Because I'm thinking about it, and because I should be asleep, here's a list of every (not all) "Holy --- Batman!" I've found. (Pulled straight from the internet because I can only remember 1 off the top of my head)
Taken from Batman (1966-1968)
"Holy Oleo!"
"Holy Graf Zeppelin!"
"Holy IT&T!"
"Holy Pianola!"
"Holy Rheostat!"
"Holy Tintinnabulation!"
"Holy Bunions!"
"Holy Nightmare!"
"Holy Uncanny Photographic Mental Process!"
"Holy Contributing to the Deliquescy of Minors!"
"Holy Knit One, Purl Two!"
"Holy Cinderella!"
"Holy Bouncy Boiler Plate!"
"Holy Reshevsky!"
"Holy Paderewski!"
"Holy Luther Burbank!"
"Holy d'Artagnan!"
"Holy Priceless Collection of Etruscan Snoods!"
"Holy Hole in a Doughnut!"
"Holy Astringent Plum-Like Fruit!"
Now, the only one I can ever remember, taken from Batman Meets Scooby Doo
"Holy jumping jacks!"
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Sanji supports women's rights but more importantly, he supports women's WRONGS
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Eloise Bridgerton being an absolute mood:
and Cressida's reaction of 'this girl is so weird, but I'm into it??? Wait am I into this??'':
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Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.
Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.
Mikey being paired up with Meatsweats? Yeah that checks out!!
Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…
And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????
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Someone come help me kill my ghoul and skeleton so I can have Ragnvaldr and Cahara in my party
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"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot
truly team black stans are made up of only the most genius and media literate amongst us
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my offering for swap!au (dozo)
i have a lot of Thoughts about this au. specifically where both kni and vash's goals differ but yet i still try to keep the same. the shift is, who was the one who got rem's speech after tesla's revelation.
kni uses his powers of creation so as not to let his sisters suffer the end of a last run anymore. hence the black hair. meanwhile, vash doesn't want to eradicate all of humanity, but to control them and strip them of their free will. he thinks in this way, he could control how plants are to be treated and kni won't have to slowly kill himself for the Humans and their sisters. he's starting a cult lmao
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so uh
for 1. most people are gonna take advantage of black friday and wont see your specific niche tumblr post, I hate to say it
2. the us isnt running out of money for war any time soon, so...
3. this is just antisemitism???????? all we need is some (((echoes))) around the us and israel and then I'd have no reason to suspect otherwise from op...............
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The original in the bottom
Plus the picture I mainly drew but decided to draw the rest for funny
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i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage
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I've only known about your art for a little less than a year but I think it will forever leave an impact on me. Your style and designs and imagery. Even if at some point I move on from your blog, tumblr, internet, there will be times when I'll fondly remember this one person who would draw gay anthro dogs. You are unforgettable. Thank you.
Auh, that's too kind ;_;
I'm honored you think so highly of what I do! Thank you so much!
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.
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dragonheart by charles edward pogue, based on his screenplay
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💗🏥 Shuake Week- Day 6 - Wound Tending 🏥💗
I've always really liked the idea of goro waking up after the engine room with a bullet wound in the chest. he miraculously survives, and akira has to take him in and tend to him, while hiding him from shido's men😳💦
(also yes, goro is wearing akira's pj pants😌💞)
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