#But I want to do it chronologically by what was revealed to us

[artheresy]

This is for science, if one were to one to observe what was present in each individual version of Honkai Star Rail so far, like isolating what was added each addition, does anyone know a good place for looking at that kind of thing?

Even if it's just like a wiki format where it mentions what version it was added

[rawliverandgoronspice]

behold: my second least favorite string of words in the entirety of Tears of the Kingdom.

(it's a little less transparent why this time so I'll explain my thoughts under the cut)

So why do I not like this?

In so many words: because if you remove it, the scene still works, but you lose the moral certainty of what is going on.

This single sentence does so much legwork for the entire game (the kind I dislike), to the point where I'm about 60% sure it's the product of a rework that realized how ambiguous Rauru's position was as the Good Rightful King and needed to nervously reassure the players that Ganondorf Is and Always Was the Invader, Actually.

(no matter that it leaves the gerudos in this awkward in-between state of both invaders and victims, while never dwelling in the specifics of their history and their own agency in the entire thing; brushed off as a sin they have to expiate through loyalty to the winners of that particular strife, but without explicitely blaming them either to avoid the implications of what that would have looked like)

If you remove it, not only do you lose a pretty clunky line that detracts from Ganondorf's intimidating presence (who is he even speaking to? who needs to hear this right now?) that honestly speaks for itself when it comes to his experience with warfare, but also you lose any tension and any mystery regarding why he is attacking in the first place.

You also... kind of rob Ganondorf's motivations of their meaning. "Hyrule will bow down before me" leads to asking... why? What does he want? What does he see in those lands? And what little we get with Rauru and then Link during the final fight begs more questions; why do you prefer hardship to peace? Why do you value strength? What leads you to want to rule a land devoid of survivors, become a king without a kingdom? I don't think we ever get satisfactory answers. If you remove this sentence, on the other hand... Subtextually, it becomes pretty clear that his motivations is that he felt threatened by Rauru's power, which is ripe with subtext and questions about whether this is a legitimate reaction, whether his "no survivor" stance is due to a feeling of betrayal when his own people turned against him post the Demon King shenanigans... I'm not saying it would fix the entire game's writing, far from it, but it would already do *so much more*.

(genuinely, I think he could have stayed completely silent during the Molduga Assault, speaking only in the Show of Fealty before going completely nuts after Sonia's murder, and it would have worked MUCH better in terms of characterization but anyway anyway

EDIT: ALSO!!! that way he wouldn't speak hylian to fellow gerudos, which is weird inherently)

Without this line, the core of the tension between the gerudos and Hyrule comes front in his conversation with Rauru; it allows the cause of his hostility to be Rauru's invitations, that he would have taken as a threat, and would have still made him warlike and domineering without making him cartoonishly flat, because, once again, Rauru is not acting in a particularly more legitimate way when Zelda arrives in Ancient Hyrule; and it would have been... fair to point that out. And make for better characterization for Rauru, and Sonia, and Mineru, and everybody. But the priority was for Hyrule to be pictured as unquestionably holy; always legitimate, always truthful, always beautiful, always just.

Also, and this is more of a nitpick but: why would Ganondorf want Hyrule, specifically, to bow down before him also? Was he at war with the rest of the disparate tribes before, and just carried on his ambitions to the very very newly-founded kingdom as they allied under a new banner? (though it seems to be implies the lands were crawling under monsters in a generic sense, and not Ganondorf's attacks in particular) Why would he even consider Hyrule a legitimate entity worth taking over then, if it is so new, born from the will of a powerful rival, founded by what is basically a stranger to these lands? Why would he covet something so young instead of destroying it and just calling the lands Gerudo Lands II or Grooseland or something?

I don't think any of that was even accounted for, because, beyond everything else: to me, this sentence is so clearly and painfully crammed in here to shield Hyrule from any potential blame and immediately characterize Ganondorf as Bad without having to remove any of the causes that could lead one to side-eye Rauru's little pet project as equally questionable.

Beyond the clumsiness, it is cowardly --and, I think, a little damning.

[fryday]

Everything We Know About The Phagenda

I needed a place to organise all the info we've gotten from DNP about what the hell they're cooking, so this is the place. I might have missed things, so please always check the original post for the most up to date version of contents as I might change or add things over time. Any questions, just shoot me an ask or something. Thank you and happy conjecturing!

I tried to arrange the info roughly chronologically in each category.

It's probably more than one thing

Dan mentioned some things coming "somewhat after and a little bit soon after"

Phil said, "We've got a few things in our mouth at the moment"

Definition of "agenda" suggests multiple things

Money stuff

Phil made his cactus club subscription more affordable in preparation for what he and Dan are doing next

Phil took a question about what they're cooking in his latest Q&A video. He said that something may or may not "happen in the next month", but did not answer the section asking if we should be saving up for it.

Those who RSVP'ed will "be notified first as soon as the news drops" -> presumably related to a limited quantity of items up for grabs, which is why I've included it in this section, but that's just my guess

Concept / Nature of the Thing(s)

Someone on Twitter said, "So the phlonde has been in the works for months if that was the main reason he let his hair grow out" and Dan replied with, "what else is he plotting"

Dan and Phil included a blurred out image of a text message in their video, which Dan called "the draft for something that is top secret".

SuperSeizer (one of Dan and Phil's editors) is in on what's happening (the other person in this interaction is their other editor Kris, who may also be involved, depending on how you read this interaction)

In his birthday livestream, Dan talked about how they revived the gaming channel not knowing what the response would be, and were shocked by the enthusiasm from their audience. "Because it seems like there's a thing here. [...] And we need to be like, celebrate the things, acknowledge the things. So, I guess we can say in the most vague way that we can that Dan and Phil have been cooking."

Dan posted his story with the words, "the time is nigh - want to know what dan and phil have been secretly cooking? / reply to this story with: RSVP / and we will send you a dm as soon as the truth is revealed"

Another definition of "agenda" is "the underlying intentions or motives of a particular person or group".

5 of the images in the TV screens have been identified as of right now: Phil's Video Blog, Hello Internet, Saying Goodbye Forever, Giving The People What They Want, and Something We Want to Tell You

Laylo, the website DNP are using for this announcement, is a platform that creators can use to release merch, tickets, or content.

The initial wave of people who RSVP'ed got their confirmation emails from news@mail.danandphiltour.com with the reply email being dh@danielhowell.com. It was then changed; now the emails come from news@laylo.danandphilshop.com with the reply email being danandphilshopweb@gmail.com.

Dan and Phil would have been aware that they were using the tour email at first, as they would have had to manually enter it themselves. (Thanks @dnpbeats for the investigative work!)

They included a 3-second teaser clip at the end of the Sims fashion makeover episode.

[itshype]

Like and Survive! (DC x DP)

Everyone knows who Phantom is. He was one of the very first heroes though he inexplicably chose to dedicate his life (metaphorically) to micromanaging the hell out of some random town no one has ever heard of. He's a specialist hero, only really useful for ghost stuff. He comes every time someone contacts him for help but it's only happened a few times in all of his years of operation.

Then, kid heroes become a thing. Robin, once perpetually hidden beneath the shadow of the bat emerges into the metropolis sun just in time to make the front page.

When Batman's child-raising skills are called into question, Kid Flash is brought out at a press release by Flash to show that these exceptional children are around. They just aren't common knowledge for their own health (aside from the villains - being a child star wrecks your brain).

A few villains do come forward and say "no, the sidekicks will go out on their own if their hero doesn't let them. And they have all the powers and none of the restraint. Please don't separate them."

(Batman and Robin are both very flattered that all their rogues think they have powers. Robin is ✨glowing✨ with pride.)

Cyborg calls Robin at 3am. He asks if he's seen the new 'BooTube' page.

Phantom has set up his own website. It's a dark and moody ripoff of YouTube with 1 channel. His.

Introduction Video: Transcript Hi guys, I can't lie to you, I was as up-in-arms as anyone when I saw what people are now calling "The Robin Reveal". But then I remembered that I started my hero work when I was mentally and physically fourteen years old...

Danny doesn't mention he was also chronologically 14 at the time. Secret identities and all.

...and I had no mentor, no training and no backup. It was just me and two humans, neither of whom even had powers at that time. I understand the call, in a way that none of the non-hero people criticising you could ever hope to comprehend. I'm glad to see most of you fellow child-heroes have an experienced adult watching your back. But if you don't. If there's even one of you out there who need a mentor, consider Amity Park open for business, and consider adding my number to your speedial. I'm not like those people in interviews saying "Oh, someone needs to help the children!" I am helping you, I am helping you whenever you need with whatever you want.

The ghost swallows and seemingly forces down his brimming sincerity.

And for those of you who do already have backup? Consider checking back here. I'm going over my old reports from my first few years on the streets to see what I most needed to hear, and what I wished I knew sooner. Hopefully no one else will have to learn what I know the hard way.

You know how to fight, this channel won't be for that. This is about coping with secret identities, and the messed up situations that can only happen to a vigilante or hero.

Anyways, the first video is already ready to be edited so in a few days I'll be back here to discuss what you do when you've been cloned. How to deal with that emotionally and physically. My clone isn't very well known outside of my town but I think she'll add a great perspective!

Within weeks, without his knowledge, Danny is somehow remote-mentoring heroes of all ages.

[zoe-oneesama]

Now that it’s been brought back to the forefront of my mind in regards to yesterday’s SL asks, it really is genuinely kinda nuts how the potions were revealed in Season 2 and have only physically appeared (i.e. not just been mentioned or shown in a one-off picture or alternate timeline) in 13 out of what’s now 92 episodes (not counting specials) since their closest-to-chronological debut. Even more wild is the fact that, like you pointed out, only 3 out of 7 potion powers are canonically known to date. Apparently That Guy tweeted a few years back that one of the remaining ones is supposed to be a Fire potion (which, if true, may be the one Marinette was trying to figure out the “spicy little rock” ingredient for in Mr. Pigeon 72?) that gives the user the ability to walk on lava and/or a resistance to scorching heat, but they haven’t been able to use it since “Fire is something very difficult to use in shows watched by kids, because we have to pay extra-care that they won't see fire as a cool thing and play with it afterwards. Broadcasters tend to prefer not showing it at all.” To which I’m like?? A) You guys STAY hopping between whether you want your target demographic to be little kids or early teens in actual practice. B) There have to be a million ways that you can blatantly write the idea that fire is dangerous which is why the Fire potion would be NEEDED (or, y’know, have more faith in your audience’s ability to intuitively understand that from the get-go). C) If you already understood that a fire power up was genuinely likely to be a hard no-go with your broadcasters, maybe change your plans to only conceptualizing 6 instead of 7 potions before putting them in the actual show???

Right? And like, he said Lava as well. So do something WITH LAVA if you can't use fire! (I bet it would be easier to animate too!) Or, or! Invent a kind of goo or acid that burns LIKE Lava so they have to use the suit! That could be the debut episode, where it's impossible to get close because of the heat and burn of it until BAM! Fire Suit.

It's not like you have to use the suits OFTEN, they've only used the Ice one like two times I think, just do a debut episode and then use it for Ordinary Heroing, like actually running into a burning building and saving people. Pretty sure even kids don't think house fires are cool, so you don't HAVE to associate fire with a "cool" akuma.

A long time ago when I was ranting about this I was informed by a Anon that the others were "revealed" at some convention or expo and they were things like Air and Space (space hadn't been shown at the time), Sun and Moon, and like...Soul? So, what's the difference between Air and Space? Are Sun and Moon supposed to be Light and Dark, how is that following the Environmental Costume Change of the three we know? Wtf is Soul? Maybe it's a lack of cohesion that's making this difficult for them.

The more I hear about them, the more I think this idea was never fully fleshed out and will never BE fleshed out.

[atamascolily]

Rebellion is, among many other things, taking something that fans wanted from the original PMMM anime, namely the girls fighting as a team in a more conventional magical girl style against more conventional monsters of the week, and serving it up in a world where everything is beautiful and nothing hurts--only to reveal that it was all a dream of Homura's that she created as a coping mechanism to deal with suicidal levels of despair. Which leads me to wonder what exactly Walpurgis no Kaiten might do along similar lines... and, given the marketing thus far, I think it's going to interrogate Homura's character--specifically, the varying fan interpretations of her based on her actions at the end of Rebellion.

By which I mean, you know all the fan arguments that "Homura is a selfish monster" and "Homura did nothing wrong" that have been going on ever since Rebellion was released? I think what Urobuchi et al. is going to do is give us a version of Homura who is just as bad as some people think she always was--a ruthless, cruel, vindictive, remorseless overdramatic bitch who manipulates people for her own amusement/goals (including/especially her other self!)--and a Homura who is "innocent" but nonetheless forced to face the consequences of her actions independent of their morality, and put them directly in conflict with each other and the rest of the cast. Homura will be forced to confront herself at her worst, and she won't enjoy it one bit.

But if this is the case, then the twist (because there's always a twist) will ultimately reveal that these two Homuras are, on some fundamental level the same and always have been; that in the end, all people are a mix of good and bad, and it's the act of splitting/separation/doubling/mirroring/projection/demonizing itself that is the real problem. Only by acknowledging this truth about herself and accepting herself as she truly is, for better and for worse can Homura be fully whole--and hopefully healed from the terrible self-loathing that has plagued her ever since her first chronological appearance in the narrative.

In other words, just as Madoka said in Rebellion, "Homura is Homura no matter what" (my emphasis). I think Walpurgis no Kaiten is going to explore just how far that last part goes--and just how far Madoka's love and compassion (and our own!) extends.

Do I think the outcome will be worth it? Yes, but it will likely take us to some very dark and uncomfortable places first. "Be careful what you wish for, you might get it" applies just as much to the audience as it does to the characters in this series.

[dailyadventureprompts]

DM Tip: Creating a Campaign Skeleton

Learning to be a better dungeonmaster was a protracted process. A younger me was often so stressed out by the desire to be a better artist that I'd have legitimately mauled a person if it would've revealed to me the wisdom I sought (with my hands or even an actual maul given the chance).

One of my biggest hurdles was the idea of a universal framework for d&d adventures, a guideline that would tell me if the things I was creating were on the right track. It was sorely needed, I loved the process of being creative but without an understanding of how my creative energy was best used I ended up sinking days, weeks, or even months worth of energy into projects that went nowhere. Worse yet, when I DID get a chance to put my ideas into practice at the table they'd frequently spiral out of control and crash, resulting in even more stress.

Over time I learned from these mistakes, I got better, and then I got good. I moved from conscious incompetence to competence, and I ended up having a run of absolutely stellar campaigns that were everything my younger self could have dreamed of: stable, enjoyable, meaningful, and most importantly an absolute delight to my players. Routinely I'd have people, including folks that'd only played with me a few times, mention that getting together to roll dice and listen to me babel on in silly voices was a highlight of their week.

It was as one of these campaigns began to wind down (three years! a satisfying conclusion on the horizon!) and I started looking for a followup scenario that I decided to study all my really successful campaigns and figure out what connected them. The end result was something I'd been looking for for nearly a decade, a reliable format that I could build campaigns around.

I want to preface this section with the understanding that while this information is laid out in a vaguely chronological fashion there's no guarantee that these ideas will occur to you in any particular order. Inspiration is a funny thing, and each idea flows into the others to make a cohesive whole. Due to foreshadowing and setup reasons you're also going to need a pretty solid idea about all of these when starting a campaign, though exact details will likely change/ can be vague up until the moment they're needed.

The Reason: Who are we and what are we doing?

Gives your players a solid background to build their characters around and give them a reason to travel together, rather than having to ad lib one on the spot. Likewise sets expectations of what the campaign is "about" that you can build on or subvert in time. The reason doesn't need to hold true for the entire game, just long enough to serve as a framing device. EG: The Witcher starts out as a "monster of the week" setup and then uses that framework to pivot into politics and prophecy once we've seen the premise play out.

The Pilot/Crashtest Adventure: What's first?

I’ve already written about these, but the general concept is to give your party a mostly contained first outing that doesn’t have any larger bearing on the plot so they can focus on learning how their characters play/building the party dynamic.  By the time the party's finished this first adventure they'll have already started putting down roots in the world: they'll have in jokes, npcs they've started to care about, an understanding of what's on the horizon, and an idea of where they want to go next.

The Central Gameplay Pillar: How does this all work?

It's important to have an idea what your campaign is going to be about in a mechanical sense in addition to its plot and themes. There is a difference between an adventure that has the party delve a dungeon, and a dungeoncrawling focused campaign. I like to lead with these outright during the campaign pitch so that players can know what they're getting into. Your playgroup will likely have strong opinions about what they like and dislike, even if they don't have the words to describe it, so you might need to explain the ideas for them.

The Hub: Where are we?

I think every good campaign has a hub, some kind of settlement that the party returns to between adventures to offload loot, pick up supplies, and sift through the latest gossip to look for the next questhook. Letting the party return to the same place lets them build up a relationship with it, clarifying the picture in their mind as new details are added and they grow more and more attached. It's possible to have multiple hubs over the course of a campaign, but I'd advise really only having one per arc to best concentrate your efforts. Fill up your hub with distractions and side adventures, shorter stories that the party can get tangled up in while the larger adventure slowly reveals itself. Returning to the same hub also means returning to a familiar and expanding cast of NPCs, which helps your party become more and more invested in the setting

The Main Event: What's going to happen?

Here we get to the meat of the issue, the big story you want to be telling using this campaign. To pull off the sick narrative kickflip you wish to perform, you're going to need to lay a lot of groundwork, seeding in details left and right as well as giving the party a chance to stumble across evidence of your schemes without ever realizing the whole thing. To do this, you're going to work in the building blocks of your big reveal/twist/pending disaster into the setting along with those side adventures from the hub. This will give your party an idea that something is going on, but with more pressing matters to take care of they're going to be distracted up until the moment you decide to pull the trigger.

The Setting: What's over there?

While things like genre and tone are definitely things you should have a handle on from the outset, I personally feel like the details of a setting are best constructed on an ad hoc basis, either in a direct response to something required by part of the narrative (be it side story or main event), or pencilled in at the margins as the party explores the world.. That said, creation of the hub and setting often go hand in hand because it's important to match the settlement to the environment and then shape the environment to the quests inside the settlement. As for what's beyond your hub, I happen to have just written something about building out settings.

Now, this next option is one that I recommend you start thinking about only once your campaign is fully underway, so it doesn't clog up your creative process by focusing on something that you might not even get to

The Change: What the fuck?

A little while after the main event has kicked off and your party is off on the quest that will turn them from mere adventurers into heroes, they start to hear rumours of strange happenings. It's certainly not related to the present scenario, it may even be an unexpected windfall, but it's not something they have time to look into. Time ticks on, the land is saved, and the party is able to enjoy their victory lap as well as some dearly needed time off. Before they can get comfortable however they're slammed by some strange occurrence that they could have never predicted that changes the state of the world. A neighbouring kingdom invades, an important ally is murdered and they're blamed for it, a dragon starts rampaging through the realm. Its important that this event is outside the party's skillset, not necessarily diametrically opposed, but counter to what they were planning

artsource

[dearqueerheart]

sorry just let me infodump for one second, ok? ok.

epic the musical has me in a chokehold (spoilers ahead, PLEASE GO LISTEN if it seems like something you’d be into). and i was rethinking on the song Monster. specifically, the part where he begins to justify being cruel by comparing himself to the foes he’s faced. polyphemus, circe, poseidon (i 1000% think the order matters, ill get there in a second). and all of that just shows how his, like so many dangerously intelligent men in greek myths, big flaw is hubris. overwhelming hubris. he thinks that he’s allowed to be cruel because a cyclops, a witch, and a god are allowed to be cruel. he is just one of so many greeks who think they’re as good as — or even better than — the gods.

and there are hints of this throughout the entire show up until that point. he attempts (and succeeds in, after facing tragic losses) to deceive polyphemus by drugging him with the lotus fruit, believing that he is more powerful and intelligent than the cyclops. he tries to reason with poseidon after being asked by the sea god for an apology for blinding his son, but he does this in SUCH a manipulative way. poseidon tells him, “i won’t kill your men if you apologize to me,” and ody goes, “alright bet,” and gives him such an incredible non-apology (“poseidon, we meant no harm”). he is too fucking proud to apologize, and will attempt to MANIPULATE AN OLYMPIAN GOD in order to protect that pride. it’s wild.

he actually does successfully “defeat” circe, but only by literally begging her (“i beg you circe, grant us mercy”) to save his men and help him get home. he wins this fight because he puts his pride aside for once in his goddamn life, and rescues the scouting party because of it.

so here’s why the order matters in the song monster: he’s working himself up to comparing himself to an olympian. he doesn’t list his foes in chronological order. he lists them in amount of power and intelligence. if you just take what he’s saying at face value, he says “well, polyphemus was justified, and circe was justified, and poseidon was justified, then i must be, too!” but if you read deeper, he’s comparing his evil deeds to the evil deeds of people far more powerful and complicated and experienced than him.

in the thunder saga, both scylla and zeus manipulate this pride. scylla uses it to drop odysseus’ guard, inviting him to compare himself to her, and to find kinship with her, as they’re both “monsters” (“deep down, you know that we are the same”). and zeus tests his pride, to see how deep it fully goes, and possibly to reveal to odysseus himself how prideful he is. like poseidon and athena, zeus may be trying to teach odysseus a lesson, albeit significantly harsher than the latter. (“if i had to make you choose the lives of your men and crew or your own, why do i think they’d lose?”) it’s one of my favorite moments in that song, because it’s really just zeus pushing all of odysseus’ buttons to force him to make the choice that zeus wants him to make.

anyway that’s all. it’s just so cool and i have a lot of thinks!! i could make a whole essay just about the gods’ desire to teach odysseus but i’ll save that for another time.

[wonderwyrm]

Terry Pratchett knows how to fill a moment with emotion.

Earnest, fervent, sincere emotion. Joy, humor, horror, sadness, all of them at once. Terrible, terrible things happen to the characters in his books, and yet they’re funny to the point that I think they’re mostly branded as comedy.

At the same time, I can easily see most of his books being recreated as horror stories. God, I would love to look more at the ways he creates terrifying situations.

And even during those horrifying moments, he still manages to work in a joke, and you want to laugh as you frantically turn the next page to see if the protagonist makes it out alive. I have no doubt that he might kill off a main character moments after poking fun at their name, and both moments would come across as entirely sincere.

Specifically I want to bring up an example I just came across. I’ve been going through his books in chronological order and I just got to Going Postal (spoilers ahead) and I can see why so many people have this book as their favorite.

Our main character, Moist, has been unwillingly appointed Postmaster, and the old Post Office is filled with decades of undelivered mail. It’s revealed to him, over the course of a few chapters, that the undelivered mail speaks to people, and the collective spirits of those hundreds of thousands of undelivered letters are restless and angry and trapped.

I’d like to make a note that I think this is the first time Pratchett has used magic in this particular way. Discworld has the Magic-Themed books, and the Not Magic books, and while there are occasional overlaps, for the most part Magic is used as a foil and satire for classic magical stories, or as a way for Wizards and Witches to tell their stories. Theclosest I can remember Magic happening to this is in Moving Pictures, where the Holly Wood spirit escapes into Discworld and infects the people there to start making movies, and this mostly subtle and seems a way for Pratchett to make a note of how insane it is for us to treat movies and actors and the whole business of making them in the way we do.

I’m actually rather pleased that he chose The Mail to be something that is just… magic. Unexplained, powerful, something that makes sense and yet doesn’t. Maybe that will change as I get further in the book.

To the moment I’m thinking of. Moist has just been declared Postmaster, and now he’s confronted, in the dark, by the spirits of the mail. They ask him if he will do his job, if he will move the mail again. He says that he isn’t worthy, and the mail says that they just need someone, anyone who will help them.

So Moist says he will. He will do it.

Then the mail, all the hundreds of thousands of unsent letters, say

Deliver Us

And this is what I’m talking about. This is a climatic moment, a moment where Moist is making big changes in his life, in what he is deciding to do. You can feel the desperation of the mail to be sent to their destinations, to be freed from this stagnant hell.

Deliver Us

It’s a pun, you see. Because you deliver mail. It gets delivered. A joke, in the middle of this important moment. It’s a pun and an order, to do his job, to let them fulfill their purpose.

And at the same time, it’s a plea. A desperate, angry plea to be set free and given life again, a plea that someone, even someone like Moist, will be their savior and deliver them from their endless purgatory.

Deliver Us

This is what I love about Terry Pratchett.

[right-there-ride-on]

Chronology of Major Gyjo moments (sources cited)

Gyro refuses to leave Johnny behind despite making it a point that he won't be slowed down by him

Chapter 14 - Across the Arizona Desert: Continuing on the Shortest Route

2) After being attacked, Johnny states the only one he trusts is Gyro

Also, early example of Johnny being willing to give the corpse up to save Gyro (even before Sugar Mountain!)

Chapter 27: Tusk (Part 3)

3) Gyro disobeying his father and familial tradition by giving in to his urge to save Johnny (and thereby fight like a 'true man' for what he wants)

Chapter 35: The True Man's World (Part 3)

4) Gyro putting his faith in Johnny to defeat their attacker. When Johnny thinks he's failed, he cradles Gyro's face and asks for forgiveness. (it's a major moment. to me)

Chapter 44: A Silent Way (Part 5)

5) Ok this one is just a little sus but I'm putting it in anyway: Gyro dreaming of that time he slept with one of his patients, only to immediately wake up and have a domestic scene with Johnny. For what purpose...?

Chapter 45: The Promised Land Sugar Mountain (Part 1)

6) Johnny gives up the corpse parts for Gyro (again), immediately followed by them drinking away their sorrows into the sunset. Who's doing it like them.

Chapter 48: Tubular Bells (Part 1)

7) Gyro finds the Golden Rectangle, previously described as, “… the foundation for every perfect structure for beauty" (Chapter 43: A Silent Way, Part 4) in Johnny eyes, and refuses to answer Johnny's question about where he's finding it. The implications of what Gyro thinks of Johnny's physical appearance are obvious.

Chapter 52: Wrecking Ball (Part 2)

8) Gyro sacrifices his hand, his only other point of reference for the Golden Rectangle, in order to save Johnny from a hit he probably could have tanked. Even Gyro looks a little surprised at himself... Also, they are all over each other this arc. Gyro is especially protective.

And, a little later:

Chapter 53: Wrecking Ball (Part 3)

9) Once it's revealed that Valentine intends to kill the rest of the racers (at least the ones who pose a threat to him), and makes an attempt on Johnny's life, Gyro attempts to convince Johnny to drop out, implying that he would drop out with him.

Of course, this is immediately followed by Johnny begging Gyro to, at the very least, help Lucy and see what she knows about the corpse parts. Seeing Johnny's distress at being so close to his goal only to have it snatched away from him convinces Gyro to stay in the race (something that will ultimately get him killed) and theorize how they can use the spin to defeat Valentine (via the stirrups). He tries to play it off but goddamn he is in love with him.

Chapter 72: Ticket to Ride (Part 2)

10) Shuiesha coloring may imply that Johnny is wearing Gyro's shirt beneath his own?? It's got the same collar and everything.

First appearance of this coloring choice is Chapter 63: 7 Days in a Week

11) Exchange of secrets no one else knows (they are each other's most important person!)

This panel in particular:

Chapter 76: D4C (Part 9)

12) And last but not least, thee set of chapter titles ever, in which Valetine attempts to bargain with Johnny to spare his life in return for bringing back Gyro. Johnny refuses, not because of any moral quandary about saving the life of an evil man, but because the Gyro brought back would not be the same. On top of that, he recognizes Valentine as a liar.

When it's all over, Johnny just breaks.

And that's the end of the chapter!

Chapters 88 and 89: Break My Heart, Break Your Heart (Parts 1 & 2)

13) Johnny's Goodbye (I like this scene more in b+w what can I say)

Chapter 95: The World of Stars and Stripes (Outro)

Obviously Johnny and Gyro have a lot of smaller moments too, but these are the ones that come to mind when I think of them!

[dailydragons]

I am not immune to this propaganda…

Do you like long fantasy series, but are tired of authors never finishing them?

Do you like interesting magic systems?

Do you like when characters form intense even psychic bonds with animal companions?

Do you like your heart getting ripped out of your chest and then stuffed back in full to bursting and but then ripped out again to get stomped on but it turns out you like that too uhhh let's call it... intense yearning

Do you like dragons? Of course you do, why else would you be on this blog!

WELL DO I HAVE THE BOOK SERIES FOR YOU!

The Realm of the Elderlings is a 16-book series is comprised of four trilogies and a quartet. All of which have been finished. Yes that's right, Robin Hobb saw other authors who can't seem to finish their multi-book fantasy epics and said "I will finish mine 4 different times to show you it's incredibly easy actually." She also has written multiple other series (some under the pen name Megan Lindholm), set in different universes.

So, where to start?

The components of RotE are:

The Farseer Trilogy

The Liveship Traders Trilogy

The Tawny Man Trilogy

The Rain Wild Chronicles

Fitz and the Fool Trilogy

The three bolded trilogies above are told from the perspective of FitzChivalry Farseer, one of the main/major characters in this universe and my eternal blorbo. The Liveship Traders trilogy and Rain Wild Chronicles are told from several points of view, and happen in chronological order between the series above and flesh out the worldbuilding, lore, history, etc.

For the most complete look at the universe, you can of course read everything. However if you want to stick with just one character, you can read the three bolded trilogies only. And of course, if you don't want to commit to a metric ton of words either way, you can just read the first trilogy and see what you think. Though I do think the levels of joy/pain/adoration increase with each work as you get more invested in the characters, of course.

OR. You can in fact read the Liveship Traders trilogy or the Rain Wild Chronicles quartet completely independently of the others. I actually started with Rain Wild Chronicles because those books have the highest concentration of dragons--it was actually a follower of this blog who recommended them to me, and I decided to jump into those rather than commit to The Whole Series (which at the time was only 13 books not 16). But I loved the writing style and wanted to learn more about the world, so got into the rest, and now I actually think the Rainwilds books are the weakest of the bunch (though I still enjoyed them initially)!

But You're Following This Blog, DailyDragons, So Here's The Part Of The Pitch You're Actually Invested In

Now I will be up front that you don't get many dragons in the first trilogy. There are a kind of dragons that appear at the end but dragons are not the main focus of this one. However Hobb learns from her mistakes about not including tons of dragons in her fantasy world and you get more in the next parts of the series.

The Liveship books deal with sea serpents and dragons in very interesting ways I don't want to spoil, though it's a slow build. But VERY fascinating reveals into the dragon's biology, life history, and magic.

The plot of the later half of the Tawny Man Trilogy revolves around dealing with how the world of this story used to have dragons but they have practically gone extinct. Less direct contact with dragons but still a dragon-centric last book.

Rainwilds is chock full of dragons. Including as POV characters. Can't complain about lack of dragons here at all.

Fitz & The Fool Trilogy is lighter on the dragons at first and then they show up en force at the end. Ta da!

anyway please read these books and join me in my eternal suffering. wait, suffering? nevermind who said that. shhh. it's fine. you will love fitzchivalry farseer. you will love the fool. you will never be the same again.

[kindestegg]

Putting together a timeline for the Collector's backstory

Hi!! For the Future just happened!! It was insane!! Anyway as a Collector superfan, fantasy worldbuilding fanatic, and also Collector's actual chosen dad (real, not fake, he revealed this to me in a dream /j), I decided to try and interpret the crumbs we got both from direct and indirect clues in the new episode, as well as tying back to earlier episodes.

I want to start first with the paintings on the Archive halls, which seem to tell a story. I chose to interpret them, from the first shot we see them in, as chronological from left to right, as that usually tends to be how one would read things (at least in the west, don't worry, I haven't forgotten about manga and all that, but I don't think the crew was following manga rules).

Here is a picture of the hallway I am using for reference. This specific shot seems to only have unique paintings aligning (there is an animation quirk that happens later on that makes it not so but I will get to this later), which is why I have elected to extract the timeline from this. Another reason is that, as we will see, the first three pictures definitely seem to fit in a neat chronological order, which would make it hard to doubt the placement of these paintings as being chronological here.

The first seems to depict our Collector, as the smaller one of his species, and three, bigger collectors. For convenience's sake I am in fact choosing to interpret these paintings as being things that happened to him and part of his memories. It makes sense: there is an emphasis on this smaller figure several times throughout the paintings and I cannot think why Collector would put random pictures of some other child collector's life, as well as we have to imagine the crew wanted to tell a story with these, otherwise they would be as random as the sun and moon paintings on the other side of the hall.

So it seems in this first picture, the bigger collectors, perhaps his family, are observing a planet, maybe even the planet the world of the Demon Realm is on.

Here is where I take a detour to add excerpts from the book Collector had King read to him (I should eventually make an analysis post on why Collector wanted this read to him, but all in its due time):

As the book states, collectors, by nature, observe things and then collect them by keeping them in stasis.

Going back to the painting, all indicates that this would show these particular collectors, likely the family of our younger Collector, were interested in the planet the Boiling Isles is on, and this painting depicts the first stage of their plan, observing this planet.

As a quick aside, I would like to say it is likely collectors do know what families are, and they may even form familial bonds and hierarchies. One such nod to this is of course Collector calling Odalia "Mamadalia", but also, this:

It is barely visible, but in a few quick shots you can see the next page of the book. Not only does it seem to use the words "interdimensional" and "dimension(s)", likely referring to the nature of collectors themselves or their residence, but it also uses the word "Family".

So, to recap, three adult collectors, likely our Collector's family, had their sights set on the planet the Boiling Isles is on.

And one of their first contacts was the Titan Trappers.

We now know that despite the resemblance to titans at first glance, titan trappers only wear their skulls and pelts to look like them, making the hunt easier, as well as to, I imagine, indicate pride in their spoils. The indication we have this is not a titan is primarily the spear utilized here, the fact the fur does not match the rest of the body, and the yellow glowing eyes.

I will discuss this further down through showing evidence with the other paintings, but there seems to be a recurring theme in the paintings that depicts the trappers and collectors as always having yellow eyes, whereas the titans are depicted with red eyes.

As Lilith explains further on, books found in the archive detail that a titan's power can actually cancel out the collectors' powers.

She also goes on to say that this why Collector's predecessors (her words not mine) wiped out all the titans.

If such is the case, then that explains why they chose to ally themselves with the trappers. It's likely they needed an intermediator, otherwise they would have not been able to fight the titans full on. In exchange, they likely shared whatever arcane knowledge they could to help in the fights, powering up the trappers.

This would line up perfectly with the trappers' worship of their Grand Huntsman, who as we all know, derives from the Collector and his entire species in aesthetic and looks.

As for why they did not want to risk peaceful contact with the titans besides the reason of their powers being able to be canceled out by titans, there is also the crossed out passage in the book:

Though our Collector declares he tried to "fix" it, we can still clearly see what was originally written, implying that any creature who attempts to stop their work shall meet a deadly end, and maybe even the entire planet will have all of its life wiped out.

So it is likely the titans were not fond of the collectors attempting to collect things in their planet, and fought back, causing the collectors to learn firsthand of their weakness to a titan's power, and to then ally themselves with the trappers.

Which, leads again, to the second painting, depicting two collectors in front of a trapper. The taller one, which I assume is part of our Collector's family, is trying on a skull.

By their side, I will assume is our Collector, due to the smaller stature, and something curious about the body language placed here for him seems to indicate he is examining the skull before putting it on. This could indicate he had an interest on the titans from early on. This will be important later.

As a quick addendum before we move on, I have come to conclude it's highly likely collectors have the ability to change size. In the first painting, the three adults are larger than the entire planet, with our Collector being only a bit smaller than the planet itself. However, in this second painting, the adult is not even as tall as the trapper depicted here, which, if we assume trappers are common witches and demons simply adorned with pelts and skulls just like the modern ones, were not as giant. Similarly, Collector is also way smaller, hence the theory that they change size.

We have seen our Collector possibly changing sizes in canon as well, both in the Owl Beast dream as their hooded figure form seemed massive, and then when they have just broken out of their prison. It's possible collectors scale down their massive size to fit whatever planet they are on.

Next is the third painting, which depicts a familiar scene...

Indeed, this seems to be an almost one to one recreation of the mural we see in Echoes of the Past inside King's castle. We even receive some extra content to it: We now know the titan depicted here had wing like structures on their arms, as well as was protecting an egg, and was accompanied by a smaller, likely juvenile titan.

Notice also how they both have red eyes, but the trapper has yellow eyes.

This all but confirms that the mural is depicting a trapper smithing a titan (whether it is our Titan we do not know for sure), and that the collectors had a hand in this.

Moving on, we have this painting:

Again, going out of the assumption the smaller figure is our Collector, he seems to be approached by four other adult collectors. These collectors however, are slightly different than three he was earlier with: first of all there are four of them, they have no split faces, and their hats are adorned with celestial bodies on their tips. For the sake of convenience I will refer to these as "The Elders", as their difference from our Collector's supposed family, as well as possible authority denoted by their hats, makes me think they are older and more powerful than our Collector's family.

Anyway, The Elders appear to be satisfied with our Collector, one even extending an open palm to them in a friendly gesture. I confess my interpretation of this is more speculative than the other paintings, simply because of the vagueness of it and how it does not seem to tie well into any other pictures or current lore we have.

But my current understanding is that, since one of The Elders is making such a gesture at Collector, they are maybe giving something to them, offering an opportunity. Their authority would certainly denote power above even Collector and his family, so they would likely be able to call the shots in their hierarchy.

Due to this, and considering the next paintings, I have elected to interpret this as The Elders entrusting Collector full control of watching over and collecting things from the planet he and his family had their eyes on. If this happens chronologically after the deal with the trappers as well, this could indicate the Elders have deemed it safe for our Collector to take over.

It also would explain why he calls himself The Collector, he's the designated collector for that planet, the caretaker of this planet and the one meant to observe and collect from it.

Which makes this next painting all the more interesting.

Collector, is surrounded by what seems to be four baby titans. They have their arms up, reaching for him, running to him. Playing. His expression also indicates happiness, eyes wide, hands on his chin, a little smile.

Recall for a moment that in the painting depicting the first contact with the trappers, our Collector had stopped to examine the titan skull. He was interested in them, he wanted to play.

This would align with Collector's "fixing" of the book, going to the lengths of desecrating what is likely an ancient book that dictates/documents the entire culture of his species to ensure his message of playing and friendship is more important.

If we take this painting and the book addition in conjunction, we can come to the conclusion Collector, once left alone, went out of his way to befriend and play with whatever titan babies were left out there. He was likely happy with this, as nothing about this picture indicates a struggle. And once again, these are definitely titan babies due to their eyes being red.

One may be concerned considering the fact the stars here could indicate they are in space, but there are a few counter arguments to this: Collector does not seem to imagine someone could suffocate in space as he suggests people on the moon could just hold their breaths, so this contradicts the idea he would have had experience with this.

The baby titans also seem to have playful body language rather than showing any anguish. And furthermore, when discussing the painting with my boyfriend he pointed out the blue waves could be an abstraction of the shoreline, indicating they were playing on the beach. In short, it is just the simplest explanation this depicts a peaceful scene rather than one with the babies suffocating, as it would not align with the rest of the story here.

There is also the matter of Collector straight up denouncing "the others", which we can only assume refers to the other collectors. It's no wonder he would feel that way, since they were the reason for his new friends' families being all but wiped out, and were less interested in playing with the creatures they observed and rather only preserving them.

Which only makes the present of the Isles and the state of titans and collectors all the more worrying, as well as concerns us with a last, pretty elusive painting...

This is what I meant by animation quirk: Getting a picture of this painting was so hard because it's the very last one in the timeline line up I showed you in that first screenshot, but when the camera zooms in on King and he runs up to get Hooty and we SHOULD get a proper look at it...

... It's pushed back again and the last two paintings get repeated. Which makes me think this is either an animation error, or they REALLY want to make it hard for us to get it.

BUT! After a bunch of rewatches and looking at some slowed down clips again, I was finally able to find the ONE place it repeated, on the scene where Belos!Raine is walking down the halls ominously.

And it is quite the revelation.

This depicts three adult collectors, likely our Collector's parents, staring down menacingly at a titan... perhaps THE Titan this time? It's worth noting this is not the same titan depicted in the painting with the trapper hunting down one that was protecting their egg, as that one had smaller wings and a skull that covered their entire jaw, whereas this one's skull only goes to the muzzle, just like King's does.

Something interesting is that this titan is accompanied either by other very weird looking titans, or these are other creatures that inhabited the Boiling Isles at the time and were also casualties in the collectors' path.

There is also fire surrounding this picture, which makes me think again of the "clear the earth, scorch the air" verse. It's also odd these collectors are approaching the titan(s) despite the fact titan magic could easily push them back, so it could be that they are betting it all on this and going on to cause massive destruction. But the titan seems to be holding up a hand as if gesturing for them to stop, or wait... they're not fighting back like with the trappers. Why?

Well, if this takes place after the painting with Collector playing the baby titans, it's possible these titans had become accustomed to our Collector and did not expect such an attack. It's likely they may have at first understood that this Collector was a child, one that was more interested in playing and befriending them rather than hurting anyone, and cautiously took them in.

Now, whether it was a misunderstanding with Collector's family thinking they were in danger or they were angered by their refusal to hurt titans... we know how the story ends. The titans were all wiped out, safe for King's egg, and Collector was sealed away by King's dad, likely one of the last things he'd ever do.

Overall I think our Collector's backstory is both horrifying and sad. Horrifying because of what his species is capable of, but also sad because despite his efforts to make peace with the titans, it couldn't save them and cost him his freedom. It's no wonder he was so happy to see a titan again, and latched onto King: this is like his second chance.

[sparklecarehospital]

been reflecting on my year a bit, and i was thinking about something. i think i know what the best thing i did for myself this year was.

making cometcare public. making the ask blog.

ive had this AU stirring in my brain since 2019, ever since i got really attached to doomi during the haunted arc. one reason i went so long without revealing pollarrydoomi as a ship to readers was because doom's crush wasn't public information until late 2021.

i had kept his crush a mystery for 3 years, but revealed it after a fun experience where people figured out who it was through guessing. i'm pretty sure i did a poll about it? asking people to guess who they thought it was, and uni won the vote, meaning everyone had already figured it out.

after pollarrydoomi was revealed and i started drawing art for it and people made fanart for it, i still couldn't post any of my AU art because ally wasn't public and she and howie were in the AU. in july 2022, for the comic's birthday, i revealed ally as a character to the readers. others around the time had started to notice characters i had in pfps and i ended up telling everyone i did have pollarrydoomi ship kids, but i didn't make them public.

in november 2022, i revealed eve on toyhouse. after her reveal, i would soon reveal sly as well in december 2022 on my birthday (revealing sly as a birthday present to myself is such a funny gesture now that you guys know how important he is to me). over the next few weeks i revealed cream, frosty, and marco as well. all of the main cometkids except chem.

then one day someone out there suggested that i make an ask blog for the cometcare AU. it was such a spontaneous decision, and i didn't even really know what i was gonna do with it at first. i was just kinda messing around. but when i made the blog i realized that if i wanted this AU to be experienced in complete authenticity, i couldn't make uni cis.

so i revealed uni being trans through the blog, despite the fact i'd gone so many years without ever revealing her identity. why did i do it? there's a lot of reasons. not wanting to make her a "dad" in the AU contributed, but also i felt like it wouldn't be detrimental to the story to confirm a character being trans. it also made me (and the crew in general) a lot more comfortable being able to properly refer to uni with her actual pronouns.

making the ask blog really changed me, because finally i could share this little family and comfort story i'd built in my brain with the world and make it real and make content for it and let people consume it.

but what stopped me most of all?

i've said it many times before... but i felt like it was cringey.

i felt like making an AU with 93985893844 fankids in a ridiculous complicated polycule wasn't something a Serious content creator should do, and i was really worried the reception would be negative or people would think it was stupid or something. i did NOT expect it to become as popular as it is. the blog actually has more followers than the MAIN ASK BLOG for the canon comic. it was received SO POSITIVELY and the fact it was just kind of blows me away.

it means so much to me. being able to share the most special thing in my life with people and for people to actually like it and have fun with me and want to see it, and for me to be able to not have to follow strict professionalism about spoilers and chronological storytelling, and being able to change and add in things whenever i felt like it. it's such a freeing experience.

when i was a kid, i used to make stories and OCs and i didn't take them as seriously as i do the sparklecare reboot. this kind of turned into my entire life and career kinda, so i had to take it more seriously. but making this AU honestly just makes me feel like i'm a kid again, it makes me feel like i can have fun and literally do whatever the fuck i want without worrying what people think or if it's realistic or if it makes any sense.

i know though, that some people don't like pollarrydoomi. and i know why. whether it's because of being attached to barruni (of course, they're the canon ship and main characters, i get it) or just having discomfort with the idea of shipping doom with anyone when canonically he hasn't experienced a redemption arc... i get it. i know not everyone likes it.

and that's okay! people are entitled to having their own feelings about content. i understand it. and i've come to accept that's always going to be the case with anything i do with these characters.

but i'm still going to do this for myself. i do this because it makes me happy to just have fun and not worry about being serious all the time. it feels good, especially when it's with characters that are really really important to me.

cometcare is genuinely the most special and important thing i've ever made for myself, it's such a huge piece of my identity and it makes me who i am. and being able to make this story public and share it with people and share these things that have been in my brain for so long with others means so much to me.

that's why i think it was the best thing i've done this year. it's kind of literally changed my life to be able to talk about them. it's made me happier than i've ever been making content. i'm not just making it to entertain myself alone anymore, i'm making it to entertain others like i do with other stuff. and the fact people actually like it still is unbelievable to me.

so, i guess my outlook for next year as it comes is to continue to stop taking everything so seriously. i can tell my stories however i want to. i hope others can realize they can do this too.

please make whatever you want, whenever you what, as much as you want, even if it doesn't make sense or if it's "cringe". you will be so much happier when you realize as a creator you DON'T have to take all of this so seriously. the comic still exists and people read it even if i'm doing this. You Can Do Whatever You Want And Nobody Can Ever Stop You. the only person who can stop you is yourself when you let your inhibitions get in the way of your ability to create things for yourself.

have fun! life is too short to take everything you do seriously

[pastorfutureletthembe]

Here we go again--

TRIP ABROAD TURNS INTO BUTTERFLY EFFECT

First thing worth mentioning is that the prime color in this artwork is pale blue. I feel like it's quite rare, most of INPLICK arts for Link Click have the same palette: burgundy red, shades of gray and black (except for the whole Surprise Beat thing which is splashed with flashy pink). All but this one:

(probably when they were 17 or sth)

For the sake of the argument, let's say it is a significant distinction to make. The reason is simple: the teaser of the airport scene and the trailer prove that shit started three years ago, when CXS and LG made a trip after graduation. If this chronology is correct, then blue probably symbolizes Lu Guang's innocence or happiness. Blue used to paint Lu Guang but now he only sees the world in black, white and red. In the birthday official arts, blue is associated with his character. His flower is freaking Forget-Me-Not; Myosotis.

So yes, that's why I think the color palette here is relevant to the time period we're going to explore in the Yingdu Chapter.

The couch itself is blue when we're so used to the pair sitting on a brick sofa. The cakes and the flowers are the usual shade of red, though.

On the table: red roses in a vase. Petals are all over the place. Ominous.

On the trolley: 1 bottle of wine, 2 CXS's feet, 3 glasses, 4 cakes, 5 individual desserts. The glass half full is Liu Xiao's, since it isn't on the trolley in the original artwork he is absent from. I said it in another post but the plate counts 4 portions, as in 4 antagonists, while the pudding might be Lu Guang's. The cakes are probably metaphors for timelines/curves, clocks dressed as desserts with a red fruit representing a dead Cheng Xiaoshi. V and VI are the only missing parts, just like Qiao Ling's one. CXS put his feet on the trail and I think it's both funny and tragic. I believe the correct saying is "put his foot in his mouth" but in french we say "mettre les pieds dans le plat", which literally translates "to put his feet in the plate" (to say something brutal with no tact or to do something stupid without thinking it through). He has both feet nearing timeline cakes and his head is five inches away from doomed flowers.

On the floor: 1 vintage phone. 1 camera. 2 envelopes, 3 pages of letters. 4 polaroids. Probably: 2 magazines and 3 pages of newspapers. The vintage phone could be relevant to THE TIDES, era-wise. The camera is taking polaroids and two of them are still dark, meaning they just took a shot and are yet to be revealed. The rest must be related to this chapter's plot. So much for holidays, guys (are they investigating CXS' missing parents?)

If you look closely, you'll see four different mentions of time:

Lu Guang's watch (hold this thought)

The polaroid: Big Ben

What looks like newspapers

The hourglass

We also have four mentions of information/communication

Letters

The polaroid: a public telephone box

Newspapers/magazines

Vintage phone (I was wondering why the phone had twelve numbers but after some research, I realized that some of them had # and *)

On another note, I don't know if their hands--

I mean, there's something definitely happening here but let's say for the sake of my sanity that what is supposed to be noticed are the sunglasses. If I'm being honest, this is the real oddity here and the teaser weirdly showed them off?? They're standing out because everything else is so blue for one thing.

They're pink-ish, which is close enough to magenta, so one of Lu Guang's colors (cf. Dive Back In Time). The color itself is weird for sunglasses. Lu Guang doesn't care about fashion, he wants practical. As a girl who loves pink sunglasses, I'll tell you: pink is shit at doing sunglasses' job. CXS told him to wear a cat hat, okay, but did he choose every other accessory?? My guess is that the pink served a purpose in connection with light.

And why is Lu Guang's watch on the other wrist in the artwork? I checked and LG wears it on his right wrist in the donghua and manhua. It can be the opposite for some artworks though... Or blocked from view for some reasons. It's almost as if we're not supposed to know which side is the actual reflection. 👀

Something else is reversed here, actually: the colors AND the pocket of Lu Guang's shirt. It could be a mistake, though.

>>>>> Basically, I think the artwork is telling us that the Yingdu Chapter is going to hurt and make us cry. If we're indeed about to see Lu Guang lose his humanity to try and save Cheng Xiaoshi for the first time therefore destroying worlds, I have no doubt it would be after Infinite Sadness™.

The real question this teaser isn't answering is either we'll go through the original timeline or a rewind. The last episode of season 2 makes me frown. How to be sure that the Lu Guang who dives exists before and not after the events we see unfold for two seasons? Is Yingdu Chapter a flash black or an actual dive itself? Lu Guang seems to be determinate and in a bad mood in the PV after all, could directly happen after one of CXS's deaths.

EDIT: someone mentioned that LG wears his watch on the left wrist when we get images of CXS getting stabbed. (It hurts right here in my meow meow)

[yumeka-sxf]

A chronological analysis on Twilight and Yor - Part 24

*This is part of an ongoing post series. If you missed the Introduction/Part 1, click here*

----------

When Twilight finds out that there's a bomb on the ship, he's at first torn about whether to intervene or not. This is an interesting situation for him because it's not a mission he was assigned to do, and intervening could run the risk of revealing himself to the SSS. But at the same time, not intervening and relying on the SSS being capable enough to take care of it, is risky, too.

If Twilight was the selfish, unfeeling spy he makes himself out to be, he would figure out a way to escape the ship with just himself, Yor, and Anya (of course he'd insist he's only taking them with him "for the mission"). He'd probably use one of the lifeboats like the eavesdropping assassin used, perhaps even contact WISE beforehand so they could pick him up. But we know that he's way too conscientious to let such a catastrophic event take place when he could have used his skills to prevent it. So, like his wife elsewhere on the ship, he makes the unselfish decision to help others even if it's a risk to himself. 

Later, Twilight has some final bouts of second-guessing regarding his decision when he picks up Anya at the daycare that night.

Rather than be proud of himself or even relieved that he was able to stop a potential crisis, he instead feels regret that he had to once again abandon his family…but his family is also part of his mission…so by averting the crisis, he saved them? But taking a vacation was also his mission, so does that mean his mission is to…not have a mission? Even I had trouble making sense of his thoughts here, but it's clear that the poor man still has a long way to go before he's not so unnaturally hung up about "missions." Rebecca Silverman on ANN neatly wraps up Twilight's cruise arc character development in an article here, to quote:

"…He wants to make sure the ship doesn't go down, but he also doesn't want to just abandon his child so he can go save it, and that's a distinction that hasn't been as clear in his mind before now. His little meltdown at the end is him fighting against the realization that this family isn't just a “mission” to him anymore; he's now a dad. This is beautifully shown when he catches Anya when she rolls off her bunk; not only is he attuned to her movements, but he cradles her for a moment instead of putting her down immediately. The smile on his face says that he cares, even if he's not comfortable with the idea."

Speaking of the aforementioned scene of Twilight catching Anya when she fell off the bunk bed, the anime adds this new footage of the early morning before the ship arrives at the resort island. Considering Twilight's doubts the night before, we see one of his rare, not-forced smiles, as he interacts with Anya.

Meanwhile, Yor is alone in her room treating her injuries. We know that she didn't sleep at all the night before since she was keeping watch over Olka's group the whole time. She then spent most of the following night in life or death struggles against various assassins, so she looks rightfully exhausted (and I'm sure the pain from her wounds disturbed what little time she was able to sleep).

While they wait for Yor at the island, Anya continues to show how much she has Twilight wrapped around her little finger – all she has to do is suggest that he's not acting like a "normal" dad would, and he immediately bursts into an awkward skip to try and prove to whoever's looking that, yes, he is just a dad having fun on vacation!

However, as soon as he realizes that Yor is there, his face reddens in embarrassment. He doesn't care if nearby strangers think he's acting like a silly, fun-loving dad, but it seems like he doesn't want Yor's view of him as a dignified, composed husband to be tarnished.

His look of concern when he notices that Yor's face is swollen is emphasized more in the anime…what could have been his first thought upon seeing that? However, when she tells him that despite City Hall's failed attempt to win over the couple, they were smiling in the end, he softens. Since the latter part of Yor's words here were not a lie, she was able to express them with genuine satisfaction, and Twilight picked up on her sincere feelings about the matter.

In fact, throughout their entire time on the island, Twilight gazes at Yor with more noticeable softness than he ever has before. From the aforementioned moment when she tells him that the couple were happy, to when she tells him how peaceful she feels watching Anya play with the sheep, and then at the very end of their excursion when he praises her for her hard work while carrying her and Anya back to the ship…Anya may have been right to call him out about missing Yor during the cruise. As I mentioned before, this is likely the longest time he's gone without seeing her since their "marriage," so this may be his subtle way of showing that he missed her.

At this point in the series, it's not hard to tell when Twilight's smile is his fake "Loid Forger" smile versus his real smile – Endo does a good job making the former look "forced," usually accompanied by his eyes being closed in a stiff squint to emphasize the phoniness, while in the latter case, his eyes are much more relaxed and his expression is more animated overall. Nightfall noticed this as well during her visit to the Forger house – how Twilight's real feelings seeped through the phony smile, particularly when his eyes relaxed.

Takuya Eguchi, Twilight's voice actor, also does a good job changing the pitch of his voice slightly when he's speaking as Loid Forger versus speaking his true feelings. If you compare how Twilight converses with Yor in this episode compared to, say, how he converses with Desmond during their encounter at Eden, the difference is very noticeable…even though, according to Twilight, both situations are "for the mission." In his mind, he shouldn't feel anything special for Yor compared to Desmond or anyone else he has to put on an act in front of. And yet, his voice and eyes convey otherwise.

It's been a while since the Forgers went on a family outing, so it was wonderful seeing them enjoy such a variety of activities together. What stood out to me the most as far as analyzing was Yor's difficulty riding the horse.

This may be more of a headcanon, but I feel like animals are uncomfortable around her because they can sense her insane physical strength even when she's not actively showing it. This could be why Kopi didn't put up any fight when she grabbed him, why all she had to do was glare at the German shepherd for him to run away, and why this horse doesn't want her riding him. It could also be why she's Bond's least favorite according to Endo in the fanbook. Also, Yor's fear of bugs makes sense since they're so tiny and quick, which makes them very difficult to take down from an assassinating perspective.

While Anya plays with the sheep at the petting zoo, Yor is finally able to fully relax for the first time in days, since she got the cruise assignment. She doesn't have to do anything in that moment besides watch Anya enjoying herself to the fullest in this lovely, peaceful little town. She tells Loid how peaceful she feels while also thinking to herself that she hopes this peace could last forever. Out of all the activities they did together, the reason this particular scene is so emphasized is because it perfectly portrays the reason Yor decided to keep being Thorn Princess back on the ship – so that children, whether her little brother Yuri, Anya, Gram, or whoever, can live freely and innocently in a peaceful world. And, when she expresses to Loid how peaceful she feels here, he says that he feels the same way.

As I just discussed, Twilight was not in "Loid Forger acting mode" here, so the reason he honestly agrees with her is because he's fighting for the same thing. Like I mentioned in Part 21, Twilight and Yor continue to do their ugly, thankless jobs in order to secure the peace of future generations.

When it's time for them to head back to the ship, Yor's exhaustion finally gets the best of her, forcing Twilight to carry both her and Anya in his arms on the way back. While he's a bit perturbed at first since some onlookers were snickering at him, it didn't take long for him to give into his feelings in that moment – namely, his genuine appreciation of Yor's sacrifice so that Anya could have a wonderful day with both parents. Though it's not a long scene, I think this is one of the most significant scenes for their relationship thus far (along with the post-Fiona date). Why is it so significant? Because there was no reason for Twilight to put on any Loid Forger acting in that moment, since he wasn't conversing with nor being scrutinized by anyone.

So why would he give that soft smile followed by such affectionate, comforting words as "お疲れ様/otsukaresama"? (this can be translated in many ways, but generally it's what you say to thank someone for their hard work). The answer is because it's something he truly felt...he knows all about being overworked and tired, yet Yor still made the effort to spend the day with them to make Anya happy. And, as her father (or "for the mission" in his language), he was grateful for that (now if only he knew the sacrifice she made on the larger scale!)

Many scenes in the cruise arc, as well as the resort island episode in particular, showcase that Twilight has a distinct relationship with both Yor and Anya, despite the fact that, in his mind, both relationships should be "fake." He's extremely casual with Anya, not just in his speech (more apparent in the Japanese version) and he doesn't feel any qualms about scolding her when necessary, being strict with her studies, or criticizing her weird little comments and actions that confuse him. The way he acts with Anya is more similar to how he acts with Franky than anyone else. But he's practically the opposite with Yor – despite her actions also confusing him at times, he never scolds, criticizes, or expresses disapproval of what she does. He also always speaks to her politely and, unlike most other people with whom he puts on his Loid Forger act, she's more often on the receiving end of his genuine smiles instead of his fake ones. It could be that because Anya is a child, he feels like he doesn't have to worry so much about acting in ways that would make her suspicious. Also because she's a child, she's less likely to take offense if he lets some of his negative emotions slip out. On the other hand, he knows from both the "post-Yuri's first visit" and "post-Fiona's first visit" instances that Yor has very sensitive self-esteem, so that could be why he's thoughtful about how he interacts with her, always speaking with courtesy and encouragement. He also knows the struggles she's had to go through in the past and how much she genuinely cares about Anya, which is another reason why she brings out his "softness" more often than anyone else.

In a way, Twilight's relationship with both Yor and Anya bring out a side of him that he may not realize he wants to strive for – with Anya, he can be relaxed and can drop the "nice guy" act in favor of being an exasperated but still caring father. And with Yor, he can become the polite, compassionate husband naturally, because he knows that many of her struggles and values are the same as his…he's realizing more and more about how much she sacrifices for others, and that can't help but resonate in him whenever he interacts with her. Perhaps one day he can become these personas and drop the "Loid Forger" and "Twilight" acts for good.

Continue to Part 25 ->

<- Return to Part 23

[your-local-grinning-cat]

The Ultimate Compilation Callout

Hey Guys! AR OOC once again to say I am 100% done.

I'm done with this. I thought it was finally dying down and the drama was finally getting to be over with but then she came back and is now trying to say that we are the ones in the wrong. And she is STILL trying to blame Leona's mod when, as both @/castaway-achlys and I have stated numerous times at this point, they were asleep during the entire event. They did not ask for us to defend them. We were both just tired of hearing our friend be exhausted and stressed out by her.

And the fact that so many people have come out to give their own experiences of her being rude and cruel to them just proves this is not a singular event.

I'm putting all this under a cut because it's gonna get long guys. In fact, I’m probably going to end up needing to create a couple reblog chains to get it all out.

But I'm done playing nice. I have all the receipts. Like I went allllll the way back to when the discord was first created. I caught her in her first lie.

Which, coincidentally, her very first lie in the Discord server happened on the very first day it was formed. What a way to start.

I call her the Malleus mod as an identifier in these screenshots, because unlike her, I am not petty enough to reveal peoples’ personal information on the internet just because I don’t like them.

HOWEVER. I will remind everyone that she is not JUST the owner of the Malleus account. Even if you don’t want to look under the read more because there are a LOT of receipts, know that these are all her known blogs.

I do not condone harassment. Harassment is basically what started all this. Just block and go.

Malleus Draconia @/therealmalleusdraconia

Falena Kingscholar @/the-falena-kingscholar

Aijuka (A Leona gf OC) @/the-one-aijuka

Jack Howl @/frosh-jack-howl

Fellow Honest @/fellow-honest

Meleanor Draconia @/meleanor-draconia

Baul Zigvolt @/baul-zigvolt

Sebek’s Mother @/thethickestone

Marja Felmier @/marja-felmier

And her latest: Eric Venue @/ericvenue

(Bonus non-rp blog @/thetwistedminds)

Before we get too far into it I will say there is a slight color code! But only a tiny one!

Gross light green color - look at that lie! 👀

Gross darker green color - a lie is revealed! 🤭

Orange - note the date/time! 🗓️⏰

Let me show you what I mean in the lie I’ve already mentioned - her very first one. :)

There we have the orange, telling you to note the date. That’s because I was wanting to make sure it was known that the pet posts were made on the same date that the discord was created.

And then we have the gross light green around Malleus mod claiming that this bunny is her bunny and that it was her bunny’s birthday recently.

Now here is the follow up with the gross darker green of a lie revealed. 😌

And there we have it! The color coding system and her very first lie told the very first day the Discord channel was active and easily disproven with an image search.

Now let’s get into the FUN STUFF! /sarc

We’re going to be doing some rehashing here but I’m also going to probably be including some new things so stay with me folks! This’ll be a ride! Buckle up!

So, originally I was thinking I'd start with the current drama. But considering that a lot of that has already been covered and what hasn't been covered needs more context, I'm just going to keep going in chronological order, I guess.

I've been up for over 24 hours compiling receipts, editing them to protect IDs, and then getting them all sorted so let's finally do this so I can pass out!

First up is something that actually has been covered a bit but I'm going to expand on it slightly - her blatant lie to @/elysia-nsimp (I'm not tagging anyone because I'm not forcing anyone to get notifications on this lmao).

Here's what everyone has already seen. But to expand on the event, we didn't call her out on her bad behavior, even though we probably should have as she had just lied straight to another mod's face about her blog ownership. I simply DM'd the mod in question privately to make sure they were okay and then tried to keep the peace in the main chat.

Because, believe it or not with this major callout post, I don't generally like confrontation. But I stepped in there for Elysia and I stepped up during this for Leona's mod.

Now, later that night, she posts this as if nothing had happened and she hadn't just been told that she needed to work on her roleplaying skills:

Uh huh. Sure. That's your last account. Because you have shown so much self-control when it comes to filling character voids within the twst rp community already. I'll be generous and give you a month before you break.

Now these next ones need a tiny bit of background information and a note: the Malleus mod is German and, as far as we know, lives in Germany. These next pictures are little indicators that she has not experienced the United States at all. These indicators may not seem important now, but they will be in just a little time. So keep them in mind for after the pause.

You cannot tell me anyone who has spent any length of time in the United States has not at least heard of Walmart.

Quick pitstop to say wow! You didn't even make it a month! Congratulations!

Also, note the question from the admin and the pretty obvious passive aggressiveness from me. We were sending plenty of hints that they needed to stop - sometimes coming outright and saying it, sometimes simply implying. Either way, we were all ignored.

She says she's not a mind reader. Well, apparently she's just not a reader period.

Now... a bit of an oddball here. And I want to say I do not necessarily think this is a lie. I am including it for a lie that is coming. The one that I included all those America comments for.

I'm sure you will note that I said that I don't "necessarily think" it's a lie - indicating that I do think it could be a possibility. That would be correct.

She has been lying since day one and, after this doozy of a story I'm about to share with you, I honestly don't know what to believe when it comes to her.

So.. to sum this up...

We went from a cringe ask from an OC account that she didn't want to answer -> the asker wasn't supposed to be on tumblr because they were underage (???) and was trying to date her irl and somehow had all of her information (oh but don't worry guys she deleted the ask!) -> he found her social media accounts and sent her NSFW pictures and started spam liking, demanding pictures of her kids, sent pictures of her at-the-time boyfriend, sent pictures of his family and his kids -> so she blocked him on everything and then started spam creating the rp accounts to see if he did it with other people or if it was just her (...mmmhmmm...) but nope he was only interested in Malleus -> she then apparently moved to America for a bit to crash with her boyfriend because this underage person went to Germany to find he.

Oh, by the way, why was this guy obsessed with her? Oh, he was obsessed with German women. He decided that all German women were pretty. And she's German-Russian! And Russians have intense standards for women you know! After this guy found out she was German AND Russian, I mean... it was only a matter of time before he upped his game to try to find her!

Guys, she's not saying she's too beautiful for her own good - the underage stalker speaks for itself!

Now, since this stalker found her through her Malleus account and was obviously very determined, you would think the first course of action would be to, ya know, delete the Malleus blog. Right?

No, no, no! Then she would have to start all over and, of course, if she switched accounts she would be forced to make a post on her current blog saying what her new blog is and he would just find her there. That's why she's trying to make her other accounts more active than her Malleus account (her Malleus account was still, by far, before all this happened, the most popular of all her rp blogs)!

Can I also mention that in that post announcing her pregnancy ON HER MALLEUS ACCOUNT WHERE SHE SUPPOSEDLY HAS A STALKER, she had tagged ALL OF HER BLOGS AT THE TIME?

But yes, Malleus mod. I definitely believe your story. :)

Please. Please tell me you all can understand why I just cannot find it in me to trust a single word coming out of this woman's mouth.

Especially now that during this whole drama, she has been lying through her teeth and trying to pin the entire blame on Leona's mod.

Now this part is nearly over (thank whatever gods anyone believes in) but let's just post the last few of the "before drama happened" pictures, shall we?

...I'm realizing I didn't underline the part where I called her out for having that many blogs in the gross dark green of a lie caught... oops. This is what happens when you have far too little sleep.

But either way, here is another time when she was called out on a lie of hers. And her little comment at the end means she read it and she acknowledged us.

She just didn't care because it didn't suit her.

~~~~~~

ALRIGHT!

THAT'S THE END OF PART ONE!

Yeah. This is going to come out in PARTS. I can't cover it all in one post because there is a picture limit.

So, I'm going to end up making a reblog chain...

Eventually.

Real talk? I need to sleep. Desperately. It's nearly two in the afternoon where I am and I have not slept yet.

Do not underestimate the power of spite and my loyalty to my friends. Both are very strong motivators.

But my body's needs are finally winning.

When I wake up, I'll have the Ultimate Drama Arc to post and expand upon and then the Return of the Drama Arc.

Yay. (said in the most unenthused voice ever lmao)

Anyway. Enjoy all this. I'm gonna go die. /j