#I like my monster descriptions and worldbuilding lol

[maideninorange]

58, your choice of characters? curious to see what youd write!

#58 "The person you knew died long ago."

Took me a moment to think of what to do for this one! I decided this ought to be a good excuse to pull one of my old KuroTsuba ideas out of storage, and had lots of fun with it. I think you'll enjoy it!

(TW: This one gets violent. Nothing too terrible, but it is about on the same level as my prior fic "Inhuman" (which had way too much fun with its minor character death, the resulting corpses, and, well, inhuman mindsets). There's also a little self-loathing and touch starvation near the end. Disturbing content ahead!)

Tsubakura skulks in the shadows, observing their prey with a prying eye. Humans don't typically come into their part of the forest, so they don't get to test their traps too often.

Making and putting them into use were one of the few forms of joy still available to them. So they are always excited to have an excuse to perform a trial run or two.

The human looks over at where they are, but it does them no good. Ink is the same pitch black as the shadows in this part of Mugenri they carved out for themself, and ink is like a second skin to them now. Swallows never liked to be seen by human eyes anyway.

They step closer. And closer. Until a light breeze would push them into the puddle of ink set up beneath their feet. They haven't had a chance to experiment with their control over pocket dimensions in a while, so they were excited to finally have something that wasn't a boring animal or another youkai they had to let go.

Now all that human has to do is fall in. They're sick of waiting around, and wanted to get to their experiment with subzero temperatures already.

A sudden spurt of blood from the wheezing human's throat, accompanied by a hoarse scream, put an end to their fantasizing. The human crumples to the ground, twitches for a moment longer, then stills, lifeless. The trap never springs.

What?! How?! They were right fucking there!!! I was so close!!!

A small shadow emerges out of the corner of their right eye. They bite back a low growl. Another youkai just stole their kill right out from under their nose!

Looks like they'll have to deal with them the hard way.

Tsubakura steps out of the shadows, steps a little shaky after resolidifying themself. They place a taloned hand over the puddle of ink and shift the portal into a longsword. They give it a practice swing (confirming it was solid as well) as they scan their surroundings.

The other youkai is gonna have to go through them if they want their kill. And no, Tsubakura didn't care if they saw their trap or not; they killed what was supposed to be their prey, and now they must deal with them if they want it. That was simply how they operate, ever since becoming a youkai and being forced to survive on their lonesome.

(They weren't always alone though. Like when they were human. They haven't seen Yabusame in decades.)

...Where did that other youkai go any-

Fwang!

Tsubakura's back lit on fire, ignited by unseen danmaku. They let out a startled cry, and then the ground tumbled towards them. On instinct, they dropped into a roll. Pain blows through their wings as they absorb the impact, breaking their fall. It felt like they tore a ligament or two on them...

Then, Tsubakura was standing again, wings flared out. The wound has already almost finished healing, nanomachines working in conjunction with their natural magic as a youkai to make a speedy process lightning fast. Besides the singes and knives sticking out of their back, they weren't even disheveled. Only their hat a little askew.

"Playing dirty already, huh?" They call out, "Scared of facin' little old me?"

Zing!

More danmaku whizzes through behind them. But this time, Tsubakura was ready. They calmly sidestepped the danmaku knife as it flies at them, frayed black hair ruffled by its motion as it slots into a tree. They will not be caught off guard by the same predictable trick twice.

Although that handle, even as it disintegrates back into mana, is eerily familiar...Where have they seen such a purple hue on one before?

(That was a century or two ago, wasn't it? Before they changed and the Tsubakura Enraku the world knew died and left their current self in their place. That felt so long ago...)

Another knife breezes by their ear. Tsubakura sneaks a glance behind themself, sword at the ready to swing down.

Nobody was behind them.

They whirl around once more, jaw starting to hurt from how hard they were gritting their teeth. Already, a new layer of danmaku was weaved, without a single spell card being declared yet. Damn it, their new opponent was good. If it weren't for their burning desire to steal back their kill, it would be almost kinda fun.

And then, the danmaku flips over, trajectory reversed. That, Tsubakura wasn't expecting.

They slash through the onslaught wildly, their nanomachines firing their signature magic ink in every which direction. But all their frenzy does is leave them wide open to a different form of attack.

The moment they turn around to better shield their face, something blunt collides with their lower jaw.

"Gah!"

Tsubakura stumbles back, dazed. They attempt to swing their sword again, but then their opponent is right behind them, their arm wretched painfully behind their back and their sword foisted from their grasp. Disarmed and helpless.

"Unfortunately for you, I prefer to play dirty tricks first," a smarmy voice sneers in their ear, "Then again, a trap like that is quite the dirty trick for your human 'prey', no?"

A very, very familiar smarmy voice in fact...

"Not the type to play fair either, huh?" Tsubakura snarks, rolling their shoulders back best they can, "That's fine. Keeps things interesting."

"Oh? And what could you ever mean by that?" They ask.

"Something like this."

Tsubakura closes their eyes, and relaxes their molecules until they were ink. They relish in how they slip through the other's fingers like grains of sand, and the stunned shout of realization after.

Then, Tsubakura retakes human shape behind them, and in a blur of movement, their opponent was pinned beneath their body weight. Their long, tapered wings cage them in, keeping the pair of small grey and brown wings they just now noticed protruding from their back still.

Finally. They think as they resummon their longsword. This oughta teach you for thinking you can steal my kills.

Their opponent tenses uncomfortably as they bring the sword closer and closer to their throat. Tsubakura gets their first good look at their face.

The world stops.

They...They know their opponent. They knew their opponent very well in fact. They may have a monocle covering a foggy eye now, but that crooked smirk is unmistakable.

"...Kuroji?"

They perk up at the name, eyes widening as they scan their face for any sign of a joke.

They recognize them.

"Tsu... Tsubakura? Is that really you?" Kuroji croaks out.

Tsubakura's grip goes slack. It was them. It was them. After so long with only themself for company, it was really them, someone they knew in a previous life.

"...Yes. Though I am not the same person you once knew."

Their longsword slides out of their grasp. They flash a wobbly smile as they stand, "The person you knew died long ago."

"Ah...You met with the same fate?" Kuroji groans as they try to sit up, their wings unfurling to match Tsubakura's body language, "That's...to be expected then. The Shitodo Kuroji you knew from before is long gone as well."

Their smile turns wry as they extend a hand, "Well duh! You'd be long dead by now if you didn't go youkai too. Human lifespans suck."

Kuroji lets out a shallow sigh, rolling their eyes as they take their hand, "Considering that you seem to have taken to youkai depravity like a fish to water, that opinion doesn't surprise me. You never did quite know how to quit when you actually started something..."

Tsubakura pulls them up onto their feet, a little off kilter due to a weird glitch in weight. They were about to jab in turn at their scoundrelry, when they suddenly noticed something out of place.

The fingers that curled around theirs were metallic. A prosthetic.

"...You must've been quite busy to have lost your arm there. What happened? Shouldn't you have regenerated it since you're a youkai too now?"

Kuroji glances down at their prosthetic arm. Their smile fades. The blending of flesh into metal was jagged and uneven, not the smooth roundedness of most robotic arms back in the Outside World. That couldn't have been done by mere disease.

"Oh...this," Their voice hardens as their hand curls into a fist at their side, "Let's just say...Adagumo no Yaorochi can be very, very creative when angered enough to decide ripping you to shreds is too light of a punishment and has a little extra...help, and leave it at that."

Translation: "I don't want to talk about this right now."

And considering the glint of serpentine fangs instead of merely sharp canines as they grit their teeth and how their tail thrashes like its prehensile instead of fanning its feathers out like their own does when anxious, Tsubakura can hazard a pretty good guess as to what happened. As well as how Kuroji became like this in the first place.

"...You know, I can always try and fix your arm up if you wanna. Just like old times?"

Kuroji looks up at the starry sky, tilting their monocle forward. The eye behind it gazes at nothing.

"...I'll be fine. It's an old injury, and a good tool for pity points when you're trying to stir the heartstrings. I'm too used to the prosthetic anyway."

Tsubakura let a small smile grace their features at that, their wings wrapping around their frame comfortably in spite of their permanent inkstains.

The Kuroji Shitodo Tsubakura knew may be long dead, but Kuroji's wicked ways clearly still live on. In a different form, perhaps, but still there. Experience must have taught them that the hard way. Brutally.

It's still probably better than what got Tsubakura like this to begin with though. Anything would be probably be better after days of continuous torture by that maniac...

(They can still hear their screams as they tore them apart like a majestic symphony. It is only marred by Yabusame's shrieking of their name.)

Their smile vanishes at the awful memories.

"...Just as awful as ever, I see."

"Kinda have to be when you need to kill to survive. At least I have the decency to not toy with my food..."

They give the forgotten corpse near their feet an accusatory look. Not directed at the taken life from the person it once was, but indirectly at Tsubakura themself.

As if subtly asking, "What lead you to making death traps for your former species? What happened to your humanity, in both senses of the word?"

And honestly, Tsubakura wasn't quite sure of the answer themself. All they knew is that this was their life now, with all its boredom punctuated by periods of misery and small bouts of excitement like this. What do a few lives lost to the occasional entertaining death trap mean in the long run?

Didn't Kuroji do the same thing? Why did they sound so...bothered by it?

Tsubakura takes a quick step back, "Oh relax. My traps don't get too many humans. More likely to catch a squirrel than a sentient being. I mostly just sleep and make sure no one comes near my main base. Going after people when I can just drink ink is too much effort."

Kuroji directs their stare at them full on now. Any brief amusement or nostalgia is long gone now, replaced with a gaze that could pierce glass. (And for all they knew, it probably could. A lot can happen to someone in a measly century, especially someone like Kuroji.)

"...So that's all you've been doing this past century then? Just... Surviving out in the woods like a perpetually bored wild animal? I thought that if I ever saw you again, you'd be doing more than just...Surviving."

Tsubakura blinks, caught off guard, "Hwah?"

They could just feel Kuroji's disappointment bleeding through their harsh tone, "I mean, after our last meeting, you just...vanished. I thought you had died. Died! And all this time, you were out here in the middle of nowhere, where no one would ever find you, and you were just... surviving by the skin of your teeth?"

"Well...I guess? I mean, what else am I supposed to do? Can't go back to the Sanctuary when Whats-Their-Name the Priest will just kill me for being a priest who became a youkai. Not to mention most people in Mugenri already hate me for being a shitty priest when I was human. So why bother being anything more than that?"

They tactically avoid bringing up Yabusame. They don't wish to talk about them, even if their absence is never unnoticed by them.

"...It seems having only yourself for company has done a number on your mind, Tsubakura," Kuroji says coldly. They cock their head, the only parts of them moving being their fanned out wings and tail.

"Let me ask you again more directly then: Where have you been all these years?! The last time I saw you was you telling me not to come looking for you because Tsurubami Senri was out for your head! That was 200 years ago! And counting! Did you think that I just forgot about you?! Because I haven't! I never have!"

It all spills out of them. Tsubakura can only listen, their face growing paler and paler as Kuroji's rant goes on.

"You haven't left my mind once you disappeared, you know? Even after I accepted you were probably dead, even after I... became what I am now, I never stopped thinking about you!"

They choke, tears gathering in their eyes, "Have you thought about me while you were out here haunting this forest? Even once? Have you?!"

Tsubakura stood, motionless. Motionless, except for the shakes and shudders that ran throughout their body.

200 years was a long, long time to reflect on one's prior actions. Especially when you didn't start life as a monster. (Because what else can you call someone like them, who felt no remorse for setting death traps on the unsuspecting, animal, human, or youkai?) And sure enough, during the long bouts of nothing happening, Tsubakura got lost in their memories.

And as memories bled into thoughts and thoughts bled into longings, Tsubakura had brainstormed many, many long excuses and explanations for what happened to them. If it wasn't to Yabusame or Shion as they haunt their dreams, it was to Kuroji. They had rehearsed countless times in both sunlight and moonlight in their more animated intervals what they might say to any of the characters they've become in their head, all while scorning the fact that they might never get the chance to.

They had forgotten that "might" did not mean the same thing as "will" until now. And now that Kuroji stood in front of them, baring the same marks of inhumanity and immortality they did, all the explanations they had committed to memory for them specifically had suddenly vanished.

In the end, as the tears began to fall from the wrong conclusion forming in their mind, all Tsubakura can do is nod, "...Yes. Countless times in fact."

"...You're probably just lying in order to spare my feelings. Or save your worthless hide. Or both. No one could ever tell with you..." Kuroji hisses, their talons flexing, wounded, at their side.

"Yes. Fuck, Kuroji, yes! I thought about you so many times it hurts...Yes...I remember you, yes..." Tsubakura mumbles, their mantra bouncing about not to convince Kuroji of their honesty (they wouldn't fight if they decided to leave or make them pay for all the needless heartache), but more to answer the question repeating on loop since Kuroji asked them it.

"Have you been thinking about me?" Yes. "Is this really all you've been doing with your immortality?" Yes. "Do you regret everything that lead you to this?" Yes. Yes. Yes!!!

Tsubakura looks down at their nails, sharpened into the claw-like talons of most youkai. They cannot go back. Once a human has taken the fatal step over the line between humanity and inhumanity, they cannot step back. Their sight blurs.

All they want to do is go back. Go back in time, to the idle days of lounging about the shrine with Yabusame, getting lectured by Jinbei, and even get their soul munched on by Shion. They'd even be willing to go further back, to the suffocating days of scientific experiments with Hoojiro where nothing mattered beyond their next paycheck and having fun with friends like Kuroji, in their own odd sense.

They cannot go back. They want to go back.

"...Tsubakura?"

"Yes...Yes..."

Kuroji grows taller. Then, they were in front of them, all accusations and anger gone. It took Tsubakura long, agonizing seconds to realize they were crying. For the first time since leaving the Sanctuary in exile, for the first time after Yabusame vanished without a trace, they were crying.

"I missed you, Kuroji. You...You may be a pain in the ass, but..."

"I missed you too, in case you haven't noticed." A bitter chuckle, and then an equally bitter long sigh, "I spent so long thinking about what I'd do if I ever saw you again that I...I lost my temper there when I realized..."

"Apology accepted. I'd be pretty pissed if I was confronted with me too."

Kuroji kneels down until they were eye level with Tsubakura. Then, their wings wrapped around them without resistance. The touch of feathers against their scales was so foreign it made them shudder, but they welcomed it all the same.

(They missed this. They missed Yabusame's big, tight, drawn out hugs. Funny how the things they found annoying as a human they now craved as a youkai...)

"You've been through a lot too, haven't you?" Their tone softens, all of the ice in it melted, "So much so that even Yabusame is no longer with you..."

"Where is Yabusame?" They ask in that cryptic language of theirs.

"I dunno...I dunno anymore..." Tsubakura sniffles, "So-Sorry for dyin' on ya...I know I'm quite pathetic..."

Translation: "I don't want to talk about this right now."

Hands cup the back of their head, leaning them against Kuroji's warm chest. Tsubakura tenses as they push their hat back, stroking their hair. They wanted to stroke Kuroji's locks as well, but their shaky hand is caught as they reach out to do just that.

"Save that and the self-deprecation for later. Just this once, I'll do this for you for free. We both need this..."

Message received.

Tsubakura didn't know how long they were in Kuroji's arms for. Just that they were crying, they were crying as well, they craved the affection so much it hurt, and that they wanted to do nothing more than curl up on their couch with a warm bowl of miso soup and debate philosophy and science with them just like they used to 200 years ago.

"I missed you so much...Tsubakura..." Kuroji murmurs against their ear. Their name rolls off their tongue like they might vanish as soon as the last syllable ends.

"...Missed ya too, hardass..."

They stayed that way for a few moments longer. When they parted, coldness seeped into the warmth that was once Kuroji against their flesh. Their mechanical arm makes a notable click as they press weight on it in order to stand up.

"We...have a lot of catching up to do."

"No kidding," Tsubakura agrees as they push themself to their feet, a few sniffles still left in their system, "You still haven't told me what you've been up to. Like, how do you even live as a youkai? Of all the people to go youkai on me, you were pretty much dead last on that list."

They turn away, "I...Have my ways."

Vague and diverting. At least Kuroji still talks like Kuroji.

"Oh come on! I just cried my eyes out to you after spilling my methods. Can't do the same for me?"

"You are the only person in this entire world who can bounce back by being a thorn in my side..."

"It's how I live with myself. I'd die if I didn't."

"Die again, you mean? You said the prior you was dead, didn't you?"

"You knew what I meant!"

Kuroji snickers, almost hiding the tremors that accompany their next words, "It's not that I don't want to. It's that I wish to show you."

They step towards the way they came in, onto the path that a single diversion from caused them to reunite. They'd laugh at the coincidence of that if they weren't so captivating by Kuroji's next words:

"Come. Come stay the night at my place."

"Just like old times?"

"Just like old times," they smile. Not smirk, but actually smile a little, "It's just that I'd rather not discuss myself in the middle of the woods with a corpse not even a meter from us."

Tsubakura glanced at the long forgotten cadaver in question, sheepish, "Oh yeah. I forgot we killed that guy for a moment there."

"I killed that guy. It was probably a better death than whatever you had in store for them anyway."

"They'd probably still be alive if they fell into my trap. At least, until I start trying to experiment with absolute zero again."

"And I see you never moved past human experimentation. The only difference becoming a youkai did to you was give you a convenient excuse and reputation to do it more."

"You know me so well! Although robbing people of all their worth and then devouring them whole isn't much better, ya know."

Kuroji falters for a flash, then rolls their eyes, "Be glad I'm not in the mood to cut out your tongue for that."

"Ooh! Brutal! I'm so scared," Tsubakura placed a melodramatic hand over their chest, "It's not like my tongue won't grow back in three days and eighteen hours if ya do or anything."

"Do I even...No, I do not." Kuroji runs a hand through their hair, "So are we sharing it or not?"

Tsubakura spares it another glance. Right now, they couldn't want anything more than for Kuroji to make a nice stew with the meat and for them to enjoy their kill together. Not exactly like old times, but not exactly unwelcome either.

They conjure up the very ink portal they wished to use as a death trap beneath the dead body. It sinks into the pocket dimension with ease.

Kuroji watches on. They seem to already know their answer as they step onto the path. It will go out of the forest and to wherever their current home is.

And that's just under the assumption they'll walk there. Tsubakura hasn't flown in a while. Their wings were aching for some time in the air.

They smile as they step onto the path besides Kuroji. It has been a couple centuries since there was a notable pep in their step. Kuroji just so happened to be on the very short list of people they want to see that.

"I would like nothing more."

[dunmeshistash]

Dungeon Meshi FAQ

Before you send an ask consider checking this FAQ! I'm trying to compile some of the most common questions I see in my notes and inbox. Feel free to send me an ask anyway if you find anything confusing!

But first just some things about asks... I read all of them and feel kinda bad when I don't respond but I can't really respond to everything so:

Most likely will respond:

Requests for sources/images

Requests for links to other posts

Questions about the story or characters (as long as they haven't been repeated in a short while)

Questions about my opinion on canon content/speculation based on canon

Most likely won't respond: (usually cause idk what to say to it)

Headcanons/Shipping

Jokes

Discourse/Rants

Questions that have been repeated in a short time

FAQ under the cut (there's spoilers)

FAQ

First of all just a disclaimer that I don't actually know everything I try to put sources on the posts but if you see anything wrong here please let me know!

Q: Where is this extra/information from?

A: Dungeon Meshi has several worldbuilding details and extra comics in different publications. You can check this post with the places where the extras/information sources

If you wanna know the source for a specific extra don't be afraid to ask!

Q: Have you ever posted about [subject]

A: I haven't posted about everything related to dungeon meshi but please check my pinned post! I have a list of tags there, if you don't find specifically what you were looking try to search for it on my blog, I do my best to tag stuff so it can be found. If you still have trouble just send me an ask and I can link you the tag!

Q: How old is Thistle?

A: Who knows! Mostly likely he's under 80 (16 in tallmen years) my best guess is that he's 14.

Q: Is there a post Canon Melini Map?

A: Not really (Spoilers)

Q: Isn't Izutsumi a cat that was transformed into a human?

A: That's not a very accurate description, Izutsumi is a beastkin who was created using ancient magic by fusing the soul of a 6 year old child with the soul of a cat monster known as a greater cat. She's not "A cat that was turned into a human" nor a "human that was turned into a cat" as my understanding goes she was both and now she's still both, spoilers but the plot twist of the Lycion extra is that she can never be fully human again (there's more monster than human so she can't transform between the forms like Lycion)

I made a few posts about it

Q: Are fairies made of Jizz? How do females make them? How come Mithrun's doesn't look like him? Can other races make them?

A: Yes. They probably borrow some. Another person feeds it blood. Probably? For better answers please check the fairy tag LOL

Q: Are there monsters outside dungeons?

A: All points to yes, dungeons just seem to have a higher density of mana which allows more monsters to survive in a higher population.

Q: Is resurrection possibly in any dungeons or only in The Island?

A: According to the adventurer's bibles most man-made dungeons have the revival magic active. Here's a post all about resurrection and healing magic:

Q: Why did Fleki get brain damage when her Familiar got destroyed and Marcille didn't?

A: Probably has something to do with the complexity of the familiar and the strength of the connection, lots of people sent some theories pleas check the familiars tag if you wanna read up.

Q: What does the tattoos mean? What do Magic Tattoos do? Only beastmen have tattoos?

A: Those are Magic Tattoos, they work as a supplement for magic, I assume similar to magic circles or magic runes they use in other places in the anime, they aren't necessarily only for beastmen

Q: How does Mana/The Winged Lion/Dungeons work? (and related questions)

A: I made a post about dungeons you might wanna check, haven't done specific posts for the greater demon/winged lion but you can check the tags for some theories/other asks!

I think that's it for now? I'll add more things later if I see more common questions

Mini FAQ about the person running this blog (cause I get a couple of questions sometimes)

Q: Whats your pronouns? Are you brazilian? What do I call you?

A: There's a tiny about me section at the end of my pinned post I'd rather you use she/her or he/him, but they/them is fine, I'm very brazilian and you can call me whatever, Cyan is just a suggestion. You can also check this side blog, it's me

Q: What do you think about [headcanon]/[ship]

A: I probably think it's neat but cant elaborate cause either I'm being socially anxious or I'm afraid of saying something that will generate discourse on my notes LOL

Q: Could you tag [thing]

A: Yes! Please tell me if you'd like me to tag something, both cws or just something you think would be useful to search for. I'm very unaware of what can be upsetting ngl so I often forget to tag 'obvious' triggers, I'm also forgetful and have trouble expressing myself, so feel free to tell me if I said something weird but be nice pwease

[damnation-if]

I just want to say, as a certified monster fucker, I'm already in love with your story hahaaa <3 I'm glad we're getting more adult stories and the themes in this one are so intriguing, can't wait for the rest ! Alsooo, I really liked the way you describe things? I do not know how to explain it haha but I could easily visualize what was happening and the general atmosphere you're going for and I thought that was neat :^)

thank you so much for your kind words!! i truly appreciate them and i'm so glad the descriptions were to your liking! i have at least some level of aphantasia, so i'm always worried that i'm not describing things enough haha... glad that doesn't seem to be the case!

i was actually talking to my friends just yesterday about how there's relatively few Creacher-y ROs around... so for whatever reason, i guess because it's on my mind, i thought i'd take a bit of time/space here to mention all of the Monsterfucker Approved (TM) ROs that i could come up with, in case anyone else might be interested. this list isn't meant to be exhaustive (in case i miss anyone) as sadly i am yet to become all-seeing and all-knowing 😔

Creacher (Alien)

Rhaxa and Imxa from Project Hadea by my beloved @nyehilismwriting. spikey, scaley, bitey, etc. 👌i also love and appreciate the attention to detail put into worldbuilding for the different ways their species communicates and thinks and so on, showing the culture gaps between them and humans. quality buggies!

Creacher (Eldritch)

Roach from The Passenger... the mc is also an eldritch creacher in this one, which may add or subtract to the enjoyment for various different people lol

Sysba from Attollo; i also think this game in general is pretty monster friendly, with a bunch of monstrous side characters and so forth. the cool kind of neo-gothic vibes give it a feeling a bit akin to a cyberpunk Penny Dreadful... it's about as Monsterfucker as cyberpunk gets i think!

Beacon from Stygian: The Abyssal Lighthouse by my good friend @salty-stories. this one is probably the most Lovecraftian of the eldritch creachers i think, heavy Call of Cthulhu vibes. it's still in progress but i'm personally willing to wait haha

Creacher (Parahuman)

Lorelei and The Other from The Golden Harp; pirates and sirens and mermaids, oh my!

Danny and Isla from When It Hungers by the wonderful @roast-ifs ... the game is still on hiatus but it still lives rent-free in my head always... the monster mcs are So *chef's kiss*

Oisein from The Nameless; due to the sheevra mc there's a Lot of really cool exploration of the boundaries of humanity and stuff like that... we love a "nonhumans shouldn't be able to feel/do this" story... we love it a Normal amount for sure.

Creacher (Indefinable)

Trace from Greenwarden by @fiddles-ifs; an iconique creacher... the game itself also has excellent kind of Appalachian gothic/supernatural vibes and a dark undercurrent of Lurking Monster Foreboding.

Games with Applicably Creacher-esque Vibes

Virtue's End by my beloved friend dani... the ROs might be human, but the mc most certainly is not<3 dark fantasy and sumptuous Monster vibes, what more can you ask?

anything by the extremely talented @thirtybythirty (links to their games in their pinned post). everything they write has a compelling undercurrent of... eldritch existentialism. perhaps the creacher is in fact the Narrative... or maybe the humans were the creachers all along...

the fabulous OFNA: Birds of a Feather - it has the perfect combination of things Not Quite Human and Not Quite Right to create a rich and ominous atmosphere, well-worth playing even though everyone is Technically human lmfao

anyway sorry for rambling on and i'm sure there's a bunch i have missed but. i do feel like it's worth giving praise where it's due for games and writers that we appreciate! thank you again for your kind message (and for giving me a chance to talk about this a bit lol)

[wannab-urs]

Pedro Pascal Character Fic Recs | Vol 36

AO3 | Kofi | Main Masterlist | The Spreadsheet Masterlist

Howdy folks!

Welcome to my bi-weekly fic rec list! This is everything I read in the last two weeks. There's some seriously amazing shit on this list, y'all. If I counted properly there are 9 fics, two of which are series.

All info provided by the author unless it was blank, in which case I filled it in.

Punish me, Officer Djarin

Din one shot by @beskarandblasters

You've been thrown into an imperial prison for anti-empire speech. During your sentence, a new prison guard is hired, Officer Djarin, and you take a liking to him.

f!reader, reader is able-bodied, canon divergent, uneven power dynamic, brat taming, degradation (scumbag), fingering, vaginal sex, creampie, his glove in your mouth lol, no use of y/n

To Tell You the Truth

Ezra series by @concussed-to-pieces

Our story begins in the Green, after a certain meeting that culminates in an explosive Truxican standoff...

Survival, Worldbuilding, Eventual Romance, Slow Burn, Slow Build, Healing, Angst and Hurt/Comfort, Canon-Typical Violence, Extreme Duress, My First Work in This Fandom, Implied/Referenced Abuse, Past Abuse, Feelings Realization, Artist Reader, Reader is a prospector, Outer Space, Sharing a Bed, Roommates, Mutual Pining, Vaginal Fingering, Praise Kink (if you squint), Religious Terms used improperly, Catholics H8 Me, Remember, no man's penis will heal you okay, and fanfictions are not research, But I'm an indulgent fuck so it's okay, Vaginal Sex, big dick energy, Eventual Smut, Angst and Fluff and Smut, Just get it all in there, adoration, Very Flowery Terminology, Happy Ending

Sanguine

Ezra one shot by @marisferasiop

since being turned as a boy into- whatever liminal state of cryptid he is now- Ezra has walked this earth ageless and alone, never finding his place or a partner for long. He interrupts your meal in the city one evening, and brings you home to strike up a deal; feed from him, alone, and keep one another safe from discovery. The fact that he finds his purpose under the soft graze of your teeth and home between your thighs is a nice side effect.

lots of blood, smut, soft yearning sweet boy Ezra, mapuche mythology and monsters, schmoop. Ezra is a subby little sap in this.

Routine

Frankie one shot by @endlessthxxghts

Frankie makes a new routine for himself to help with his mental health. In that routine, Frankie stumbles upon you.

POV switching - stops towards the end, then POVs are combined. Friends to lovers. Slightly scared and reluctant friends to lovers. Slow burn. Canon divergent to Frankie’s Triple Frontier storyline (No history of lady or child for Frankie). Brief mentions of South America and Frankie’s mental health. Brief therapy talk. Overthinking!Frankie, but Reader comforts and reassures him. He’s not insecure the entire time, promise lolol. Hints of angst, but this is me we’re talking about — always will be a happy ending here🫶. No physical description of reader besides coffee shop uniform (no size descriptions used) - any descriptions are neutral, no adjectives to describe (purely things like “your thigh” etc.). No use of “y/n”. SMUT heheheh (making out, cunnilingus + fingering, unprotected P in V sex + cumming inside, breast worship/titty sucking).

Go Your Own Way

Javi P one shot by @schnarfer

Loving you isn’t the right thing to do

1979 Texas, very toxic relationship, sort of enemies to lovers if you squint a bit, absolutely no happy ending for our fuckboy Javier, no descriptions of reader except she has hair and there are outfit references, no specific ages mentioned in 1979 but they would both be early 20’s, Cheating/infidelity mentioned, smoking (OF COURSE), mention of drinking and drugs, two mentions of vomit, the good stuff? we’ve got flirting, kisses and smut; protected PIV, oral (f receiving), fingering, very light dirty talk, couple of light slaps, pet names (cariño, baby), Javier POV, I’ve tried to remove any overt British-isms but some may have slipped in, probably a bit of canon divergence, as well as wild historical and geographical inaccuracies but we’re going for vibes, yeah? and a note, we’re always Fleabag coded here.

Some fools fool themselves

Javi P one shot by @freelancearsonist

You were meant to be a mission—an insider that Javi could wring information from on some of the biggest names in the trade. It didn’t go to plan, but maybe that’s not so bad.

Rated MA for unprotected p in v sex (don’t do this irl pls), oral (m receiving), throatfucking, handjobs, creampie, spanish dirty talk (both javi and reader - translations in footnotes), reader has female anatomy and uses fem pronouns, reader wears a bikini, smoking/nicotine use, cheating (reader is married this is the mob wife fic you all asked for), kind of angsty but mostly just porn with the slightest sprinkling of plot for ✨flavor✨

The District Sleeps Alone Tonight

Marcus P one shot by @whataperfectwasteoftime

I am a visitor here. I am not permanent.

angst, breakups, mentions of Teresa x Patrick Jane

Cabuorir

Oberyn/Din/Reader series by ToricTailor (AO3)

You would have torn the heavens asunder to stop it.

Fix-It, That's Not How The Force Works (Star Wars), Get This Man A New Ship, Smut, Threesome - F/M/M, Reader sandwich, Force-Sensitive Reader, Polyamory, DVP, more

I want it, I got it

Joel one shot by @beskarandblasters

Joel gives you unlimited access to his credit card to shop online while he eats you out.

reader is able-bodied, no outbreak AU, porn with little plot, no age specified for reader, reader sits on Joel’s lap, established sugar daddy relationship, oral sex (F receiving), fingering, squirting, pet names (angel, baby), no use of y/n

Happy Reading!

[fyeahnix]

I've been slacking on HFW updates here so here are my tweets over the last couple of days compounded in sequential order:

Another of my favorite things about Horizon, which I probably mentioned when I played ZD, is how Aloy uses technology to enhance her own skills. It's so easy to let tech do all the heavy lifting for us, but she never does that. Even without the Focus, she's still a competent and crafty hunter. And that's fucking cool. Also I just really like Aloy in general. Such a great character.

I like to think Talanah is still overall a better hunter than Aloy and would be absolutely OP with a Focus. She had to get nerfed some type of way. This is based on absolutely nothing but vibes because I cannot remember every single event from the first game nor did I read the comic. Sorry lol

Forbidden West has done a fantastic job so far of adding in a bunch of cool new shit to play around with on top of what you got in the last game, including the expansion of the climbing mechanic. I can't even imagine how they'll top this if there's a third game coming at some point in the future. No, I am nowhere near done with this. I've only just started, haven't even GOTTEN to the actual Forbidden West yet. It was just a point I wanted to make. THIS is how I feel a sequel should be done.

The only thing truly frustrating me about HFW right now is the vantage points. I love the concept in theory, but in practice....ugh. idk if I'm having issues with spatial awareness or what..but getting feedback that's like "maybe I'm too high? Maybe I'm too low. Maybe I'm not close enough?" Kinda sucks because I FEEL like I'm close but the game is so super specific about specific angles. I got to the correct spot like 10 times but because I wasn't looking at the exact angle, it wasn't completing. It's a skill issue on my part probably but it is still very frustrating.

Now that I'm really looking at the map, No Man's Land feels like "Starter Area #2" lmfao

Monster Hunter solidified for me that I love the feeling of saying "OOOO SHIT" when I see another large monster. Saw the first Snapmaw and just had that same feeling lol. Horizon series is literally Monster Hunter Jr for me and I mean that with all the love and praise in the world. Ofc I am going to be shocked when I see A Very Large Monster lurking around in the water when I wasn't expecting it.

Aloy is doing The Protagonist Thing and I love it. Really showcasing her flaws in this game.

I appreciate the fact that Aloy is like "I can't fucking cook, taking this shit to an actual chef" when she picks up ingredients. We love honesty.

Goddamn the tattoo work on these characters in Forbidden West is so GOOD

It is very cool to see Aloy's vocabulary around Old World tech evolve between the two games. She has clearly learned quite a lot.

The way Aloy says hi to a certain character is so reminiscent of how she said hi to the first hologram she saw on the Focus. How cute lol.

Very very interesting how different tribes describe Aloy's hair color. Like it's such a SMALL detail but really shows the level of attention they put into making the tribes culturally significant from each other.

There is just so much to talk about with this game.... But the food you can buy...so much juicy lore and worldbuilding in the descriptions. I LIVE for shit like this

[imagineitdearies]

Hello! Just finished PS. I cannot praise you enough. Its easily the best thing ive read this year, and my resolution was to read multiple books a month. You surpass ALL OF THEM!

Saw ur authors note at the end abt an original queer vamp novel- is there anymore info yet? Im sure you've got ppl begging already but id truly love to beta when the time comes- or be first in line to preorder.

I feel like i read this at exactly the right time of my life.

The story was so painful yet rewarding bc i see so much of myself in Tyrus. Astarion and Tyrus truly feel like two different exstensions of my healing self. I wont go into it, but im a survivor to. Like tyrus, it happened when i was a young. Seeing his transformation throughout his decade of enslavement, his hatred towards himslef and the world, all bc of one man hit home. I kept telling myself that if it didnt have a happy ending id have to burn my phone or smthn lol. Seeing Astarion amd Tyrus not just defeat Cazador, but do it together, do it solely through their love of one another, broke me. The power of love, hope, and goodness. I havent cried over a fanfic since middle school. Im in my 20s now. I adored the final 2 chapters of the aftermath- im so grateful we got to meet his sister! And with Halsin, no less!

Im so thrilled you'll be adding oneshots and other stories to the universe. Tyrus is so real, so alive, id hate to see him contained in one story.

I love how Tyrus, ultimately, changeed. He didnt change into a monster like he feared, but what happened to him did changed him. Thats not a bad thing, tho. He's still Tyrus, simply a new version. And im still me, simply a new version.

I dont know if ill ever be able to reread, even skimming over the rougher parts was hard, but im so grateful i was able to see Tyrus and Astarion's journey. All of their triumphs felt like mine, all of their failures. Their never wavering love and trust in one another, that they understood it was Cazador that made them do those bad things. Ur right, pain and love must be intertwined, which is why this fic was so amazing. The highs would have never felt so spectaular without the lowest of lows.

Im rambling, i apologize. I do hope you read this, even if you dont respond. I hope my thanks and praise can give u something in return for what you've given me.

If you've made it this far, have you made any content on ur process? Ur planning? The flow was amazing, ur description, the flashbacks- did you go to school for writing? As a writer myself im almsot jealous at ur talent- but mostly curious :) id love to know anything you're willing to share.

Again, thank you. This was a gift, you know. I wont forget it.

Hi turtleurtle!! Great to see you over here, thank you so much for your kind words 🩵🩵 it means a lot any time I hear people enjoyed PS as much/more than published fiction!!

Speaking of, yes, since you ask I do have a little more to say now on my original story. I took a small writing break for a week or so but have now jumped back into the saddle for the next adventure! Lots of plotting, character creation, worldbuilding, and research happening right now.

Reuben, our first main POV, is almost fully fleshed out as a character and I’m so excited for you all to meet him (he’s an eloquence bard, for starters)!! The first book/part is almost fully outlined and I’ve written the first few pages. I’m really starting to get inspired by where the storyline is going.

Back to PS though—I’m so glad you felt seen with Tyrus’s character. He did inevitably change, but by the end he is (mostly) at peace with that and can still forge a good life and happy relationships. Meeting Cynda again was that last little piece of hope he needed to believe it 🥹

Haha the light does always seem brighter when you’re stuck in pitch darkness! On the other hand, it’s something Tyrus only thinks once, but I would argue love is not intertwined with pain more than anything else. Pain is just an inevitability. No matter what you do, you will experience discomfort, sorrow, loss, physical suffering (see Cazador, with absolutely zero love in his life). While love is not inevitable, it’s a choice. Love is a gift we choose to give and to receive in the midst of inevitable suffering and that is why it is so precious. Having that perspective has really helped me heal and have more hope for the future 🩵

Haha never apologize for rambling about PS! This thing has consumed my soul for the last 8 months so I love the chance to hear from/converse with people especially now that the full story is posted and all is revealed. Honestly wish I could sit down with you all and just discuss everything!! But seriously thank you for this message.

As for my writing, here’s a few writing advice asks I've answered, but i haven’t gotten too in-depth on my chaotic process yet. I will say long walks talking to myself, bullet lists, and brackets are my personal recipe for success (besides just writing for years and years) 😂 I did take a lot of classes in school too! If people have specific questions, I’m happy to give my best go at an answer.

Thanks so much 🥰

[leverage-ot3]

I was tagged by my buddy and old siren (freeform) mutual @imaginejolls for this ask game!

Star Sign(s): Sagittarius sun, Aquarius moon, Capricorn rising

Favorite Holidays: halloween :3

Last Meal: my mom's cajun beef stew with rice pilaf and a roll

Current Favorite Musician: I've been listening to a lot of noah kahan recently (vermont represent), but I also adore hozier, gracie abrams, lizzie mcalpine, phoebe bridgers, etc. I've never been the same since I was told my taste in music was yallternative. I also love lil nas x and found a new musician through tiktok that goes by brye that is really good

Last Music Listened To: the playlist I listen to the most, especially for sleep: immaculate fall vibes (technically the name of the playlist is just a bunch of the artists featured in it but the description is immaculate fall vibes). my most recent song was save me by noah kahan

Last Movie Watched: this is so embarrasing but I watched the meg with my dad yesterday lmao. I have a weakness for stupid monster movies (we used to watch the shittiest syfy movies together when I was in hs. the shittier the better). I thought he'd like it because jason statham but he was meh about it

Last TV Show Watched: last one I was invested in was the new episode of percy jackson, but I did watch a little bit of that polish show high water on netflix the other day which seemed interesting

Last Book/Fic Finished: god I actually haven't been reading fic for a hot minute which is really surprising. probably my reread of of the northmost winds and skies by @jjackfrost. wasn't in the crossover fandom until earlier this year but actually adore that pairing. this is now my comfort longfic (+400k). it's so good, I read it and I wasn't even in the fandom at the time and it was amazing!!! all the characters are written so well, the voices and pov are great, the worldbuilding and storyling is amazing! I've gushed in the comments before but ugh I love it so so much. inject this into my mf veins

Last Book/Fic Abandoned: I don't really abandon fics, I just wait for them to get updated again. as for books, I really tried to get into loveless by alice oseman because aroace rep but I couldn't really get into it :/

Currently Reading: nothing at the moment (not going to list all the fics I'm waiting for updates for because I can't remember them all and the ones I can remember would take up like multiple pages lol)

Last Thing Researched for Art/Writing/Hyperfixation: ooo this is hard. technically speaking I've been hyperfixated on playing animal crossing so the most recent thing I looked up for that was what treasure islands were lmao

Favorite Online Fandom Memory: oooo I'm not sure actually? I really love having mutuals even if we don't talk. I also really enjoy when people engage with my posts and appreciate my tags and aus. I like sharing my thoughts and ideas with you guys and it's so heartwarming and validating when y'all enjoy it right back

Favorite Old Fandom You Wish Would Drag You Back In/Have A Resurgence: I agree with jolly, I miss siren dearly. can they just do a leverage in like five years and retcon the last season? thanks

Favorite Thing You Enjoy That Never Had an Active or Big "Fandom" but You Wish It Did: probably some of the kdramas I've watched. I adored the guest on netflix but there's no fandom. I really REALLY wanted some fix-it fics for the ending of my name but there weren't any because the fandom was too small :(

Tempting Project You're Trying to Rein In/Don't Have Time For: so many things that I jump between (the adhd of it all lmao). I really would like to make a leverage ot3: are they queer video essay and I have some stuff typed up BUT I work in the healthcare field and I'm really hesitant of putting myself on video because when you work in this field it can be weird if clients or employers find your channel. so that's technically on hold for privacy reasons rn. I also really want to learn how to sew and make clothes and my roommate has even offered to help (they used to do competitive cosplay) but I'm just very unmotivated. I want to get back into witchy things but don't have the mental energy to invest in that other than appreciating my stones

tagging 10 moots but anyone can play!!!: @leverageclips @all-things-breathing @digitaldiscipline @peachyteabuck @vampirewalterskinner @buzzmcnab @sidras-tak @my-beloved-lakes @kajaono @suddenrundown

[purplecritter]

nimona (netflix) thoughts written on notes app while i was watching

just rambling lol don't expect anything profound. also SPOILERS!!

first off: oh the only non-noble knight trained with the descendant of gloreth herself? juicy dynamic (squint) they do be sitting really close... this sure is SOME subtext... OH ITS NOT SUBTEXT???? 

adore the classic fairytale intro but futuristic setting but still with knights and monarchy etc. and the aesthetics mesh so well together it doesn't look forced. love its worldbuilding.

the "tired mentor & mentee" dynamic never fails

unicorn vs rhinoceros thing is chefs kiss especially bc of the theory that unicorn tales were likely born of descriptions of rhinos

the flashback to nimona's childhood being done with subway tiles is genius 

ballister: "and now you're a boy" nimona: "i am today >:)" WOHOOO YESSS!!! they also made it look like they could be related to bal awe

as a gay-mullet haver, i had faith in the squire. i could feel the fangirl energy coming from him i knew he wouldn't do that. but if i had a nickel for every time something published on netflix had characters with mullets that seem bad at first but turn out okay i'd have... two nickels

bal wanting to protect the status quo because he was took in by the system vs nimona not believing in the status quo because the system failed her......

ambrosius' internal crisis :(

"says the miscreant whispering in his ear" 🤨 you see yourself rn?

off topic but the lighting on the armors is SO GOOD

everyone calling her monster vs bal "i got you kid" 🥺

"they grow up believing that they can be a hero if they drive a sword into the heart of anything different. and i'm the monster?" wanna see how hard i can cry?

fantasy monopoly?????? nimona's SO dramatic love her. the fact that she can breathe fire and still chose not to when they were surrounded.... 

oh the director's going to pretend that nimona framed her by transforming into her isn't she. this is why you should never cut your videos lol keep that shit unedited

the etching on ballister's sword... was it "G" for gloreth or goldenloin? either way, beautiful detail

oh ambrosius... I KNEW IT WAS COMING BUT "because i love you" still hurt like hell. 

THE WAY I GASPED. THAT WAS GLORETH!???? NOOOOOOOOOOOOO THAT'S FUCKED UP

oh my god i just realized the parallel between past!nimona&gloreth vs present!nimona&kid that called her a monster.... i cry 

i love the visual of phoenix(?) nimona going to destroy the cannon gloreth's legacy created, and her light illuminating the mural of nimona surrounded by fire and going to destroy gloreth herself

i do adore how ambrosius' faith in bal never wavered, especially since these kinds of plots like to make the betrayed lover the one who caused the betrayal all along...

YESS DESTROY THOSE CANNONS AND TAKE DOWN THE FUCKING WALL

memorial wall vs murder/innocence wall :( IT WAS THERE ALL ALONG! bdkjnsxnscdkvd

awwwweeeeee like a literal phoenix

 credits go so hard

AWWWWW THE PROGRESS PRIDE FLAG! shapeshifters&queer metaphors ily <3

[timogsilangan]

vic can you help me out I wanna read more scps and you're the scp guy do you happen to know any that aren't super paranoia inducing like shit w break-ins or kidnapping or stalking etc that's the biggest reason I don't read them T_T SORRY if this is like weird to send through an ask it felt rude to ping you KDBFKDNDKD

oh u have no idea what floodgates u just opened ^_^ behold one of my longest google docs

sd lockes 001 proposal (when day breaks) - hinges on body horror and the concept of the inescapability of its danger. love love love the atmosphere this fucking article did something to me when i was 15

2316 (field trip) - this ones a classic and recently blew up with that bodies in the water meme that apparently happened on tiktok ? i dont fucking know anything that happens on that fucking site. godless land that it is. anyway if u have issues with unreality idont recommend this one coz its very dependent on the whole "lel can u trust ur memories :)" thing BUT if u do read it. my only note is to remember to check the sites source code when u finish it ^_^

not a seagulls 001 proposal (the sky above the port) - made as a contest entry and written in just 24 hours! i wont go into it coz le spoilers but keep in mind that the theme of the contest is "it was all a dream"

2521 (●●|●●●●●|●●|●) - idk if this one counts under kidnapping coz its not like . irl human kidnapping but its more like candlejack mechanics ? but its one of the most clever articles ive ever seen coz it was made for a contest in which the goal was to use the least amnt of words possible, which it very quickly won by having a grand old total of Zero Fucking Words. the presentation of the article ties into the actual in-universe mechanics of the scp itself!

4999 (someone to watch over us) - this one isnt scary either but this shit unironically made me cry it has done unspeakable things to my mind

2264 (in the court of alagadda) - not that scary honestly but idont give a shit i love it coz ALAGADDA BABYYYYYYY visualizing the city itself based on the written descriptions is very entertaining. its the culmination of the hints of worldbuilding set up in 701 so i recommend reading that one first

2935 (o, death) - yay exploration logs all my homies love exploration logs. anyway this one is less . of being Directly Scary and most of the horror lies in the implications of whats going on. i hate thinking abt this one coz the concept at its center is scary help

5031 (yet another muder monster) - a commentary on Ye Olden Times when every scp was OUGH SCARY MURDER CREATURE RAURGH and everything was keter class for no reason coz people kept thinking keter = Most Dangerous Ever LOL this one is very very sweet and makes me feel the full range of emotion possible

4182 (there is no site-5) - AN EXPLORATION OF THE EFFECTS OF MASS CRUELTY! particularly if those effects manifest in an anomalous manner oopsie ! its got a lot of blacked out data but its not overused in an annoying way the blacked out letters r meant to be part of a puzzle that U Urself will piece together. i do wonder what happened to site-5 :)

5140 (everest) - i like this one because the vague nature of it leads u to wonder whether theres actual physical fuckery going on or just mental fuckery where the ppl there Think physical fuckery is going on. it feels very small scale surprisingly its a simple concept executed well! gives me older series vibes

1342 (to the makers of music) - oh boy oh geez a space travel based one. i wonder how Tumblr User tychomagneticanomaly1, known fan of space odyssey and interstellar who grew up on carl sagans cosmos will feel about this one! yea this one makes me very fucking emotional its an oldie but a goodie and makes me cry

[betawooper]

rating every demon fight in kny bc i can

non-biased, completely objective rating (more or less) of every significant demon fight in kny based on a number of factors, including:

cleverness of fighting tactics

placement in the story’s timeline

integration of character backstories

cohesive themes between characters

etc

by non-biased and objective i mean i’m not skewing the rating if a death felt fair or whatever

everything past where the anime ended will be under a read more so anime onlys who havent watched mugen train, youre safe lol

oh and i reread the manga like 20+ times (reread the latter arcs at least 40 times, haha hyperfixations am i right?) so be rest assured im not pulling these ratings out of my ass

also ill randomly be bolding certain phrases just to improve readability

anyways let’s gooooo

VS NEZUKO

[Image Description: Manga panel of Kamado Tanjirou and Nezuko. Tanjirou is fending her off by putting the axe handle in her mouth, keeping her from eating him. End Image Description.]

10/10

i like how realistic it is, because yeah tanjirou would react the way to he did with zero fighting skills against a demon

very clear why tanjirou is fighting nezuko and shows a bit of worldbuilding on how normal people react to their family becoming demons

always nice to see worldbuilding

giyuu is the perfect example of a seasoned demon slayer who’s good at his job, and he juxtaposes tanjirou very well in that aspect

my only complaint is not directly in this fight itself but how nezuko is handled throughout the story as a whole

like bro, it is literally never explained why nezuko is different from demons

could have been easily explained if maybe her family’s ghosts like slapped her hand every time she wanted to eat a person but nope

she’s just built different lol

so yeah youll see future ratings get points docked off bc nezuko unlocks some secret power with no prior explanation other than she angy >:3

VS TEMPLE DEMON

[Image Description: Manga panel of a demon. The demon has a sharp-nailed hand over his neck and there are four text bubbles around him saying “But a wound like this... will heal in no time! See? The bleeding already stopped!” End Image Description.]

10/10

may be more forgettable compared to like rui but still good

tanjirou did exceptionally well in this fight and his ability to think on his feet is once again beautifully illustrated here (trapping this dude’s head against the tree trunk with the axe)

very clever

again, establishes more demon worldbuilding regarding regeneration and still being able to move without their head

and the demons burning in the sunlight thing since nezuko wasn’t able to show that

the ending where tanjirou hesitates to kill the demon also serves to show his sympathetic nature towards demons that will last throughout the entirety of the first 60-ish chapters

:)

we’ll talk about what the hell happens to tanjirou after that

or not, it could honestly be its own post

VS HAND DEMON

[Image Description: Manga panel of a many-handed demon. He has six hands around him, three of them covering his mouth while he chuckles, two of them grabbing his cheeks, and one holding on to the top of his head. There are two text bubbles saying “That’s how many of Urokodaki’s students I have eaten! I’ve decided to kill all of his students!” End Image Description.]

10/10

ooooh probably the first big fight against a demon in the series

oh yeah not doing the two random demons tanjirou one shot in a single blow bc eh

anyways hand demon’s pretty goddamn scary, considering the fact that this is the 5th demon or whatever tanjirou has had to face so far

very nice way to show us how much tanjirou’s innate intuition and all his other random abilities (sense of smell, hard forehead) can come together and help him decapitate this guy

i liked the mini history with urokodaki this dude had and why he had beef with our favorite mentor figure, it establishes that urokodaki was in fact a super good demon slayer and its cool to see that actually shown

i also liked that small moment of compassion tanjirou gave this demon, staying consistent with tanjirou’s established kindness

the demon’s sad tale with killing his own brother very much humanizes him when all the reader has seen up to this point is that this guy is a monster who eats people

sets up the theme of demons just being humans but being victims of circumstance that unfortunately doesn’t hold up as well in arcs past mugen train

VS SWAMP DEMON

[Image Description: Manga panel of Kamado Tanjirou fighting off three horned demons as they appear from below. There is a spiky text bubble saying “Three of them!!!” End Image Description.]

10/10

not my most favorite fight but it still portrays everything alright and im not allowed to let my personal opinions mess with the rating so

i like how tanjirou mentioned the fact that he trained in conditions similar to the bog and explains how he pulled off the whirlpool form

using past experiences to aid him in the present, nice nice

tanjirou and nezuko dont quite work together very well but its yknow the first mission so ill chalk it up to simple inexperience

also the way the muzan curse thingie was hinted at here? fantastic way of showing that little bit of demon worldbuilding

...

oh god, it mentions nezuko being stronger than normal demons

ok its not a problem here per say since i can still suspend my disbelief, but later on it just becomes a glaring problem that gets worse over time

VS SUSAMARU AND YAHABA

[Image Description: Manga panels of Susamaru and Yahaba. The first one is a joyful Susamaru about to throw a temari ball. There is floating text saying “Is she one of Kibutsuji’s minions?!” The second image is an annoyed Yahaba, holding one of his eye-hands to cover himself. There are two text bubbles around him saying “My kimono got all dusty. Tch!” End Image Description.]

9/10

why dont these bitches have a good looking panel together dammit

anyways amazing entrance, the way yahaba used his hand eyes to track down tanjirou is really neat

the synergy yahaba and susamaru have is incredible, its awesome dude, they work extremely well together and it shows

tanjirou actually mixing his water breathing forms together is a god tier move and i absolutely love how he can show off his ability to think on his feet once again

establishing how yushiro’s bda works early on is really well done

establishing tamayo as a fugitive this early on is also super well done

not to get into spoiler territory but both these things pay off

how tamayo ended up defeating susamaru is literally awesome in so many ways

shows off both how smart she is by exploiting the muzan curse

and speaking of the muzan curse, we actually get to see what happens to demons who even say his name, back when it was hinted with the swamp demon

tamayo is amazing dude, and we get some real evidence of the horrible suffering demons go through if they even accidentally attempt to betray muzan :D

...

now heres what keeps this fight from being perfect

nezuko somehow grew stronger against susamaru’s temari

with no explanation

which could have been easily explained if tamayo was like “oh yeah the drug also boosts a demon’s strength temporarily”

but nope

god, i just dont like how gotouge handles nezuko’s power boosts throughout the series bc like i said before

no explanation is given anywhere

this is a huge issue, this isnt a pokemon game, you cant just kill demons and get exp at the end of every battle, level up, get some sweet stat bonuses and move on

(actually if gotouge established that this is how nezuko grew in power, than all my complaints about this would be gone, im not even joking)

anyways i get that nezuko is supposed to be “special” but thats too vague of a descriptor

how the hell is she special? ya gotta be more specific and stick with that explanation or that suspension of disbelief is going to disappear

VS TONGUE DEMON

[Image Description: Manga panel of a four-eyed demon with horns and a long tongue. He is crawling in an awkward position, one foot in front of his tilted head. There are two text bubbles around him saying “Heh, heh! I’ll slurpy slurp your brains out through you ear!” End Image Description.]

10/10

not much to say, showcases zenitsu’s true abilities really well

nicely done

VS HORNED DEMON

[Image Description: Manga panel of a big, single-horned demon. There are three text bubbles saying “You dodged! You’re awfully lively for a human! It’ll be a treat to carve away your flesh!” End Image Description.]

10/10

would have ignored this fight if not for the fact we havent seen inosuke fight before

it definitely shows how very fast-paced and wild inosuke is

no complaints here lol

VS KYOGAI

[Image Description: Manga panel of Kyogai, a demon with tsuzumi drums attached to his shoulders. There are four text bubbles around him saying “Why?! Why does everyone keep sneaking through my house? It’s so aggravating. It’s my prey! It’s my prey! Found in my territory!” End Image Description.]

10/10

establishes marechi blood pretty early on, once again expanding the worldbuilding of kny which is always cool

interesting terrain where it’s always shifting, tanjirou once again proves his ability to adapt really quickly by altering one of his forms to work with the turning room

(man, i wish the form mixing/form modification thing carried on throughout the rest of the story, but it really didnt which is just a shame)

the injuries tanjirou had prior to this mission actually affecting him was a nice touch

oh yeah, kyogai gives us more worldbuilding (which is always nice) regarding the 12 kizuki, and the aspect of him being cast out due to being weak shows a lot about muzan’s indifference towards his own demons if they arent strong

his backstory being a failed writer once again humanizes kyogai as a former human being and not just a monster

tanjirou shows his sympathy and compassion again by not stepping on his written work and complimenting his bda

well, tbh tanjirou’s actions kinda came out of nowhere but its a very minor thing and not enough to dock a point off, like it didnt affect the outcome of the fight that much if at all

(so if you see future battles where points are docked off for things not logically making sense, its bc whatever nonsensical concepts were integrated into the fight actually turned the tide of the battle and thats a big no-no)

very good fight and if you remember how kinda bad tanjirou was at accurately slicing the swamp demon, you can see that he’s already improved leaps and bounds

im so proud of him

VS MOTHER SPIDER DEMON

[Image Description: Manga panel of Kamado Tanjirou and the Mother Spider Demon. There is a light shining down from the top right on to the demon as Tanjirou slices her head off, rain following in his wake. There is floating text saying “Water Breathing: Fifth Form - Blessed Rain After the Drought!” around them. End Image Description.]

10/10

i mean does anyone disagree?

all the demon slayers getting their necks snapped by her threads was pretty horrific, probably more horrifying than anything else we have seen in the entire series if im gonna be honest

the death scene is probably the most beautiful one in the series

it reveals a water breathing form that we havent seen before thats the 5th form

as far as i know, no other breathing style has this merciful sword stroke so it shows a lot about the original water breather and what they might have been like

but enough about them, really the focus is on tanjirou bc this is like the best example by far of how kind and sympathetic he is to demons

dunno what else to say, its perfect

VS SON SPIDER DEMON

[Image Description: Manga panel of Agatsuma Zenitsu performing Thunder Breathing 1st Form: Sixfold on a spider-like demon. Zenitsu is crashing through the roof of a shed, and a zig-zag path is left behind. There are sound effects all over the panel, saying “Bam!” in large font. End Image Description.]

10/10

chose a picture without a huge spider on it bc i would like to not scare myself half to death

anyways extremely amazing fight, showcases zenitsu’s immense talent and skill, adapting the 1st form of thunder breathing to be a more versatile move

theres a moment where his backstory with kuwajima and kaigaku were revealed and his hidden insecurities are out in the open which is super nice and further develops a character weve only considered as comedic relief until now

the anime made the backstory scenes and the killing scene so much cooler

while there is no thematic connection between zenitsu and the demon, it really isnt necessary to keep this fight interesting

anyways another pretty much perfect fight

VS FATHER SPIDER DEMON

[Image Description: Manga panel of Kamado Tanjirou and Inosuke slashing at the Father Spider Demon. The demon has blocked Tanjirou’s sword with his arm, and Inosuke is slamming both his blades down on the demon’s other hand. End Image Description.]

10/10

again, not my most favorite fight but it does everything right

i do have to say it was excellent how gotouge hyped up the father spider demon to be the big bad, only just so the plot twist later takes the readers by surprise

nicely done

VS DAUGHTER SPIDER DEMON

[Image Description: Manga panel of Kochou Shinobu and the Daughter Spider Demon. Shinobu’s back is seen and her haori looks like a butterfly’s wings keeping her afloat as she holds her stinger blade out to the side. The demon looks surprised as blood gushes from her side, arm, shoulder, chest, neck, and forehead. There is floating text on the panel, saying “Insect Breathing - Butterfly Dance - Caprice!” End Image Description.]

10/10

first time weve seen shinobu and her fighting style

what i love most about this is how much it shows her true character, appearing as a carefree and naive individual so she seems underwhelming

then bam, reveals exactly how dangerous and uncaring she is of demons, listing out the specific ways she would torture the daughter spider demon in grotesque detail

her using poison to take demons by surprise is also super clever and brings back the worldbuilding established way earlier about wisteria being poisonous to demons

amazing integration of that concept

anyways this fight really encapsulates who shinobu is as a character and thats why it gets a perfect score

VS RUI

[Image Description: Manga panel of Rui holding his hand out directly towards the viewer. There are two text bubbles around him, saying “Give me your sister. If you hand her over quietly, I’ll spare your life.” End Image Description.]

8/10

not only is it a super scary fight but there is a deeper conflict between rui and tanjirou, what it means to be family

they are opposites in the sense that while tanjirou believes love is what makes a family, rui’s subconscious desperation for an unbreakable bond drives him to use fear to keep his “family” together

excellent juxtaposition of their values, and this is only further emphasized when rui expresses out loud what he was going to do to nezuko

i also like the symbolism regarding rui’s bda, how he uses threads or the “familial” bonds to cut up his fake family with it if they act out of turn or annoy him

super neat detail

alright what i dont like about this fight is nezuko (again)

mostly her unlocking her bda to turn the tide of the battle bc her mom was like “yo, wake up, your brother is going to be killed”

feels... forced ig

her bda in general is confusing and not consistent

man, i wish i could make a stronger argument for this but i do believe the problem stems from the fact that we dont ever know what nezuko is thinking, and what she thinks of tanjirou specifically

if she even cares for him as a sibling or if shes only going along with what her family is saying to her, things like that which would have been fixed if gotouge actually gave her thoughts some screen time

so the action feels pretty shallow

im also conflicted over tanjirou somehow remembering how dance of the fire god works

on one hand, hes using past information and applying it in the current setting so he doesnt die, which is understandable

but on the other hand, this was a teeny bit random?

i think what could have fixed this is if there was a scene in the beginning of the series where tanjirou was performing it himself, like practicing before he actually had to do it for new years

so that when the rui fight rolls around, it would have felt less like throwing dry spaghetti at a wall

but yeah

overall super good fight, giyuu ending up having to kill rui instead of tanjirou was super good in that tanjirou didnt become a pillar this early in the series and to show how strong giyuu is

there are some odd bits regarding the ultimate “beheading” of rui using nezuko and tanjirous supposed bonds but it doesnt kill the fight entirely so it deserves its pretty high score

***under read more is manga-only fights so beware***

VS ENMU

[Image Description: Manga panel of Enmu holding his hand out directly at the viewer, with a mouth on the back of it. There is floating text to the top right of Enmu that says “Whispers of Forced Unconscious Hypnosis!” End Image Description.]

9/10

id say this fight is definitely overshadowed by the dream stuff prior to this but its pretty good in its own right

enmu fusing with the train was kinda confusing, like when was it established that demons could fuse with objects?

this worldbuilding element doesnt even appear again so yeah thats why it loses a point

how the kmbk gang end up defeating enmu is pretty sweet though, tanjirou using dance of the fire god to sever the neck bone was really nice and shows that him using the breathing style in the rui fight wasnt a one time thing

while kyojuro’s role was smaller in this part, the next part makes up for it so i cant complain

anyways ye, almost perfect score but its pretty good

VS AKAZA (MUGEN TRAIN)

[Image Description: Manga panel of Akaza holding his hand out to the viewer’s left. There is a text bubble saying “Why don’t you become a demon?” End Image Description.]

10/10

this encounter is literally amazing okay?

after the crew kills the big bad, it seems like everything is fine

but plot twist, upper moon 3 appears out of nowhere

this is the first time the reader has seen an upper moon, let alone the 3rd/4th strongest demon in existence and the way gotouge handled this twist is fucking amazing

kyojuro’s death scene really shows just how human even the strongest pillars are against demons with incredible power

its just

amazing

VS OBI DEMON

[Image Description: Manga panels of the obi-like demon. The first image shows the obi hung in the air and strung over each other like decorations, with women-shaped patterns in its folds. The second image is Hashibira Inosuke fighting the Obi demon which now has lips and eyes. There is floating text in that panel saying “Breath of the Beast: Sixth Fang - Jagged Gnaw!!” End Image Description.]

10/10

on to red light district

this fight is admittedly super forgettable and not very interesting at least compared to the main fight with daki and gyutaro

but it wraps up the sub plot of the women and uzui’s wives going missing so it gets a perfect score for not messing that up

oh and it establishes the stretchy neck thing daki has going on which is very good

VS DAKI AND GYUTARO

[Image Description: Manga panel of Daki and Gyutaro. Daki is sitting on Gyutaro’s shoulders. There is a text bubble on the top right that says “The two of us are one, after all.” as well as floating text that reads “The power of the irregular siblings...!? Next issue lead color and the fight reaches its climax!!” End Image Description.]

8/10

love how this battle challenges tanjirou’s sympathy and kindness towards demons, just simply bc daki and gyutaro are horrible people

(too bad nothing came of this, which ill explain in the hantengu portion)

daki and gyutaro are very good villains and kept this fight super interesting from start to finish

uzui acting as a foil to gyutaro is nicely integrated and properly shown with how jealous gyutaro gets over seeing uzui’s perfect form and stature

tanjirou not only mixes forms but mixes breathing styles as well, which is so fucking awesome

(too bad it was only used like once throughout the entire series, its quite unfortunate)

the super high tension right after inosuke gets stabbed and tanjirou wakes up was expertly portrayed and handled, it felt like the kmbk gang and uzui were actually going to lose

super awesome

the tanjirou and gyutaro parallels are expertly portrayed, with how gyutaro taunts tanjirou over failing to protect his little sister, and the more visual thing where tanjirou imagined his own neck underneath his blade, that was super duper nice

the ending is extremely tense and emotionally gripping, gotouge did a really good job with that artistically too

the demon mark acquisition scene was surprisingly not frustrating, considering that it wasnt really explained prior to the battle

i do think it has to do with how it was explained later just exactly how they worked so its not just some random thing gotouge pulled out of their ass

so pretty good

/

what i dont like is nezuko and her full power demon form

first of all where the fuck did that come from? she just got angry and suddenly shes as powerful as an upper moon

like

how?

that doesnt make sense???

her extremely quick regeneration makes no sense

her ability to manipulate her blood’s properties makes no sense

and it doesnt even appear again so what was the point of that existing

none of this is even explained later which annoys me

that one part where tanjirou sings a lullaby to her to calm her down was alright ig but nezuko in this fight makes me extremely irritated and frustrated

just ugh

VS HANTENGU

[Image Description: Manga panel of Hantengu opening a shoji door. He is crawling inside, his hand in a gnarled, unnatural position. There is a text bubble saying “Eeeeeeek.” End Image Description.]

1/10

swordsmith village

this fight can go fuck itself /j

no but seriously it has so many problems that it would be shorter to name its redeeming qualities (which ill do later)

first off, the nezuko full power form thing again

i hate it so much with a passion

again, where did her ability to regenerate instantly even come from???? this is never explained, ever

and why did she cut herself on tanjirou’s sword anyway

did she somehow know that it was going to turn red if she burned it?

gotouge what the fuck, there is literally no reason why nezuko would do that and we cant even read her mind to see her thought process

gotouge hates nezuko, i swear

/

remember when i said uzui is meant to be a foil to gyutaro in the rld fight? its pretty obvious that those two are opposites, it was nicely done

... what the hell does mitsuri’s insecurities about strength have to do with whatever the fuck hantengu has going on (which is basically nothing)?

so no meaningful connection between mitsuri and hantengu

theres no meaningful connection between tanjirou and hantengu other than tanjirou getting pissed off for like the second time

also tanjirou’s thing with being kind and sympathetic to demons was entirely dropped at this point

but instead of it leading up to a corruption arc of some sorts, it just doesnt

like honestly if something actually came of that anger he exhibited in this arc and from red light district from this point forward story-wise, i would have counted this as an amazing writing decision

but it literally doesnt so who cares

(god, i really start to hate what happened to his character after this )

and genya’s revealed motivation also doesnt fit at all with hantengu’s thing, he’s not a foil, not a parallel, nothing, there is nothing

/

tanjirou being the catharsis for development for mitsuri and muichirou, who he has only talked to like twice

theres definitely a better way to handle those two’s developments without his help

like gotouge, you have a big cast of characters, use them lol

/

i want to kick hantengu in the face for being boring as fuck (at least his clones have cool looking weapons)

doesnt even have a proper backstory, just a single spread of him being blamed for shit as a human

like... thats it? this is upper moon 4 what the hell

/

theres no clever form mixing here at all (regarding tanjirou) which probably would have helped with foreshadowing the 13th form for dance of the fire god/sun breathing better

also gotouge established that as tanjirou’s thing and now he doesnt do that stuff anymore which sucks

/

oh hey remember when tanjirou actually learned how to do zenitsu’s speed boost thing?

if you didnt, i dont blame you bc it literally doesnt appear again, ever

you could argue that he adapted it into his “waltz flash” technique or whatever the fuck that is but the way it was integrated into this fight was like throwing dry spaghetti at a wall

which is just a shame bc its meant to be representative of how tanjirou and zenitsu are good pals but the way it was utilized is forgettable as hell

/

i absolutely loathe the crimson blade concept as a whole and im mentioning this now bc its going to come into play why future instances where this goddamn thing comes up again causes points to be lost

its inconsistent as fuck ill tell you that

/

at least some yoriichi stuff appeared here and not shoved into the final battle with everything else

so the yoriichi stuff later didnt come out of absolute nowhere

genya and mitsuri’s unique fighting styles expand the kny worldbuilding just a little more which is always nice

tanjirou got a cool sword out of this which would have been cooler if him and yoriichi had a deeper connection that was actually explored

but we didnt get shit so whatever

other people getting demon marks being revealed here is also okay so that again, the final battle isnt filled with absolutely everyone getting their marks at once

demon marks have their own slew of problems but its not as bad as the fucking crimson sword shit

god i hate the crimson sword shit

...

dude this section needs a tldr, even i cant sit and read through my shit

TL;DR - this fight sucks and crimson swords are bullshit (more on this later)

VS GYOKKO

[Image Description: Manga panel of Tokitou Muichirou and Gyokko. Muichirou is looking to the left while Gyokko is looking to the right, both with their backs to each other. There are mist clouds billowing in the foreground and background, as well as a slash mark going across Gyokko’s neck. End Image Description.]

7/10

this fight suffers from the same lack of cohesive themes through characters like the hantengu battle bc the antagonist is given nothing

but its better

we havent actually seen mui fight before so theres no consistencies that the reader has to keep track of for now

and there arent like 10 characters in the fight so this fight gets a lot of points just for being a lot more coherent

i do like that this fight shows just how good mui is that he can defeat an upper moon by himself

mui’s backstory is neat

gyokko’s bda is very interesting too

... thats pretty much it lol

ye, anyways not the best fight but not the worst fight either

VS KAIGAKU

[Image Description: Manga panel of Kaigaku holding the hilt of his blade with one hand. There is two text bubbles around him, saying “...As usual, you’re still shabby. It’s been a while, Zenitsu.” End Image Description.]

9/10

alright on to final battle arc

theres some good fights and then some really sucky ones, but this one was pretty incredible and very emotionally charged

theres a clear reason why zenitsu and kaigaku are battling each other (kai betrayed the corps and inadvertantly caused the only parental figure in zenitsu’s life to die, and zenitsu is rightfully pissed off about that)

the visual yin-yang symbolism is awesome too

zenitsu winning due to using the 7th form he created himself (which i have reason to believe was inspired by tanjirou) was the perfect ending to the fight, really couldnt ask for anything better and is a perfect example of how much of an effect tanjirou has had on zenitsu

the 7th form is what tanjirou’s waltz flash should have been lol

/

what keeps this fight from being absolutely perfect is lack of development prior to this conflict

(since the final battle arc is basically a culmination of all the hinted developments through the series, im going to actually factor in how much and how well these conflicts were foreshadowed)

anyways if we had actually seen zenitsu, kaigaku, and kuwajima actually interacting with each other and showing how they were essentially a family (not just through flashbacks), it would have made zenitsu placing the responsibility of killing kai onto himself a lot more tragic

but like, apart from brief flashbacks where zenitsu actually met kaigaku off screen and that one thing all the way back in natagumo where both kuwajima and kai were introduced, thats pretty much it in terms of thunder family development

so yeah its underdeveloped for sure

also one random thought, i personally think zenitsu should have gotten his demon mark in this fight, it would have been cool to see

VS AKAZA (INFINITY FORTRESS)

[Image Description: Manga panel of Akaza’s face. There are two text bubbles around him, saying “Okay, let’s get started. It’s time for the feast.” There is also floating text saying “The inspection of the strong has begun...” as well as a simple box on the lower left, denoting its the end of chapter 147. End Image Description.]

6/10

oh god please dont hate me for this

ill list the good things first how about that

this conflict was foreshadowed perfectly in mugen train, you bet the readers were expecting a tanjirou vs akaza battle after the death of kyojuro and gotouge delivered

akaza’s power is shown extremely well with how many close calls tanjirou and giyuu had while fighting him

akaza eventually giving up on his own volition was really nice and fit into the context of the battle very very well, like sure tanjirou and giyuu wouldnt understand why he gave up but us readers do know

akaza is a really good character and a good villain

/

now notice how im only mentioning akaza and not giyuu or tanjirou in the good aspects

bc those two are eh

no form mixing at all from either tanjirou and giyuu

i know i said form mixing was kind of tanjirou’s thing but you’d think giyuu would have gotten more creative with his moves once akaza said that he was getting predictable

(well he said he “ran out of water breathing forms” but same thing)

so its kinda bland lol

speaking of giyuu, his whole thing with his insecurities of being weak wasnt handled well (it was sort of immediately brushed off in pillar training, and its unclear what part of his character arc he was in)

like sure him announcing that he’s going to protect tanjirou is cool but it feels like he was haphazardly dropped into the tanjirou and akaza conflict

isnt he supposed to be both their foils? that wasnt really explored that well in this fight and theres no deep meaning behind him even being here just analyzing what he did in it

he could have been handled better or even given more focus is what im saying

the anatta state came out of nowhere, im sorry okay? just bc inosuke like barely hinted at not being able to sense grandma hisa bc she had no fighting spirit and tanjurou magically taught his son how to achieve this state doesnt mean it was properly integrated into the fight

if the anatta state was actually explored prior to this battle, i would have given it a pass but it just feels like a cheap and poorly developed trick to get around akaza’s technique development (which is overpowered as fuck might i add)

gotouge should have just given akaza a plausible weakness to his technique development instead, especially since they dont use or even mention the anatta state after this

the transparent world shit makes no sense but ill elaborate on that in the koku battle analysis

oh and this thing doesnt affect the score but why wasnt there a “yoriichi visage overlapping” moment when tanjirou was fighting akaza? hes an upper moon, he should have gotten those visions but he didnt

for some reason

anyways this battle was alright and has good set up but the middle and end parts didnt hold up as well bc random concepts were thrown at us without prior explanation or development

VS DOUMA

[Image Description: Manga panel of Douma licking Shinobu’s butterfly pin. There are two text bubbles around him saying “Anyway, tonight is a good night. Such fine feasts keep showing up one after another.” End Image Description.]

9/10

damn, such an amazing fight

the build up to this was properly foreshadowed

shinobu finally showing her true anger after hiding it for so long is amazing

douma is a super interesting character and fantastic villain

shinobu showing off her true power and determination against douma was sooooo nice

shinobu’s poisonous body plan is so clever and so interesting

if i was to rate the shinobu part of the fight alone, it would have gotten a 10/10 no question

the reason why its knocked down a point is because of the kanao and inosuke part

dont get me wrong, the way kanao is able to hold her own against douma by herself is pretty cool, how shes meant to parallel douma with their similar struggles surrounding human emotions and demonstrate how she has grown as a person, how she regains the ability to cry

that shit is cool, inosuke also getting in touch with his emotions after learning what happened to his mom was super neat as well

however

bc this battle takes place in the final arc with everything else, there wasnt proper build up regarding many things, the kotoha reveal especially

so inosuke feels kinda forced into the kanao shinobu and douma conflict, similar to how giyuu felt forced into the tanjirou and akaza conflict

its quite unfortunate bc if the kotoha stuff was actually explored prior to the confrontation, this “forced” feeling would have disappeared

i know some people have suggested that the douma fight should have just been its own arc, and i very much agree, it would have certainly helped fix this problem regarding inosuke and kotoha

last random thought, i wish shinobu, kanao, and inosuke got their demon marks

VS KOKUSHIBOU

[Image Description: Manga panel of Kokushibou looking directly at the viewer, holding the hilt of his blade as if he’s going to pull it out. There are text boxes around him saying “This... is Upper Moon One... He’s so different compared to the other Upper Moons. He looks so dignified and majestic.” The text boxes are narrated by Tokitou Muichirou. End Image Description.]

5/10

this fight is... mediocre

at least theres a more tangible connection between muichirou and kokushibou

even though that was handled kinda poorly

tbh there really was no point to revealing that mui is koku’s descendant like at all, it just had no significant bearing to the plot of the fight

sanemi’s backstory being here is... okay ig?

idk the whole shinazugawa conflict has fundamental problems that i just cant think of any other place to put it without changing the entirety of canon

the marechi blood concept coming back was nice though

genya is there

him getting his bda was cool and helped turn the tide of the battle in a satisfying way (before kicking the bucket but thats not the focus here)

gyomei is a hollow husk of a character who barely got anything at all

but his fighting style is extremely cool and conveys his immense power very well

oh and him and sanemi are amazing at working together, like better than giyuu and tanjirou, and better than kanao and inosuke

theyre that good yet pretty much nobody acknowledges it which is sad

koku himself is pretty interesting and pretty tragic, very nice villain

but everyone together?

gonna be honest but this is such a random collection of characters, there was basically no foreshadowing that these four were going to go up again kokushibou, they are not that connected very well

i know there was this one post that focused on the theme of family that was common in all 5 characters in the fight but its just not enough

it would have been more cohesive if gotouge emphasized gyomei, mui, sanemi, and genya being like different aspects of yoriichi coming together to kill kokushibou hundreds of years after yoriichi failed to kill him

lmao its not like the 4 of them defeated koku with the power of family or friendship, they just smacked him over and over with a flail, shot him with magical bullets, and stabbed a crimson sword into his abdomen

wouldnt have been too hard to switch over to koku’s pov and go “damn these bitches are like my stupid brother”

...

speaking of crimson swords

i fucking hate the crimson sword concept oh my god can i complain about it now? im gonna complain about it now

unlike demon marks, the crimson blades werent even given any proper conditions, you just hold the stupid thing hard enough and it somehow imbues it with magical properties with no logic behind those properties

what part of crimson swords completely destroys a demon’s body in an instant? even muzan didnt go through that process when he was almost killed by yoriichi so where in the goddamn fuck did it come from

it could be explained bc the sword was left in the same spot for a long time but this tactic doesnt even appear again in a meaningful way (didnt kill muzan when tanjirou and giyuu held the sword together) so what the fuck was the point of having this even exist

its so underdeveloped and confusing and i hate it

the transparent world stuff is also confusing as shit and its pretty much never explained how they work aside from the vague “close your mind” advice, like why did it exist, it did nothing to help the present day demon slayers

its just so... poorly integrated

yeah anyways this is around the same rating as the akaza fight but a little worse bc there wasnt that strong set up beforehand

VS KOKUSHIBOU (SENGOKU ERA)

[Image Description: Manga panel of a bag getting ripped open, pieces of a wooden flute tumbling out. End Image Description.]

10/10

easily 10/10

this fight shows the tragedy of kokushibou giving in to his envy and hatred, when yoriichi cries over seeing his own family commit terrible attrocities against the people he wanted to protect

and yoriichi dies, now carrying the fact that he couldnt even save his own brother from the influence of muzan on his conscious forever

what a sad ending for yoriichi

and after koku angrily slashes apart yoriichi’s corpse, having him find and keep the flute he gave to him when they were kids to the present day gives him a small shred of humanity in the midst of his monstrous anger

VS NAKIME

[Image Description: Manga panels of Nakime. The first one shows a low quality version of her playing her biwa. The second one is a close up of her eye. There are spiky text bubbles saying “It’s Upper Rank... 4!” End Image Description.]

0/10

no nakime backstory

not even a goddamn fight

forgettable

useless

VS MUZAN

[Image Description: Manga panel of Kibutsuji Muzan in his white-haired, mouth-covered form. There are text bubbles around him saying “Not a single one was of use to me. I will crush the demon hunters tonight. I’ll massacre them all right now.” End Image Description.]

1/10

._.

i have many complaints but ill try my best to not make this another hantengu rant section lol

first off, obanai deserved better

im serious, this poor dude was forgotten until pretty much the end when we finally get a backstory out of him

and then he died

what a waste of a potentially amazing character

mitsuri getting taken out early was ehhh

pretty sure someone else made a post about her supposedly being extremely strong but she was nerfed in this battle which i agree with

literally none of the pillars work together very well, like remember how i praised sanemi and gyomei for being super coordinated? lmao that doesnt exist anymore

you could say this is caused by desperation though and you wouldnt be wrong, its just boring to sit through

that causes issues bc this now basically requires the crimson sword and transparent world concepts to be there to spice things up

but in this fight, they do nothing in the long run (except for tanjirou using the crimson sword at the very very end)

youve already heard me talk about why those two things are super shittily integrated and i cant be bothered repeating myself so moving on

kanao, inosuke, and zenitsu

they... exist? they didnt do much tbh, which i guess is the point but like, now its boring again

nezuko could have been used as a potential way to raise the stakes and make things interesting again (like “ah shit, muzan might actually be unkillable if he gets nezuko but its okay bc shes not here- oh fuck shes here this is not good”)

but nothing came of her running off except confirmation that she became human again so whatever

uzui and shinjuro are useless, why werent they at the fight?

like they could have followed nezuko and contributed to the battle even a little but they just didnt and now theres literally no point to them appearing in this arc at all

wasted potential

tanjirou

i wish him going absolutely apeshit had actual substance behind it, like it being a part of his character arc or something

i remember having this one theory that he had a corruption arc (due to dropping his kindness thing towards demons) and i wanted this to be true so badly

but it doesnt exist

not with how the series ended

god

the only thing that saves this fight from being complete trash is tamayo’s poison thing being amazingly executed

and the part where everyone got blasted away, losing limbs and shit, that made things a little more interesting again

but thats it

VS MUZAN (SENGOKU ERA)

[Image Description: Manga panels of Kibutsuji Muzan, Tamayo, and Tsugikuni Yoriichi. The first one has Muzan and Tamayo, while the second one has Yoriichi pulling out his sword. There are text boxes saying “And the moment I met him, I understood that I was born into this world to defeat this man.” End Image Description.]

9/10

finally something good again

while short, that’s just the nature of all of yoriichi’s battles with demons

anyways pretty nice, theres a clear reason why this battle exists (shows the scenario that made the original breather get super close to defeating muzan in detail)

adding tamayo here was a nice touch

my only complaint is that it seemed extremely coincidental that yoriichi somehow developed a breathing style specifically countering muzan’s multiple organs without even knowing prior that he had all those brains and hearts floating around freely in his body

like thats kind of ridiculous, even for yoriichi whos supposed to be “blessed by the gods”

could just be me though

VS TANJIROU

[Image Description: Manga panels of Kamado Tanjirou in his demon form. The first image has his eyes closed. The second image has his eyes opened and the tumor on his face almost completely faded. There are text boxes around him saying “You will destroy the demon hunters in my stead.” End Image Description.]

1/10

hoo boy

ok first off, demon tanjirou lasted for 2 chapters

thats it

2 chapters

so thats already a problem

i am aware its meant to parallel the beginning of the series but also its ridiculous how completely vague and rushed this entire thing was

nezuko doesnt do shit through not just this battle but this entire arc which i already explained so not gonna go into it further

kanao magically having a demon cure on her made very little sense

the scene where tanjirou leaves muzan in purgatory is pretty but if you look at it in the context of everything else, its ambiguous and confusing

(if someone could explain it and see how it connects to the original theme of “demons just being victims of circumstance,” i would love to hear it)

/

actually you know what makes me so mad about this “fight” as a whole? there was so much potential to do more with this concept

and im not talking about him escaping and nezuko becoming a demon slayer roleswap au (even though its a pretty cool concept)

him becoming a demon could have been a metaphor for his lost kindness and sympathy towards demons halfway through the series

it could have been a punishment for letting his anger towards muzan cloud his judgement

it could have symbolized literally anything about him losing his humanity as he got stronger

but those three things are just scenarios from my head, they dont exist in this series just based off of what weve seen from these two chapters

its disappointing

the only thing keeping this from getting a 0 is the one part where inosuke couldnt chop off tanjirou’s head bc he cared about him too much

that at least shows inosuke had grown as a character

everything else is just meaningless and convoluted garbage and “convoluted” is not what you should be aiming for if this is supposed to be the ending of your series

IN SUMMARY

early kny is very good, later kny is questionable and the ending is just a mess of wasted potential and disappointment

i get why gotouge had to have the transparent world ability, crimson blade ability, and the demon marks appear before they all appeared on yoriichi but theyre all just so underdeveloped and terribly handled in the battles they are used, it makes me want to kick a wall

like lmao, i could literally think of so many ways they could have been properly integrated, hell, im even writing a whole goddamn rewrite using my ideas for these three things (link to that is in my pinned)

just, god

if you want to debate over these ratings, my ask box is open ig? idk

[sunder-soul]

you make most of it up? That's amazing. Could you maybe share your method/thinking/resources for someone who also wants to write believable class stuff in the hp fandom? Thank u very much

Yayaya sure!

Short answer:

So I'll pull details from the HP wiki, and if I need a random plant name or potion ingredient and can't be fucked making one up (or I don't need it to be something symbolic etc) I often use this random generator and either use those names straight out, or tweak them a bit before using them.

Long answer:

Well I'm a huge fan of soft worldbuilding (where you don't outline all the rules and details and instead have a sort of immersive description that leaves a lot unsaid) because I feel it makes things more realistic, like you're glimpsing little parts of things that are utterly normal and therefore don't need explaining ya kno. So when I write classroom scenes or any kind of 'lore' I try not to explain it and rely instead on characters reacting to things to convey its importance, normalcy, or strangeness.

I do this alllll the time but I did it HEAPS in white dove. When Tom is in trial and he gets a 'tier nine' cell (which I made up) I don't bother writing something like "oh my gosh tier nine is the worst and most intense type of cell you can get and it has these rules and these horrifying conditions" bc I don't need to. The whole room reacts with gasps and horror and even Tom looks freaked out (tho that's mostly bc he was expecting a sentence of a specific amount of years and was confident he could just outlive it bc immortal and that's the moment that he's like oh fuck, but the point still stands).

So the emotions/reactions of the people tell you everything you need to know without me having to outright describe it. You don't need to know what a tier 9 cell is, you get that it's fucking baddddd. In fact, it's sort of even better than explaining it bc our imaginations find the unknown even scarier than something horrifying described in detail.

In the same chap a bit further down, I make reference to a 'peeping charm' which I made up on the spot. Same deal but different context, it makes sense that magic users have a spell that'll act like a peephole in their doors, there's no reason to say 'this spell will let me look through the door without the person on the other side noticing so I can see who it is before opening it' because this would be a totally normal thing. So I just wrote it like it wasn't a big deal bc to this character in this context, this wouldn't be a big deal.

On the other hand you can also totally introduce something new that DOES need some detail/exposition. At the beginning of this same chap I say that Tom's lips and cheeks are flushed, that this a tell-tale sign of veritaserum poisoning, and that they've obviously given him heaps of the stuff. I made this up just bc I wanted there to be something the MC could visually and easily see from across the room that would establish that Tom's been given a SHIT TON of truth potion so that for the rest of the scene, the audience in the room with him AND the audience reading the chapter knows he's being forced to tell the truth. It just added to the tension of the moment and made sense for the context (a trial lol). It also gives the scene some layers - Tom was fairly brief and controlled when he actually speaks in that scene, and I wanted it to be unclear if this is because he's being super self controlled by choice as he's normally prone to being, if he knows that he'll be unable to lie and doesn't want to let on any more of his secrets, or if he knows honesty will destroy the picture perfect tragic image the newspapers have made for him if he's TOO much of a monster.

I'm rambling but the point is, if you're going to introduce details or concepts it's really important to have an understanding of who would know that stuff already, who would find it commonplace and who might be totally unaware of it. Sometimes everyone in the scene would know about it already but the AUDIENCE doesn't, and that's when you can use like casual conversation/questions between characters to give more info whilst also showing that this is all very normal.

Having a character not know something is an easy way to have another character explain something to them but there has to be a solid reason as to WHY one would know it and the other doesn't.

An example of a time I've used this is in Mimicry when the MC knows troll blood will ruin Tom's potion but Tom doesn't. Normally we'd be like 'wait what, why would a nerd-ass know it all like Tom not know this,' but it makes sense to my understanding of the character that he's the sort of person who got a recommendation that 'Zoological Potions Ingredients' was the BEST textbook on ingredients and went off and fucking memorised the whole thing and didn't think that anything could have changed in the 70 years after it was published (Tom strikes me as the sort of person who chases 'the best' and doesn't think much past that is worth considering). Hence why he didn't know that the classification for trolls changed and that further research was done, since he also strikes me as the sort of person who would consider reading up on the social status of trolls to be a little pointless lol, but surprise bitch it wasn't.

So I made up most of that except for the existence of Bundimuns and trolls - I went hunting on the wiki for some obscure substance I could reference in passing for a potions ingredient (and found Bundimuns), and honestly I can't remember how much about them I made up and how much is canon (I think they're mentioned to be used in cleaning products canonically...?)

But the point is more that this scene doesn't just flesh out the world, it tells u stuff about the two characters and how they interact. It tells you that Tom is very studious but doesn't like to revise his opinions, it tells you that the MC knows their shit, it tells you that Tom is suspicious (he instantly challenges them by referencing the textbook not saying what they're telling him), and it tells you that MC is a good bitch who would help out a dick like Tom just bc it's the right thing to do. It also shows Tom's flaws - his disregard of learning about other creatures/beings/people and the way they're treated in society tracks with what we know of his character, and I always think it's important to demonstrate (either directly to him within a scene or to the readers) that this is a stupid thing to do. In this case, his lack of interest in the struggles of others nearly fucked his own potion, he's only saved because MC 1) cares enough to read up about it, 2) sees the importance of revising formally formed opinions/understandings, 3) steps in to help him even though he probably wouldn't have done the same.

So that's soft world building, ya know, using these things to tell you about the characters, using knowledge and lack of knowledge, reactions, etc etc. Most of the details I make up are there to serve a purpose for the plot, but honestly that's just bc I'm writing short super condensed stories that don't have a lot of space for proper world building. In Seven Devils (and Mimicry to a lesser extent) I have a lot more of these details there to create an emotion/sense of the scene just for the sake of setting that scene, but that's for bigger works with more room to breathe.

Hmu if you want to know more but damn I DID write an essay huh 😅

[alesreadings]

Six of Crows by Leigh Bardugo.

5 stars.

“No mourners. No funerals. Among them, it passed for 'good luck.” If we added as soundtrack Gimme Gimme by ABBA to this book, it would fit. Can y'all imagine Inej, Jesper and Wylan stealing the tank and running away with that song on the background? Masterpiece. *chef kiss* Six of Crows is by far one of my favorite books. I read it two years ago, after the Grisha trilogy and I have to admit that Leigh Bardugo has improved tremendously as a writer. I consider this a much better story than her main trilogy. The plot, the characters, the writing, the pacing, the descriptions, the worldbuilding and the breadth she has given it is perfection. I'll go in order to describe how much I loved this book. In Six of Crows, we follow six misfits who have a common goal: thirty million kruge. They have to go to the Ice Court in Fjerda, the "safest" prison in the world and rescue, or kidnap, Bo Yul-Bayur, a Grisha who accidentally created a drug called jurda parem, which sharpens and increases the Grisha's powers, taking them to high and unknown levels. We have a sharpshooter who can't stay away from a good bet. A wayward son who was kicked out of his father's house and is underestimated, but is very smart. An ex-convict accused slaver, the world's most handsome, lovable, and idiotic fjerdan brute, out for revenge. A lost Grisha who makes a living healing people and trying to get the fjerdan out of the jail he put him in. A suli girl who is basically a ghost, the Wrath, a spy who defies the laws of gravity and is a sweetheart of a person. And finally, our favorite swindler: the Bastard of the Barrel, someone whom legends have turned him into a monster, someone without scruples, without morals or conscience. Will they be able to unite to achieve their goal and come out alive? Or will they end up killing each other before they reach Fjerda? Plot. As I said, compared to the Grisha trilogy, Six of Crows is perfection at its finest. It's not the first heist book (I've only read this one, sorry), but it grabs you from the first moment. I love that Leigh has taken up the Grisha again - I must confess that I love the Grisha order and how she has placed them - and that in this book she continues to include them as a fundamental part of the plot. Just like the first time, Six of Crows grabbed me, although I never understood why Joost and his chapter, I did feel bad that he was all dead. Each chapter had me hooked and begging for more. Even the very end left me screaming and crying like crazy. I have to repeat it: Miss Bardugo, this is a masterpiece, an exquisite and divine piece. Every plot twist had me in suspense or saying "I need more". It's a more radical departure from what we were given in the Grisha trilogy. They steal, explote things, destroy places and make great entrances, lol

Characters. Kaz "killer cane" Brekker. I want to protect him, and at the same time beat him with his cane. His story is touching at a certain point and makes you understand how or why Kaz became who he is now, why he is such a bastard, arrogant and fearless at the same time. There is never a challenge hard enough for him as he dares to prove otherwise. He shows us that he is one step ahead of the rest, and if he runs out of tricks, our demjin manages and invents more. Dirty Hands is a magician, a monster thirsty for revenge for the death of his brother, Jordie, thanks to a scam Pekka Rollins pulled on them when they were just kids. Kaz is full of secrets, tricks, schemes and more that it's scary to know what he's thinking. He's a bastard forged in the very cauldrons of hell, a seventeen-year-old kid who worked his way up through tooth and nail, using his brother's corpse to swim and get to where he is. Inej "The Wrath" Ghafa. Inej was captured and sold as a slave to the cursed Tante Heleen, who owns a brothel. Inej has the ability to go unnoticed, so much so that Kaz Brekker did not feel her approaching him. In any case, Kaz pays Inej's contract with Heleen and joins the Undesirables, becomes Kaz's right-hand man and his spy, or spider. Kaz and Inej are obviously in love, but they don't confess it to each other because it's complicated, and I don't know if I want to yell at them to kiss, or punch them to make them realize it. Inej deserves the whole world. She can stab me and I would appreciate it. Nina "my queen" Zenik. Nina had joined the Ravkan Second Army and was captured before the civil war in Ravka, she was imprisoned by the drüskelle to be taken to Fjerda to be tried for her crimes, which are basically: having powers. She is a heartrender, order of the Corporalki. She met my other goddess Zoya Nazyalenski. Well, anyway, Matthias was one of the drüskelle who imprisoned her and when their ship sinks, she saves him. Nina and Matthias wander around in each other's company and in the end, she brands him a slaver and Matthias ends up imprisoned in Kerch. One can feel the tension between them: enemies to lovers vibes, yup, I live for that. In the end, to save them all, Nina decides to consume jurda parem and knows that she will experience drastic changes in terms of her power and herself. Matthias "the tulip" Helvar. He is my beautiful baby, the most adorable bear and the cutest brute of all. You don't know how much I have laughed for him, he is so innocent in many things that I want to protect him from everything and everyone. Yes, I have a thing for blond brutes (Nikolai Lantsov, I'm talking to you too). From the first time I read Six of Crows, I instantly fell in love with Matthias and will be in love with him until I die. Amen. I already know what happens to him in Crooked Kingdom and I don't want it to come to that. Seriously he deserves all the love in the world, and even though I wanted to punch him many times, I also wanted to hug him and tell him that everything is going to be okay. In the end, Matthias renounces the beliefs that were instilled in him, accepts reality and becomes a Dreg, fighting against his own people. Jesper "crazy hands" Fahey. Jes is a Zemeni boy who came to Kerch to study at the university, but by chance, he ends up becoming a gambler. Jesper is a Grisha, a Materialki, and only Kaz and Inej know his secret. He is a fairly agile sharpshooter and a gambler who can't resist a good game without knowing he will lose. In a slip of the tongue, Jesper confesses what they are about to do and as they are about to leave Ketterdam, they are attacked. Jesper is a baby and I must protect him from all evil and danger. Plus, I really ship him with Wylan. Wylan "little merc" Van Eck. Another baby. I want to protect him from everything and everyone, especially his bastard of a father. Ugh, I hate him. When Jan Van Eck proves to be the jerk he is in front of his son, I wanted to cry with rage because my little baby boy doesn't deserve any of that. Wylan is smarter than others give him credit for, and

even Kaz thinks that just because he can't read doesn't stop him from doing amazing things; he doesn't put it that way, but I do. Worldbuilding. We find ourselves in a totally different country from Ravka. In the Grisha trilogy, we focused more on a description of Ravka, but now, we have two different places: Kerch and Fjerda. Although Shu Han, Novyi Zem, and Ravka are mentioned again, Ketterdam is a fairly fixed point. The description of the places is incredible: you seriously imagine it as a Dutch city in the Victorian era. Tell me I wasn't the only one. I don't know what else can I say about these assholes that I haven't already said. They're so chaotic, funny and you attach to them really quick, even if you want to kick them. I can't really believe they're 16-17-18 years old: they feel really older and "mature", but once you know them, you realize they're a bunch of kids trying to make a heist. Anyways, I loved Six of Crows with my entire life. I'm a sucker for this masterpiece and I'm really looking forward Crooked Kingdom, but knowing what happens to my tullip makes me wanna cry, scream and destroy the world. We stan Kanej, Helnik and Wesper, bitches. I love my Dregs. :')

[spyroforlife]

14 and 27 :)

SALUTATIONS

14. a fic you didn’t expect to write

A difficult choice, but I think I'll go with two of them actually, the Fae Tales fanfics I wrote. I love Fae Tales but never expected myself to write fanfiction for them. But what do ya know, I got ideas and wrote them anyway and I'm glad I did because they're very nice

Those fics being The Monster Inside (for the Wildness Within AU) and A Generous Offer (which takes place in the main canon and is shameless Gwyn/Ash porn lol)

27. favorite fanfic author of the year

:)

@not-poignant whose Rise of the Guardians fanfiction From the Darkness We Rise, and its sequel, kicked me into the fandom and absolutely ignited my love of Black Ice, which is the main thing I've been writing all year. Their writing is lovely, it's so descriptive and I adore the way they give characters so much personality, like everyone just feels REAL, ya know? Their approach to covering themes like the effects of trauma and abuse is also very well done, I don't think I've ever seen such subjects handled so well until reading their fics. Also I adore the way they write kink, and sex scenes in general >:3

An additional shoutout to their story The Golden Age That Never Was because its worldbuilding is great, the development of Jack and Pitch's relationship is done beautifully, aaand I love the OCs. Anton my love

and, to bring us full circle to the first question, their Shadows and Light duology led me to their Fae Tales series, so. Pia owns my heart the end

Fanfic Meme

[crowandmoonwriting]

The Red Chrysanthemum

Some quick thoughts and details below the cut

Ooh ooh ooh I like this story. 

It’s relatively new, and born out of my potent silkpunk obsession

Like most of my stories, the main characters are gay men, and there’s a strong romantic element, but I want this story to be epic and sweeping

It’s technically high fantasy, so there are a lot of magic elements to work with, so that’s been a lot of fun

But my oh my are these characters morally grey. My oh my are they going to be tested. 

Writing an unreliable narrator is soooo much fun lol. He’s constantly trying to get a firm understanding of the situation and constantly failing lol 

Miscommunication is such a thing here 

In keeping with my usual worldbuilding silliness, there’s an extended description of food lol (inventing new food is one of my fav things to do period) 

All of the side characters have their own storylines. I’d like to write short stories for most of them someday

Happy ending. Somehow. Idk how yet, I’m not that far in the plot but with how much suffering is happening/going to happen, my main characters WILL have a happy ending! 

Some more tropes I’m considering (but haven’t put in yet): villain hiding in plain sight, MacGuffin, gods/deities getting involved, war of rebellion, fall of a dynasty, demons/monsters

[overthinkingkdrama]

Hi! So, I’ve just recently gotten into K-Dramas, and... I have a small issue, and that is though I LOVE them in the beginning, by the end they always disappoint me? Like, they start lighthearted and fun, and then by the end suddenly everyone’s in mortal peril, and I don’t care? Or they start all fantasy, and then it’s all about the romance in the end? So... Could you possibly recommend me ones that are good, or tone consistent, throughout? Please?

Hi! Thanks for dropping by for recs. These are some of my favorite asks. I just love going back through my watch list and finding dramas that fit a given criteria. It gets more fun the more dramas I've seen.

The thing about Kdramas that makes them a uniquely sticky beast is that many of them are live-shot week to week, at least for part of their run, and often the scripts are not fully written before filming begins. Popular Kdramas will also occasionally receive extensions which can cause further pacing and plot issues and (sometimes) cause a story to sputter out entirely. With the increasing prevalence of entirely preproduced dramas there's been an increase in overall drama quality and consistency in past years. That being said, Kdramas are still a decidedly mixed bag in terms of overall production quality. So it pays to either drop things with extreme prejudice if you stop enjoying them and watch widely, or to have a good drama filter friend (like me!) to give you vetted recs. As a genre a lot of the more "classic" feeling dramas have a tendency to start really light hearted and then swing super dramatic in the latter half. That's something I occasionally like, but lucky for you not all dramas are like that!

Your ask doesn't really tell me what genre of Kdrama most appeals to you, so I went through my list and tried to find you wide a variety of dramas that I think of as being well-paced and tonally consistent throughout. I've also tried to limit myself to dramas that I rated highly on MDL, although my primary criteria was "good and tonally consistent" so this list of dramas is kinda all over the map. But then, so are my tastes. Also, I kinda got the impression from your ask that you're not a fan of the uber-melodramatic side of kdramas and you want something a little more restrained and less soapy, so I tried to steer away from those more makjang dramas but did not entirely succeed, lol. I gave a couple sentences of description so you can more readily narrow down what you're interested in, and if you would like a more thorough review of the dramas some of these have full reviews on my blog which I went ahead linked where they exist.

Age of Youth: A well written slice-of-life ensemble drama about a group of 5 college age women who end up boarding together. There are a couple moments of high drama/trauma toward the end of the show that might be a turn off. But other than the finale the tone is consistent. 9/10 

Arang and the Magistrate: A dark fantasy fusion sageuk with a romance. I included this drama because it does a good job of developing the creepy worldbuilding and fantasy throughout. Though at points it can be a bit slow and the special effects are hella cheesy. 8/10

Argon: A tight, journalism driven suspense drama. Not always my genre but I found it very engaging, and at eight episodes it does not overstay its welcome. 8/10

Be Melodramatic: Another female-centric slice-of-life ensemble drama, though with an emphasis on fourth wall breaking comedy and clever dialogue. Very funny and heartfelt.  8.5/10

Cheese in the Trap: Maybe a controversial inclusion, but I very much enjoyed this drama. A slice-of-life college romance with psychological thriller elements. Some critics felt that the drama focused too heavily on the second male lead in the later half of the story, but YMMV. 8.5/10

Coffee Prince: Classic cross-dressing romance and still probably the best of its kind. A wonderfully nuanced and progressive handling of the subject matter, even after 13 years. Deals with serious subjects but doesn't go too melo with it. 8.5/10

Children of Nobody: My best of 2019, a dark psychological thriller about a child psychiatrist and a police detective who have to confront gray morality while attempting to track down a serial killer who only targets unrepentant child abusers. 9.5/10

Ex-Girlfriend Club: On the lighter side, a friends-to-lovers type romantic comedy about the writer of an autobiographical webtoon who has to figure out a way to get along with a group of his ex-girlfriends to make a movie based on his work. Only 12 episodes. 8.5/10

Go Back Couple: Also only 12 episodes (these shorter dramas tend to be better paced I find) a time-slip drama about a divorced couple who get the chance to relive their twenties and end up realizing they still have feelings for each other. This drama is both very funny and it had me bawling on multiple occasions. 9.5/10

Healer: A favorite of a lot of drama fans, this is an action-focused romance about an awkward soft boy with a secret identity as a highly skilled errand boy to criminals and an intrepid tabloid reporter who is his biggest fan. This drama is pretty tropey, but it's fun and the romance is great. 8.5/10

Hello Monster (aka I Remember You): A police procedural with a background love line about a criminal profiler looking for his lost brother and a detective looking for her father's murderer. One of my personal favorites. 10/10

Hit the Top (aka The Best Hit): A time-slip fish-out-of-water comedy about a 90s pop star who winds up in modern day Seoul and ends up befriending his biological son and meets old friends who his disappearance left in the lurch. 9/10

Incomplete Life (aka Misaeng): A realistic office drama that gave me real world work anxiety, focusing on a failed Go player who winds up an intern at a highly competitive shipping company and has to find a way to earn his keep even without the background and college education of his coworkers. Unbelievably well done ensemble drama. 9/10

Just Between Lovers: A romantic melodrama about two people whose lives were irrevocably changed by a tragic mall collapse that nearly killed them as children, meeting again as adults and finding comfort and healing in each other. A rough sit at times, but a wonderful love story with incredible acting. 9/10

Just Dance: High school, slice-of-life, drama about a dance club in a technical high school and a group of working class kids who reluctantly become involved in this club and befriend each other. Only 8 episodes (or 16 thirty minute episodes, depending on how you recon it.) 8.5/10

Life on Mars: Remake of the British show of the same name, this is a surreal time-slip police drama, about a forensics expert who gets shot in the head and wakes up in 1988. Or does he? He could also be dying on an operating table. It's hard to tell. Dark, suspenseful and trippy. 9/10

Matrimonial Chaos: An off-beat comedy about two dysfunctional couples who become inescapably mixed up in each others lives. One that's having a hard time getting divorced and another that's having a hard time getting married, and all the messy weird emotions that go along with that. This is another one of those, makes you laugh/makes you cry throughout dramas I have an affinity for. 9/10

Moment of Eighteen: A heartfelt high school drama about a straightforward but awkward loner who is forced to transfer to a new school, immediately earns the ire of a powerful student and experiences first love. Not my usual thing, but very well written with complex and likeable characters. 8/10

Mother: A cold and socially isolated woman becomes a temporary teacher and upon discovering one of her students is being severely abused and neglected, decides to pose as the child's mother and go on the run with her. Like Children of Nobody, this can be a bit of a rough watch because of the subject matter but it is very well done. 9.5/10

My Mister: A healing, human drama about a structural engineer in his 40s and a debt-ridden young woman in her 20s who end up crossing paths and saving each other from a miserable existence. My current all time favorite drama. Cannot say enough good things about it. Practically perfect in every way. 10/10

One Spring Night: A very restrained and naturalistic slow-burn romance about a woman who is about to get married and suddenly begins to question her relationship and a single father who had given up on love who find themselves irresistibly drawn to one another. 9/10

Prison Playbook: An ensemble slice-of-life drama centered on prisoners and correctional officers in their day to day lives. I find the actual het romances in this drama totally useless, but it's a large and talented cast playing a variety of lovable characters. 8/10

Psychopath Diary: Recent fave. A screwball black comedy about a mild mannered pushover who loses his memory and finds a diary that convinces him he's a psychopathic murderer, which gives him a huge boost of confidence from his new found identity, much to the chagrin of those around him and the actual owner of the diary himself. 8.5/10

Queen In Hyun's Man: A drama about a Joseon scholar who time travels to modern day Seoul and meets an actress who just landed a part playing the queen he served in the past. This one might be on the border line of too dramatic or tonally inconsistent, but it's got one of the most pitch perfect finales in Kdramas and the 45 min episodes keep it a snappy watch that doesn't drag or meander too much. 8/10

Reply 1988: A late 80s nostalgia drama about a group of families who all live off the same alley. Lovely family drama, comedy with a variety of romances. Long ass episodes especially later in the run, but I have rewatched the whole thing and I loved every minute of this show. 9.5/10

Save Me: A dark drama about a young woman who finds herself forced into a dangerous cult by her family, and is desperate to escape, and a group of 4 local young men who try to help her. One of the more unique and well done OCN thrillers. 9/10

School 2013: High school ensemble drama that launched a whole bunch of careers. In general I avoid school dramas (I know there have been three on this list so far, but those are like the only three, lol) but this show got me so invested in all these students and teachers. Also the two male leads are so shippable. 9.5/10

Secret Love Affair: A romantic melodrama about a piano prodigy from an underprivileged background who catches the eye of a married older woman and the two fall into a passionate affair. This drama involves cheating (obviously) but it's beautifully filmed and written and the music is to die for. 9.5/10

Signal: This is a supernatural crime thriller and a perennial favorite in the Kdrama community. An imbittered criminal profiler finds an antique police radio which allows him to speak with a police detective 15 years in the past, and uses this to crack cold cases and try to prevent brutal crimes from ever happening. 9/10

Six Flying Dragons: This one is a bit different from the others on the list, first of all because it's a more traditional historical drama, and secondly because it 50 episodes long. But it is so, so very good. And if you're looking for overall consistency in terms of storytelling and tone this drama has it in spades. 9/10

SKY Castle: A unique melodrama about a group of affluent competitive mothers who will go to any lengths to get they're children into the best medical schools, and a mysterious school coordinator with shady motives who gets brought in as a ringer to give them an edge. This show is kind of hard to sell but very entertaining and watchable. 7.5/10

Stranger (aka Secret Forest): The story of a stalwart prosecutor who, due to a childhood trauma is unable to feel the full spectrum of emotions, works with a bighearted police detective to root out corruption around a series of murders. This one’s rather cerebral and requires your full attention but the leads are amazing and there's a second season coming out this year I'm very much looking forward to! 9/10

The Nokdu Flower: Another sageuk drama about the latter years of the Joseon Dynasty surrounding three people who fall on different sides during the Donghak Peasant rebellion. Incredibly well written and involving historical drama. If you're not sure you're ready to commit to something like Six Flying Dragons, I think this would be another good entry point into the genre. The acting is amazing. 9/10

The Smile Has Left Your Eyes: A romantic melodrama and psychological thriller about a dangerous enigmatic young man on the cusp of becoming either a human being or a monster. He becomes involved in a fraught relationship with the sister of a police detective at the same time her protective older brother begins to focus on him as the prime suspect for a murder. High key moody and tragic if you're into that kind of thing (I am). 9/10

Touch Your Heart: On the complete other end of the drama spectrum, this show is pure unadulterated fluff, which managed to keep me giggling and swooning throughout the run, even though it's typically not my thing. An actress joins a law office as research for a role and falls for the ace attorney she's assisting. 8.5/10

WATCHER: Another OCN thriller about three different people with shady motivations who are connected to the same murder case and become involve in a corruption task force looking into dirty cops. One of those "trust nobody, everyone's a suspect" dramas with lovely complex characters and a fully engaging plot. 8.5/10

Sorry that got so out of hand! This is what happens when you don't give me a little more direction I guess. These are all dramas I quite enjoyed and I believe you will find something in there that will suit your fancy. This is a pretty accurate cross section of my tastes.

Happy watching!

Jona

[moviegroovies]

so to me, one of the hallmarks of a good piece of media is people willingly thinking about the characters after it’s over.

obviously, this isn’t like, a 100% success rate kind of thing. there are objectively good, enjoyable pieces of media out there that have no “fandom” type presence on the internet, because, while it exhibited great worldbuilding/storytelling/framing/what have you, it just wasn’t made up of the kinds of characters that people latch on to; the joke about avatar (2009) having less than 100 fics on ao3 despite being the best selling movie of all time for a solid decade is well known because of this phenomenon exactly. amazing cgi, solid plot, but at the end of the day, not that many people cared about jake sully. even still, i think this character-imprinting thing has an important, often overlooked role in intrinsically endearing people to movies that, outside of this factor, might be easily forgettable or even outright disliked. 

case in point: my movie of the day/week/month (how often do i post on this blog, anyway?)....

that’s right, lads, today i’m going to talk about the lost boys. 

if you’ve seen the lost boys, you’ll probably know that it’s not like, objectively, a masterpiece. in fact, if i were feeling particularly uncharitable, it would be easy for me to describe it as a fairly straightforward, low-budget horror b-movie, with a aesop-heavy and simplistic plot and a penchant for cheesy special effects, saved only by its rockin’ soundtrack.

...but i won’t.

i won’t, because using that description would leave out a detail i think it’s completely unfair of me not to touch on: the characters. i love them!! i was hooked from just about the very start of the movie by david’s creepy, affably evil leadership style, sam’s dorky little brother-ness, and michael’s 3cool5school airs. each of the characters, down to the frog brothers (named edgar and allan after the esteemed mr. poe, which really tickled me), the other lost boys, grandpa, lucy, and max, have their own distinct quirkiness that makes them memorable and draws me to want to explore more of their world, more of their stories. 

not enough to watch the infamous direct-to-dvd sequels, of course, but you get what i’m saying. 

there’s an old tip in writing that says something along the lines of “good characters can save a bad plot, but a good plot can’t save bad characters,” and that pretty much sums up my thoughts exactly on this movie. like, the plot itself is pretty much the message ‘peer pressure is bad’ wrapped up in some ugly monster makeup; not exactly cult classic material. however, like i’ve said, the characters and the fact that we get genuine, endearing interactions between them outside of just furthering the plot save it from the dumpster fire and, together, put together a story greater than the sum of its parts. no, it’s not a fuckin’ cinematic masterpiece by any stretch of the words, but it’s a fun movie, and there’s a reason i’ve watched it four times in the past three days, you know? 

(a good chunk of that reason was me slowly losing my grip on my sanity as i frantically put in the dvd over and over again, desperately trying to make myself attracted to kiefer sutherland so i could enjoy the movie to the fullest extent of my ability. i’m proud to announce a perfect success rate, and a slightly degraded sense of taste in men, reflecting the completion of that goal. 

if you too want to find something to lust after beyond his objectively ugly as sin face, trust me when i say it’s all in the voice. mmmmm) 

my favorite thing that the lost boys did was the exploration of different types of friendship and familial bonds. that’s the most striking thing about the movie for me; not only are the characters individuals whom i would like to explore, their interactions with each other are touching and worth exploring in their own right. there’s definitely something about some stories that drives people to write fanfiction (or is that just me? ha ha), and imo, the lost boys totally has it. in fact, while the fandom is sitting pretty at 600+ fics on ao3 (take that, avatar), i was honestly sort of surprised there weren’t more, exploring all the interesting ‘what if’s’ the film presented, and expounding on the bonds that we got to see the effects of in the limited screentime we had. 

what i liked about those bonds was that there were such a multitude of them. there were quite a few platonic bonds making up the crux of the movie (being, in my opinion, much more interesting than the main romantic bond which was explored through star and michael, although isn’t that kind of always the case in these 80′s teen movies? i can’t think of a single designated couple i was actually invested in except for veronica sawyer and jason dean... ferris bueller and sloane peterson, maybe? but i also feel like those two were making a cameron sandwich, so idk if it counts lol), but the way they were treated was cool in that they were unique: we got to see two different kinds of sibling bonds, with michael and sam emerson joking around in an easy, teasing way that totally screamed “wow, this movie was written by someone who actually has a brother” to me (isn’t it sad that some people have clearly never so much as seen a set of siblings in their life, judging by the way they write them?) while edgar and allan frog seem to take themselves more seriously, like a pair of army buddies, we got to see the pack-like bond of the lost boys and the (mostly) good-natured way they hazed michael into their group before things went to shit with them, we got to see star (and some of the lost boys, if you pay attention) being protective and maternal around laddie, and we got to see the uneasy alliance turned nerdy friendship between the frogs and sam. there are also three parent-child bonds that get explored, between lucy and her father (it’s a pretty sweet take on the kindhearted grown child taking care of senile-ish father thing) and lucy and her boys, each of which she has a distinct relationship with: sam is the baby, while michael she seems to level with and trust more, even after he starts getting into trouble and acting up. 

then of course there are two (three, if you count the widow johnson/grandpa emerson subplot, which.... i totally do) romantic relationships: star and michael falling in a sort of love-at-first-sight passionate relationship that soon dooms mikey and eventually saves star, while lucy tries her best to get back into the dating game with max, who is nefarious, of course, but also a little bit sad. remember what i said about what-ifs? i would love to see a fic exploring what might have happened had max’s plan worked out after all, but i guess that’s neither here nor there.

not to be a blatant slash shipper jumping on any two male characters who move or anything, but i think possibly the most important/influential relationship in the whole thing was that between david and michael; michael, obviously, got drawn into the lost boys’ circle by his insta-attraction to star, but he sticks around because of david. he pretty much ignores star once they get to the cliff that night, his attention focused on david because he’s there, and he’s intense, and michael is kind of a dumb bi bitch totally captivated. he drinks max’s blood at david’s taunting, and in direct opposition to star’s advice. there’s a lot i could say on this subject but tbh i’m running out of steam, so that might be a thing for a whole different post.

basically, there are a lot of cool interactions in this movie, and i think a lot of film makers could take note of that. even critically acclaimed, award winning movies being made in today’s world tend to fail to hit that special note, that character-imprintation which makes the audience not only stay engaged to the end, but also to care. not every movie needs that, of course; not everything can launch a darkhorse fandom the way the lost boys has, and honestly, not everything should... unless it’s trying to cater to my interests, in which case, well. 

if all movies were made to cater to my interests, i would have the time of my fucking life, but it’d probably be dark days for the rest of y’all.

thinking about it now, the lack of that element is kind of what makes me wary of the horror genre in the first place; i find so many of those movies just boring as all hell, because they’re too into the “scaring” thing without any of the “caring” thing. people, if we don’t care about the characters we’re watching, then who the fuck gives a shit if they get devoured by shitsucking vampires, anyway? finding the lost boys, a “horror” (i guess i use the term loosely) movie which relied heavily on those character interactions was honestly a godsend, because THIS is what i want to see more of. going down that line of thought, i think it’s honestly a shame and a half that the sequels which joel schumacher planned never got to see the light of day (and, of course, that we were instead left with the tribe, which for the life of me i refuse to fucking watch). the interactions between the lost boys could have been the most interesting part of the movie, if only they had been spotlighted a bit more. that would have been the case in the proposed prequel, the beginning, which would see the boys start out before they became vampires at all. reading about the script for that is honestly sending me, tbh. we could have seen that, and what we got instead were “sequels” that focused mainly on the frogs, when they connected to the original movie at all? where’s the fucking justice?

whatever. that’s the one thing about this franchise i never could stomach; all the damn frog brothers.

(till next time!)