#For reasons unclear

[ask-cloverfield]

The Hellish SHOCKER approaches

With their ever looming shadow

[hinamie]

i'm on an itafushi kick and i am making it everyone else's problem

[dragonpyre]

Dick: Jason, what the hell? I thought you said kids were off limits!

Jason: yeah, for drugs

Jason: never said anything about beating their ass

[horsegirlhob]

Spike absolutely haunts Riley I fucking know it

[sere-ness-ima]

source: Netflix' 1670

[homefryboy]

PB + braids bc sure why not

[sarioh]

grian etho evo au where when the server enters different versions of minecraft it sometimes fucks up and connects their world with other worlds and other lps from that specific version. grian is out thousands of blocks looking for clay and he stumbles across a weird little guy living in an ugly oak building with a creeper face on it talking to himself and when he tries to harvest The Clay outside his house the guy starts freaking out and threatening to kill him. its ethoslab at chocolate island who has until this point been convinced that he was in a singleplayer world. etho thinks grian was sent by spaz and grian thinks etho is a trick from the watchers. they both think the other is insane .etc

[olliesneweyes]

honestly just kind of. rotating norton (and orpheus with him sometimes)

they’re so funny to me genuinely i adore polar opposite characters who would probably get in a mild fist fight for nothing but still choose to be around each other

YEAH WOOO

[seagullcharmer]

please take this stupid comic(?) (they're playing poker or smth idk)

[sesamenom]

Gothmog, Thuringwethil, and bonus Tevildo

i was digging around in my files and rediscovered some really old silm art of mine, including my original angband trio designs (mostly traced off heroforge models lol):

and they're actually pretty cool! thuringwethil's tail is maybe a little questionable of a design choice (how are you supposed to fly with a giant tail flopping around...) but it looks really good on gothmog.

i don't really remember what i was doing with sauron (he looks a little like early curufin for unknown reasons) and idk what the wrist things are supposed to be, but Original Flavor Thuringwethil was actually a corrupted maia of manwe (eonwe's sister?), hence the feathers instead of traditional bat wings. for Original Gothmog i am less sure about his origins but he is possibly a corrupted maia of ulmo (originally a sea serpent, hence the tail and ulmo style ear-fins) who basically dried up into a more stone-based serpent

anyways i think I might keep thuringwethil's face/wing design and gothmogs full design for future use

[ace-trainguys]

Old Art October. Heroes/Villains au doodles for my fic Where do we go from here? I put them at the ends of the chapters but I never posted them on tumblr.

And a bonus gag idea I had while writing the fic:

Transcripts under the cut

First image:

Ingo: I've developed working relationships with my neighbors

Melli: You mean FRIENDSHIPS?!

Second image:

Ingo: This is tolerable.

Third image:

Ingo, thinking: the inner machinations of his mind are an enigma...

Arrow pointing at Emmet: dissociating

Fourth image:

Ingo: What about Chandelure...?

Emmet: Ingo if you killed someone I would help dispose of the body

[thats-a-lot-of-cortisol]

I've been chewing on what fears the bg3 characters would be because I do that with almost every piece of media I like now.

Gale is the Beholding (hubris, pursuit of knowledge above all else, his ex can literally see everything he does in/with the Weave). You could make an argument for Desolation b/c of the orb but I think that's secondary. Wyll is the Hunt imo, but the Desolation works for him too- I think his situation is similar to that Hunter we meet whose name I'm forgetting, whose inciting incident has to do with the Dark. I thought the same thing about Karlach but I think she's Desolation instead of Hunt, both aesthetically and because she was actively betrayed and is, you know, dying. Shadowheart is the Dark. Halsin could honestly be the Lonely: he's pretty isolated from the people around him emotionally. An island unto himself etc etc. Lae'zel is the End imo. You'd think she'd be Hunt but End fits into Vlaakith's whole deal (victim of the End, avatar of the Hunt?). Astarion could be either the Buried (since that covers abuse as well, he was literally kept underground/out of the sunlight, etc etc) or the Hunt. I'm a bit undecided there. I don't know enough about Minthara to make a call on her and I don't want to just say Web because of Lolth. Slaughter, maybe? Since that fear covers war. Jaheira and Minsc are Hunt too, I think (there's a lot of Hunt but that comes with the territory when you're adventuring).

Gortash is Web and you cannot convince me otherwise. I think Orin is Slaughter but, honestly, Durge seems more associated with the Extinction to me because of Bhaal's end goal. The Desolation and the Lonely tag-teamed Ketheric's ass but he's an avatar of the End. Dame Aylin is an avatar of the Hunt, victim of the Dark, and Isobel is an avatar of the End a la the main End avatar we see (Oliver? I really need to re-listen...)

There's obviously a lot of overlap and bleed because there always is. I've been wanting to make art based off of this but it's not happening anytime soon so I figured I'd shout about it into the void a bit lol

[saltyyetbland]

ALL I WANT TO SAY IS THANK YOU MR FITMC FOR BEING DIRECT AND CLEAR ABOUT YOUR CHARACTER'S BACKSTORY AS WELL AS GIVING MORE INSIGHTS INTO THE GENERAL WORLD OF THE QSMP

[vexangle]

regarding the clone vs robot poll. everyone who voted 'clone' owes identical twins $100

[ladystoneboobs]

A memory prodded at Theon. In one of his rare curt letters, Lord Balon had written of his youngest brother going down in a storm, and turning holy when he washed up safe on shore. -Theon I, aCoK

this little glimpse of balon/theon's strained long-distance relationship kinda fascinates me now. can't believe i'm going to defend balon as a father to theon in any way, however small, but i feel like hindsight has kinda blinded fandom into thinking balon gave up theon for dead and gone the moment he gave him away as hostage. this also carries the underlying assumption that balon was always going to rebel again making theon's life already forfeit to him.

thing is, while balon undoubtedly called his banners before theon came home, that also coincided with robert and ned both being recently dead, making that 2nd war seem really opportunistic. as if the only thing balon learned from his first rebellion was that king robert was strong enough to defeat him, the only man capable of defeating the great balon. so when that enemy dies, balon's crown is all but won in his mind, and with the death of ned too he could use his next war to take revenge on the (dead) man who took his son from him. maybe with robert's lifestyle he could have hoped to outlive him despite being older than robert, but robert and ned together? that must have seemed like a miraculous chance straight from the drowned god himself, a chance to rise up and take revenge that it was his duty to take for his people, even if it meant risking the life of his youngest child who'd been gone for 10 years anyway.

but before all that, even if robert being still alive was the real deterrant keeping him from warring again, he was, in effect, not only keeping theon safe by paying the hostage-ransom of keeping the peace, he was also keeping up a bare minimum connection with theon through rare and curt correspondence updating him on family events like aeron getting born again (and i'm assuming that's also how theon knew what asha's ship was named). idt we should so easily ignore that this is a society which views kinslaying as a grave offense regardless of circumstances or personal feelings, and one which greatly values male heirs over female heirs. i doubt balon was so much a feminist girldad that he just switched 12yo asha into the son slot right away as soon as all her brothers were lost. imo it was more likely a gradual process done not so consciously as asha proved herself worthy growing up and theon's time in the north stretched on and on. all until such point as asha had achieved son status and only son status at that, (maybe also coinciding with alannys leaving him so he had even less reason to keep up with her baby boy?), and then theon could be written off as belonging to the enemy, no longer ironborn or a son of balon, so sanctity of greyjoy life no longer applied to him. (real ironborn greyjoy son already killed by darth greenlander theon, from a certain point of view.) only then could balon be a not-father to theon, not welcoming him back home or even giving him a chance to prove his loyalty by providing intelligence on the northerners and the lands they were about to invade. (which could have made balon's war plans a touch less stupid. see, it all comes back to criticizing him in the end.)

in fact, come to think of it, i wonder if one thing ned and balon had in common is just not thinking of the danger of theon being executed as a hostage, not taking ownership of that possibility bc it hadn't happened yet. and hey, if it ever did come to that they could each tell themselves it would be the other guy's fault really, i was just doing my duty to my king/as a king to all my proud people. and that meant their actions didn't have to be obviously at odds with ned's view of himself as a good man opposed to killing children or balon's view of himself as great greyjoy patriarch and victim of the greenlanders (who could ofc prevail against them all if given the right chance).

[istherewifiinhell]

IS FLYING GENDERED?

On the masculine default, typifying gender in genre, and women as the other in the transformers cartoons.

question for the ages

once again i said back in the halcyon days of watching g1 (aka 5 months ago) i was like. Nooooo, decepticon is NOT a gender that's Silly. It's funny, but as a Read Of The Text, I thought it largely unneeded. (The concept came about, as a joke, involving dismissing the bad guys using the same language you would abt women (sexistly) that they're emotional [heh, flighty], vain, and shrill) after all. If in the 80s era there are 5 whole named/speaking woman tfs, its only ever gonna get better from here right? (<- booboo the fool)

anyway

Let's consider the axiom that the assumed default gender is male, that maleness is often seen as LACK of gender, and femaleness and gender variance are the PRESENCE of gender. In certain reasoning and worldviews, of course (See Androcentrism). Then add that, for transformers, the assumed default thing a transformer turns into, is car. (Autocentrism, if you will)

(The most general term for what a tf turns into is "Alt mode" as some of them are not vehicles at all. The other mode is "Robot Mode", whether its humanoid or not)

So I will be laying out why I believe the cartoon iterations support: non standard alt modes = non standard genders. This is in spite of the fact that FIRST lady tfs were all cars. Sleek cyber cars, but still. For whatever reason, (possibly, the reason for everything in tf, toys) they might as well not exist for how woman tf characters presence in the cartoons progressed over time.

And, to be clear, this is a reading of how these works of fiction are created, not a new unified bioessentialism but for robots aliens I'm proposing for like. In universe lore reasons. I hate that idea.

That said, alt modes in order of most to least gender: Spider, motorcycle, flying (in general, with rotors, jets), tank, and then FINALLY, car. (water and space crafts are already too marginal to rank, but they too can be assumed in relation to default maleness, AND that in making one a woman, would still qualify as othering her).

The NUMBER one reason for this is the bizarre need to have an ESTABLISHED woman tf character before making new ones. AS YOU MIGHT IMAGINE. With a g1 gender ratio something like.... (counting even the most marginal cases for the ladies) 9:120? (That's a rough count from a quick scanning of the tf wiki g1 char list) Shits dire out here.

The second is, ofc, character design based. cis people [stand in phrase for the hegemonic world view] are not okay, and their opinions about how tf gender must need be depicted visually is. uh? Im not a fan. Size and shape dimorphism in general is a given, and specifically having women tfs as far more humanoid and curvy in specific. Also general cartoon lady face syndrome but, whatever. I think there's exactly one character here who doesn't have "lips" or "lipstick" as a distinguishing factor. I'm so tired.

Third is generally, the idea of The Girl Of the Team. When there's The Girl, she often isn't JUST a normal character, who happens to be a girl. See, of course, the Smurtfette Principle. But in my view there's also a trend to give The Girl "special traits" on top of "Girl", maybe even to directly combat the idea that the Girl Character has no other traits? To stop this from being a General Primer on Woman in Media, my explanatory focus is things specific to the tf franchise.

(A phrase I use for thinking about normative modes [in general, not just the Alt ones] in within the tf universe is "unique transformerdom" or, even more clunkily, "A transformer of unique transformerdom". The excessive verbosity is amusing to me personally. All I mean by it is to have an umbrella term for any of the ways tfs can be made unique from their peers in the non allegorical realities of the fiction).

I could, and do, and greatly want to, speak about this AT LENGTH. But it keeps spiraling away from me. So I'll say for now were looking at ways a character is being depicted different from her peers, not because she is the only woman (which she likely is), but cause she's a different kind of transformer, AND if she's othered for it.

(IN SOME forms of the lore. Being a transformer woman, IS A UNIQUE KIND of transformer unto itself. Let's just say I hate it and move on)

Fourth, is the gender of villainy. There is much to be said about gender presentation of villains, the ways they are allowed to be aberrant. We will get to it. There is also all the tropes specific TO evil women, and the modes of villainy open TO female characters. But a general thing I think impacting the gender ratios of the factions is the how "Good" and "Evil" female characters are written. I'll generalize and call this the "Damsel vs Temptress" dichotomy. (See concepts like the Madonna-whore complex). Transformers, is by and large, an action franchise. Unless special reasons are made, characters who can impact the action– have more screen time, and likely more memorable, and iconic presences. A villainous woman can be unchaste, violent, aggressive. While a heroic woman, even if not a literal damsel are more likely to be in a support role. The secretaries of the action genre: medics and techs.

(Another factor is that tfs are giant robots, and the good guys are often friends with tiny squishy little humans. These make very good damsel fodder, and can be taking up the spots on the roster that might, in a different franchise, go to women. Additionally, while woman characters in transformers overall is an interesting topic. When I say tf women, I'm referring to ones that are in fictionally, transformers.)

SO, now understanding our points of attack/obstacles for getting woman into transformers. (Getting established, gendering the designed, uniqueness of existence, and general villainy). Lets go over those alt modes, and the characters that have em, in more detail.

Spiders

The "Beast Era" (1996) intro-ed the spider ofc. And what don't we have with this one. She's a villain, but shes also misunderstood, the era and design style let to these more organic shapes. And they used them to make sure she was very sexy. She's genre aware, she's quippy, she's an absolute icon. So naturally. She gets ported to other later shows. Which means we just have sexy spider ladies running around when everyone else is a fucking truck and shit.

Her own origin is, well think of her as a "Bride of Frankenstein" to the resident evil scientist, also a spider. She was designed for, and manipulated by him in multiple ways. Her protoform (A blank robot base), was supposed to be one of the good guys (a Maximal), but was reprogrammed into a bad guy (Predacon). Even then, she eventually joins them, for her own reasons. She's not even the first predacon to do so, the difference? Well the characters are a lot more NORMAL about his autonomy. Both of these characters stress that being a predacon is an identity they still see as important. But only the woman is told that really, she is was was always MEANT to be a maximal. And while that's true in a sense. There's also a plot were she's forced (by plot contrivance, not the other maximals) to get corrective robot surgery for it. And when they think she died from, everyone's more sad for her boyfriend than for her. Ouch.

The second spider, in the 2007 show, is now one in a world where she is the only "techno-organic" transformer, hence, she is spider, everyone else is a vehicle. Similar to the first, her narrative is very gendered, but less in the way were, like, I do literally think the first was was experiencing in universe sexism from other characters. Here, they really focus on the "techno vs organic" narrative, and the tragic circumstances on how that happened. In this case its just real world sexist writing.

THIRD SPIDER, (2010), instead of misunderstood and tragic evil, this ones just super mega likes to cause pain evil. She also occupies a strange place between the typic vehicular tfs, and the insecticons. This is because she has a helicopter alt mode, and her robot mode is just, a lady with spider characteristics. And, more than just a passing bug like similarity, she has the power to control the insecticons (you know, cause evil woman mind control). However, she doesn't fit in with them either, as the insecticons are at the most insect like they've ever been, in look, living in hives and that most don't even speak.

They may vary in exact character, relationship to the story's moral conflict, and design. But they stay comfortably established, dimorphised, flirty and flirting with villainy. And bonus points, always, for black widow spider trope.

SO. SPIDERS. Established: ✅️ Gendered designs: ✅️ (Extremely!) Unique: ✅️ Othered: ✅️ Villainy: ✅️

Motorcycles

Tooooo my knowledge the first bike lady was in 2004, and fairly minor, in the actual plot, but rest assured, they did go the previously established woman route, by being pink, though, which one shes named after varies by language. But neither were previously motorcycles. (And yes, there is also this problem of mixing together or swapping out one woman tf for another. As if we have the ladies to spare). Even though motorcycle men also exist, this one just stuck for a bit. Maybe something to do with Those Movies. I think the Gendered Existence of a motorcycle is pretty evident though, general sex appeal, being smaller, the mode of riding a motorcycle is different, more physical and intimate. Mainly this ranks so high for the level of grossness they can pack in. Just how objectifying it can be, particularly with two instances where the human rider is an annoying teen boy. Naturally, I've also never seen a male and female motorcycle in the same room, but the approach to design tends to be different. And yeah most of em are Arcee, who's first alt mode was cyber car, but it's not just her.

Established: ✅️ Gendered designs: ✅️ Unique: ✅️ Othered: Depends on iteration, I do NOT like the way one gets called "tough, for a two wheeler". Villainy: ❌(they wouldn't need to be motorcycles if they weren't making them the Special Girl Autobot, after all)

Flying

General: It just tends to stick out when your one girl is only flyer in the group, even she's otherwise tactfully done. Only flyer of the Maximals, a falcon, only flyer of the dinobots, a Pteranodon.

Rotors

I can barely even figure this one. Maybe it's just a general, aesthetics and use case of the actually vehicles, the associations? None of these ladies (and special case) are very connected otherwise. As previously mentioned, the spider helicopter. ¯\_(ツ)_/¯

A big one for this is the preschool demo shows, which are rescue team focused. In the first one the only woman on the human response worker team pairs with the helicopter, they mention she does medical at times. The helicopter is male, like the other tfs. But also he's afraid of flying, and while not the first case of a flyer with a fear of heights, their personalities are, pretty different. As he's both fearful AND effeminate, fine as character traits go but, with the tone of humour used, marks him as Other.

In the second, Whirl (pointing to icon) becomes a girl for the first time, now with standard humanized face. I assume as move to keep with the previous show of having a girl one, as there's no human team mates. She's also the only one who really likes rescue school. Aaaand that's all know of her. What more do you want from me.

Helicopters: Unique: ✅️ Othered: ✅️ (milder than some)

But why'd I call this section rotors instead of helicopters? That would be because one of the latest Sole Female TF we just put in everything™ is a VTOL jet with rotors. She'll tend to be the only jet of her type, which is also smaller than the type of jet used for the villains.

And, of course, aside from alt mode, the thing that makes her stand out most in the cartoons? That she's very clearly a comics character. (I find the emphasize that she's "fan created" over done, as it only controlled minor aspects, and irrelevant cause tfs get completely overhauled in new versions all the time). From her design, which is a bit busier than most characters she stars with. And also uses Japanese aesthetic signifiers in ways that I think are a bit misappropriated and untactful. (VERY USamerican comics). Also, when she stars next to a guy, also from comics employing Japanese aesthetic, you can tell its not deployed in the same manner. (E.I she has hair and makeup, he has armor). Either way, her depictions have her either as badass sword lady on mission from god who's constantly getting hit on by an annoying guy. Or have her be from a different planet and has special telepathy.

Do we see how both her gender AND the cultural signifiers are having affects here? That the main woman tf in a series can be a literal alien even among our alien robots, with cultural signifiers they don't have?

Ratings Established: ✅️ (made the comics to cartoon jump) Gendered designs: ✅️ Unique: ✅️ Othered: ✅️ (SO SO EXTREMELY, using methods in fiction and real life)

Jets

I think my association of jets with tf gender is stronger, than some of the above examples, even if there's less reason to it. And why is that? Well, lets get socratic. Here's another question.

Is This All Starscream's Fault?

No. He's not real, he can't do things. But. His legacy as THE main stay transformers character that gets to subvert gender? Yeah. (Sure, the G1 autobots have their own effete, but he's not in every single cartoon they ever made now is he? Plus now that I think about it, he is a FLYING car...)

From the get, he's not a Man's man. He's shrill, he's manipulative and duplicitous, petty and emotional, cowardly and wheedling. He is, of course, the Perfect character. Now naturally, the 80s cartoon was not concerned with your paltry logics. Starscream and his ilk are the jets, but every decepticon can fly. The gun, the cassette player, the camera, the cassettes.

And each to a last, more masculine than he is. Vocally or behaviorally, physically. Every one of them fit the gender expectations more than he does. Even being a small time grunt, is a masculine trait, after all, more so than unchecked ambition. So its not femininity from flying, from jets. But direct relationship, reference, and descendancy from Starscream that makes it. I've yet to see female versions of Jet fire and or the aerialbots, for example.

So what to do when an effeminate male villain was less maltese falcon and more that man has effeminate hips? Well. We had to start getting his ass for being effeminate, explicitly. They made the female clone of him, which yeah, is an offensive joke stemming from the various The Gender Anxieties. (Transmisogyny, homophobia and sexism. General relation toxic masculinity. A heady mix of all and more).

But I mean. It's free girl tf... Once given a name in extra canon materials, she start's showing up in other things. Once you're in books, video games, comics, and most importantly, toys, you're real. And then eventually, her first non clone appearance in a cartoon, and how her presence shaped it.

That being, Cyberverse. Which is a cgi show, you need to know this for reasons of production. Making new models is expensive. This has always been the reason you just make recolours of Starscream and name them different things. Chicken or egg on this one, I don't know, But because CV has Slipstream, and the only difference between her and the generic "male" decepticon jet, is a more feminine face; Suddenly, any random decepticon goon can be a woman.

An absolutely revolutionary take for striving to populate a fictional world with gender parity. By at large it also means they're way more lady villains, and specifically flying model of villain. The show has other woman, but none who get the same androgynous body mold treatment.

Established: ✅️ Gendered designs: Mildly to NO. Unique: By design, no. Othered: Yes for the clone, and Screamer himself, I suppose. No, otherwise. Villainy: ✅️(That's, the whole idea)

Tanks

It needs to be said. Sometimes, when doing things that transgress a norm, anteing up is less subversive. This is another reason why gender variance, female agency and overt sexuality are more common traits of villains. When already defying strictures of society. What's one more.

That's Right. TANKS ARE THE BUTCH WOMAN OF TRANSFORMERS.

Alright. Let me back up. Strika is the stone cold knock out undefeated champ of lady tf designs that, actually has a reoccurring cartoon presence. She is, admittedly, only a reoccurring to minor character.

Her introduction is in another show with techno-organics, this one involved in the struggle between well, the techno and the organic. Strika as we see her, and as the design that will go on to be iterated, is not in her normal transformer body. She has been transferred into a 'vehicon' body. Without a preexisting essence contained in one, vehicons are not considered alive, in the way a transformer is. Visually, they lack the more human body plan, a standard face, feet and hand like appendages.

To further contrast Strika against the two techno-organic woman. Both of them are tall, and slender. Their softer organic shapes designed towards elegance or beauty, whatever your subjective opinion of that result might be. They both have romance subplots too. By the way. Or honestly one subplot and one main plot. Strika. In contrast. Is built like a brick shit house. Her face is. Minimal. And her goal: protecting her planet... by terminating the heroes.

Now, existing as a character that can be referenced for other media, and given the detail that she was a "Famous general", it's off to the races. She makes a wonderful big tank menace that can fill out a background shot, too.

Without her I hardly think we could have Clobber, also from CV. Who is. The true goat. The finest thing, the achievements of all we could ever hope for. A big fuck off woman, gender swapped from a previous male design with minimal faff, with now even more personality and show presence. Friends, wants, desires. Emotions. Thank God for Clobber, Thank Clobber for Clobber. Thank Randolph Heard and Mae Catt for Clobber.

Established: Depends if you want to count that Strika had so much swag they kept drawing/modeling her Gendered designs: FUCK NO Unique: ✅️ Othered: only originally Villainy: ✅️

Cars

So now you have the final piece of the puzzle. In transformers, Autobots are Cars. Yes, there are plenty of autobots that are NOT cars, and there are cars that are not Autobots. But they're exceptions, they're aberrances. They're unique. And Autobots are the norm. They oppose the Decepticons. Decepticons are Villains. And Decepticons can fly. Modal simplified binaries and false dichotomy abound!

And the thing about those original Autobot woman, the one's who largely did not influence all of this? They were cars, it's true, but not like how the men where cars. They've not been designed from transforming car toys, with a shellac of humanoid gender over top. Their designed in the way of human gender. With the car on top.

When the preexisting clause leads to the original designs to be revisited, which, has largely only happened in more recent years. They aren't car woman robots. The cars are literally not part of their bodies, they are additional. Instead of a unifying identity of a robot who is a car, its Arcee and her backpack. Parts of cars get grafted onto their petite lady bodies, and placed anywhere out of the way.

In order to make a transformer a woman, they have to give her a gender, not understanding that that's always been the case. And to give her a woman's gender, she's got to LOOK like a woman, not a transformer. And to look like a woman, she's got to act like a woman. She must be heroic but reactive instead of active, or else, villainous, conniving and or self centered. To be a woman, we must have some other previous woman to explain her presence, or else explain it anew with her unique, strange, or exotic origin. How could she ever be a woman if she simply, existed, looked average, talked average. How could she be a woman if her body is hunks of ungendered car. How can she be a woman if she's everything we expect a transformer to be.

A woman is transgressive, a woman is not normal. Autobots are normal. Autobots are heros. Autobots are men. And Autobots do not fly.