#I will turn this episode into something I love even if I have to take the raw concepts back to the drawing board and start from scratch

[wilcze-kudly]

Thoughts on…

https://www.tumblr.com/miss-sweetea-pie/731463633376313344/zutara-lens-vs-kataang-lens?source=share

Is it fair to even mention Zuko seeing as Katara never had feelings for him?

Honestly, I find it kinda funny that OP is sorta telling on themselves by seemingly primarily viewing Jet's storyline through a shipping lens, a stepping stone for Kataang or Zutara.

But sure, let's go with this narrative.

OP claims that Jetara could be seen a foreshadowing to Zutara, as they say that Zuko ans Jet have some similarities. And I suppose that can be true on a surface level. As OP says: Rugged teenage boys with traumatic back stories. But franky, other than being mildly edgy and also having been through some sort of trauma, there's not much there.

In fact, if you compare Aang and Jet, I think you'll find many deeper similarities than just "bad boy with questionable morals".

Aang and Jet have both experienced great loss at the hands of the Fire Nation. Aang losing his entire people and Jet losing his parents and village, presumably leaving them both alone in the world and with a lovely case of survivor's guilt to boot.

Jet and Aang are both kids who were forced by the war to take up positions of responsibility over their fellow victims. Aang, of course, being the Avatar and being fated to end the war. While Jet takes up a leadership positions, persumably gathering kids orphaned and hurt by the Fire Nation, leading them and keeping them safe, while also fighting back. Let's not forget that the reason Jet decided to flood that city was because the firebenders occupying it were planning to burn the forest Jet and the Freedom Fighters resided in, forcing them out and putting them in danger.

We also see a very sweet parallel of Jet encouraging Katara's confidence in her waterbending skills, which is something Aang does on numerous occasions, showing us exactly what affection Katara values in a potential partner and that both Jet and Aang not only believe in her skills, but also intuit her needs.

This is why Katara fell for Jet and why she fell for Aang. They're both protectors and heroes of the people, they're both victims of the Fire Nation who chose to stand up against it. They're revolutionaries, rebels, downright rabble-rousers. They both value communities, and do their best to uplift and defend their fellow victims, something Katara does as well. And they both connect with Katara over not only encouraging her in her own abilities, but also in their shared trauma, which leads me to my next point.

Aang works so well paralleling Jet, because both Jet and Aang were written and posited to parallel Katara. This aspect of Jetara is one OP completely neglected to mention, I suppose due to the fact that it doesn't hoist up Zutara as a ship.

Katara and Jet connect over their trauma very early in the episode, and I think this is where Katara's interest in Jet due to his role as a Freedom Fighter turns to a genuine connection over shared trauma.

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever. Katara: Sokka and I lost our mother to the Fire Nation. Jet: I'm so sorry, Katara..

Katara, Jet and Aang share many similarities, which is why I suppose these two boys were Katara's only explicitly confirmed love interests. Just like Aang and Jet, Katara is community oriented, a voice for victims and the marginalised, a fighter for the good of the people.

Seeing these parallels almost makes me wonder if the design team took this into account when making Jet's design colours mainly blue and orange, colours assvociated with Katara and Aang. Though Jet's colour palette is more muted and darker, perhaps signifying the erosion of his morals due to his trauma.

Jet goes astray when he begins to value the fight over the people he is fighting for, something Aang and Katara actively go against, prioritising human life and their moral integrity.

Atla explores the concept of victimhood and how it affects our morality in various ways, especially when it comes to victims of war. The particular focus of this theme is Katara, as we see the writers often connect her to victims who lost that morality, in order to showcase her character. Hama and Jet both serve as excellent foils to show what Katara could've been if she wasn't as kind and compassionate as she is. The crowning jewel of this storyline for her being, of course, the Southern Raiders, which bears callbacks to both Jet and Hama.

But as much as I want this post to be about Katara, OP has other plans, so let's go back to their arguments for Jetara foreshadowing Zutara.

OP makes an argument about how both Zuko and Jet break Katara's trust, testing her charcter, which is a good point, albeit they conveniently omit Hama from the circle of people who connected with Katara over shared trauma and then betrayed her trust.

Can't imagine why. Is it because Hama isn't hot, isnt it? Op doesn't fancy a nice morally compromised gilf, I suppose. 😒 we used to be a proper country.

OP also claims that the show portrays Katara as too trusting, and even claims that the shows message in Jet's case is, in their words: So from a k.ataang lens it leads more towards the lesson that katara need to stop letting these “bad boys” break her heart, “dumb girl your too trusting just give the sweet guy a chance”.

Which is quite the claim, since I actually really enjoy that Katara is never portrayed as being in the wrong, or 'dumb' for trusting Jet, Zuko and Hama. In fact, the three of them are made to look like assholes for taking advantage of her.

The thing about Katara's trust of Jet, Zuko and Hama isn't that it comes from a place of foolishness or naiveté. It comes from empathy and connection. She connects over shared pain ans trauma with these three and she wants to make a connection to alleviate their pain. It just so happens that Zuko is going through his disaster boyfailure era, while Jet and Hama are morally compromised by the horrific events that brutally formed their mentalities.

Anyways, to wrap this point up, can Hama be an honourary bad boy too I think she deserves that

Another argument of OP is that Jet's death could foreshadow Zuko almost dying in the finale and that is could teach, in their words: how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love.

Now, this is interesting, because Jet's death very clearly connected to Aang's actual death and then ressuraction via Deus ex Katara. However, unlike the theme of pure romance OP proposes in their post, the canon storyline uses these events to feed more into Katara's personal development and stoyline, that of her fear of loss and helplessness, on which I elaborate here:

That is not to say that this storyline doesn't affect Katara and Aangs romance, but I like that the main focus is Katara's meantality and trauma. Because the thing with Katara and Aang's storylines and development is that they intertwine and feed into each other but aren't overshadowed by their romance.

OP continues to speculate that the jetara storyline through a kataang lense is that "bad boys" will break Katara's heart and that she should just "give the nice guy a chance".

I find this a gross twisting of the nature of multiple characters, relationships and storylines.

First of all, reducing Jet to a "bad boy" is fucking demeaning and kinda disgusting. He's not an edgy boy who smokes in the school's bathroom and rides a loudass motorcycle. He's a traumatised child soldier, caring for other children and desperately trying to stop the advance of an army that already has like 3 genocides under its belt. His morals getting messed up in the process doesn't make him a bad boy, they make him a realisitic victim. A kid who tried his best but became misguided.

In the same, paragraph, OP also claims that, despite the message of the show being that everyone is capable of good and evil and that everyone deserves a chance, because people are complex, Jet is not afforded that dignity and understanding.

AND LET ME TELL YOU LET ME FUCKING TELL YOU

That was upsetting.

Because Jet's redemption was shown so wonderfully and symbolically, to the point where sometimes it makes me more emotional than Zuko's.

In B2 we see that Jet has left the forest (persumably bcs the firebenders did burn down the forest) and his entourage has shrunk to just Longshot our trans queen Smellerbee 🏳️‍⚧️. We are told that he is looking for a new life in Ba Sing Se. So far so good.

It seems that the Gaang intervening with his plans has definetly made him rethink his actions. And he's looking to start a new, kinder life. Even going so far as to remove himself from the fight against the Fire Nation, something he had previously been so passionate about, perhaps because he recognised that it brought out his uglier side. Hell yeah we love a king who can recognise his flaws and strives to better himself.

Jet: I've done some things in my past that I'm not proud of, but that's why I'm going to Ba Sing Se: for a new beginning. A second chance.

Despite not being on the frontlines anymore, he's still a hero for the people, straling food for the ferry passengers from the greedy captain. Noice. He immediately takes an interest in Zuko, assuming as many, that Zuko was a victim of the Fire Nation like him, due to Zuko's scar.

Jet: You know, as soon as I saw your scar, I knew exactly who you were. You're an outcast, like me. And us outcasts have to stick together. We have to watch each other's backs. Because no one else will.

I find this SO endearing because atla places such emphasis on the connections and solidarity between victims. And Jet is no exception to this, having taken so many children orphaned by the Fire Nation (or just orphaned as seemed to be the case with the Duke) and also connecting over being hurt by the Fire Nation with Katara, the same way he thinks he is connecting with Zuko. (Jetara and Jetko should parallel each other actually instead of Jetara and Zutara)

Now things turn south when Jet realises that Zuko and Iroh are firebenders, which while showcasing that Jet's need for redemption hasn't healed his trauma (not surprising) around the Fire Nation, I can't really blame him. Like, he's seen the worst of what firebenders can do, why on earth would he stand by and let them infiltrate the city that refugees flock to in order to escape the war. And yeah he sounds like a raving lunatic, but he is right. Zuko and Iroh are firebenders.

From then on, Jet is used as a pawn by Long Feng and the Dai Li, but he still does his best to help the Gaang, seemingly holding no grudge against them for ruining his plans of mass murder.

We see a nice lil trauma flashback of Jet's childhood trauma, giving us a tangible illustration of his motivations and pushing us to sympathise with him. We see him and Katara share a sweet moment as she literally alleviates the pain of the memories. This scene can not only be read as romantic but as another example of solidarity and support between victims in atla.

But it's in the bowels of Lake Laogai, as Aang and Jet face off against Long Feng, that we see the symbolic redemption for Jet really come to its crescendo.

Long Feng, compels Jet into fighting Aang, directly paralleling Aang and Jet's previous battle in the Jet episode. Aang is trying to solve the situation peacefully, even while Jet is trying to hurt him.

Aang: Jet, it's me, Aang! You don't have to do this! Long Feng: I'm afraid he no longer has a choice.

[...] Aang: Jet, I'm your friend! Look inside your heart! Long Feng: Do your duty, Jet! Aang: He can't make you do this! You're a Freedom Fighter!

And I can't not think how the brainwashing pushed Jet into an almost identical situation as his grief and anger did all those years ago. It's a decent comparison, I suppose. Both stem from a painful, stressful situation, influence his actions, pusging him to do things against his usual morals, turning him away from the caring, idealist Freedom fighter he is.

But this time, Jet breaks through the thing clouding his mind. He remembers himself. His trauma, his friendship and care for the freedom fighters and his connection to Katara. He sadly pays the ultimate price for this.

And while I dislike this plot point, because as a rule of thumb I dislike when a character gets a redemption arc and immediately dies or redeems themself by dying, but I can appreciate this scene for how it defined puts a lot of care into showing us the change in Jet, his perception by the gaang and his role in the story.

Katara tries to heal Jet, but is pessimistic(in the commentary of this episode, it's mentioned that there could be a few explanations as to why she didn't use the spirit water.) Here, Jet urges Katara and the Gaang to go find Appa, leaving him to essentially die.

And it's as the Gaang leave, we can compare the ends of the two Jet storylines. In Jet, the last time we look upon Jet's face, it is twisted by anger and rage. In Lake Laogai, he wears a sad, but reassuring smile, and somehow looks at peace.

When Katara first had to leave him in Jet, her expression is one of betrayal and disappointment. In Lake Laogai, she looks to be preparing to grieve, almost as if she were trying to hold back tears. She's conflicted and sad in both scenes, but for different reasons, showing how Jet has redeemed himself in her eyes.

Where in Jet, we leave Jet disgraced and in turmoil, in Lake Laogai we leave him dying, yes, but also a hero, kind and brave, and free. And I like to believe that the second is the real Jet.

Ok this just turned into me gushing over jet, but I think this was important to highlight the significance and uniqueness of Jet and Katara's relationship. Presenting it as "the proto-Zutara" is a disservice to this complex, heartwrenching storyline. And that was kinda gross of OP. Shame on them.

I also think OP is mistaken by labelling Aang as just the "nice guy" whom Katara should "give a chance to". Aang is indeed a nice, kind person and this is something that attracts Katara, because she's also a good person and she values such traits. But this is not the only reason Katara falls for Aang. Like with Jet, she connects with him over shared trauma. He enables her growth, respects her as a teacher, offers her comfort when needed, is her friend and supporter.

Katara is not "giving him a chance" their relation simply progresses very slowly and in a slightly unorthodox manner. We see that Katara has a growing crush on Aang, blushing over him and getting incredibly jealous when other girls try to get with him.

I also like that Aang and Jet are never pitted against each other and Aang is never jealous of Jet. In fact Aang seems almost just as infatuated with Jet as Katara lol (jetaang rights babey).

OP also claims that a lot of people misinterpret TSR as Katara being manipulated by Zuko and "needing Nice Guy Aang to save her". Which is something I've talked about a few times. I don't believe Zuko was consciously manipulating Katara. He was simply trying to build a relationship with her because she was very adamant on hating him. And because he didn't know her that well, he tried to help by projecting his own needs and anger over his mother's loss onto her. Which is very 16 year old boy of him.

And I don't believe Aang was even trying to "save" her. I think he was simply trying to help Katara think through her actions throughly before she did something rash that may haunt her forever.

Aang bringing up Jet also seemed more like a : "hey remember when we saw a guy betray his morals due to his grief pain and trauma despite being a kind and good person with an good goal?" Which I think is a kinda understandable thing since it happened like twice to them already. And remember that Aang has also experienced how destructive his anger can be and he knows Katara's morality and idealism well enough to know that what she is planning is way out of character.

OP tags this post with "I swear zutara gives the show so much more depth" and while I don't want to deride the ship as a whole, the themes and storylines OP gave don't really bring that much depth into the show. It simply repurposes the arcs and storylines that served to either explore Katara, or the concept of victimhood and morality into serving a romance.

Which is... fine, if that's what you consider deep I suppose. I just think it's obvious that OP had clear biases when coming up with their post. And like, biases are fine, we're writing meta about a kid's show not a fucking reseaech paper, I'd be a hypocrite if I called OP out on having preferences.

But it's obvious that OP did their darndest to present Kataang in the least favourable light and didn't even try to consider giving it a shred of anything but a cursory, critical glance.

If I were to talk about their "Jetara foreshadowing Zutara" idea with its "bittersweet lesson how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love" like they talk about Kataang, I could say (altering OP's text here):

"So from a Zutara lens it leads more towards the lesson that katara need to stop holding a grudge towards these boys who hurt and used her, “dumb girl you need to forgive them quickly cause what if they suddenly die and you realise you love them and regret it“ .

...which sounds like some manner of abuse apologism. I don't think OP had this in mind, but it just shows how easy it is to paint a benign message into something shitty if you're just salty enough.

I think that wraps this up. I can vaguely understand what OP meant, and it's a cute concept for Zutara shippers, I just don't know why Kataang slander had to get dragged in here. Since while OP seems fairly invested in Zuko, they visibly have a little issue giving thought to Katara, Aang and Jet's storylines.

Which is sad, especially in Jet's case, since he doesn't get nearly enough love from the fandom. So here's the little note from the atla cookbook that made me really emotional over Jet lol

HE COOKED FOR THE FREEDOM FIGHTERS AGH OUGH AGH

[lesbianmarrow]

augh. rewatched btvs 5x22 scene where spike & buffy go to buffy's house to get weapons before the big showdown. them having to retrieve weapons is such an amusingly flimsy excuse to have them go to her house so we can have the scene where she invites him in + he promises to protect dawn + "i know you'll never love me" speech. i love a paper-thin excuse to put 2 characters in a room together. especially when those characters are buffy and spike!!!!!!!!!!!!

it really is so striking the way spike refrains from asking buffy to let him in even though he would be perfectly justified in doing so as it's obvious that buffy has forgotten he's not allowed in. i think part of it is that he wants to make it clear that he will respect the boundaries she has set with him. but i also think part of it is that he doesn't wanna feel the pain of being rejected again, because that fucking hurt. if he doesn't ask then he doesn't have to hear her say no again. it shows how head over heels he is for her and how much he has changed since the beginning of the season, when he was challenging her boundaries so much.

spike's expression when he's walking thru the doorway......it's so endearing and some really great acting from james marsters. first surprise and disbelief, then glee which spike is trying very hard to restrain because these are grave times. and yet he can't help feeling so joyous that buffy trusts him. he glances as the doorway like he's thinking "ah yes what a nice house" which makes me laugh because it's so stupid but also sweet. i think it's him trying to play it cool and doing a not so good job of it. there's such a lightness to him - it reminds me of the feeling when you think you did something to upset your friend a few days ago and you're anxious that they've been angry with you all this time and you finally gain the courage to ask them about you and it turns out they were never angry or upset at all. the giddy relief you feel.

and then there's that little moment of tension where they're standing so close together and you think something might happen but then spike breaks off and goes to the weapons chest and starts rambling about what they should take. it's so notable that it's him who gets nervous and moves away. so different from the way he behaved with her in fool for love, getting up in her space and trying to make her admit she had feelings for him. he's accepted that she'll never love him back, and moments like this where it feels like maybe there could be something between them are too painful, so he disrupts the moment. moves away.

jumping to the end of the scene - i love that buffy is on the stairs when spike does his little speech. she's physically above him. "you're beneath me." not only that, she's ascending, just as she ascends at the end of the episode, accessing a level of heroism that spike will never be able to meet. rewatching this part, spike's expression really surprised me. when he says "i know you'll never love me," he doesn't look at all bitter or resentful. his face is open, understanding, compassionate, and thankful. because that's what this speech is - he's thanking her for treating him better than he deserves. he's so grateful for the respect and trust she has given him. it has been truly transformative, as we've seen. only he doesn't get to the actual thanking part, because he cuts himself off, saying he'll wait for her down here. i think he cuts himself off because he realizes that this isn't what buffy needs to hear right now. she's got an enormous battle to prepare for, and a sister to save, and spike's feelings simply aren't important. so he stops mid-sentence for her sake. i think we're meant to understand that the only reason he started to say this at all is that he really thinks he might die tonight and it could be his last chance to let her know what it has meant to him to be treated like a person capable of doing good.

i've focused on what's going thru spike's head in this post bc i think buffy is a lot harder to read here. which is interesting bc sarah michelle gellar as buffy is so expressive that usually you can always tell exactly what buffy is thinking. but when she's with spike in these episodes toward the end of season 5 it's difficult to tell how she regards him. i think a lot of the time even she doesn't really understand how she feels about him. their relationship is so paradoxical. she relies on him but she reviles him. she wants him around but she finds him intolerable. i might rewatch the scene again and make another post about what might be going thru buffy's head, but for now i'll leave it at saying that i kind of love how spike's feelings for buffy are crystal clear to us and buffy's feelings for spike are much murkier. spike started out as this cool mysterious antagonist, whereas buffy has always been the protagonist and we're constantly seeing things from her point of view and being made to understand how she feels. so it's kind of fun to see that flipped a little bit. and it also rings really true for me how buffy in this moment is like, i have 5 billion things to be worrying about right now, i cannot even begin to process whatever feelings i may or may not have regarding spike. and with all of that said........there really is a softness to the way she treats him in this scene. and it's nice.

anyway. these two ✌️ gonna go jump off a tall tall tower

[egophiliac]

ch 5 is coming in twsten ch5 is coming in twsten ch5 is coming in twsten (we gon die it's been a YEAR since I saw some clips and I have not emotionally recovered from the incredible deliveries by Silver's seiyuu because holy fuck) EGOOOOO ARE YOU READY TO SEE EVERYONE DESCENDING INTO MADNESS AGAIN (and a pool of tears??? MINE SPECIFICALLY)

YESSSSSS I AM SO EXCITED FOR EVERYONE ON ENG, chapter 5 is some of the most PEAK Diafamily content imo. 🤌 it's definitely my favorite part of episode 7 so far! (though 6 is pretty close...)

some (mostly) non-spoilery advice: on the hex maps, check out the non-required story cells, especially in the later parts! some are basically just throwaways, but there's some real good scenes hidden in there too that are potentially missable. 🥄 (it shows which cells you've cleared on previous attempts, so if you're low on resources and/or super impatient like me, do just the required ones to get through it, then when you're ready go back and restart as necessary to get to the others. enjoy! >:)

[starry-bi-sky]

I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.

Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.

Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.

Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.

Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.

I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.

[Okay, hold onto your hats because this is long. Naturally lmao.]

Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.

But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.

I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.

Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.

But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.

Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.

Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.

.

Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.

However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.

So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)

If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.

(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)

Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.

.

Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.

(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)

So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.

But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.

Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.

He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.

Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.

Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."

He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.

He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.

Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.

Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.

"Have you been spying on me?"

Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"

His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."

A roundabout way of saying, "I was worried".

Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.

"Why would you do that!" She exclaims, "That's way out of line, Danny."

"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."

"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."

"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"

"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)

"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."

Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.

I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.

"I know you do not like me."

"You're right; I don't."

"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."

"...That's correct."

"Good! Because I am going to ask her out."

"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"

"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"

In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."

The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.

(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)

After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.

Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.

The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.

Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.

My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.

So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.

Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.

But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.

Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"

Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.

.

Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.

Hope you enjoyed! Thanks for the ask :]

[panharmonium]

Man, these past few days...so many thoughts. About my life then, my life now. What I missed. Thoughts about what I'll never have. And what I want to have.

[quietwingsinthesky]

I think a lot about Dean and how he molds love to fit around violence and control to explain his actions to himself. I think a lot about how Soulless Sam said he needed help and Dean beat him unconscious. I think a lot about Dean believing Sam’s hallucinations lured him off and how Dean greeted him with a punch to the face. I think a lot about Dean locking Sam up in the panic room to detox or die. I think a lot about how Dean hurts Sam when he thinks he’s in danger, especially when that danger is coming from within Sam.

[dullahandyke]

didnt even touch on the sandra lynn stuff int he tags of the last post bcos if i talk about her im liable to explode. get behind me, middle-aged divorced woman proficient in archery

[vero-niche]

not to be too hopeful on main but i do believe there is an important part both kazuki/rei and misaki forgot: asking miri what she wants. the show has been very clearly saying "listen to your child, they arent dumb" in several episodes already, so i think it would make sense if miri wouldnt accept the decision made for her and decided to do something about getting back her papas

[bumblingbabooshka]

-Remembers how T’Pring looked as she watched Spock & Chapel vanish into the bathroom together after seeing them kiss on the bridge (which she knew was for a mission and didn’t hold against them but perhaps she could sense something there since they do have feelings for one another), maybe attempting to calm herself and her suspicions as she’s left alone again (and later finds she’s been left out entirely this whole time) and how she doesn’t know that Spock almost told Chapel he loved her then and there, with T’Pring in the other room waiting, and how Amanda and Sevet both think she could have more confidence in herself and how T’Pring thought that she and Spock were in this together (her holding his hand, subtly letting him know to pour slower so the tea flowers would bloom correctly, a whispered ‘well done’, the ritual is over mother) and how mere hours after she expresses to Spock how she feels: Like he doesn’t trust her, like he doesn’t care to include her in his life, how she’s trying her best to show him that she will accept him wholly, how she wants to be his partner instead of an adversary or an obstacle, after all this he’s found Chapel within the hour and is kissing her.-

[triglycercule]

This is a question related to the mtt hobbies answer that you wrote, the murder trio go around the multiverse and live in a place together, then what happend to horrortale au and horrortale papyrus? If the murder trio got to meet horrortale papyrus how would it go? (The meeting propably wouldnt end well with more canon mtt haha)

aaaaa i dont think it through to be honest when i talk about that concept. they just do. maybe horrortale's issues are already solved and aliza's already gone through horrortale and somehow fixed the hellhole (ALIZA MY GOAT PLEASE SAVE HORRORTALE I DON'T CARE IF IT TAKES 10 YEARS‼️‼️‼️) by the time that horror somehow meets dust and killer (since i dont see a feasible way that horrortale could be fixed outside of aliza or outside intervention.) or maybe he just visits from time to time. and by time to time i mean probably quarterly weekly. idk sorry i cant be bothered to think about it,,, they just do. anyways bad answer i KNOW I KNOW put the tomatoes down pls PLS

if the mtt met horror paps? horror would obviously do his little bantering thing with paps (he's probably revealing every single one of horror's embarrassing moments to them as they speak and horror's desperately trying to get him to shut up because he can tell. dust and killer are piiiiiiissed.) dust is probably like eerily calm during the whole thing. he manages to hold up a conversation pretty well with horror paps and gets along with him good enough without mentioning that theres a ghost version of him screaming asking why dust is ignoring phantom paps. meanwhile killer is mostly silent during it too probably only responding when he's spoken too. i mean like killer already doesn't like being around papyruses (papyri? papyri is so shitty i dont like it we will be saying papyruses) and then seeing horror's papyrus??? what the FUCK happened to horror paps??? sunken in eyes and cracks in his bones and those jagged teeth AND THEN THE FUCKING CROOKED SPAGHETTI????

needless to say once horror paps is gone all of them get into a biiiiig fight. dust drops the cool act because he's not gonna lose his cool around a papyrus but also he's absolutely fuming. he can tell that the changes that phantom papyrus has gone through have something to do with horror with the way that he's acting. killer is also incredibly irritated too (surpringly. being around papyruses just gets him like that) and seeing papyrus like that just gets him upset and angry. like wtf horror did you even TRY with keeping your papyrus safe??? at least killer reset his au and now papyrus is living an unharmed life (with minor concerns about killer's whereabouts but he'll ignore that for now) but horror paps looks so fucked up that there is no WAY that horror tried to prevent him from getting to that point

obviously they fight and many many many many MANY words are said about eachother's characters and the state they left their respective papyruses in. horror knows damn well that horrortale paps's state is because of him but he regretted telling paps to eat humans and neither dust nor killer knew the struggle of living with that guilt and how much he regrets it so they dont get to drag him for not trying hard enough to keep papyrus safe. dust is definitely getting some low blows here and there (but he's getting fucking assisted by phantom paps so he's got some of the deepest hitting insults) and he's definitely getting ganged up on for killing his papyrus and like. not even attempting to leave him alive in someway shape and form aside from the absolute insult that is phantom paps. surprisingly killer is winning this fight because he left his papyrus in a relatively good state. even though he's in a more emotional state than he normally is and would've absolutely OBLITERATED dust and horror in the fight in stage 2 he's actually doing pretty well. probably because hororr and dust dont really have anything to drag him on. they might bring up how something new papyrus is searching for killer but like,,,, is that really that bad compared to how they left their papyruses

[plugnuts]

Something I really liked about the new ep was the fact that sure, it was a Valentine’s episode, but it wasn’t about Valentine’s Day. Like, vday wasn’t the main plot point of the episode - it kinda just happened at the end of the episode and was the reason for why Cupid Ye was around. Idk, as someone with an iffy relationship with vday it’s honestly refreshing

[magentagalaxies]

idk why my brain decided folding laundry while listening to rollercoaster by bleachers at 11:26pm was the perfect conditions to finally process the fact that other girls is going to be finished in less than three weeks but im genuinely gonna lay motionless on the floor letting all these feelings wash over me rn????

[acoldsovereign]

SUBJECT MATTER: Old (Unprompted) Meme-Move From Old Blog // sender: @peoplcshope.

SHE ALERTED HER SLAVES ABOUT AN EXTENDED ABSENCE. She wasn't sure how long the trip would take, but she estimated the timeframe to be within a couple of hours or days. Regardless, they were to run themselves as if she was still present--in other words, they had to pretend to be self-governing. She left instructions for them written in Ancient Saiya and a translation besides it (using the Modern variant), since most of the enslaved Races lacked the throat power and necessary internal makeup to make the same guttural sounds as she. Maiz made it abundantly clear that they were to report anything unsavory to her immediately.

She could (theoretically) replace Trunks, but not her kingdom.

----

WHEN SHE FIRST SHOWED VULNERABILITY, IT WAS AGAINST HER WILL. The nightmare of the Genocide haunted her dreams; screams and shrill alarms mixed together and deafened her child-like ears, thick tears, and the raging fire within tight, narrow hallways bathed in a dangerous red light effectively made her blinder than she already was. It usually ended the same way; Karne scooped her up with her tail and blitzed through the haze of death and carnage, then bumped Maiz up in her arms when the coast was clear enough. Maiz was shoved into an escape pod with hushed promises of being brought back when everything blew over, but she didn't care about that. She banged on the alien glass (of which was red too)--crying, screaming, pleading to fight with her, to know what was going on, why everyone was suddenly dying.

Sometimes the night terrors were crueler, and she perished along with them, her corpse reduced to ash in the hallways alongside the colleagues she used to know. She would perish on Planet Vegeta instead of in the atmosphere of Planet Kokytus.

Trunks had the displeasure of witnessing her cry during the first scenario, in her sleep.

----

SOMETIMES, SHE REGRETTED TELLING HIM ANYTHING. He was determined to show her 'she wasn't alone' in regards to tragedy and loss. It truthfully annoyed her that he committed her tear-streaked face and closely guarded hardships to memory; talking about her feelings didn't come natural to her. She had no equals--no peers. Merely associates she kept close to her chest (not everything was something to be shared with the time-traveler). None of them knew half of what she willfully divulged to him--not the aliens who did her hair and nails, not the tailor who customized her armors, nor any of the owners of the shopping strips she frequented who knew her by name and supplied her with the fabrics she used to design her bodysuits. Many of her slaves didn't even know why they were subjugated, either.

Outside of him, she wasn't known to be a person. She was an oppressive force of nature. She existed for a reason--otherwise, why would she still be alive? Why would she, out of everyone else, survive? She chose her purpose: to kill and destroy and enjoy it. She was a predator. A ruthless opportunist. A mass murderer and slave-owner. A ravager of worlds and crusher of dreams and hopes. Hells, at one point, she wanted to crush Trunks' own. She still carried those sadistic desires, but in a different manner with the passing days.

The device he made specifically for her--the holorogorus-disruptor, which hid her presence from other demons and Time Patrollers--on her left wrist itched, but she ignored it. Instead, Maiz listened to him go on and on about his world and what it meant to him. Talking about herself still felt foreign and out of place, so she made sure to ask pointed and highly detailed questions to keep the topic on him and off of her. Traveling to a different Earth wasn't what she expected either. The climate was the same but different--this sun felt a little hotter, the gravity somewhat weaker. Perhaps that's why her ruddy-complexion darkened progressively as he was kind enough to give her a tour of the places most precious to him . . . ?

The texture of her hair changed as the tour went on--her spikes fell towards her face and the waves seemingly shrunk. It wasn't exactly fair to say her iconic crown of bright red became straight, but it was close. She noticed the changes too late; one third of her energy was spent keeping stock of what Trunks told her, the second third was focused on memorizing the route they took just in case anything happened. Not that they'd be lost (because he knew the way), but because depending on another person outside of herself was a steep learning curve and she was abysmally failing at it. The final third of her energy was spent watching his reactions, studying his social cues (many of her relationships up until this point were either impersonal or strictly professional), and waiting for more appropriate opportunities to ask questions to keep him talking. It was when they reached the underground lab that he was seized by memories.

Silence fell when his gaze caught upon a pictured frame sitting upon a desk next to a dimly lit computer; a blue-haired, bright-eyed Bulma wrapped in what could only be called a warm embrace by two older people with vastly different hair colors, textures and clothes. She assumed this was Bulma's origin--Trunks' human grandparents. Suddenly, his purple hair made sense. (She's seen Saiyans with his shade of blue eyes before but haven't found a way to tell him yet; mostly because she didn't want to sound like she'd been staring at him too hard . . .). Maiz heard him mention the roof but she was much too taken with the genetic diversity displayed with the Brief Family genes. It all reminded her of home, eerily so. Contrary to belief, the Saiyans weren't all black haired and dark eyed. It was a misconception, a rumor started by Frieza to make them sound like an incestuous lot. Unappealing. To lower their market value overall, to make the Saiyans easier to control and eventually dispose of.

SHE TOOK A COUPLE OF STEPS BACK, UNNERVED BY A QUEASY FEELING IN HER STOMACH.

Her dead face briefly took on an expression of pain (furrowed brows, a frown, scrunched up features) before it went away. It was quick--a blink-and-you'll-miss-it event. Finally, she was able to look away and focus on other things. She looked at Trunks first, around, then up (there was exposed wiring on the walls, the plaster was chipped, the dome was indeed un-roofed, scorch marks trailed from where the roof would've began pointed at what the cause was, etc). She did this until her heart rate slowed, until her thoughts were no longer disarrayed, until her instincts no longer screamed to destroy the remnants of whatever he could call a home. She had to remind himself he wasn't mocking her, nor was he rubbing his life experiences in her face; he was showing her shared pain.

With a small sigh and slow sway of her tail, she asked, ". . .what else is here?" The quality of tone was detached, distant. Neutral, safe and boring. Not monotone--but as if she was disinterested with it all. Alas, this was simply how she sounded for the moment. Socialization in this manner was not her strong suit.

Neither was showing genuine concern.

[sheliesshattered]

the trouble with trying to rewrite this particular episode is that the episode, as aired, is just so bad that it's physically painful to rewatch

[ohproserpine]

ii. deer dolly

part i | part ii | more | ao3

tags: fem! reader, reader is a performer in a speakeasy, human! possibly ooc! alastor so he's a bit more "tame" here, unsettling & obsessive behavior, jealousy, possessiveness, written before episode 7; may become inaccurate, unwanted advances (not by alastor), murder, graphic descriptions of injuries

As the days unfolded into weeks, Alastor remained true to his word. A routine soon formed between the two of you: he would make regular visits to the speakeasy, engage in polite conversations with Mimzy, and take his usual seat to enjoy your performance.

In time, Alastor's interactions with you grew more intimate. And one night, following the success of one of your busiest night and biggest show, he surprised you with a beautiful necklace. Pulling you into your dressing room, Alastor asked for permission to formally court you. Without hesitation, you agreed, and in a burst of affection, proceeded to kiss him within an inch of your life. 

Since then, Alastor had begun to take you on dates outside the speakeasy. He whisked you away to quaint diners, lively jazz joints, and even introduced you to his mother���a sweet woman who welcomed you with open arms.

Throughout your time together, not a single one of your performances escaped Alastor'. Why would they? For him, your shows were the very essence of color in his otherwise dull and monotonous existence. His devotion to you almost mirrored religious fervor as he attended each of your shows like an impassioned disciple in the dimly lit speakeasy pews.

Your voice became a spell, luring Alastor like a foolish sailor drawn to a siren's call. In those moments, the world faded away, and he followed the melody with an irresistible pull, captivated by thoughts of you, you, you.

Only you.

Tonight, however, was anything but ordinary.

Alastor, following his usual routine, occupied his customary spot at the pub, savoring his whiskey with slow sips from his glass. However, the comforting rhythm of the night, which he had grown used to, was broken when the band screeched to a halt, the shrill notes of the violin cutting through the air. Immediately, the pub erupted in a chorus of boos and shouts.

Alastor blinked, his smile turning strained as he noticed a man stumble onto the stage. It was clear that he was intoxicated, moving about as gracefully as a headless chicken, as he made his way towards you, nearly knocking you off your feet.

Noticing the commotion, Mimzy clicked her tongue, slammed her drink onto the counter, and swiftly rose to her feet. She rushed to the stage, the glitters on her vibrant dress catching the dim lights of the speakeasy.

“Why, I oughta—" she began to seethe, as she stomped towards the stage, finger wagging in the air. “That’s the fifth time this week, Giovanni!”

"Ah, Mimzy! Jus' wanted to surprise my sweetheart," Giovanni slurred, his thick accent muddled as he clumsily leaned into you, head tucking into your neck.

Snap.

Alastor felt a visceral reaction, something within him snapping as the glass in his hand cracked under the strain of his grip. The fractured crevices dug into his skin, and golden liquor seeped out, mixing with crimson red blood.

As a regular performer at this pub, your popularity was unquestionable, and Alastor was not entirely pleased with the attention you garnered from other men. If given the opportunity, he would have you whisked away from this place. In his eyes, your voice was too lovely for a place like this. Your talent deserved a grander stage than the confines of this tacky establishment.

“Ahah,” you smiled awkwardly, shuffling away and shrugging the man's arms off of you. “Not your sweetheart, Giovanni…”

"Are you not happy to see me, carina?" Giovanni’s voice dropped to a whisper, his hand dropping to grip you by the waist. He leaned his face in closer, and you cringed. The man's breath reeked of alcohol, and his eyes were a bloodshot red. “Come on~ I came all the way to see you.”

“Ya' can go see and do whatevah the fuck you want with her after the show!” Mimzy scowled, stomping her heels onto the wooden flooring. “Can't have a moment of peace in here. Someone get him off my stage!”

"I'll do whatever the fuck I want!" Giovanni retorted, his anger bubbling over as he lashed out, kicking the microphone stand in Mimzy's direction. She barely dodged in time, the crash of the mic hitting the floor drowned out by the screeching feedback.

"Please. Just go," you pleaded, your patience wearing thin. "Why? Why do you always have to make a scene?"

"Ay, carina, don't get bratty with me. Let's talk in the back," Giovanni insisted, his grip on your shoulders tightening as he attempted to pull you off the stage. But before he could, Mimzy's guards intervened, forcefully yanking him away.

"Hey! Get ya' hands off'a me!"

Turning around, you rushed to get off the stage, but Giovanni somehow managed to break free and extended his hand, trying to grab onto you. Panic welled up within you as his hand reached out, but relief followed when he was abruptly stopped by none other than Alastor.

"Now, now," Alastor's voice had a lilt as he held onto Giovanni's wrist, but the venom woven into each word was unmistakable. His ever-present smile stretched wide, serving as a clear warning. "Causing a commotion isn't the best way to impress a lady."

"This ain't none of ya’ business. Let go’a me!" Giovanni scowled, attempting to wring his hand out of the brunette's iron grip. Alastor merely chuckled and adjusted his glasses with his free hand, the unsettling grin still playing on his lips throughout the exchange.

"This ain't none of ya’ business. Let go’a me!" Giovanni scowled, attempting to wriggle his hand out of the brunette's iron grip. Alastor merely chuckled, adjusting his glasses with his free hand, the unsettling grin still playing on his lips throughout the exchange.

"Ha ha! Kind sir, when someone disrupts a delightful performance, it becomes everyone's business," Alastor laughed, the sound of it tinged with sarcasm.

"But I must commend you. My, that impromptu performance of yours was quite remarkable; you truly made a wonderful spectacle of yourself!" Alastor's grin widened, his mocking tone drawing out laughter from the crowd.

Then, Alastor bent down to meet Giovanni face to face, his amusement fading. 

“Though I think you've overstayed your welcome, no?” Alastor's grip tightened around Giovanni's wrist, the pressure leaving bruises in its wake, hues of purple, green, and blue blossoming beneath the skin.

Alastor's grin turned sharp. "You will leave. Now."

"F-Fuck are you gonna do if I don’t, aye?" Giovanni spat, attempting to maintain a façade of bravado despite the pain. He tore his hand away from Alastor's grip, cradling his wrist. "Ya' think you can tell me what to fucking do?!"

"Hmm. I would at least advise you to salvage whatever dignity you have left and leave. If you had even a dust of intelligence in that hollow head of yours, that would have been the first thing you'd have done," Alastor chuckled.

“Damn right. Ya ain't got no fuckin place in my establishment,” Mimzy scowled, snapping her fingers and gesturing towards the men surrounding Giovanni. “Take him away, boys!”

As Mimzy’s goons surrounded him again, Giovanni sneered, "This ain't over."

"Oh, my dear pal, I assure you, it is very much over. The lady has made her wishes very clear," Alastor grinned.

With a final snarl, Giovanni was forcibly led away from the scene, his protests fading into the background as Mimzy's guards escorted him out. Mimzy wasted no time, bustling backstage and barking orders to her staff to clean up and prepare the stage once more.

Alastor's charismatic facade returned as he turned to you, though a glint of irritation lingered in his eyes. "Apologies you had to see that, cher. Let's hope the rest of the evening proceeds much more smoothly."

"I hope so." With a sigh, your gaze shifted downward, and you spotted his injured hands. The glass he had broken earlier had left wounds all over his calloused palms — not deep, but enough to draw blood.

Concern etched across your face, and you gently touched Alastor's hands. The radio host, accustomed to your touch by now, allowed you to inspect the damage.

"You're hurt," you pointed out, caressing his skin.

Alastor met your gaze with a reassuring smile. "Ah, this is just a trifle. A mere inconvenience, I assure you! My, I've endured far worse during hunting, darling! This is hardly worth mentioning."

"But—" you began, only to be interrupted by his finger pushing against your red lips.

"Worry not, cher. I'll take care of it. There's no need to play nurse," he spoke with finality, as if this was a matter not open to further argument.

"Alright," You managed a small smile. "I am really sorry things turned out this way, Al. I didn't know Giovanni was going to show up again. He's always been like that for as long as I can remember. I told him to stop but he never does."

"No need for apologies. None of this fault is on you, darling. Though it does add a touch of excitement to otherwise mundane affairs, doesn't it?" Alastor chuckled heartily, though you sensed there was a bitter undertone to his laugh.

"Excitement? That man is a shitshow just waiting to happen," Mimzy returned and walked up to both of you, rolling her eyes. "And I thought I got rid of him for good..."

Suddenly, she leaned in with cosmetics in hand, deftly swiping lipstick across your lips and delicately brushing blush on your face. "Now come on, dollface, let's get you back to that stage."

You realize you're still on shift, but the thought of performing feels nearly impossible at the moment, especially with all this lingering adrenaline in your system. Admittedly, you're a bit shaken up, and all you want is to curl up by Alastor's side and savor the night with a drink in hand. 

"Oh, Mimzy…I'm not sure I can really perform right now, love. I feel…" you slowly trailed off, faltering under the weight of Mimzy's hardened gaze.

The blonde cooed out your name, her fingers gently wrapping around your arm, soothingly rubbing it up and down. "Dollface, you're not here to question; you're here to perform! Alastor here has been so kind to get rid of your little problem. Now, let's get back up on that stage and do what you're good at."

"Pardon?" Alastor snapped with a raised brow, his usually jovial tone replaced by a sharper edge. "Well, I don't mind in the least. In fact, I rather enjoyed putting that simpleton in his place. I'm sure your patrons can afford to wait, can't they? This poor dear is still shaking in her heels!"

But you intervened, mustering a smile and smoothing down the wrinkles on your dress while nervously tending to your hair. "Oh no, Al, it's alright. Mimzy's right. I can't just let one man ruin my entire night."

With a deep breath, you steeled yourself, taking a moment to compose before adding, "Besides, the show must go on, right?"

Alastor paused, his eyes narrowing as he studied your nervous tics. The radio host silently appraised your form for a few more seconds before eventually giving in. "Hmm, very well. If that's what you wish."

"Thank you, Al," you whispered with a smile, tilting your head up to press a kiss against his cheek. Your lipstick had left an imprint on his bronze skin, but he made no move to wipe it off.

With a chuckle, Alastor leaned back into you and returned the gesture warmly. 

"I'll take care of everything, doll," he whispered, voice low, before pressing a kiss to the corner of your mouth. "He won't ever bother you again."

Confused, you blinked up at him with those bright eyes he loved so much. "How do you plan to do that, Al?" you asked, but he ignored you, staring at you with that unsettling look in his eyes again.

Alastor suddenly raised your hand to his lips, brushing the knuckles with gentle pecks, causing your mind to blank and cheeks to go aflame. 

Tapping her foot impatiently, Mimzy's irritation grew as the display of affection lingered longer than she deemed appropriate. With a swift swat of her hand against the man's shoulder, she hissed at him. "That's enough outta you!"

Alastor smirked to himself and began walking back, seemingly satisfied with the subtle disturbance he had caused. He was such a bastard, but he was yours.

With a shake of your head and a smitten blush gracing your cheeks, you returned to the stage. The blinding spotlight enveloped you as Mimzy tossed the microphone back into your waiting hands. 

Meanwhile, Alastor reclined in his seat at the booth, his gaze fixed intently on you as you resumed your performance. The audience, having brushed off the brief interruption, eagerly redirected their focus to you.

Rabbit, rabbit! Won't you run away? Don't give the farmer all his fun today~ He'll get by without his rabbit pie. So run rabbit, run rabbit, run, run, run!

As you neared the end of the song, Alastor joined the crowd's applause, rhythmically snapping his fingers together.

Wonderful, as always.

.

Snap.

The sudden, jarring sound shattered the stillness of the forest, followed by a shrill scream that seemed to shake the trees. Giovanni's hands instinctively shot down to his ankle, where his bone had twisted in a gruesome sight that sent bile rushing to his throat. However, he had no time to inspect the damages as a rustling bush caught his attention. Desperately, the man began crawling on the ground, doing his best to move farther away, dragging mud and dirt all over his body.

"Don't give the farmer his fun. Fun. Fun," emerging from thick shrubs, Alastor sang lowly as he continued his slow advance, relishing in the fear that emanated from his prey. He raised his hand, fingers idly tracing over the red mark on your lips, and if he focused hard enough, he could still feel the burn of your affections. "He'll get by without his rabbit pie."

The dense forest around them seemed to close in, casting eerie shadows as Alastor's menacing silhouette moved closer. Giovanni, now gasping for breath, cast terrified glances over his shoulder, desperately searching for an escape route.

"So run rabbit, run rabbit, run, run, run," Alastor continued to trail after the man, his axe slung over his strong shoulders, a sinister grin etched on his lips.

Ah, it had been so long since he last pursued larger prey, opting for smaller catches like rabbits and squirrels lately. This, however, was a different kind of pursuit, and the thrill was delicious.

“It's rather unsavory to disrupt a live performance,” Alastor mused, gripping his axe and running his bandaged palm along the side of the blade. "Oh, the misery! Each performance interrupted, a masterpiece marred!"

“Though I suppose you redeemed yourself with your own impromptu circus show,” Alastor snickered, reaching down and seizing Giovanni’s sprained ankle, dragging the screaming man back toward him.

"Good show!" The radio host grinned as he pressed his feet against Giovanni's back to prevent him from escaping. Alastor raised the axe high, the glint of the blade reflecting the crazed gleam in his eyes.

"Now, let's see how this act ends."

With a practiced swing, he brought the blade down, chunks of flesh and blood spraying onto his clothing and skin from the impact. Alastor laughed as the light gradually faded from the man's eyes, his once-struggling arms and legs now falling limp.

“What a show!”

[kaaaaaaarf]

So I watched that episode of Our Flag Means Death where Ed finds the bunny and thinks it's a wolf and thought, what if Remus was a wererabbit and Sirius had no idea? Anyways, have a drabble.

Here I Am (a rabbit-hearted boy)

Hogwarts Era. 654 words. Wererabbit Remus. G.

Remus' floppy ears twitch unhappily. He had been so careful—so careful not to let his friends see the monster he becomes every full moon. He thought he was sneaky, when he made his way out of the castle before dinner—after the other boys had already left for the Great Hall, but here is Sirius, standing above him with wide eyes. He'd seen the whole thing, the whole transformation—running into the clearing before Remus could even shout at him to stop. Before his body bent and twisted violently into a monster.  Remus' tiny body shakes in fear. Finally, after an impossibly long moment, Sirius seems to come back to himself. "R—Remus? Are you—you're a werewolf?"  …I'm a what now? 

"I thought maybe you were upset about Snape ruining your Potions final when you didn’t follow us down to dinner, so I came back to find you and saw you sneak out of the castle. I decided to  follow you, but I didn't think...Oh my God. You're so...so...cute."  Remus' nose twitches in a way that he thinks sufficiently expresses his shock and distaste. He’s not cute. He’s fearsome! An abomination! Sirius, unafraid, crouches down and strokes a gentle hand over the tawny fur on his back.  Okay, well Remus doesn't hate that.  Sirius scratches behind one floppy ear, and it makes Remus’ back foot twitch. Sirius smiles. "Are you a friend, wolf? Merlin, wait til I tell James about this! Our Moony—a real bloody werewolf!" and then as quickly as he’d appeared, he's gone, running off back toward the castle. It's just as well, Remus is dangerous like this. As much as he would love some company on the moons, one bite is all it would take and he could turn Sirius, too. He couldn't live with himself. Remus has just finished snacking on some grass, and is just about to hop into the underbrush to play chase with the rabbits of the Forest, when Sirius comes running back, this time with James in tow. Great. "See James! That's Remus, he's a werewolf!"  James, who is bent over trying to catch his breath, looks up at him like he's stupid. "That's a rabbit, Sirius." "No...I saw him transform—that’s Remus. He's a werewolf." "At best that's a wererabbit." He looks down at Remus, his face twisted in thought. "Sorry Remus, just a sec. Sirius—" he looks back up at the other boy, pinching the bridge of his nose. “—have you ever actually seen a rabbit before?" "Well, not precisely...Grimmauld is in the middle of London, not exactly teeming with rabbits and the like." "Babbity Rabbity? Surely you've read Babbity Rabbity at least." "I'm pretty sure Babbity Rabbity would never make it into the Black family library. Not macabre enough." James sighs. "Okay well, I’m telling you that's a rabbit." James points down at him, and Remus twitches his nose, hoping it conveys how tired he is.  Sirius stomps his feet, insistent. “But his last name is Lupin, not Lapin! He's Wolfie McWolf, not Bunny McRabbit!” “I’m pretty sure his name has nothing to do with which were-animal decided to take a chunk out of him, Sirius!” Remus tries to hop away while they’re fighting, but Sirius spots him and scoops him up into his arms. “Oh no you don’t! Come on Remus, I’ll sneak you back into the castle—get you something to munch on. What do rabbits eat, anyway? Hay? Flowers?”  Human flesh.  “They eat grass and, like, carrots. Good call though, better get him inside before an actual wolf spots him. Come on, Remus.” And that’s how Remus finds himself, a few hours later, in a soft bed, snuggled under the covers with Sirius’ hand gently resting on his furry back. He supposes being found out isn’t so bad, and if he wakes up in the morning—human again, Sirius spooning against his back, he thinks that might actually be even better.