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reflectionspace · 2 months ago

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Veilguard and the Failures of Surface-Level Liberalism

Strap in pals of all genders and creeds, this is long.

Despite presenting itself as a progressive and inclusive RPG, Dragon Age: Veilguard is not a leftist game. It reflects the superficial politics of contemporary Western liberalism: visually diverse, rhetorically inclusive, but politically hollow. Like the modern Democratic Party in the U.S., it trades radical or transformative ideals for shallow representation, and in doing so, it reveals an underlying conservatism that both limits its storytelling and leads to unintentional ideological harm.

Before we begin, a brief note: a materialist analysis, rooted in Marxist thought, focuses on the concrete, material conditions that shape social life—such as class structure, labor, power relations, and access to resources. It asks who holds power, who produces value, and how inequality is maintained or challenged. In media, this means looking beyond what stories say and analyzing how they reflect or obscure real systems of oppression and change.

It's useful to briefly define neoliberalism. Neoliberalism is an economic and political philosophy that rose to dominance in the late 20th century. It emphasizes deregulated markets, privatization, and individual responsibility over collective solutions. Under neoliberalism, social problems are reinterpreted as personal failures, and political engagement is reduced to consumer choice. In media, neoliberal storytelling often replaces systemic critique with personal empowerment, turning collective oppression into individualized struggle and positioning social justice as a matter of branding or taste rather than structural change.

On its face, Veilguard looks like the product of progressive ideals: you can customize your character's gender presentation, choose from a visibly diverse party lineup, and engage with themes of identity and belonging. But these elements stop at the surface. The game offers no deeper vision of social change, economic transformation, or solidarity.

This mirrors the liberal fixation on identity politics without class analysis. Like the Democratic Party, Veilguard wants applause for "looking inclusive" while sidestepping the harder work of interrogating systems. It does not question who holds power, how that power reproduces itself, or what solidarity across difference might look like in practice. There is no structural critique—only aesthetic gestures. There is no vision of solidarity. It's similar to how the Democrats have been running on a platform of "vote for us or else" for decades, because their politics largely agree with the basic material premises of the other party, that being neoliberalism, and the only thing they have to offer is the "or else".

And, just so you don't brush me off as some chud, I am not American, and I cannot vote in the elections. If I were American, I would vote

Democrat, not third party candidates, for obvious reasons. It's just, from where I stand, the US has a party on the right, and a party on the far right, and leftist options aren't genuinely on the table.

Veilguard has no meaningful conception of class struggle. The party members do not grapple with class dynamics between themselves. There is no collective vision for how to reshape the world. NPCs and factions are individualized; systemic analysis is nowhere to be found.

Compare this to Final Fantasy VII Remake or Disco Elysium, which offer actual political theories, explore the costs of extraction and labor exploitation, and question the player's place in systems of oppression. Veilguard instead takes the safer path: personal identity as the only axis of oppression worth mentioning.

This isn't progressive. It's neoliberalism.

One of the clearest examples of this failure is how Veilguard handles Tevinter. In previous games, Tevinter was known for brutal class hierarchies, magical oligarchy, and chattel slavery. This should have been fertile ground for a materialist critique: a fantasy setting where the costs of empire, elite rule, and oppression could be examined.

Instead, Veilguard sanitizes Tevinter. The anti-slavery detective Neve is stripped of her struggle's stakes, because slavery is nearly invisible. Her political engagement becomes personal branding. Her character reads like a consultant's PowerPoint slide on "gritty female rep," not a fighter in a living system of exploitation.

While Tevinter should be the perfect setting to interrogate labor, class, and entrenched hierarchies, Veilguard flattens the issue of slavery into a stylized backdrop. One of the most politically loaded questions—how to dismantle slavery—is presented as a choice between two NPCs: the moderate reformer Maevaris Tilani, and the more radical Dorian Pavus. If the player saves Minrathous, they can choose between Dorian's immediate upheaval at the cost of stability, or Maevaris's slow institutional reform, which keeps Tevinter structurally weaker but more diplomatically stable. If Minrathous is not saved, Dorian simply becomes Archon by default. Mechanically, this choice only affects the ending credits and a few party member reactions, not that party member opinions actually come with consequences like in DAO or DA2.

This choice is not interrogated. It becomes a matter of player flavor, not political vision. It reduces the end of slavery—a deeply systemic issue that could have spanned quests, moral tension, and class engagement—to a question of who should be the next enlightened ruler, as though the system will simply fix itself with the right person in charge.

It's a Superman fantasy dressed in moral earnestness.

Let's have a few examples of how the lack of thinking hampers the narrative and messages of the game.

The same lack of structural thinking undermines Taash’s storyline as well. Taash is a character navigating a nonbinary identity in a supposedly transphobic and sexist society—but Veilguard never convincingly builds that society. Every major character except Shathann affirms Taash's identity without question. The arc is framed around whether the working immigrant mom will use the correct pronouns, which might be emotionally resonant if Veilguard actually depicted transphobia or gender norms in a systemic way. It doesn’t.

The setting’s supposed prejudices are surface-level inventions with no institutional or cultural weight. The Chantry is matriarchal. Women serve in every political and martial role, and conversely, men in the setting have been portrayed as caretakers, mages, academics, or healers. Transition is possible, and even accepted in Qunari society. Unlike Dorian's story—where his father's attempt to use literal blood magic to "fix" his son's sexuality comes with real stakes, taboos, and danger, or Maevaris's story of coming out and starting to live as a trans woman, to great scandal in the aristocratic society of Tevinter—Taash’s conflict lacks material consequences.

The result is that Taash’s arc feels both emotionally weightless and politically incoherent both inside the world and at a meta level. Remember, Veilguard presents a cast full of women, but often does not treat them as full people. Maternal characters are punished. And only women are expected to perfom allyship and be sexually available, whereas the male characters are exempted from caretaking beyond having quirky pets. And so on.

And while the choice between Dorian and Maevaris makes sense on a story level and I like both characters, it just underlines the lack of critical lenses in the editing room that the end result is that the new top leadership for Tevinter will always be the AMAB scion of an aristocratic family.

It's such a missed opportunity honestly, I would have loved to see a Calpernia-as-the-wildcard-newcomer-from-the-working-classes and Maevaris-as-the-aristocratic-mentor-behind-the-scenes girlboss teamup.

The treatment of the Dalish elves provides yet another example of how Veilguard lacks the empathy and complexity needed to write real diversity. Despite being a displaced diaspora with a long, storied spiritual tradition, the Dalish as a group suddenly and near-unanimously turn away from their gods once it's revealed that those gods were corrupted or false. None of them seriously grapple with the emotional or cultural weight of this loss. There is no spectrum of belief. No internal conflict. Even Bellara's brother is portrayed as mind-manipulated and corrupted by evil forces and then killed off, conveniently removing any need to engage with his ideological position.

In real-world diasporas and cultural groups, the opposite is true. Disagreement and ideological diversity are the norm. Cultural traditions, even those with flaws or dark histories, remain emotionally potent and hotly debated. Some members cling harder to old beliefs in times of crisis; others reform or reinterpret. But Veilguard sidesteps this entirely. It reduces a displaced people to a monoculture with a conveniently aligned opinion.

Based on the content in Veilguard, I am fairly sure the authors would describe themselves as feminists, and would, if asked, reject sexism or inequality between men and women, classism, racism, and so on. This failure I'm describing doesn't happen because of agreeing with the wrong ideology or support for a party or whatever.

The ultimate problem is that Veilguard is trapped inside a specific liberal worldview: one that fears complexity, refuses solidarity, and replaces structural critique with PR-friendly inclusion. It treats oppression as a set of aesthetic signifiers rather than a system. It treats politics as something that happens through identity choices, not collective action or transformation.

Really, beneath its inclusive surface, Veilguard treats its core cast not as members of a collective, but as exceptional individuals who matter more than the world around them.

In this way, the game echoes Ayn Rand's ideology: the exceptional few are the only ones worth saving, empathizing with, or narratively prioritizing.

This explains how characters like Emmrich and Harding can plan a whimsical picnic trip to the Blighted South with zero social consequence. The world is dying, half the continent has been consumed by a magical cataclysm, yet somehow the party has access to luxury food items like expensive coffee beans. There is no material scarcity or logistical tension. This also explains why the player is never allowed to tell Taash to set aside the identity struggles until after the apocalyptic threat is dealt with—because in Veilguard, individual emotional arcs matter more than shared survival. The elite chosen few still deserve their personal resolutions, no matter what collapses around them.

Nowhere is this clearer than in the Minrathous vs. Treviso decision. Mechanically, the choice has no meaningful effect on the larger world. Minrathous is doomed either way. Treviso's destruction matters only in terms of whether the male romance option, Lucanis, will date the player or not. The female option, Neve, of course, remains romantically available no matter what.

The stakes are not moral, structural, or material. They're personal and transactional.

The Blight can spread, cities can fall, but your companions still host book clubs and have access to fresh fruit. This isn't solidarity. It's elite individualism dressed in inclusive costume.

Veilguard may look inclusive, but it’s deeply status-quo. Its treatment of women, its sanitized view of systemic oppression, its Randian elevation of the elite cast over the world, and its absence of class consciousness are not just narrative flaws—they’re ideological ones. The game mirrors a liberal worldview that wants to feel like progress without doing the hard work of justice—one that smugly assumes its values are universally shared, regardless of players’ and characters' backgrounds, cultures, or material realities. As a result, it doesn't meaningfully explore what building real solidarity or inclusive political futures might require.

If we want better games—and better futures—we need to move beyond representation as window dressing. We need stories that see power, challenge structure, and believe in something greater than optics.

And we need games that don’t just let women, or black people, or sexual minorities exist.

We need games that ask why the world tries to erase them in the first place.

#veilguard critical #dragon age the veilguard #bioware critical #veilguard spoilers #da:tv critical #dragon age critical #a lot of thoughts on veilguard #da: the veilguard #dragon age #datv #media analysis #political analysis about video games

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karuuhnia · 7 months ago

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TF2 Chapter 7 - Karuuhnia's analysis

Christmas came early for the TF2 fandom this year, didn't it? (Well, it really came 7 years LATE if we're completely honest lol)

It was an emotional rollercoaster and had a happy, wholesome ending and conclusion for both the mercs and for us. Several mysteries from the past comics were resolved.

And you know me: I love to overthink and overanalyze every bit of lore and story that I can get my fingers on lmao

So here's my essay:

A) Solved mysteries

1. What the Administrator was planning

It turns out: There WAS no evil plan of world domination or whatever. Just pure hatred for a man who ruined her life - apparently. It's been so long she doesn't even remember the reason. But the thought of revenge was enough to fuel her every life choice.

And to think, it all could have ended in the 1850s already - if it weren't for smart-ass Gray Mann and his narcissistic tendencies to brag about his knowledge and plans. (How he himself figured this out is never explained.)

He was the one who introduced the Administrator to Australium in the first place, around 1850ish. If he hadn't told her that it could bring people back from the dead and prolong life, the senseless Gravel War would have ended with Blutarch's and Redmond's natural deaths.

Well, on the other hand we must be glad that the conflict didn't go on even longer.

Since Dell stated that none of his family members ever went into the room where Zepheniah was kept, the Administrator must have build all of that herself, right? That would certainly explain why it looks so crude and consumes so much Australium. I mean, look at this construction and then compare it to the one Dell built:

The Mark 5 machine gave her ~6 months of life for just a tiny flask of Australium. Imagine what would have happened if one of the Conaghers had improved Zeph's machine as well! She could have kept the zombiefied corpse in a living nightmare for many centuries more instead of burning through tons and tons of Australium so quickly. Good thing it didn't come to that.

2. Who helped the Administrator

Well, we didn't get a clear answer, but I think it's safe to conclude now that it was the Administrator's elite merc teams A-E that obtained all the Australium during the 6 months Miss Pauling and the TF2 team went off the grid. Which only further proves that the Administrator did not really care for Pauling at all and only came to her and her "team of rejects" as a last resort, after everything else had failed.

It's really heartbreaking how much Pauling admired her and wanted to be her trusted second-in-command while the Admin apparently never even invited her to the secret HQ. Nobody there even KNEW of Team Fortress after all. It was such a relief to see Pauling let go in the end and choose a free life instead.

3. Scout's second chance

Well, not really a mystery here, but I really like how Scout had an epiphany that there were other girls out there that would like him as he was and moved on from Miss Pauling. There was no heartbreak, no animosity, no rejection. They are still friends and support each other! I love it!

And then Scout even saved all of humanity by having sex with several women so that God wouldn't have to destroy the world! What a great, selfless guy he is!

I really love Spy and Scout after the time skip. No more bickering, no more annoyance, no more mean comments, just kindness. Spy is also so sweet to his grandchildren! ADSGFSDAF

I hope they all remain in contact and on good terms. Because let's not forget: Scout's health isn't good and he even has a confirmed death date. Which is only 8 years into the future of 1979.

All of his orphaned children would still be minors at that point. When it comes to that I hope Spy and Scout's Ma can take care of their grandchildren.

4. What Charles Darling and Maggie were planning

Darling stated he wanted to obtain Australium in order to make his rare animals immortal and in return he would get Saxton's company back.

The way Maggie always reacted to Saxton led me to believe she knew Darling was planning something ELSE and she felt bad for not telling Saxton and having to betray him in the end:

But turns out, I probably just misinterpreted Maggie's facial expressions. She looked so sad because she loved going on adventures with Saxton again and just hated the thought that he'd go back to Mann Co. afterwards.

I'm very happy that in the end Saxton let go of the company and spent the rest of his days punching wild animals with his true love! (Although he might have started a war again, now between Reddy and Bidwell lol)

B) Unsolved and new mysteries

However, as much as I loved the last chapter, I feel there are still a lot of things that were never cleared up or adequately explained.

So after re-reading every single comic and update page these are some other things I still find inconclusive:

1. Olivia Mann's mother

Not really that important to be fair, but still: Is she really the biological daughter of the 150 old mummy Gray Mann? If so, who is the poor woman who… mated with him and where is she now?

Or was Olivia adopted, abducted or grown in a lab? Well, at least she gets to live a happy and free life now and is provided for by the dad who stepped up. Good on you, Saxton!

2. Darling's knowledge

Back to Darling real quick: Why DID Maggie start working for her nemesis?

HOW did Charles Darling learn about Australium's properties and the Administrator's history?

There is also the fact that the Mann triplets' mother was a Darling!

These things were never brought up again! Whyyyyyyyy?????

3. What was all the set-up with the TFC mercs about?

The TFC mercs made several ominous remarks that made us believe there was more to them:

Both Virgil and Greg were trying to say something interesting, but then got cut off before the revelation. And especially TFC Heavy talked about dying as if it was an immediate danger to all of them. Sure, they were old, but they were still going strong, being able to kill all of the Admin's elite teams after all.

4. Fred's destiny (and identity?)

In Chapter 6 Spy disguised as Fred, trying to trick Virgil. After being found out, the two had this conversation:

Spy managed to impersonate Fred really well apparently. That means he must have studied Fred's personality, mannerisms and way of speaking before he went to Virgil. That also means he must have spent quite a while talking to and studying Fred. Did he and Sniper capture and interrogate him? But more importantly: What happened afterwards? Tbh, they probably just killed him off-screen after learning what they needed.

Because I no longer believe that Fred was Dell's father, as much as that sucks. It would have made for a great plot point and possible conflict within the team.

But Fred obviously had no idea about anything related to Australium or the immortality machines.

Since later on in Chapter 7 Dell says that neither his grandfather, his father nor he himself ever set foot in that basement, we can conclude that they all knew that the Administrator was hiding something nefarious down there. Which also means they WORKED for her and thus must have also worked on her immortality machine. So it makes no sense that Fred would not know anything about that if he really were Dell's father.

That still leaves us with the question: Why was young Fred in the photo with child Dell? Or WAS this guy even Fred?

I mean, a lot can happen in 40ish years between those two pictures:

But my new headcanon now is: These two are not the same person. TFC Medic had to replaced by our beloved Dr. Herbert Ludwig (still not over that name btw lmao), so who says the original TFC Engie wasn't replaced too at one point? TFC Heavy was very obviously worried about his friends dying one after the other.

Virgil said he knew Fred since before the war. So maybe after Dell's father died/left the team, Virgil told TFC Heavy about his old comrade Fred who also happened to be an Engineer. And only then Fred became part of TFC.

But as I said, that's just my headcanon. In reality it's probably just an inconsistency over the many years of convoluted lore. lol

5. Soldier's cave, covered in Australium

In A Cold Day in Hell Soldier and Zhanna have the following conversation:

First it's a stink-barn, then he claims to be homeless. But in Chapter 7 Heavy suddenly says that Soldier lives in a cave.

And it turns out there is tons of Australium in that cave! Now of course I wonder: When did Soldier move into that cave and where is it located? We were always told that Australium only exists in Australia. But I highly doubt this American patriot owns a cave in Australia. Also, how is it possible that the Admin and the elite mercs never managed to find this cave? Did they just not bother to look in America because all known Australium is in Australia?

So in return, does that mean that Australium is NOT exclusive to Australia after all? If so, there could still be hidden caches of the stuff anywhere on Earth. At least the Admin and Gray Mann are no longer around to collect it and Miss Pauling does not look for it anymore either. The only one who still has an interest in it is Charles Darling. Him again...

6. Soldier with the photo of the Mann family

Quick reminder: This is the only version of the family photo we'd seen up until this point:

But when Soldier and Merasmus are held by the mafia and the wizard asks him why he needed so much money, Soldier pulls out an intact, unteared photograph of the Mann family!!!

His thumb conveniently covers up the still unknown person standing in the middle. How did Soldier obtain this photo? How does he even know who everyone is, considering he's, well, Soldier?

Could he have any relations to the unknown person in the middle? And why DOES he need so much money (granted, it was only like 20 $ in the end, but still lol)?

Am I just overthinking this? Has anyone an explanation??? Is he and if yes, HOW is Soldier connected to the frigging Mann family??????

*cough* Anyway. This concludes my analysis of the TF2 lore. For now. If I come up with more things or if Valve ever decides to continue the story (That was a joke, haha, fat chance), I will come back to this. In the meantime, thank you for reading this and please feel free to share your own ideas and opinions! I'd love to read all of it! ❤️

#tf2 #team fortress 2 #tf2 chapter 7 #tf2 comic spoilers #karuuhnia writes

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flawseer · 11 months ago

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#18 - "Fire"

Smaugust 2024

The last few submissions have been mostly visual, but today I want to do something more text-based. I'm always looking for opportunities to ramble ad nauseam about my headcanons and thoughts, but am usually hesitant if I don't think I can make a subject interesting or particularly insightful.

A few months back I was playing with the thought of publishing a speculative analysis on Pyrrhian dragon breath weapons, and how they might differ between tribes. I got up to the conceptualization stage, but then @sidyashchiy-na-plakhe came out with a better and more put-together version of what I was thinking about and touched on some similar points, so I filed those plans away to not step on any toes. If you're enjoying this type of deliberation, I recommend that you check out his take, as it is very thoughtfully put together with some cool visuals.

But, seeing as I have no other ideas for this prompt, and since it's been a while since then, I'm going to air out my scrapped draft here. I guess this is a mixture between canon information and headcanons, with a bias toward the latter.

General Information

Each of the seven Pyrrhian tribes is capable of using a kind of orally-discharged means of attack. For the purpose of this deliberation, I am going to refer to all of these as "breath weapons", even though not all of them are activated via exhalation. It will make things easier to talk about.

There are three general factors to each type of breath weapon, those being potency, range, and start-up time. In the case of fire breath--the most ubiquitous type of breath weapon on the continent--these would roughly correlate to the temperature of the flames, how far they can travel from the source while maintaining their shape and intensity, and for how long the fire must be stoked inside of the user before it can be expelled.

How developed these factors are differs for every dragon, but the two biggest determining modifiers are constitution and age. Being physically fit will make your breath weapon more efficient--and thus stronger--because you have better control over your breathing after exertion. As a dragon advances in age, the three factors all increase proportionally. A Mudwing hatchling can produce a puff of flame very quickly, but it will barely heat up the surrounding air. An elder meanwhile might take several minutes to get their fire going, but when they do, the result will be fearsome and devastating.

Fire is the most common element on the continent, with four of the seven tribes being able to command it. I will go through those first and then follow up with the other variants .

Nightwing fire is a dark purple in color, due to a slight variation in the gas component that fuels the flames.

The flames have no particularly outstanding properties strength-wise, but they emit comparatively little light, meaning they don't stand out as much against the night sky. This makes them ideal for low-profile ambushing, but very unsuitable as signal flares.

If a Nightwing ignites an object, the flames will gradually lose this characteristic as they will begin to consume the air around them and turn into ordinary, orange fire.

Nightwing flames are sometimes colloquially referred to as "Moonfire".

Sandwing fire is, on average, the least powerful among all the fire-breathing dragons. In terms of potency and range, flames emitted by a Sandwing of 20 years will be roughly equivalent to those of a twelve-year-old from the other fire-breathing tribes.

Their unique advantage is that Sandwings can produce these flames extremely quickly, usually within seconds. If readying fire takes a dragon 30 seconds, an equivalent Sandwing can do it in 5.

While for most other dragons the use of their breath weapon is a deliberate and calculated affair, the severely reduced start-up time allows Sandwings to "shoot from the hip" without having to commit to the action, making them less predictable in combat.

A popular Sandwing combat technique is to open a fight by blowing a quick plume of weak fire into an opponent's face and then using the resulting distraction to strike with their venomous tails.

Skywings command the strongest and purest variation of fire among all tribes. Their flames come out very straight and can maintain their shape over vast distances.

They can "cook" their fire by holding it inside themselves for longer than necessary. While this becomes unpleasant or even painful if done for long, it will increase the temperature and purity of the resulting flames far beyond what any of the other tribes are capable of.

Flames emitted after doing this for long enough will come out with an intense blue color that can cut through stone.

For dragons afflicted with firescales, all of the fire they breathe will be like this, as their bodies are already channeling flames at all times to fuel the burning scales.

Because Skywing fire is so intense, it is at times difficult to control. Skywings who become emotional will often start smoking from their nostrils involuntarily.

Mudwing fire, sometimes referred to as "moody fire", is very temperamental. Its strength will vary widely based on a number of different factors, not all of them fully understood, making it appear random at times.

The most commonly understood factor that influences a Mudwing's fire is the ambient temperature. Mudwings will struggle to produce flames in environments that are too cold (close to freezing weather, very cold water, etc.). This can be partially mitigated by ingesting hot stews, soups, or beverages before fire usage.

A factor that isn't as well documented is that the Mudwing's fire breath and their uncanny healing factor are fueled by the same source. This means a Mudwing's fire will be strongest when they are healthy, and begin to diminish if they become injured, as their body will divert resources away from the breath weapon to prioritize keeping itself alive, functioning, and mobile.

Mudwings hatched from blood eggs have a tendency to develop poor breath weapons, as their super-charged healing factor--while potent enough to outpace most damage sustained from fire--is even more resource-hungry than that of a regular Mudwing.

Icewings don't breathe fire. Instead, they are able to exhale a stream of frost magic. There is nothing I can think of to scientifically explain all the properties of frostbreath as they are presented in canon, especially with regards to Queen Battlewinner. Ice that makes you lava-proof? Nah, this is straight-up magic. All Icewings are born with a small piece of magic and this is how it expresses itself.

Contrary to popular belief, frostbreath is not stronger than firebreath. In terms of general characteristics, Icewings and Nightwings are actually roughly equivalent.

What makes frostbreath more overtly lethal than fire breath is the magical component. When frostbreath comes in contact with living tissue, it will form ice crystals on and inside the surface. All flesh in contact with these crystals will gradually turn necrotic. This process is very painful.

The crystals are very persistent and it requires sustained exposure to intense heat to melt them. The best way to accomplish this is via prolonged bath in warm water (close to boiling). This method, if applied quickly after the injury, will usually result in recovery after a few hours of bathing.

Getting hit while in a situation with no access to warm water is very dangerous and potentially lethal. If treatment does not begin soon after, the crystals will begin to spread, killing more tissue and making recovery increasingly less likely, especially once the injury spreads to internal organs.

It is not uncommon for soldiers who get hit by frost breath and are caught out in the open with no treatment options to cut off the afflicted body part to minimize tissue loss.

Icewings are more resistant to frostbreath than other dragons, but not fully immune. They can succumb to the same injuries.

If an Icewing suffers an intense burn, particularly in and around the face, they become completely unable to exhale frost until the burn begins to heal.

Rainwings do not have a breath weapon. Instead, they produce an acidic venom within their bodies, which can be administered through biting, or launched at targets through a pair of collapsible, hollow fangs.

The gland that produces this venom needs sunlight to develop properly. Once the Rainwing has been exposed to sufficient sunlight, venom production will begin, and may even continue without further exposure, but it is recommended to sunbathe for at least 5 hours a week to keep the gland healthy and the venom potent.

The venom is strongly corrosive and able to dissolve most organic materials like wood, plant matter, and flesh. It is potent enough that, if it enters another creature's blood stream directly (via bite, an open wound, or the eyes), that creature will die within seconds.

The venom's lethality will rapidly decrease once it separates from the user. If it hits surface tissue and has to burn through layers flesh, it will usually lose too much of its toxicity before it reaches the blood stream (though it will still function as acid and be excruciatingly painful).

Rainwings are immune to their own venom, but not the venom of other Rainwings. Mixing a sample of venom with the venom of a close blood relative will cancel out the destructive properties of both.

Seawings are amphibious dragons who prefer to live in water, but can also go on land and exist there in relative comfort for a decent while. Their body contains an organ that stores water, from which it periodically draws to keep the Seawing's skin from drying out.

When under duress, a Seawing can forcefully expel the contents of this organ through their mouth as a pressurized jet of water. While this is not very destructive, it can momentarily stun aggressors and allow the Seawing to retreat to the safety of a nearby lake or river.

If the blast is held inside and charged up similar to the fire breath of other tribes, the Seawing is able to draw from their body heat to increase the water's temperature to scalding degrees.

#wings of fire #dragon #wof #flawseer talk #wof headcanon #fire breathing #smaugust #smaugust2024 #smaugust 2024 #wof nightwing #wof sandwing #wof skywing #wof mudwing #wof icewing #wof rainwing #wof seawing

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hog-facts · 5 months ago

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Throughout North Carolina's rapidly expanding industrial hemp industry, farmers have begun reporting a peculiar phenomenon where wild hogs exhibit an unprecedented attraction to hemp fields, but only during the plant's specific 4-week vegetative growth phase. Unlike typical crop damage patterns, these hogs don't consume the plants - instead, they meticulously dig precise 6-inch deep trenches in concentric circles around individual hemp stalks. Agricultural researchers discovered that these circles correlate exactly with the plants' root hormone distribution patterns, suggesting the hogs can somehow detect subtle biochemical signatures imperceptible to humans. Most strangely, chemical analysis of soil samples from these trenches revealed dramatically elevated levels of rare earth elements, particularly ytterbium, which is typically found only in trace amounts in the region. Some agricultural scientists theorize the hogs' behavior may be inadvertently activating a previously unknown soil enrichment mechanism, as hemp plants surrounded by these trenches consistently show 40% higher CBD production compared to untrenched plants.

#hogs #hog facts #unreality

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huellitaa · 1 year ago

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⋅˚₊‧ ୨ feeling uncomfy in ur own skin

ok so this is something ive been struggling with for years. like i wake up some days and just feel Eugh way more than id like to. SO i decided i'd make a little guide on this! for me and for you 🩷✨

──★ ˙ ̟🎀 reasons why we could be feeling uncomfortable with ourselves and who we are

♡ having a shitty mental diet and consuming media and things that make you feel bad abt urself

♡ being in an environment where we're constantly being judged or put down, even over the most basic things

♡ hanging around negative people or negative places

♡ not giving urself enough credit for ur own achievements and accomplishments

♡ changing urself constantly for others and not having a clear sense of self to hold on to

♡ not having boundaries on how you and others treat you

♡ staying stagnant in the same place in your life and not changing (🎀🗒️also read: get comfy being uncomfy ♡)

♡ not paying enough attention to yourself and avoiding your genuine thoughts, feelings and emotions

🧸𓂃 ࣪˖ 1. be gentle with yourself!

pleasepleaseplease its ok to have bad days its ok to not feel great every day. treat yourself as you would someone you love. if you just aren't feeling good today, then you aren't feeling good! honour that and respect that and deal with that accordingly. even if you are uncomfortable with yourself right now or you don't like yourself right now, please try and treat yourself with care regardless, because no matter what stage you are in in your life right now you are and always will be the most important person in ur life, so TREAT URSELF LIKE IT🫶💖

🧸𓂃 ࣪˖ 2. inspiration, not comparison!

i know its often told not to go looking at people who are ahead of you in these times but hear me out. i think looking at and observing people you admire who are further ahead of you is very motivating to build yourself up and *become more like them* in your own way. you look up to them because of ___? what can you do to become your own version of that? thinking like this gets me more inspired to just get out of bed because i want to be more like them.

two words for this one - NO. COMPARISON. gaining inspiration from others to better yourself and comparing yourself to others are two completely different things. 🫶 (shameless self promo, but i have a post on this here! 🩷✨)

🧸𓂃 ࣪˖ 3. analysis: detective work chapter!

journal and think and think to urself why u might feel like this or what caused this. when did it start? has anything happened lately that may have caused this? how does it feel, in depth? what can you do to combat this? how can you make it through the day & make it so you do even better tomorrow?

🧸𓂃 ࣪˖ 4. channeling the mindset!

back to my point on our idols, thinking like them & thinking what they'd do in this situation helps me a lot. personally one of my idols is ada lovelace so whenever im really tired and unmotivated or insecure on my abilities or appearance or anything else i think to myself "what would she do?" and 9 times out of 10 im up at my desk in my cutest outfit hard at work. this is def one of my favourite points and something i use on the daily for like literally everything and 100% recommend 🩷✨

🧸𓂃 ࣪˖ 5. what would i do?

similarly, ask urself what the best version of yourself or the version of urself youre working towards would do in this situation. be your own inspiration. be ur own muse. would they stay in bed and rot all day? if the answer is no then ur up. out. immediately. ask urself what they would do. if ur feeling drained, would they take a day off to do some self care and recharge? if ur feeling sad, would they be gentle with themselves and let themselves feel sad for a little while & try to work to the root of the problem?

🧸𓂃 ࣪˖ 6. understanding yourself!

make a list of the things that make you the happiest and most comfortable & productive and the things that make you the unhappiest and the opposite of those things. i mentioned this in my recharge day post, but figuring out these will help you find out which negative behaviours or habits are lowering ur vibrations and making u feel like this, and help u to engage more in the things that make you happy with yourself and everything around you 💗✨

🧸𓂃 ࣪˖ 7. pay attention!

pay close attention to ur internal landscape and your self talk throughout the day. note down every little thing you notice, even if you think it won't be helpful; for example, do you find yourself indulging in negative talk abt urself, negative talk abt others, constantly being pessimistic and expecting the worst, indulging in judgement and criticism of urself and everyone around you, getting distracted easily, and so on.

🧸𓂃 ࣪˖ 8. what would i do, part 2

like i mentioned earlier, you should be your own inspiration. you should be your own muse. as much as it's nice to have idols, when ur trying to change something about urself and adjust and improve ur own behaviours, you should be mainly focusing on what you want to achieve by changing said behaviours. do you know who you're working towards being? do you know how you want to feel? do you know what you are changing these things you feel into? think about whether or not the person you are now lines up with the person you want to be in all aspects of ur life. if you feel like you aren't even trying to meet these standards then of course ur gonna feel bad about urself. of course don't be too hard on urself, but keep this in mind. 💓✨

finally, remember that these things are temporary and it wont be like this forever. ur beautiful and perfect no matter what and in these times u gotta show up for yourself even more and never give up! i believe in u 🫶🩷

all my love 💗💬✨🎀

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ballad-of-that-girl-in-uni · 3 months ago

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what do the ST season 5 episode titles mean?

(or, my interpretation/analysis of what they are referencing for that episode)

THE CRAWL

currently, our biggest clue is the translations they posted for the title because they don’t translate exactly. the french and portugese translations both roughly translate to ‘rescue mission’ while the german translation translates better to ‘the search’. i think this will most likely be referencing the party’s continued search for Vecna. however, based on the opening lines of the script we’ve seen, i think this episode may also focus heavily on Will’s rescue from the Upside Down in season one, but from Will’s pov

THE VANISHING OF….

this one is interesting because they’re clearly keeping the name of who vanishes because they think it spoils something too early. however, i’m still 80% sure that the full title will end up being The Vanishing of Holly Wheeler. based on the bts we’ve seen, this feels like the most logical conclusion

THE TURNBOW TRAP

this one feels the most self explanatory of all the titles. in bts we’ve seen a billboard for Turnbow Land Development & Realty. this episode title is almost definitely referring to a trap the party is setting on Turnbow property. i have a feeling this episode may end up being comparable to The Sauna Test

SORCERER

if this episode isn’t focused on Will, i’ll eat my shoes. i’ve seen arguments saying that this could be referencing El, but when have we ever heard sorcery mentioned in context with her? we have, however, seen Will referenced as a cleric/wizard multiple times during the show thus far. something big will be happening with Will this episode. whether he gets powers or becomes a spy again or gets Vecna’d, this episode will be Will-centric

SHOCK JOCK

according to merriam-webster, a shock jock is “a radio personality noted for provocative or inflammatory commentary”. we’ve all seen stuff about the involvement of the WSQK radio station in bts by now. we’ve also seen and heard lots of stuff in reference to Robin working at WSQK, plus official photos of Dustin wearing a WSQK sweatshirt. there’s a very high chance that the radio station will be playing a large part during this episode. based on the shock jock definition, i think they will be using it as a distraction of some sorts, likely from the government that will be hunting El or even everyone due to their involvement with El. it could also be referencing propaganda from Hawkins and the military about Hellfire and the ‘earthquake’ but that feels less likely

ESCAPE FROM CAMAZOTZ

this feels like a big one. there are two big theories surrounding this one. the first stems from Mayan mythology, where Camazotz roughly translates to ‘death bat’ and is a god associated with death, depicted with the head and wings of a bat. based on this, people believe Camazotz to be the creature in Nancy’s Vecna vision, which will be one of the main monsters the party will be fighting. the second theory, and the one i personally think makes the most sense, references the Madeleine L’Engle book A Wrinkle in Time.

(spoilers for A Wrinkle in Time) in the book, Camazotz is a dark planet that has been consumed by The Black Thing and is now under the control of IT. the people of Camazotz now operate under a hive-mind, as IT uses it’s telepathic abilities to hypnotize and control the inhabitants of Camazotz. in A Wrinkle in Time, one of the characters, Charles Wallace, allows himself to be hypnotized by IT in order to find his missing father. they are successful in freeing his father, however Charles Wallace is stuck on Camazotz until his sister Meg is able to free him at the end of the book.

i have a feeling that this episode will heavily parallel A Wrinkle in Time. in fact, this whole season might. Max is currently stuck somewhere, likely trapped by Vecna, and i think this will be the episode where she is freed from him, possibly at the expense of Will (who will not die, but allow himself to be taken by Vecna, only to be freed later). Max will be ‘escaping IT and Camazotz’… or, rather, escaping Vecna and his mind trap.

further evidence pointing to this theory lies in the importance of time. in A Wrinkle in Time, the characters are able to ‘tesser’ which is explained as traveling the universe by “folding the fabric of space and time”. when they return to Earth after their travels, only a moment has passed. in season 4, we find out that the Upside Down is currently stuck in time on the day Will went missing. i don’t see this just being a coincidence. not to mention that Ross Duffer also posted a picture of a copy of the book on instagram in his Weeks 3-4 filming post for season 5. AND we’ve seen bts photos of poster boards referencing A Wrinkle in Time likely hanging in Hawkins High. there’s just too much evidence for there not to be parallels this season

THE BRIDGE

ok, here me out on this one. Dimension X and the Upside Down are not the same place. to be clear, i have not watched The First Shadow, so i am working with more limited info. however, from what we’ve seen, Dimension X and the Upside Down do not look similar. my theory is that El sent Henry/Vecna/001 into Dimension X back in 1979. when we see his perspective of falling into this dimension, it looks incredibly different from the Upside Down we know. odd as this seems, the biggest thing that sticks out to me is the lighting of the realm. the Upside Down is depicted with very dark bluish-gray lighting. however, when Vecna explores this new dimension he has fallen into, the lighting is a yellow-orange and much brighter. he has also fallen into a very rocky terrain, only inhabited by the monsters of the realm, while the Upside Down is a frozen-in-time depiction of Hawkins. so what i believe the title The Bridge will referencing is that the Upside Down is a bridge between Dimension X and the real world. theories have been thrown around that El created the Upside Down when she opened the gate in season 1, or that Will created it as a sort of refuge when he was taken by Vecna. (that’s right, Vecna, NOT the demogorgon. i firmly believe that we will find out that is was Vecna who took Will in the first place this season.) i think that our party is going to find out the Upside Down is the bridge between these two dimensions, and, in order to end the war, they have to destroy the bridge. which leads me to the next episode

THE RIGHTSIDE UP

this episode title is 100% made to parallel the last episode of season 1—The Upside Down. i don’t think anyone will disagree with that. and, of course, this episode will be the end of the Upside Down. Vecna will be killed and the Upside Down be destroyed, breaking the bridge between Dimension X and the real world and ending its connection with Hawkins. the war will end and everything will be corrected, or rather, rightside up.

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buddieism · 1 year ago

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tommy's character, bucktommy's inherent flaws, tommy & eddie as mirrors and buddie endgame; a (lengthy) meta analysis

honestly, what's really confirmed my feelings about tommy (and the imminent bucktommy bones -> buddie pipeline) is that there have now been multiple opportunities for the writers to actually make tommy a likeable/serious love interest for buck and they just…haven’t. because while fans are naturally going to overanalyse every little thing, the vast majority of the show's audience are regular viewers who consume the show at face value and don't think twice about it -- so if tommy was intended to be buck's endgame or anything remotely close to it, they'd absolutely want to make the most of his (very limited) screen time to present him in the best light they could. think about karen, the only non-main LI, and how she was introduced to us -- despite hen's cheating, we can see how dedicated karen and hen are to each other and how karen is a complex character in her own right who is immediately easy to root for and love.

comparatively, when we look at tommy's s7 appearances and specifically his interactions with buck, it becomes abundantly clear that there isn't really much depth to their relationship at all. which is fine! it's just... you know. fine. let's get into it.

following the cruise arc, we watch tommy through buck's eyes in 7x04 where he's basically wining and dining eddie -- flying him to vegas, getting them front row tickets to a fight, sparring with him in muay thai, playing pick up basketball with him -- tommy and eddie are so similar (which we'll come back to later), and we even get that line from eddie about how well they "click." as the audience, we are being subconsciously told to align tommy and eddie together -- and furthermore, we are told that tommy can easily make grand gestures when he wants to. now let's compare that to the bucktommy moments of the season.

bucktommy's first date: tommy makes a shady comment that would have outed buck if eddie or marisol caught onto it and then proceeds to abandon him on the sidewalk because he thinks buck isn't "ready" for a relationship with a man

i'll be objective here -- i understand in a show like 911 there's always going to be "unnecessary" relationship conflict for the sake of drama and i can also see how buck trying to play off their date as platonic to eddie might have put a bad taste in tommy's mouth. but we hear from tommy himself that he struggled with being open about his sexuality when he was at the 118 so he could have absolutely extended some sympathy towards buck for not wanting to come out on the spot to his best friend -- especially when tommy fully knows how important of a role eddie plays in buck's life. at the very least, he didn't have to leave buck alone on the curb. this isn't me trying to woobify buck because yeah, he's a grown man, he's fine -- but that doesn't mean it still isn't a bit of an asshole move.

the bachelor party: tommy doesn't dress up for the theme and dismisses buck when he's clearly disappointed about him doing so

tommy showing zero interest for the bachelor party buck planned is practically the writers waving a massive red flag in front of the camera -- him having to leave because he's on call is an understandable 'conflict' plot point but why not have him show up in an 80s themed outfit? it wouldn't have changed anything except that he and buck would have had a positive interaction; buck would have been happy that tommy cared enough to make that small gesture and it could have been a cute way to establish their relationship as one built on mutual effort. (btw, the bucktommy hospital kiss could be seen as a big gesture, sure -- but from a more practical viewpoint knowing how rushed this season had to be, it was also just an easy way for buck to "come out" to the rest of the 118 without having to spend too much episode airtime on it.)

the medal ceremony: tommy says 'enjoy it while it lasts' (which, LOL) and also is not shown reacting to buck receiving his medal. he also has a conversation with henren in a deleted scene.

again, i'm going to try to give tommy the benefit of the doubt -- i'm not saying he has to be sunshine and rainbows all the time and i have no issue with a character having a snarky/sarcastic side. but when his screentime is so minimal, every line of dialogue matters. and it's pretty damning that the writers aren't taking those few chances to give us something to appreciate about him. with buck, tommy makes a dismissive comment for literally zero reason, and with hen and karen, who are rightfully looking out for their friend, tommy refuses to take them seriously at all.

bucktommy's dinner in the finale: buck displays some vulnerability about losing bobby, and tommy... really doesn't seem to care.

honestly i refuse to rewatch this part of the ep because it really icks me out on another level but iirc: buck says he's glad bobby's okay because bobby is like the father he never had -> tommy says "your father's alive" -> something something joke about daddy issues. ignoring #that joke entirely, it's really insane to me that they have tommy even acknowledge the nuclear bomb that is buck's relationship with his parents. yes, we had a bit of a ham-fisted 'redemption arc' in s6 but that doesn't negate the buckley parents being absolutely heinous and the fact that buck verbalises how bobby played the role of the father figure because philip didn't -- all for tommy to basically deny that to his face -- is absurd. tommy has expressed on multiple occasions that he's jealous of the 118 family bond, so this line is just... very interesting to me.

now, let's recap all these events and bring eddie back into the mix!

post-bucktommy's first date, buck is more torn up about the fact that he lied to eddie than the actual date to the point that he has to vent to maddie about it. he then comes out to eddie, who is incredibly supportive (and oliver and ryan make some very curious acting choices indeed). eddie is reiterated as one of buck's most significant relationships.

pre-bachelor party, eddie is the one to suggest he and buck dress in matching (queer-coded) costumes. he then stays by buck's side at the party when everyone else leaves and although we'll never get to see it (tim minear i'm inside your walls👹), they sing an absurdly romantic karaoke song together. eddie is reiterated as one of buck's most significant relationships.

during the medal ceremony, when the camera pans to each member of the 118's love interest/family, it is eddie we are shown smiling at buck, not tommy. this is especially interesting considering we get buck reacting to tommy. i honestly can't get over how a reciprocated tommy reaction would have been an easy yet significant moment to cement bucktommy as a relationship, but they gave us eddie's instead (with chris in the background and marisol conveniently obscured, mind you). eddie is reiterated as one of buck's most significant relationships.

in the final episode, when eddie is experiencing his personal worst nightmare, buck is the one at eddie's side every step of the way. buck talks to christopher, buck reassures eddie (without judgement), and it's made clear that buck will be there for eddie, whatever he needs.

at every possible opportunity, we the audience are being implicitly told that eddie is buck's person. he is his place of support (buck having his more vulnerable coming out scene with eddie rather than his sister); he has buck's back (the bachelor party); he is his family (medal ceremony reaction), and ultimately, this goes both ways (finale).

some other things worth noting: when buck has his coming out scene with maddie, she tells him he's confused about his feelings in a way that seems to indicate she's talking about his feelings towards eddie ("if you there's something you need to tell eddie, you will"). in bobby's conversation with buck in the firehouse, he's verbally supportive of tommy and even asks if buck is going to see him, but buck goes to eddie's house instead. these were deliberate choices made by the writers; eddie has been consistently intertwined in bucktommy's relationship both overtly and subtextually throughout the entirety of s7. and let's not even get into the whole 'evan' thing, because that could be a whole other post in itself.

from the first moment we start to learn about tommy's character (beyond his... coloured past), we find out that he and eddie are practically mirrors. why not make tommy and buck share similar interests? why not give them something to bond over? why present tommy and eddie as almost identical in every way? because tommy is a placeholder for eddie. buck's initial bisexuality journey can't happen with eddie when eddie still hasn't come to terms with his own feelings. so, in the meantime, tommy is the "safe" choice in buck's mind because buck has nothing to lose with tommy whereas he's got everything to lose with eddie. buck can't confront what he truly wants yet because the risk factor is far greater and it's been repeatedly asserted that buck has an issue with people in his life leaving -- he would never do anything to jeopardise his relationship with eddie.

but ultimately (and in my opinion, fairly soon), we are going to get that moment where it "clicks" for buck and he realises that it is eddie he has feelings for. and when that happens, there's basically only one way it can go. we know buck can't keep secrets from eddie; we know eddie is going into s8 feeling "isolated"; we know tim loves making his characters suffer before they can be happy. in my mind, the narrative is going to go something like this: buck feelings realisation -> pining buck era -> eddie healing journey and a reevaluation of what buck means to him -> some insane life-threatening situation that really doubles down on how buck and eddie care more about each other than anyone else because it is 9-1-1 at the end of the day -> love confession induced by their dramatic near-death experience -> #BUDDIE_CANON !

when we factor in how there was a possibility of eddie having the sexuality arc this season instead, how tim has said buddie is one of his favourite dynamics of the show, and how supportive both oliver and ryan are of the ship, i really can't see how everything isn't building to buddie endgame. every other main pairing of the show has had seasons of development, of conflict, of bonding moments. buck and eddie have gone through that with each other time and time over (tsunami/lawsuit/shooting arc etc), which is why every other random love interest that's introduced for either of them falls flat in comparison. they quite literally are exactly what the other person needs; buck wants the stability of a home, a family, and unconditional love; eddie wants someone he can trust, a caretaker for his son but also a partner. buddie is the ship the audience wants to root for, because we know they work! now that we have canonically bisexual buck and eddie finally having to face his complicated feelings about losing shannon, buddie isn't just the logical conclusion -- it's the inevitable one.

#if you made it all the way to the end of this mammoth post... thank you!#very curious to know what u guys think and if u agree/disagree #buddie meta #buddie analysis #buddie #buck x eddie #buddie theory #911 meta #anti bucktommy #<- not like... dramatically. but my stance is pretty clear!#eddie diaz #evan buckley #911 on abc

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specialagentartemis · 2 months ago

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Would you say archaeology is mostly focused on the past or is that a misconception? I got my B.A in anthropology and I took two archaeology classes– one was about modern day graffiti, which confused me until I learned the definition of archaeology just involved physical objects, not only old objects. But I don't know much about archaeology outside of those two courses, so is that how you would define it too?

Technically, archaeology is a method: it's the method of understanding human society and history through the analysis of material culture. Material culture ultimately just means stuff - physical objects and remains.

You can do that with modern material: one extremely famous project is the 1970s Tucson Garbage Project, where archaeologists went through the garbage of people living in the city to analyze contemporary consumption patterns, and found that the actual trash did not always match what people self-reported (for example, people had a tendency to under-report how much alcohol and cigarettes they consumed). Another, much more somber, really famous and important one is Jason De León and Michael Wells's The Land of Open Graves, which used archaeological techniques to study the lives and deaths of undocumented immigrants crossing the Mexico-US border through the Sonoran Desert. Similar techniques have been applied to study undocumented immigration from Tunisia to Sicily.

But usually, archaeological techniques aren't that common for studying modern people because it's much easier and more direct to just... talk to them. Archaeological techniques tend to be applied to modern populations who have understandable reasons to not want to talk to authorities (undocumented immigrants, homeless people, and, I never considered but it makes sense, graffiti artists), or comparing what people tell you with what the material remains show that they do.

But you know who we can't just ask what they were doing and thinking? Past people! So, yes, I would definitely say archaeology is mostly focused on the past. The modern examples are interesting because they're kind of unusual and unexpected; overwhelmingly, archaeologists study past societies. Archaeology is usually defined as "studying the past through analysis of material culture"; you can study the present that way too, but we're mostly trained to understand the past. Asking an ancient Egyptian scribe or a Classic Maya king or an Ice Age cave painter what they meant by this or that is impossible, so archaeologists have to use material culture (and other strategies, like ethnography and oral history and experiments) to reconstruct what people in the past were doing and why. The vast majority of archaeologists focus exclusively on the past.

#asks #anonymous #archaeology

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mindblowingscience · 2 years ago

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Overdose prevention centers, where individuals can consume illicit drugs under the observation of trained staff, are not associated with significant increases in crime, a new study finds. When the researchers compared syringe service programs in New York City with two programs that were recently sanctioned by city officials to offer supervised drug consumption, they found no significant increases in crimes recorded by the police or calls for emergency service in the surrounding neighborhoods. The findings, which are published in JAMA Network Open, come as plans to open overdose prevention centers proceed in Rhode Island, Massachusetts, and elsewhere, and not long after lawmakers in Philadelphia passed a preemptive measure to ban these types of centers, says coauthor Brandon del Pozo, an assistant professor (research) at Brown University’s Warren Alpert Medical School and School of Public Health. “What this data shows is that if a neighborhood benefits from an established syringe service program, then adding the service of supervised drug consumption is not likely to increase reported crime, disorder complaints, or related calls to 311 and 911,” del Pozo says.

#Health #Sociology #Overdose Prevention #Crime #USA

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somebodys-nightmare · 9 months ago

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Understanding the Romantic Narrative Arcs in Final Fantasy VII

There has been no shortage of discourse surrounding the “Love Triangle Debate”, (a fan-constructed term, I must inform you) of FFVII for a very long time. Most recently, with the release of FFVII Rebirth, this discourse has intensified and led to a wide spectrum of fan conclusions that range from grounded in narrative sense to completely baseless or delusional. Some takes are attached to contemporary relationship issues, personal experience, comparisons to other media or works of fiction, social constructs or societal issues, personal preference, or a lack of full context.

While any piece of media or fiction is subject to some level of interpretation (this is the very nature of humans consuming works of art), most works are created with intentional narrative direction. In fact, many works are formulaic, especially in genres such as fantasy, romance, mystery, etc. While of course there are always exceptions and deviations, as a writer and former English literature teacher I can say that most stories follow a general narrative structure or arc that makes them digestible and satisfying to readers/audiences. Such arcs impact the main, external, internal, and subplots of a story, as well as individual character arcs and character relationship arcs.

Final Fantasy is no different. While there are other cultural influences as FFs are Japanese stories, my experience with the series is the writing generally follows most storytelling conventions that can be found in all forms of archetypal writing, cross-culturally and generationally. FFVII is often accused of being ambiguous or open-ended in many aspects of its story. I tend to disagree with this idea and think that its storytelling is subversive rather than ambiguous, meaning that it requires players to work harder and use more critical thinking in order to reach the author’s intended conclusions. It also relies on false or misleading narratives for a good part of the story (such as red herrings, illusions, or unreliable narrators) as storytelling devices that help the truth in the story unfold in later parts of the narrative arc(s). Like any piece of media using these storytelling methods, this means that there will be controversy or debate as audiences contend with the author’s messages or intentions. However, that does not mean that the intentions are not there and that there is not an intentional outcome on the part of the writers.

Personally, I believe that FFVII has a very clear narrative structure for all of its main plot, sub plots, and character arcs, but that its approach is challenging to many players who have to wrestle with the story as it unfolds to understand it. It is not spoon-fed, and some revelations may betray player attachments that were originally formed. However, in my view, this is what makes FFVII such an exceptional story when compared to many others. That being said, the lack (or refusal) of understanding of FFVII’s narrative arcs has led to discourse that unfortunately mischaracterizes many of the characters and pushes inappropriate perspectives onto the storytelling, mostly surrounding the romantic arcs of the main characters and the so-called “LTD” (the fan construction, remember?). I strongly believe that the best way to understand any story is to follow the narrative arcs in order to arrive at the author’s intended conclusions.

I’m going to attempt to do that for the romantic subplots in FFVII in hopes of bringing some clarity to this issue. This analysis is based on a standard Three-Act Romance narrative writing structure (which aligns with the Hero's Journey structure), as well common romantic archetypes and tropes, both for characters and plot, but applied to the specific context of the story, world, and characters of FFVII. Please note that this is my personal analysis and it is by no means perfect, nor am I saying this is the bible of how FFVII has been written. I just hope it gives some insight into why some storytelling interpretations of FFVII should make more sense than… others. This analysis will draw from bits of the entire compilation, but the primary focus of the structure will be looking at FF7R with the OG as a baseline.

This is a long thread, so please see the outline for discussion below.

Romantic Structure/Trope Analysis

Cloud/Tifa: The Slow Burn/Childhood Friends to Lovers Romance

Aerith/Cloud: The Unrequited Love/Not Meant to Be Romance

Zack/Aerith: The Long Lost Love Romance

Final Thoughts: The "Love Triangle" is a Narrative Illusion

Cloud/Tifa: The Slow Burn/Childhood Friends to Lovers Romance

Act 1: The Beginning

The Hook (Childhood Connection Revealed)

Romance Structure: Introduction / Setup

Purpose: Establish the protagonists in their everyday lives, showing what emotional or psychological issues are holding them back from love. Readers should get a sense of their internal conflicts and motivations, along with the external situations that will challenge them later.

Childhood Friends Layer: Introduce the deep connection between the two characters, showing them as lifelong friends with an established bond. There could be hints of one or both characters secretly harboring feelings for the other, but they haven't acted on it due to fear of losing the friendship.

Example: Cloud and Tifa are childhood friends with a complicated history. Although they were close when they were little, they drifted apart but secretly longed for one another. They shared a romantic promise and then separated for seven years. At the beginning of FFVII, they are reunited, but both characters are contending with serious internal and external conflicts - Cloud’s identity crisis and the Shinra Company’s greed and abuse of the planet.

The Inciting Incident / Call to Adventure / Meet-Cute

Romance Structure: Inciting Incident / The Meet-Cute

Purpose: The main characters meet or are pushed together by external circumstances. This encounter introduces the romantic conflict—whether it’s instant attraction or tension between them.

Childhood Friends Layer: Since they’ve already known each other for years, the “meet-cute” here is more about seeing each other in a new light. Maybe one of them returns to town after time away, or an external event shifts their dynamic, making one or both start to view the other differently.

Example: Cloud and Tifa reunite in Midgar and Tifa recruits Cloud to work for AVALANCHE. She does this primarily to keep him close so she can keep an eye on him as she is worried about him and his mental state. During this time, we see an instant chemistry between Cloud and Tifa as they reconnect after years apart. When conflicts are introduced, we see the strain that it puts on them, but we also see how there’s a lingering desire for closeness, whether it be in their discussion/memory of the promise, their mutual flirting, their skinship, etc.

First Plot Point / Refusal of the Call

Romance Structure: Rejection of the Relationship

Purpose: The characters resist the idea of a romantic relationship, often due to internal or external obstacles. There’s a clear push-pull dynamic as they fight their growing attraction, often rejecting the possibility of being together.

Childhood Friends Layer: The hesitation here comes from their shared history. Both characters are afraid to risk their close friendship for something as uncertain as a romance. This dynamic creates tension as they begin to realize how much they depend on each other emotionally.

Example: This isn’t directly addressed, but the narrative deflects from intentional romantic confrontations at this point because of Cloud’s identity crisis and the pressing issues of the external conflict. Neither character is outwardly pursuing a relationship, but they don’t exactly deny their desire for closeness. We consistently see the push/pull between Cloud and Tifa throughout the early part of their arc. It's also further complicated when Sephiroth starts to sabotage their relationship.

Act 2: The Middle

First Pinch Point / Acceptance of the Quest

Romance Structure: Giving the Relationship a Chance

Purpose: External circumstances push them together, forcing them to interact and face their growing connection. Even if they resist the idea of love, the bond between them deepens as they spend more time together.

Childhood Friends Layer: Their shared history becomes an advantage and a source of conflict. The deeper they dive into new romantic feelings, the more they rely on the comfort of their friendship, but they’re also terrified of crossing the line and ruining everything.

Example: Cloud and Tifa work together both with AVALANCHE and the party at large to combat the threats present in the external conflict. Additionally, they share deep trauma from the Nibelheim Incident that brings them closer together as sources of comfort. They become one another’s rocks, and though they still do not move toward any explicit romantic confirmation, it is clear from their behavior that they both hold deep feelings for each other and care for each other greatly. Cloud in particular holds on to his promise to Tifa, making it a cornerstone of his strength moving forward.

Midpoint Crisis / Trials and Temptations

Romance Structure: Midpoint / I-Need-You-But-Can’t-Have-You

Purpose: This is a major turning point where the characters either experience a "false high" (where they feel like things are going well but something still isn’t quite right) or a "false low" (where they feel like things are falling apart). There’s often a pivotal moment of intimacy that deepens their bond but also introduces new fears.

Childhood Friends Layer: The fear of losing the friendship intensifies. They might experience their first kiss or confession of deeper feelings, but the risk of ruining their long-established bond makes the situation more fraught with anxiety.

Example: This particular point in the arc gets a little tricky for Cloud and Tifa because of Cloud’s identity crisis and Tifa’s reticence around their mismatched issues. However, Rebirth has made it clear that before the end of disc 1, Cloud and Tifa are aware of their feelings for each other and that the narrative is still in the way of it. This arc intersects events that transpire from Kalm to Gongaga, and we see the build-up of tension due to the internal conflict between Cloud and Sephiroth.

Second Pinch Point / The Road Back

Romance Structure: Pulling Back Together

Purpose: The characters are drawn back together by external events, but their internal fears and conflicts still loom large. The romance starts to deepen, but both are still fighting their feelings in some way.

Childhood Friends Layer: They try to go back to being "just friends," but it’s clear that things have changed between them. The emotional and romantic tension keeps building, and they can’t ignore how much they need each other.

Example: We see this dynamic between Cloud and Tifa continue to build throughout disc 1, particularly in Rebirth. We are consistently reminded of the tension between them and the importance of their relationship, regardless of romantic intent. Gongaga and Nibelheim are great examples of this.

Second Plot Point / The Fall

Romance Structure: The Fall

Purpose: The characters are now falling in love, even if they haven’t fully admitted it to each other. There’s often a deeper moment of intimacy—physical or emotional—that makes them realize just how much they mean to each other.

Childhood Friends Layer: One or both characters realize they’ve fallen hard for their best friend, but they are still careful or hold back from telling the other, afraid it might ruin everything. Nonetheless, they give in to their feelings in some capacity, which marks a turning point.

Example: The Gold Saucer date would be the best parallel for this point in the arc for Cloud and Tifa. In the OG Tifa almost confesses to a very interested Cloud, in Rebirth, they confirm feelings and kiss. Either way, it’s clearly meant to signal at this point, the fall has happened.

Act 3: The End

The Crisis / Dark Moment

Romance Structure: Dark Moment / The Break-Up

Purpose: This is the point where everything falls apart. The characters break up or distance themselves, either because of internal or external forces.

Childhood Friends Layer: The weight of their shared history makes this moment even more devastating. The fear of losing the friendship forever becomes real.

Example: For Cloud and Tifa, this moment is really hinged on Cloud’s mental breakdown. After the Gold Saucer Date, Cloud’s mental state progressively worsens due to events that occur within both the internal and external conflicts, and his bond with Tifa is severed completely at the Northern Crater. Cloud and Tifa are separated when Cloud falls into the Lifestream.

The Sacrifice / The Crisis Resolution

Romance Structure: The Sacrifice

Purpose: One or both characters must confront their fears and make a choice. This moment often involves a grand gesture or a realization that love is worth the risk.

Childhood Friends Layer: The realization comes that their friendship has always been the foundation of something more. They understand that risking the friendship for love is not only worth it but that the friendship can only deepen through their romantic connection.

Example: This point comes in Mideel and the Lifestream Scene. Tifa reaches her own realization about her relationship with Cloud and how her reticence has impacted things, and her conviction to save him and be with him is both profound and clearly romantic. Inside the Lifestream, Tifa helps Cloud to find himself, and many revelations about his true feelings for her are brought to light. Of course, we have not reached this point of the story in FF7R, so it will be intriguing to see how it unfolds, given all of the additional context the remake series and ToTP have provided.

The Climax / Declaration

Romance Structure: Declaration

Purpose: The characters finally confess their love for each other, making the leap from friends to lovers. This is the emotional high point where the relationship is solidified.

Childhood Friends Layer: The confession of love is tied to their long history, as they realize that their deep emotional connection as friends is the foundation for a strong romantic relationship.

Example: This moment for Cloud and Tifa is the Highwind Scene in the OG, where they confirm, without words, that their feelings match. Once again, we will see how this event unfolds in Part 3 with all the new and deepened context of Cloud and Tifa’s relationship in 7R.

The Resolution / Denouement

Romance Structure: Denouement / HEA

Purpose: The characters are together and happy, giving the reader a sense of closure.

Childhood Friends Layer: The resolution emphasizes how their strong friendship has transitioned seamlessly into a romantic relationship, giving the sense that they’ll continue to support each other as both friends and lovers.

Example: In the OG, this is seen in the FMV of the game where Cloud and Tifa are together, leading to the resolution of the entire story as Holy and the Lifestream are released. While this scene isn’t particularly direct, it’s enough to show that Cloud and Tifa are together, which leads to ACC where they live and raise a family together. This entire ending segment will likely be greatly expanded in FF7R, and so it'll be interesting to see how these moments are handled, given all of the new context.

Aerith/Cloud: Unrequited Love/Not Meant to Be Arc

Act 1: The Beginning

The Hook (Unrequited Feelings Introduced)

Romance Structure: Introduction / Setup

Purpose: Introduce the protagonist, who falls for the other character. Set up their emotional and psychological conflict, showing how these unrequited feelings shape their interactions with the other character.

Unrequited Love Layer: The character’s love is clearly unreturned, but they hold on to hope. There is a mix of admiration, longing, and pain as they watch the love interest live their life without ever seeing them as a romantic partner.

Example: Aerith’s feelings for Cloud, who she meets first on the streets of Midgar and later inside her church, are inspired by her long-lost love, Zack, whom he reminds her of. We don’t know this immediately, but we find out soon enough, and the story, especially 7R, is full of visual and symbolic cues.

The Inciting Incident / Call to Adventure / Meet-Cute

Romance Structure: Inciting Incident / The Meet-Cute

Purpose: The characters are pushed together by external circumstances, giving the protagonist more time with the love interest. The character sees this as an opportunity to grow closer, but the other character remains unaware or indifferent to their romantic feelings.

Unrequited Love Layer: The character is thrilled to spend more time with the other character and hopes this will bring them closer. However, the love interest still sees the relationship as platonic, creating tension.

Example: While their interaction on Loveless Street is the fated moment for Cloud and Aerith, the meet-cute is their meeting in the church. This is the inciting incident that not only truly triggers Aerith’s latent Zack-longing, but also begins Cloud and Aerith’s friendship as they work together for a common cause. Aerith flirts with Cloud quite a bit at this point, displaying her interest, but Cloud does not reciprocate in any romantic sense. She also refuses to let him leave and follows him around, essentially solidifying Aerith’s place in the player party and cementing her role as the heroine driving the external conflict. From here on out, we are consistently reminded that Cloud reminds Aerith of Zack, the deeper reason for her interest in him.

First Plot Point / Refusal of the Call

Romance Structure: Rejection of the Relationship

Purpose: The protagonist’s feelings remain unrequited. The other character might express interest in someone else or explicitly state that they don’t see the protagonist in a romantic light. This deepens the emotional conflict for the protagonist, who struggles with unspoken feelings.

Unrequited Love Layer: The protagonist is heartbroken but holds onto hope. They keep pushing their emotions down, unwilling to let go just yet.

Example: Aerith meets Tifa and quickly realizes that she is someone deeply important to Cloud. In Remake, she realizes this even before meeting her when Cloud has a headache and calls out Tifa’s name. Her awareness changes her behavior somewhat, but internally, she still is still conflicted because of her internal conflict over Zack.

Act 2: The Middle

First Pinch Point / Acceptance of the Quest

Romance Structure: Giving the Relationship a Chance

Purpose: External circumstances continue to push the characters together, and the protagonist’s feelings deepen. They begin to cling to small moments, hoping that their love might one day be reciprocated.

Unrequited Love Layer: The protagonist interprets friendly gestures as signs of romantic potential. They invest emotionally in every small interaction, hoping it means more than it does. However, deep down, they start to feel the weight of their unreturned affection.

Example: The journey continues with the party leaving Midgar, and Aerith’s feelings for Cloud grow despite her knowledge of his bond with Tifa as the party travels together. In Rebirth this is further complicated by Aerith’s loss of foresight/memories to the Whispers. We are also constantly reminded of Aerith’s lingering feelings for Zack and her grief and sadness over his loss/disappearance. Throughout the journey, she seeks out opportunities to spend time with Cloud - “dates” even though these moments are not reciprocated romantically. A notable example of this is her date with him on the clock tower in Kalm, where she speaks to him about his relationship with Tifa (hinting at her knowledge of their bond and her jealousy over it) and then her public declaration that they were on a date (in front of Tifa). Cloud's reaction to moments like these continue to inform the audience he does not return romantic affections for Aerith.

Midpoint Crisis / Trials and Temptations

Romance Structure: Midpoint / I-Need-You-But-Can’t-Have-You

Purpose: A major turning point occurs where the protagonist either faces the possibility that their love will never be returned or sees a fleeting moment where they think it might be. The emotional stakes are higher, as the protagonist grapples with whether to continue holding on.

Unrequited Love Layer: The character might attempt to make their feelings known, either explicitly or through subtle gestures, but the love interest doesn’t reciprocate. The character is left feeling exposed and vulnerable, yet still holding on to hope that things might change.

Example: For Cloud and Aerith, this continues to be the nature of their relational development throughout most of disc 1, but their interaction on the water tower in Nibelheim is probably the best example of this. Aerith has to grapple with her jealousy over Cloud and Tifa’s bond, which she has been observing for the entire game. Her acknowledgment of her feelings over it is a major turning point as a character. Additionally, this moment really cements that Cloud views his relationship with Aerith as a cherished friendship, as we see the way that he cares about her angry reaction.

Second Pinch Point / The Road Back

Romance Structure: Pulling Back Together

Purpose: Circumstances force the characters to spend more time together, even though the character is starting to feel the emotional strain of unrequited love. There may be a moment of temporary hope, but it’s tinged with the growing realization that their feelings might never be returned.

Unrequited Love Layer: The character becomes more emotionally drained as they begin to sense that their love will remain one-sided. They might try one last time to be closer to the love interest, but the gap between them is becoming clearer.

Example: This moment could best be viewed through Cloud and Aerith’s Gold Saucer date. There, Aerith not only tries to get closer to Cloud but she opens up emotionally and gives Cloud insight into the root of her feelings, which is Zack. Cloud does not reciprocate any of Aerith’s romantic overtures in this date and rather displays discomfort or awkwardness throughout most of it. However, he does allow her a moment of emotional vulnerability, which he has not been willing to do previously. This is further contextualized by how, In Rebirth, Cloud has remembered Zack by this point (albeit incorrectly). Cloud, who cherishes and cares for Aerith greatly as a friend, is considerate of this connection and offers her comfort for the grief and loss she has just admitted to feeling and seeking consolation in him from. Hence "just until the ride's over"; "I didn't do anything" etc...

Second Plot Point / The Fall

Romance Structure: The Fall

Purpose: The character finally realizes that their love will never be returned. This is an emotionally intense moment where they are forced to confront the truth—they will never be more than a friend or confidant to the love interest.

Unrequited Love Layer: The protagonist may be devastated by the final confirmation that their feelings will never be returned. The emotional weight of unrequited love becomes too much, and they start to realize they need to let go, or come to other realizations about their feelings.

Example: The moment that most closely matches with this point in the arc is the dream stroll through Sector 5. Not only does Aerith accept that Cloud doesn’t return her feelings romantically, but she comes to a realization of her own feelings and questions them. This is clearly a reference to Zack, whose internal conflict has been consistently foreshadowed. Aerith also seems to recognize that she can’t help Cloud with his internal conflict - that is Tifa's role.

Act 3: The End

The Crisis / Dark Moment

Romance Structure: Dark Moment / The Break-Up

Purpose: This is the point of emotional reckoning, where they face the reality of unrequited love and move on in their arc.

Unrequited Love Layer: The character experiences grief over their unreturned feelings. They might decide to pull away from the love interest entirely, or they may try to come to terms with remaining friends while letting go of their romantic hopes and moving on.

Example: For Aerith, this moment is marked by her complete transition to her role in the external conflict. At this point, she has let go of her romantic fancy for Cloud and has committed herself to the bigger picture. It is at this point that she leaves the party, and leaves Cloud in the Sleeping Forest, to fulfill her role as a Cetra.

The Sacrifice / The Crisis Resolution

Romance Structure: The Sacrifice

Purpose: The protagonist sacrifices their unrequited love, realizing they need to move on for the sake of their own emotional well-being or greater purposes. This is a bittersweet moment of acceptance and self-growth, where they let go of the hope that kept them holding on for so long.

Unrequited Love Layer: The protagonist may realize that holding on to unrequited love is only hurting them or preventing them from reaching a greater purpose.

Example: For Aerith, this point in the arc is less about Cloud and more about her role in the external conflict. This is the point in which she travels to the Forgotten City, prays, and ultimately is killed. However, it is bittersweet and tragic for her, ultimately, because she dies with unrequited love from Cloud and without ever getting closure on her true love, Zack.

The Climax / Declaration

Romance Structure: Declaration

Purpose: Instead of a declaration of mutual love, this is the protagonist’s internal declaration of acceptance. They start the process of moving on.

Unrequited Love Layer: The protagonist lets go of the love interest in their heart, realizing that they need to focus on their own future. The love interest is likely unaware of this internal shift, but it’s a powerful moment of growth for the protagonist.

Example: For Aerith, this is perhaps best viewed in her complete transition after death to the larger role she plays as the heroine of the planet from within the Lifestream. Her arc has fully transitioned away from her feelings for Cloud into her greater purpose. In FF7R, we can hope to see how Zack, who has been trying to find her, begins to impact this next phase of her arc.

The Resolution / Denouement

Romance Structure: Denouement / HEA

Purpose: Instead of a traditional happy ending, this is a reflective, bittersweet resolution. The character has grown emotionally. There is a sense of closure, though it may come with lingering heartache.

Unrequited Love Layer: The character has let go of the hope that their love would ever be returned. They are stronger for it and have moved on.

Example: For Aerith and Cloud, this moment is best summed up by their brief Lifestream reunion at the end of the game. It will be intriguing to see how this moment is expanded and provides closure for Cloud and Aerith’s relationship, as well as Zack’s role in both.

Zack/Aerith: Long Lost Love/Tragic Love Arc

This arc is a little more complicated to map out since it is not only incomplete but riddled with mysteries at this point. However, I’m going to do my best to make the connections based on the information we have and where we can theorize things may be going.

Act 1: The Beginning

The Hook

Romance Structure: Introduction / Setup

Purpose: Establish the protagonist’s life after the estrangement, showing how unresolved feelings for their lost lover impact their emotional world. There’s a sense of longing and unfinished business that propels the protagonist’s actions.

Long Lost Lovers Layer: The protagonist is haunted by memories of their estranged lover and driven by a deep desire to find them again. This longing is fueled by unresolved emotional wounds, and the protagonist clings to the hope of a reunion.

Example: In Rebirth, from the beginning, Zack is singularly focused on reuniting with Aerith. After his escape from Nibelheim, even as he carries the wounded Cloud, Zack’s thoughts are consumed by Aerith. His love for her pushes him forward despite the dangerous and confusing circumstances he finds himself in. Zack’s motivation intensifies when he discovers, through a newscast, that Aerith is in danger. This revelation shifts Zack from hopeful longing to immediate action, driving home the urgency of his quest. His decision to prioritize Aerith’s safety over everything else, including Cloud, underscores how central Aerith is to his purpose, raising the stakes for his emotional journey.

The Inciting Incident

Romance Structure: The Call to Adventure

Purpose: The inciting incident transitions the protagonist from passive longing to active pursuit of reunion. Some event or revelation forces the protagonist to act, prompting them to seek out their estranged lover. Often, this is triggered by the discovery that the lover may be in danger.

Long Lost Lovers Layer: The protagonist realizes that simply hoping for a reunion isn’t enough—there’s now a tangible reason for urgency. This event serves as a catalyst for the protagonist to fully commit to the journey of reconnecting with their lover, increasing the stakes as they shift from passive longing to active pursuit.

Example: After mysteriously "surviving" his last stand against Shinra (as seen at the end of Crisis Core), Zack rescues Aerith from Shinra’s grasp in Rebirth. However, instead of a triumphant reunion, the moment is clouded with confusion and tragedy. This rescue scene signals Zack’s deep emotions for Aerith and heightens the sense of foreboding in their relationship arc. The player quickly realizes that the reunion isn’t straightforward and that darker forces are at play, casting a shadow over Zack’s determined rescue.

First Plot Point

Romance Structure: Refusal of the Call / First Obstacle

Purpose: The first major obstacle or refusal of the call introduces the initial challenges the protagonist faces in their pursuit of the lost lover. Despite their determination, external forces or internal doubts surface, complicating the journey.

Long Lost Lovers Layer: The protagonist’s optimism about reuniting with their estranged lover is challenged by harsh realities—whether through physical danger, supernatural elements, or emotional barriers. This moment introduces doubts about whether a reunion is possible, raising tension and uncertainty.

Example: Zack eventually brings a comatose Aerith and Cloud to Elmyra’s house. Zack’s devotion to them is evident as he cares for them despite their unresponsive states, but the world around him behaves in strange ways. The eerie sense of something deeply wrong in Sector 5 hints that Zack’s reality—and Aerith’s fate—are far from certain. He’s not just fighting to reunite with Aerith; he’s battling a reality that is becoming increasingly unstable. The player shares in Zack’s growing sense of anxiety and confusion, setting the tone for the more tragic layers of their arc to come.

First Pinch Point / Acceptance of the Quest

Romance Structure: Giving the Relationship a Chance

Purpose: The protagonist resolves to pursue their lost lover, hoping to rekindle what they once had. However, unresolved issues and emotional scars from the past begin to surface, complicating their journey.

Long Lost Lovers Layer: Time and distance have changed both characters, making reconnection difficult. The focus is on how time has altered both individuals and the lingering emotional weight of their separation.

Example: Zack’s attempt to reunite with Aerith is complicated by the metaphysical separation created by the Lifestream. Aerith remains comatose, as does Cloud, and Zack has to contend with both his own internal conflict as he tries to help them as well as the external conflict of his strange and mysterious circumstances within "Sector 5".

Midpoint Crisis / Trials and Temptations

Romance Structure: Midpoint / I-Need-You-But-Can’t-Have-You

Purpose: The protagonist’s need for their lost lover intensifies, but the relationship is far more complicated than expected. Old wounds and emotional or external barriers resurface, making reunion seem out of reach. Despite their determination, the protagonist begins to doubt whether they can ever restore what they once had.

Long Lost Lovers Layer: Time and emotional distance have changed the dynamics of their relationship. While both may care for each other, the past cannot easily be erased, and their attempts to reconnect are fraught with tension.

Example: External forces such as Sephiroth’s manipulations, and Aerith’s internal conflict over Cloud create an emotional barrier between her and Zack. Aerith, “asleep” in Zack’s world, remains unaware of his presence. As Zack learns from Marlene that Aerith’ "likes" Cloud, more tension and conflict is added. Despite these challenges, Zack remains unwavering in his commitment to reconnect with Aerith, determined to overcome the growing emotional distance.

Second Pinch Point / The Road Back

Romance Structure: Pulling Back Together

Purpose: The protagonist makes another push to reconnect with their lost lover despite significant setbacks. Faced with the reality that time is running out, the protagonist must act decisively to restore the relationship. While emotional connections may deepen, unresolved challenges threaten the outcome, leaving uncertainty in the air.

Long Lost Lovers Layer: Despite growing obstacles, the protagonist remains committed to rekindling the relationship. The emotional and physical distance between the lovers may still seem insurmountable, but the protagonist refuses to give up, holding onto the hope that they can salvage what they once had.

Example: Even as Zack’s hope begins to wane, he remains steadfast in his desire to reunite with Aerith. Zack finds himself pulled in multiple directions, creating additional conflicts. External forces and emotional entanglements continue to complicate their relationship, but Zack’s determination to bridge the emotional gap keeps pushing him forward. This section of Rebirth continues to heavily foreshadow both the truth about Zack as well as the future of Zack and Aerith's relationship, despite the conflicts.

Act 3: The End

The Crisis / Dark Moment

Romance Structure: The Break-Up / Darkest Hour

Purpose: The protagonist faces their darkest moment, where it seems that the reunion will never happen. Emotional scars or external forces tear the lovers apart, and the protagonist believes they’ve lost their final chance to reconnect. The relationship nears failure as the protagonist faces the harsh reality of their situation.

Long Lost Lovers Layer: The conflict grows to the point of no return. Previous mistakes or external conflicts surface, causing the relationship to fall apart, and the protagonist is left devastated, feeling that the reunion may never come.

Example: In Rebirth, this moment comes near the ending of the game when Sephiroth's confluence of worlds plays a role in role in further uprooting Zack's existence in the Lifestream. We also know that this is the time that Aerith dies in the real world, further complicating matters and adding new layers of conflict.

The Sacrifice / The Crisis Resolution

Romance Structure: The Sacrifice

Purpose: The protagonist realizes that to win back their lost lover, they must sacrifice their pride, fear, or ego. This emotional climax reflects their willingness to make a grand gesture or display vulnerability, showing they’ll do whatever it takes for a second chance.

Long Lost Lovers Layer: The protagonist makes a final, heartfelt plea to the estranged lover, acknowledging their mistakes and baring their soul. The lover, moved by the sincerity, must decide whether or not to take the risk of rekindling the relationship.

Example: Although we don’t yet know how this will play out in the Remake series, it’s likely that Part 3 will feature a reunion between Zack and Aerith. The conflicts that have built up—including Aerith’s internal struggle regarding Cloud—will need resolution. Advent Children (ACC) shows Zack and Aerith together in the Lifestream, setting the stage for a reunion in the Remake. The exact nature of this reunion remains speculative, but it’s likely Zack will make a significant sacrifice or grand gesture to resolve the emotional conflicts that have kept them apart.

The Climax / Declaration

Romance Structure: Declaration

Purpose: The estranged lover finally decides to take the risk and give the relationship another chance. After much internal struggle, they admit they’ve never stopped loving the protagonist, and they’re ready to move forward together. This is the emotional peak where both characters commit to each other.

Long Lost Lovers Layer: The reconciliation finally happens. After everything they’ve endured, the estranged lover acknowledges their lingering feelings and agrees to rebuild the relationship. Both characters take a leap of faith, trusting that they can overcome the past and move forward.

Example: Though speculative, if the arc follows the long lost lovers trope, Zack and Aerith will likely experience a heartfelt reunion in Part 3. Their lingering feelings would finally be acknowledged, clearing up Aerith’s complicated feelings for Cloud while reaffirming her bond with Zack. This declaration of love would also tie into the larger narrative arc, offering emotional resolution for both characters and allowing their story to move forward, especially in support of Aerith's role in the external conflict of the Planet.

The Resolution / Denouement

Romance Structure: Denouement / HEA

Purpose: The story concludes with a glimpse of the couple in their newly rekindled relationship. The emotional weight of their past has been lifted, and they are now ready to face the future together. Even if circumstances prevent a traditional “happy ending,” there is emotional closure and a sense of peace.

Long Lost Lovers Layer: After the pain, separation, and emotional struggle, the couple is finally together. The audience is left with a sense that their love will endure this time, offering a bittersweet but satisfying conclusion to their long journey.

Example: In Advent Children (ACC), we see Zack and Aerith reunited in the Lifestream, helping Cloud in his final battle. Their reunion suggests that, while they may no longer live in the physical world, their connection endures beyond death. Though bittersweet, their reunion offers emotional closure. The final installment of the Remake series will likely bring full resolution to Zack and Aerith’s arc, providing a satisfying conclusion, even if there are tragic elements along the way.

Final Thoughts: The Love Triangle is a Narrative Illusion

Cloud and Tifa’s Slow-Burn Childhood Friends to Lovers (Canon)

Cloud and Tifa’s relationship in Final Fantasy VII is a carefully crafted slow burn, rooted in a deep bond that extends back to their childhood in Nibelheim. Their connection is not built on superficial or flimsy romantic interactions but on a shared past and the quiet intimacy that grows from years of unspoken longing but is complicated by trauma.

Cloud and Tifa’s natural chemistry is driven by their subconscious desires and the deep, unspoken feelings they have for one another. For Cloud, his buried emotions instinctively reach out to Tifa, even though he isn’t fully aware of them. The narrative hides these true feelings, but subtle moments of affection and protectiveness reveal that, deep down, Cloud’s heart is already tied to hers, laying the groundwork for their eventual emotional connection.

The game’s emotional climax in the Lifestream, where Tifa helps Cloud piece together his shattered memories, is a pivotal moment in which both characters finally confront the depth of their feelings for each other. Their journey isn’t one of dramatic declarations, but rather a gradual, emotional reconnection that allows deeply held, mutual love and longing to blossom—a love that is grounded in shared history, healing, and mutual understanding and compassion.

This slow-burn romance stands as the true heart of Cloud’s emotional journey, dispelling the illusion of a love triangle and making it clear that Cloud’s deepest emotional ties are with Tifa.

Aerith and Cloud’s Unrequited Love / Not Meant to Be Semi-Canon/One-sided) (Fanon - mutual)

The dynamic between Aerith and Cloud, while often misinterpreted as romantic, is better understood through the lens of unrequited love and fate’s intervention. Aerith’s initial attraction to Cloud is undeniably influenced by his resemblance to her first love, Zack Fair.

As time goes on, Aerith tries to see Cloud for who he is, but tragically, this is not possible before her death, and her feelings remain complicated and unreciprocated. Their bond, while significant as friendship, never goes beyond that, reinforcing the fact that Aerith’s feelings for Cloud are more of an echo of her past with Zack.

Cloud's true self being in love with Tifa and Aerith’s tragic death seal the fate of their relationship as one that was never meant to be—a fleeting connection, shaped by circumstance rather than true compatibility.

The tragedy of this unfulfilled arc serves as a powerful narrative device, but it is clear that Cloud and Aerith were never destined to end up together, further dispelling the notion of a love triangle.

Zack and Aerith’s Long Lost Love / Tragic Love (Canon)

Zack and Aerith’s relationship is the quintessential tragic love story in Final Fantasy VII, defined by separation, longing, and loss. Aerith’s first love, Zack, vanishes from her life without explanation, leaving her with unanswered questions and unresolved feelings. Even as she begins to move forward, her heart never fully lets go of Zack, who is revealed to have fought valiantly to return to her—only to tragically lose his life in the process.

The tragedy of their love lies in the fact that both characters hold onto each other, but fate conspires to keep them apart, making their love story one of the most emotionally poignant elements in the game. Even in death, their connection endures, with Zack and Aerith appearing together in the Lifestream in ACC, symbolizing a love that transcends life itself. This arc, while bittersweet, resolves the narrative of Aerith’s romantic life—Zack was her true love, and Cloud was a reflection of the man she had lost, not a new love interest.

Their tragic love story dispels the myth of a love triangle in Final Fantasy VII, emphasizing that Aerith’s heart always belonged to Zack, even as she developed a bond with Cloud during her journey.

All of the relationships in the game are important. However, Cloud/Tifa & Zack/Aerith are the canon, mutual romantic relationships of Final Fantasy VII. Cloud/Aerith have a cherished friendship, but any romantic subtext of their relationship in the game is used as a vehicle to drive the conflicts and truths of the canon relationships forward. This is accomplished through illusions and subversions in storytelling, as well as creating internal conflict for the characters and canon relationships.

FFVII’s storytelling is deliberately designed to mislead the player through incomplete truths and emotional misdirection, including the use of red herrings, illusions, unreliable narration, and the omission of critical information or context. Cloud’s confused memories and persona, coupled with Aerith’s initial attraction to him based on his similarities to Zack, create the illusion of a romantic triangle, but the deeper truths—Cloud’s unresolved trauma and false identity, Tifa’s role as the keeper of Cloud’s real past and his true feelings, and Aerith’s ultimate fate as the Planet’s protector and her true love being Zack—gradually dismantle this illusionary love triangle.

I cannot stress enough that FFVII is not a love drama or soap opera where the game’s conflict centers on romantic rivalries, betrayal, deception, or morally questionable behaviors.. It’s a complex story that focuses on themes of life, loss, identity, self-discovery, legacy, and on and on.

Love - all kinds of love, including romantic, platonic, and familial - is a theme of FFVII, but truly and holistically, not for the sake of creating meaningless drama between the characters. The relationship dynamics appear messy at times in the earlier parts of the story, but these dynamics are designed to help us reach the proper conclusions about the story and the characters’ arcs, and how true love is a vehicle for reaching resolution for both.

Player’s choice is irrelevant to the plot. You cannot decide or alter the story structure or direction or individual character arcs or relationships. The most you can do is view the game through a slightly different lens by gaining an expanded understanding of character arcs and motivation with new replays.

Shipping is a fandom construct. It’s meant to be fun, and you can ship whatever you like. But shipping doesn’t intersect with the facts of a story or its narrative. Lying about any piece of media to convince yourself or others of its canonicity is bizarre behavior.

Respect the work and its intention, while having your shipping fun within your fandom. Don't embarrass yourself by saying an FF protagonist kissing the girl he’s loved since childhood and joined the army to impress means nothing, or worse, proves he the opposite of a hero.

You can ship your fanon without doing all that.

Last thing: Reunion is a primary theme of Final Fantasy VII. You may have noticed that it is also a primary theme for both of the canon romantic relationships. Personally, I believe that Part Three is going to drive this message home in a way that is unmistakable. I also believe that both lovers' reunions will be instrumental in resolving all of the conflicts of FFVII in the final game.

It’s not a coincidence that both reunions will take place in the Lifestream, or that they've been foreshadowed by the presence of the yellow flower.

I also believe that the dual Rebirth cover arts, described by Tetsuya Nomura as Sephiroth "tearing Cloud and Zack's worlds apart" are heavily foreshadowing the resolution of these relationships along with their connection to the the larger story structures of FFVII/FFVIIR.

Let's wait and see when Part 3 comes along.

#ffvii #cloud strife #cloti #tifa lockhart #final fantasy vii #ffviir #ffvii remake #ffvii rebirth #ltd #love triangle #love triangle debate #shipping discourse #shipping dynamics #shipping drama #shipping discussion #shipping debates

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