’s every slasher film writer’s dream.

Farqua: Well, ain’t that nice!

Who is your archrival, and what do you hate about them? Do they have powers?

Skatra: It’s you, Doctor, Wyra, and all your affiliates!

Wyra: Yeah, whatever.

Doc: Ah yes, I greatly apologise for ruining your life to KEEP THE PEOPLE I CARE ABOUT SAFE!

Farqua: Well Doc, y’ain’t gonna deny that almost everyone hates your way of doin’ it, are ya? And April fights for ‘em, too.

Doc: YOU DON’T NEED TO BE INVOLVED, FARQUA!

Farqua: Shiieeeet… Calm ya farm. ...Wait, that doesn’t work in my accent.

Skatra: And also, that blasted April! I hate that child! She has and is still playing a big part of tearing my life to pieces, as if it wasn’t unbearable enough!

Farqua: Goddamn! Now everyone’s bein’ real overdramatic!

Eyn: So, uh, April’s pretty much my rival, too. And we always keep running into each other. It’s almost like some stupid rival logic you see in comics and TV and stuff.

Farqua: Ha! Imagine havin’ that happen to ya? Haha!

Eyn: … And who’s your rival, Farqua? Aren’t you just the henchman-turned-hostage?

Farqua: Shut up.

Eyn: Thought so.

Farqua: But as hostage I kept bickerin’ with Matro. Does that count?

Eyn: That’s fair. …Wait. I forgot to mention, April doesn’t really have powers. When we thought we were gonna be friends when we met the first time, I sorta turned her old stick into a weapon. Yeah. Things really backfired on me.

Do you rule over any sort of land, country, county?

Skatra: I could never rule something like that…

Doc: Oh no; I’ve got no knowledge or interest in being a ruler. I’m just a doctor.

Wyra: I can’t either, since I once accidentally caused a power outage in my old city!

Doc: And though the answer’s pretty obvious already, what about you, Eyn? Do you rule a population of some sort?

Eyn: Nah. It doesn’t even seem cool.

Farqua: Me neither. Huh! Weird that none of us are that typa antagonist?

Skatra: Now that you say it… I agree.

Why are you considered "the bad guy"?

Skatra: Well… I’ll admit, my goal is to take probably the most important thing that the building’s got, and yes, many robots were taken advantage of in the process.

Doc: And people were hurt. And you’ve committed murder before – oho, blood’s on your hands.

Skatra: DOCTOR! I thought our therapy session was meant to be confidential!

Doc: Oops, my bad.

Skatra: And it looks like we’ve got a reason why Doctor’s a part of this interview. Any more you want to say about yourself?

Doc: Ah… Uh… I forced a lot of innocents into getting involved and even fight in this mess of a situation. And yes, without their consent. Or their families’ consent. And by doing that, their lives were all at stake. Yeah, I regret it. Fly me to skuelk.

Wyra: I’m Doc’s action partner and out of the two of us, I think I’ve actively hurt April the most. And April’s still a little kid! That’s definitely given me a bad look!

Eyn: Eh, I just help Dad with stuff. And it really looks like I don’t care much about hurting people. That’s it, really. And I guess I also run into April the most, and a lot of the story’s from her perspective, so I guess I’m really put under a bad light.

Farqua: Same story! I’m one of Skatra’s guys! Except I’M THE ONLY ONE THAT GOT CAPTURED BY APRIL N’ FRIENDS AND IT’S SO FUCKIN’ EMBARRASSIN’.

Do you consider yourself purely evil?

Skatra: No! Who would?!

Wyra: Not me! I’ve just been called sadistic!

Doc: Let’s be completely real. Nobody really considers themselves evil. All of us just want to do what we feel like is right.

Eyn: Yeah, I don’t think I’m doing anything evil. I guess it’s sometimes I’m not knowing the difference between not giving a shit what everyone thinks about me versus doing what everyone agrees is morally wrong.

Farqua: Whoa! Ya got a lot of wisdom for a kid!

Skatra: And where do you think she got that from, hm?

Farqua: Stop lyin’ to yourself, she ain’t your biological daughter.

Skatra: Shut up.

What do you think of the others in the quiz room?

Skatra: Well first off, Eyn’s my daughter, the only family member I’m happy talking to, and I love her a lot. Doctor’s a bit… I don’t know. From my experience, they’ve been a very caring and genuine person at first. Wyra’s a bit of an oddball. I still think she’s a bit scary to approach. Those two are definitely people you wouldn’t want as an enemy, but then again, here I am. And that leaves Farqua, who’s probably just as competent as he is annoying. What about you, Doctor?

Farqua: WHA-

Doc: Ehrm, thanks for acknowledging that about me. Anyways, as much as I hate what you’re doing, Abarran, and mind me, I’m being as honest as I can, you’re just someone who needs help. It honestly hurts to watch you and what you’re doing. Wyra is a close friend of mine! We’re completely different, but it’s as if she completely understands me. And Farqua, you’re… You’re alright, I guess. Also, I’ve been hoping for you to just stop trying to be my “rival” ever since you read that aphorism, “an apple a day keeps the doctor away.” And Eyn, I can tell you’re hiding behind a façade; just reveal that you dress and act the way you do because you’re a fan of the Axel Duiti series. To me, you’re as easy to read as a children’s book.

Eyn: Hey! I mean… Never mind. Uh… My dad’s like the only guy that’s got my back. He’s cool. Dr Sarlife’s like, I dunno, a bit scary to talk to. Also, what’s up with the bunny ears?

Doc: That’s none of your… Alright, to tell you the truth, I worked at a children’s hospital. Let’s not get off topic, now. What are your thoughts on Wyra and Farqua?

Eyn: Oh. Uh… Wyra’s so hyper, it’s exhausting. But, I think we can get along? I dunno… I hope we do. And Farqua’s pretty cool. We get along pretty well. But cut off the “howdy” unless you’re gonna say that to everyone. That’s all.

Wyra: From what I know so far, I know I get along with Sarlife the best! Skatra’s, I dunno. All I know about him is through what Sarlife told me, and I think he’s a bit of a prick that could do with some fixing up. Maybe. I think Eyn’s cool! I think I’ve seen the Axel Duiti series on telly before, and I think that’s a good way to start talking! And now, Farqua. Um… Definitely a bit weird. But I find that endearing!

Farqua: That’s… That’s it? ‘Right, guess it’s my turn, then! First off, Doc, Wyra n’ Skatra, you’re all assholes for doin’ all the stuff you’re doin’ and for all the stuff ya said ‘bout me. And Eyn, you can still look like a badass and be open ‘bout all your apparently “less cool” self. Look at me? I look all cute n’ cuddly n’ sweet, but I’m pretty open ‘bout my reckless n’ aggressive nature n’ stuff, ya get?

Eyn: Wow… Didn’t expect a pep-talk but okay, I’ll take that.

Farqua: No prob, kiddo!

On a rate of one to ten, how powerful do you think the villain next to you is?

Skatra: Oh God, I hate rating like this. Uh… Doctor’s probably a 7.

Doc: …That’s fair; I’ll take it. I was going to say 7 for you. Wyra’s close to an 8.

Wyra: No offence Sarlife, but I reckon you’re a 6, for me.

Doc: None taken.

Wyra: Eyn’s a 9 for me. I’ve seen her with April and it’s not pretty.

Eyn: Wyra’s probably a, I dunno, 7…? Farqua’s 1.

Farqua: WHAT?!

Eyn: But with your limbs, you’re, I dunno, 8. You’re pretty strong and got a bunch of tools and stuff.

Farqua: Well, Eyn, I’m givin’ you an 8! Remember, this’s all ‘bout perspective.

Now, how powerful do you consider yourself to be?

Skatra: 4… 5…? I can’t get over it.

Doc: 6 or a 7. I don’t think I can give myself anything else after that last question.

Wyra: Tough. Probably 7? Or 8.

Eyn: 8.

Farqua: God, some of y’all don’t think that high of yourselves, huh! I’m givin’ myself a 9!

Do you have an evil laugh?

Skatra: No, that’s stupid.

Doc: Can we all agree on this and move on?

Eyn: Yeah.

Wyra: Done and done!

Farqua: You guys are borin’ as hell y’know. I sorta do have one actually! But I guess tha’s ‘cause Matro keeps tellin’ me I’m just mean-spirited. And sadistic too, but it ain’t like that!

Do ya fear death?

Skatra: Er… I’ll pass on this one…

Doc: Alright. No, I don’t, honestly.

Wyra: I agree! I don’t really care. I’ve kind of experienced it, before.

Eyn: Well, I do. I’ve still got things I wanna get outta the way and I don’t wanna miss ‘em.

Farqua: Do I fear death? Well, I guess I do! I’ve seen it countless times ‘cause I’ve been to every burial held at the buildin’ and I see everybody all heartbroken n’ stuff. Makes me worry, y’know, ‘bout all the people who care ‘bout me n’ all.

Docc: Well, to be fair, we do all have the choice to live for as long as we want, as long as we’re not seriously damaged to the point beyond repair. Well, except for Abarran, here. He’s human and we’re all bound to outlive him.

Skatra: That’s not very nice.

What's your goal, exactly? Or are you just evil for the heck of it?

Skatra: It’s quite basic, really. So, to put it simply, nearly fifty years of hard work’s gone down the drain. And to make up for all of it, I felt the need to do something big. So, my goal is to take the proclo machine and reveal it to the world as something of mine. Yes, I know I’ll be living a lie, but I just want to make an impact of some sort that’ll change the world, whether it be for the better or for the worse, and once the whole world hates me, I’ll just end it all there.

Doc: Alright… Well, I just want to keep this building, you know, ALIVE. I care about everyone and everything that has to do with this building, and I’ll do anything if it means this building lives on. And that’s it! I mean it literally!

Wyra: Everything I know about this situation is through Sarlife, really. She told me everything, and when I say “anything,” I mean it. I care about this building, a lot, too! ...Eyn? What about you? Let me guess: you just want to make your dad proud of you, right?

Eyn: That’s one of them. But also, there was this one guy that commissioned me, he gave me a mission, and I failed it. Big time. Then I got left on the shelf for years, he commissioned another robot n’ stuff, and once that was done, I was sold somewhere to do some more stuff that I didn’t do so well at either, and then I was sold again. I didn’t really feel like I had anything good to do in this world, so that sucked. And then Dad picked me up from the markets and now I’m making sure I don’t fail at anything, anymore.

Farqua: … This is awkward… I ain’t got much of a motive… I just, I dunno, work for the guy- I mean Skatra…

Doc: THAT’S BECAUSE HE MANAGED TO TAKE CONTROL OF YOUR GOAL SYSTEM, YOU ABSOLUTE BUFFOON!!

Farqua: Goddamn! Ya gotta calm down! And I thought I was aggressive!

Do you have henchmen/a henchman?

Skatra: A lot of robots, yes, I do.

Doc: ROBOTS WHO WERE MY FRIENDS THAT YOU TOOK ADVANTAGE OF, THAT’S WHO!

Wyra: They were my friends, too, you know!

Skatra: You know, you’ll both eventually end up working for me, sooner or later.

Doc: I’ll make sure that doesn’t happen.

Wyra: We’ve gathered a lot of the non-robotic inhabitants of the building, anyway, to help get rid of you! And Eyn, too!

Skatra: Ooh, I’m soo scared.

Eyn: … Okay so, I work with my dad, so all those robots- I mean Dr Sarlife and Wyra’s friends are sorta my henchmen, too. Wow, that makes me sound really villainous, haha…

Farqua: So! It’s my turn, now, ain’t it? WELL, JOKES ON Y’ALL, I AM A HENCHMAN!

What do you drive?

Skatra: My little car, with a trailer attached. How do you think I got to the building?

Doc: I drive a scooter. It’s very easy to get around which is great!

Wyra: I’m not very good at driving. But, I have had a go on the hover bikes which are fun!

Eyn: I sorta know how to drive Dad’s car, but I know the anatomy n’ whatnot better than I can drive.

Farqua: Goddamnit, EYN can drive, too?! Well…! Matro said he’d teach me to drive the train later on.

Doc: What?

Wyra: You and Matro are all buddy-buddy, now?

Farqua: Sorta!

Doc: Well…. That’s surprising…

Wyra: Since when?

Farqua: Huh. You’re getting’ a little jealous now I’m spedin’ a lot of my time with your ol’ pal, ain’t ya?

What do you do when you aren't trying to do whatever you're trying to achieve?

Skatra: What do I do… Well, aside from moping in my apartment all day, I like to build machines and do some arthropod photography.

Doc: For me, you’d find me obviously doing my work. During my breaks, I take walks all around the building, and occasionally, I’d draw over my papers. I’m not a very skilled artist, though…

Wyra: I like to watch some telly! And just travel around the building while I’m not doing my work, of course!

Eyn: So, as Dr Sarlife said, you probably already know I’m a huge fan of the Axel Duiti series, so I re-watch the show, re-read the comics, and all that stuff. I also like playing bass guitar and helping Dad with building and stuff. That’s it, really.

Farqua: First off, I’m a gardener and a landscaper, so catch me up on the rooftop gardens doin’ my thing. When I ain’t doin’ all that, you’ll find me in the library reading some books about, I dunno, random stuff.

Were you ever a double-crosser (pretended to be on the opposite team, then stabbed them in the back)?

Skatra: Well, I—

Doc: THAT’S EXACTLY WHAT YOU DID TO ME!

Skatra: Doctor, there is no need to yell! Good God!

Doc: You can’t deny that it’s true, though. For me, I would never do that.

Wyra: Never done it! If anything, I like being honest.

Eyn: Well, I’ve tried doing that. It didn’t go very well… Farqua, your turn.

Farqua: Oh yeah. Mine’s damn interestin’, alright. ‘Cause if April and friends DIDN’T get to me first, I woulda done exactly that!

Skatra: I’m pretty sure I heard them say they thought you were up to something beforehand, so…

Farqua: Wh… How do you even hear this stuff?

Skatra: Your point of view was connected to my computers, why?

Farqua: …OKAY. I FORGOT. SORRY.

On a scale of 1 to 10, how often do you lie? *gives them truth serum*

Skatra: Oh God… 8

Doc: 3. Lying isn’t that big a thing for both robots and doctors, and then there’s me.

Wyra: 4. Like I said, I like to be truthful. Just saying.

Eyn: 5. I’m pretty honest.

Farqua: 6-ish.

Skatra: … You’re joking! I lie the most out of all of us?

Farqua: Well, y’gotta face it. You’re the only human here.

What color is your: hair?

Skatra: Dark green. ...For some reason.

Doc: It’s some sort of brown.

Wyra: A bit reddish-brown. Think of Sarlife’s favourite pants.

Doc: ...

Eyn: I wish I had hair…

Farqua: Ain’t that also why you wear a hat?

Eyn: I guess…

Farqua: Anyways, I ain’t got no hair too, ‘cause my design’s just like that, y’know! Gotta admit, I still pull off a cute look, huh!

Eyes?

Skatra: Dark, dark brown.

Doc: My irises are generally jet black and my sclerae are white. When I’m under the influence of an energy chip, my sclerae turn a blueish colour.

Farqua: “SCELRAE, SCELRAE,” look, ya don’t gotta go all textbook talk mode on us.

Doc: ...You could’ve at least been a little bit nicer...

Eyn: Uh… My eyes are black. Dad says I’m not allowed to have effect chips yet, so my whites are always white.

Farqua: For most of the story, I’m not on anything so you’d see my eyes are just like Eyn’s. But a lot of the time, when I’m not working, you’d catch the white bits of my eyes turned bright yellow! Forgot which chip it was but I set up a whole stash months ago!

Wyra: Um… I’ve got no irises!

Skin?

Skatra: Some sort of darkish beige.

Doc: I don’t really have skin, but I’m painted grey.

Wyra: Also painted grey.

Eyn: My paints are a bit weird. A lot of my body’s green, some areas are painted cream, my forearms and below the knees are painted brown, and my face is grey. Sorry if it’s a lot.

Farqua: I’m painted mostly red with some super light yellow in some places. I’ve got some small bits that’re this dark purply brown, too. And my upper arms, whatcha call it, are—

Doc: Your brac-

Farqua: WOULD YA— Doc, don’t do that. …Anyways, my whatchamacallits ain’t really painted at all.

Whats your uniform/favorite outfit?

Skatra: Since it’s winter, I’ve been wearing my favourite turtleneck at lot, recently. I like to pair it with my long coat.

Doc: My only outfit is my doctors’ uniform. It’d be kind of strange to see me wear anything else.

Wyra: I’ve got my work uniform. That’s it, really.

Eyn: Right now, I’m wearing an outfit based off Axel Duiti. He’s an outlaw in the old Earthian west.

Farqua: I AIN’T WEARIN’ NO CLOTHES, HAHA! And that’s ‘cause my designers made sure I was too good for ‘em.

Have you ever gone mad?

Skatra: Mad…? As in angry or…

Doc: I think they mean gone totally mental. As in you’ve lost your mind.

Skatra: Oh. Yes, I did. When, I’m not going to mention any names here, an ex-friend of mine put my years-worth of effort down the drain back in… X761, I think? What about you, Doctor?

Doc: Ah, I remember that one time… That one time Eyn nearly got me to fall under your control... And then, after that, you took all the little nurses and doctors that worked with me as prisoners... Hm, and it was a threat, too! All so I wouldn’t publicise your dastardly plan!

Skatra: Good God, you didn’t need to go into that much detail!

Doc: Anywho, what about you, Wyra? Anything similar?

Wyra: I don’t recall, really. Eyn?

Eyn: Nope.

Doc: Really? Even after everything that’s happened to you?

Eyn: Nope. And I hope it doesn’t happen to me. That’d be embarrassing.

Farqua: I ain’t had that happen to me, either! Guess that’s just a side effect of being old, huh!

Wyra: Haha!

Skatra: Excuse me?!

Doc: Farqua, you, Wyra and I were ALL programmed to behave the same age– WHAT MAKES YOU THINK YOU CAN SAY THAT TO ME?!

Farqua: Well, just like I said to Matro, “Stress. It ages ya.”

Doc: It doesn’t. …Alright, it does! But that doesn’t mean you can say what you just said!

Wyra: Wait... I’m stressed...?

If so, did you enjoy it?

Skatra: No! Of course, not!

Doc: If anyone had half a brain, even they’d know not to enjoy something like that!

Skatra: You don’t even have an organic brain and you, too, know not to enjoy something like that.

Doc: … Your daughter is right here.

Skatra: OH MY GOD, I’m so sorry!

Eyn: It’s okay, Dad.

Have any family?

Skatra: I do, back at the city. I haven’t spoken with them in almost thirty years. Eyn is the only closest family I’ve got.

Eyn: Yeah, I’ve just got him, too.

Doc: Uh, me? I can’t say. I guess if you count my model’s predecessors and successors. It makes sense.

Farqua: Same story as Doc, I guess.

Wyra: Same’s too!

Have you ever been in love? If you have, do they love you back?

Skatra: A few times I thought I did, actually. Once in high school, twice in university, and after, I realised love wasn’t anything of my interest. I’m not complaining, though.

Wyra: Definitely! I been in love before!

Skatra: Robots can… Do that...?

Wyra: Um, yeah?

Doc: I haven’t, really. Also, this might be related, but I’ve done so a few times ever since I created the lust chip, and experimented with myself.

Eyn: Lust chip…? The heck?

Farqua: Woo-hoo, Doc, who were they?

Doc: In my first trial, it was my human anatomy model, and eventually my human skeleton model.

Farqua: … What – ya didn’t go head-over-heels with anyone alive?

Doc: Of course not! Why would I experiment with those chips around people?!

Farqua: Oh. Well, I ain’t fallen in love yet. Maybe ‘cause I’ve yet to get the hots for anyone ‘round here. Even with the lust chip! Surprisin, huh! …Y’know, since I gotta admit, I do like to look a lil cuter, don’t I?

Eyn: Uh… Well, there’s this uvra girl...

Farqua: …

Doc: …

Wyra: ...

Skatra: Eyn, you’ve fallen in love?!

Can you cook?

Skatra: Well, yes! I have to eat to survive. It’s a human thing.

Doc: I’ve tried teaching myself to. It’s not that difficult, actually.

Wyra: I can, a bit! I’m not very skilled though, and people have just told me to just stick to working the gas, rather than actually working with the gas.

Eyn: Dad’s been teaching me some. He says I’m a natural, haha.

Farqua: Well, I sorta do. I ain’t that great at it, though. Shucks, I gotta up my cookin’ game!

Do you despise the Earth?

Skatra: Not really. Earth is history after all, so why should I care so much?

Farqua: Some people hate stuff from the past, y’know,

Skatra: That’s fair.

Doc: Well, despite everything, I’m pretty indifferent.

Wyra: Earth’s pretty cool if you ask me. Shame I can’t actually see it for myself, though.

Eyn: I don’t know much about Earth. But Axel lives in that place, so that’s cool.

Farqua: I’m all about Earth! There ain’t nothin else I’ve been readin’ about lately!

What's your pet peeve?

Skatra: When anyone leaves anything personal unlocked. Imagine seeing a bag or a house’s door left open. How do people even do that? I remember back in high school nobody would lock their lockers unless they actually had to. It bothered me so much to the point where I locked one of my classmates’. That was also the time I made my first enemy. Well, not really; the person barely knew me! But they swore they’d kill me.

Doc: The fact that engineers aren’t being as creative with android antennae anymore! Are they not accepting creatives into the industry anymore or something? ...No offence, Farqua.

Farqua: Yeah, fine. Whatever.

Wyra: I think my pet peeve is when people are super nitpicky and pick out really small and meaningless details, as if they’re gonna do something big. Like, what’s the point?

Eyn: When people talk over TV shows and movies and stuff. Why would you even do that?

Farqua: Hm… I think I hate when people run over plants. Y’know, like the ones that ain’t grass n’ all that. They’re alive, too, y’know! And they especially don’t get stepped on like that!

What kind of music to you like?

Skatra: I’ve enjoyed all forms of jazz. I think big band’s my favourite.

Doc: This might be surprising, but I actually prefer genres like breakbeat. Or, if I want to relax, I’ll listen to space ambiance.

Wyra: Happy hardcore, hardstyle, handsup - anything that’s energising, really!

Eyn: Rock n’ roll and blues are my favourites. Maybe some ska-punk, too. I feel like a total badass when listening to them.

Farqua: I love some good punk rock, or maybe even add somethin’ like some folkier flavour to songs like those!

What's your favorite food?

Skatra: Tiramisu. I don’t have it often, but I guess that’s why it’s my favourite.

Doc: ...I’m a robot. But I’ve always wanted to try dark chocolate.

Wyra: Me too! I don’t know what they taste like, but maybe cheese and nachos will do it for me!

Eyn: Dad’s always told me about different foods, but I think he’s described ramen noodles the best.

Farqua: I been told that honey-lemon chicken tastes great! I really wanna taste that!

Are you bored, want to kill me, satisfied with this quiz, etc.?

Skatra: I’ve been enjoying it a bit, actually.

Doc: Me too. I was afraid I’d get bored. ...Sorry.

Wyra: I enjoyed it! It was a lot of questions to get through though, but I’m still here!

Eyn: Eh, it was cool, I guess…

Farqua: I ain’t gonna kill ya, I promise! ...I mean, it was good!

Who's your favorite villain other than yourself?

Skatra: I don’t know. Why would I have a favourite villain? Or if you’re talking about the people in this group, I guess, it’s Eyn. She’s my daughter, after all.

Doc: Wyra’s one of my closest friends. Of course, I’d pick her.

Wyra: Right back at you, Sarlife!

Eyn: I guess, I’ve just got my dad. Or, if you meant it that way, I really like one named Taft Grater. He’s one of the villains of the Axel Duiti series. He’s really well written.

Farqua: Huh! This is a tough one! I dunno, maybe Wyra.

Do you think you're gonna die in your story?

Skatra: I don’t know. Like everyone else, I hope not, but I’ll just take what’s thrown at me.

Doc: Let’s hope I don’t!

Wyra: I don’t think I’ll die!

Eyn: I hope not, too.

Farqua: WELL, I BETTER NOT!!!

Well, I have to go, and I'm sure you have a lot of evil scheming to do. Peace out! (Or should I say "destruction out!" in your cases?) For your creators, go tag someone! Please, it won't take long!

Me lol: (Sorry! :’D)

Anything to add now that I'm done rambling?

Me lol: Not really, actually! but it was fun :D

Look! Please do it if you have villains, and credit me!

Please spread the word!

(I don't have much time, I have a timed session, as I'm using some random wifi server, so I'll add more later!)

#Chocco's OCs #Mr Skatra #Dr Aufel #Wyra Kappel #Eyn Duiti #Farqua Pells #Project: Proclo #Chocco does memes #Chocco's writing #Chocco's scripts #Chocco's info dumps #Dr Sarlife Aufel #Doc / Sarlife #Eyn Duiti Skatra

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