#Cultural Celebrations Indiana

[jasonaaronpro]

Exploring the Musical World of Adam Riviere and Playground Productions

🎶 Explore the rhythm of Indianapolis with Adam Riviere at Playground Productions! Discover a haven for music and art lovers in our latest segment. 🎤🎨 #PlaygroundProductions #AdamRiviere #MusicCulture #INtheLoopTVShow 📺🌟

Immerse yourself in the vibrant and culturally rich world of Adam Riviere and his Playground Productions Studio, nestled in the heart of Irvington. In this exclusive segment, we explore the dynamic studio space where creativity and community converge. Adam Riviere, a master of over 30 instruments including the mesmerizing didgeridoo, opens up about his passion for music, holistic healing, and the…

[ultravioart]

Okay I will admit it, I am a hater.

Venture's VA narrated the Venture comic and botched Mauga's accent, butchered the pronunciation of πυξίς (pyxís said like peekSIS not PICKsis) and Iram. It's tonal and phonetic errors, not Venture's accent.

Where are the voice directors??? Why aren't words being checked if they are pronounced right? It's annoying enough that the Greek ruins were not researched (digging into cliffsides/under ruins in Greece is desecration/dangerous, Venture's drill would shatter terracotta artifacts, handling artifacts WITH BARE HANDS is a no-no, and a Westerner claiming 'no one is here to protect these Greek ruins, so I HAVE TO STEP UP' is such bs) but the pronunciations and accent butchering is just... the unprofessional cherry on top lol.

The VA was also very nsfw in a community that included minors (Overwatch isn't rated Mature, there are teens here. Such as interacting with streamers in a suggestive way even though those streamers have minors in the audience. If Overwatch was an adult series I wouldn't be complaining.) I get the VA is nsfw sometimes but READ THE ROOM. YOU are the adult here, CHOOSING to work on a T rated game that has a large online presence. Make a side account or something for nsfw!

The VA also encourages thirst trap art of Venture which to me feels SO ooc for Venture's character. Overwatch characters should NOT be self inserts! Did we not learn this already with Cassidy?!?! Sure, Venture's character can be flirty, but I see it in more so a 'hopeless romantic' super-hero whimsy way. Look at how Venture embellishes their intro in the intro animation! "Those boots, the drill, that perfect smile!"

It's light hearted and camp, not unironic gooner thirst trap lol. (Plus that mummy skin fanart trend for Venture eventually turned into people making fanart including orientalist fetish costumes. Smfh.)

There's nothing wrong with expressing sexuality, in fact I am happy for anyone that finds who they are and embraces it! But yeesh, as a professional VA in a T rated game, be appropriate for a T rated audience!!! Don't be horny on main when sfw fans are just trying to ask you about the VA profession. It's not cute, it’s immature and irresponsible and extremely unprofessional. Sorry to be a hater but. This person also voices characters in Monster High, a series aimed at a younger audience. The VA also voices a character in Genshin Impact... and I needn't say why it's concerning that the VA doesn't respect the audience the VA AS AN ADULT chooses to work in. :/

I also have beef with how Venture changed from concept to final product (loved the big smile, long lashes chill vibe + Venture's curls got nerfed >:/) so I might make a redesign of Venture in the future...

[clubhoops]

Caitlin Clark watching Maya Moore’s jersey retirement ceremony

[quantifiableme]

I do feel like, as an American, it’s really important we acknowledge how fucking big America is.

Because the only other countries that can really understand physically how fucking BIG we are are Russia, China, and like Canada. (Feel free to throw in another one, I still think my point works.) Like those are the only other countries with THIS MUCH LAND MASS.

And yes China and Russia are both bigger, but what makes the US different is we’re sort of the only country with our population as SPREAD OUT as it is. We’re like butter on toast, we really spread ourselves thin.

Like if we look at population density maps, which when they do it with lights is probably one of the *prettiest maps*, you see that China (above) is fucking LARGE. But 94% of it’s people are on the east coast.

Similarly, Russian civilians usually trend toward the southern boarder. And for obvious reasons, I’m sure living in Northern Russia requires a level of survival skills that makes you basically your own sovereign.

And I’m not saying no one lives in Inland China, or that no one lives in Northern Russia. However, the people that do are so completely removed from the rest of the population, they’re probably like survivalists or practice very traditional farming that they are their own society. I’d bet policy makers don’t really take them into account because they 1.) Don’t vote and B.) wouldn’t follow those laws anyway.

America is a little different.

Like, out two biggest populations (New York and LA) are on OPPOSITE SIDES OF THE COUNTRY. They have two different time zones, opposite weather conditions, opposite immigration populations (past and present). We sort of die out in the Great Plains there, but that’s where we keep VEGAS.

I say this as someone from the Midwest (look at the pretty lakes on top there) who went to college in Florida (the penis looking shape at the bottom right corner) at a school with a HUGE international population. And may I say, sometimes I related more to my international friends from Germany or Columbia than I did with an American from Tampa.

Which is sometimes what annoys me about international people who have a thought or two to say about American laws or policy. Like yes, we’re bad at it. We got a lot of things we gotta tinker and fix, just like all other countries. However, YOUR country probably has a bit more of a cohesive culture or political background on certain topics. Maybe there are more conservative Chinese people, but you probably all agree that you’re concerned about shipping and nautical trade because *94% of you are on the ocean*. And I don’t believe for a SECOND that no one in Northern Russia doesn’t have a fucking gun. THERE ARE VERY LARGE BEARS THAT RUN VERY FAST.

Making federal laws in any country is hard, but American politics are a totally different monster.

Even an Asian American from New Jersey will have a completely different experience than an Asian American from Arizona. Queer people in Montana couldn’t *fathom* the culture and subcultures of people in New York. They don’t even know they exist. Even look at the hip hop community: East Coast and West Coast and Midwest and Atlanta are basically different planets, and they’re the same genre of music. And don’t even get me STARTED on religion. Hey Britian, so you know what a Mormon is? Because we have one state that gets 6 electoral votes in our elections that is just one VERY SPECIFIC protestant religion of Christianity that thinks drinking liquor is a sin. Energy Drinks are very very very popular there. (Shoutout Utah, I see you.)

So yeah, a New Yorker is going to prioritize public transportation reform, while a governor from Montana wants to protect National Parks. California people do not understand Midwest Hunting as a recreational activity, and I thought the Everglades were mountains until I went to Florida and realized they were swamps. My Floridian friends made fun of me, but they don’t know there are 5 Great Lakes so *raspberry noise*.

So yes we have a culture. We have 100,000,000 MAJOR cultures that make no sense and will never interact, because our cities are father away than some of you are to other continents.

True American culture was the friends we made along the way. 💛

[uniqueartisanconnoisseur]

Ready for the Eclipse?

Are you ready for the April 8, 2024, eclipse? Do you have your solar glasses, your chair, your sunscreen and bug spray? Do of all the spot picked out to watch the solar eclipse? How are you preparing for this rare event? During the eclipse, the shadow of the moon will plunge a narrow strip of land into darkness in the middle of the day. Be sure to plan ahead because, the next total solar eclipse…

[visit-new-york]

100 Most Fascinating Facts About the Empire State Building

The Empire State Building, located in the heart of Manhattan, New York City, is an iconic skyscraper and one of the most famous landmarks in the world.

Construction of the Empire State Building began on March 17, 1930, and was completed in just 410 days, opening its doors to the public on May 1, 1931.

Standing at a staggering height of 1,454 feet (443.2 meters), including its antenna, the Empire State Building was the tallest building in the world when it was completed. It held this title for nearly 40 years until the completion of the World Trade Center's North Tower in 1970.

The Empire State Building has 102 floors, with 86 of them being used for office space, and it houses numerous businesses and organizations.

The building was designed by architect William F. Lamb, who worked for the architectural firm Shreve, Lamb & Harmon Associates. The design was inspired by the Art Deco style, which was prevalent in the 1930s.

It cost approximately $40 million to build the Empire State Building, which would be equivalent to over $700 million in today's money when adjusted for inflation.

The building's construction was completed during the Great Depression, and it was often referred to as the "Empty State Building" during its early years due to the difficulty of finding tenants for the office spaces.

To finance the construction, the Empire State Building was funded by a group of wealthy investors, including John J. Raskob, a financier and businessman.

The building's exterior is clad in Indiana limestone and granite, giving it a distinctive and elegant appearance.

The Empire State Building's famous Art Deco spire was originally intended to serve as a mooring mast for dirigibles, but the idea was quickly abandoned due to safety concerns and strong winds at such heights.

The building's construction progressed at a remarkable rate of four and a half stories per week, an unprecedented speed for that time.

During the construction, five workers tragically lost their lives, and they are honored with a memorial plaque inside the building.

The Empire State Building has a total of 73 elevators, including service elevators, and it takes just 45 seconds to reach the 86th-floor observatory from the ground floor.

The building's 86th-floor observatory offers breathtaking panoramic views of New York City and has been visited by millions of tourists from around the world.

Notable visitors to the Empire State Building include several world leaders, celebrities, and even fictional characters like King Kong in the classic 1933 film.

The Empire State Building was the location of several daredevil stunts and record-breaking feats, including the famous race to the top between a man and an elevator.

The building's official lighting system can be programmed to display various colors and patterns during different events and celebrations, making it a striking presence in the New York City skyline.

Every year, on Independence Day, the Empire State Building participates in the Macy's Fourth of July Fireworks display, illuminating the night sky with a colorful show.

In 1964, the Empire State Building was designated as a National Historic Landmark, recognizing its cultural and historical significance.

The building's observatories are open to the public year-round, and they are especially popular during the annual Empire State Building Run-Up event, where participants race up the stairs to the 86th floor.

The iconic scene from the movie "Sleepless in Seattle," where Tom Hanks and Meg Ryan meet on the observation deck, has become a quintessential romantic movie moment.

The Empire State Building has been featured in numerous movies, TV shows, and music videos, cementing its status as a symbol of New York City and an emblem of urban life.

On a clear day, visitors to the observatory can see up to five states: New York, New Jersey, Pennsylvania, Connecticut, and Massachusetts.

The building has experienced several incidents of lightning strikes, but its construction materials safely disperse the electrical charge, keeping it relatively safe during storms.

The Empire State Building's Art Deco lobby is adorned with beautiful murals and decorative elements, transporting visitors back to the glamour of the 1930s.

A famous photograph called "Lunch Atop a Skyscraper" was taken during the construction of the building, showing construction workers casually sitting on a steel beam high above the city.

The Empire State Building has appeared in various video games, becoming a recognizable virtual landmark in games set in New York City.

The building's famous spire has undergone several alterations and changes over the years, including the addition of a television broadcasting antenna.

An observation deck is located on the 102nd floor, offering an even higher vantage point for those willing to climb a few more flights of stairs.

During the annual Empire State Building Run-Up, the fastest recorded time for ascending to the 86th floor is just under 10 minutes.

The building's exterior lights are often coordinated to support important causes, such as lighting up in specific colors to raise awareness for charitable events and holidays.

The Empire State Building's lobby houses a scale model of the building, offering visitors a close-up look at its architectural features and design.

The Empire State Building's design and construction techniques were considered innovative for their time, and many of its principles have influenced the development of future skyscrapers.

The building's façade features intricate stone carvings, depicting various animals and mythological creatures, adding a touch of artistry to its exterior.

The Empire State Building was the first building to have more than 100 floors, making it a true marvel of engineering and architectural achievement.

The building's steel frame weighs around 57,000 tons, and the total weight of the building, including its contents, is estimated to be over 365,000 tons.

In 1945, a B-25 bomber crashed into the Empire State Building's 79th floor in dense fog, resulting in 14 fatalities and significant damage to the building.

The Empire State Building's architecture has served as inspiration for various skyscrapers and buildings around the world.

The building's height, including its antenna, is precisely 1,454 feet and 8 9/16 inches (443.2 meters), making it an engineering marvel to achieve such precision during the 1930s.

The Empire State Building has been featured in numerous songs, poems, and works of literature, cementing its status as a symbol of ambition, progress, and the American Dream.

The building's main lobby features a stunning ceiling mural titled "American Progress" by artist Roy Sparkia, depicting the rise of New York City.

A bronze plaque on the ground floor commemorates the visit of President Franklin D. Roosevelt, who turned on the building's lights with a push of a button on May 1, 1931.

The Empire State Building was the location of a unique event in 1951 when Kathryn Johnston became the first woman to be married on the building's observatory.

In 1980, the exterior of the Empire State Building was designated as a city landmark, ensuring its preservation for future generations.

The Empire State Building's prominence as a symbol of American industrial prowess and architectural excellence was further solidified by its inclusion in the Great Seal of New York City.

The building has been featured on several postage stamps issued by the United States Postal Service, further showcasing its iconic status.

The Empire State Building played a significant role in numerous movie plots, and its imposing presence has served as a backdrop for memorable cinematic moments.

The building's immense height allows it to be visible from various points across New York City, making it a guiding landmark for many residents and tourists.

The Empire State Building was depicted in the 1983 video game "King Kong," where players climbed the building to rescue the titular character.

The building's observation decks have hosted numerous special events, including weddings, proposals, and even a high-wire walk by daredevil Philippe Petit in 1974.

The Empire State Building is an energy-efficient building, and it has earned a Leadership in Energy and Environmental Design (LEED) Gold certification for its sustainability practices.

The annual Empire State Building Run-Up attracts participants from around the world, with many athletes and fitness enthusiasts challenging themselves to conquer the stairs.

The building's 86th-floor outdoor observatory has been featured in movies like "An Affair to Remember" and "Sleepless in Seattle" as a place where couples can share special moments and breathtaking views.

The building's observation decks have been the setting for several world records, including the highest concert and the highest-flying paper airplane launch.

On a windy day, the Empire State Building sways gently, and the topmost floors can sway up to several feet due to its flexibility and structural design.

The Empire State Building has appeared in numerous comic books and graphic novels, often serving as a backdrop for superhero battles and epic showdowns.

The building's observatories are equipped with high-powered binoculars to allow visitors to get a closer look at various landmarks and attractions across the city.

The Empire State Building has been featured in various virtual reality experiences, allowing people from around the world to explore its heights without leaving their homes.

The Empire State Building's façade lighting is often used to commemorate special occasions, such as holidays, national events, and philanthropic initiatives.

During the Christmas season, the Empire State Building is illuminated with festive colors, and a large Christmas tree is displayed in the lobby.

The building's observatories are open until midnight, offering visitors a chance to experience the stunning nighttime views of the city that never sleeps.

The Empire State Building's central location in Midtown Manhattan makes it a convenient starting point for tourists exploring the city's many attractions.

The Empire State Building has been featured in video games like "Grand Theft Auto IV" and "Crysis 2," allowing gamers to interact with a virtual representation of the iconic structure.

On a clear night, the Empire State Building's lights can be seen from miles away, creating a mesmerizing sight in the New York City skyline.

The building's annual lighting of the tower in blue on April 15th marks the start of Autism Awareness Month, showing its support for autism-related initiatives.

The Empire State Building has been depicted in countless postcards, souvenirs, and artworks, becoming an emblem of New York City's skyline.

The building's iconic mast and tower were originally intended to serve as docking points for airships, but advancements in aviation technology rendered this idea impractical.

In 1947, a United States Army Air Force B-25 Mitchell bomber successfully made a round-trip flight between New York City and Bermuda, proving the feasibility of commercial transatlantic flights.

The Empire State Building was featured in the climactic battle scene of the 2012 film "The Avengers," where the superheroes fought off an alien invasion from the top of the building.

The Empire State Building has appeared in numerous disaster movies, where it is often destroyed or damaged by earthquakes, tidal waves, and alien invasions.

The building's observatories offer a clear view of the Statue of Liberty, Ellis Island, Central Park, and other iconic New York City landmarks.

The Empire State Building's interior spaces have been used as sets for various film and TV productions, including commercials, documentaries, and music videos.

On special occasions, the Empire State Building's lights synchronize with music, creating stunning light shows visible from various vantage points around the city.

The building has served as a popular backdrop for fashion shoots, with models posing on its observation decks or in front of its grand entrance.

The Empire State Building was the tallest building in the world when it was featured in the classic 1933 film "King Kong," where the giant ape climbed to the top.

The building's annual Empire State Building Run-Up attracts participants from various backgrounds, including professional athletes, firefighters, and fitness enthusiasts.

The Empire State Building has been a popular destination for marriage proposals, with its breathtaking views providing a romantic setting for couples in love.

The building's observation decks have hosted a variety of events, including live music performances, book signings, and art exhibitions.

The Empire State Building's design incorporates setbacks, creating a distinctive and recognizable silhouette on the Manhattan skyline.

The Empire State Building has been featured in numerous post-apocalyptic movies, symbolizing the endurance of human architecture in the face of catastrophe.

The building's height makes it an ideal location for various telecommunication antennas, broadcasting radio, television, and mobile signals to the city.

The Empire State Building is lit up in blue and white in honor of the annual International Day of Peace on September 21st, promoting global harmony.

The building's interior lobby and halls have appeared in several period dramas and historical movies, evoking the elegance of the Art Deco era.

In 1994, a Norwegian base jumper successfully parachuted from the top of the building, landing safely on the streets of Manhattan.

The Empire State Building has served as a focal point in various New Year's Eve celebrations, with its lighting being an integral part of the festivities.

The Empire State Building has been used in art installations and performance pieces, exploring themes of urbanization, identity, and human experience.

The building's observation decks have been visited by numerous celebrities and dignitaries, from movie stars to political leaders from around the world.

The Empire State Building's Art Deco style has inspired interior designs, fashion trends, and architectural elements in buildings worldwide.

The Empire State Building has been depicted in animated movies and TV shows, capturing the imaginations of younger generations.

The building's grand entrance features exquisite decorative bronze doors, with intricate reliefs and ornamental details.

The Empire State Building has been featured in numerous books and documentaries that explore its history, engineering, and cultural significance.

The building has been the subject of various art projects, including paintings, sculptures, and installations, showcasing its allure as an artistic muse.

The Empire State Building has served as a symbol of resilience, representing New York City's ability to recover and rebuild after the tragic events of September 11, 2001.

The building's observatories have been visited by prominent figures in history, including Queen Elizabeth II, Princess Diana, and the astronaut Neil Armstrong.

The Empire State Building's annual Halloween lighting event sees the top of the building bathed in orange and other eerie colors, adding a spooky touch to the city's skyline.

The building's observatories have been used to conduct scientific research, such as atmospheric studies and meteorological observations.

The Empire State Building was featured in the 2005 film "King Kong," where the giant ape climbed to the top once again in a modern retelling of the classic story.

The building's exterior and observatories have been a popular filming location for various TV shows, commercials, and music videos.

The Empire State Building has been featured in the backdrop of countless wedding photographs, becoming an iconic symbol of love and commitment.

As one of the most recognizable buildings in the world, the Empire State Building continues to be a symbol of human achievement, architectural excellence, and the spirit of New York City. Its enduring appeal and timeless beauty ensure its place in history for generations to come.

[crippleprophet]

hey, would you be able to give a brief description/explanation of cyborg theory in disability? I tried looking it up but didn’t find anything

absolutely! been struggling a bit with cognition so i’m just gonna paste the relevant section from my essay on disability & technology from about a year ago + the full citations of pieces i reference. hope this helps - feel free to send me a follow up ask if there’s anything else you’re looking for or with your thoughts, & folks are welcome to dm me for the full essay if you want!

One key concept employed by disability studies scholars to explore the relationship between humans and technology is that of the cyborg. Originally developed by Donna Harraway in the 1980s, the cyborg is a figure which “[blurs] the boundaries between human and animal, machine and organism, physical and non-physical” (Kafer, 2013, p.103) and in doing so allows for nuanced discussions of technology beyond the common dual responses of uncritical praise and unlimited fear. Though Harraway’s initial theorization positioned “disability as the site of spectacular technological fixing” (Kafer, 2013, p.112), feminist disability studies scholars have expanded the concept to more fully reflect disabled people’s experiences.

At their best, cyborg subjectivities prompt us to recognize—rather than dismiss—“the inequitable ways in which many people come to disability�� (Hamraie and Fritsch, 2019, pp.19-20). War, poverty, pollution, and other consequences of colonisation and exploitation are major causes of impairment among marginalised communities (Meekosha, 2011; Erevelles, 2011), making concepts such as disability culture and pride difficult or undesirable for many people. Not only are the bodies of workers in the Global South disabled by the production of “assistive technology,” as discussed previously, the bodies of marginalised people, especially poor women of colour, are disabled by medical testing (Hans, 2006). While Erevelles questions the value of cyborg subjectivities in the face of these harrowing realities (2011), Kafer argues that their power lies in this very tension (2013). The cyborg, she writes, “refuses easy celebrations of human/technology connections” (Kafer, 2013, p.118) and rather encourages us to confront our complicity in the structures of oppression we seek to resist.

Erevelles, N. 2011. Disability and difference in global contexts: enabling a transformative body politic. New York: Palgrave Macmillan.

Hamraie, A. and Fritsch, K. 2019. Crip technoscience manifesto. Catalyst: Feminism, Theory, Technoscience. 5(1), pp.1-34.

Hans, A. 2006. Gender, technology and disability in the South. Development. 49(4), pp.123-127.

Kafer, A. 2013. Feminist, queer, crip. Bloomington: Indiana University Press.

Meekosha, H. 2011. Decolonising disability: thinking and acting globally. Disability & Society. 26(6), pp.667-682.

[pynkhues]

I recently read an article in which Quentin Tarantino stated that fewer movie stars exist as a result of "Marvel movies in Hollywood." I think Jennifer Aniston made a similar argument before saying that there are no longer any movie stars. I'm not sure what that means. I can think of a lot of movie stars right now, such as Zendaya, Timothee Chalamet, and Zoey Deutch etc. what do you think? I'd love to hear your thoughts on this and Quentin's comments.

QuillBot's

Months ago, when you sent me this ask, anon, I wrote out a really long reply and as soon as I hit post, my laptop crashed and ate the answer, and I was so annoyed at myself for not saving my reply, that I couldn't bring myself to try and re-write an answer. I'm really sorry for that, especially because I think this is such an interesting ask (or well, two asks, because I think the death of the movie star and the impact Marvel's had on the broader concept of a movie star, are kinda two different things).

I've been thinking about it a bit again recently though, particularly as the Oscar race gears up, and Jacob Elordi and Charles Melton''s respective stars are rising in an industry currently desperate to find the new young Hollywood male 'talent', and I've been thinking about it again because honestly?

I agree with Jennifer Aniston, I think the movie star is dead.

We are a long, long way from Golden Age Hollywood where actors like Cary Grant and Marilyn Monroe could captivate a public imagination in a way that translated to big box office effect, after all. Hell, we're even out of New Hollywood, an era dominated by names like Al Pacino, Jack Nicholson, and Jane Fonda, and the Blockbuster era with Tom Cruise, Sylvester Stallone and Harrison Ford.

My original reply went into a lot of the different reasoning as to why this is (like with many things, I don't think there's any one reason for it), in particular how the advent of streaming has changed our relationship with films and TV shows, how the saturation of the market has diluted the staying power of celebrities, how social media and the perceived accessibility of celebrities removes personal mystique which in turn removes intrigue and increases a sense of entitlement, and the fact that so many people having stopped going to the cinema means that the experiential element of seeing a film in a setting larger than life has been diminished.

I think call out culture plays a role too, with any actor on the rise being torn down by tweets they made eight, nine or ten years ago impacting how their star rises, I think the dismantling of the studio system (which is a good thing!) also harmed actors in the long run as studios stopped investing the same resources into making and training stars (they used to be able to sing, dance and act! Now some can barely even act!), and I think, of course, the rise of prestige TV changed the industry substantially (after all, movie stars were movie stars - they traditionally did not, and would not, do TV, which created a clear class structure in terms of screen-based storytelling).

And yeah, I think the language shift from film and TV to content has done irrepairable damage to the artistry of filmmaking and the consideration of a movie star as an actor at the top of their field instead of an actor with the most Insta followers or YouTube subscribers (after all, if everything's content, isn't it the same thing? [no lol]).

Which I guess is kind of where Quentin Tarantino's argument comes in, right? What he's saying is that Marvel's made it so that the IP - the content itself - is the star, not the actor, and I'd say he's probably right with that.

Think of it this way - back in the New Hollywood/Blockbuster era, Harrison Ford was the movie star - he was leading new franchises left-right-and-centre between Star Wars and Indiana Jones, sci fi epics like Blade Runner, leading action thrillers like Patriot Games, The Fugitive and Clear and Present Danger and getting nominated for Oscars for Witness.

He was a movie star in every sense of the word because you could hinge a film - one with a new concept, not just remakes or sequels - on him and be virtually guaranteed a success. He was what sold the tickets, the director just hopefully had to make something good enough people would leave the cinema glad they saw.

Tarantino's argument is the Marvel model - - hell, even the new Star Wars properties, turned the franchise into the star, for better or worse, which means original films can't compete because nobody knows the IP. Back when Harrison Ford was at the top of his game, his name was what helped original films including smaller, standalone works like Witness find an audience, but the studios have changed that. Capitalism has changed that.

Properties with existing audiences and deep pockets for merch were prioritised, only now those franchises are faltering and you've got a generation trained that 'cinematic events' are reserved for blockbusters in established universes, instead of taking a risk on a new film because you know you love an actor who's in it.

Do I think we could go back?

Maybe, but probably not.

I think the place we are now in the history of cinema / TV / 'content' means you can't make a movie star anymore because I think the industry is simply so different that no actor can break through in the same way that even Leonardo DiCaprio could 30 years ago. That industry doesn't exist anymore, actors aren't guaranteed draws (Bones and All proved that for Timothee Chalamet, and Wonka I think could go a similar way), or they have to heavily rely on other industries to become household names which I think dilutes them as a pure 'movie star' (Zendaya's a great example of this - I like her a lot, but how many movies has she even been in? They built her career up in peripheral industries long before they tried to sell her as a movie star, and frankly, I'd question her even as a leading actress yet given she's typically only either been in ensemble casts or clear supporting).

It's a whole new world, and yeah, I think the movie star is dead.

[beguines]

West Virginia miners, for various reasons, were slower to unionize than their counterparts in other states. This was true not only in comparison with northern Appalachian miners in the states of Pennsylvania, Illinois, Ohio, and Indiana (labeled the Central Competitive Field), but also in comparison with those in Alabama and other parts of southern Appalachia. They gave only partial support at best to national strikes in 1894, 1897, and 1902–​1903. However, as many analysts have noted, they were eventually to become the most fervent of union supporters. There were several interrelated reasons for these two characteristics. First, a larger percentage of West Virginia miners in the early 1930s lived in small, isolated towns (93% in towns with fewer than twenty-​five hundred residents) and in company housing (75%) than in other coal mining states. Second, fear of the union led coal miner associations to hire hundreds of Baldwin-​Felts guards and "detectives," so that by 1910, there was not a coal town in West Virginia in which they were not stationed. Whereas in earlier periods, union organizers moved around relatively freely in West Virginia, by this time not only union organizers but sympathetic miners were commonly harassed, brutalized, and murdered.

The growing militancy and solidarity of West Virginia miners was on full display when, in April 1912, Paint Creek and Cabin Creek miners struck. It was objective conditions (unsafe work, cheating on pay, company control, and sheer brutality), not southern or mountaineer culture, that led them to become a model of solidarity (a class solidarity so paradigmatic that it stimulated IWW (Industrial Workers of the World or Wobblies) songwriter Ralph Chapin to write the union anthem "Solidarity Forever". The mine owners were determined to crush the 1912 strike with force. Baldwin-​Felts guards "built iron and concrete forts that they equipped with machine guns throughout the strike districts," evicting miners from company housing and destroying their furniture. They then began to murder striking miners singly and in groups. In the most celebrated instance, they drove an armored train, dubbed the "Bull Moose Special," through the mining districts, machine-​gunning strikers and their families in tent colonies near the tracks. The miners, to be sure, fought back in kind, shooting mine guards and detectives with six machine guns and one thousand high-​powered rifles supplied by the national union. Women in the company towns were equally combative, engaging in gun battles alongside the men. It was women who prevented the "Bull Moose Special" from returning by tearing up the railroad tracks and who often attacked strikebreakers, driving them away. According to Wobbly Ralph Chapin, this was the appeal of famed United Mine Workers of America (UMWA) organizer Mother Jones, "who might have been any coal miner’s wife ablaze with righteous fury". Mineworker families not only fought, but in the tent colonies sang and danced, creating a new union solidarity culture, making the union "an intense, emotional unity".

The Paint Creek/​Cabin Creek strike lasted a year and was never broken, despite the declaration of martial law and the arrest and jailing, without trial, of hundreds of miners, while the mine operator and gunmen who drove the "Bull Moose Special" were never even questioned, much less indicted. Rank-​and-​file coal miners and their local leaders rejected a settlement brokered by district officials, UMWA national president John White, and Governor Henry Hatfield, continuing to strike until all their demands were met. They then demanded the replacement of all their district leaders, finally forcing the national union to call elections.

Michael Goldfield, The Southern Key: Class, Race, and Radicalism in the 1930s and 1940s

[palfriendpatine66]

Thoughts on Fan Convention Culture

(And maybe a call to action)

I would like to share with all y’all a letter I am sending to the organizers of the fan convention I personally attended with some of my thoughts and suggestions.

Agree? Want to do something? Contact the organizers of the convention nearest you send this exact letter: feel free to use this exact letter or use it as a jumping off point for your own.

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Dear [fan convention organizer]

I’m reaching out as a concerned fan about an important issue surrounding fan conventions and expos that needs to be addressed.

Many fans such as myself feel that the hosts of these events need to be doing more to make them a safe experience for everyone involved. We love our celebrities and creators and want the opportunity to meet them at these events, but it is more important to us that they are treated with respect. Their attendance, much like the continued patronage of fans at conventions and expos, is a privilege: not a right. If there is a continued culture around conventions of treating the talent as a commodity to be consumed, all parties will inevitably stop participating in these events which have been an important part of fandom community for so long.

How does your organization plan to address increasing instances of inappropriate interactions during photo ops and meet and greets? Lax enforcement around this has lead to an unsafe atmosphere for all those involved from event staff to celebrity guests to the fans attending.

Here are some suggestions of actions that event hosts can take to be a leader among others in the industry to in creating a more respectful and enjoyable atmosphere for all:

- Signage around photo and autograph areas, similar to what is currently being used at some events regarding obtaining consent before photographing cosplayers, reminding attendees that nonconsensual touching is not permitted and that agreeing to a photo is not consent to touch

- Social media postings and event newsletters prior to events containing “fandom etiquette” such as:

Respecting the personal space of others

Obtaining consent before photographs

Obtaining specific consent before any touching while posing for photos

Respect language during interactions

Waiting in lines without losing your minds

How to efficiently move through entry and security

Have clearly marked lines and waiting spaces for panels and events, adequately staffed, to prevent crowd surging and competition to access event space. Turn attendees away from lining up before a designated time prior to events.

- A pop up notification of “dos and don’ts” or “know before you go” with basic expectations listed that fans must agree to before purchasing event tickets such as photo ops, autographs, or panels. As well as:

- A reminder included in all event announcement/update/reminder emails stating “with your purchase you have agreed to the following”

These expectations might include reminders of appropriate behavior during interactions and meet and greets, what is or is not allowed to be brought into the space, what is and is not allowed to be photographed or recorded, or other venue specific information.

Taking these actions and ensuring they consistently implemented will increase participants’ satisfaction with their experience and ensure continued attendance at fandom events. My hope is that fandom events like the ones you are partnered with can become a more positive space and continue thrive as an important part of fandom experience and community.

Sincerely ,

A concerned fan

——

Contact Info:

- Indiana Comic Con

- Many fandom conventions across the US are run by FanExpo: their general contact email is: info@fanexpohq.com

Each city’s expo has their own customer service contact information for their event - consider reaching out to them directly (ex Philadelphia FanExpo and Boston FanExpo are coming up soon)

In addition: fan photos are typically run by a separate organization. It’s really important to express these sentiments to these companies as well; it’s their staff in charge of the photo ops and present for the photos.

Indiana Comic Con was paired with Celeb Photo Ops contact them here

FanExpo is typically paired with Epic Photo Ops, their general contact email is support@epicphotoops.com

[ericdeggans]

Purple Rain at 40: Speaking with The Revolution on the film which made Prince a pop superstar and changed my life

I sat in a darkened movie theater 40 years ago, transfixed by a story that felt like it was centered on my pop culture life. Only years later, would I wind up living a reality that felt imported straight from the film’s narrative.

The movie was Prince’s introduction to superstardom, Purple Rain.

That film is now celebrating its 40th anniversary – the actual date was Saturday – and to mark the occasion for NPR, I caught up with two of Prince’s bandmates from The Revolution, guitarist Wendy Melvoin and drummer Bobby Z Rivkin -- with Morris Day, lead singer/leader of the Purple One’s funk band offshoot The Time chiming in through email. (read the story here)

Back then, I was a straight up disciple of Prince’s Minneapolis sound – a fan after listening to his 1981 album Controversy, I sifted through albums like 1999, Dirty Mind and For You for the funk bits that made an aspiring drummer sit up and take notice. To be honest, like a lot of Black folks back then, I was little more into the hardankle funk of The Time, with me and my friends growing up in Gary Indiana regularly sporting the Stacy Adams shoes and baggy pants favored by the group.

So imagine my surprise when I saw all that pop culture uniqueness splashed all over a movie screen in July 1984 courtesy of Purple Rain. Prince charged through scenes on a custom-made, lavender colored motorcycle like a guitar playing superhero, thundering through dazzling musical sequences like a new school James Brown, while Day and his onstage foil Jerome Benton provided the kind of comic relief needed to keep the whole scene from taking itself too seriously.

As someone who had just started a funk band in college at Indiana University, I was in awe of the powerful pop tunes and kinetic, sharp performances in the film’s musical moments. And backstage scenes where Wendy fought with Prince – known only as The Kid onscreen – urging him to play a song she and her girlfriend/keyboardist Lisa Coleman had written together, felt like 100 arguments I’d seen in all the band I’d ever played in.

“It was sort of the perfect mix of time, place and people,” Wendy told me a few weeks ago, when I interviewed her by Zoom about the experience of making Purple Rain. “They wanted the dynamic to be as real as possible. So they did, when they were writing the script, come to us and say, okay, what would you say if this situation happened? Or how would you act if that happened? So they were able to capture a kind of authenticity and put in into the script.”

The film turned Prince into a superstar, powered by a simple story: The Revolution is on the verge of failure until The Kid agrees to play Wendy and Lisa’s song – Purple Rain, of course—at the legendary Minneapolis club First Avenue. His emotional performance kicks off a scorching finale that galvanizes the crowd and saves the band.

Just a few years later, I would live that same storyline when the group I co-founded in college, Voyage Band, was on the verge of failure, rescued by a hit single written for a charity record that exploded over local radio in 1986. When we played a show at a local club that we expected to be lightly attended, and the place instead packed with fans who sang along with our song when we played it onstage, I felt like I was living the story of Purple Rain in real time. Eventually, we signed contract with Motown Records, though our record was never released - the song Strange Situation, can be heard here.

Back in the mid-1980s, MTV had only recently begun playing videos by Black artists. And there was nothing like the level of information available to fans now about their favorite performers via social media. So seeing music videos and a film that provided a fictionalized history for Prince – showing him struggling with an abusive father and navigating tensions with his band – felt like a brief window into an artistic world fans had previously only seen through listening to the music and poring over album liner notes.

All of it was shrouded by a mystique in which Prince and his collaborators rarely talked with the press, which helped stoke interest in the work, but also made it tough for some musicians from The Revolution when Prince decided to disband the group in 1986.

“I kind of resented the fact that, you know, people just thought I turned on a machine and went to play and then turned it off,” said Bobby, who began working with Prince in the late 1970s and stayed friends with him until the pop icon’s death in 2016 of an accidental fentanyl overdose. “There was a lack of transparency about how it all went down…But I knew the mystique was cool…definitely didn’t want to blow that. And he trusted us to not give out the secret sauce.”

I actually met Prince months before his death at his home studio in Minneapolis, Paisley Park. He had invited the National Association of Black Journalists, which had a conference in the city, to his facility, sitting down with a small crowd of us to talk passionately about the need for artists to retain control of their work in the face of the streaming revolution (here’s the story I wrote for NPR about it).

Wendy says The Revolution had talked with Prince about year before his death about reuniting; her last conversation with him was about plans to visit him at his home studio Paisley Park with her young son. Bobby recalls hearing local news reports in Minneapolis about an ambulance called to Paisley Park and then later learning of Prince’s death.

“This shy kid that I met…turned into one of the greatest entertainers of all time,” Bobby says. “I got to know him. He was probably my best friend….someone that people just revere and are mystified by and I got to have an intimate relationship musically and personally [with him.] He changed the world. And it’s just incredible to have lived that moment with him.”

All of this explains why Purple Rain was such a landmark for me personally and pop music in general. It’s an achievement worth remembering, at a time when the march of technology and pop culture too often threatens to erase the memory of how we all got here, in the first place.

[jasonaaronpro]

Celebrating Haitian Culture: A Journey Through the Haitian Association of Indiana

Explore vibrant Haitian culture on IN the Loop TV! Discover dance, traditions, and stories from the Haitian Association of Indiana as they prep for their annual Flag Day Festival.

In this captivating segment, join us as we explore the vibrant Haitian community in Indiana, delving into the Haitian Association of Indiana’s origin and mission. Discover their cultural events, including the annual Haitian Flag Day Festival, and learn about their aspirations for a dedicated community resource center. Immerse yourself in the beautiful music, dance, and mouthwatering cuisine that…

[unknownworlds4]

As we near the end of pride month, I would like to celebrate a number of LGBTQ+ figures that may be unknown to some.

Alan Turing (1912 - 1954)

Alan Turing was British mathematician, cryptologist, and computer scientist who is credited as the founder of modern computer science and artificial intelligence. During World War II, he worked for Britain’s Government Code and Cypher School at Bletchley Park, leading the effort to decrypt German naval intelligence. Turing created a number of methods and devices that helped crack the German Enigma Code and allowed the allies to read German intelligence and allow allied ships to avoid U-Boat ‘Wolf-packs’. Turing’s work was pivotal in helping the allied victory in the war. Sadly, Turing was arrested in 1952 for homosexual acts and convicted of ‘gross indecency’. He accepted chemical castration as an alternative to prison. In 1954, was found dead from suicide by cyanide poisoning. It’s believed that Turing’s work helped shortened the war by several years.

Harvey Milk (1930 - 1978)

Harvey Milk was a politician and the first openly gay man to serve in public office in the United States. Milk moved to San Francisco in 1972 and took up residence in the Castro District, a neighborhood that was heavily populated by lesbians and gay men, and opened a camera store called Castro Camera. Milk became involved in politics because of civic issues and policies that drew his ire. Homosexuality was still heavily persecuted in the city at the time. In 1973, he announced his declared his candidacy for city supervisor. However, he faced a negative reception from the established gay political scene and lost the election. He lost his second election two years later. By this point, Milk had become a leading figure in the gay community, known as the “Mayor of Castro Street”, and had allies that included Mayor George Moscone, Assembly Speaker Willie Brown, and future Senator Diane Feinstein. Finally, in 1978, Milk was elected to the San Francisco Board of Supervisors, inaugurated January 8. During his tenure he was involved in a number of issues including childcare, housing, and police reform. Sadly, he only served eleven months in office before he, along with George Moscone, was assassinated by former supervisor Dan White, who was against many of Milks policies. Today, Harvey Milk is considered an icon of San Francisco and a martyr of the LGBTQ movement.

Rose Cleveland (1846 - 1918)

Rose Cleveland was the sister of U.S. President Grover Cleveland and, as such, acted as First Lady of the United States from his inauguration until he married Frances Folsom in 1886. After leaving the White House she became a teacher, writer, and lecturer in Indiana. At age 44 she started a romantic relationship with wealthy widow Evangeline Marrs Simpson. They exchanged numerous letters, some with explicitly erotic imagery. The relationship cooled after six years after Simpson married Episcopal preacher Bishop Henry Whipple, despite Cleveland’s protests. After Whipple died in 1901, their relationship resumed. Cleveland and Evangeline moved to Bagni di Lucca, Italy in 1910, where they cared for Evangeline’s ill brother and settled there after his death. They lived there together until Cleveland died during the 1918 Influenza Pandemic. After her death, Evangeline wrote “the light has gone out for me…the loss of this noble and great soul is a blow that I shall not recover from”. Evangeline died in 1930 and is buried in the cemetery in Italy next to Rose. Many of their letters remain an important part of LGBTQ history.

Andy Warhol (1928 - 1987)

Andy Warhol was an American artist, director, and producer who was a leading figure in the pop art movement of the 1950’s to 1970’s. This movement focused on combining fine art with elements of popular culture, hence the name pop art. Warhol’s paintings focused on mass produced consumer goods and celebrity portraits. Warhol’s most famous pieces include Campbell’s Soup Cans (1962), Green Coca-Cola Bottles (1962), Marilyn Diptych (1962), and Mao Tse-Tung (1972). He also directed and produced experimental films including Empire (1964) and Chelsea Girls (1966). His New York City gallery, The Factory, was a popular gathering place for artists, musicians, actors, socialites, and celebrities. In 1966, he became the manager of rock band The Velvet Underground, which became the house band of The Factory. In 1969, he created Interview magazine, which features interviews with celebrities, artists, musicians, and other creatives. Warhol lived openly as a gay man before the gay liberation movement and had a series of male partners. He said his sexuality was a major influence of his work. Warhol died on February 22, 1987 due to complications from a gallbladder surgery. Andy Warhol is regarded as one of America’s most famous visual artists.

Gladys Bentley (1907 - 1960)

Gladys Bentley was an American blues singer, pianist, and entertainer during the Harlem Renaissance of the 1920’s and 1930’s. Her career took off after performing at Harry Hansberry’s Clam House, a well known gay speakeasy in New York City. She gained popularity as a black, lesbian, cross dressing performer. She performed in men’s clothes and was backed up by a chorus of drag queens. She sang with a deep, growling voice, and took popular songs and added her own raunchy lyrics while flirting with women in the audience. Despite being openly lesbian in the beginning of her career, she later started wearing dresses and married during the more conservative 1950’s in order to adapt to the mindset of the time period. Bentley died of pneumonia in 1960 and is remembered as an icon of both the LGBTQ and Black communities.

Willem Arondeus (1894 - 1943)

Willem Arondeus was an openly gay Dutch artist and writer who fought for the Dutch resistance against Nazi occupation during World War II. Prior to the war, he wished to work as an artist, but he found very little popularity, so he turned to writing instead. After Germany occupied The Netherlands, Arondeus joined the Resistance Movement, publishing underground periodicals and forging documents. His most famous endeavor, was his involvement in the bombing of the Amsterdam Civil Registry in 1943. The Civil Registry was established following the German invasion and occupation of the Netherlands in 1940 and was used to keep records of all residents of the country and identified those who were Jewish, resistance members, and those who could be called up for forced labor. On March 27, resistance members, including Arondeus, entered the building by disguising themselves as police officers and sedating the guards. They then piled all the documents on the floor and set of explosives. They fire department delayed putting out the fire and then doused the whole building with water. 800,000 ID cards were destroyed in total. Unfortunately, someone betrayed Arondeus and he was subsequently arrested, tried, and sentenced to death. Before his execution, his last words were “tell people that homosexuals are not cowards”.

Gilbert Baker (1951 - 2017)

Gilbert Baker was an American artist and designer who is the original creator of the LGBTQ Rainbow Pride flag. He joined the anti-war movement in the 1970’s where he met, and became friends with, Harvey Milk. Milk commissioned Baker to create a flag that could represent gay pride. Using the American flag as inspiration, Baker hand sew the original flag, which had eight colored stripes (two more than the modern version). Each color represents a different aspect important to the gay community: (from hot pink to violet) sex, life, healing, sunlight, nature, magic, serenity, and spirit. The flag was first flown in San Francisco on June 25, 1978, for gay pride day. Baker died in 2017, and is regarded as a major figure in the pride movement. Today there are many different variations of the Pride flag, with each one representing a different group from the gay community

Larry Kramer (1935 - 2020)

Larry Kramer was an American playwright, author, film producer, and gay rights activist, who worked to bring awareness to the AIDS crisis in the 1980’s. He began his career writing scripts for Columbia pictures, winning an Academy Award for the 1969 film Women in Love. After witnessing the disease later known as AIDS spread among his friends, Kramer became involved in gay activism. In 1982, Kramer co-founded Gay Men’s Health Crisis, now known as GMHC, which provides social services for those infected with AIDS, along with testing, legal assistance, and mental health support. It’s currently the largest AIDS assistance organization in the world After, growing frustrated with the government paralysis and apathy towards gay men, he wanted to engage in further action, so in 1987, he helped found the AIDS Coalition to Unleash Power (ACT UP). ACT UP is a direct action protest organization that works to change legislation and public policy to end the AIDS crisis. ACT UP soon had chapters in cities all over the United States. The movement then spread internationally, with separate movements being established in other countries including the United Kingdom, Canada, France, India, and Germany. In 1992, Kramer wrote the play ‘The Destiny of Me’, which follows a character from his 1985 play ‘The Normal Heart’ seeking experimental treatment for AIDS. The play was a finalist for the Pulitzer Prize. The Normal Heart debuted on Broadway in 2011, and was adapted into an HBO movie in 2014. Kramer died of pneumonia on May 27, 2020.

Bessie Smith (1894 - 1937)

Bessie Smith was an American blues singer, nicknamed the ‘Empress of Blues’. She was the most popular female blues singer of the 1930’s. Smith stated her career busking in the streets to help her family financially. In 1912, she auditioned for a music troupe that included blues legend Ma Rainey. She was originally hired as a dancer. Smith began her solo career at the 81 Theater in Atlanta, Georgia. She signed with Columbia Records in 1923. She made 160 recordings for Columbia, accompanied by some of the most famous musicians of the day including Louis Armstrong, Coleman Hawkins, Fletcher Henderson, and Sidney Bechet. She became the highest paid black entertainer of the day. Throughout her career, smith was apologetically herself, having affairs with both men and women. Some speculate her bisexuality was hinted at in the lyrics of her songs, including ‘boy in the boat’: “when you see two women walking hand in hand/Just look ‘em over and try to understand/They’ll go to those parties/Having the lights down low/Only those parties where women can go”. Sadly, her career was cut short in 1937, when she died at the age of 43 due to injuries sustained in a car accident enroute to Chattanooga, Tennessee. Her funeral was attended by more then 5,000 people. In 1989, she was inducted into the Rock and Roll Hall of Fame, with an entry saying her reign was “definitive, unprecedented, and glorious”.

James Baldwin (1924 - 1987)

James Baldwin was an American writer who gained critical acclaim across multiple forms, including essays, novels, plays, and poems. In 1953, he published his first book ‘Go Tell it on the Mountain’, a semi-autobiographical novel which tells the story of a young African American man who grew up in Harlem, New York City, and his relationship with his family and the Pentecostal Church. In 1998, Modern Library ranked the book 39th on its list of 100 best English language novels of the 20th century. In 2005, Time Magazine included the book in its list of the 100 Best Novels from 1923 (when Time was first published) to 2005. In 1956, Baldwin wrote ‘Giovanni’s Room’ whose main character was a gay American man living in Paris, France, who began an affair with an Italian bartender named Giovanni, whom he met at a Gay bar. Gay and Bisexual men are also frequently featured in his other works. His unfinished manuscript Remember This House was expanded and adapted in the 2016 Oscar nominated documentary I Am Not Your Negro, which won the BAFTA Award for Best Documentary. His 1974 novel ‘If Beale Street Could Talk’ was adapted into a movie in 2018, which won Best Supporting Actress for Regina King at the 91st Academy Awards, where the film was also nominated for Best Adapted Screenplay and Best Original Score. King also received Best Supporting Actress at the 76th Golden Globe Awards and 24th Critics Choice Awards. Both the National Board of Review and the American Film Institute included it in their top 10 films of 2018. Today, James Baldwin is considered one of the most famous LGBTQ writers in American history.

[doruk-alp08]

Part #3 Last Part

'10s

Exploring the Legends of Rap/Hip-hop

Modern Rap

Exploring the Evolution of Rap Excellence

In the dynamic realm of rap music, certain artists stand out in each decade not only as formidable lyricists but also as trailblazers shaping the genre's narrative. In this exploration, we delve into the realms of three influential wordsmiths from the '10s: Kendrick Lamar, Pusha T, and Freddie Gibbs.

Kendrick Lamar: The Poetic Provocateur (G.O.A.T)

Compton, California native Kendrick Lamar has made a name for himself as a poetic visionary, crafting intricate narratives that navigate the complexities of race, identity and social justice. His masterpiece 'To Pimp a Butterfly' is a testament to his lyrical skills, interweaving jazz-infused beats and thought-provoking verses that challenge the status of the time.

Lamar's ability to combine storytelling with self-reflection Each project serves as a sonic journey through Lamar's psyche, offering listeners a glimpse into his struggles, triumphs, and reflections on the world around him.

With multiple Grammy Awards and a "Pulitzer" award, Kendrick Lamar is one of the most award-winner artists of all time. Kendrick is also the only artist who has a "Pultizer" award. With the help of his devoted fan base, Kendrick Lamar has proved that he is the most influential artist of his time. This made him a legend in the music industry and in the eyes of the people who listen to music.

Pusha T: The Street Savant

Known for his vivid depictions of street life and razor-sharp wordplay, Pusha T, born Terrence Thornton, emerged from the gritty streets of Virginia Beach to become a lyrical juggernaut. Pusha T has captivated audiences with his gritty tales of drug dealing, loyalty and betrayal as one half of the duo Clipse and later as a solo artist.

Pusha T has earned a loyal following and critical acclaim for his distinctive delivery and unapologetic authenticity. Albums such as My Name Is My Name and Daytona showcase his lyrical prowess and uncompromising vision. They have cemented his status as one of rap's most respected figures.

As president of Kanye West's record label, G.O.O.D. Music, and collaborating with brands such as Adidas and Bape, Pusha T has also made a mark in the world of entertainment and finance. As he continues to push boundaries and elevate the art form, his influence extends far beyond the mic which puts him on this list.

Freddie Gibbs: The Street Historian

From Gary, Indiana, Freddie Gibbs has carved out a niche as a storyteller of street tales and gritty realism. Gibbs paints a vivid picture of life in the trenches, offering a raw and unfiltered perspective on the struggles of the urban experience with his gritty delivery and unflinching honesty.

Gibbs' discography is a testament to his versatility and storytelling ability. Albums such as 'Pinata' (a collaboration with producer Madlib) and 'Alfredo' have been widely acclaimed by critics and fans alike. He stands out as a true wordsmith of the streets with his ability to blend vivid imagery with intricate wordplay.

In addition to his solo work, Freddie Gibbs has collaborated with a wide range of artists. This has further expanded his sonic palette and reinforced his status as one of rap's most fluid voices.

Conclusion

In conclusion, these blog post chains have offered a glimpse into the diverse and dynamic world of rap music. We have highlighted the immense talent and cultural impact of each of the artists featured based on which decade they were in. From the poetic storytelling of Nas and Kendrick Lamar to the boundary-pushing creativity of Kanye West and MF DOOM, and from the street narratives of Ice Cube and 50 Cent to the gritty realism of Pusha T and Freddie Gibbs, each artist has left an undeniable mark on the genre, shaping its evolution and inspiring countless others along the way. As we continue to celebrate the legacy of the rap legends, we should acknowledge their contributions to both music and the wider cultural sphere, and be thankful for their contributions to the genre even if we don't like their music.

[fizzigigsimmer]

Modern Au or Na?

I have been doing research on dance conservatory schools and ballet culture in the 80s & 90s for the Harringrove Ballet!Au. I was hoping it would help me decide between the two decades but I think I'm more torn than ever on what time period to set this fic in.

On the one hand, there's so much opportunity for modern dancers and social media has really changed the artform, making it more accessible, making space for smaller companies while centralizing the health and well being of the dancers. And I love love LOVE that (for the most part) dancers today feel free to be out and proud to their audience, even if there are still many walls to take down when it comes to queer visibility on stage. I can really see Billy (as well as Steve) flourishing in this setting. Struggling in that "don't ask don't tell" era of the closeted 90s, learning to embrace himself as a student and going on to have this dynamic and colorful career as an adult in the 2000s where he can express himself unapologeticly through his choreography, and be a part of what was pioneering a new era of queer visibility in dance.

And even if the dance world is not as elitist or as "cut throat" as it was even just a few decades ago, there are still so many pressures on young dancers, their bodies, their mental health, and the competition is still fierce. Some of these kids are joining professional companies right out of highschool, moving to big cities at 18-19 years old and feeling the pressure to prove they're "where they belong" alongside managing an apartment and independence for the first time. And if they fuck up, they may not get another chance.

On the other hand, ballet culture of the 80s is turning out to be really fascinating. Inspiring as well as tragic for all the reasons that I am sure you can imagine. Because on one side of it you had the aids crisis and all the bullshit that required male dancers to maintain and defend their public image as straight masculine males; but on the other you had this unique space, that was heavily influenced by queer culture and has always been a niche avenue for queer men and women to be celebrated and rise to success (so long as the public could politely deny their queerness).

A space where straight and queer individuals worked intamitly, and within the bonds of the company a queer person could be known and live relatively openly. The "open secret" kept politely by their friends and colleagues. They lived and worked together, and they lost together as the aids epidemic rocked through their community, taking lovers along with friends and mentors. It makes me excited to develop Mrs. Harrington and explore her relationships with her students as well as Steve. It makes me excited to explore the tensions and relationships of the teens, who would be coming of age in this strange insular bubble celebrating new thoughts and ideas about life, right in the middle of conservative Indiana.

Billy would not expect to be able to find that kind of acceptance he finds in the dance world, especially when he leaves California. And it would be really interesting to explore his transition from the street scene of San Deigo, to this new elitist space where he can achieve incredible heights, receive honors from the president and standing ovations in packed out theaters, with a partner in the wings while being left in peace - just so long as he's willing to keep his head down and play by the rules.

I think Billy would really struggle with the hypocrisy of these privileged spaces, along with classism, body dysmorphia, homophobia, the performance of masculinity etc. Not to mention having to keep duel identities between his public and private life. These are all issues that are hinted at but barely touched upon in the canon, so it would be really rewarding I think to really be able to lean into it and give them a proper exploration.

LOL so writing that all out I think I am leaning towards keeping the 80s setting. But IDK, I'd be interested in hearing any other thoughts if you have them.