Mad Season 3
Warnings: non/dubcon, social anxiety, chronic illness, and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: Bucky Barnes, Peter Parker
Summary: a class project gets messy. (short!reader)
Note: happy weekend.
As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️
“Hey, how’d you get in?” Peter rushes in, a tray of drinks in hand.
You pop up on the stool, broken from your trance. Uncertain what else to do, you spent much of your time trying to distract yourself with his schematics. You twist to face him.
“Um, Bucky,” you answer and cringe at home dumb you sound. “He helped.”
“Bucky? Helpful?” He nears and puts the cardboard tray on the table, “I guess he can be.” He picks at the edge of the tray, “I got you a blueberry matcha. The place I hit didn’t have strawberry in season anymore.”
“Oh, sounds... interesting, but you--”
“Didn’t have to. I know, you always say so but I felt bad for being so late. I told may to get an airtag for her wallet. She can be so--” he stops himself and chuckles. “It’s whatever. She’s got a lot going on.”
“Mhm,” you accept the cup he offers. “I was just looking over the plans. I think we could probably just go with yours. Makes more sense.”
“What? Oh, no way,” he takes his iced whatever. It just looks like layers of sugar and cream. “I think we could easily bring together both. Take some of your features and mine. I don’t want to take over.”
“Yeah, but...”
“But nothing. Really. It’s a team project, not my project,” he insists as he hops up on the stool next to you, “so,” he swipes his hand in the air and a holographic screen appears. You flinch. “Let’s compare and redraw.”
You gape as another floating rectangle appears before him. No wonder his look so much better than your Paint hack job. You want to sink down and disappear. You always figured you’re not interesting enough to be his friend but now you’re certain you might be too stupid and poor for him too.
“So, I’m going to get logged in...” he mutters.
“Um, Peter?” You murmur, “are you sure you wanna be my partner?”
“Why... wouldn’t I?” He hovers his hand before the screen as he looks at you.
“I dunno. I don’t... I don’t have much to offer. Not a lab, not all these cool computers...”
“Oh this? No, it’s not—it's not a big deal. Dude, I'm so lucky Mr. Stark is letting me use this. I’m not ignorant, you know? I just thought it would be easier. I don’t think your roommates like me much and mine are so loud.” he explains as he lowers his arm, crossing both over the table as he leans on it. “Do you not want to be my partner?”
“Nnnooo,” you drag the word out. “No, I do, but I want to contribute to and I don’t know how to use any of this.”
“That’s cool. I’ll show you.”
“Um, okay,” you nibble your lip sheepishly. “I guess...”
“Did you try the tea? Is it good?” He changes the subject. He does that a lot. Pivots around before you can finish your thoughts.
“Not yet,” you look down at the bright pink lid, “where did you get this?”
“Some place called Berry? I don’t know. Everything was bright. You’d hate it,” he laughs again. “Oh,” he snaps his fingers as you blow into the lid cautiously. “Before I forget, I’m having a party. I know it’s not really your thing but it’s ‘my turn’,” he makes quotations with his fingers, “and I don’t really wanna but I also thought I'd invite you in case you wanted to not be there with me, too.”
Your blink in surprise, “a party?”
“I know, too much. Well, I didn’t wanna leave you out.”
“Mmm,” you drone nervously. It is really nice of him to think of you and after everything else, you hate to say no. “No one ever invited me to a party.”
“No?” His brow furrows, “really?”
You shake your head, “I’ll come. Yeah. I’ll try. You know, it’s college and ...” you take a sip and clear your throat, “should I bring a dessert?”
He laughs and gives you a playful grudge, “wow, I don’t think I’ve ever had anyone ask me that except my aunt’s friends. Nope, you can just come as you are. You can always bring some drinks for yourself but I’ll have more than enough to share.”
“Oh, okay,” you nod.
“The tea good?” He asks again.
“Yeah, sweet,” you put the cup down.
“Awesome!” He grins. “I really didn’t think you’d come. I’m so excited.”
“Really?” You ask.
“Well, duh. You’re so fucking cool. Like all my other friends, they try so hard. It’s all ‘let’s go do shots’ or ‘watch me do this dumb shit’. You don’t even try, you’re just you. It’s like people don’t realize they can just be nice and be cool for just that.”
“I... yeah,” you don’t know what to say.
It’s like he’s calling you boring but not. You know you are and you don’t mind but you can’t ever remember when you just felt like everyone else. Where you weren’t the odd one out. Despite trying to include you, Peter still manages to push you to the edges.
You wince as you notice how he stares at you. You fidget and pick at the button on the front of your corduroy skirt. His eyes flick down to the nervous movement.
“I like that,” he reaches to touch the ridged fabric, “blue. Oh, thick.”
Your leg twitches in surprise, “uh, yeah... found it at the student thrift shop.”
“Really?” His fingers brush over the hem and touch your coloured tights. They linger for a moment before he pulls away. “Cute. I’ve never been there.”
“It’s not bad...” you cross your legs as you knee tingles from his touch. That was strange.
“Well, anyway,” he waggles his fingers as he turns back to the table, “uh, where was I?” He squints at the screens and taps in the air. He pauses and looks at you. “Here, I’ll show you how it work, alright?”
He reaches over again and you brace yourself. He grabs the underside of the stool seat and drags you closer. He it so easily, you gasp. He’s a lot stronger than he looks. He slides his hand around so his arm is diagonal around your back.
“Right, so...” his shoulder presses to you as he points with his other arm, “you can just use your finger. I’ll have to add your prints to the program. Put your hands up.”
You obey as he stays close. You’re overly away of it. The way he’s pressed to you. He doesn’t seem to notice at all. You try not to think of it and focus on his instructions. The project. That’s why you’re here.
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Historical omegaverse au idea(s) I may never write but by the gods do I want to
I’m gonna be honest. I’ve been reading a couple historical omegaverse fics (specifically here and here) and I also watched The Nun II recently and idk. Ignoring the demon/horror aspect, I just kind of got caught with the idea of rural boarding school teacher and the lowly grounds worker there. With o!Steve as the teacher and a!Eddie as the groundskeeper of course.
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Picture it. Steve has “adopted” Max (I know, I know, it’s usually Dustin, but since Claudia isn’t going to be in the final season, I just can’t stand to get rid of her and Max makes the most sense for needing a new guardian) but according to paperwork to keep Max safe, they have lied and said that Max is biologically his. Perhaps him taking her in was one of the reasons why his high society family has disowned him and now he’s a vaguely destitute teacher that he only got the job of because his friend Robin (who teaches foreign language obvi) vouched for him. His being a teacher there allows Max to attend classes, though some of the snootier kids are assholes about it.
Anyways, Eddie works the grounds with his uncle, both also quite destitute but they have a good thing going there, though they are always treated poorly by the rich children there. The exceptions are of course the Wheeler child, the Sinclair children, and the Henderson child, as well as their friends the Hopper-Byers children who are there on scholarship. This is the group that welcomes Max into their fold eventually too.
Eddie of course thinks Steve is a bit too snooty when he first lays eyes on him, but then quickly realizes Steve isn’t like that at all. (Steve meanwhile thinks Eddie is uncouth until realizing he’s actually quite gentle and sensitive.) As well, if he has a child at such a young age, Eddie realizes that Steve must have had her probably around his first heat right after presenting. This is a belief everyone holds, and one Steve and Max actively encourages to prevent them taking Max away from him, but it does lead to them both being look down upon frequently and has ruined all prospects for Steve.
There’s obviously lots of pining, plenty of misunderstandings, and lots of Robin and Wayne and Max watching these two idiots dance around each other and face palming. Robin is of course the only one who knows the truth about Max because Robin knew Steve before he was disowned, and knew about Max’s past too. Maybe, just maybe, Steve rescued her from an abusive household. A violent stepfather, an abusive stepbrother, an alcoholic mother…maybe Steve helps her escape and leaves his past life behind.
MAYBE the reason Steve and Max crossed paths was because the Hargroves and the Harringtons were in talks of an arranged match between a!Billy and Steve. Steve didn’t want it, saw how miserable Max was, and basically kidnapped Max (with her consent) and ran away with her to give them both a chance at a better life.
Which is why, after Eddie and Steve finally start to make their moves, the climax of the story angst begins where Billy has found them (maybe Neil is dead idk and Billy took over managing the family), claiming Steve belongs to him and offering to drop all kidnapping charges if he returns quietly with Max. Eddie learns the truth about Max’s parentage then, and Steve’s past, and the whole lot of them come up with a solution that I don’t know what it is yet.
Maybe Steve sacrifices himself and agrees to return and mate with Billy only if Max can stay with her new friends and Robin and for the Hargroves forget about her existence. Billy would eventually accept this. Maybe while Steve and Billy are set to return home, Eddie rushes to prevent their departure and challenges Billy to a duel or something.
Blah blah blah Eddie wins of course and Steve and Max get to stay and Steve officially adopts her, and he and Eddie finally get together and knock boots. And Steve and Eddie love Max as their own and eventually give her a younger sibling which she then fears they’ll love more than her and worries Steve will regret adopting her but obviously that’s not true and Steve and Eddie make sure she knows that she is theirs in all ways. Their first child, no matter what.
Anyways yeah. Maybe one day I’ll do the research necessary for this. Also when I have time to devote myself to this story in its whole. Definitely deserves at least 50k I feel. And I sadly just don’t have time for that right now.
THAT BEING SAID.
I also really adore the idea of teacher Eddie and groundskeeper Steve, because I love reversing tropes and I love making Steve work with his hands in a lowly position, especially if he used to be from a “proper” family, but then the plot would definitely change some. Steve could honestly remain as the omega in this situation too, or switch it up and make him the alpha. Probably get rid of the parent aspect, unless perhaps it’s post-divorce Susan who has become an alcoholic and Eddie did actually officially adopt her because they had been neighbors or something before he moved for a better life.
OR Steve is the teacher but the above about Max and Eddie is still true and she can only attend the school because he’s the groundskeeper which still causes issues with the popular rich kids. And Steve is the teacher who takes a shining to her. Not sure what the main drama aspect would be then. Maybe Eddie is framed for something and is being sent away from the school or arrested or something, and Steve & Co. prove his innocence.
~
Idk. So many options. My issue with aus is that I also come up with aus of aus because I can’t decide how most I would love things to go which then makes it difficult to actually write anything 😂
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If anyone else wants to use any of these ideas in the meantime, feel free! Just tag credit and link the fic so I can read it!
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Hostage tags: @derythcorvinus @katyawriteswhump
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Afterlife Jobs and Civil Service
Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.
This will contain spoilers for Beetlejuice Beetlejuice.
TW: This post will discuss suicide. Please only proceed if you are comfortable.
The short version:
I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.
Now, for the long version (and it really is long), read on!
Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.
What we as the audience do see is people working in the afterlife that could have died by suicide.
There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.
It's a weird thing to pick up on, but what about the skeleton workers?
Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).
Well, that clears things up, right?
Maybe not.
For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.
Why?
Betelgeuse himself.
Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.
Why is this an issue?
Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?
I have two theories for that.
Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.
Then there's my second theory, which muddies the waters quite a bit.
We didn't actually see him die after he was poisoned.
I'll let that fester for a bit...
Ready to move on?
Let's talk about *Juno!
Juno, my beloved.
Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.
The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.
(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)
The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.
This is where my theory really comes into play.
I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.
(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)
When looking at these new characters, here's what I theorise for each of them:
Richard - Unfinished business: a family reunion.
Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.
Wolf Jackson - Unfinished business: "keeping it real."
Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.
Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast.
Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.
The Shrinkers - Unfinished business: think big.
These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).
The Janitor - Unfinished business: a taste for revenge.
To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.
Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?
Speaking of ready to go...
All aboard The Soul Train!
Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.
(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)
WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲
After all that, here's what we do know:
If you died within a certain radius of your home, you're left to haunt it for 125 years.
If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.
If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.
You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.
In summary:
Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?
Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.
But hey, what do I know? I'm only living.
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