gnawing on my arm because i think there's something to be said about how stede not only dreams about himself with a beard, but ed with his full beard back too. like, the dream seems to be riddled with imagery that he thinks ed would want.
and i say this especially because of how stede reacted when ed had to shave his beard. he freaked out on his behalf. he shrieked in horror whereas ed was entirely unbothered. he feared he had ruined him, had dragged him down to some despicable level, when in actuality, ed was completely content to shed that part of his persona.
and then there he is dreaming about ed with that part right on back.
so there's very clearly still a part of his mind that's convinced that's what ed wants. because why wouldn't he? everyone else seems to. and why would he want the softness and femininity stede had been bullied for his entire life?
which in turn plays into his own imagery too. bearded, masculine, fiercesome, rugged...
because how could someone love what everyone has hated him for? how could someone want what everyone has tried to quite literally beat out of him?
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Danny totally kills the Joker
I have a very specific Eldritch!Danny in my head that, even though I've tried drawing before, I can't really get out of my head if you get what I mean
And as a dead on main shipper and a lover of angst I have him do shit that causes problems
Like kill the Joker in a blind rage after an Arkham break out
So it's like this, after a breakout that obviously requires all hands on deck, everyone is eventually re-cuffed and put back in their cells (including the Joker).
Red Hood and Phantom are doing some clean up in the Narrows and it's hard on them. Seeing some kids whose parents died cuz of the clown nearly broke Hood.
Phantom, now well known as Hood's right hand, picks up some of the burden. Helping more then he normally does with some displaced kids and families cuz he can feel Hood breaking down.
It hurts..
After the night/day/whatever is over, they head back home to their appartment and Jason just breaks. Danny's been helping with the pit rage so without all the extra anger crowding him it just sort of crumbles into pain and hurt.
Danny can't stand it
He can't stand to see Jason like this
Jason was his rock, his shoulder to cry on, his partner in crime. He had always been there for Danny when he had panic attacks and couldn't breathe cuz he saw some guy walking down the street in a white suit. Was always telling him it was going to be okay. Had told him things were gonna be alright. And now the roles had switched. Danny comforted Jason for who knows how long. Held him tight till he calmed down and was able to fall asleep. Once Danny was sure Jason would be okay he slipped out of the appartment...
Phantom would not stand for this.
Phantom flew over to Arkham with the intent to "have a little chat" with the Joker. Just ruf him up a bit. Scare him shitless so he'd rethink ever braking out again.
He didn't mean to bash the guys skull in.
He didn't even realize he'd been beating a flattened pound of meat and skull till Batman showed up and pulled him from his mind.
He looked over to where he'd heard his name and saw Batman and Nightwing standing by the door of the cell. Both were wrapped in bandages, some obviously stained in blood from the damage they endured during the breakout.
Dick covered his mouth and stared in horror at the sight of Danny, who he'd been lovingly calling his future brother-in-law for the past 2 months, covered in the Jokers blood. He looked like a staticky, distorted shadow. Three(3) sets of arm all ending with white clawed hands; one pair around the Jokers barely intact neck, another clutching the inmate uniforms chest, the last frozen mid punch. Bruce, having just the slightest ecto-connection from the pit, fought off the screaming in his chest to run and leave the King be.
Bruce slowly approached Phantom. Phantom on the other hand, slowly realized what he'd just done and was starting to panic.
He'd just killed a man
Sure he fucking deserved it but he just....let himself go. Let himself indulge in his rage, be consumed by it. And now the Batman was here to stop him. Would he send him back to the Realms? Would he lock him up, away from anyone he could hurt? Away from Jason?
Phantom flinches when Bruce touches his shoulder. And continues to try and back away when Bruce calls for someone to get a hold of Jason on the coms. What's he doing? Isn't he going to be thrown into a cell? He's dangerous! He could do this again if he wasn't dealt with! Why is Bruce calling for Jason? Does he want to show him the monster he let into his life? Does he want Jason to be the one to do it?
Bruce is talking.
Not Batman, but Bruce, is saying something to him, his name.
Not Phantom
"Danny? Danny!?"
Phantom disappears and isn't seen for two(2) days
Nightwing is the one to find him. In some warehouse, slamming his head into a support beam, yelling at himself that he can't become Dan.
I don't know how to continue this. It was supposed to have a nice hurt/comfort ending but I'm not a fic writer and I don't know how to do that. So feel free to use this as a prompt or something 👻👉🏾👈🏾
Edit: figured I'd add one of the Danny doodles I did a while back cuz it fits. I already posted it a while ago but it feels appropriate here too.
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My last post made me want to spin the ballet au to suit the general cast, keeping Es as the protagonist 🩰
I don't have art for this one but I still got a bit carried away with the details LOL This definitely leans more into a sweet fix-it :3
The story would open with Es waking up in the medical room of Milgram Dance Academy, a very small and isolated school. Es is told they suffered a bad head injury during a performance, resulting in amnesia. Their instructor (Jackalope. Make this work however you wish.) tells them not to worry about it, and to focus on their dancing for now. Es feels a pressing responsibility to stay and rehearse, so they agree.
Jackalope tells them they must understudy several roles while recovering, not ready to jump into things right away. They're grateful, since they're struggling with their identity and expression without their memories.
The first student they are directed to is a shy and lanky dancer by the name of Haruka. They study under him as the role of a graceful, melancholic swan. They watch the choreography in general, and it looks nice enough. Es proceeds to spend several rehearsals with him, talking and bonding and learning he has a bit more going on than meets the eye. They try to offer help as he admits to familial issues, self esteem questions, and comments about sibling jealousy. In turn, he teaches Es to mimic some of his powerful emotions. At the end of their time together, they both perform for their class in full costume and staging. Now, Es understands each move with a deeper understanding than their initial look at the steps.
Next, they’re sent to meet the bubbly girl playing Juliet and begin the process anew. This continues to make a total of ten roles. Some of the dancers take the sessions kindly, while others are brash, secretive, or just confusing.
After rehearsing with Kotoko and learning to understand her determination and confidence, Es is sent back to Haruka, who has moved onto a new show and new role. They’re shocked to discover that their words to each dancer – always well-intentioned – had caused some issues backstage. Now, there are rivalries and changes in stage presence. While experiencing stress (that Es has inadvertently caused,) some were distracted in rehearsal and got injured. Es must take on the interpersonal issues as well as the choreography challenges.
I don’t have all the roles down and was trying to stick to well-known shows anyway, but I think I’d want Muu to be the Sugar Plum Fairy, Kazui to be Albrecht from Giselle, and Amane to be Clara. I wanted to keep them traditionally gendered to prove there are plenty of roles for men, but I can’t help but have Odette/Odile thoughts for T1 Mikoto ;-;
Like the other post, I'm equally tempted to have the dancers performing ballet adaptations of the mvs 👀 I want to see. Bee tutu. Doctor coat costume. Marching band tutu. AKAA mismatched look. The backgrounds. The music. The choreo. So many cool possibilities...
As a sweet au, it all ends with everyone better for having met one another. Es is cast in a solo performance, combining everything they've learned both emotionally and technically from the others. They feel satisfied with their sense of identity, and shine onstage ✨️✨️✨️
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i think we as a society don’t talk enough about leo’s trauma because my man gets his arm and his leg crushed trying to save his family and then proceeds to get teased by his family for not being bionic enough when the whole reason he’s bionic is because he was trying to save them and he got hurt and especially his leg is treated like a joke the whole time, and then he finally finds a new way to combine his and his friends powers and it blinds his friend which hurt him so much that he quit?? he spends all four seasons begging to be bionic but this affected him so much he quits, only coming back because his family is in danger (again)
anyways i love him
THIS IS THE EXACT REASON WHY HIS AND DOUGLAS' FRIENDSHIP WAS SO NEEDED!!! IF THEY TOOK A BIT OF TIME TO LOOK INTO DOUGLAS PAST AND HOW HEAVILY THAT AFFECTED HIS CHARACTER, IT WOULD BE SO EASY TO TELL THAT HE AND LEO WOULD MIRROR EACH OTHER!! DOUGLAS, STREET TURNING OVER A NEW LEAF, WOULD BE AND TO BE THE PERSON FOR LEO THAT HE DESPERATELY NEEDED!!! THIS WOULD ALLOW LEO TO PROPERLY DEVELOP INTO THE BIONIC HERO THAT HE'S ALWAYS WANTED TO BE AND WOULD ALLOW DOUGLAS TO BE MORE THAN JUST COMEDY RELIEF, COMEDY RELIEF (EVIL), AND A SECOND DONALD!!!
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and yknow when i say that koryak should've lived and him and garth should've become besties i don't mean that they would have a perfectly healthy cute brother relationship. i mean they should've trauma bonded aldhg
garth and koryak are two very different people, who lived very different lives, and have very different opinions of arthur. if the two of them were forced to bond in any capacity, it would be messy and petty! koryak would continue to be upset that arthur wasn't there for him in his youth and jealous that he raised a kid who wasn't even his. and if koryak stuck around, we'd see more negative emotions from garth ie him being upset/jealous/worried that arthur now has another biological son. it wouldn't be rational from either side, and garth would definitely try his best to be nice, but both of them have reasons to not like or trust the other.
that being said, at the core of it, their emotions stem from the same issue. they both just want to be arthur's son. and while i do think it would take a lot of time, eventually they'd be forced to see the other's perspective and realize that the other is just as jealous as they are. koryak may have missed out on having a bio father in his life but... so did garth. garth worries that arthur doesn't see him as a true son but... so does koryak. yes, they've had very different upbringings, but they also have the same fears and worries regarding arthur. and personally, i think it would've been more interesting to see them reconcile and bond over that.
maybe koryak would be brave enough to ask garth what his childhood was like under arthur's care. maybe garth takes the time to ask about kako or his culture. maybe he even tells koryak the truth about what happened with jr. maybe koryak starts to get upset on garth's behalf that arthur raised him but didn't even see him as a son, and had the audacity to say it to his face while trying to kill him. maybe garth gets upset on koryak's behalf because arthur keeps pushing him aside and treating him like an untrustworthy stranger.
and yknow maybe they never become friends or talk to each other... but they still understand each other, they still yearn for what the other had, and they're increasingly more disappointed in how arthur treats his family. i think that would've been nice and more narratively satisfying than koryak dying.
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