#I JUST think about history a lot!

[chickpea0]

Do you guys ever think about historical age regression? And no I don't mean in fiction I mean like how there's so many people that regressed. What was it like? Do you wonder if there was a regressor and their caregiver who lived in the 60s? Did any adults or teens in the early 1900s wish they had a rocking horse every time they saw one in a shop window? What about even further, in the 1800s? The 1600s even. Older?

We're not alone, maybe modern day is during a time where regression is more present because it's a perfect amount of certain factors, sure but it's not like someone in 2014 just decided to! I think it's really facinating and intimate to imagine all these people throughout the years going through what we go through. And I bet a good lot of them lived happily. And maybe quite a few found a good support system.

[stuckinapril]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[callisteios]

I have a new uquiz for you, go on a pilgrimage with me. discover who you are.

[thejakeformerlyknownasprince]

Errors, “Errors,” and Sci Fi

@strawberry-crocodile

tvtropes calls stuff like the wolf example "science matches on" which I think is a pretty fair shake

This.  This is what’s got me thinking so much about errors.  There’s a certain danger, here.  A certain way that this particular effect — delicious dramatic irony — tempts the mind when reading old stories, even true ones.

What do you know about R.M.S. Titanic? I ask my class every year, and the first hand rises.  “It was unsinkable,” the student inevitably says, and everyone is nodding, “or so they thought.”  I write the word UNSINKABLE on the board, underneath my crude drawing of a ship with four smokestacks.  It will be crossed out before the end of the hour, but not for the reason they expect.

“I find no evidence,” Walter Lord, preeminent biographer of the ship’s survivors, wrote, “that Titanic was ever advertised as unsinkable. This detail seems to have entered the collective mind so as to create a more perfect irony.”  Indeed, historians’ examinations of White Star Line documents show the shipbuilders themselves worried it would be so large as to risk collision; they stocked several more lifeboats than 1910s regulations required.

The War to End All Wars (deep breath, satisfied exhale), also known as World War ONE. Chuckle.  Shake of the head.  What if I told you that this phrase, used primarily in American newspapers after the fact, wasn’t meant to be literal? Nowadays we’d say The Mother of All Wars, or One Hell of a Fucking War, but we wouldn’t mean literal motherhood, literal intercourse.  What if I said the armistice and the Lost Generation and the Roaring 20s were all braced for another outbreak of European conflict, and yet we still failed to prevent it?

Did you know they were so confident in the safety of the S.S. Challenger that they put a civilian schoolteacher onboard? I do, because I’ve heard that one repeated many times.  Only, see, it’s got the cause and effect reversed.  Challenger launched on a day the shuttle’s engineers knew to be dangerously cold, because the first civilian in space was on board. And NASA knew its shuttle project would be cancelled entirely, if they couldn’t get that civilian’s much-delayed entry into space in the next two weeks.  So they launched on a cold day, and killed her instead.

These are all what cognitive science calls Hindsight Bias on the personal level, what sociology calls Presentism on the cultural level.  Social psychology’s a little of both, is primarily interested in why you’re sitting on your couch in a Colonize Mars shirt watching PBS and chuckling at the fools who believed in El Dorado.  It wants to know why the mind flees straight from “marijuana will kill you” to “marijuana will cure cancer” without so much as a pause on the middle ground of its real benefits and drawbacks, its real (mild) risks and rewards.

And they can paralyze the sci-fi writer, if you think too much about them. Jetsons is futurist one decade, retro the next.  “There are no bathrooms on the Enterprise,” the creators of Serenity say smugly, as if Gene Roddenberry should’ve simply known that decades later it’d be acceptable to show a man peeing in full view of the camera, nothing but the curve of the actor’s hand to protect his modesty.  “No sound in space,” the Fandom Menace says, “No explosions in space,” and “A space station can’t collapse in zero-G.”  Only then NASA burns a paper napkin outside of atmosphere, transmits music using only the ghost of nearby planets’ gravities, and logs onto Reddit long enough to point out the Death Star would implode in its own gravity field.  And now we’re the ones pointing, the ones laughing, at those earlier point-and-laughers.  Self-satisfied, smug in superiority.  As if we did the work to find out ourselves, instead of just happening to be born a little later than George Lucas.

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[todayisafridaynight]

journalists underestimate the magnitude of my addiction and how far i'll go for the bit

[chiropteracupola]

He’s red and he’s white and he’s green and he’s grey / My bonny young dragon, come hither away...

Keith Windham and Nuntius, out of Luzula's stunning Flight of the Heron/Temeraire crossover fic 'The Flight of Dragons.'

[systemrestart]

From Alison Bechdel's "Dykes to Watch Out For". Strip name "Au Courant", from 1994

I'd never seen this strip get posted, so I want others to see it. Mo, the character expressing 'concern' over the inclusion of trans women (as well as bisexuals) in lesbian culture, is often portrayed as being overly self-righteous, jumping to conclusions about others, and not critically examining her own biases and worldview. She was also the character in the comic commissioned for Transgender Warriors, where she learns she was wrong for being anxious about sharing a bathroom with a trans woman.

Mo is often either the butt of the joke, or receives a stark lesson in these interactions (whether by confrontation or just becoming socially isolated, because she's difficult to be around). And I found this framing important, especially as I've heard discussion of TERFs trying to claim Bechdel as one of them.

This comic was not made to validate Mo's opinions or feelings. The characters in Bechdel's comics are often messy, short-sighted, even bigoted. They're human. This comic does not valorize or 'condone' these flaws, merely shows them for what they are, as well as the consequences that come with them, and the effects they can have on your communities.

Transcript of the comic below the cut:

[ID: A "Dykes to Watch Out For" comic strip by Alison Bechdel, featuring the characters Mo and Lois. The conversation is as follows:

MO: Oh, jeez. Here's a submission for "Madwimmin Read" from someone named Jillian who identifies as a transsexual lesbian.

LOIS: Cool.

MO: The cover letter says, "I hope you'll consider changing the name of your reading series for local lesbian writers to be inclusive of transgender and bisexual women writers too." Oh, man!

LOIS: Guess it's time to get with the program, huh?

MO: What am I supposed to do? Have bi women and drag queens come in here and read about schtupping their boyfriends?

LOIS: Why not? I'm sure they'd have a unique perspective on the topic.

MO: Lois, I'm still trying to adjust to lesbians using dildos! What am I supposed to make of a man who became a woman who's attracted to women?!

LOIS: Love is a many gendered thing, pal. Get used to it.

MO: Well fine. Let people do what they want. But I'm not gonna add this unwieldy "bisexual and transgender" business to the name of my reading series. I don't even know what transgender means!

LOIS: It's sort of an evolving concept. I mean, we haven't had any language for people you can't neatly peg as either boy or girl.

LOIS: Like cross-dressers, transsexuals, people who live as the opposite sex but don't have surgery, drag queens and kings, and all kinds of other transgressive folks. "Transgender" is a way to unite everyone into a group, even though all these people might not self-identify as transgender.

LOIS: In fact, the point is that we're all just ourselves, and not categories. Instead of two rigid genders, there's an infinite sexual continuum! Cool, huh?

MO: How do you know all this stuff?

END ID]

[olivsie]

Something I like about epic the musical is that it Gives it's changes to the original text an actual Purpose

( The first couple paragraphs are basically a rant regarding retellings. If you only want to hear about epic Skip to paragraph 4)

1. I am a bit annoyed by the lack of. Understanding as to why RETELLINGS aren't the most historicaly accurate things in the world. Sorry to break this to you, but that's both just how they work and I would guess how they reach success. Ancient Greece is a much different culture than our own, And most of us would be terrified to actually live back then. When you are Trying to create content That is based on ancient Greece And you want it to be successful/ At least reach a wide, and notably, MODERN audience. You're likely going to have to take some creative liberty And change a few things. Don't get me wrong, YOU DO NOT HAVE TO LIKE RETELLINGS KNOWING THAT FACT ( Me personally, I'm not the biggest fan of Miller's novels Even though I do like epic) BUT IT IS SOMETHING TO BE AWARE OF. And because of that I don't think I would ever expect a retelling to be perfectly accurate And I don't. I had interest in mythology LONG before epic the musical But I didn't actually read the Odyssey until getting into epic. I did not expect it To be just like the musical, I knew Odysseus was going to be much more of an asshole, along with other characters. The odyssey and epic are different pieces of media to me And I am not less of a mythology nerd for liking epic ( Though I will admit that sometimes I take tiny little fun facts of mythology And like to think of them in the context of epic, but that's just for fun.)

2. The Only time being a fan of retellings is wrong as if you genuinely believe they are perfectly accurate And refuse to listen to anything else ( Which has definitely happened, And mythology nerds have the right to be annoyed at that)

3. Some people only like to consume real mythology media, Others like both real mythology and retellings, Others only like to engage with retellings (I would hope they have the self-awareness to know It's not real mythology, From what I've seen some do and some don't, Unfortunately)

4. Ok. now on to what the title of this long ass rant says

I like that epic the musical Retells the story, Not only to both cater to modern audience But Also with its OWN purpose of man versus monster.

Obviously, this is not the point of the original text. Mythos Odysseus does not give a single fuck About the stuff that epic odysseus does. I don't know why the creator Decided to rewrite it this way, (If he's ever said why let me know) But I would assume he wanted to make something about the oddessy And this was simply a very creative way to Translate that for modern audience.

I like this because, yes, holy damn. It does have changes from the original text. But it's not JUST changing it. It's changing it with a purpose

It feels reminiscent of some kind of Dramatic play. the way that epic characterizes.

Polites' kind nature is Representative of the Concept of being merciful Represented in his lines such as " This life is amazing when you greet it with open arms" /"There is so much guilt inside your heart, So why not replace it?"

While in contrast you have eurylochus with more ruthlessness and cautious nature, this is Found in some of his lines such as "You rely on wit, and people die on it" /"we don't know what's ahead" / "I say we strike first. We don't have time to waste so lets raid the place-" /"Let's just cut our losses, You and I and let's run"

And then you have Odysseus, the man/monster. The first act of this Musical is his internal struggle With what He should be On that scale. And the other characters Represent this struggle in the song monster

" Is the cyclops struck with gilt when he kills, is he up in the middle of the night? Or does he end my men to avenge his friend and then Sleep knowing he has done him right?

When the witch turns men to pigs to protect her nymphs, is she going insane? Or did she learn to be colder when she got older and now she saves them the pain?

When a God comes down and makes a Fleet drown Is he scared that he's doing something wrong? Or does he keep us in check So we must respect him and now no one dares to piss him off"

He then Applies this to himself

" Does a soldier use a wooden horse to kill sleeping trojans cause he is vile? Or does he throw away his remorse and save more lives with guile?"

And this marks his turning point of deciding that Ruthlessness It's ultimately worth it if it means Getting home, as aeolus says "The end Always justifies the means"

It's in my opinion, a very creative way to go about retelling a myth. Is it accurate? Absolutely not. For example, circe (From what we know) is not protecting When she turns men into pigs, For all we know, she could just do it because Shits and giggles.

Her character and most others in epic is changed from the original. But it's not ONLY changing for the sake of apeling to the modern Western audience and being successful like Many other retellings. It is also and mainly changing for the sake of influencing the plot that Jorge Rivera herrans crafted For the sake of Retelling epic. It is creative and I enjoy it despite knowing it's not accurate.

[sircolinmorgan]

i finally got round to watching the last episode of Inspector Morse, i have watched quite a few episodes in the last year but i've never really managed to get into it, i think i'm just too attached to Endeavour.

anyway, my point is that i'm just very emotional about Morse and Jim Strange. they had a friendship (albeit a complicated one) that lasted for 30+ years! jim was there when morse died and had his back right until the end! morse was always a terrible friend, he lets jim down at important moments and he never fully trusted him (with good reasons at times - the masons being one of them) and yet jim is always there even when morse is pushing him away. Jim has no idea about Morse's feelings for Joan, he just wants his best mate by his side when he gets married.

jim gives morse a place to live, is the only one listening to morse in Zenana with his unexplained deaths theory (and gets himself stabbed in the process), gets him back in CID in s6, needs his help investigating george's death and doesn't give up even though morse doesn't want to know, and in IM he's still there picking up the pieces wherever morse goes.

What i think is interesting is that Jim was brought up by his grandma, i don't think it's ever said what happened to his parents or if he had any siblings. His grandma doesn't seem like a warm and friendly person, did Strange have a lonely childhood too? Does he recognise that loneliness in Morse? i think the pair of them are more alike than morse would care to admit.

[pinnithin]

enver gortash fascinates me from the perspective of his relationship with the dark urge because like, as far as i know his alliance with them is one of the very few he didn’t actively despise. the guy was sold into slavery by his own parents (who tried to justify it by saying their child was a hateful monster and anyone would have done the same) and spent his formative years employed by a devil who gets off on gratuitous levels of suffering and manipulation. and then once he's escaped that and built himself up so he can never be used and enslaved again he meets this bhaalspawn who also had to adapt and survive a violent and manipulative environment for years by becoming the monsters who raised them.

gortash sees how the dark urge has risen to command armies and slaughter hundreds in the same way he outfoxed raphael and ruthlessly controls the people in his employ, and after earning and owning his reputation as a tyrant heres another person who might actually have like, a shared lived experience. not exactly a friend, because people like them can't afford to have friends, but someone who at least understands. and he willingly works with them on this plan to enslave the sword coast and agrees to share power with them.

and then orin lobotomizes them, puts a tadpole in their head, and leaves them for dead at moonrise.

like, can you imagine. youre working with the first person you see eye to eye with and prooooobably arent plotting to actively sabotage (or, at least would hesitate to do so) and the rug just gets yanked out from under them by their own sister, and now you're stuck with her because the plan still has to move along. and as the days go by a group of adventurers start to screw up your plot right when baldur's gate is within your grasp, and you learn that among them is your old almost-friend who you actually liked and respected - and they have no memory of you whatsoever. oh, and on top of that they're rolling with people you've actively fucked over and want to kick your ass.

did it hurt for him to learn this? did he ever think about how things could have been different? did he think, you were supposed to be my ally, my friend, someone who actually understands that becoming a monster is the only way to keep yourself safe and in control. we were going to rule together. and now you're ride or die with this squad of people you've only known for a few weeks at best, and you want me dead. you don't even remember me. you don't even remember yourself.

[aholotte]

Comparing Twitter and tumblr queer culture is so amusing

Twitter queer culture: reminder that if you’re an mspec lesbian every character from honkai star rail hates you (?)

Tumblr queer culture: does anyone know if we have butch faggot joy tomorrow

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

[dinitride-art]

“Mike wheeler’s armpit of a basement”

“I’ve seen Mike’s room look worse than this”

“I was being a total self pitying idiot”

“Why am I the bad guy”

“One day she’s going to realize that I’m just some random nerd”

“At least Lois Lane is an ace reporter for the Daily Planet”

“I’ve been bullied my whole life”

“Mike’s always whining about it”

“And yet you still have a C in Spanish”

“You can’t even write it Mike”

“You made it super clear that you’re not interested in anything I have to say”

“-and if I said that thing then maybe she’d want me there with her, wherever she is”

“The bad government dudes are after your super-girlfriend right? Right?! Okay, so, maybe the cops can help us find out where she is because they’re gonna kill her, man. And if they kill her, there gonna kill us!”

“Oh, no, no, no, no- it’s a shitty knock off, yeah”

“Who’s that twig with her?”

“That doesn’t mean he’s wrong. I mean, if that guy would’ve lived one more second- one more second- th- we could know where she is. Wh-why didn’t he just say the number? I-I should’ve explained myself, cuz then maybe, Eleven would’ve taken me with her and things would be different but I-I didn’t know what to say”

“And I feel like maybe I-I was worrying too much about El, and I don’t know, maybe I feel like I lost you or something”

“Y’know the last few days, I’ve had to think about the last talk we had. You know, before the cops and the whole word went to shit and everything? I- I guess- I just- I- I dunno- I guess I just wanted to- to say-”

“But… but what if after all of this is over… sh-she doesn’t need me anymore?”

“No I… it’s so stupid, given everything that’s going on. It’s just… I… I don’t know. I just”

“I, love you.”

Mike’s flopping on the floor like a miserable and suffocating fish out of water season. His friends make fun of him. Eddie made fun of his clothes. Karen told Dustin he’s welcome at the Wheeler’s anytime which implies that Mike isn’t really talking to his friends outside of school. Dustin and Mike didn’t know when Lucas’ basketball game was, which implies that they haven’t really been talking to Lucas a lot. Mike did call the Byers but wasn’t able to get through. El and Will are have been in Lenora for months and Mike hasn’t really been able to talk to either of them. El’s been lying to him in her letters and writing and signing letters is a reminder that he’s avoiding writing the word love. Everyone’s telling him that he’s doing something wrong. This kids going through it.