Weirdgirl parade
[Image Description: A drawing featuring 6 characters from Ace Attorney, holding hands in a chain and walking towards the left side of the image. Phoenix leads, looking back and smiling. Maya is next, also looking back with a wide grin at the next character, Pearl. Pearl is being lifted off of the ground a couple inches by Maya and Ema, who is next in the line. Ema is gripping Franziska’s hand, and finally Trucy brings up the rear, clasping her hands around Franziska’s elbow. Behind them is a simple background with a blue sky that has fluffy clouds and some greenery at the side of the sidewalk they are walking on. End Description.]
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Camila starts moving away from the alien theory and towards the lab expirment theory, but then Hunter slips up and refers to Spanish as Luz's and Camila's 'human' language.
FJSJDB. i'm imagining luz never even, like, trying to sell camila on hunter being human. at first it doesn't even occur to her that she'd need to explain his appearance, because she's grown up in a society where it's her own ears that need constant explanation. and then she's like well. mami hasn't asked and i kind of really don't want to talk about it
so hunter makes the human language comment & it isn't even really a slip-up. and camila pauses and then is like "okay, i'm just going to come right out and ask. hunter. ARE you human??"
and hunter is like "n... no....?"
and then is like "wait, hang on. my bad. luz. am i supposed to pretend to be human."
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GUESS WHAT DAY TODAY IS !!!
HAPPY LAURIE CREATION DAY !!
i can't believe she's already a year old. she's grown so much as a character over time as i've developed her more. even with her design i feel like she's changed so much. ANYWAYS !!! as a treat, here are some of my first laurie drawings and concepts !!!
MY GIRL ❤️
ALSO !! here's a comparison of laurie now and then !!! i guess this is also to show my art improvement over the past year. it's actually insane. like WHAT.
laurie will forever have a special place in my heart and i will never stop drawing and talking about her. i just wanted to wish her a happy one year of creation :3
(throws this post and skedaddles away)
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IVY MOUSE REDESIGN!!!!
Elsagate has moved on to video games now so I’m using her now fuehehehehe!!!!!!!
I think she would work good in House Of Mouse!! Also there's no Mortimerised version of Minnie,so…she'll fit in perfectly!!!!!
Alsoooo…I ship her with Pete. I REGRET NOTHING!!! SCREW CYNICISM!!!!! SCREW SARCASM!! WOOOOO!!!!!! *Crashes into wall and explodes into glitter*
Also comparison with her OG version!!
I hope I did her justice!!!
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Tell me the Pokémon music thoughts??? :000
TWO whole Pokemon music asks WOOHOO!!!!! These past few days I’ve been on a kick of listening to Scarlet and Violet’s OST and downloading my faves (since I wanted to wait until the DLC had been released and then play through it fully before doing so) and it might be one of my favorite soundtracks to date. That being said here are the tracks I’m currently the most feral about:
Battle! (Team Star Boss)
The loop for this one is almost SIX MINUTES LONG which is a smart choice for how long and difficult some of these fights tend to be—and it’s six minutes of pure unadulterated musical goodness. Obviously the killer synths and guitars are a highlight here, but what really makes this theme (and the rest of the Team Star themes) special is how the harsh instrumentation is contrasted with sections containing emotional melodies and harmonies that give a sense of determination and hope—which fits in with Team Star’s storyline as former victims of bullying and doing their best to persevere in spite of that. All their themes are also composed by one of their bosses in-universe which is a fun lore detail (shoutout to my boy Giacomo I love him <3)
South Province
This one basically functions as the theme of the Paldea Region—this leitmotif (composed by our beloved Toby Fox) appears a LOT in various places within the soundtrack, particularly in cutscenes. It’s a great theme for exploring out and about in the game’s open world, and the sunny A major is a great key choice which is always a win in my book. I’m also a big fan of the piano version that plays while you’re walking in the overworld (as opposed to using your mount Koraidon/Miraidon) as well as the beautiful arrangement used at the end of the main story (if I had a nickel for every time a piano theme at the end of a Pokemon game made me cry I’d have two nickels. Which isn’t a lot but it’s weird that it happened twice).
Showdown! (Champion Kieran)
I haven’t had a lot of time to get myself acquainted with much of the DLC soundtrack, but I wanted to include at least one in this list because there’s a lot of quality stuff worth shouting out. This is the last of Kieran’s three battle themes (technically there’s four but the final one isn’t a full battle and is mostly comprised of Terapagos’ motif as opposed to his own so I’m omitting it here) and there’s an interesting transformation that happens across each of them—it starts out mostly with traditional instrumentation and only mild chromaticism (which almost all battle themes have at least a little of) but transforms into something harsher by adding electric guitars/synths and more dissonant, darker harmonies (this one makes heavy use of Phrygian and Locrian elements—Phrygian is a mode that’s very similar to the minor scale but uses a flat 2nd scale degree, so for a piece in E minor like this one that would mean using an F natural as opposed to an F#. Locrian is the same as Phrygian but with a flat 5 added as well, meaning B♭ as opposed to B natural. These flat notes serve to darken the overall sound), which corresponds to Kieran’s arc of becoming bitter and resentful as he suffers repeated losses at the hands of the player. I’m also tickled by the fact that his battle themes are all in E minor which is the softest and gentlest minor to my ears—you can hide under those edgy guitars all you want Kieran but we all know you’re still baby :3
Area Zero
And we’ve saved the best for last because this is hands down my FAVORITE theme from this game; it’s not even a contest. I have such a vivid memory of playing through Scarlet for the first time a year ago and being incredibly intrigued about what was hiding in the massive crater at the region’s center (I tried flying/leaping in with Koraidon and lurking outside the Zero Gate yelling “LET ME INNNN” more times than I can count lmao)—and I was not at all disappointed when I got there because this is straight up one of the prettiest areas in the whole game. However. HOWEVER. NOTHING could have possibly prepared me for the breathtakingly beautiful music that accompanies this place—I remember stopping in my tracks as soon as I heard that low brass kick in, and then the chanting. Oh my lord the CHANTING. Honestly I was sold right then and there but WE’RE STILL NOT DONE MAKING THE MUSIC OF THE GODS BECAUSE SWEET MOTHER MARY THAT SYNTH????? TOOK ME THE FUCK OUT—I lose my everliving shit at anything even resembling an erhu in music because its voice-like timbre is so…raw and emotional in a way I really don’t know how to describe; all I know is it rocks me to my core to the point that I have to watch my breathing when I listen to a piece that has one lest I start hyperventilating (because it’s powerful enough to literally induce a physiological response out of me). Needless to say I was frozen in place for at LEAST ten minutes just to take it all in; that initial experience was utterly magical and I wish more than anything I could go back in time to live that feeling again.
But that very long preface aside, there are a couple other things about this piece worth noting—the first being that E♭ minor is an IMMACULATE key choice in my opinion. In my synesthesia it primarily represents what I call “the crushing black weight of despair,” but it also functions very nicely in any intense, high-stakes situation, which fits beautifully with the circumstances surrounding Area Zero in-game. It’s a walled garden filled with invasive wildlife from the distant past/future that poses an imminent threat to Paldea’s ecosystem should they find a means of escaping to the outside; in fact, we learn from the professor that some species have already managed to do so. I also quite like how the instrumentation is vastly different from every other piece of music you’ll hear in Paldea’s overworld, which has primarily been orchestral arrangements up to this point—but here, it’s a blend of primal and futuristic sounds that perfectly captures the collision of the present and the past/future. So yeah if you couldn’t tell I am so so so so unhinged about everything this theme represents and I fully expect to be just as mentally unwell about it YEARS down the line (because believe me, I’ve certainly got the track record for it).
Scarlet and Violet’s music is just so so good—and again, obligatory “this is just the tip of the iceberg that is everything I love about this soundtrack” but I hope you enjoyed my insights into what makes this music so special!
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