#I'll do a proper formatting later

[cookierunauprompts]

omg can you do the opposite of the one flustered jester idea? where the reader is the one flustered and let’s switch things up a bit by making reader a beast too she was also sealed cause well.. I mean girlbosses are always villains so, (reader is the weakest beast sadly, she’s weaker than sm) anyway so what if they’re ALREADY into eachother but they’re goddamn slow burn ass yk AGH and so bcz shadow milk knows she’s flustered and she can well flirt back but like bros already red so.. shadow milk has the upper hand here in terms of teasing / flirting YKYK sorry brain rot.. since this is a little more suggestive bcz well you’re flirting I believe that’s suggestive / a little spicy? hope this doesn’t break your rules I’m not quite sure if this counts as super bad.. if it is i swear it’s not intentional I LOVE YOUR WORK ❤️❤️

ohoho anon, you don't realize the power you've given me. Also, i may have changed it a bit to make Reader more of a Warden within the seal that... kinda sucks at her job at keeping the Beasts in the seal and detering them from escaping just to spite the witches. She's still a bit of a girlboss girlfail though.

Requested Prompts #42 - 💓

The five Beasts, five fallen heroes formerly revered now sealed away for their crimes against cookiekind. Everyone knows that Elder Faerie Cookie is the guardian of the seal, but what about the Warden? Yes, the warden of the seal. The Cookie placed within it by the witches to be the equivalent of a squeaky toy for ensure that the beasts stay within the seal from the inside. And, to put things rather simply... you didn't like your job. In fact, you hated the fact that the witches decided that you were apparently fit for the job. So, instead of doing your job, you got to know the beasts instead. Hell, you may have even caught feelings for one of them. And now, with all this information in mind, it brings us to now. " Oh little warden~" You could hear the beast of deceit purr, causing you to stop yourself in your tracks to look over at the (currently) contained beast. You noticed that he'd shrunken down to be around your height, though not small enough to slip through the bars like you could. " Seems you finally decided to pay me a visit again! I was getting so bored trying to entertain myself!" He reached through the bars of his prison, beckoning you inside. You, of course, obliged in his request. " Well, I have duties to attend to within the seal. If the Witches knew I was slacking off then they'd crumble me for sure." You said to yourself with a chuckle, as if the witches would even bother to care after basically abandoning you here all those years ago. " Oh hush, you and I both know very well that they can't possibly know what goes on in here. You can blame it on that Foolish King if something ever happens." Shadow Milk Cookie hummed, holding your face in his hands. " Besides, who would believe a Fool King like him? Nobody, and I mean nobody, knows just what happens here, little warden." There it is again, there's a certain lit to his voice that seemed to worm it's way into your heart to make it beat faster. You couldn't exactly tell if he was actually flirting with you or not, but there was a certain quality to it that tipped your thoughts towards the more flirty side of things. " Still," You begin, looking away to prevent yourself from staring into his gaze. " It's the only thing I can really do here, y'know?" Your reasoning seems to go in one of the beast's ears and our the other, even though neither of your technically have ears. " Hm... but you could be having a little bit of... fun with your favorite trickster, hm?" He suggested, and that may have been what broke your composure the slightest bit, letting the slightest hint of red creep onto your face. You certainly didn't trust that 'fun' meant exactly what you thought, it was probably another one of his petty puppet shows and he was doing all of this to rile you up and get a reaction out of you. " And what exactly do you mean by... 'fun'?" you question him, your composure breaking further as he let out a low chuckle. " Oh little warden... You're so cute whenever you act so clueless." He purred in this new, low voice of his. Since when could he do this? You knew he was an actor but what???? the fuck??? You could see that he was getting bigger as well, more or less of a good sign. " ... It makes me want to just gobble you up~" hoo boy, hoo fucking boy. You could feel the back of one of his claws rest at your leg. " Starting from your toes all the way to your itty bitty silly little head~ I wonder just what you'd taste like...? I could probably just eat you up in one bite~!" He purred, you could see his tongue poke out from between his lips, licking them in a rather teasing manner that got your heart working overtime. You couldn't tell if it was beating so fast out of fear or embarrassment because maybe this actually flustered you a lot and- by the witches he was fucking huge now. Holy fuck he could probably actually do it. He leaned down close, his wide grin inches away from your face.

" Oh you're oh so teeny tiny... i really could just eat you up in one bite~" He hummed as his hand wrapped around your body. You were pretty sure that your brain is going to short-circuit soon just from the way he's looking at you.

----

this may be the spiciest thing i've ever written, what the heck.i only stopped here cause I couldn't write any more without getting too embarrassed.

[winter-spark]

I know that after those 2 small Madoka thoughts I had I said I'd stay in my lane but my film/media brain is like "hey hey hey remember that "cool" thought you had?" So. Even though Chikage is still not my lane, my film brain wants to discuss the neatness/niftyness/cleverness (idk which word I'm looking for) of Act 8 & the slight step further it could've been pushed, in reference to Act 5 of course. Besides if the Zafran princes are my lane(I'm kinda forcing myself on them actually, I'm probably not the best person to claim them but here we are), and Citron is both a Zafran Prince & in Spring Troupe and Chikage is in Spring Troupe, Chikage is my lane adjacent. Still though if I say something that makes you go "well actually" please ignore me. Let me have 0 notes due to being wrong about something, it's okay. Really.

TABLE OF CONTENTS:

Act 5 (Chikage's storyline) recap - Paragraph 1 Act 8 (Zafra storyline) "mini" recap -Paragraph 2 Cleverness - Paragraph 4 The Potential Push - Paragraphs 5-8 Conclusion - Paragraph 9 Too long, didn't read: I like the parallel between Chikage's abducting to destroy in Act 5, & rescuing to protect in Act 8. As a film major I feel the rescue coulda been used to move his relationships forward in a way had there been any (realistic) animosity/hesitance lingering.

So as we all may or may not (idk) know, in Act 5 Chikage infiltrates Mankai by being let in through the front door(he's undercover shush!) and sees how Mankai is one big happy family. Feeling betrayed by Hisoka/having some misinformation he decides to get his revenge: Hisoka entered then ruined his happy family (and abandoned him), so he would do the same to Hisoka. In this he comes up with a simple Preminger plan: Izumi, the center of Mankai, goes missing, Mankai disbands. (This plan would've worked best if he snatched up Sakuya alongwith Sakyo &/or Isuke too, just saying. Those four are the reason Mankai stands today. Fact. But also imagine them having to navigate the coleads, director, financer and manager mia, woulda been harder to pull off and come back from but Mankai woulda been a mess) So he kidnaps Izumi, Hisoka comes to save & reconcile, they all go home. Izumi lies for Chikage, Chikage later shares that he actually did abducted her(without reasoning as to why ehich leaves open a bit of skepticism but yada yada we get the point).

In Act 8, (let's see how quick I can give the setup), Guy comes and reveals Citron is next in line for the throne and that there are some others who support his brothers being next in line and of them there are extremists(every cause has some extremists am I right or am I right?), Citron knowing Chikage got the capabilities to make people disappear w/out a trace asks Chikage to help him dip for Zafra early w/out Guy (also remind me to write about Citron's "selfishness"(there's a different word I'm thinking of but this'll have to do) pls I have thoughts); Mankai first begrudgingly accepts this but then they're like "No! Who broke it?" and head down to Zafra to get an explanation from Citron 'cause "dude what the heck?" They make it just in time to find out about a plot to keep him from ascending to the throne and that he's been kidnapped. Here Chikage steps up to the plate to find and save Citron from being kidnapped.(Itaru goes too but we're not here to talk about how he was prepped to die to save his wife<3, gosh I love love). (Kinda lengthy but I can't help making side notes & jokes lol)

So now that I've said a whole lot of nothimg, let's discuss the cleverness and how it could've been pushed.

Of course you've probably caught onto the cleverness yourself, a person who once abducted someone before a big event now is rescuing someone kidnapped before a big event. He is actively working in another person's best interest and to help sustain a family rather than aim to cause one to crumble out of his own desires of revenge. Of course, he vowed to protect the Mankai family at the end of Act 5, the parallel itself is still neat. And there's double the families he's sustaining in saving Citron here because not only is he saving a member Mankai/Spring Troupe's family but also of the Zafran royal family (why don't they have a last name >~<; that's so long winded), which allows a place for there to be a return after their punishment for suresies because if it had gone worse...

So now that that's been addressed how can this have been pushed further. Well. It could've been Chikage proving how much he's grown to care for and how much he means it when he says that he is devoted to protecting Mankai, which it kinda was in a bit of a less stated way. But also! While A3! is a clever series with compelling characters and storylines, there are some aspects that fall a little flat in the realism department at times, if they commited to being a bit more realistic w/ certain forgiveness storylines, this would've been a great moment for someone to feel more open to trusting Chikage. Like especially w/ him already being concerned about Mankai being upset with him for agreeing to & succeding to send off Citron. If it was like "man I'm still walking on eggshells a bit because even though people are nice to me and accept me they still don't fully trust/like me, I'm so not going to be increasing my score w/ any of them this way" and then him actively going to save and succeding in saving a cherished member of Mankai, with complete resolve and trying to keep everyone safe. That's something that could've really been something. Like not to say it wasn't anything or anything, just like it could have been a shift in the story. Like they love Chikage but do they trust him? They don't have much of choice. Obviously this can only be properly done with characters who would have animosity, coulda been there, and if it was something mentioned between the two points but yea.

(Reminder: my "lane" is the Zafran Princes so if I say anything inaccurate to any other character they're not my lane. (my current tag for them (tho I am considering changing it) is "Citron & his brothers" if you want to see anything I've said about them. (here's a good place to start, me thinks)(yea pretty shameless self promo but eh) I'm kinda dumb and know nothing tho so idk if any of it's at all good or something you'd agree w/ but I feel alright about the stuff I've said lol). I'm not a great writer or anything but I think if they had decided to take that route the best Spring Troupe options for that kinda dynamic woulda been Masumi or maybe Tsuzuru. (Had to choose Spring Troupe to go along with the setup that's already there, any other troupe and I might have to change big story details & that's not the goal here, the goal is elevating what's already there) Why these two? Well I'm less sold on Tsuzuru but I feel like he has more realistic and negative-leaning views sometimes, like he feels like a person who feels like he might stay cautious about a person who's done some shady things. Masumi other the hand is already a bit less of a people person, has he grown alot already yes, however, he is still someone who very much (haha kinda like Chikage) has a strong desire to protect those important to him and Chikage litterally abducted Izumi who was dire in Masumi being able to connect with more people and have those he wants to protect and do things for and she's at the top of that list of people. Sure she doesn't hold anything against Chikage but she's Izumi. She's a very caring and forgiving person. I could see someone like Masumi being a bit on gaurd and skeptical partly on her behalf.

I'm sure it'd be a little harder to pull off with what the situation was but I do think it's plausible & do-able. I mean, if I recall correctly, at this point most of Mankai are unaware why Chikage kidnapped Izumi in the first place(I think Hisoka, Izumi, and sorta the rest of Winter Troupe and Sakuya knew around the time it happened) so if one of them(not the ones I just specified) were somewhat weary of him it could make sense, I think reasoning is something that I can see being important to Masumi and Tsuzuru and that's something Chikage didn't divulge, so it feels like Chikage did it for "no reason". Though I do want to say I think if we took one if these routes reasoning would be important to them in different ways. Tsuzuru would be more mentally like but what was the reason tho, while Masumi would think less about that he didn't give his reasoning and compartmentalize it as no good reason as he had his chance to explain but didn't, which I wanted to bring up because because imagine with me if you please, Masumi accepting Chikage being around but lowkey not fully trusting him bcause he clearly had no good reason for abducting Izumi. Chikage plays vital role in rescuing Citron maybe he is okay to trust a bit more and maybe (flashfoward to Magician's Pure Love) Masumi can hear out what reason Chikage had for his actions, because maybe even if it was wrong and something he shouldn't have done, maybe he does have a reason. (See I'm tying things together)

My only hesitance really being the comparison of how important Izumi and Citron are to this character (because they're the ones in the situation not the weary character) but it simultaneously makes me want to hit floor it because they're equally important. Or something. Idk honestly. Just, i it was Masumi for this route I could see that being a nice reminder he cherishes his whole family. (I know Act 5 kinda already is that but I'm just throwing paint at the wall okay? This is only my lane adjacent.) I guess while I'm here let's discuss why not Izumi or Citron being the person for this to drive the relationship forward. Well. I think even if Izumi reasonably had a small fear of or discomfort with Chikage after Act 5 she would actively be workimg herself to getting over it. For it to be something to drive their relationship it would definitely have to be a thing between the two of them. Meanwhile, Citron literally trusted Chikage to keep his secret that he was leaving early and help him do so. I think they're in an okay place.

So yea, maybe this whole idea is dumb or too movie or something, Idk I have film major brain, but it's something I think about sometimes(not as much as I laid out here but the concept). Like obviously in part the rescue's probably partially there with something similar to that in mind but like instead it's to prove Chikage to the viewers rather than to Mankai, however I also think that it's okay in media to make characters have to work for people(read: other characters) to forgive and/or be comfortable around them. Like sure sure some people will forgive you pretty early on and water under the bridge and all that stuff. And some people won't mind being around you. But some people might be completely unaware as to how much they subconciously don't trust you. Some might be like okay we're cool but we're not cool. For some people all this depends on how well they feel they know/understand you and which actions they've seen to help determine your character to them, you know? And I like complicated/layered/complex dynamics and relationships, so I personally woulda found it neat to have something like that within the story. But who am I lol

[speakeasier]

day ten in less than ten minutes, speedrun let's gooooo.

-it's hard for the gods to bleed, but if you manage to get one to spill some. it's never golden. it tends to be red. but of course, it can vary depending on if the god is made of a different substance, etc.

-the gods don't need to sleep.

-the gods don't need to eat.

-but they like to do so, because it's an indulgence.

-it makes them feel something.

[sorencd]

hi!! can i request a charlie dalton fic where he gets jealous because you’re talking with neil too much? thank you!

not proofread : i'll properly format this sooner or later hehe

"so there was this part in the story where everything was just...boogsh! it was all dark and stuff and he got strapped onto a chair with his arms restricted and this weird machine thing on his head that read his brain waves. it was crazy! and the entire time me and charlie watched it, it was insane! it was a thousand times better since we were..."

charlie knew he shouldn't be scowling and have his brows all furrowed. you probably would've laughed at him and called him cute, if only you weren’t talking to neil.

"'stop frowning, you remind me of my grandfather.' is what she'd probably say." charlie blurted out of nowhere, still maintaining his unwavering stare onto you and neil. steve, who assumed charlie was talking to him, lifted his head up from his noted and momentarily stopped writing to look at his friend questioningly.

"what?"

"(y/n). she's been talking to neil for almost- the entire day! i haven't got a chance to have a proper conversation with her."

"have you tried approaching her? like you know, initiating a conversation?"

"yeah, but then neil would butt in and steal her away from me." his frown deepened into a pout and he crossed his arms more tightly, slumping further down into his chair.

"do you even have the right to be all protective over (y/n)?"

charlie didn't like what came out of his mouth and shoved steven the shoulder, turning his back against him with a deeper frown than ever.

"shut up, man."

"i'm just saying! instead of moping around why not finally ask her out?" steven paused to give you a glance, "and i think she's madly in love with you too."

"she isn't."

"she definitely is."

"she definitely isn't."

"she's walking towards us."

"she definitely- what?"

charlie halted his bickering with steven to look up, and to his surprise, not really, you were walking their way. and you looked as pretty as ever. he put away the frown he had just a few moments ago and instead replaced it with his signature smirk.

"finally done talking to neil?"

"huh?"

"nothing."

charlie abruptly stood up and started walking away from where steven and you stood. dumbfounded, you quickly tailed behind him, curious and determined to why he would suddenly walk away as soon as he mentioned nail, or at least you think he said his name.

unfortunately, he was walking faster than usual, and you couldn't exactly catch up with him if you went with your normal pace. when you and charlie were talking, he'd normally slow down and walk in slow strides so you two could have a proper conversation. but it seems like he wanted to get rid of you.

"charlie! where are you going?"

"i just remembered knox wanted me to do something."

you jogged up behind him and landed a firm grip on his shoulder, this stopped him from his incessant walking. he didn't turn to face you, however, and only stared ahead.

"are you mad?"

"maybe."

"aw come on charlie-poo, tell me what's wrong."

"no no, go back to talking to neil."

"are you jealous?"

a laugh errupted from you while you tried matching his speed-walking, also trying to catch a glance of his face.

"what story is he telling that he's got you preoccupied all day?"

he finally turned around to face you, cheeks slightly red from being worked up and brows all furrowed once again. you could tell he wasn't really mad at you, but it did make you feel a tinge of guilt.

"charlie, we were talking about- about that movie we watched."

"you could've talked about it with me."

"i know. but i don't get why you're getting so worked up-"

"i like you, (y/n)."

and your brain stopped working. you couldn't remember the last train of thoughts you had before those three words that left his mouth entered your ear, but it never came out of the other. instead, it stayed, replayed more times than you'd liked and echoed throughout the chambers of your heart.

"you- you what?"

"i don't think i stuttered."

your eyes grew impossibly larger than before heart thumping louder than thunder and beads of sweat were beginning to form on your back.

"i'm just- you- i feel the same way, charlie."

"what? you like me too?"

silence engulfed the both of you, charlie's unrelenting gaze on you made you... shy. something you weren't accustomed to feeling when he was around you. usually you'd have a warm smile on your face when you're with him, something that you only managed to point out now. you broke eye contact from charlie and stared at the ground, your cheeks flushing red and your hands flying to the hem of your dress-shirt, fumbling with the loose thread you ought to remove someday.

"(y/n). hold on, are you being serious? like this isn't some sort of joke?"

"as much as i love making fun of you, i don’t think i'd be cruel enough to play with your feelings."

before you knew it, a vice grip was housing your shoulders. forcing you to avert your eyes back to the boy who was probably more red in the cheeks than you are. and a wide excited smile adorning his lips.

"you like me too! holy shit- wait! no actually-"

charlie felt like his hands were on fire, he desperately wanted to shake the living hell out of someone to stipulate his energy-adrenaline-filled veins, or calm his clammering hands and erratic heart beat. he, quite literally, felt like he was having a heart attack. he didn't really know what to do at the moment, and due to the heat of it all, he settled for an extra tight hug to your body before scurrying off to calm himself down elsewhere. you weren't letting him run off on you again, however.

[seethesin]

rotaries and roses

pairing: Tattoo Artist!Corky x Florist!F!Reader

tags/warnings: modern au, tattoo artist/florist trope, first time tattoos, suggestive themes, cursing, teasing

a/n: requested by anonymous here. this was my biggest challenge yet because... this is smut free and i don't have tattoos 😭 i hope you guys don't mind how many liberties i took with this! as there are no gif hunts of gina as corky, this will have a gifless format. enjoy! 🥰

You found yourself at Corky's by the recommendation of a close friend. Every time you mentioned your desire for a tattoo, they would practically beg you to give the tattoo shop a chance before pulling up their Instagram page. The first thing you noticed was the address. The tattoo shop was on the same street as your flower shop; how you hadn't noticed it sooner was beyond you.

Your friend was right. You needed to take your ass over there. And now, there was no excuse not to.

Out of all the artists featured, the owner, Corky, had your favorite designs. Her Neo-Traditional style blew you away, and it was the post featuring a canvas with an array of roses that sealed the deal. They had always been your favorite flower, regardless of the stereotypical label they held. Every bouquet of roses that leaves your shop always receives your special attention. They never fail to bring a smile to your face, regardless of the color, quantity, or occasion. To have them on your body felt right to you and you wanted them in Corky's signature style.

You spent the rest of that evening mulling over what you wanted. It took you a few more days, but finally, you came to a decision. You wanted a ram surrounded by Corky's roses. A ribbon would wind around the portrait of the ram with the phrase: My will is sturdy inscribed on it. The design was perfect and you knew Corky would do your vision justice.

Your consultation was the first time you meant Corky outside of emailing her. A studded leather jacket was haphazardly thrown over her white tank top. You couldn't tell what brand of jeans she wore, but they did wonders for her legs. Her steel-toed boots clicked on the hardwood floor as she came to greet you. You accepted her offered hand into a shake and couldn't stop yourself from memorizing the callouses on her palm within those few, fleeting seconds. Her brown hair was perfectly unkempt and a permanent, knowing smirk was glued onto her face.

"I'm Corky."

She was hot. You were fucked.

After your initial greetings, she brought you to the back where her desk was so you both could work through your design. You found as many references as possible, including the same array of roses you saw on her shop's Instagram page. Corky chuckled fondly as she examined the canvas, lips quirking into a genuine smile.

"This is some of my older work," she mused as if she was warning you. Her gaze flickered through her lashes, brow quirked inquisitively at you.

"It's one of my favorites," you admit and Corky's smile only grows at your confession.

The close proximity allows you to catch onto her scent: fresh smoke and citrus. You want her to tattoo it into your lungs.

"Give me an hour and I'll have something nice for you. I'll call you when I'm finished."

One phone call later and you were back in her shop. Unsure of proper etiquette in the tattooing world, you had brought back coffee for both yourself and Corky. You needed a pick me up and it felt strange not to share with her. Shyly, you offered her a cup which she graciously accepted. Your guess of Corky taking her coffee black was right; you swallow a smile at the thought. She leads you back to her desk so she can present you her work.

It's overwhelming how beautiful Corky's art is. Everything about it is perfect and truly, you can't think of anything else to add, remove, or change. The roses woven through the ram's horns, the brilliant blue outline, and the delicate font she chose for the banner were small details you would have never considered on your own.

Your lack of a verbal response makes Corky laugh, leaning in closer.

"Stunned ya speechless, huh?" she teased and you can't help but laugh with her.

"It's gorgeous, Corky."

There's something on Corky's tongue as she pauses. Silently, you watch her shake whatever thought it was away before refocusing on you.

"Where do you want this?"

You pause to think.

"I think my thigh would be the best. I've read that it's one of the better places to get your first tattoo."

This information slaps a smile back on her face.

"You read right. That works for me."

Soon after, you discuss the rest of the housekeeping tasks regarding your tattoo. Once you put an initial deposit down, you decide on a date a month later. You bid Corky goodbye and return to your flower shop to close up for the night. Before you retire to bed, you start working on a custom rose bouquet for one of your clients.

The roses are beautifully crimson, just like the ones Corky drew for you.

"I'll be with ya in a moment!" A disembodied voice calls from the next room over at the sound of the doorbell. You nod—more to yourself—before shutting the door behind you.

A month blew by quicker than you anticipated. Tonight, you found yourself awkwardly stationed at the front door of Corky’s tattoo shop with a cup of coffee in each hand. On her recommendation, you came well-fed, hydrated, and with eight hours of sleep under your belt. You donned a loose, simple dress, figuring it would make Corky's job tonight easier.

What you didn't realize was that she booked you as her closer tonight. The shop was empty and immediately, you felt yourself sweating. Silently, you asked whatever higher powers existed to refrain from making you out into a fool tonight.

Shifting on your heels, you visibly brighten at the sound of Corky's boots thundering towards you. She appears from the backroom, grinning ear to ear as she walks towards you. She's clad in another plain white tank top and dark jeans, revealing the complex sleeves her leather jacket hid. The most notable tattoo is of a labrys on her upper arm.

"Hey stranger," she greets, raising her brows as you offer her a coffee cup. "You spoil me; thank you."

You don't miss the way her eyes drag down your frame.

Corky's fingers slide against yours as she takes the coffee from you. Her touch is electric and you hold back from shivering. If something so innocuous got to you, you don't know how you'll last tonight.

"My pleasure." You don't mean to sound so breathless, but you were currently recovering from her touch. Corky merely smiles and beckons you to follow her. You do so wordlessly, stepping up and over to her workstation.

She sifts through her desk before pulling out the stencil of your tattoo. Turning on her heel, she presents it to you and you nearly choke on your coffee.

It’s perfect.

Every detail from her initial artwork has been transcribed onto the stencil. You find yourself hypnotized as you lean in closer. It needs to be on your body now.

"Corky," you start and she laughs, gesturing for you to sit in the chair. You do so quickly, placing your belongings on an empty side table out of the way.

"Don't go worshipping me yet," she teases, easily picking up on the dreaminess laced in your voice.

She drags over a small, wheeled cart, completely set up for your session. You're unfamiliar with everything on it, but you watch carefully as she sets up her rotary machine. After checking to make sure you didn't have a latex allergy, Corky puts on a pair of black, single-use gloves.

"I still gotta tattoo it."

Pulling her stool over, her gloved hand goes to your thigh. The edge of her thumb grazes the hem of your dress and tenderly—so tenderly you might faint—she pushes the skirt up. You meet her in the middle, pulling it the rest of the way so it settles just over your hips. Cool air immediately rushes between your thighs and you've never felt more exposed. Corky guides your leg towards her and the thought of her face buried in your cunt flashes in your mind. Swiftly, you shake it away.

You allow her to position you as she sees fit while she preps your skin. Once satisfied, she presses the stencil to your skin to transfer the design. It takes all of your restraint to stay still and on the chair. How were you going to make it through a two hour session?

"Go check it out in the mirror." Corky points her thumb behind her and her voice sucks you back from your reverie.

Holding your dress skirt up, you walk to the wall mirror and examine the design. Turning to her, you hold a thumb up as she stares intensely at the exposed flesh. She hums in approval and you hurry back onto the chair. You get comfortable and again, Corky's hands are on your thigh. She's readjusting you and your teeth dig into the inside of your cheek to keep from moaning.

"Are you ready?"

You nod.

"Let's begin."

The first ten minutes are relatively quiet. The buzz of the rotary is the only thing distracting you from the dull pain in your thigh. Well, that and the fact that her other hand is gripping your thigh in a way that makes your head spin. Corky pipes up first over the noise.

"What do you do?"

You beam; you adore answering this question.

"I'm a florist!" You watch as Corky's brows raise in interest, her gaze intensely fixed on your leg as she works. "I actually own the flower shop just up the street."

The buzzing stops completely and her eyes are glued to your face, lips parted in surprise.

"You own Fern & Flora?"

You nod proudly, practically glowing from the recognition.

"No shit; one of my girls, Sue, is there every two weeks buying flowers for her girlfriend."

Corky's machine whirs back to life and the prickly pain on your thigh returns. You hum to yourself, going over a mental list of your regulars and who could fit the profile Corky described.

"She's always going on about how her girlfriend likes the—"

"Violets." You finish thoughtfully, unable to stop the genuine smile growing across your face. "Margaret's favorite flowers are violets and Sue never lets me forget it."

You watch the way Corky's face softens as you speak. Her thumb presses against your inner thigh and your breath hitches quietly in your throat.

"What's your favorite flower?"

Staring down at her in disbelief, a chuckle pushes from your throat. You gesture to the tattoo she was currently working on, hoping to highlight the array of roses she was getting ready to outline.

"Do you even have to ask?"

Corky's shoulders raise into a shrug, glancing up at you quickly before refocusing on your thigh.

"Hey, forgive me for making small talk." The smile in her voice is evident and you find yourself grinning along with her.

"What's your favorite flower?" You toss the question back to Corky, ready to take her answer and brand it into the back of your mind.

She takes a moment to think about your question. If it wasn't obvious already, you could tell that this was something Corky hadn't previously thought about.

"I think I'm going to have to swing by your shop at some point to answer that question."

You can't help but blush. Was she flirting with you?

"I'd like that," you admit, fiddling with your fingernails.

Corky doesn't respond, instead reabsorbing herself back into her work. But a sly smirk plays on her lips and you have to stare up at the ceiling to keep your thoughts at bay.

"I think you'd like cornflowers." You finally state after a minute of silence. The cool colors and perky petals reminded you of Corky's persona. The bouquets that you crafted with them were some of your favorites so far.

"I think I'd like anything you recommend."

Okay, she's definitely flirting with you. Brazenly, you reply with: "Then I recommend you visit me sooner rather than later."

"Oh yeah?" There's a teasing edge in Corky's voice and you feel the warmth rise to your cheeks. Her voice drops an octave lower and you've completely disregarded the pain in your thigh. "And why's that?"

In that moment, you’ve forgotten everything about yourself. The only things you could comprehend were Corky’s hands groping your flesh and the irritating whizzing of the rotary. You suddenly feel hot and the idea of stripping your dress off grows more attractive with each passing second.

“I want to make a bouquet for you.” The sentence is rushed from your own nervousness, but you mean every word. “The sooner you stop by, the better of a selection I’ll still have for the season.”

Caught off guard, Corky sputters out a cough. However, she doesn’t stop working. The machine is still on as she finishes the outline of your tattoo without issue. You glance down curiously and witness her face flush crimson. A delighted giggle squeezes from your throat and you swear Corky blushes deeper than before.

“I’ll come by tomorrow.”

Your laughter is replaced with a kind smile. “Promise?”

She nods.

The rest of your session goes swiftly. Corky works like a machine: detailed, efficient, and insanely accurate. Your small talk comes and goes in waves, more so that she can focus on her work above all else. With a final wipe of her towel, your tattoo is finished two hours later. She grins eagerly before looking up at you.

"Wanna check it out?"

You don't miss a beat: "Uh, of course!"

You practically spring off the chair, stretching your legs as you scurry over to the mirror. The hem of your dress is still bawled in your fists as you stare at your thigh. You can hear Corky snickering at you while you fawn over her work.

"Holy shit..." You are awestruck and you turn to her, gaping before turning back to the mirror.

"It looks incredible," she agrees, discarding her gloves before pulling the rolling cart over to the side and out of the way. She goes to her workstation, pulls a few documents out, and scribbles something down as you continue to gape and stare at your new tattoo.

You return to Corky's workstation, gathering your belongings as you ready your wallet. She turns to face you again, handing you paperwork and guidance on how to maintain your new tattoo. You listen to her instructions carefully, unable to stop yourself from staring at her chapped lips every few moments.

"Do you have any questions?" You shake your head, averting your gaze to the papers she gave you. It essentially regurgitated what she said aloud, but you were thankful to have something written to refer to. Corky had also included her business card that you examined, noting the handwritten number just below her professional contact information.

"Actually, I do have a question," you start, not looking up from the papers in your hands. "Do you give all of your clients your personal number?"

Turning the documents to Corky, you point at the handwritten digits just below her work email. She flushes briefly before clearing her throat.

"Well no," she starts and a grin is already curling on your lips, watching as she gathers her thoughts. "But I figured it would make sense to give it to you. For tomorrow."

You hum thoughtfully, glancing over at her workstation before looking at her.

"Can I borrow that?" You gesture at a Sharpie marker on the side and she snatches it up before handing it to you.

"Give me your arm."

Corky stares at you, bewildered by your demand, but obediently offers her right arm to you. Your fingers clasp her wrist, outstretching it so that her fingertips just barely graze the top of your chest.

You miss the sharp inhale Corky takes.

Carefully, you jot your phone number down, making sure to avoid writing over the pinup girl tattoo facing you. Once finished, you push the cap back on and place the marker in her open palm.

"For tomorrow," you parrot, giddily watching the flustered look wash over Corky's face. She nods quickly, clutching the marker before stammering for you to follow her so she can take the rest of your payment. You trail behind her, already working out flower combinations in your mind for Corky's bouquet.

Out of all the ones you can think of, cornflowers and roses are the most fitting.

🦇 tag list: @crvptidsmain, @astroph1les, @uraesthete

[kaizenproductions]

Natsu does NOT have any previous experience with romantic love

This is the (better) Tumblr version of my post from Twitter. Given the format of this website, I'll add some details to what's already written.

Before starting with this, I want to clarify that the motivation to write this post has little to do with nalu itself (it will be mentioned to highlight a point though). Having previous romantic partners DOESN'T really make any ship invalid. You'll find the actual reason behind this essay under the cut below.

This is about how Natsu, as a character, is never presented or seen by others as someone who has experience with love and such idea is never hinted or implied anywhere in the canon material. This lack of experience explains why Lucy thinks he has no interest in it.

As we will see later, Lucy isn't the only one who thinks like this... Let's get started.

Year 2024. Why writing all this? Some weeks ago I was involved in a discussion about whether Natsu was being OOC during a filler (non canon) scene of the anime where he snaps at Lucy in a way he never does with any of his friends in canon material. The discussion led to this...

I didn't want to assume that this person was taking Lisanna as some kind of first love. At the end it turned out that was exactly what was happening. The proof? The most platonic reunion ever... with Happy reacting the same way as Natsu and comedy being included. It is important to highlight that Mashima never makes two people between whom there have been romantic feelings reunite like this, with comedy references in between that downplays the seriousness of the moment to some extent. While this post is about Natsu and his feelings, I could also mention Lisanna's reaction to this, something that proves that there wasn't even a one sided love: after noticing this Natsu is the same one from her real dimension, she doesn't start crying because of him but because of her siblings.

Let's ignore the part where this dude started calling me and some other users "retards" because that speaks volumes for itself about his lack of real arguments. After all, he has been fighting for at least 4 years with teens over power scaling, a topic he may seem to be knowledgeable about but actually isn't so much, plus he has been banned from at least one Discord server because of his r4pe threats. It seems this individual was so obsessed with that specific thing that he said Zeref did it to Mavis and that's how August was made... That also speaks volumes about his media literacy and the fact that even if it's true that he did read the manga so many times as he claimed during this discussion, he has serious problems with reading as a normal person. When it comes to the topic of this post, the problem is that he has some influence within the fandom, at least on Twitter, so whatever he says is something that many of his followers will start repeating.

What does Mashima do when Lisanna finally comes back to her original home and she gets a proper reunion with everyone?

After the initial shock from seeing Edo Lisanna in Earthland and the big reveal, this is how Natsu reacts.

This isn't a reunion that suggests that Lisanna is special compared to everyone else in the guild, and particulary to those who grew around Natsu. Also, we can't say Mashima just doesn't know how to write such scene properly... because he's written it at least once (in Rave).

The emotion you can feel in this scene, the way ONLY both lovers are on the spotlight and the rest of their friends are in the background until the end... Well, the difference is so obvious that it's ridiculous to say more. Given how well Mashima handles the emotional dimension of his characters in his mangas, the possibility that he didn't know how to depict two lovers who got separated from each for some time due to circumstances beyond their control is off the table.

Also, notice how the end of the Edolas arc depicts this.

The difference with her reunion with Natsu and the others is so obvious that there's no need to say more.

We can also discard Lisanna as a former love interest because there's no akwardness between them once she's back to the guild. They can be seen playing together and briefly interacting from time to time, so it's not like they're avoiding each other.

Is it implied somewhere that they had something beyond friendship? Not in any kind of canon material. Every time Lisanna is mentioned in regards to Natsu she's presented as a close childhood friend. We have, for example, her profile from one of the first chapters where she's back home and the information of the official magazine that was released 10 years ago.

But what if they simply stopped loving each other due to being separated, as a fellow nalu shipper told me on Discord? Making characters fall out of love is something that Mashima also references (see Macao pic a bit below). It also goes against what we saw regarding Erza and Jellal, who still had romantic feelings for each other despite their antagonistic positions for many years, or against the whole Zeref and Mavis thing. In other Mashima mangas we have more couples like this. Elsie and Justice still loved each other despite being sworn enemies, and Let still loved Julia (and vice versa) when he discovered she was alive, a kinda similar scenario to Natsu and Lisanna if they had been lovers. Given that Natsu and Lisanna weren't even enemies to each other at any point and they were only separated for two years, we can't say they had something canonically and they simply got over it with no actual reference to it.

There was a very good moment to reference past feelings in 100YQ: when Touka includes Lisanna in the group of women "around Natsu".

Instead of offering us a comment like "it's not like that anymore", Lisanna just says something that implies they're not that close. After all, Natsu is hanging out with his team most of the time since it was established.

What's the reason this fandom has been so many years discussing about this friendship? Because the first anime adaptation goes beyond that friendship and the manga omake where both of them take care of Happy's egg, something Lisanna decides to help with because she loves animals and she felt Natsu wouldn't do it properly. The first season includes several fillers that pave the way for a love triangle, presenting Lisanna as a girl who is VERY interested in marrying Natsu when they're adults. In addition, Happy is presented as their son, something that totally goes against the source material. Even if Natsu is the one who saw Happy be born and was living with him since then, Happy is never considered as his son and is always called a nakama/companion/friend.

This long thread has everything that A-1 and Satelight added in regards to Natsu and Lisanna. As we can see in the info provided in one of the first tweets, Mashima let them "edit" the story the way they wanted to and it's mentioned explicitely by both him and Ishihara (the director) that Ishihara is responsible for those additions, not Mashima. We also can't say the additions were something Mashima asked for because he couldn't include everything he wanted in his manga for some reason. This is supported by the fact that Lisanna is never presented in the manga as any kind of romantic interest after she comes back.

There's also this tweet from 2012 where Mashima replied to someone asking him whether he was involved in the story of the anime. His answer is no.

It's also important to say that these fillers aren't canon: they're not referenced in the source material (the starry key arc was, even if Mashima wasn't involved in the writing), they're not referenced in the anime itself after Lisanna comes back and they have no impact in the events of the story during and after Edolas.

Currently, thanks to Mashima's Twitter Spaces, we know two things: he revived Lisanna because some people in the anime staff liked her (Ishihara is one of them for sure), which explains why she's not very relevant and is always tied to her siblings, and he once considered to include a love triangle between Natsu, Lucy and Lisanna after Edolas, but he liked Natsu and Lucy's dynamic by then enough to not introduce such storyline. He also said Lisanna was "だめ" in regards to that triangle that never came to be, implying that she would have been the one that doesn't get the boy in that scenario.

So is Lisanna our supposed former love interest? As far as the canon material goes, no. Was she close to Natsu? Yes. Is she dear to him? Yes, just like everyone in his family, the guild, is (I can't believe I'm writing this in fking 2024). Now, what if there was someone else? The assumption that characters may have dated another (unnamed) character offscreen isn't totally crazy. After all we saw how Juvia dated Bora, even if it was a narrative tool to show that not even dates would make Juvia stop being depressed. However, we can't say there was someone else as more than a headcanon unless it's implied or mentioned somewhere explicitely. We know Macao was married but got divorced thanks to the official magazine, for example.

When it comes to Natsu, nothing is ever mentioned.

100YQ, the official FT sequel, has several pannels that go against the whole idea of Natsu being experienced with romantic love. As I mentioned at the beginning, even others from the guild, and especifically Macao in this pannel, who knows Natsu since he was a kid, have a hard time believing he's interested in love.

This part of the story includes a very interesting pannel that also debunks the whole idea that Natsu felt more than frienship for Lisanna before she was transported to Edolas.

Why would Lisanna's brother react like this over such comment if Natsu and his sister had romantic feelings in the past? Easy: because those feelings never existed.

Even Lisanna is a bit surprised when Touka expresses her interest in him.

Previous romantic experience would also mean that Natsu's relationship with Lucy would be more advanced than it is as of now, not to mention this recent scene.

Natsu is still quite dense with romance, even when it doesn't involve him, and while he talks about his and Lucy's kids they still have a long way to go due to his total inexperience in this area as of now. Someone with past love experiences wouldn't be like this. I could say more about this but this isn't the post for it so...

Conclussion: the first season of the anime did a lot of damage that resulted in many years of discussions, fights, misogyny towards both Lucy and Lisanna. There was no childhood or teen love, no jealousy from Lisanna when she saw how close Natsu and Lucy were as a team and nothing suggests that Lisanna was more than a friend in canon material. Claiming the opposite at this point of the story is useless.

[bonzos-number-1-fan]

TMAGP 19 Thoughts: Bad Scientist

Another really strong episode, and one with a lot to get into. Probably the densest episode yet in terms of historical context, lore content, and mystery clues. So a lot to get into and no point in any more preamble.

Spoilers for episode 19 below the cut.

Sam and Celia's chat is somewhat interesting. She's now looking into alchemy. It looks like she's looking into the exact stuff Sam was, because she's also looking into the Magnus Institute now. Darrien 2 did a world hop and the Magnus Institute scooped him up so that lead makes sense to follow. Although it's curious that she hadn't done that yet. She's continuing to push Sam to keep up that research too. Celia is pretty much always trying to pull people's strings like that. It being such a consistent character trait does bring into question how sincere any of her actions really are with the rest of the office.

Before I get into the incident proper, this is going to be a bit of a weird one. There is a lot of historical context and alchemic terminology in this one. As such I'll be quoting the show more than usual to explain and explaining who people are, what they're doing, why it's relevant, etc. Like I said, it's very dense. There are also a couple of points of interesting grammar to mention as well which would be missed without the transcripts.

The incident's format is a letter from Robert Hook to Robert Boyle who are both Fellows of the Royal Society. Which is a lot of context off the bat. So, Robert Hook was a 17th century polymath who's most well know these days for his work in microscopy with a microscope of his own design, and for his work in helping rebuild London after the Great Fire (which we'll get to). He also did a lot of work on gravity and planetary rotations which ended up being quite foundational to Newton's law of universal gravitation. He wasn't, however, an alchemist. Boyle on the other hand very much was. Widely regarded as the first modern chemist and he's most famous for The Sceptical Chymist, a work that would be hard to overstate the importance of for the field. Hook, Boyle, and Newton all overlapped a lot in a lot of ways outside of these things too, especially in fields like optics and colour theory.

They were all also Fellows of the Royal Society at this stage too. Which to give it its full name is The Royal Society of London for Improving Natural Knowledge. It's general goal is to promote science, offer support to scientists, and helping shape policy. It was only founded in 1660 and so hasn't been around for a very long time at the time of this incident. The Royal Society is also what's being referred to with the numerous mentions of "Good Science". In short, it's about using science for the public good and to aid in further the endeavours of other scientists to that end. So the Royal Society is probably not up to anything nefarious here. Despite the fact that Newton ends up becoming its president later in life.

Another big thing mentioned here and repeated throughout is the "Protocol". Capital P in the transcripts. So, yes, they said the thing. It's not the first time it's come up but both times it's come up it has been standalone. I don't know if I mentioned it in last time but I have a feeling that the "Magnus Protocol" isn't really a thing. There is just the Protocol and it was used against the Magnus Institute. For its full title to be the "Magnus Protocol" it'd likely have to be named after Albertus Magnus, who is a noted alchemist himself, but I think it's more likely that the Magnus Institute is named after him than the Protocol itself. The most interesting detail we get about it though is that whatever the Protocol is it was enacted against London to burn out a plague. Which would mean in this setting the Great Fire of London was deliberately set to combat the Great Plague of London.

So now we're at Newton himself. The gravity guy. But also the laws of motion guy, the calculus guy, the optics guy, and a lot of other guys guy. Of note here is that Newton was a very noted alchemist and theologian. Both fields were large parts of his full body of works. I think Newton is well known enough that I don't need to get into that though. Besides it's not the first time I've talked about him. As a quick reminder of that though Newton was Warden and Master of the Royal Mint. At the time he served in those roles the Royal Mint had moved out of the Tower of London to Royal Mint Court. Which is where the OIAR is currently located.

Okay for our first quote we have this:

It was only through the Protocol that we were spared from that Dread emission and I fear that such an act is once again required

The capitalisation there is how it appears in the transcript. Protocol we've talked about but "Dread emission" is very interesting. The capital implies that it's the name of something. Which I would wager is either one of, or the whole of, forces Lena mentioned that need to be kept in check.

Then we get to Newton's work proper with this:

he had finally perfected the work of Wilhelm Homberg to produce what he termed the Arbor Philosophorum Perfecta.

Which is very interesting for a number of reasons. Arbor Philosophorum, the Philosopher's Tree, or Diana's tree is a real thing. It's a dendritic amalgam of silver and mercury. Basically meaning it's a metal who's crystalline structure grows to resemble a tree. Wilhelm Homberg is German natural philosopher that wrote a fairly simple recipe for this process and while it's not known if Newton ever attempted it we do know he had a recipe for this. Although it's actually George Starkey's recipe which is a gold mercury amalgam instead. What's more important is that Diana's tree was thought to be a precursor to the philosopher's stone itself. So Newton has basically perfected something of similar nature to it. With some fairly fucked up results, as we'll see.

Out next quote is Latin:

de ligno autem scientiae boni et mali ne comedas in quocumque enim die comederis ex eo morte morieris

Which is Genesis 2:17, and in English (NET) it reads:

but you must not eat from the tree of the knowledge of good and evil, for when you eat from it you will surely die.

Because, as noted, Newton was a theologian too. People probably think of him as a rational scientist atheist type but back then there wasn't as much conflict between the two. He was a devout, if not exactly orthodox, Christian.

Christian or not he's playing God a little. We get to see what the fruit of his labours are and it's not looking like good science at all.

such a creature must by all natural law lack that essential and ephemeral anima that is required for such awful knowledge I tell you here Robert, it saw me and it knew me.

So this is an interesting thing to say. Anima in this context isn't the Jungian syzygy but something more akin to "spirit". The anima has a lot of overlap with the tria prima. Which I've spoken about a fair bit before but is an alchemical concept that sulfur, mercury, and salt embody three fundamental principals, but also defined human personality. Mercury is spirit and is related to concepts like morality, imagination, but most importantly for us higher reasoning. A lot of emphasis is placed on the dog's knowledge and Diana's tree, the catalyst for this transformation, is a silver mercury amalgam. So it looks like Newton found a way impart spirit onto something.

There is also this:

I propose that we enact the Protocol but limit it only to his laboratory, destroying his research and correspondence

Fun fact: the dog Newton is experimenting on is likely Diamond. Diamond has a lot of stories about him. The most important one is that he burned about 20 years worth of Newton's manuscripts.

And that's that. Quite a lot to break down as I said. But we're not quite done.

Sam talks to Alice about the computers listening to them. Which isn't the first time he's had that thought but it's nice to see him bringing it up. Alice is very Alice about it but Sam is at least trying to figure things out.

Lena and Gwen have a Lena and Gwen conversation about Lena sending Gwen to her probable doom. But Starkwall is mention again. Nothing too interesting to say on it though.

We finally get more of Colin. It's been too long. He obviously know's Freddy is listening in at this stage but what I want to focus on is the last two sentences here:

No, what I need is to not be seen. He sees too much already. Doing mummy and daddy Stasi proud, I’m sure. Not that anyone cares as long as it all balances, right? Not too much mercury or the world ends, not too much sulfur or we all go mad…

So as I was just talking about the tria prima, here it is again. Sulfur is the soul which is emotions and desires. Which lines up fairly well with how Colin describes what too much of it would do. But this whole thing seems to tie into Lena's talk about balancing forces. Which makes a great deal of sense as the alchemical symbols for the tria prima, along with the philosopher's stone, all appear in the OIAR's logo. How Newton ties into that remains to be seen but there is a very large link there. The mention of the Stasi is also sort of interesting here. For those that don't know the Stasi are the East German secret police. Germany has come up a few times before with Freddy having German source code, Klaus being a German, and most relevant to this in the ARG the largest body of text was a usenet group about people leaving East Germany. Which then ties back into Colin as one of its member hacked the OIAR, and also seemed to be helping out jmj.

Okay, all done. Now it's time for more of the same but nerdier and unhinged.

------------------------------------------------------------------------------

Incident/CAT#R#DPHW Master Sheet and Terminology Sheet

DPHW Theory: 1137 is very reasonable. Just a Weird thing that was very weird and had a little bit of mental manipulation to it which looks to be Helplessness' purview. It's also more weight on my idea that 1 is the floor with 0 being the ceiling and counting as 10. There was nothing in the supernatural element of this one that had any strong resonance with Death or Pain as concepts or themes. If 0 was the floor I'd expect to see it for this one.

CAT# Theory: CAT13 is a great a CAT#. It's exactly the sort of thing I was talking about in the essay on why it's not Person/Place/Object. The supernatural "person" here is either Newton performing the magic, or the dog that's the subject of the magic. The object is the crystal that induces the transformation. Which is a virtually identical setup to the tattoo incidents but those aren't CAT13. They're CAT3, CAT23, and CAT1. It's continuing that trend of data that you can explain in isolation but becomes incongruous when taken as a whole.

Anyone that's read most of these rambles will have heard me mention the notion of CAT# being related to the tria prima. It's something I talked about when the first couple of eps came out. Colin mentioning sulfur and mercury is a fairly overt reference to it, and Diana's tree is a silver mercury amalgam. In relation to CAT# it's always been something that felt right. What tria prima describes and how CAT# works would go hand in hand for this sort of thing. Now, I'd be a hypocrite if I clung to the idea just because it felt good. So I quickly discarded it because episodes didn't line up will with it pretty early on but it might warrant a fresh look. I might have been right but with too little data to see the pattern.

The way Colin talks about it also ties in with another idea I've floated that CAT# is about the domains of either three entities, a triple deity, three purviews multiple entities share, or that each combination is an entity that's a portion of a whole. Lena's comment about the OIAR balancing forces would obviously tie into that notion too.

R# Theory: Rank BC is about what I expected on this one. It's not something you'd think happened but it's at least backed up by a historical account of someone well known. So more weight behind it than a letter about a mass hysteria event, but still in the realms of "yeah, nah".

Header talk: Transformation (canine) -/- growth (Crystalline) is bonkers. Transformation (Canine) you would think is a Transformation that is somehow canine in nature. Transformation (Eyes) isn't just your eyes. So, if this is correctly filed, dogs have their own subsection that encompasses all of transformations that occur to dogs. Any transformation, regardless of what it does, so long as it transforms a dog would be Transformation (Canine)? Growth is fine. It grew root-like things/Diana's tree is grown. So it makes sense. Although I'm not sure it's the most compelling crosslink when it was doing the whole "know the nature of you" thing. Crystalline on the other hand is madness. Sure, Diana's tree is a crystal but it's formatted like the subsection of a crosslink. Or a sub-crosslink, I suppose. Which hasn't been implied to be possible thus far and if it is possible why don't they all include it? Surely this helps with the problem in specificity that was mentioned in the very first episode? This one feels the most like a misfile so far. No format again either.

[sulfurousdreamscapes]

How I Hacked My Short Story Brain into Developing a Novel

I promised I'd make this post, so here it is, but with a proper title and everything so that it'll be more generally helpful to other writers.

Regulars of this blog have probably noticed that I've struggled a lot with long-form fiction over the years, despite having churned out a library's worth of short fiction.

This time though, things are coming together, and it's because I've got a technique down that plays to my strengths as a short story writer.

Step 1: Outline and Draft Something

After writing and abandoning several outlines for my WIP Last Night, New Body, I finally set one in stone and wrote a draft for it this January.

The rough, first, skeleton draft was 30,000 words long - far from ideal, but better than nothing. It was tough, but I got it done in two months.

Step 2: Read Through and Take Notes

Next, I read through the draft and took notes on how I thought the novel could be improved. This included notes on plot, characters, and setting. The notes were all taken in a spread sheet in the following format:

Page Number -> Note Title -> Description -> Category

The 'Note Title' could be something witty or referential, but it has to be short, like the name of an achievement in a video game. So for example, it could be:

23 -> Enemy at the Gates -> Why does Nadia shut the door when she sees that Rhea has come to visit? -> Character

I took these notes freely, writing down any point that I thought could be changed, expanded, removed, or otherwise mused.

Once I was done with these notes, the question arose: what the hell do I do with these notes?

Step 3: Treat the Notes As Writing Prompts

This step is in-progress at the moment, but I'm halfway through it already! The idea is to take each note and write 500 words for it.

This comes naturally to me because I've written hundreds upon hundreds of flash fiction pieces for my blog, each one targetted for 500 words. This means I'm now developing the novel 500 words at a time, based on the notes I took while reading through the skeleton draft.

The process has been beautifully productive so far, and I've come up with so much detail, so many new scenes, and better developed characters. My next draft will be assuredly be much longer than the 30k words I got down before.

So how long will this take? That depends on how many notes you take. I initially took 72 notes, but I've found that as the story develops and changes, I've had to "delete" many notes because they became redundant or irrelevant. I say delete in quotes because I've actually moved them to a 'recycle bin' sheet of sorts, so that I can retrieve them later if I deem them important after all.

Next Steps? Outline and Draft the Thing

I'm generating a lot of meat for the skeleton draft, and I'm dying to put that meat on the bones. To do that, I plan on first constructing a very detailed outline, including as much detail from the expanded notes (the 500-word pieces) as possible.

This done, I'll write the 'flesh draft' while referencing both this outline and the skeleton draft. As excited as I am for this, I do anticipate this process to be difficult, so I might find a way to divide it into small, short story sized chunks as well.

Then come the edits and everything else. We'll cross those bridges when we get there.

[nexerist]

Heyyyyy, so I got into writing since work hasn't given me time to actually work on my art. It will soon be resolved in a few weeks, then back to posting more often. I am making a comic again and almost done with it so I don't promise projects that won't come.

Enough about me, and let's get to you! This is a thunderstorm comfort I wrote a while back on AO3 and forgot to post it here. My collection is called Nebula Kisses. This one-shot can be seen as platonic or romantic, next one is more on the romance side but still can be platonic if you wish. But so I don't clog your feed, I'll post the next chapter tomorrow or later but within the week!

I also apologize for the weird formatting, this was written on my phone during the time so I don't have the fancy indents or proper grammar check.

Thank you for sticking around with my inconsistencies, I wish I had more time.

So much love,

Nexi

Breath |Sun/Moon x Scared!Reader|

[Power had gone out, leaving Sun and Moon to look for you in the dark. However, you are absolutely horrified of thunderstorms.]

The daycare was lit up during the town wide blackout. The rumbling generators along with the constant loop of the daycare music, Sunnydrop was busy awaiting got his favorite visitor. Who might that be, well none other than the security guard who is ordered to look out for the lobby, green rooms, and of course, the daycare. Y/N is what they call themselves, which Sunny really liked that when they mentioned it to him, he walked around repeating it like a song.

But they were late, a half hour late. He taps his foot impatiently, he checks the attendance and sees that they did clock in. What were they doing? Did they get lost? It's impossible to miss his big daycare! Surely you didn't forget either, his lovely face was everywhere, that had to remind you to check on him.

A quiet rumble of the storm outside rang through the building. According to the weather, it was going to be a rough and long storm ahead. Heard it was going to last until morning.

Sun, getting impatient, decided to look for them himself. Feeling confident, he takes his long strides to the daycare door, his hand reaching for the door knob. He felt himself pause for just a moment. He hasn't really left daycare, not that he can't leave, but it was risky. Last time he left was to take care of that rulebreaker and set up some banned signs around Kids Cove, but that was the furthest he went in a very long time. Sun was still very angry about it, but it did reopen the daycare after Freddy left. So maybe he should forgive him? Nah, he needs to apologize first.

Sun shakes his head, he was getting off track. He opens the daycare door, mind back on his mission. To find his Starshine. He takes his long strides, making sure to stay near the light and flashing signs. The easy part was now over as he got to the entrance door that faced the slide back into his daycare.

As soon as he opened the door with great confidence, he saw that is was pitch black. Maybe his friend did get lost, with this darkness and no flashlight, it would be nearly impossible to find him! Not taking into consideration of muscle and location memory. He felt Moon stirring from inside.

“Moon, sorry to wake you up from your nap. Our dear friend is missing and I had hope to do it myself! But uh... Looks like I can't do much.” He spoke aloud. Silence rang through his head, awaiting for his alter ego to speak.

Moon was recently having a fit, and not talking. This happened since Eclipse disappeared into the arcade cabinet when he was playing that discount floppy bird game. Moon had tried to get him out by playing the game, but something happened to him too. He became mostly unresponsive, giving out short phrases or sentences.

Sun would hear his alter giggle, which relieved Sun that Moon was at least in a good mood. Sun takes in a false breath of courage and walked into the dark. If he could close his eyes, he would've. The familiar pain in his face shocked through him, making him grab at it. He feels his rays click into his head on at a time, unlocking his chest compartment which his infamous hat was held in. It started from his fingers, the oranges and silver turned to white and blue.

Sun felt himself pull back and release control. He now stood outside and watched Moon take his hat and place it up on his head. Moon crouched down and stretches his legs, then start crawling on the floor towards the wall. Sun, not wanting to be alone, would do his best to follow.

“Little Star has gone missing.” Is what Moon would say before climbing up the wall and opening a vent to crawl through. He started to giggle and cackle, it echoing through the building and alerting that Moon was out early. The glamrocks retreating to their green rooms as to not go to parts and services.

*×*×*×*×*×*

You had entered the building on time, rarely ever late. Today has been storming hard, the rain pattering hard on the glass of the lobby entrance. Things were up and normal, doing your normal tasks. Checked stock, picked up any lost and found items to either throw away or await for the owner to come in the next day to pick it up. As you head into lost and found, that was when you heard it. It started as a small rumble before the sky roared a building shaking thunder, knocking the power out.

You have always been afraid of thunder since you were young. Not that you could explain it to anyone without the fear of being made fun of for a childish fear. It wasn't childish to you, it was real, the sense of dread and fear that paralyzed you proved it. You drop to the floor, staying as close to the ground as you could. If you could just find your flashlight, you had to crawl around a bit to then heard another rumble.

It took your breath away, your hands shaking as you retrieve the flashlight. Trying to find some solace in the light, you put your thumb on the switch and pushed up. Click. Click-click. Nothing. The flashlight, so cheap that it doesn't even last a hour with full charge, was dead and the charging stations were down. You were in the dark, the loud storm rattling the outside shutter doors, making it very loud and overwhelming.

You grab a blanket from the shelf and put it over you and your head. It just felt safer when surrounded by the soft fabric. Peaking through the opening, you hesitantly get on your feet again. You still had a job to do, but it was going to be slower. You would like your paycheck still and you knew how stingy the company was, taking your panic and finding a way to no pay you.

You would manage to get out of lost and found in the dark. On your way out, a little glow in the dark Monty was resting in a stroller. It must've been left behind but picking it up, it still had its tag and security pin. Rather, someone tried to steal it. It did produce light, enough to get around at least. However, these toys don't glow in the dark for too long. Got maybe, a solid twenty minutes? It's been dark for five, so fifteen. You did your best to scamper to the green rooms and peak around.

You arrive and you see the famous glamrocks interacting with each other. Monty with Roxy and Chica, heading back towards their respective rooms. Monty had taken over as temporary lead as they remade a new Freddy. They did have to use the scraped Mr. Hippo glamrock to fill the fourth spot. Your train of thought was cut off as another loud crash of thunder rang through the building. You huddle against a corner and put the blanket over your head again.

“Why... Why now... Why can't you come when it was after work...” You mutter as you croutch down and felt tears prick your eyes. Another crash finally made you crack, you try to hold back your tears but they started to stream down your face. All you felt was dread, paralyzing fear that. You wanted to scream in fear but that would reveal your fear. You try to be fearless, not let anything bother you. When you first met Sun and Moon, they were rather surprised that you approached them. You had a fascination with how they acted and looked. It was endearing, when you took the time to watch them and interact that even under their rough attitude and words, they were lonely.

Lonely.

Another crash, you were shaking and on the ground. Hands over your ears and a quiet sobbing from your blanket shell. You were too scared to notice the vent opening and the giggling of a certain jester. One with the Moon rather than the sun. The jester made his round, single red eye darting around to find something. Then he hears the sobbing, unfamiliar to his sensors. Crawling over, he finds the shaking blanket of which the sobbing came from. When he lifted the blanket that was when he saw you. Your glow in the dark Monty plush was almost out of glow, leaving you in almost pure darkness.

Moon was all you saw now, his eye lit up the small space. He tilts his head in confusion.

“Why is Little Star hiding? No monsters are here, just Moon” He spoke, unsure to react to the crying. You quickly wipe your face and sniffle, putting up your strong front.

“Cause uhh, I was playing a game..?” You made it sound more like a question than an answer. Of course, it was a lie, so Moon leaned closer.

“Then why cry? Liar, liar I hate liars. Speak truth.” Moon wipes a tear from your cheek. But as you go to answer, the loudest crash of thunder lands. It shook the building again, making the lights flicker and power back off. You yelp and cling onto Moon. You try to get as close as you could, fingers slipping a tad just for you to scramble to get your grip. You breathing escalated and felt the verge of hyperventilation. You weren't expecting anything from Moon, never was the touchy one unlike Sun who couldn't stop having tiny touches and bumps.

But you then felt mechanical arms wrap around you. He sat down and pulled you onto his lap, cradling you close to him. He gently rocks back and fourth, winding his broken chest music box. He was taking nap time protocol with some modifications. His broken music box plays a soft tune, though in some places it wobbled.

“Breathe. Deep breaths. It will be okay..” Moon whispers. You try to follow his instructions, still freaking out. Your shaking breath and hiccups try to find a rhythm. Moon rests his blue hand and rubs gently up and down your back. It was slow. “Breathe in..” He whispers, his hand gliding up slowly, helping you follow. You take a shuttering breath in, slow like his hand. It stops, in which you held your breath. “Breathe out...” His hand runs back down and you sigh out. It was then looped

Moon would then carry you, you holding onto him with your legs around his thin waist, him with a arm under you and one on your back to keep the rhythm going. He adjusted the blanket to keep it over your head.

He arrives back to the door of the daycare, avoiding the light, he hooked his arm around the wall to find the light switch to turn off the lights. He finds it and flicks it off, hearing the buzzing electricity stop. He peeks in to make sure and then walks in. He takes the long way around and gets inside the daycare. He would have the fly hook attach to his back and he glides over to his and Sun's tower.

“... Moon..? Why are we here..?” You asked, hearing the rumble again and wincing at the noise. Moon would hold you close as he goes back to crawling. He crawls through a small hole off to the side and see that it was a small hiding place. There was boxes, drawings, a mattress with a few pillows. There was also an arcade cabinet in the corner with the screen busted.

“Hide away, storm won't follow here.. Safe here..” He crawls onto the mattress and lays you next to him. The rumbles of the storms were dampened, making it barely audible. With the help of Moon's music box as well, he pets your head.

“... Thank you.” You mumble out, only for Moon respond with a fake click of his tongue. He giggled a bit and curled up around you, his legs are under yours, making you rest yours on top of his. You both cuddle up under the blanket, Moon rubbing your back to keep the deep breath rhythm.

A very loud roar of the sky fills the room, and you both tense up and huddle. A few more tears fall and Moon quickly wipes them away. It was the first time you would ever see Moon have a slight shake in his hand. He was afraid too, of thunder and storms. He was able to repress his fear as his tip top priority was to make sure you were okay first. But he felt as if he needed to keep up this false confidence that you could remain calm.

You mimic his movements, running your hand on his back in a soothing motion.

“Breathe...” You both say at the same time. You get as close as you two could and comforted each other. Moon pecks the top of your head. He felt safe with you, and you felt safe with him. For someone as reclusive as Moon, this was a good bonding experience that neither of you would forget.

[of-solitude-past-and-present]

Hidden in the Sands (Yandere!Naga!Kunikuzushi)

Warnings: Character Death (not reader, not kuni), Some Gore (description of a corpse), Injury (of reader), Monster AU, implied semi-cannibalism (he isn't human but close enough), some blood (mostly not reader's, a little is kuni's), biting, venom, graphic description of venom effects (used on reader non-lethally), kuni-typical insults, venom effects are made up, kuni tries to kill you (at first but doesn't follow through), reader has a semi-near-death experience, threats, kidnapping, imprisonment, nonconsensual touching (SFW ofc), general yandere themes, kunibaby is Not Nice but it's okay because he's hot, reader goes through the wringer... if you prefer soft yandere, this is probably not for you. loosely based on a rp I did with a friend.

Sorry I lied about the rook and sebek HCs. I have Sebek's pretty much done I think, but Rook remains an enigma. Might post them separately, idk.

Kuni's appearance is inspired by the desert horned viper. If the formatting seems a little weird at any point, it's because tumblr messed it up when I copy/pasted it here. Might fix it later.

6.5k words or so.

The Desert of Hadramaveth.

You haven't been here before. You thought the rest of the desert was bad, between the heat which was "enough to melt a mist flower but not really" (paraphrased from a certain fox friend) and the unforgiving terrain.

This was worse, with its near-constant sandstorms. This was the second one today, and you had only just left the Tanit camp. In other areas of the desert, you were begging for a reprieve from the sun, but here, you were almost begging for it back if it meant you didn't have to worry about getting sand in your eyes and throat. It was almost, almost enough to make you consider turning around and dropping the commission.

"Do you want to hear a dry joke?"

If it weren't for your friend here, you probably would. Unfortunately, you can't turn back now that you've gotten his hopes up. The most you can do is slump your shoulders and sigh, suffocating under the endless heat, what little you could see of the sun, and what you knew was coming next.

"Sure, I'll bite."

A large, beaming grin spread across Sanad's face, and you braced yourself.

"A desert."

"That's terrible."

"Oh, come on! It's funny and you know it!"

"Does that even count as a proper j-"

You paused, looking up at the sky. In the distance, you could see a large, beige cloud. Again?

"We need to find shelter. There's a sandstorm coming."

"Well, looks like we're in luck. Where isn't shelter?" he responded.

It was true. You and Sanad were somewhere just north of the Tanit Camps, near Wadi Al-Majuj. Ahead of the both of you was the entrance to a deep canyon, lined with ancient ruins. According to the map, it was called Pairidaeza Canyon. Behind you, there was another entrance to a different canyon, and according to your map, if you went back a ways and to the right, there'd be a third one.

"Come on, let's go! I need to look through these for my thesis!" He rushed, running ahead of you.

"Careful!" you called out. "There might be bandits down there."

He immediately slowed to a stop, sheepishly turning around to move back to his place next to you.

"On second thought, take your time. Just make sure there's nobody else in there."

You chuckle, already starting a reasonable pace down the steep slope into the canyon. "Thought so. Just a reminder, we're leaving immediately once the sandstorm ends, unless we find who or what we're looking for."

Right. What you were looking for. Recently, small groups of travelers and even large caravans were being attacked. Most of the attacks occurred between the Tanit Camp and around the Passage of Ghouls. A few supplies were usually stolen, but that wasn't the worst part.

A few days later, the rotting corpse of one of the travelers or nomads would be found, half-eaten and with a twin set of puncture marks in their throat. Any useful supplies would be missing, but oddly enough, the mora was almost never taken.

Normally, you'd assume that maybe it was just a deranged serial killer, and either the bodies were eaten by wild animals or the culprit was worse than you thought. But it was strange. What serial killer had fangs like that? And if it was a wild animal, what use would they have for supplies like bedrolls and first aid kits?

The survivors usually all said the same thing; they were caught out in the middle of a sandstorm, and all they heard was a scream or shout before one of their friends disappeared. When the body was found, some key survival supplies would be missing as well. When a caravan was attacked, some supplies (and occasionally people) would even be snatched right off the backs of the desert sumpter beasts.

Hence why you and your friend Sanad were out here to crack this strange case. Mostly you, though, since Sanad only wanted to take a gander at the desert ruins for some Akademiya thing. You'd probably have gone alone (or at least tried to, before you decided the mora wasn't worth it) but when he heard that you were going to this section of the desert, he insisted on coming for his thesis or something like that. He helped pay for the trip, and he was paying you personally, so you had no reason to refuse. He was your friend, and good company to boot, even if he was a little bit skittish.

"Well, that might be possible... but you said you didn't even know if the culprit was a person, didn't you?" he inquired, as the both of you passed the first of the ruins in the canyon.

You sighed. "Yeah, I told you all about that already."

A glimmer of excitement appeared in his eyes. "Well, I've been thinking since then, and I remembered this old desert legend! Have you heard of nagas?"

"Nagas?" you parroted.

"Yes, nagas!" He nodded his head. "They're an ancient race of ferocious half-human half-snake people that supposedly existed during the reign of King Deshret. Apparently they were equal parts revered and feared, as wise and strong beings."

You raised a somewhat skeptical brow. "I thought you didn't believe in legends?"

He laughed. "The Akademiya has declared them to be just baseless nonsense, so of course I don't think they actually exist. I just think it's very interesting, and it technically matches what we know..." He trails off, looking around in awe.

"If you want to look around, you can. Tell me if you see or hear anything."

You didn't need to tell him twice. With a rushed "thanks!" and a wave, he was practically bouncing up what probably used to be a set of stairs to a higher level within the ruins, off to your left. In the meantime, you'll look around, see if you can find anything interesting.

You looked up and around, spinning on your heels. From what you've seen of the canyon so far, it's just a straight corridor with partially collapsed stone ruins on both sides, and a fallen wooden bridge that once connected them. You can see several ways to climb up higher and explore the ancient stone buildings, including the way up that Sanad went.

You and Sanad are pretty deep into the canyon at this point, and you have to crane your head just to see the top. As you do this, you notice just how many floors there are in the ruins. Some have crumbled so much they seem almost completely inaccessible. They're so high up, you can't see anything on them from your angle at the bottom.

There's just so many places to hide. The realization makes you tense up a little. Maybe you should have gone up with him.

It's so strange though. The complicated ruins, numerous hiding places, and the nearby water would make this place an ideal camping spot for bandits and thieves. But so far, you haven't seen hide or hair of anyone else. Not even an abandoned camp.

Until somewhere in the ruins, you hear an odd sound. It's hard to make out, and it sounds so much like the normal shifting sand that you almost brush it off as a natural sound in the canyon. But you hear stone crumbling and rocks falling, and you look up, seeing something move on the side of a ledge too far above you to check. It's close enough that some of the rocks hit the ground next to you. You squint, watching the ledge, waiting for whatever it was to move again, but the sound stops. The hair on your neck stands on end–from what, you aren't sure. Sanad is even closer to the source of the sound than you are, but not far away at all. Just out of sight. Was it from him? Or someone watching him?

Or are they watching you?

You're not sure, and you'll check just in case. Sanad doesn't have anything to defend himself with except for a dagger. Without another thought, you surge up the stone steps, hand subconsciously finding its place on the pommel of your sword. When you get up there, you see him standing with a hand on his chin, studying some old glowing contraption you've never seen before.

"Did you hear that?" you ask, breathing just a little heavier than normal.

He turns to you somewhat incredulously, just as fine as ever. "Hear what? I haven't heard anything. Are you alright?"

You calm down a little bit, letting your hand fall from your sword. "I'm fine. I was just worried about you. Didn't you hear that noise? I saw something move up there." You look up at the ledge the rocks came from. You don't see any way to get up there that's safe.

The sand is starting to pour in harder through the massive gap in the canyon ceiling, and the wind is beginning to howl. You and Sanad are slowly being dusted in sand.

"You're a little on edge. Relax! A sandstorm is starting and the wind and sand probably just knocked a few rocks into the canyon or something. It happens all the time." He flashed you a reassuring smile, turning back to... whatever those were on the wall. They're shaped somewhat like bowls, and as sand pours into them, sand also pours out a hole in the side into another one of them. You're not the researcher here, so you ignore it.

You let go of some of the tension in your shoulders, letting out a held breath. "Alright, sorry for bothering you then. Just so you know, if the sandstorm gets any worse, we'll be moving deeper into the canyon to get out of the sand."

He turns back to you, somewhat pleading. "But can't I stay? I'm not the one looking for the guy, so you don't need me to come with you, right?"

You expected this, just as you expect that he'll be the one choosing to come with you after what you say next. "Yeah, you could, but if something happens I probably won't be able to hear it if I'm down there."

He freezes, grimacing a bit. "Alright, alright. Let me know when you move on."

As expected.

You chuckle at him with a lopsided smile, turning back to go down the ramp. He was probably right. It seemed like such a silly thing to panic over. Of course sand and rocks would shift and fall in the desert during a sandstorm. That's probably all you saw. You're glad you brought Sanad along and not some other stuck-up researcher who would have made fun of you for it.

When you reach the bottom again, you turn your attention to the ground. Aside from the sounds of the howling wind and pouring sand, you can hear water dripping as it coalesces into the wide but shallow puddle in front of you. That's not what interests you, though.

There's a long indentation in the sand, about as wide as you are, as if something had been dragged through. It extends further into the cave, where the ground becomes rockier and the track disappears.

You crouch down to inspect them further. Chances are, it's probably a large haul of supplies that was too big to properly carry. This place is the perfect hideout for thieves and bandits, so it would be worthwhile to investigate. If you're lucky, it might be the bandit you're looking for.

The canyon starts to darken, so much so that you now have trouble making out the edges of the track. Most of the sunlight that filtered in through the top has disappeared behind a haze. The sound of howling wind grows louder, and the hiss of pouring sand all around you is almost deafening. You've had quite enough of the sand raining on and around you, so you call out for Sanad to come back. It doesn't take him long to come rushing back down the way he came.

"We're heading deeper in to wait out the rest of it," you explain.

He sends a longing look back at where he had come from. "Alright... I see," he concedes, with a dejected slump of his shoulders.

You'll humor him. "Did you find anything interesting?"

He instantly brightens up, excited to talk about whatever he found. "Yes! It's this interesting mechanism that fills with sand. I read about it in a textbook once! It can be opened and closed, but I couldn't figure out how to. I've heard if you can fill them as they were intended to be, you can get treasure from them!"

You two begin moving deeper into the canyon, and you send him a teasing smile. "With the way you're talking, I'd almost think you're the adventurer here."

He shudders. "I could never. At least, not as a full time job. You encounter monsters all the time, don't you?"

"They're not so difficult to deal with, once you're used to seeing them."

"That is not at all reassuring!" He stops to let out a breath. "No, I just want the free mora. Trips like these are expensive."

You sigh. "Well, if you want to, we can at least take a crack at it together on the way out of here."

His eyes light up again. "That's wonderful! We can even split the rewards if we manage to solve it!"

"No more than an hour, though," you warn. "With all the sandstorms, we don't have the time to waste."

"Aww, fair enough." A moment of silence passes, and he turns back to you. "Oh, I almost forgot to ask you! Did you find anything interesting?"

You think back, and the only thing that comes to mind are the tracks.

"Well, a little bit behind us, I found these drag marks. Like someone had dragged a big bag or something, I couldn't tell what."

"Drag marks? Oh, so maybe it really is a naga after all."

You turn to him in exasperation. "Didn't you just say you didn't believe in them? Besides, why'd you even tell me about them if you don't think they exist?"

He laughs. "I'm kidding! I only told you mostly because I wanted to. But I have a more realistic theory too!"

"Really now?" You raised a skeptical brow.

He turns to you, faking a gasp in faux offense. "Why are you looking at me like that? Of course I do! I don't study at the Akademiya for nothing!"

You chuckle. "Oh, go on then. Don't keep me waiting."

"What if the culprit keeps a snake around? Think about it, at the price of a little food, they'd get an unlimited supply of p–Hey! Don't laugh at me! It's not as ridiculous as it sounds!"

Apparently you weren't as good at hiding your snickers as you thought. "No, no, I'm not laughing at you. I was just imagining it in my head. From what I heard, it would have to be a pretty big one based on the size of the puncture wounds and the distance between the fangs."

He crossed his arms, looking away. Guess he didn't quite believe you. "It's not THAT unbelievable, especially in comparison to the naga theory... Haven't you seen the street performers with the snakes in Port Ormos?"

You hold your hands out in a placating gesture. "Okay, okay, you're right, I'm sorry. But your theory doesn't explain everything–what about the half-eaten bodies part? And they almost never take mora either... besides, the street performers use nonvenomous snakes."

"I guess it would be risky, but in theory, venomous snakes can be trained too! Desert dwellers tend to be... fearless. Though..." He puts a hand to his chin in contemplation, looking down. "I'm not quite sure about that other part either. Though it's not as if cannibalism was ever off the table, there's always the chance it was just wild animals that found the body after. As for mora... maybe it's someone who never gets the chance to spend it anyway?"

"Like, a recluse or something?" you pipe up.

"Yeah, exactly! Someone who's completely self-sufficient, who doesn't need to deal with other people to survive. Makes enough sense. They probably get everything they need from the people they're attacking."

At this point, the both of you are up to your ankles in water. The canyon is fairly wide at the bottom and grows so much narrower towards the top that very little sand makes it through, so you take the liberty of brushing as much of it off of you as possible. The both of you pass the last of the stone ruins. Up ahead is just bare, mostly untouched canyon. It's damp enough to support an amount of greenery that seemed a little out of place in the desert. You can still hear the wind howl, but it's a bit quieter here.

You and Sanad pass an opening in the wall to your right, leading to a dead end with a fairly deep pool and what looked to be a crumbled stone bridge.

"Your theory is a little... out there, but some of it definitely makes a good deal of sense."

"It's an early hypothesis! We'll revise it as we find more evidence."

You roll your eyes a bit. "It's alright, I'm not judging you."

You look around again. There's plenty of dry places to stop and rest without worrying about sand, so this should be an adequate place to wait it out.

"Why don't we stop here?"

"Not yet!" Sanad points further into the cave, where it opens up some more, with a rock jutting out of the center of the room, surrounded on one side by a shallow stream of water. "I can see more ruins in there! You can stop there and I can keep looking around."

You sigh, for what felt like the hundredth time. As much as you wanted to rest, it wasn't far away at all. "Alright. But we're still going back to that mechanism immediately once the sandstorm is over."

"I know, I kn–"

From an entrance to another path to your right came a blur, barreling right at Sanad. You have barely enough time to shove him behind you and out of its way before it stops in front of you both, dark claws bared.

Now that you can get a look at it, you realize it's a scarred, shirtless man with a dark head of hair, sharp indigo eyes, and... two pale, straight horns? Looking down, he doesn't have a pair of legs, but a sand-colored snakelike tail with rough scales. Even without the rest of his tail, which was hidden behind him, he's quite literally twice your size.

A naga?

He sneers at your sword as you pull it from your sheath, showing off a long pair of fangs. "A little short, isn't it?" He hisses. "Good luck with that."

"Sanad, get back!" You cry, holding your sword out in front of you threateningly. The naga seemed more amused than anything, simply starting to circle. Watching.

While you backed up to keep the naga from getting between you and Sanad, he hurriedly ran far back the way the both of you came, staying just close enough to watch the both of you.

Without warning, the naga lunged forward, one claw-tipped hand reaching out to swipe at you. You swung your sword at his arm, but missed, just barely grazing his side. Still, it was enough to force him back. He brushed over the superficial wound with one hand, smearing what little blood came from it, taking a look.

You stand there, adrenaline pumping through your veins, unsure of what to do. His reach was almost as long as yours, even though you were the one with the sword. This has to be who you're looking for, but you're beginning to think that you should've brought more people.

When he looks back at you, that cruel sneer is still set in his face, but a glint of annoyance is now present in his eyes.

"Lucky hit. Don't count on it happening again."

He doesn't hesitate, rushing forward immediately. You swing again, but it's too early, and he barely has to slow down before he's coming at you again. He's so close now that he grabs your shoulder, claws digging in hard enough to draw blood, shoving you down. In a blind panic, you're forced to adjust your grip on your sword so that you can bring your arm back and stab into his tail.

Before you even realize what's happened, you're on the ground, wind knocked out of your lungs. The arm that had held your sword is pinned to the ground by one of his hands, the other still holding onto your shoulder. You wheeze pathetically while he leans down and slides his fangs into your throat.

Your sword had bounced off of his scales, barely even leaving a mark.

The first thing you feel in your throat is pain, followed by an overwhelming numbing sensation, only interrupted by pins and needles. He chuckles as you thrash around in his hold, your free hand trying to push him off. The sensation is spreading, from your shoulder down even to your fingertips. The only thing you can do is let out a pained groan.

The pressure, from anything, from his hands on you to your own as you push and hit him, hurts. Like everything that touches you only pushes those pins and needles deeper into your skin. It's this feeling that finally makes you go limp in his hold, giving in. It gives you the chance to look up, focus on anything but him, and see that Sanad has long since abandoned you. Lucky bastard.

You hope that he gets away, at least. Even as the half-snake thing on you pulls away to hold your face in one hand, forcing you to look at him.

"Seems your little friend didn't care for you as much as you cared for him. Don't worry. I'll do you a favor and make sure he gets what's coming to him." You manage to focus on his face, smeared with your blood and that same, ever-present sneer, but with something else behind it. Something vindictive.

You grit your teeth. It stung, even though you knew it was the only reasonable thing for Sanad to do.

It's petty, and it won't do you any favors, but you lift your arm and slap him across the face as hard as you can. The impact alone sends shocks of pain down your arm, but he barely even moves.

Instead, he laughs in your face, dark amusement flitting across his hauntingly beautiful features. "What was that? A love tap? After everything, I'm surprised you can even try." He leans in closer still, your noses almost touching.

"I'm sure you feel proud of yourself, don't you? Good job! I might just leave you for last, then."

Without another word, he dashes off to find Sanad, and all you can do is pray the snake isn't successful. After all, what's a pampered Akademiya researcher to do against a man-eating monster?

You try to stand, but a bone-deep exhaustion pulls at your limbs. You can only get halfway up before your vision starts to go dark and you collapse onto the ground in a graceless heap. The pressure still hurts, a strange buzzing sensation rising alongside the needles and numbness. All you can do to help it is curl onto your side, minimizing your contact with the ground.

You lay there for a while, drifting in and out of consciousness for who knows how long. The pain is fading slightly, but you're not sure if it only feels that way because you're getting used to it.

Maybe you're dying.

A chill goes down your spine at the thought, and you do your best to dismiss it. It isn't hard, not when your thoughts are interrupted by a terrified, blood-curdling scream cut too short to be natural.

It brings you back to your senses. You keep listening, but you can't hear any more noises over the constant sounds of the canyon. Dripping water, falling sand, and the howling wind.

If that was Sanad, then since you're already deep within the snake's den, it must be only a matter of time before he gets back...

You're pushing yourself back on your feet before you know it, another rush of adrenaline supporting you. To do what, you're not sure. If you couldn't win before, you certainly can't now. But you're already running as best you can to where you saw Sanad go, though it's more of a relatively fast half-stumble than anything else. Everything still hurts, and beneath the venom you can start to feel your muscles ache too, but if you focus on moving it isn't unbearable.

You forgot your sword. You'd turn back to get it, but even with the adrenaline your limbs feel like lead, and your sword arm is so weak you don't think you could do more than carry it anyway.

You've just reached the ruins again, and looking around at all the nooks and crannies gives you the idea to hide. As sluggish and unarmed as you are, you can't fight anyway. Maybe if you hide long enough, he'll go away. Sanad might still be alive, if you can make it to him.

You don't know how long you were laying there, but if you could hear Sanad, they couldn't have gotten far. That fact is a double-edged sword, you realize. It's been a while since you heard his scream, and if the naga was coming back then it wouldn't be long until you saw him. You don't have much time.

You stagger your way as fast as you can manage to your right. You don't see anywhere to hide down at the bottom, but there are plenty of places above. It's so much harder than walking on flat ground, but you force yourself up a wooden ramp onto a stone platform. There aren't a variety of places to hide here, either, but you don't have the energy to go up any higher.

You hear the water below you being disturbed, in a way too constant to be footsteps, and you quickly duck forward to avoid being seen. You don't dare look, instead opting to slowly move towards a large stone statue to your right, as quietly as possible. With one look back to make sure he hadn't come up to check, you hide behind the stone dais that the statue rested on.

You take a breather, listening for any more sounds. You can't hear the water being disturbed anymore, but the thought of moving alone is both terrifying and exhausting. If you wait too long and he finds you gone, he'll probably come back to look for you. On the other hand, if you leave too early and he hears you...

With this in mind, you rest a few minutes more. The wind is slowing down, and there's less sand in the air than there was when you and Sanad first came through, so the sandstorm has likely stopped. At least the naga won't have that going for him too, once you and Sanad leave.

You'd stay longer, but the anxiety eats at you. It's only a matter of time until the naga comes back, and you don't know what condition Sanad is in.

You get up on shaking legs, your body begging you to sit back down and rest more. You know better, so you force yourself forward, looking over the ledge to make sure he isn't nearby.

You stumble back down the wooden ramp, turning to continue down the path to the exit. You have to stick to the sides of the path, where the sand is highest, just to make sure nobody can hear the sounds of splashing water.

Sanad can't be too far off now. Maybe he'll be in the same state you are, and you both can return to the Tanit camp and get help. You still have your pack on you, but the only thing that might be useful soon is the small first aid kit and the knife.

You really hope you won't need the knife.

Just in case, you pull it out of your pack and put in in your pocket. You're out of the water now, but you've come to a steep hill. The only way out is up. You hope you can make it.

You grit your teeth, sweat dripping down the side of your face as you force yourself up the incline. Onward and upward, you think bitterly. The overused phrase "ad astra abyssosque" parroted endlessly by everyone else at the Adventurer's Guild comes to mind. You never thought you'd make it to the stars or abyss to begin with, but you didn't think your journey would end so soon, either.

Your muscles burn with exhaustion, and you think you can feel the numbness slowly spreading further into your legs. Still, you continue upwards, at a much slower pace, even as you almost collapse a few times.

You come up to a point where the hill flattens out for a short distance. You're panting from the exertion, and you almost breathe a sigh of relief until you see what's in front of you.

"Sanad!"

Before you know it, you've staggered forward to collapse at his side. He's lying face-down on the ground in a small pool of his own blood.

You turn him over, tears pricking at your eyes, praying his condition wasn't as bad as it seemed. His head lolled to the side, face pale and eyes empty, unmoving. The blood, on the ground and splattered all over the front of his Akademiya robes, still dripped from the massive tear in his neck. It looked like a set of claws had dug into his skin and tore off the front of his throat.

Your breath hitches, and you fall backwards, dropping his body. Tears well up in your eyes. Why hadn't he done the same to you? Why did he do so much worse to-

"So, so loyal. Like a dog running to protect its master. You're adorable, really, even if you're a little late."

You freeze, only turning your head to look over your shoulder at him. He's slowly approaching, a condescending smirk on his lips. Half-dried blood covers one of his hands.

"There's no need to mourn. He was pathetic. Did you know that he only cared enough to fight when it was his life on the line?" He looked distant for a moment, before looking at you with something almost soft in his eyes. It disappeared so fast, you'd almost think you had imagined it, the condescending smirk and mock pity sliding to cover his face once more. "You poor thing. You're better off without him. No need to thank me."

You blink away the tears, an idea coming to mind. You couldn't overpower or outrun him, so there's only one possible option for you. "You're a... you're a lying bastard! What else was he going to do?" You yelled at him, pushing yourself up on unsteady legs to face him, backing over your friend's body.

"Humans are untrustworthy," he croons, following after you. His eyes don't leave you even once. He's sizing you up, and with nothing more than a moment of contemplation, his smirk widens and a victorious glint appears in his narrowed eyes. "He was using you. Once you were no longer useful to him, he discarded you. It's pretty naive to think he left you with any other thought in mind."

You don't dignify that with a response, continuing to back up. One of your hands almost moves down to your pocket, where your knife is hidden, but you stop it before he sees.

Your heel hits the sharp incline behind you, where the hill keeps going, and you fall backwards and hit the ground. A derisive snort comes from the snake.

"I've decided what I'm going to do with you. It's much better than what I did to your friend, here. You should thank me, really." He towers over you, leaning down to your level, setting a hand down on the ground next to you. Your hand twitches for your knife.

He watches you for a moment, a quiet, breathy laugh leaving his lips at your frozen state. All you do is stare at him, shaking from the adrenaline. Finally, his other hand comes up to rest on the nape of your neck, pushing you closer to him. You can feel the sticky blood on his fingers.

His eyes glimmer with excitement, and he continues while your hand slowly drifts to your pocket. "You're just helpless. I think I'm going to keep you with me, like a little p-"

You thrust your knife at him, landing a hit on his side while he lurches away. Your blood runs cold. It should have been buried hilt-deep, but instead all you've done is leave a bleeding gash. It's not quite superficial, but it won't stop him, and you know you won't be able to land another.

His lips curl in a snarl as you scramble backwards up the hill. You turn, and start running, but adrenaline can only carry you so far. You feel almost like you're in a nightmare, fully conscious and trying to run but unable to move at any pace that could possibly save you.

It only takes a moment for a large hand to wrap around your ankle, dragging you underneath him. Your face hits the ground and your hands scrabble for purchase, but the dirt and sand only give way beneath your fingers. His other hand finds the wrist with the knife, squeezing tightly enough that you can feel the pain, even underneath the lingering numb, buzzing sensation. You can't feel your hand well enough to keep holding onto the knife. The pins and needles return, and tears prick at your eyes.

He knocks the knife far away from you and flips you over to look at him, dark eyes still burning with anger. "You're alive only because I let you live. Did you really think trying that was smart? Did you finally get it all out of your system, or do you want to try again?"

You try to speak, but the words get caught on the lump in your throat. A hand slams on the ground next to you, and you shrink in on yourself.

"Well?" A glimmer of satisfaction appeared in his eyes, even as his lip curled in a mixture of amusement and contempt. "I'm waiting."

It's all you can do to croak out a few apologies and look away, unable to stand his stare.

A deep chuckle resonates from his chest, and his other face grips your jaw, forcing you to look at him again. "Good enough," he croons. "Looks like it won't be so bad for you, then."

"What? What won't?" you whimper. His hand lets go of your face, drifting down to encircle your neck. Your hands instinctively wrap around his wrist, silently begging him not to squeeze.

That little mocking smile on his face widens. His hand tightens a little, and you panic for a second, but it doesn't go any further. Instead, his eyes grow distant, thinking.

They brighten up again, an idea coming to mind. He laughs quietly to himself, pulling his other hand off the ground and trailing it down your leg. "You can call me... Kunikuzushi. I think I know what I'm going to do with you now."

"Please don't hurt me," you plead, vision blurring with tears. He doesn't even look at you, instead watching his hand as he grabs your calf and pulls it up. "It's a little late for that," he hums, adjusting his grip to hold onto your ankle instead. His fingers are long enough to wrap fully around it and then some.

"I can't watch you all the time, and I need to buy myself enough time to get something to restrain you with... besides, you deserve this anyhow."

You were about to ask him what he meant by that, but with a distressing amount of ease, he twisted your ankle to the side hard enough that you could hear the pop. The pins and needles returned to that area full-force, the buzzing and numbing sensations right behind it. It didn't hurt that much, though. You could feel an ache beneath it all, but it didn't hurt as much as it should have. You were sure you could still walk on it.

Until you looked down, where it was still in his hand, twisted so far to the side that you weren't sure it would ever be the same again. It doesn't hurt that much, but your shoulders still shake and you still start to cry.

"There, there," he murmurs, dropping your ankle to stroke your hair. He leans down lower, a smile a little too sharp to be soft on his lips. "You'll be okay. I wouldn't get a pet if I couldn't take care of it."

You try to push him away. You know you need to do something about your ankle, but he only presses closer, resting more of his weight on you so thay you can't see it anymore. "It's a bit too late for that now, don't you think?" he whispers, leaning in to press his lips against yours, too eager and with too much teeth. You flail a bit, trying to push him off, but he only chuckles into the kiss, biting your lip hard enough to draw blood. An arm wraps around your waist, pushing you closer.

It feels like an eternity, but soon he's sweeping you up and slinging you over his shoulder. He turns around to go back down into the canyon, and you watch Sanad's corpse disappear over the hill.

This time, you can feel him rumble with the force of his laugh.

"I'm going to have so much fun with you."

[pyrotechnicarus]

What program do you write your scripts in?

Google Docs, haha. It's definitely not the preferred or industry-standard way of doing it; it gives older writers at my program hives when I drop a Docs link in the homework folder. But I was raised on it and it's a great collaboration tool, so I haven't made the switch yet (and maybe never will? Actually probably will once Google inevitably starts charging money for it. But not quite yet!).

Through my school I have a free Final Draft license, so I use that for screenwriting (which has a lot more pesky formatting rules and things), but I'm not planning on buying it once my license expires because A. I don't write films that much and B. I can probably hard-code it into Google Docs for free.

If you're insane like I am and wanna use Google Docs for scriptwriting, here's some formatting tips under the cut:

We're gonna be using a page of the Ghost Story script to demonstrate!

I use Times New Roman because Deborah Brevoort recommended it as a more readable (and slightly more condensed) font than Courier. Your font should adapt to your style; I tend to write short, snappy lines with a lot of back-and-forth, so I use Times which is a common font style for comedy writers (despite not writing comedies.) If you write a lot of long monologues, Courier New might give you a better sense of how your script flows on the page. Basically, you want to space your writing so it comes out to 1 minute of performance time = 1 page of writing.

Scene headings are centered and in bold.

Stage directions that start a scene are left-aligned and in italics; in NAMT-standard style, these are center-margin aligned, like this:

But it's kind of your personal preference.

4. All names are centered and underlined

5. Any stage directions that take place during a scene and cue a line of dialogue are centered, in italics, and in parenthesis. If they can start eating whenever while they're talking, I'd put They start eating left-aligned between two lines of dialogue. However, it is important to me that Hao and Józef start eating before Hao says his next line, so I put it center-aligned.

6. When you get to a song it looks like this:

Basically, songs should be numbered and come after a stage direction (even something basic, like "He stands up.") The enter after the stage directions isn't kosher, it's a Google Docs thing I'll get into later. Then you close the parenthesis on the stage direction and put a page break. Songs should always start on a new page. This is because when you integrate the book and score, you can just take those lyric sheets out and put sheets of music in. Nifty!

7. Lyrics are always capitalized. When two people sing the same thing at the same time, you can put both their names over it:

But if they're singing something different, I usually put it in two columns (there is some debate among musical theater writers on what the proper notation for this kind of thing is. But columns are easy on Google Docs, so I use those. When I have four or more people singing different things on top of one another, I use a 1x4 table and make the lines between the cells invisible, haha.)

Google Docs Specific Formatting Stuff

Ok, so, if you're lazy like me and don't want to be hitting 800 buttons while you're writing to format everything correctly (and please, god, format while you're writing -- going back and doing it later sucks) you can use the Google Docs headings to format your writing! And it will even make a nice little outline for you!

So, the default of these settings (on the left) is useless and ugly. But mine looks like this (on the right!)

If you want yours to look beautiful and be useful like mine, you can format some kind of text the way you want it to (for example, I want all my names in 12 pt Times New Roman, centered and underlined.)

Then I go to some random heading and I hit "Update heading to match"

Now, anytime I type a name, I can go back to this menu and hit "Apply Heading 5"... and it will automatically make it centered, underlined, and 12 pt Times New Roman! I make one of these for all my categories of text: stage directions, song titles, scene headers, etc.

But, ok, you still have to open all those menus while you're writing. Well! See this thing?

All of these have keyboard shortcuts (the Windows ones will show up on a Windows computer). You can really easily hit them after each name/stage direction you type instead of fiddling around with font settings. You're a formatting machine!

And here's the bonus: If you do all this correctly, you can get a really nice outline like this one embedded in your document on the left (this is where the song titles on a new line come in; I make a heading style for them so they show up on the outline, but headings only show the start of the phrase that they are part of in the outline. Ignore the numbers being wrong, lol. There's a secret song 3 that we haven't released yet.)

And it's clickable, too-- like I can jump right to Your Face from the outline without having to scroll down 20 pages.

Is this all needlessly complicated and doing manually something Final Draft will do for you? Yes. But I'm set in my ways, and it's free, so maybe it'll be helpful to another Musical Theater writer out there working with someone else on Google Docs.

That's it! Thanks for the question.

[tellthemeerkatsitsfine]

I've been at the Edinburgh Festival for 30 minutes. Immediate thoughts:

- I was told all streets would be horrifyingly packed with people. In fact, from what I have seen, a few spots are very very packed but it's not that hard to escape them. This is immediately better than downtown London.

- Tim Key's shawarma rec, Mosque Kitchen in Edinburgh, is better than Nish Kumar's shawarma rec, Kebab Kid in London. Even though neither is really a shawarma.

- When I hear comedians talk about the phenomenon of Edinburgh posters, I pictured pieces of paper taped to lamp posts. Nope. They're giant cardboard things that grow out of the ground.

- I thought the thing about Matt Forde, and only Matt Forde, having his posters defaced, was a joke. Nope, I've seen 3 so far, all with graffiti. Which is pretty funny.

- Edinburgh in real life looks very much like Edinburgh on Google Earth, but even better. Shockingly.

- The weather is amazing. I'm in a t-shirt and this is the exact temperature I want my body to be all the time. Crowds are so much easier to handle when it isn't hot.

- Seriously, the architecture and streets are amazingly beautiful. I'll get a proper look around tomorrow, as today I just arrived in town in the evening, came to have a shawarma and see one show. Full day tomorrow.

- Obviously I made even more changes to the schedule. Because NextUp announced last minute that they're filming more people I had booked, so I replaced them. Here's the updated schedule I made on the train this morning, and editing spreadsheets on my phone won't let me do bold and italics so I can't get the format consistent, which hugely annoys me.

People I had booked and will skip because NextUp is filming them: Sophie Duker, Chris Cantrill, Huge Davies, Harriet Kemsley

People I wanted to book so I'm glad NextUp is filming them: Amy Gledhill, Stuart Goldsmith, Chloe Petts, Catherine Bohart, Milo Edwards, Dan Tiernan

People I had booked but will skip because I'll have another chance to hear their show: Guy Williams, Greg Larsen

Lesson learned: Yeah obviously I booked too early. Obviously I cannot afford the amount of tickets I got unnecessarily. I initially viewed it as just an anxiety tax, knowing if I didn't book early I'd spend ages worrying. But it also might be a completely fair tax from me to the comedy industry in general. A guilt tax. I feel guilty about the amount of comedy I dig up and take for free. I'd say all this should buy me a fair bit of guilt-free time to enjoy free comedy later.

And that tax doesn't even include the number of shows I've booked and will end up skipping because logistics and/or the physical or psychological need for a break will prevent me from getting to them all.

Anyway, I'm off to see my first show at the Edinburgh Festival. I cannot fucking believe I actually got here.

Pictured above: Park in which I've just eaten Tim Key's recommended shawarma. A tourist attraction.

[front-facing-pokemon]

koraidon is my best friend. my beast. his name is sandwich and i never make him fight ever if he doesn't have to. i yelled at all the characters for insisting he fight. he's a special little sandwich boy.

well! i've. certainly missed out on a lot. let's get through all these

number one! sandwich is a perfect name for a koraidon. the special little sandwich boy

now, everything else:

i. only caught this after everybody ragged on me for not getting it. i dunno HOW i failed to pick up on this but, yes, i've got it now

actually, i was just about to make a proper post asking what i should do with the blog (since i queued up the final pokémon in the natdex yesterday) so i will keep this one on the list of suggestions (hopefully. if i don't then remind me and feel free to drop it in the comments of the post i make abt it)—although there is one option that's at the forefront of my mind..!

this killed me on the spot when i first got this ask. incredible. i queued up iron boulder a few days ago (obviously since i have queued up every single pokémon in the national pokédex by now) but this is funny. be proud

you did yes. that's some commitment. rather powerful especially since i don't think they can even breed. not sure if they can show up in outbreaks though

this is a theory i'm hearing about for the first time from all of you, and it's one that i do quite like. although saying "until you start thinking about it for half a second" feels like you're accusing me of not thinking about it for half a second? probably not but damn. ouch! either way i think this makes sense. i feel like it wasn't explained in game very well at all

POWER CREEP THE POKÉMON YEEEAAAAHh

oh i just call most pokémon "little guys." i quite like the phrase "little guy" and use it to describe most creatures

oh yeah. especially with all their names being nearly identical just "iron (noun)" i feel like their designs are super boring compared to the past paradox 'mons. makes me wish i got scarlet instead

i would, but i doubt tumblr will let me post them, for one, so you'd have to DM me—and for two, they're in trmdl format. whether or not you'd be able to actually manipulate them (or even render them) depends on the software you're using. your mileage may vary

and now, the many, many nose ratings i've missed:

PHEW!! that was a lot! if you're still here, you must be dedicated! if you're that dedicated, expect two posts coming up shortly: number one, a few fundraisers that were sent to my ask box that i wanted to give their own post to not mix it with the regular content. as far as i'm aware, they've all been vetted. and number two, perhaps later: the post asking what exactly i should do with this blog once we reach the end of the natdex. after i get enough suggestions on that post, i'll send out a big poll with the top contenders to truly decide WHAT becomes of this blog once pecharunt posts. thanks for sticking around for this wild ride!

[deeptrashwitch]

This just appeared since I was having my romantic moment hearing music xd I had to do it. It's more like little moments more than a proper snippet, but still, enjoy! :D

Quizas no fue coincidencia encontrarme contigo (Maybe it wasn't a coincidence to find you)

Private Vargas sighed silently as he waited into the formation, he was bored as hell, but he stayed right beside his friend Rudy. Soon the plane that transported the American soldiers landed, and the soldiers that came to train and be deployed there started to descend. His eyes locked by pure luck with one of the female soldiers, who stole his breath in a second as she raised an eyebrow and smiled slightly.

Tal vez esto lo hizo el destino (Maybe this was destiny's thing)

"Private Vargas, be sure to make Private Marchant keeps with the pace of everyone" a superior said to him, to which he nodded and saluted

"Yes sir!"

"...I guess I'll be under your instruction, huh?" she said with a animated and big smile once the superior walked away, then she saluted him "please, take care of me, Vargas. I hope we can work well together"

"Uh, y-yea, I hope so as well" he murmured, flustered by her smile

Quiero dormirme de nuevo en tu pecho (I wanna sleep over your chest again)

After some months they got into a relationship, and now they passed their free days together, sometimes just staying on bed together. Right now they were, instead, lying over the floor just passing the time with the city sounds outside. Alejandro was lying as some kind of weighted blanket over Alicia, who just played quietly with his hair, with his head over her chest.

"What do you wanna do today?" she asked calmly

"Nothing, let's just stay here for a while" he answered, looking at her with a smile "please, amor"

"Fine, fine, you charming idiot"

"You know you love me that way~"

Y después me despierten tus besos (And that your kisses wake me up)

She groaned and then giggled when she felt how Alejandro was peppering her face with soft kisses, soon she laughed and cover herself with the blanket as she heard his laugh. Just seconds later, she was caged in a huge hug, that make her laugh as well as she tried to liberate from the grip. Alejandro pulled a bit the blanket, discovering her head and starting to kiss her again.

"Stop it Alejo!" she murmured with a giggle

"Nuh-uh, this is the only way to wake you up" he said with a side smile

"Let me sleep!"

"No!"

"Then cuddle with me!"

"...Okay"

"Alejo!"

"What? It's a good offer"

[...] (some years later)

Te envío poemas de mi puño y letra (I send you poems in my own handwriting)

Alicia was smiling as she was sat over her cot overseas, a bit flustered and blushed, reading a letter that Alejandro sent her once he knew she would be on a long mission. It was filled of romantinc things and even a poem, that last part made her blush a lot, hiding a giggle with her own hand. She kept it inside the book she brought to that mission, feeling a little warm inside her chest, and soon she lied down and started at the ceiling with a lovesick smile.

"You charming idiot..."

Te envío canciones de 4 40 (I send you songs from 4 40)

While he was doing some paperwork inside his office, Alejandro had his earphones on and was hearing some songs that Alicia sent him lately. He hummed while we was writing, also smiling silently as he wondered what would have been Alicia's expression, maybe a smile or a relaxed face. And when he looked to his messages, he felt heat crippling over his face, she always wrote similar things as when she sent him the music.

"It remind me to you, wanna hear it?" he read as he saved the song on his playlist "I always will"

Te envío las fotos cenando en Marbella (I send you the pictures of us dinning in Marbella)

They compared the pictures they took during their recent dates during leave, always traveling around the world as tourists, and the last one was during a long leave. Both of them went to Spain and met there to start a tour, and ended up having dinner on a beautiful restaurant with looks to the beach. And they took a picture with the sunset behind them, all as they hugged and smiled.

"You looked handsome, cariño" Alicia teased with a side smile "even like a model"

"Don't make me start about you, amor" he answered, kissing her cheek "like a goddess"

Y cuando estuvimos por Venezuela (And when we went to Venezuela)

Another picture was them during an old trip, the first time they were together, to Caracas and now they just could laugh seeing all the differences between the past and how they are now. They were older, were more tired, but also stronger and mature, and that gave them a huge joy to be together again.

"Where's that hat, tho? I haven't see it in a long time" Alicia asked, pointing at the picture

"I...lost it" he admitted with a shy smile

"Just you, Alejo, just you"

Y así me recuerdes y tengas presente que mi corazón está colgando en tus manos (So that you remember and know that my heart is hanging on your hands)

Alejandro and Alicia were sat beside each other, just staring at the landscape in silence, with little smiles. The Colonel put his hand over the Captain's, who just scoffed and squeezed it while the little match bracelets, which they got not so long ago, made a tingling sound. For a second they stayed there without moving until the wind crashed against them and ruffled their hair, then they scoffed and laughed quietly when they looked at each other.

"Now you look like a little hedgehog" Alejandro joked with a side smile

"Oh, look who's talking, you also are a hedgehog" the woman said with a laugh "don't start mocking now, cariño"

"Me? I don't know what you mean~"

"Liar"

"No, I'm not! And you're also laughing at me!"

"...No~"

"Then what is this?"

Then he dragged her into a hug, starting to tickle her as she started to laugh loudly, trying to get away. Like that they continued for a couple of minutes, until Alejandro stopped and just stayed there, hugging Alicia from behind.

"I'm glad to have found you again" Alicia said with a little smile "but are you sure to be here with me?"

"Obviously, amor" he answered, kissing her forehead "it doesn't matter what happened in the past, I'll always be sure to stay by your side"

"Can I ask why?"

"Hmm, because I still see that you are the one I chose, and yes, even if you did something really bad...I'll stay"

"Alejo..."

"Yes?"

"Te amo" (I love you)

"Y yo a tí. Mi corazón es tuyo, querida" (I love you too. My heart is yours, sweetheart)

*overloads of sweetness* Welp, I doubt I'll do this again in a long time. It was worth it, tho *smiles*

[vendetta-if]

Chapter 6 Part 1 Sneak Peek (Pt. 1)

Hey guys 👋 Time for the very first sneak peek at Chapter 6 Part 1. I still have one more sneak peek for Chapter 6 Part 1 that I will release as we get closer to the public update date on 22nd of April (GMT +8).

This sneak peek is a little unique because it's mostly written in text chat message format 😄 As some of you might already be aware, you'll be able to choose a group chat name for MC and the gang or input your own. Below is some snippet on the choices 😆

Chapter 6 Part 1 Early Access demo is now up on both Patreon and Ko-fi!

* * * * *

The annoying sound cuts through the silence, anchoring you more and more to the waking world. Trying to block it is futile as it continues. After a few more times, you finally turn back around and reach for the source—your phone that is charged beside your bed. Unplugging the charger, you bring the phone close to your face, eyes squinted as you check the notification tray.

Oh, it's the group chat that you made last night, being active. Quickly opening your Whazzapp, you backread the chat.

Today [12:27 AM] You: "Hey guys, are you free to meet up tomorrow? Maybe around noon or so? I've got something important to share."

[02:01 AM] Santana: "I'm always available to work on the case. Just let me know the location like half an hour before at the least because I'll need some time to walk to the nearest subway station."

[09:05 AM] Rin: "I've cleared up my schedule for the day, so I hope it's for something urgent and important."

[10:03 AM] Skylar: "Sure! I'm free today. Where are we hanging out, gang?"

[10:10 AM] Skylar: "You know what, we should totally find a name for our newly-made group chat. Saying 'little investigation group' is kind of a mouthful. I've been brainstorming some names these past few minutes, and I think I've got a good one. How about 'Fabulous Four'?"

[10:12 AM] Rin: "I don't think it's a good name, but at least it's different enough to avoid copyright infringement."

[10:12 AM] Skylar: "Glad we're of the same mind."

[10:13 AM] Rin: "Same mind? I doubt that. I literally just told you that it's not a good name. I think it's a bit cheesy tbh."

[10:13 AM] Ash: "Jesus Christ, can you guys shut up for another half an hour or what? Some people are still asleep. Well, I was until I got woken up by all the buzzing."

[10:14 AM] Ash: "Also, 'Fabulous Four' is a stupid name. And can't you count? We're a five-people team now."

[10:14 AM] Skylar: "Wait, five? So, if you're the grumpy redhead I met yesterday, then who's the other person I've been talking to? I can only see your phone numbers."

[10:15 AM] Skylar: "And no problem. We'll be 'Fabulous Five' instead! The more the merrier."

[10:16 AM] Rin: "I'm not introducing myself over a group chat message. We'll do a proper introduction in person later on."

[10:16 AM] Skylar: "Fair enough. I'll see you later then!"

[10:17 AM] Ash: "Ngl, 'Fabulous Five' still sounds dumb."

[10:18 AM] Skylar: "Clearly, you're just a hater. Instead of casting the first stone, how about you try coming up with another name then?"

Well, it seems like Ash is ignoring Skylar because that's where the chat ends for now. Checking the time, you see that it's already 10:24 AM. Well, maybe it's time to reply to some of the messages in the chat before doing anything else. Plus, it's an excuse to stay in bed a little bit longer.

* * * * *

Okay, next order of business, the group chat name that Skylar and Ash were arguing about. You kinda agree with Skylar that 'little investigation group' is far from the best or the catchiest name ever. Although, you're not really sure how you feel about ${sky_his} suggested name, 'Fabulous Five', right now. Maybe you have a better name in mind?

CHOICE

#I'll stick to 'Fabulous Five'. #'Elysium Cleanup Crew' #'The Vendetta Project' #'The Revengers' #'The Justiciars' #'Justice Squad Chat' #None of these.

* * * * *

#I'll stick to 'Fabulous Five'.

After pondering more on the name Skylar suggested, you decide that it's actually good enough and you actually like it. It's growing on you in the past few minutes of contemplation. Tapping on ${sky_his} message, you reply:

EMOTIONAL MC [10:32 AM] You: "'Fabulous Five' actually sounds awesome. Let's go with that!"

STOIC MC [10:32 AM] You: "'Fabulous Five' is not so bad. Let's just go with that."

[10:32 AM] Skylar: "Hell yeah! I knew it! I knew it's an amazing and genius name."

[10:33 AM] Rin: "…"

You can practically feel Rin judging you through the screen just from the three dots.

SARCATIC MC [10:33 AM] You: "Okay, calling it 'genius' might be pushing it a bit too far. Let's dial it back a bit."

GENUINE MC[10:33 AM] You: "I wouldn't really use the word 'genius' per se…"

[10:34 AM] Skylar: "Aww… Alright. I still think it's a compliment tho."

You navigate to the group chat setting to change the group name to 'Fabulous Five' before going back to the group chat.

GENUINE MC [10:35 AM] You: "Okay, there. It's done."

[10:35 AM] Skylar: "Whoo 🎉🎉 We're officially 'Fabulous Five' now. No complaining 😉"

[10:36 AM] Ash: "Fuck! Fine…"

SARCASTIC MC [10:35 AM] You: "There. We're officially 'Fabulous Five' now. No complaining."

[10:35 AM] Skylar: "Whoo 🎉🎉 You hear that, you grump?"

[10:36 AM] Ash: "Fuck! Fine…"

Chuckling quietly to yourself, you lock your phone and get off the bed in one smooth movement.

[buried-in-autumn-leaves]

college Nate and Everett please please please :3

LMAO HIII <33

I was just yapping ab this in the notes of one of my other posts but college is when they both have to admit that not even THEY can handle each other. This post will be formatted as a badly written and unedited drabble fic 🥰 Mostly from Eve's perspective, so like some of my story for Nate gets lost here but I'll probably post about that at some point.

(Content Warning for Mentions of Drug Use) (It's just weed, Nate has a bad experience and talks about some of the symptoms that are overwhelming him.)

It didn't surprise anyone when Everett and Nate end up going to college together– No way Nate was going to let his best friend NOT go to college, it was important. Them going to the same school would just make it easier for Nate to keep an eye on him.

They weren't expecting it to be so much different.

Nate is busy more these days. Everett sees him sometimes, hunched over his desk as he falls asleep. He hears him leave before sunrise, not bothering to wave– He won't wave back anyway.

It's embarrassing, the way he misses the way Nate used to look after him. Things as simple as waking HIMSELF up instead of waking to Nate shaking his shoulder feels bitter.

And then the grades start coming back.

He hides them– Obviously. He can't admit to Nate that he's failing, can't admit that he's probably going to get expelled by the end of the year. It would be one thing if he was just slacking. Had he been failing due to just not doing the work, maybe it would've FELT less like failure. But this? To genuinely be trying and just not being good enough? That hurt.

He makes the decision to drop out within maybe four months of starting– It's probably longer than anyone else thought he would last. He swears he can hear Shiloh's god awful passive remarks all the way in the dean's office.

"What are you doing?"

"...packing."

This... this is probably his fault too, huh? He could've warned told him. Could've torn Nate away from his notes and books long enough to say something– ANYTHING. Maybe, if he'd done that, there could've been a proper goodbye.

But like we said, Everett isn't smart.

"Please just stop yelling-"

"What is wrong with you?! All the work you did- Hell, all the work I did!"

He argues back, of course– He's still himself. He yells. He rants about how he'd never wanted to go here in the first place, about how if Nate really cared he would've noticed how much he was trying, really trying.

When Everett storms out, he tries not to think about the fact that his entire world just collapsed underneath him. He calls his mom, convinces her that Nate is this awful monster who only cares about himself. She defends him, to his bitternes, because how couldn't she?

Everybody loved Nate.

When he goes back to the dorm that night to get his things, Nate isn't there.

He'll pretend that doesn't upset him either.

It's almost six months later when his phone rings.

'Unknown Caller' my ass, as if he could ever fucking forget that one. It's practically engraved in his brain: One of two numbers he ever bothered to memorize. He tells himself that unless Nate is on the line to APOLOGISE, he's hanging up. He doesn't quite believe himself anymore.

"What the fuck are you rambling about?"

"I can't- They said it would help but- Shit, I can't breathe right-"

Now, whatever you were thinking, Everett Gray has a backbone. He does not tell his friends that he just remembered something he had to do for his mom. He does not leave the party in a rush he struggles to keep under control. He does not sneak back onto that hell of a college campus and into Nate's dorm. He does not acknowledge the fact that his stomach is in knots. He does not spend that night sitting at Nate's side, letting him lay his head in his lap and reminding him that no, the room is not spinning. You're safe.

Because why would he do that?

Nate is... less than pleased when he wakes up. It's Saturday, he has no excuse to immediately leave, avoiding the awful awkward conversation that's staring him down right now.

Nate Lawson does not ASK for things– He takes them. He commands any room he's in. He knows how to control people. He does not beg.

And yet...

"I want you to stay."

"We're not good for each other. For anyone, really."

"I could be better."

And maybe that's not what they said. Maybe there was more arguing, more yelling. Maybe someone cries. Maybe they don't speak at all, too awkward to start. (After all, remember who we're talking about.) But they'll understand each other.

They always have.