#But then we wouldn't have a plot

[mirellapryce]

What if Charles had just offered to bribe the cats/Cat King? Just,

"If I go steal all the catnip and treats from Walmart for you? Then can we go? I literally can fit an infinite number of things in my backpack, and the Walmart employees are not paid enough to care if the shelves are completely empty the next morning."

[egophiliac]

Silver is finally here...he just took the title for the most beautiful card in TWST's history...

me five years ago: wow I really hope we get to see dragon Malleus someday! that'll be so nice and wonderful. I bet he's a big silly! :)

twst: :)

GOD. it occurred to me literally three hours before the anniversary stream that they might've been saving the reveal for then to just explode us all at once. this timing was EXTREMELY deliberate. thank you Twst. I can't even focus on all the Blazing Jewel stuff because Silver wielding the physical manifestation of his Complicated Dad Issues is busy eating my entire brain. and -- oh what's that? he duos with Lilia? I'M RUINED THANK YOU ᕕ( ᐕ )ᕗ

this is your warning that I'm going to be the most annoying person on the planet come Monday morning, thank you everybody and goodniiiiiiight

[shepscapades]

Xisuma is taunting us with evil X crumbs in his latest videos that man needs to go in a blender

sadly I do not have an Xisuma sized blender so I am re-reading destruction again since that’s fairly close

love your work <3

LMAOOOO I KNOW, i actually saw him grabbing EX's head on his stream a couple of days ago; bro cheekily put Evil Xisuma as his thumbnail image and when i tell you i stopped what i was doing to see why in the world ex was in the happenings i was so mad (/silly) that he was just grabbing his head for silly X Isle decorations

i DO think it's extremely funny to think Evil X (or android 24 even) is just. stationed there. he's just working there. encouraging all two (2) exiles to do evil deeds. it's so outrageously stupid /aff

ALSO READING DESTRUCTION IS REALLY FUNNY. ME TOO BROTHER <3

[10000year-old-child]

Do you ever think about how Shen Yuan was completely valid for his reaction to PIDW?

If you've ever wondered how Shen Yuan and Shang Qinghua might've experienced PIDW (whether writing, reading, living it.. etc) just watch Supernatural.

I was watching some Supernatural episodes and I just realized this is our real life PIDW, we have like 15 seasons?? (Literally nobody else I know have even watched or finished the series except for me. My family & friends thinks I'm delusional for watching this very long trainwreck)

Plot? Is so long and rich that I genuinely discover new things every time I decide to rewatch ANY of the seasons... Everytime I discover I forgot some pretty major events. but sometimes it's also lowkey bad writing and we have BIG plot holes that nobody addresses even after the show ends.

World building? Magnificent. If not for the new cool creatures (new wives) added left and right never to be mentioned again.

The main wives_ ahem, creatures..(Castiel, ALL the angels, Lucifer, Gabriel, "the prophet"... you see what I mean..?) were really cool and powerful at first until they got lost somewhere in the plot.

As for Characters? Don't get me wrong I love my boys, but you have to admit Sam and Dean were ridiculously overpowered. They killed every single being under the sun (HOW did the universe in Supernatural not collapse??? You cannot convince me all that messing around did NOT cause some catastrophic power imbalance in creation Itself!!) including themselves like an unreasonable amount of times and just came back to life completely fine after and kept walking.

Honestly OG Luo Binghe could only dream of reaching that level of plot armor. No wonder my guy Shen Yuan was pissed.

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[carlyraejepsans]

ghost trick was amazing but how the fuck do you make a game where unburying people is one of its core mechanics and then don't unbury the dead wives. are you kidding me with this crap.

[demonslayedher]

It's... it's ok, I didn't have my hopes up for fluffly filler content for every single Hashira or anything, or seeing any of Mitsuri's family or pets or flashbacks or additional antics or anything, I'm fine, I love the manga canon content done straight justice and brought to life, I'm not dealing with a sense of loss, I'm fine, everything is fine

[sherrymagic]

Ciize Rutricha in แค่เธอไม่รัก (LOVE LEFT ME BEHIND) Plan Rathavit feat. NICECNX, MIGBIZZY

[crowley-exploder]

everyday i mourn the potential interaction we could've had between Crowley and Balthazar... BALTHAZAR MENTIONS HIM TOO LIKE ... SO CLOSE...

[green-green-grass]

girl it's because you're a demigod or a reality-breaking entity or something and your storyline isn't over girl

[quadrantadvisor]

This post reminded me of the time I got entranced by the idea of in-universe rpf and wrote an "excerpt" of a hypothetical accidental selfcest fanfic.

The Lore tm is that in a universe where Bernard never met Tim, he became a prolific Capes RPF writer as well as conspiracy theorist, and that the popularity of the Bruce Wayne/Batman ship gave him the fun idea of pairing up the Wayne kids with Batclan counterparts, which lined up surprisingly well! Tim, who frequents the Gotham Capes RPF tag for normal reasons (as a kid he wrote a surpisingly popular series of gen fics where his self insert oc got adopted by Batman, he was like 11 don't judge him) sees this fic and finds certain details, such as, y'know, shipping his family members with themselves, highly suspicious. He must investigate this person and find out how much they know.

-

[...]

“What are you doing here, Nightwing?” Officer Grayson sighed. He looked tired, the hero noted. He understood that. A city like this could make a man tired in his soul. “The case is over. There's no reason to see eachother anymore.”

It didn't take long for Nightwing to find a reason. “There's no Batman in Bludhaven,” he said. “I need to take allies where I can get them, and you… I think you're in the same boat.” He remembered the photos of young, pretty Richie Grayson, smiling in the tabloids,  and thought about how the force could beat down someone like that. “I know you want to make Bludhaven a better place. We can keep helping eachother, working together. We need eachother.” That was all true. But none of it was why Nightwing had come to the officer's apartment balcony.

Grayson rubbed a hand over his face. “I don't think you understand how much trouble I could be in. If the other officers found out I was slipping information to a vigilante…” He frowned, the dark circles beneath his eyes even more pronounced with the expression. “They don't trust you.”

“Do you?” Nightwing couldn't help but ask.

Grayson clenched his jaw, and his gaze on Nightwing became piercing. Looking at him, the vigilante knew—he had been beaten down, but not broken. His free spirit compressed into something stronger, harder. There was fire in his eyes. “I don't know,” the officer said, “should I?”

In some ways, the display of dominance was adorable, and Nightwing couldn't help flashing his signature sharp grin. “You can,” he promised. “It's up to you. But I could show you.” He hopped onto the balcony's railing with his inhuman grace, and held out his hand. “If you put your trust in me, I'll make it worth your while.”

The man looked dubious, gaze flicking from Nightwing's shielded eyes to his outstretched hand. “How?”

“You used to be an acrobat, didn't you, officer?” the hero asked.

Grayson looked away. “That was a long time ago.’”

“Well,” said Nightwing, still grinning that wicked grin, teeth flashing in the dim light, “how would you like to really fly?”

The officer's eyes went wide, and for a moment, Nightwing worried he would close the door, shut him out, and it would all be over. Then a determined look swept over him, and he stepped forward, reaching out.

Grayson's hand slipped into his, and Nightwing took the leap.

[...]

End notes:

😭 why did you have to become a cop richie how am i meant to acab like this????

like yes cops are Bastard but like. Richie Grayson was an outlier and should not have been counted. he's perfect your honor. he's never done anything wrong in his whole life. no one tell me otherwise pls

also nightwing is some kind of fae creature but don't worry about that

[imjustavenuxwithaboomerang]

the funniest thing about the "call us jaladdin" line is that i have not stopped referring to the two of them as jaladdin since watching rise of red for the first time

[erinwantstowrite]

will the fic have TimKon, TimBern, or TimBernKon?

I honestly don't know for sure yet. I have TimKon planned rn but TimBernKon is also really adorable

[normal-thoughts-official]

I made a post earlier arguing that Higurashi is a horror story about child neglect and the premature loss of childhood, and I'd like to talk a bit about how I think this adds to the horror in Gou and Sotsu

Personally, I felt like Kai felt a lot more like a tragedy/mystery/action combo than psychological horror; I was never really scared, just sad. But Gou? Gou was horrifying to me, and definitely a lot more so to Rika too, and I think a good part of that reason is that in Gou she wasn't just being abandoned, but effectively targeted by the adults that were supposed to protect her

In Gou, while the horror is certainly also in the killings - I felt it was a lot more explicit and gorey than Kai -, it is mostly in the process of retraumatization. In Kai, Rika was more or less used to being killed, and numbed to it. But in Gou, Rika is faced with the horrifying reality that, even after being able to escape, she could be pulled back into the endless loop of trauma; so there was no way to escape that would be meaningful. This is all explicit text, so I won't waste a lot of time going into it. What I want to focus on is that this process adds an even bigger sense of helplessness that is typical to children trapped in abusive situations. Everything that happens is completely outside of their control, there is no escape, and the process happens over and over again. The unique vulnerability of being a child (both physical and social) is mirrored in that process of being trapped then and re-trapped in the killing cycles

Add to that the fact that Rika had gotten to grow up and was suddenly thrust back into helpless childhood, and things get even worse and more explicit in that sense. For a while, she had experienced what it was like to have at least a few more resources to help herself than before. She was not an adult, but she was a teenager, and she had a bigger support network. Then, all of a sudden, she was thrust back into being a child. Having to go back to the childish mannerisms she had left behind, which, as I pointed out in the original post, were always a performance that helped further alienate her; therefore, doubly so once she was able to leave that behind. Her desperation to be sophisticated, to act grown up, to go new places, was a form of rejection of the helplessness of childhood. To her, childhood was explicitly tied to trauma just as much as Hinamizawa was. Being shoved back into childhood was to have all her hard-earned agency stolen from her

Once again, this is explicit text, so I'm going to move on, but the point I'm trying to make here is that, if in Higurashi horror is tied to the loss of childhood, as I argued in the other post, to Rika, the horror is childhood itself. Once again, this is typical in children who endure abuse and neglect; an unsafe childhood only has the worst aspects of being a child - the dependance and weakness - without any of the best ones - the safety net, being taken care of, getting to play and be happy. Therefore, they don't see childhood as a good thing, but as something to escape in order to survive

So when Rika finds herself a(n even younger) child, she is again faced with the horror of having no choice but to rely on adults to take care of her. Which she's never had in the first place, but after the events of Kai, she at least knew some of them who could have helped her escape her terrible fate. I don't think it's a coincidence that the first two people who killed her in a way that made it clear these loops were different from the previous ones were Ooishi and Akasaka, exactly the two that most helped her escape fate in Kai. It really drove home that she had nowhere to turn to

When Satoko injected Rena and Mion, she ended up basically emulating the previous loops, and Rika never even knew it was different from the other times where Keiichi and Shion were the killers. It was when Ooishi killed her that she realized things were different, and, immediately, she decided that she would only go five more loops before she killed herself

And sure, the fact that this is the second time this happens certainly makes it harder to believe there's any getting out of it in a way that matters, but I don't think it's a coincidence that being betrayed by Ooishi is what finally makes her put a cap on how many times she's willing to try. Ooishi was once part of her safety net; one of the adults that helped change the game. Once he was the one who killed her, she was more alone than ever before. But she still had more people to turn to, so she decided she'd try more, at least a little

Then, of course, she was killed by Akasaka

Akasaka being next was just... Awful. Probably the most gut-wrenching death in Higurashi to me. While he couldn't be called a parental figure, he certainly was also the only adult she's ever had to take care of her. He certainly was the only adult she fully trusted. He was the only person, period, that she ever told she knew she was going to die before the final loop in Kai. Akasaka was her only ally, the only one she fully trusted, and the closest she had to a figure she could call a caretaker. So it's no wonder that, after he killed her, Rika stopped even trying at all; she was only counting down to keep her promise to herself, but she was no longer shown trying to change what would happen or making any kind of effort; she was merely counting down and dying again and again without respite. They didn't even bother showing us anything before the killings, because, to Rika, that was just white noise; she was just waiting out for them to happen. To lose Akasaka was to lose her last hope, and that's what makes the Gou deaths so much more horrifying than the Kai ones, because even the little miracles of respite she had before were out of her reach. For the first time, she was completely alone, without anyone at all to trust; and, as a child, if you have no one to trust and help, you simply die

The next ones are, obviously, hand-picked wonderfully (derogatory) by Satoko. Kimiyoshi may have never actually done his job, but he was Rika's legal guardian, and an adult she liked and felt she could speak to, even if she didn't really rely on him. Akane was literally the only present parental figure any of the kids had, and the one who first told them the Sonozakis would help with Satoko and her uncle, too. Keiichi was not an adult, but he was an older kid that she specifically believed was able to defeat fate. It might not have been the first time Keiichi had Hinamizawa Syndrome, but it was the first time he specifically turned against Rika, and that had to have been horrible. And Satoko, obviously, was her best friend, not to mention the only other person who came close to understanding Rika's situation as a child who had to be an adult in practice while still having to act and deal with the vulnerabilities of being a child, and the only one who was, literally speaking, always by her side

I think the fact that Satoko specifically picked adults and the two kids Rika trusted as capable of changing fate (coupled with the aforementioned helplessness caused by not knowing if she could ever truly escape even if she did escape this once) was what made everything work out so fast for Satoko. Altogether, it only took her 8 loops to convince Rika to stay in Hinamizawa. If she hadn't fucked up with the trap situation, Satoko would have probably been the looper to get what she wanted with the least amount of times in history. It took Rika over 100 just to be able to survive. And Satoko got what she wanted after only 8, because she knew exactly what she needed to do to break Rika: make it clear she would get no adults to rely on, and, therefore, would never be able to save herself. Because in Higurashi, the horror is in child neglect, and Satoko created a situation where that would be inescapable

[tocourtdisaster]

Why was Hemlock stupid enough to put Omega in the vault? Sure, it's probably the most secure place in the entire facility, but the last thing he needs is Omega to convince the other children to try to escape.

[grapetriip]

anyone up for bg3 aftg au w dark urge neil