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dancinglikebutterflywings · 2 days

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Not Dead Yet | Part 01

-> Pairing: Yoon Jeonghan x Medium-Fem!Reader

-> Sypnosis: After a strange encounter, Jeonghan wakes up outside of his body. The only person who can see him is Y/N, a woman with a gift (or curse as she would call it) who is able to see and communicate with the deceased. But Jeonghan isn't dead... not yet anyway.

-> Warnings: Supernatural au. There is a mention of God's and collapsing. Jeonghan is a bit of a heart breaker/player. Only mentioned once that reader has dark hair. This was going to be just a prologue but it ended up a chapter.

-> Word Count: 1,605

-> Taglist: open. Leave a comment on the masterlist post, send an ask or fill out the Tag List Form.

Not Dead Yet Masterlist | SEVENTEEN M.List

As Jeonghan walks with Ji-Ah, the woman he’s been seeing for the last three weeks, alongside the Han River, he takes this moment to do what he’s been trying to do all night. He drops her hand as he stops walking and turns to face the river, his arms resting on the railing. Ji-Ah notices the shift in the atmosphere as soon as Jeonghan lets go of her hand. The warmth of his touch is replaced by a sudden chill in the air. With concern, she turns to face him but before she could say anything, he starts to speak.

“Ji-Ah,” he begins, his voice feigning regret. “I’m sorry, this just isn't working for me.”

“What do you mean?” she asks, her voice barely above a whisper. “We’ve only just started getting to know each other.”

He can hear the hurt in her voice but he feels no sympathy. “Listen, Ji-Ah,” he continues, starting his well-rehearsed go-to break up speech, “You’re an incredible woman. It’s just that I don’t think we’re a good match. I’m sure there’s someone wonderful out there for you. I just don’t think I’m that person.”

“But it’s my birthday,” she whispers, her voice trembling as she fights back tears.

"Aish," he mutters under his breath, recalling the reason they had gone out for dinner in the first place. For a fleeting moment, he feels a pang of guilt but quickly suppresses it.

“I thought we had something special,” she sobs, unable to contain her tears any longer.

"It's only been three weeks," he blurts out, not realizing the words had escaped him until he sees her expression, a mix of hurt and disbelief with tears streaming down her cheeks.

“Do you even care?” Ji-Ah’s voice is barely above a whisper as it cuts through her cries.

“Of course I care,” he says looking at her with faux sympathy and feeling slightly awkward that this wasn’t ending as quickly as he hoped. After all, they’d only been on four dates in the span of three weeks. According to him, that wasn’t a long enough time to get attached to someone. “I’m doing this because I care about you. I don’t want to waste your time on something that’s never going to work out. This way, you can find someone who truly deserves you and is worth your time.”

“So, this is it?” she asks wiping her tears away.

“I’m afraid so,” he nods.

“Okay,” she says trying to put on a brave face and forget the embarrassment and hurt that’s coursing through her. “Thank you for making my birthday awful. I hope I never see you again.”

“I hope so too,” he says, his words once again slipping out before he could stop them.

“Maybe you’re right,” she concedes, her expression taking on one of offence. “This wouldn’t have worked out because you’re an asshole. I feel sorry for your next girlfriend.” With that she walks away deliberately bumping her shoulder against him as she passes.

He grumbles to himself about how that could have gone a lot quicker and pulls out his phone, finding the number of the woman he met the day before and quickly sends her a text 'plans fell through. Do you want to meet up in 30 minutes?'.

With a smile on his face, he makes his way back towards where his car is parked occasionally checking his phone for a reply. As he reaches his car, he finds a strange man wearing a black top hat, a bright orange suede jacket and horrendous green pants leaning against the tailgate. His expression is blank, not giving Jeonghan any indication of what his motives could be, but his deep brown eyes are fixed intently on him making Jeonghan feel like he was looking right into his soul.

"Can I help you?" he asks the man with a hint of annoyance.

"When are you going to stop breaking these lovely ladies' hearts?" the man replies, his voice calm and steady. "Yoon Jeonghan.”

"Do I know you?" He asks, his eyes widening slightly. He’s 99% sure he’s never seen this man before this moment.

“You don’t, but I’ve been watching you,” he replies, moving away from the car and steps closer to him. The man’s gaze remains steady, and Jeonghan feels a shiver run down his spine. There’s something unsettling about the way this stranger seems to know him. It’s as if he’s been examined under a microscope.

Jeonghan shifts his weight, attempting to shake off the sudden wave of vulnerability that washes over him. "Look, I don’t know who you are or how you think you know me, but I’m not interested in whatever you have to say."

The stranger chuckles softly, a sound that feels oddly out of place given the tension in the air. "Oh, but you should be, Yoon Jeonghan. I’m not here to lecture you on your romantic escapades. In fact, I’m here to give you a warning."

“A warning?” Jeonghan furrows his brow, trying to make sense of the cryptic words. The man’s presence is unsettling, and the way he speaks feels almost as if he’s reciting lines from a play or a movie. “What warning? And how can I trust you? I don’t even know your name.”

“You don’t need to know my name right now,” the man tells him. “The only person who will be able to see you will know my name and that’s when you’ll learn it.”

"I really don’t have time for this," Jeonghan sighs, shaking his head as he goes to take a step past him to get into his car. "I have plans that I need to get to.”

"Plans, you say?” The man says, tilting his head slightly, as if considering Jeonghan’s words. “I’m afraid the only plans you have are with the Gods.”

Caught by surprise, Jeonghan turns back to the man, confusion written on his face. “The Gods? I don-”

“Oops,” the man winces as he clicks his fingers and Jeonghan collapses to the ground unconscious. “Probably should have given him a heads-up first,” he says and then shrugs before walking away. “I did try to warn him.”

When jeonghan finally regains awareness, he sits up and finds himself in a hospital room. The faint beeping of machines that monitor his vitals, rings loudly in his ears, the smell of antiseptic fills his nostrils and the fluorescent lights are harsh against his eyes. Before he could panic about how he ended up in hospital, the man from earlier enters his mind. The stranger’s words echo inside his head, a haunting reminder of the bizarre encounter they had and the warning he tried to give him.

Wanting to find a nurse or doctor so he could get discharged knowing there can't be anything wrong with him, he gets out of bed and makes his way to the door.

As he exits the room, a nurse walks by. He tries to get her attention by calling to her but she continues as if she doesn't hear him. Thinking she was being rude. He tries again as another nurse walks past him but she too ignores him.

"Excuse me!" Jeonghan raises his voice, desperation slowly sinking into his tone. "Can someone please help me? I want to go home."

But the nurses and other hospital staff continue past him, their expressions blank. It's as if he’s nothing more than a ghost haunting the halls of the hospital.

Frustration bubbles within him, and he takes a step forward, determined to find someone who will acknowledge his presence. The fluorescent lights hum overhead and his heart races as he wanders down the corridor. He glances into the rooms he passes, catching glimpses of patients lying in beds, some asleep, some having visits with family members and others staring blankly at the ceiling with nothing else to do.

Finally, he spots a doctor in a white coat, clipboard in hand, walking briskly toward him. Jeonghan rushes to intercept him. "Excuse me! Can you help me? I need to know what happened to me," he pleads, his voice tinged with urgency. But just like the nurses, the doctor brushes past him as if he were invisible.

Feeling confused and overwhelmed, Jeonghan sinks into a chair meant for waiting families. He rests his elbows on his knees and buries his head in his hands, mumbling to himself.

Eventually he lifts his head, glancing around the waiting area. The chairs are filled with families, most of their faces etched with worry or relief, some with boredom, but none of them seem to notice him. The weight of everything that’s happening starts to get to him, and he fights back the urge to scream and demand for someone to see him.

Taking a deep breath, he stands up, a spark of determination igniting within him. Just as he prepares to approach the doctor at the nurse's station, the elevator doors across from him slide open. His heart races as he sees a figure step out, exuding a warmth and confidence that draws him in. Her dark hair is slightly tousled, as if she just rolled out of bed, and her outfit—a black faux leather jacket, a white shirt, ripped jeans, and white sneakers—makes him think she’s not part of the hospital staff.

Before he can make another move, she looks up, their eyes connecting, and for the first time since waking up, he feels truly seen and is reminded of what the odd man from earlier said.

“The only person who will be able to see you will know my name.”

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coffeeshades · 2 days

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credits to the gif maker!

LOVE IS COMPLICATED - PART VIII

summary: the trials and tribulations of falling in love or two idiots who can't get their shit together.

pairing: pedro pascal x actress/singer!reader.

word count: 6.3k

warnings: 18+ (minors dni). angst!!! cursing, age gap, mentions of alcohol and depression. feelings of hopelessness, anxiety. no use of y/n, if i missed something please let me know!

a/n: hello besties, here's the next part!! happy reading <3

masterlist!

Pedro hadn’t expected his career to take another sharp turn so soon after The Mandalorian. The call he received that night in January, while lying in a dimly lit hotel room in London, still felt unreal. Hazy, thanks to the Ambien coursing through him, but real enough to make him sit up in bed after the line went dead.

Something big was coming, and he could feel it in his bones. It would change everything—if things weren’t already good enough as they were.

A few weeks later, he was back in London to film The Bubble. Everything seemed to blur by—filming, meetings, and the quiet rhythm of his life with Julia. He hadn't expected to fall into a relationship so effortlessly, but here he was.

She was a producer he’d met during a project in Budapest, though nothing had happened between them until months later.

Late November, to be exact. By then, things had shifted.

Pedro was never good at deciphering if someone liked him or not, and maybe that was why, when she suggested coffee, he didn’t think twice. She was lovely—kind in a way that didn't feel overwhelming, and he liked the way it felt safe, uncomplicated. When she reached for his hand, the world didn’t spin beneath his feet, and that was comforting. It was normal, and maybe that’s exactly what he needed.

After that first coffee, there were more—turning into casual dinners, casual sex, easy conversations, and eventually, a steady progression toward something more.

By December, things had gotten serious, though Pedro still sometimes woke up disoriented, feeling as if he was living in someone else’s life. Julia kept him grounded. And though it wasn’t the kind of love that made him lose his breath, it was steady.

One morning, in early December, he woke to find a message from you. You’d mentioned him in an upcoming Vogue interview, a brief nod to his help in keeping you sane during those first chaotic months of the pandemic. Your publicist thought it might make a fuss for a while, and you didn’t want him to wake up and think someone had died or something.

Nothing too big, P, just the usual storm. Call when you’re back in the States. Miss you.

Pedro stared at the message for a long time, debating. You’d always known everything about him. Every high, every low. But now? There was Julia to consider. He sat on the edge of the bed, Julia still asleep next to him, the London sky a dull gray through the curtains. He’d thought about telling you about her for weeks—maybe he should’ve before New Year’s—but it was easier to let the conversation slip away.

Until it didn’t.

That night, at Oscar’s New Year’s party, when you found out about Julia, he could see it in your eyes—the hurt, the shock, the confusion. You didn’t say much after that. Just told him you hoped he was happy, and if he was, that would be enough.

But it didn’t feel enough.

Not then, not now.

•••

Back in London, the routine of it all began to suffocate him. He spent his mornings reading lines, drinking bitter coffee, and answering the inevitable buzz of questions about his relationship status. He didn’t care to comment. He didn’t want to make it official in a way that felt like another announcement to the world. His job was to act, not live his life on a stage. Still, the headlines rolled out, and his relationship with Julia became another topic of conversation.

The days passed in a blur, but something bothered him. You had gone silent. Completely. Not only from his life but from social media, from the public eye, from everywhere. He called on your birthday. Oscar had mentioned you hadn't planned anything for the day, not that he knew off, and Pedro found himself standing on the cold balcony of his hotel room, dialing your number with a strange urgency.

You picked up on the third ring.

“Hello?”

Your voice sounded far away, thin and almost unfamiliar, like a melody he had forgotten.

“Hey.”

There was a beat of silence, a pause where recognition should have clicked into place. Instead, you sounded distant, hesitant.

“Oh. It’s you.”

His lips twitched into a smile, but it didn’t quite reach his eyes. “Yeah, it’s me. Did you delete my number?”

A soft shuffle on the other end, like you were shifting in place, caught off guard. “No, uh, I just picked it up without looking who it was.”

He leaned against the railing, gripping the phone tighter as if it could bridge the distance between you. The cold metal beneath his fingers bit into his skin, grounding him, though your absence felt like it was growing by the second. "Happy birthday, mi amor."

“Thank you, Pedro.”

The way you said his name, the clipped tone, made something stir in his gut, but he shook it off.

“You doing anything? I heard you didn’t have plans.”

“Nothing really, maybe over the weekend,” you replied, but there was a softness in your voice that didn't match the words, like you were choosing them carefully, holding something back. “I know you’re in London; that’s why I didn’t—”

“Doesn’t mean I can’t call,” he interrupted, leaning against the cold railing. His free hand found his hair, fingers tugging at the strands, trying to steady the unease creeping in. “I’m sorry, I’ve just been... You know how it is.”

Another long pause. For a moment, all he heard was the faint rustling on the other end, like you were curled up somewhere small, the space between you both stretching impossibly wide. He didn’t notice the silence for what it was—didn’t notice the way it wrapped around your words, cloaking the pain underneath.

“I do,” you whispered. It wasn’t an agreement; it was resignation. "Listen, I have to go. Say hi to Julia for me."

You hung up quickly, the words leaving him cold. The last part stung in a way he wasn’t expecting.

Days turned into weeks, and though you stayed in touch here and there, your conversations felt different. Lighter. Less personal. He tried not to let it bother him, but it did. The less he tried to think about you, the more you occupied his thoughts, living in the corners of his mind where you had always been. It felt like torture, the way your presence always lingered even in your absence.

When Pedro finally posted about landing the role of Joel Miller, the flood of congratulations came pouring in, but only one comment left him reeling.

So happy for you!!! You’re gonna kill it.

It was from you. Simple, encouraging, and yet it twisted something inside him.

His birthday arrived not long after, and he found himself back in LA, where his friends greeted him with a backyard party under the stars. Sarah held a cake with a single candle, and as everyone cheered, Pedro smiled, but there was an immovable weight in his chest.

Later that night, after the crowd had dispersed, he and Julia escaped upstairs to his room. They ended up half-dressed, tangled on his unmade bed. She smiled at him afterward, her gaze hazy with affection. “Happy birthday,” she murmured, running a hand down his chest.

Pedro wanted to stay in that moment, to let it be enough, but his mind wandered. He had that feeling of wanting to be trapped in one place, wanting to dig his heels in. It didn’t need to matter that that reality was waiting for him outside the door. It didn’t need to matter that you hadn’t called.

April 11, 2021

London, England

Pedro’s mood had been darkening for weeks now, but if Julia had noticed, she didn’t say a word.

She’d taken on a slew of new projects, coming home late most nights, leaving him to his thoughts and the silence that clung to their flat like fog. Pedro found himself pacing the empty rooms when she was gone, unsure where to place himself in her absence. He felt the weight of insomnia closing in again, the recognizable ache behind his eyes making the hours stretch painfully long.

That day, however, his focus had shifted. He was set to present Best Foreign Film at the BAFTAs, and his stylist had dressed him in a Prada tuxedo coat, a crisp white shirt, and skinny-fitting suit trousers. He looked sharp, elegant even, and for the first time in days, Pedro felt something close to confidence.

He and Julia arrived at the event together, but they didn’t pose for pictures side by side. Still, photographers captured fleeting moments—Julia holding his hand as they stepped out of the car, a quiet laugh between them under the canopy of flashing cameras. By the next morning, their images were all over social media, sparking the inevitable buzz about their relationship.

Pedro ignored most of it.

Two days later, while sharing a quiet breakfast in a cafe with Julia, he opened Instagram out of habit, and your face appeared.

There you were, standing in the middle of some forest, your expression serene. The caption read: Surprise. A new album drops at midnight. In isolation, my imagination ran wild, and this is the result—stories and songs that flowed like rivers. I hope you love it.

The post had already gathered thousands of likes and comments, and Pedro’s chest tightened as he stared at the screen. The timing of it all was almost cruel, but it was the impact of your sudden reappearance that left him reeling. You had vanished from the public eye for so long, and now, with no warning, you were back.

That night, Pedro lay awake next to Julia, the persistent itch of insomnia dragging him out of bed. He moved quietly so as not to disturb her, slipping his earbuds in as he stepped onto the hotel balcony. His hands trembled slightly as he pulled up your new album. He hesitated for a moment, but he pressed play anyway.

For ten songs, Pedro was transfixed. Your voice wrapped around him, haunting and familiar, weaving tales of heartache and isolation. There was a rawness to your words, an unflinching honesty that pierced through the midnight air. He listened intently, picking apart the lyrics, wondering if they were about him, if the pain you sang about was shared between you. It felt like an open wound, and yet he couldn’t stop listening.

Each song was a confession. Each melody a letter never sent.

When it ended, Pedro sat in the dark, overwhelmed. The emptiness gnawed at him, and all he wanted was to call you, to talk, to hear your voice. But he didn’t.

A couple of weeks later, he found himself shamelessly googling you again, hoping for something—an interview, a post, anything—but there was nothing. You had gone silent after the album drop.

No promo, no press. Just the music and then nothing. He congratulated you once, a brief message saying how beautiful the album was. You replied with a simple, “Thank you. It means a lot.”

That was it.

July 10, 2021

Alberta, Canada

Pedro arrived in Alberta at dawn, the skies painted in soft hues of pink and orange. The cab ride to the hotel was quiet, his agent and hairstylist riding with him as they prepared for the long months ahead. Filming for The Last of Us was finally starting, and though Pedro was eager to begin, a deep nervousness tugged at him.

Julia hadn’t come with him this time, staying back in London for her own work. She promised to visit, but Pedro wasn’t sure how often. In her absence, he felt that familiar loneliness creeping in, the kind that terrified him, mostly because it left him alone with thoughts of you.

He checked into his room and sat heavily on the sofa, rubbing the heels of his palms into his eyes until his vision blurred. He needed to eat, to call his family, to ground himself in something, but instead, he grabbed a beer from the mini fridge and settled back into the couch. His fingers hovered over his phone again, the compulsion to check your Instagram pulling at him like a bad habit.

But, like always, there was nothing.

Your only other post had been a month ago, thanking your fans for the love on the album. He had messaged you a couple of times—small, inconsequential exchanges that left him unsatisfied. He didn’t know what he was searching for in those brief interactions, but whatever it was, it felt futile.

Then, ten minutes later, like a sign from the universe, you shared an interview. A video with you talking about your creative process. Pedro couldn’t stop himself. He grabbed his laptop, another beer, and settled in.

As he watched, he couldn’t help but stare at you. You looked radiant, sitting across from the interviewer in the backyard of your California home. The conversation was easy at first, touching on the album’s success, but then it turned more personal.

"The pandemic was really rough, and also life in general, I guess," you said, your voice quiet. "I found myself post-breakup, isolated in a cabin in Calgary, and writing was all I had. But the inspiration wasn’t just from that breakup. It came from years of… things."

The interviewer asked gently, "You mean the breakup with your most recent ex specifically?"

"Yeah," you replied, your eyes dropping for a second. "It wasn’t entirely about that. I pulled a lot from my imagination, I guess. The lines between fantasy and reality blurred, and I found myself writing from perspectives that weren’t always mine."

Pedro’s heart clenched.

"There’s a song on the album," he continued, "the final track. It’s haunting. You sing about being hurt by someone you love but being unable to let them go. Can you talk about that?"

You paused, taking a breath before you spoke. "It’s a quiet resignation," you said. "That person and I, we hurt each other, but I love them. So, I guess that’s it. It felt like the right way to end the album."

Pedro’s world stilled. He realized, in that moment, what he had been searching for all this time. He had wanted confirmation, a sign that you still loved him. And with every word you spoke, you gave it to him.

Filming for The Last of Us began a couple of days later, and though Pedro threw himself into the work, your voice lingered, ghost-like, at the back of his mind. Days turned to weeks, and as production moved into September, the physical toll started to wear on him. He spent long hours on set; the Canadian cold started biting into his bones. Bella, his co-star, became a bright spot, their energy infectious, and though they bonded quickly, Pedro felt the weight of exhaustion pressing down on him.

In the early mornings, when the world was still asleep, he would take walks to clear his head, the cold sunlight grounding him. Julia came to visit now and then, joining him on these walks, but they often ran out of things to say. He could feel the quiet disintegration of their relationship, like watching ice slowly melt into water. He didn’t know what they were holding onto anymore.

•••

When October rolled around, Pedro’s schedule clashed with the start of The Mandalorian’s third season, and it became clear that he wouldn’t be able to join the production on time. His agents scrambled to find a solution, but when Pedro’s stunt double was suggested as a replacement for the early scenes, he was left with an odd sense of detachment. And when his agent told him it had been your suggestion, something in him cracked.

The anger simmered for weeks. He felt foolish and abandoned, wondering if you had pushed him away to keep your distance. But then, just as the resentment began to harden, you showed up on set with two coffees in hand, flashing him a smile. "One iced caramel macchiato for me and one large quad over ice for you," you teased.

Pedro blinked, startled. He hadn’t expected your warmth. "Thanks," he managed, taking the coffee.

"You’re welcome," you replied brightly. "We missed you here."

"Did you?" he said, a hint of sarcasm slipping into his tone. "Because I heard it was your idea to keep me away."

Your expression twisted into confusion before you laughed. "I was just trying to make things easier. You were still filming, and I figured rushing back here would be a nightmare for you. I wasn’t plotting anything."

Pedro felt a wave of relief wash over him, mixed with the faintest trace of regret. "Well, in that case, I missed you too."

•••

For two seasons, your character hadn't seen his without the helmet. Today you were shooting the scene where, out of necessity, he reveals his face to you. It was written as a pivotal moment in your characters' relationship.

The moment the director called action, the air on set felt different. It wasn’t the usual hum of crew members shuffling in the background or the low murmur of cameras whirring. Instead, a heavy, almost sacred quiet descended, blanketing everyone as the scene unfolded. Pedro’s mind mirrored that stillness, a sudden and unnerving hush. It felt like everything outside of this moment ceased to exist, like time itself had bent inward.

And then—nothing. No words. No script. Just you, standing so close to him, your face inches from his, hands cradling his jaw.

You widened your eyes, a silent prompt, urging him to speak, to remember his lines. But all he could do was stare. He hadn’t been this close to you in months, hadn’t felt the warmth of your touch or the soft presence of your breath in what felt like a lifetime. His throat tightened, his words trapped somewhere deep inside. He knew the scene needed to move forward, but for one fragile moment, all he wanted was to keep you there, locked in this pocket of stillness, as if holding onto you would stop everything else from slipping away.

You read him, like you always did. You settled in, your hands still on his face, fingers pressing gently into his skin as if anchoring him. Then, softly, you filled the silence with a line—one that Pedro was sure wasn’t in the script, but it was perfect. You carried the scene, leading him back into it, your voice becoming the tether that pulled him out of the stillness and into motion. Pedro blinked, refocusing, forcing his body and mind to follow your lead as he finally delivered his line.

The scene moved on, but something lingered, thick and unsaid.

When filming wrapped for the day, the tension still simmered. You caught him at the edge of the lot, your expression unreadable as you approached him. Maybe you'll ask him why he froze like an idiot during that scene, or maybe you'll just walk past him without a word.

Instead, you simply asked, "Dinner?"

Pedro couldn’t say no. He never could when it came to you.

You ended up at a small sushi restaurant tucked away from the chaos of the city. The space was warm, softly lit, a sanctuary from the noise of the outside world. Pedro sat across from you, picking at a piece of sashimi, trying to focus on the conversation but finding it hard. You talked about the year you’d spent away from the spotlight and how you’d pulled back from everything.

"I mean, I’m doing this because I signed a contract," you said, lightly joking, but your eyes flickered with something that gave you away. "Disney has snipers; you know how it is."

You smiled, but it didn’t reach your eyes.

Pedro chuckled, though he could hear the sadness in your voice, the weight behind your words.

"If I could’ve gotten out of it too, I would have," you added, your tone quieter, more reflective. "I guess I just needed to slow down. I’m tired of it all."

"You even skipped the Oscars," Pedro replied, taking a sip of his drink. "That's how you know it's serious."

"Yeah, I love the Oscars. Excellent champagne."

Pedro watched you closely, wanting to dig into your words to pull apart the layers of exhaustion and sadness you were burying beneath the surface. He wanted to offer you some kind of comfort, to tell you that he understood—that he, too, had been feeling the weight of it all. But the words caught in his throat. Instead, the two of you ate in silence, the kind of quiet that wasn’t uncomfortable but spoke volumes.

There was something about being with you, even without words, that felt…right.

Later, as he lay in bed, his mind kept returning to you, to your confession. He wondered what you weren’t telling him, what you were holding back. But as much as he wanted to reach out to ask, he couldn't.

The next morning, Pedro was on a flight back to Canada. The weeks that followed blurred into a rhythm of cold, grueling days on set and long, sleepless nights. He threw himself into The Last of Us, trying to lose himself in the work, but no matter how hard he tried, thoughts of you crept back in. You were there, always, lingering in the corners of his mind, and Julia could sense it.

She didn’t say anything at first, but Pedro could feel it—the slow unraveling of their relationship. It wasn’t sudden, like a crash or an explosion; it was quiet, a gradual dissolution. Every day, a little more slipped away. He wasn’t sure what he had expected from this relationship, from this life they had built together. Did he think they would buy a house, start a family? Had he ever really seen himself in this life with her, or was it just easier to disappear into hers?

Finally, Julia said it. Brightly, almost too casually. "I think maybe we’re done."

Pedro didn’t fight it. He didn’t have the energy. "Yeah," he murmured. "I think that was my fault."

•••

Christmas and New Year’s came and went in a blur. Pedro went to Chile for a few weeks, seeking the comfort of home, of family. There, surrounded by his siblings and nephews, he found a brief pause, a sense of peace he hadn’t felt in a while. But even in the warmth of his childhood home, memories of you still haunted him. He saw you in every corner, heard your laughter in the echo of the hallways.

One night, after too many glasses of wine, he called you on a whim. It wasn’t about anything important—just small talk, catching up. You sounded good, better than the last time you spoke, but there was a distance in your voice, a kind of finality that made Pedro’s heart sink. For some reason, he didn’t tell you about his breakup. He kept that part of his life hidden, not out of secrecy but because it felt irrelevant at that moment.

What would it change? What did it matter?

You didn’t talk much after that. Your silence felt deliberate, not like a missed connection but a closed door. It was as if you were telling him, without saying it outright, that this was where it ended.

In the days that followed, Pedro did his best to push you out of his mind, but it didn’t take long for the thoughts to creep back in. They always did. Anger. Sadness. Regret. They whispered in his ear, insidious and unrelenting, reminding him of what he had lost, of what he could never quite hold on to.

February 7, 2022

Los Angeles, California

The suitcase lay open on the bed, half-packed, with clothes spilling over the edges like an unspoken reflection of your mind. Each item you folded and placed inside felt heavy, as if carrying pieces of the last year with you. Taylor sat cross-legged in the chair by the window, scrolling through her phone while talking, but her words barely reached you over the noise in your head.

“I’m surprised you said yes, that’s all,” she said, her voice light with curiosity. “You’ve basically been a hermit for a year now.”

You laughed softly, your hands smoothing over the fabric of a sweater. “I needed the break, you know that. ”

She raised an eyebrow but didn’t push yet. You were grateful for the acceptance, even if you knew she was waiting to bring it up again, the same way she always did.

“One day, you’ll tell me what really happened,” Taylor continued, her voice taking on a familiar teasing edge. “You'll tell me what had you sulking at home like a sad Victorian poet for a whole year.”

You folded another shirt and placed it in the suitcase before responding, “I’ve told you countless times. Nothing happened other than…he got a girlfriend, and I stayed out of the way. That’s it.”

Taylor squinted at you as if she didn’t quite believe it, her eyes narrowing with the kind of suspicion only a close friend could afford to show. “Aha,” she said slowly, drawing out the sound.

You rolled your eyes but smiled.

“I wasn't sulking,” you admitted, trying to keep your tone light. “I was…relaxing. It was my year of rest and relaxation.”

She chuckled at that. “Good one, smarty pants."

Outside, a breeze rustled through the palm trees, carrying the scent of jasmine and the distant hum of LA traffic. You imagined the street below, the shuffling of photographers leaning against their cars, lighting cigarettes, and murmuring to each other. They had become a permanent fixture, appearing gradually over the months, staking out your house like ghosts waiting for you to return to life.

It never ceased to surprise you how much people cared about what you did off-screen. You couldn’t just let your work stand for itself. No, you had to prove yourself over and over again, reminding the world that you were still an asset, still someone worth admiring.

You shrugged, half-smiling, but there was something sad in it. “Don’t get your hopes up. I’m only doing this because I've been dying to work with this director, and it’s a closed set. Once those eight weeks are up, it’s back to my hermit status.”

Taylor shook her head with a dramatic sigh. “So we’re missing the Oscars again this year?”

You threw a pair of socks at her, chuckling. “Seems like it.”

But inside, everything wasn’t as lighthearted as your words. Last year, you’d taken a step back from the spotlight, and while you didn’t want to attribute it to the hurt you were feeling over Pedro, the truth was, it had everything to do with him. Well, at least a huge chunk of it. It hurt not to have him. It hurt to see someone else kiss him, hold his hand so freely, so easily. The pain wrapped itself around you like a second skin.

The world expected you to bounce back, to emerge from this self-imposed exile with a smile and a perfect soundbite. But the truth was messier. You had spent a year nursing a heart that hadn’t fully healed. You loved Pedro in a way that still hurt, in a way that sometimes made you feel like a child who didn’t understand why they couldn’t have the one thing they wanted most. You wanted to be the bigger person, the one who could let him go gracefully, but instead, you had hidden.

You were blue all the time. Some days were okay; some days you barely got out of bed.

There were moments it felt paralyzing. The weight of the world outside your window, the expectations, the love you still felt for him—all of it crushed you. Some days, you simply couldn’t move. You stayed curled up in the safety of your blankets, staring blankly at the ceiling.

It wasn’t long before someone intervened. Your PA was that someone.

She didn’t push you at first. She’d just knock on your door, leave food outside, and ask if you needed anything. You’d spent three weeks in your room, moving only to get water or occasionally sit by the window.

One afternoon, Renata came in and found you in the kitchen, grabbing a glass of water. She placed a sandwich she brought on the counter and looked at you, her voice careful, but firm. “You need to talk to someone.”

“I’m talking to you,” you replied simply, taking a sip of water.

“No, you know what I mean. A professional. It’s okay if you don’t feel…” She didn’t finish the sentence. She didn’t have to.

“I’m fine,” you said, starting to walk toward the stairs.

“You’re not going to eat?” she called after you.

“Not hungry, but thanks,” you mumbled, disappearing into your room again.

But Renata didn’t let it go. She pushed gently, week after week, until finally, you let her schedule an appointment. She promised not to say anything to anyone, especially Taylor. You didn’t want to worry her.

The word depression had seemed too big to say aloud, too heavy, but that’s exactly the word your psychiatrist had used.

“You’ll need to take these every morning,” he said, handing you a small prescription bottle. “And it would be good to write how you feel. Keep track of things.”

You sat there, legs crossed in an oversized chair, staring at the prescription bottle in your hand.

•••

You watched from the sidelines as Pedro continued to rise, landing roles in The Last of Us, becoming the face everyone adored. You were thrilled for him, of course, but the distance between you felt insurmountable.

The only interaction you had was through a comment on his Instagram post, and even then, you weren’t sure if it meant anything. You didn't dare to call him on his birthday; you didn't want to stain his day with sadness. Every time you looked at your phone, tears threatened to spill. You felt as if the moment he spoke into the phone, you might collapse.

He's better off; he might not even notice.

The album you dropped in the spring had been a release of every emotion you hadn’t been able to speak aloud. Each song was laced with love and loss, heartbreak and longing; every note was a confession you’d never let yourself voice. You wondered if he listened to it—if the lyrics registered with him, if he knew they were about him.

That same week, you saw photos of him in London, holding her hand. You cried yourself to sleep that night.

The months passed in a blur of avoidance. You busied yourself at home with anything you could find that didn’t involve thinking about him. You did the one interview your publicist insisted on. It was with Zane Lowe; you liked him, so it was mostly okay. You found yourself talking about the songs you wrote during that time. As you listened to your own words, you realized that the music had given you a voice when you felt silenced by heartache.

It was a bittersweet realization.

By October, filming for The Mandalorian had loomed on the horizon, and when you found out Pedro was still tied up in Canada, you suggested beginning production without him. It felt easier that way, like a reprieve. But when he finally arrived on set, the connection between you two still crackled beneath the surface. There was an unspoken understanding in the way he looked at you during that intense scene—the one where your character saw his face for the first time. He froze, and you wondered what was running through his mind—what thoughts had stopped him from continuing.

You hesitated, but after the scene wrapped, you found yourself asking him to dinner. It was a slippery slope. You could pretend you were okay all you wanted in the brief moments between takes, offering coffee and smiles, but no one saw right through you like him.

Still, you asked. It was a small gesture, just a way to extend the fragile thread of connection between you, to hold onto him for a little longer before he left again.

But you’d learned how to stay in your lane. You’d learned how to love him from a distance, how to let him be happy with someone else. It was an act of love, really—letting him go, stepping aside to give him the space to live a life that didn’t include you. At least that’s what you told yourself.

Taylor’s voice pulled you out of your thoughts. “Do you think you could be a hermit in Greece next? I could use a vacation.”

May 29, 2022

Los Angeles, California

Between promoting The Unbearable Weight of Massive Talent and wrapping up the final scenes of The Last of Us in Canada, he had little time to do, well, anything else really.

It was late May, just after the Star Wars Celebration. He’d worn a blue two-piece set that felt more like pajamas than anything formal, which was fine by him. Comfort was the priority these days.

But something was missing. You. You hadn’t been there. Out of everyone from the cast, you were the only one absent, and that absence settled like an itch he couldn’t scratch.

"She’s just taking time off," he’d tell himself, repeating the words like a mantra. “She’s probably busy; she's okay.” But the nagging feeling wouldn’t leave him alone.

Pedro had even caved one evening, calling Taylor. It had been late, after a full day of press, his voice rough from interviews and late-night whiskey. He had only meant for it to be one drink. But then he thinks back to the fact that you've plagued his dreams every night this week and that there was a song he kept hearing repeatedly that reminded him of you, and one drink had turned to three, and now here he is.

“Taylor?” He had sounded more vulnerable than he intended. “Is she... I mean, everything’s okay, right?”

Taylor had reassured him, of course, her voice patient, telling him you were fine, that you just were busy. Pedro wanted to believe her, but it gnawed at him. Something felt off.

He still woke up some mornings with the urge to tell you something, a joke he heard or a weird dream he had.

•••

By August he found himself in Spain, the arid heat of the desert sinking into his skin as filming for Strange Way of Life began. The project felt like a strange departure—something raw and gritty, something that required his full attention—but even then, in quiet moments between takes, his mind wandered. He’d sit in his trailer, his phone in hand, thumb hovering over your contact name, but the messages stayed unsent.

The days passed in a blur of rehearsals, early morning call times, and late-night script revisions. He spent his downtime with Ethan, exchanging stories over beers. But there was a quietness to Pedro that hadn’t been there before—a missing piece of him he couldn’t quite place.

•••

November 22, 2022

Miami, Florida

The night was sweltering; even by late fall standards, the air was thick and humid. Pedro was grinning, wearing a loose-fitting animal print shirt that made him feel playful, like he was stepping into some exaggerated version of himself for the evening. Lux was by his side, vibrant as always, their laughter mingling with the clink of glasses as they arrived at a wine event.

But it didn’t take long for Lux to notice the shadow that hung over him.

“You’ve been quiet,” she said, side-eyeing him as they sipped their drinks by the bar.

“I’ve been busy,” Pedro answered vaguely, swirling his glass and watching the amber liquid catch the light.

“Sure,” Lux replied, smirking. “And when are you both going to stop being idiots? It’s getting tiresome, hermanito.”

Pedro nearly choked on his drink, laughing in surprise. “What?”

“Don’t play dumb.” Lux’s voice was matter-of-fact, cutting through his defenses with that typical bluntness only siblings could pull off. “You and her. It’s obvious. To everyone.”

Pedro sighed, leaning back against the bar, the Miami night buzzing around them. “It’s not that simple.”

Lux raised an eyebrow. “Really? You’re both so afraid of what might happen that you’re stuck in this limbo. It’s ridiculous. Why let it get this bad?”

Pedro stared into his glass, her words echoing in his head.

"Because I love her," Pedro finally admitted, his voice quieter, weighed down by the truth. He stared down at his drink, swirling the ice around the glass. "I love her so much I’m willing to let her go."

Lux didn’t say anything.

Pedro shook his head, a bitter smile playing at his lips. "I would only hold her back. I know her so well. She’d sacrifice things just to be with me, and I can’t let her do that. I would only hold her back. She deserves so much better."

Lux tilted her head, her eyes narrowing. “And what if what she wants is you? What if she’s out there feeling the same way, thinking she’s the one who isn’t good enough for you? Do you ever think about that?”

Pedro let out a slow breath, his shoulders sagging under the weight of it all. "Of course I’ve thought about it. Every day. But what if I’m wrong? What if she gives up things she shouldn’t for me? I can’t let her do that, Lux."

Lux leaned in closer, her voice gentle but firm. "Maybe it’s not your decision to make. Maybe she deserves the choice. Don’t you think it’s a bit arrogant to assume what’s best for her without even asking?"

Pedro met her gaze, feeling exposed. “I just... I don’t want to mess it up. I don’t want to ruin her life.”

Lux smiled, but it wasn’t pitying. It was knowing, soft around the edges. "You’re not ruining anything by loving her. But keeping it to yourself? That’s where the damage is, hermanito. You think you’re protecting her, but all you’re doing is pushing her away. And trust me, that hurts more than anything else."

He had always been so afraid of losing you, so terrified of not being enough, that he hadn’t even realized how much distance he had created.

Lux’s voice softened again, the words cutting through the noise in his mind. "She deserves better, Pedro? Maybe. But who says you don’t deserve her, too?"

a/n: please like, reblog and comment! i love reading your thoughts!! next part will be posted in a bit ;) aaaand something might be happening ;)

#pedro pascal imagine #pedro pascal x reader #pedro pascal fluff #pedro pascal smut #pedro pascal fanfiction #pedro pascal angst #my writing #pedro pascal fic #pedro pascal x you #pedro pascal fanfic #love is complicated fic

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candycandy00 · 2 days

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Finding Love in a Zombie Apocalypse - A JJK Interactive Romance Fanfic Round 2

Read the details about this event here!

During a zombie apocalypse, you meet a group of seven handsome men. Which one will you choose to be your survival/romantic partner?

Vote for the man you want to be eliminated! The man with the most votes will not be killed off in the story, but he will be removed from all future polls and his branching story will be closed off!

Reminder: Vote for the man you DO NOT want to survive with! You are voting someone OUT!

For the first two rounds, I’m not naming the men. You can probably figure out who is who, but that’s part of the fun! I’m doing it this way to encourage readers to vote based on the scenario rather than just automatically voting out their least fave character. Feel free to make guesses about who each man is!

In Round 1, Man #1, Choso, was eliminated!

Dividers by @animatedglittergraphics-n-more!

You’ve decided to stick with this group for the time being. They’re a nice mix of strong, smart, and caring. None of them come across as creepy or make you uncomfortable, which is saying a lot considering it’s a group made up entirely of men relatively close to your age.

You spend the evening gathering what supplies you need into a duffel bag you found in the store’s rather scant sporting goods section. At night, one of them insisted you sleep in the stock room and keep the key until morning. He really was very considerate, and none of the others objected.

The next day, someone makes coffee in the break room. You don’t know which one did it, but it’s the first cup you’ve had in over a week and tastes delicious. With foam cup in hand, you walk over to the front entrance to check the situation outside, only to find the man who called out to you yesterday keeping watch.

Man #1: Choso (Eliminated in Round 1)

He’s standing near the door, slightly to the side, still as a statue until you approach.

“Want me to bring you some coffee?” you ask, taking a sip from your cup.

He smiles at you. “Thanks, but I had some already.”

You gesture toward the entrance. “Anything new going on out there?”

“No, just a dozen or so zombies roaming around,” he replies. “They come close to the door sometimes, but with these tinted windows they can’t see much of what’s inside.”

You hadn’t realized they were tinted until he mentioned it, but you suppose that’s why everything looks so dreary outside.

As you stare out the window, you notice something in the distance. You squint your eyes, trying to make out if it’s just another zombie or something else. As you watch, the figure picks up speed, breaking into a run.

“Look! There’s someone out there!” you shout, pointing to the figure fleeing toward the store.

The man beside you looks out through the glass door. “It’s definitely a living person!”

Behind the figure, a large group of zombies, perhaps the biggest group you’ve seen, is slowly giving chase. The figure stumbles, hits the ground, and you feel your heart race. You’ve witnessed zombie attacks before, but it’s always disturbing. And you can’t help thinking that this could easily have been you yesterday.

You want to open the door and beckon the figure, but that’s not your call to make. You’re a guest with this group, and you don’t have the right to put their safety at risk.

Thankfully, the kind hearted man beside you makes that choice. He flings the door open and calls out, “Hey! Run this way! To the grocery store!”

The figure looks up, and from this distance they appear to be a young man. He scrambles to his feet and breaks into another run, a desperate dash for the store.

You and the man both yell out to him, encouraging him to hurry and keep going. Just as he runs through the door, two zombies that must have been close to the entrance follow him in, shambling into the store.

Man #2:

Before anyone else can react, the large, imposing man who tore the zombies off you yesterday runs by you. With his bare hands he picks up the first zombie by the neck and literally throws it outside. Then he delivers a devastating punch to the second zombie’s head, knocking it clean off its shoulders.

You yelp in surprise, having never seen someone kill a zombie in such a way before. Someone closes the door and locks it, but the herd of zombies definitely saw the young man run inside, because they’re heading straight for the store.

Backing away from the door, you glance at the man who took care of the two zombies. “Do you think the glass will hold?”

He doesn’t seem the least bit scared. “Probably not against a horde like that.”

“What should we do?” you ask, trying not to sound panicked as the zombies close in.

He grins. “You should run when they break in. I’ll tear the fuckers apart.”

Uncertain whether that statement is comforting or alarming, you turn to look at the newcomer. He’s a teenager, probably around sixteen, and he’s panting to catch his breath.

You walk over to him. “Are you alright?”

He looks up at you, and his face is twisted in horror. “I’m so sorry!” he yells, tears in his eyes. “I shouldn’t have come in here!”

“It’s alright,” you tell him, reaching your hand out to pat his shoulder. “We’ll figure something out. We’ll-“

He swats your hand away. “Don’t! I… I’ve been…” his voice dies in his throat, and he pulls up the sleeve of his shirt, displaying a messy bite wound.

You inhale sharply, your heart sinking at the sight. He’s just a kid! “How long ago?” you ask. You’ve heard rumors that severing a limb with a bite will stop the spread of the virus, but it has to be done quickly.

“Yesterday,” he answers.

The man who fought the zombies steps up beside you. “Too long,” he says, his eyes narrowed as he looks at the wound. “We should probably throw him out. He’s no good to us.”

You look at him incredulously. “We can’t do that!”

Man #3:

The man you spoke to yesterday who seemed like a leader, who was clearly a planner, walks over. He looks at the boy, then at you. “We’ll need to discuss this,” he says.

“Discuss what? What are the options here?” you ask him. “Let him stay or toss him out there to be eaten alive?!”

The man’s smooth expression doesn’t change. “Those aren’t the only options. We could tie him up, lock him in the break room, or even give him a quick and painless death.”

You feel your outrage subsiding. Those sound much more reasonable. You’re surprised he can think so rationally in this situation. “Okay. I’m sorry I snapped at you.”

He smiles that same charming, not-quite-genuine smile he gave you yesterday. “Don’t be. Tensions are running high, so it’s understandable. I’d worry more if you were the type to want to throw him out immediately.”

You sigh in relief, then turn toward the boy, who is still muttering apologies. “What would you like for us to do? Restrain you? Or… or make it so you don’t turn?”

The boy looks up at you. “I don’t want to turn! Please, don’t let me end up like them! I’d do it myself but I’m too scared!”

Hearing such a young man say that is heartbreaking. But you understand. If you ever get bitten, you hope someone will kill you before letting you become a zombie, doomed to roam the earth, rotting and attacking others.

The man pulls a blade from a holster on his hip and approaches the boy. “Are you ready? Or do you need more time?”

The boy hesitates for a moment, then nods. “I’m ready. Please make it quick!”

The man pats him on the back affectionately. “You’re very brave. You can rest easy now. I’ll make sure you don’t suffer.”

The boy is staring at him, and seems comforted. “Thanks,” he says with teary eyes.

You turn your head, unable to watch. You don’t hear a sound. No scream, not even a grunt. It really must have been painless. When you look back, the man is easing the boy’s body to the floor. He looks thoughtful, maybe a little sad.

“I’m sorry you had to do that,” you say.

He’s wiping his blade off on a handkerchief. “Someone has to make the tough decisions, and then carry them out.”

You start to ask why that had to be him, but you remain silent. You don’t like the way he seems to be taking all the darkness and sadness onto himself. But you have bigger things to worry about right now.

Man #4:

The man you saw standing guard yesterday, who said he wanted to go back to the city, is staring out the windows of the store, watching the growing horde approach. He doesn’t seem scared, only annoyed, as if this is no more than a minor obstacle to his plans.

“I’m gonna get out of here,” he says, loud enough for the others to hear. “I don’t have time to get held up.”

You look at him in shock. “You’re just going to leave the rest of us?”

He looks at you dispassionately. “A group will draw their attention a lot more than a single person. I’m not getting stuck with these guys.”

You look him up and down, at his sturdy physique. “But, we need you.”

“You ever stop to think that maybe someone else needs me?”

The question takes you aback. You have no answer for him. If he’s that desperate, if he’s willing to wade through countless zombies to get to the city, there must be someone very important to him there.

“Can you at least wait a little while?” you ask him. “The zombies might give up and wander off if they can’t see us through the tinted windows.”

The man sighs. “Fine. I’ll see what happens.”

You look out at the horde. The first few zombies have reached the front of the store and are clawing at the windows and doors. You shudder as you watch them. You’ve never seen so many before, or so close up in a situation where you can actually get a good look at them. If one is close, you’re usually fleeing or trying to kill it.

They’re all staring straight ahead, seemingly at nothing. Can they see their own reflections in the glass? Can they even perceive themselves? Seeing them just leaves you feeling empty and sad.

“Do me a favor,” the man says. “If I ever get bitten, put a bullet in my fucking brain.”

You nod. “Same,” you say.

Man #5:

The man who gave you the tip yesterday about using duck tape on your arms steps over to the windows to survey the situation. He already has his arms wrapped in a layer of the tape, over top of his sleeves. A few of the others notice, and begin wrapping their own limbs in tape or thick fabric, so you do the same.

He steps closer to you and takes the roll of tape from your hand, then begins wrapping your forearm for you.

“Thanks,” you tell him, hoping he can’t hear how nervous the growing horde outside is making you.

He seems as calm as the more physically imposing men, despite having a more slender frame. “Our best option would be to bang on the glass and draw their attention to the front, then all of us slip out the back way,” he says.

You glance toward the back of the store. “Should we check to see if they’ve circled around?”

He nods, and the two if you make your way back, through the storage area and to a large drop down gate. You assume trucks come in this way to unload merchandise. But it’s locked up tight and you can’t see anything on the other side.

“There’s a window up there,” the man says, pointing. You have to use a step ladder to reach it, but you both climb up to look out.

There aren’t nearly as many zombies roaming around behind the store, but there are definitely enough to be a problem.

“I think we can make it through, but it’s going to be a challenge,” he tells you.

You feel fear creeping up your spine. So far you’ve been able to evade most large groups of zombies, but with the store being surrounded, it’s looking like you’re going to have to wade into them.

As the two of you return to the front, you feel your spirits sinking.

Man #6:

The man with the bright smile comes up beside you as you stare out hopelessly at the zombies gathered at the windows.

“I’ve seen bigger hordes,” he says.

You look up at him. “You have?”

He grins. “Sure. They’re not so bad when you realize how slow and uncoordinated they are.”

You appreciate his optimism. But you realize it’s more than that. His confidence rings true, and it makes you feel a little more hopeful.

“So you think we can get out?” you ask.

He nods, still smiling, then gestures to where a few of the men are standing in a small circle. “They’re planning our escape right now. We’ve got some real smart guys here, so don’t worry.”

You finally return his smile. “I hope you’re right.”

“Of course I am,” he replies.

Just then you hear something, like tinkling glass. Both you and the man look around for the source of the noise. After a few minutes, you spot a tiny crack in the glass, right where over a dozen zombies are pressing against the windows.

“They’re breaking the glass!” you cry, backing away.

The man calls over to his friends, “Guys, put a rush on that brilliant plan!”

They look up and rush over to check the crack.

Man #7:

The man you met in the stock room yesterday is the first to crouch down and examine the crack in the glass. His brow is furrowed as he watches the zombies shove themselves against the window, then he turns to face the others.

“Everyone, get whatever you need and be ready to go in ten minutes. We’ll take our chances going out the back.”

You already had your backpack ready, so you pull it onto your shoulders as the other men begin doing the same. You feel your heart racing as you prepare for the fight of your life.

The man is securing his own pack with a strap around his waist and checking the heavy denim sleeves of the jacket he’s wearing. He seems uncomfortable in the fabric, as if it’s not something he’d normally wear, but protection is the most important thing right now.

“What do you think our chances are?” you ask him.

He looks around the room. “With this group? Pretty good. If we all stick to the plan,” he adds, glancing at a couple of guys in particular. Then he looks back at you. “Try to stay in the middle of us. We can protect you.”

“Thanks,” you tell him. “I guess I lucked out when I stumbled upon you guys.”

He gives you a warm smile. “I’m glad you feel that way.”

Just then, you hear glass breaking, another crack at first, and then a shattering that startles everyone in the store. Right beside you, the first zombie crashes inside, and the man grabs your arm, pulling you back behind him.

As the zombie horde begins shambling into the store, the men around you take defensive positions and get ready to fight their way to the back.

Tag List:

@tadabzzzbee @babysoo-meu @atomicweaselpaperapricot

#jjk x reader #gojo x reader #sukuna x reader #geto x reader #nanami x reader #toji x reader #choso x reader #higuruma x reader #x reader #gojo satoru #geto suguru #fushiguro toji #nanami kento #sukuna #choso kamo #higuruma hiromi

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salt216000 · 3 days

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I saw a post today that made me quite upset. Normally I'd just ignore, but I read some of the tags and they upset me quite a bit too.

Username is cropped out because I don't want to make it seem like I'm putting 'em on blast, I just want to give my opinion on this.

Transfem headcanons of Gabriel are absolutely fine. Awesome, even. But not while putting down transmasc headcanons at the same time.

The post makes a really interesting and good point! Transfem Gabriel does work well with his narrative of growth and discovery of his own identity, especially as someone cast out of Heaven for not achieving the ridiculous standards they set. That is a really good notion that, yes, being entirely honest, I don't see as frequently from that angle.

But you do NOT have to say it is a 'failure of the fandom' and pin the blame on more people headcanoning him as transmasc. If you want transfem Gabriel content then you can make it: art, writing, musings, anything, but you don't have to put down other creators for projecting their own ideas and potentially their own experiences onto a character they like and relate to.

I'm going to preface this next part with: I am NOT disparaging against transfem Gabriel headcanons, or giving reasons as to why they shouldn't exist. All I am doing here is clarifying why people tend to headcanon him as transmasc. Francis Xie was hired by Hakita to draw concept art, and he is known for drawing a lot of artwork of Gabriel (some NSFW in nature, as a warning in case you decide to look for yourself), and in said artwork he depicts his headcanon of Gabriel being transmasc. Of course, this is not gospel, it is not officially canon and even if it was people are allowed to headcanon him as whatever they want, I only bring this up to help explain why the headcanon may be so popular.

More personally, I find it really gender affirming to have a character in the ballpark of masculine in frame and voice, but to see him wear more feminine clothing in official artwork without it being degrading. It's very nice to see a depiction of this to help push back against the reinforcement that masculine presenting people must conform to certain standards, and that's why I personally enjoy the headcanon too.

There are also a decent few characters that DO get more transfem rep: Mirage, the mindflayers, mannequins, V2, so I don't understand why it's a problem that it is the minority with Gabriel. I wasn't originally going to post this publically, but these tags pushed me to do so:

Username once again cropped out for the same reason as above. To be clear, these are NOT OP's tags.

I don't care what the original tone OP meant was, if it was joking or playful or whatever else, because the sentiment that that post gathered is absolutely wretched. I don't have much else to say about it without getting deeper into gender stuff that I don't want to extend this post with, but I'll reiterate my main point.

You can be upset that there aren't headcanons that represent a certain idea you prefer, but DO NOT put down others who have contrasting ideas in the same breath. If you want to make a post about Gabriel being transfem being a great narrative, go for it, no one will stop you, but do not fucking wrap in a 'transmasc headcanons are wrong and don't get it, and my headcanon is more correct', and at those tags in particular, do NOT treat transmasc headcanons like this, 'transmasc pandemic' is such an awful way to put it and makes me feel as though a line in the sand is being further drawn between transmascs and others who are not.

#ultrakill #gabriel ultrakill #idk how else to tag this LOL #ive never done picture IDs before #i had people look over em to see if they were good but #lmk if i could change em to be better #i would put this under a readmore but i dont Want To for this #long post #i'll tag it with that for people to filter. but i want people to read it.

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aliceintheworld · 12 hours

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PURE ATTRACTION | JJK | TATTOO ARTIST

Pairing: TattooArtistJungkook X NaiveReader

Summary: "I shouldn't be watching a man undressing, especially not from the house next door."

Warning: more religion 😬 depression, Jimin, Taehyung, and Yoongi appear. Jungkook in a towel 💦👅 finally a kiss (things from here happen quickly.) ATTENTION, THIS STORY IS NOT SLOWBURN.

A/N: Guys, I took a while this time for reasons of: laziness and discouragement. I wanted more people to read what I write, but I'm introverted even on the Internet, which leaves me with few alternatives to show my writing to the world. Thinking about it, I'm in trouble. Other than that, only a few days have passed, so everything is fine. Back to the story, everything starts to pick up pace. Just to repeat, the fanfic is not slowburn, so there will be smut in the next chapter. Stay tuned.

Previous Chapter

Chapter 3

I spend the whole week riding an emotional rollercoaster. I find myself visiting my neighbor, Mrs. Jeon, more frequently than usual, and with each visit, our friendship blossoms deeper. She shares stories of her youth, of wild adventures and carefree days when she was my age. Her openness encourages me to share my own experiences–or rather, my lack of them. I recount my first disastrous kiss, confess that I've never been in love, and reveal how my once unshakeable faith in the church has wavered since my father's passing. I feel a weight lift off my shoulders; here, I am free to be imperfect, to be vulnerable, without fear of judgment.

Yet, there's one thing I keep to myself: the incident with her son, Jungkook, and the profound effect he has on me. Throughout all my visits, I never see him again. Curiosity gets the better of me, and I casually ask Mrs. Jeon where he is. She tells me that he moved and rented an apartment to avoid being a burden. He only spent the first night at home after his trip, and I remember that night well–from my window, of course–but I don't mention it. Disappointment settles in me like a stone; I long to see him again, but I focus on his mother instead. Having her to confide in is a relief, a breath of fresh air in my otherwise stifling life.

I patiently wait for her to open up about her own struggles, her depression, but she never does. I worry that I might know something I shouldn't, that perhaps she's not comfortable sharing with me. But I promise myself I'll keep her secret safe, no matter what. Today is Sunday, and I won't visit Mrs. Jeon since I'll see her at church. I'm excited–despite my mother making unnecessary comments and disturbing my peace of mind, I'll have someone to rely on.

I smooth down my dark brown dress, fixing my messy hair. I dab a bit of lipstick on my fingertips and press it onto my lips, careful not to overdo it. The truth is, I enjoy makeup, but I've never learned how to apply it properly. I feel embarrassed drawing attention to myself with bolder colors; after all, people are used to my lack of vanity. I sigh, steeling myself as I head downstairs to meet my mother.

She hasn't stopped talking about Jungkook. Unlike me, who had a good first impression, she despises him. She criticizes everything: his eyebrow piercing, his bold style, his tattoos, even the way he carries himself. I can't help but wonder if she accepted the dinner invitation just to analyze him, searching for flaws that exist only in her mind. She's been friends with Misuk since moving to town, and I want to believe–perhaps naively–that my mother doesn't have ulterior motives.

We arrive at church early, the space quiet with only a few members milling about. My mother drifts away to chat with the older congregation, and I find a seat, taking a deep breath. I scan the room for Mrs. Jeon but I don't see her. Since it's still early, I'm not too worried. I take a moment to read the Bible, reflecting on positive thoughts when I feel a gentle touch on my shoulder. I turn, and there he is–Jungkook, smiling brightly. I frown, almost convinced he's a mirage. Am I daydreaming?

"Hi Y/N, are you okay?" he asks softly, his lips brushing almost against my ear. His intense gaze locks with mine, and I'm relieved to be sitting down; my legs feel weak in his presence.

"Everything's fine," I reply, my eyes dropping to my fingers. I want to engage him, ask about his week, inquire how he's been, but the words stick in my throat. It's as though I can't act normally around him. I take a deep breath, mustering the courage to comment, "I didn't know you attended church."

"I don't," he laughs, amusement dancing in his eyes. And rightly so; considering his clothes–a heavy leather jacket, shaved sides, and a wavy fringe–it's sexy but definitely not what you'd expect at church. "I haven't been since I was a kid."

"Really? Why?" I ask, genuinely curious, my gaze drawn to his eyebrow piercing, oddly captivating.

"I didn't feel welcome," he replies simply. There's no bitterness in his voice, and I understand all too well what he means. My mother, for example, was the first to judge him based on his appearance, and I can only imagine how difficult it is to feel at home in a place where you're not embraced.

"I understand," I say, unsure of what else to add. "So, you came here to give it another shot?"

"No way," he chuckles. "Actually, my mom mentioned you two planned to meet at church today."

"That's true," I confirm.

"Unfortunately, she can't make it today. She's not feeling well."

"Is she okay?" My concern surfaces immediately.

"She's fine, don't worry. Just a headache, and she took some medicine. She'll be better soon," he assures me, his hand lightly touching my shoulder. I can't help but notice how warm and gentle his touch is. I shake my head, trying to divert my thoughts from Jungkook's hands to anything else.

"I'm relieved to hear that," I smile, noticing the church is starting to fill up.

"I'm actually inviting some friends over to my apartment, and I wanted to know if you'd like to join us," he says, brushing his fingertips against his ear, a bit shy. I'm taken aback; I didn't expect this invitation. He wants me to come over with his friends?

"And why?" I ask, surprised. It's been a while since we last saw each other, and we haven't talked much even then.

"I like you. I want you to come so we can have fun."

"If this is some kind of payment, or something like that... you really don't need to." I reply, not believing it. I don't have friends, and the thought that he wants to be with me and the people he likes seems absurd to me.

"It's not that. I'm even a bit offended." He jokes, smiling. "I really want you to come, please."

"Jungkook... I don't know."

"I swear they're nice. Every time I'm in Busan, we hang out. They're trustworthy, I promise."

"I can imagine," I reply, still hesitant. I'd have to leave church, skip the service, and ask my mother for permission to go out with him, and of course, she wouldn't allow it. No way. It's not that I don't want to; I desperately want to spend time with him. That's been on my mind all week. "I don't think it's possible; my mom..."

"I know," he interjects, as if he anticipated my response. "But what if, just this once, you say you are going to my mom's? We could say I'm taking you there when in fact, you're coming to my apartment."

"Are you asking me to lie to my mother in a church?" I can't help but laugh at the absurdity of it. He shrugs, grinning.

"God knows it's just once," he replies confidently, pouting slightly. "What do you say? Later, I can take you to my mom's whenever you want, or you can stay at my apartment since I have more than one room. You set the time and conditions."

"Jungkook..." I groan, covering my face with my hands. The thought of lying to my mother, especially to go to a guy's house, sends a wave of anxiety through me. If she finds out, I'll be in big trouble.

"Come on! It'll be fun. I promise," he pleads softly. I can't say no to him, at least not now. I nod, agreeing to the madness.

"Okay, but you're the one who's going to talk to my mom. And if I say I want to leave, you agree. No alcohol because I know you drive. Those are my conditions," I assert, trying to sound firm. He smiles and salutes me, like a soldier receiving orders, and I slowly get up, taking small steps toward my mother. I let Jungkook lead the way, my nerves creeping back as I prepare to tell a lie in this sacred place.

"Good afternoon, Mrs. Eunji. Good afternoon, everyone," he greets my mom and the other church members. My mother looks utterly shocked, her eyes nearly popping out of her head as she takes in his appearance.

"Good afternoon, Jungkook," she replies, lacking enthusiasm, her gaze scanning him from head to toe. "What are you doing here?"

"I came to do a favor for my mom," he clarifies, and if I didn't know better, I'd almost believe him. "My mom asked Y/N to keep her company since my dad will be out of town for a few days. I came to pick her up."

"Really?" my mom looks at me, and I don't say anything, just nodding.

"It's true. My dad went to Daegu this weekend, and since my mom hasn't been feeling well, she asked Y/N to spend time with her. If you allow it, of course," he smiles calmly, and I brace myself waiting for my mother's response. I watch her weigh her options, glancing between Jungkook and me for what feels like an eternity before she sighs and nods.

"Alright, that's fine. Is your mom feeling okay?"

"Yes, she's getting better. Can we go now?" he asks, a hint of urgency in his voice.

"Yes, you may go," my mom sighs, placing a hand on her forehead. "It's a shame you're missing the service today, Y/N. Next week, you'll definitely come, okay?"

"Yes, mom, for sure," I agree weakly, clearing my throat and avoiding her gaze, still stunned that she let me go to Jungkook's house. Well, not his house, but is practically the same thing.

"Shall we go, Y/N? My mom is waiting," Jungkook says, raising an eyebrow. I nod, still silent, as we make our way toward the exit.

Some people stare, especially the older members, who seem shocked by Jungkook's appearance–too conservative, in my opinion. Somehow, the situation feels even funnier. Once we're sure no one can see us anymore, I burst into laughter, clutching my stomach. Jungkook chuckles too, exhaling as if he's just finished a tough exam and is finally free.

"Your mom is tough, huh?" he laughs. "I thought she was going to kill me with her eyes."

"Sorry," I say, still giggling a little. "She's like that with everyone."

"Even with you?"

"Even with me," I nod. "What do we do now?"

"Now, we go to my apartment. My friends have the key, so they're probably already there."

"Don't tell me they're all guys," I groan, suddenly anxious. I hadn't considered that he might not have any female friends, and I'd be the only girl at the apartment if that were the case.

"No, relax! I have female friends too. You'll like them," he assures me, walking toward a sleek black car parked across the street. I know nothing about cars, but I can tell this one is expensive. I feel out of place, acutely aware that Jungkook lives in a different world, one that's far removed from my own.

The tension in the car is palpable as we drive. The ride feels like it takes forever, the windows closed, and I'm intoxicated by his scent. I discreetly watch his large hands on the wheel, the way his long fingers tap rhythmically against the leather seat. I have to swallow hard to keep from drooling over him. I'm starving–not for food, but for him. All week, I've yearned to be near him, to touch him. I think I'm suffering from a Jungkook overdose, craving something I haven't even tasted yet.

I ponder whether he's aware of the effect he has on me, but I like to believe he hasn't noticed. It's easier that way. I breathe slowly, attempting to relax in my seat. It takes another ten minutes before Jungkook opens the gate to a condo with a small remote and drives in slowly. His car fits the place perfectly. Everything is stunning and upscale. I glance at my clothes and regret agreeing to come. Why did I say yes? I don't know his friends, and I don't know Jungkook that well, aside from the overwhelming attraction I feel toward him. What do I actually know about him? That he's a tattoo artist from Seoul? That he's rich and hasn't set foot in a church since childhood? I feel like I've walked into a situation that's spiraling out of control.

"Hey, Y/N, are you okay? You went quiet all of a sudden," he asks, concern etched on his face.

"I'm fine. Just feeling a bit strange," I admit.

"Why?"

"I don't know," I confess, omitting my paranoid thoughts. "I always feel like this in new places."

"I get that. I feel that way too," he tells me as we step into the parking elevator. I follow him, digesting this new revelation.

"You seem so confident and social," I comment, genuinely amazed. His big eyes meet mine as the elevator rises, floors passing by in a blur.

"I know, it seems that way. But in reality, I'm quite introverted. I have a small circle of friends and prefer it that way. I just fake it really well," he shares, and I find myself wanting to know more about the person behind the confident exterior.

"Really?" I ask, intrigued.

"Yeah," he nods, his expression earnest.

I try to respond, but the elevator stops on a floor, and Jungkook smiles at me, indicating that this is the right place. I feel one of his hands gently touch my waist, guiding me to a white door. I have to take a deep breath to keep from freaking out, my sweaty, trembling hands hidden in my pocket. I hear different music from the other side of the door before the place fully opens up to us.

"Hey, he's here! Finally, Jungkook!" I hear a male voice. It's a guy around Jungkook's age, I realize as soon as we walk in. His hair is a dark red, and his skin is pale and smooth. It's no surprise that his arms are covered in tattoos, drawings and phrases I can't read so far away. He also watches me closely, smiling warmly.

"Guys, this is YN, the one I told you about," Jungkook introduces me with a smile.

I turn red because there are at least seven people staring at me from head to toe. The apartment is well-kept, with dark wooden furniture. The living room is immaculate, with abstract paintings and photos of Jungkook and his family on the walls. I don't have much time to take everything in as my eyes focus on Jungkook's friends, who are strangers to me so far. Saying they're different from me would be an understatement.

They all have many tattoos and wear dark clothing. I sense an aura of confidence from all of them, but never hostility. It's as if they're very similar to Jungkook, with a completely different exterior from their inner selves. I relax a bit, smiling warmly and putting on my best expression.

"Nice to meet you all," I say, feeling a bit shy. They stand up and smile at me.

"Nice to meet you, Y/N. I'm Yoongi. That's my girlfriend, Minji," says the red-haired guy, pointing to the woman who just smiles. I offer my hand, feeling his cold skin from the beer bottle he was holding earlier.

"I'm Bora, and this is my boyfriend, Jimin," one of the dark-haired women greets me next, pointing to her boyfriend. They're a good-looking couple, the kind you see in magazines. Jimin has the brightest and most open smile.

"Nice to meet you," I nod.

"I'm Taehyung, but you can call me Tae," one of the guys says, taking a sip of his drink.

"I'm Yoori, Tae's girlfriend. Nice to meet you," she winks, making me laugh.

"And I'm Hayun, the only single one in the group," one of the girls shakes my hand, pulling me into a hug. She kisses my cheek, making her presence increasingly noticeable.

"Hayun, you're only single because you want to be, come on," Bora rolls her eyes. Hayun laughs, grabbing a snack from the coffee table.

"I like being single, except when I'm surrounded by couples. Especially couples like you guys."

"Do you have a boyfriend, Y/N?" Jimin asks. Embarrassed, I shake my head.

"No," I reply. They seem surprised, making noises with their mouths.

"But Jungkook is single too, right?" The guy with dark hair says, drinking his beverage. I thinks his name is Tae, if I remember right.

"And I want to keep that way." Jungkook replys.

"Of course you do." Yoongi laughs along with his friends, rolling his eyes. I remain silent, not understanding the joke. Then Yoongi looks at me and seems to notice my confusion. "Y/N, Jungkook never dates. The only time he tried, it went so wrong that now he doesn’t want to do it again."

"It was a disaster." Yoori adds, as if telling a fictional story. Jungkook rolls his eyes, sighing, but his friend continues: "he’s been avoiding relationships like the devil avoids the cross since then."

"Really?" I ask, genuinely curious.

"It’s not true, Y/N." Jungkook smiles at me. "They’re idiots."

"That’s not a lie." Minji, who had been silent until then, clarifies. "He’s been asked out several times, and he always declines. Women go crazy for him, for some reason."

"I know what the reason is." Jimin laughs mischievously, suggesting something while raising an eyebrow. I turn red when they laugh at the joke. Jungkook doesn’t contest it, too busy eating one of the snacks on the table. "But what about you, Y/N? Have you ever dated before?"

"Never." I reply. They don't look surprised this time.

"So you're like Jungkook, who avoids relationships?" Bora asks with a laugh. I feel Jungkook's eyes on me, watching attentively for my response. I shake my head, feeling awkward.

"No, actually, it's just a lack of options," I clarify, deciding to be honest. I hold my hands together nervously.

"Now you have two options," Yoongi suggests with a chuckle. Minji hits his arm trying to stop him, but he continues: "There's Hayun, since she likes to try out a little bit of everything, like some pussy and shit."

"Oh!" I widen my eyes, shocked, as they laugh even more. It's the first time I've seen someone speak so openly like this. Embarrassed, I look at Hayun, but she doesn't seem to mind the comment, laughing with the others.

"Who would be the other option?" Taehyung asks his friend with his trademark grin.

"Our friend Jungkook, obviously," Yoongi clarifies, and I choke on the answer, coughing uncontrollably.

They laugh even more, watching me nearly suffocate from the joke. Jungkook pats my back, smiling widely. His thumb caresses the skin of my arm, waiting for me to calm down. We're so close that he inadvertently wraps one of his arms around my shoulder. I'm shocked and even more unsettled. For me, physical contact beyond my mom is rare. Hugs, affection... I'm just not used to it.

"Are you okay?" he asks amidst his friends' chatter. I nod, staring at my hands. "Sorry about Yoongi; he always makes these kinds of jokes. He doesn't mean any harm."

"It's fine," I assure him, feeling awkward, unable to look into his eyes. "I actually liked everyone."

"Really?" he asks, bringing his nose close to my hair. My whole body shivers as I realize he's smelling my perfume, giving a satisfied smile when he pulls away. "Good to know."

I stay silent, feeling his warm breath near me. Jungkook removes his arm from my shoulder, but his skin still brushes against mine when he takes off his heavy jacket, leaving him in just a T-shirt. His friends are fun and involve me in the conversation, making me feel comfortable, but the truth is that having Jungkook so close drives me crazy and I can't pay much attention. I wonder how long I'll feel this way about him. Will this strong effect never go away? This is the third time we've met, but something tells me that no matter how many times I see him-be it two times or a thousand-my heart will always race whenever he gets close and smiles at me.

I don't even notice the time passing and only realize it's late when Yoongi, Jimin and Taehyung offer to take their girlfriends home, along with Hayun, who complains about not having anyone waiting for her at her apartment. Everyone leaves until only Jungkook and I remain. He promised to take me to his mother's house if I wanted, but I'm hesitant to ask as it's quite likely Mrs. Jeon is already asleep by now.

"Y/N, do you want me to get a towel for you?" Jungkook asks, tidying up the living room. I'm confused, picking up some empty soju bottles his friends drank to throw away.

"What do you mean?"

"You're not going to stay here?" he asks, furrowing his brow.

"Not really?" I laugh, then realize I might have been a bit rude, so I rephrase my response. "I mean, I don't think so. I don't want to be a bother."

"It's no bother. If you want, you can take a shower in my bathroom and sleep in the guest room." He offers with a smile. I bite my lower lip, unsure what to decide. I want to stay here, but it's just him and me now; is it really the right thing to do? It doesn't matter, Y/N. Just for one night.

"Okay then. Do you have a toothbrush, please?"

"Of course I do. Come with me, I'll get the stuff for you to use the bathroom." He calls me with a smile and walks down the long hallway. We pass by a few doors until we reach his room. My throat goes dry as my eyes scan the new space. His bed is large and covered with a dark gray blanket. The walls are white and everything is very organized, with a laptop next to the wardrobe and a fluffy black rug on the floor. His scent is everywhere, almost as if I'm breathing him. I clutch my hands together nervously about being alone with Jungkook in such an intimate space. He reappears after going to the closet, holding a white towel and some cotton clothes.

"You can take a shower in my bathroom while I use the guest one," he says, placing the items in my hands.

"Jungkook, that's not necessary..."

"Don't worry. I want you to be comfortable." He says before I can argue. His satisfied smile makes me not deny it again, happy to receive so much care from him. I just nod, agreeing. "The toothbrush is in the cabinet by the sink, in the package. You can open it, okay?"

"Okay, thank you very much." I smile before he walks down the hallway. I head to the door leading to the bathroom and sneak into the new space. I start thinking Jungkook has no flaws.

The place is as clean as the rest of the apartment, which makes me curious; does he clean everything himself, or does he hire someone to keep it tidy? I slowly take off my dress, grabbing my phone to text my mom and let her know I'm okay. I feel bad for lying, but the night was so good that I can't truly regret it. If I had to lie, to meet these same people, I would do it again. Thinking this surprises me, because just a few hours ago, I didn't think this way. The shower has a strong hot jet of water that massages my whole body, and it's so good that I have to convince myself to finish the shower and put on the clothes, trying to be done before Jungkook.

I brush my teeth quickly, smelling my skin that's still male fragrant with the liquid soap. I smile at myself in the mirror, brushing my hair with my fingers, trying to manage the unwashed strands. I open the bathroom door carefully, trying not to make too much noise and disturb the neighbors at this hour, when I see Jungkook again, this time only in a towel. I hold onto the doorframe, barely able to stand. A voice in my head tells me I shouldn't be watching him naked again and that I should turn around, go back into the bathroom, and pretend nothing happened, but I can't. I simply can't anymore. His muscular, wet back is in my field of vision as he searches for clothes. At that moment, my brain turns to mush and I decide to say what's been stuck in my throat.

"You're doing this on purpose, aren't you?" I muster the courage to ask him but I regret it immediately. What the hell am I doing? Jungkook turns slowly and the view from the front is a thousand times better than from the back. His whole body glistens in the light of the room, and his tattoos have never been so vivid. His body is muscular, virile and strong. I gonna lose my mind! Feeling new sensations I've never experienced for anyone before.

"Y/N?" He whispers my name with that soft voice he used when we first met. He doesn't seem surprised or embarrassed, which makes me even more unsettled.

"You're doing this on purpose, Jungkook?" I ask again. I have no idea where I got such courage and I don't know how long it will last. My heart feels like it's going to leap out of my chest. My whole body is on edge and sweating. I feel my hands trembling as I swallow hard. "You're trying something? I mean... you're not wearing clothes again and..."

"What do you think, Y/N?" he retorts suddenly, with a hoarse, deep voice. His eyes wander from my head to toes, as he raises an eyebrow along with his piercing, with a smirk at the corner of his mouth. My legs turn to weak twigs immediately, ready to collapse.

"I-I don't know." I stammer as he takes one step, then two and three, getting closer and closer to me.

"When I arrived from my trip to Busan, on the first day, I was tired and exhausted," he tells me, taking another step. I start to run out of breath, anxious and aroused. My cheeks flush as he speaks more slowly. "All I wanted was to rest and sleep the whole night, but that night I couldn't, not for an hour. Do you know why?"

"N-no..." I moan softly as his chest presses against mine. His warm, wet skin makes contact with mine, and I no longer know where I begin or end, pressed against his body. His pink lips curl into a wicked smile, as if he knows exactly what he's doing to me and it's all intentional. I shiver as his free hand moves up my wrist and grips the back of my neck firmly, making my eyes focus on his mouth and then his dark, deep eyes.

"A woman, next window, taking off all her damn clothes, completely shameless," he growls, pulling my neck closer to his face and pressing his lips to my ear. My spine tingles as I feel his teeth on my earlobe, in a bite that doesn't hurt but damn, it makes me shiver. My body contracts once and twice, and I know exactly what I'm feeling now: desire. The kind I feel occasionally when I try to touch myself alone and can't reach climax. The feeling I only have when I'm alone and confortable in my bed, trying to use my imagination even with the lack of real experience, but this is real, and it is infinitely better than what my mind could create.

"It was an accident, Jung..." I try to say, but my voice doesn't come out. The tip of his nose travels along a sensitive spot behind my ear, one I didn't even know existed, slowly moving down my jawline, discovering new paths. His hand tightens around my waist, keeping me in place, immobile.

"It may be that you didn't notice, Y/N, but I know you were watching me, even while I was undressing, even when you had every opportunity to stop." He argues with a smile, as someone who knows what they're doing and enjoys seeing the result. "And you know what's worse...? The worst thing is knowing the effect you have on me. From the first time I saw you in my house, with your innocent and curious eyes. I can't get you out of my damn head. Your mouth, your scent..."

"J-Jungkook... please." I beg, closing my eyes tightly. And I know what I want. I want him, since the first time I saw him. Since my eyes met his, I desired him so strongly that I couldn't think straight. He pulls away just a little, and I almost moan in a plea for him not to go. He sighs, pressing his forehead to mine.

"Can I kiss you, Y/N?" he asks in a very soft voice, and I nod because, despite all the things I believe in–God, hell, heaven and even my mother–nothing has ever been as adored as Jungkook. Since I met him, inexplicably, I only think about him, like a spell unable to contemplate of any other answer besides yes. I look at his eyes as they travel to my mouth, and I lower mine to his, exhilarated by that pink that only exists in him.

I move closer, my lips almost touching his, feeling the warmth of his breath. "Just kiss me, please." I murmur scared of what I'm doing; temptation clear in every word. And then he does.

Ask for a TAGLIST in the comments.

@ane102 @ttipa @joonwater

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autistichalsin · 16 hours

Text

My chapter-by chapter analysis of The Hunger Games, chapter 1

Disclaimer: this and all future chapter analyses will contain spoilers for all the books.

What really strikes me about this chapter is what a masterpiece it is; a masterpiece of foreshadowing, establishing moments of characterization, worldbuilding and more, all without ever feeling like we're actually getting infodumped on. This is accomplished with Katniss's stream-of-consciousness storytelling. I've heard it criticized so much, but even aside from the very salient point that it fits her characterization as an emotionally stunted, traumatized, poorly-educated teenage girl, it still helps the story in moments like this. We feel Katniss's inner chaos, and it makes the story that much more immersive.

On to the spoilery part of the analysis:

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress.

There was a post, a while ago, that I can't find but wish I could. In it, the OP talks about how Prim is literally doomed by the narrative, not "heavily foreshadowed death," but literally doomed by the narrative, and this paragraph is the first sign, because Katniss reaches for Prim and feels emptiness instead. And re-reading this, I agree. The first thing we see Katniss do is reach for Prim, and find nothing. This time, it's temporary, but by the end of the series, it won't be. We've been warned, even if we don't realize it yet: Prim is doomed.

Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Katniss loves her sister and will do literally anything for her. Katniss also has no moral qualms about drowning kittens. With just one paragraph, we learn what a simultaneously harshly practical yet beautifully caring, loving person Katniss is. She has no room in her life for useless things like pets, and drowning strays probably helps the people of 12 in the long run by leaving vermin to be eaten by those on the verge of starvation. But her sister wants to keep Buttercup, and so she will. Katniss will sacrifice anything to keep Prim happy.

Foreshadowing. Prim is doomed.

Entrails. No hissing. This is the closest we will ever come to love.

STILL more foreshadowing, for different themes: both for one of Katniss's biggest complexes (I'll get into details about this later) and for the theme of love. Katniss doesn't truly love anyone but Prim. Her entire world, we know, is going to be shaken when she does finally feel that for someone else again. Once again, we are being introduced to the recurring themes of love vs practicality and the classic question, "how much pain is love worth?"

Katniss is going to answer this question again and again: for Prim, there is no amount of suffering too great. For others... she'll find different answers. Eventually.

My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

The first hints of Katniss as a deeply traumatized girl emerge. Sometimes, when you're traumatized enough, thoughts can segue into The Event with no warning, just by proximity. And through the combination of blunted language and stream-of-consciousness leaps, we can see just how broken this has left Katniss. Unfortunately, this is only the start of Events for her.

My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers.

A brilliant bit of worldbuilding. The Peacekeepers are working off of deeply corrupt laws, which they ignore because they too are being mistreated and systematically starved, even if they aren't as at risk as the people of 12. The system doesn't care about the very same people it safeguards to enforce its rules. This is the first hint we get that the system isn't sustainable, and it comes before we even fully understand what kind of hell this government is.

The theme of "bread and circuses" is going to be hammered down to us again and again that this is how tyrannical governments, including this one, pacify the masses. But when only the bourgeoisie are being given the bread and circuses, well.... the proletariat aren't going to take it forever.

The book hasn't shown itself to be the anti-capitalist masterpiece it is yet, but this is the first hint that we're reading a tale of class warfare.

“District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

I have seen criticisms that this is an egregious case of showing and not telling, with Katniss constantly talking about the dangers of badmouthing the government while never facing them. But in truth, it's the opposite. Yes, Katniss hasn't been caught despite repeated statements that she could have, but we'll learn, here and in future chapters, that 12 has been receiving a sort of tradeoff with other districts; their more severe poverty places them below notice. No one thinks them capable of causing real trouble, and even their district specialty- coal- is later proven to be basically useless, busy-work. So they get ignored... for now. Until the oligarchs start seeing what the proletariat can actually do and crack down all the harder to ensure they keep their cheap labor.

Are you seeing the resonance with the real world yet?

Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

Here we see the dual themes of parentification and sacrifice. Katniss will be the adult, even though she ISN'T an adult, for her sister. She will keep quiet on things that hurt her, and upset her, to set a better example for her sister and keep her from getting hurt. Prim gets to have the normal and safe childhood Katniss never had, because Katniss has invested everything into ensuring she does.

We are taking a step up the ladder of self-sacrificial acts, here. In other words: more foreshadowing. Katniss will give everything for Prim. Prim is going to die, because Katniss is going to lose everything she cared about in the process of protecting everything she cared about.

In the woods waits the only person with whom I can be myself.

Katniss can't be a teenage girl. She has to be Prim's mom. She has to be tough. She has to be a provider. She has to be a trader. An advocate. She so rarely complains about it, too. But it shows here just how much she's given up. Only one place, and one person she can be herself with, and yet...

Gale.

Isn't this ironic. Because we are about to see, throughout the entire series, that this day is going to be the last time Gale actually lets Katniss be herself (and even here, there are strong hints that Gale wants Katniss to be something very different).*

*Disclaimer, because it seems important: my opinion on the Katniss/Gale vs Katniss/Peeta ship war is "team nobody." I think both of them were very bad for her in different ways. Any comment I make that seems like it is favoring one ship or the other... isn't.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me.

Maybe I'm overanalyzing, but I feel like this sums up the Katniss/Gale relationship so much. Katniss tries to speak, and Gale doesn't hear or understand her. Gale projects something onto her, and Katniss rolls with it. Sure, in this case it's a cute nickname, but it represents so much more to me.

Gale doesn't understand Katniss. Fundamentally. He understands the Katniss he wants to exist. The one who will run off with him and play house in the woods and indulge his little fantasies. He doesn't know very much about the real Katniss, at least as long as he's looking at her through a romantic lens.

“Look what I shot.” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh.

Despite what I just said, I do love Gale and Katniss's friendship, and it breaks my heart that their friendship was as doomed as Prim. (Hint. Hint.) Katniss needed someone who understood the unique pain of parentification due not to abuse, but poverty- the kind where you aren't 'allowed' to feel angry at anyone within reach. Which is the worst kind of injustice. Getting mad at someone who harmed you is one thing, but getting mad at a system you can never (... yet) hope to change is different.

She must have really loved him to leave her home for the Seam.

It's said in a casual and sort of admiring way here. But Katniss is going to learn firsthand about the intersection between love and sacrifice. With the generational mirroring as a theme, especially between Katniss and Peeta, we're being given more foreshadowing that Katniss has self-sacrifice "in the blood."

I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type.

Another little glimpse into Katniss's pain and trauma. Her mom wasn't there when Katniss needed her most, and Katniss and Prim both almost died as a result. It wasn't her fault, and we see later that she regrets it deeply, but this still leaves scars. Your parents, above everyone else, are supposed to protect you. Katniss's mom didn't, Katniss nearly died, and because of that, Katniss had to sacrifice what remained of her childhood to become Prim's mom.

Katniss and Prim's relationship never goes back to just normal sisterhood after this. From the moment Mrs. Everdeen's trauma rendered her catatonic onwards, Katniss and Prim's relationship was infused with a mother-child dynamic that never left, not even when Mrs. Everdeen became well again.

It's so painful, all the more so because it's so real. I lived this with my little brother, albeit with stakes maybe 1% this high, when my mom became an alcoholic and my dad was too busy just trying to survive to really do anything. I was the one to take care of him emotionally, to show someone cared, to provoke my mom's anger so he wouldn't be hit, to make sure homework got done and he didn't skip school (I failed. Badly.) He still considers me more his parent than either of our parents. It never really goes away, even when you're both adults; that overdeveloped feeling of responsibility stays with you. Always.

And the worst part of it is when the parent who made you have to do this decides, on their own, that the time is right for them to come back. Katniss's mom is far more gracious about it than my own. She at least understood Katniss's pain, and didn't try to force the role on her; it happened only when Katniss was ready. But that too, as we'll see in a minute, was painfully real for me.

“I never want to have kids,” I say. “I might. If I didn’t live here,” says Gale. “But you do,” I say, irritated. “Forget it,” he snaps back. The conversation feels all wrong.

Once again, a hint that despite their sweet friendship and similarities, these are two tragically, fundamentally incompatible people. Katniss is in too much pain to think of ever having a family, and Gale is in too much pain to think of not ever having one. Katniss wants to survive the way she always has (which she doesn't realize isn't her destiny yet) and Gale wants to flee and survive literally any other way.

Both change in the end, but the underlying incompatibilities in their life approaches are still there.

And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. [...] Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

A few very interesting things are happening here. One, we're getting another hint, first dropped during Katniss's thoughts about Buttercup, that Katniss has a pathological inability to believe others actually like her- romantically or otherwise. Part of it is low self-esteem, part of it is putting Prim on such a pedestal that Katniss feels she can never live up (and giving her more self-esteem issues) and feeling like anything she attributes to herself might take away from Prim, and part of it is just raw cynicism. And maybe a dash or two of the feeling of permanent othering trauma gives you. Especially when that trauma involves a realization that you're never going to be able to rely on others to meet your own needs. You're responsible for your needs and your loved ones' too.

(Katniss is one of the most complex and real characters of all time. I relate to Katniss an uncomfortable amount sometimes.)

The other interesting thing is that you're getting a sense, for the first time, of how much trouble Katniss has recognizing and processing her own emotions- a very common trait in neurodivergent people. She can sort-of-understand a feeling of jealousy, but can't quite put her finger on the reason, and fitting with her attitude of relentless practicality, she decides that it's the worry of losing a useful hunting partner. Because, after all, Prim is the only person she loves, she can't care for anyone else, there isn't room for that. To care about anyone else would be to "take away" something from Prim.

Katniss repeatedly raises the question of when self-sacrifice crosses the line into self-harm by proxy. When altruistic love becomes self-negation instead. It's sweet that she loves Prim so much, but the codependence... If this is the benchmark for love for Katniss, it's no wonder that she feels at this point that she can't feel it for anyone else. This isn't sustainable.

(Prim is doomed. We've been warned.)

I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

This is going to be a recurring theme; Katniss is too impulsive and lacking a sufficient cause-effect pathway to be a planner/strategist. Gale makes the plans now; later it'll be Peeta and Haymitch.

(Also, this is foreshadowing Katniss's lack of agency. She is about to become an audience member in her own life story. She found the strawberries, but she didn't decide what to do about them. Gale did. That's about to become her entire life.)

No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier.

There is a hierarchy still, where the Peacekeepers are starving, but not as starving as the people in the communities they're sent to. Everyone is hungry, but some are hungrier than others.

Hint. Hint.

“That’s not her fault,” I say. “No, it’s no one’s fault. Just the way it is,” says Gale.

"Remember who the real enemy is." Katniss gets told this repeatedly, by Haymitch and others, and eventually she learns the lesson in time to lead a successful revoltuion.

Gale does not learn this lesson. He will end up destroying everything he cares about in his pursuit of revenge against the Capitol and anyone associated with it.

Gale would normally say that there is a huge difference between Madge, the mayor's daughter who is pampered and comparatively privileged, versus the willfully malicious Peacekeepers; the middle class are still part of the proletariat, after all. But Gale, in his pain and fear, loses sight of it and lashes out. This time, it's just words. By the end of the series, when he gets actual power, it will lead to something far more catastrophic.

Prim is doomed to die, Gale and Katniss's friendship is doomed to end in the most bitter way possible, and Gale is doomed to be his own worst enemy.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

Gale knows he's wrong to say things like that. But again, as said above, his pain and fear get the better of him, and cause pain to those around him. His normal philosophy is correct, but he loses sight of and discards it far too easily.

(Gale is going to lose everything because of his scorched-earth approach to anger.)

Also, a note: this is how the real world operates too. Culture wars to distract from class war. For an entire generation of readers, this was their introduction to the basic principles of socialism.

But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Katniss is still hung up on practicality. When she rants about the Capitol, she is, subconsciously, crying for help. But venting for the sake of venting doesn't make so much sense to her, given her stunted emotions.

Another bit of characterization I really enjoy here is the realistic teenage behavior. Yes, they're the oldest in their families, responsible for their entire family and only able to support them by hunting, and they should "know better". But they're teenagers in a fascist government, with an already extreme list of traumas and corresponding problems with emotions. Of course they're going to act irrationally at times and scare off game because they're having a meltdown- even non-traumatized teens would do that sometimes!

They're teenagers. Incredibly well-written, realistic teenagers. They don't have fully developed frontal lobes with the corresponding gifts of planning, impulse control, cause-effect relationships, and other things yet. They're more mature than most, but they're still going to behave foolishly sometimes.

Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins.

This is probably a "the curtains are blue because they're blue!" moment, but this is another bit of symbolism I enjoy. Katniss, at Prim's age, was hunting and entering the Hob. Prim is being kept alive by both Katniss and Mrs. Everdeen. She has a dress that mostly fits. She has good meals now. She is protected where Katniss wasn't. The dress represents both the sacrifices Katniss made for her and the fact that now, Prim has the adoring mother Katniss didn't have. She has two loving people looking out for her, willing to do anything to keep her safe, healthy, and happy.

(Prim is doomed.)

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. “Are you sure?” I ask.

Katniss can't comprehend her mom doing motherly things for her. Both because of the parentification, and because Katniss still fundamentally can't believe that anyone, even her own mother, actually cares for her enough to want to do anything for her. Not after four years of Katniss carrying the entire family on her back. It's incompatible with the world she's lived in for the last four years.

Katniss is painfully relatable.

I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me.

Painfully. Relatable.

What Katniss is feeling in this scene, I don't think I can describe to anyone who hasn't been there. It's relief-bitterness-anger-hope-longing-mistrust.

"Oh great, look who's finally here to help now that things are okay again and I figured everything out on my own! I want you back. I want a parent back. I don't want to do this anymore. I can't stop it. I can't trust you not to make me do it again. I'd better keep doing it so I don't get my hopes up. How do I even live without doing this? How do I live as a person and not a caretaking robot for my family? Am I allowed to do that? What kind of selfish person would I be if I did, especially now that I've seen what will happen if you fail again? No, I'm not letting you do this. I'll let you pretend to the little one because they need a parent figure and they deserve to feel normal, but me? Hell no, do you think I'm stupid? I am taking care of myself, I already learned what it costs to trust other people to see to my needs and that is not a price I'll pay a second time, thankyouverymuch. Yeah, mom I love you. I'm glad you're okay now. And thanks for doing this for me, I guess."

It goes something like that.

But I digress.

In just this paragraph Katniss expresses so much of the pain of parentification, so succinctly yet vividly that it makes my chest hurt.

I just really, really love Katniss, okay?

“You look beautiful,” says Prim in a hushed voice. “And nothing like myself,” I say.

Ow. Just... ow. She says it so matter-of-factly. Like she's just accepted it into her worldview; Prim, the embodiment of everything good in the world, is beautiful. Katniss, the leftover, the thing that exists just to take care of Prim, is ugly. That simple.

I wish we could have seen Prim respond here; surely she doesn't like anyone, even her sister herself, talking about Katniss this way? Or maybe Prim is so used to these kinds of casual self-put-downs that she's stopped trying to talk Katniss out of it.

Again: painfully relatable.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face.

Once more: Painfully. Relatable. You put so much into protecting 'your kiddo'. And then something comes along and reminds you that you're even more powerless than the useless adults in your life. It hurts. It feels like you failed. It's one thing for you to get hurt, you already know how to deal with it, but them?

Ugh. Dystopian fiction isn't usually where my inner abused and parentified child gets validated, but this series unlocked some things in my neural pathways.

Thank you, Suzanne Collins, for Katniss. I feel so seen in so many ways through her and her story.

Sorry. I know this is supposed to be an analysis, not a love letter, but damn if Katniss doesn't play my heartstrings like a fiddle.

“Tuck your tail in, little duck,” I say, smoothing the blouse back in place. Prim giggles and gives me a small “Quack.” “Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me.

Sorry, I am going to try to not repeat myself so much, but once again it just... Prim gets to be a child, because of Katniss. She gets to be a normal-ish 12 year old who makes silly animal noises and can't tuck her dress in. Katniss was fighting for her life and trying to find food. And of course it's not Prim's fault- I love Prim. But there's something just so painful about this contrast. Katniss had her childhood stolen from her, first by the tyrannical government she lived in, then her father's death, then her mother's mental illness, and finally the needs of a child she never should have been responsible for.

It's no wonder Katniss spends so much of the series in that emotional state abused, neglected, and traumatized children know all too well. You're simultaneously precocious and childish. Too grown-up one minute and acting like a child the next. Katniss never got to experience linear growth, and her psychology sure as hell shows it.

Painfully. Relatable.

Also, yet again: Prim. Is. Doomed. She's the most important thing in Katniss's life, the rationale for every decision Katniss makes, the reason she gets out of bed in the morning. The one person who makes Katniss's life worth living. Precious, sweet Prim, who retains her innocence and kindness in a world that aggressively stomps out both, is doomed by the narrative in every possible way.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker. The space gets tighter, more claustrophobic as people arrive. [...] I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

When you're a child, you can't comprehend something awful happening to your parents, because your life experience just hasn't shaped yet to show you that it's even possible. You don't understand that it can happen.

When you're an adult, you can't comprehend something awful happening to your child, because your life experience has shaped to show you exactly how it's possible. You know exactly how it can happen, so you can't believe that it can actually happen.

Katniss is at a stage of her life that would already be transitional in normal circumstances, where she'd start contemplating mortality- but she's already dealt with it for years.

Her own death doesn't scare her anymore. Her sister's scares her so much that she doesn't even think it's a possibility. After all, everything she's done for the last four years of her life has been for Prim. To keep her alive and give her the childhood Katniss lost suddenly and traumatically.

Prim is doomed.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.

We got hints of apathy and cruelty before, but now the curtain is, for the first time, being peeled back. This isn't a system built on simple oppression. It's a system built on raw sadism.

It's another sign that Panem isn't sustainable. People can endure a lot of cruelty when their loved ones are hostages, but there are limits. When those limits get pushed (hint), something will have to give.

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others.

Bread and circuses. The poor give labor (food) and entertainment, and the rich receive them. The rich live sequestered lives full of privilege, yet ultimately just as much under the thumb as the tyrant as anyone else. But still supporting the system because they lack the empathy to want change when they benefit from the status quo more than they would from a new system, so they think. They are simultaneously disgusting and pitiful.

Like the comfortably wealthy Trump-supporting boomers we all know and loathe.

The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food.

Our very first, incredibly subtle hint, that winning the games might be even worse than losing them. The first time reading, of course, you'll take this at face value. Later, though, you'll think of this and realize it was all only mockery and isolationism, a way of guaranteeing that the victors would be scapegoated by their District, ensuring they would never find companionship again even if their trauma didn't prevent it. And they can't complain, because, after all, they now have a life of comfort.

So many things are intersecting here; class warfare (Victors being an allegory for "temporarily embarrassed millionaires" and the American Dream) and the isolation of trauma and mental illness and more.

But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

Katniss so rarely worries about herself, only those she cares for. Again; her own mortality is okay to her. It's those she protects she can't let this happen to. But since she can't even bear to face the possibility of Prim being chosen (Prim is doomed) yet, she focuses her feelings on Gale, not only worrying that he'll be picked, but worrying that he will be upset that she might be. She only spares thoughts for herself for a few brief seconds, in the next paragraph.

Katniss gets accused of being selfish so many times, but it's notable that those moments only happen once she volunteers to go into the arena, once her survival depends on a bit of selfishness. Before then, she's one of the least selfish people in the entire series, and I'd argue that even at her worst she doesn't count as truly selfish. She's a teenager trying to survive and return home to her family, not a toddler who won't share toys.

I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

But, of course, even when you are theoretically okay with dying, being faced with the actual thing will still inspire terror. So for just a moment, Katniss lets herself lapse into worry about herself.

For just a moment, she thinks about herself- and just that fast, Prim is placed in danger.

(This is how Prim will die too, by the way; being put in danger the one time Katniss is focused on something other than her. Prim is doomed.)

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me. It’s Primrose Everdeen.

The unthinkable has happened, and Katniss's life has been changed forever.

And even though she can save Prim this time, it's only temporary.

Prim is doomed. Nothing in the world can prevent it now. Prim would die in the arena, but by going instead, Katniss has put herself in a position where any and all actions she does will spark a revolution that gives her a Pyrrhic victory.

There is no version of events where Prim lives.

Prim is doomed.

#katniss everdeen #thg #the hunger games #hunger games #primrose everdeen

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