I call this: Boyfriends have an emotional goodbye and forget one of them can teleport
(I’ve been thinking about yym lately and suddenly couldn’t remember if I ever posted this on here? So here it is! I did it the night after I watched this movie for the first time and this scene was just so funny to me, they’re so dramatic and for what? xD I love them)
bonus:
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Hi I've come to be a nuisance again because this idea has been tormenting me all day
Having Christopher Pike meet a woman while stuck in another universe, someone that he was falling for, someone who sacrificed their life for him to make it home
Him feeling this loss, but doing his best not to wallow as the ship and crew move on, pulling himself together to meet the new cadet joining the Enterprise
Only for this new cadet to be this universe's version of the woman that he lost
okay first off, the VIOLENCE of this
how fuckin dare
secondly, I'm losing my mind over the idea of this, over the possibilities??? and the angst, oh boy, the angst potential -
because he sees this cadet appear on the transporter pad, sees the woman he knew from another universe and for a moment everything just sort of stutters - his heart stops, he can feel the blood from his face draining and the ground has just shifted beneath him - and then he blinks, and this cadet, this stranger wearing the face of someone who could have been so dear to him, is looking nervously between him and Una, the smile on her face flickering, dropping because Christopher's just standing there, frozen in shock. And he shakes himself, smiles, extends a hand and welcomes the cadet on board, before passing her off to Una as quickly as possible without being truly, overtly rude.
And then he tries to avoid her, at the very least, without making it overly obvious. Because of all things, of all things the universe to throw at him - facing his own mortality for the time crystal, facing the consequences of his warning the cadets about the accident - Christopher never would have expected to see another version of the woman who caught him so off guard. But then again, after all the things he's seen, everything he's been through - why wouldn't their paths cross again? A one in a billion chance of being sent to an alternate universe, so what are the odds he'd run into another version of someone who was dear to him, could have been everything to him.
A fixed point in space, anchoring together.
But she doesn't know him. All she knows are the stories she's heard, of the Enterprise, of her crew, of her captain - stories that left her with stars in her eyes and a burning determination to earn her place aboard. When she finally does, it's everything and nothing like she imagined. The crew is amazing, the work is interesting and the ship, my god, the ship is everything she could have dreamed of. But the captain...well. He's friendly enough, but he's standoffish in a way that surprised her, more than a little. After everything she'd heard, all the stories she'd been told, the reports she had read, she thought she would have been welcomed a little more warmly, maybe even been invited to one if those famed dinners she'd heard about.
But Captain Pike's distant with her. Cool, even, which was startling to say the least, especially when she considered how he interacted with the rest of the crew, especially his bridge crew. So for her to be on the receiving end of that polite but distant attention - it hurts. More than she thinks it should, but there's an echo to the hurt she doesn't understand. She pushes through, because he's not displeased with her, and she earned her place aboard the Enterprise, goddammit. She won't let some jumped up flyboy's displeasure over her presence get in the way of the one posting that will make or break her career.
A fixed point. Two stars, anchoring each other, repelling apart - would it be total destruction or the creation of something new?
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like I think one problem ppl are having with the witcher (besides being fans of the books which, guys, believe me, once you forget everything about the books, you learn to like big screen adaptations. I just watched the hunger games and loved it, even though I fucking detested the movie when I was 11) is that they wanna analyze every little thing. guys, this isn't game of thrones. stop looking for depth, treat this like trash like- idk, the walking dead (that show was bad, right? I never actually watched it...). just be there for the funny lines and the relationships and the pretty characters and scenery and awesome music and fight scenes, that's it! there's no use choosing a side or trying to expect the best writing out of it. everyone is stinky and bad except ciri, everyone is irredeemably flawed and fucked up. everything is a tangled mess because the world created for the show is currently a tangled mess! all that really matters to me are the characters and the aesthetics, and that's why I'm having so much fun! turn off your brain, I promise you'll like the witcher much more
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The part in the first Artemis Fowl book where Artemis & the Butlers escape the time stop is actually so funny.
In the past eight hours, Butler has dealt with a loose hostage, a dwarf intruder, a squadron of cops, and a troll, seen his sister be deeply hypnotized, and practically died, and his last thought before falling unconscious after his twelve-year-old boss essentially poisons him by mixing liquor and un-prescribed pills is (understandably) "I am so ready to kill this little shit but won't for my sister's sake."
Whereas Artemis's last thought is just "I'm a bit sad I couldn't tell my friends that I drugged their drinks :( . Oh well. Bottoms up!"
Like...c'mon, Artemis. I know you're twelve, but let's develop a bit of self and situational awareness, yeah?
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