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#I'll later try to add lore to both
raguiras · 2 months
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TWST Olympics AU #1
Part 1: Heartshackle trio designs!
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Reblogs are hella appreciated!! I'm likely shadowbanned 😭
As the Olympic Games are officially starting in a week, I decided to finally sketch some of the designs for my Twisted Wonderland Olympics AU! Next up are Riddle, Trey and Cater.
Everything about the AU below!
AU rules
Feel free to add your own OCs to this AU!
Fan content is obviously allowed! Just tag me in it, please.
AU summary
This is a magicless AU where all of the TWST characters are Olympic athletes in the real world. Some win medals, some barely qualify — but all of them live in the Olympic village. The students are aged up here (usually early to late twenties) while the faculty members have no set age and work as sports reporters.
♤ Character introductions ♤
ACE TRAPPOLA — A 21-year-old Italian prodigy basketball player. He's considered to be his team's ace (pun intended) and is great at tricking his opponents, making tons of baskets for the Italian team, and efficiently assisting his teammates.
DEUCE SPADE — A 21-year-old Japanese track and field athlete competing in various smaller disciplines falling under the "track and field" term. He's extremely average at most things other than sprints, often ends up in the bottom 3, and is secretly incredibly insecure about not being the best at anything.
ALLEN ALAGONA (YUU) — A 21-year-old Japanese-Italian gold-winning figure skater competing for his current home country, Ireland, along with his best friend and sports partner Alcestris. He gave up on his original dream — becoming a musician — and is now working hard to be the best male figure skater in the world, hoping to kickstart a career as a musician later on.
♤ Relationships ♤
ACE & DEUCE — Their friendship originally started when Ace posted a picture of himself watching a sprint competition while Deuce made a grimace in the background, causing the photo to go viral and become a meme. Deuce originally DMed Ace to take the picture down and got teased for it, but this teasing slowly developed into a friendship. While they get along well, Deuce is secretly a bit jealous of Ace for pretty much being a prodigy.
ACE & ALLEN (YUU) — Ace is a fan of Allen and views him as a fellow gold medalist. Being open-minded and "eager" to make new connections, Ace simply DMed Allen one day and the two became unlikely friends. Nowadays, Ace also functions as a matchmaker, being the only person to know just how much Deuce likes Allen...
DEUCE & ALLEN (YUU) — Deuce knows Allen as the most famous figure skater in the world and is absolutely stunned by both his appearance and humbleness. The two accidentally meet at a coffee shop during the games one day, decide to have a drink together, and strike up a conversation. Deuce is fanboying on the inside and trying to hide his surprise that Allen genuinely recognizes such an average athlete as him. Allen, however, already knows Deuce due to closely following all Japanese competitions, and has also noticed how incredibly ambitious Deuce is. Knowing Deuce's pain of carrying other people's hopes and never being the best at anything all too well from his teen years, Allen wants to get to know him better... and what starts off as mutual admiration and a celebrity crush on Deuce's side develops into full-blown love.
♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤
If this post/AU ends up being well-received, I'll introduce Riddle, Trey and Cater next!
♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤
More about the Deuce x Allen ship in the canon lore:
part 1 // part 2 // part 3
Friends who participated in the original AU development some months ago 🫶
@althea-and-alcestris @miss-atena @vanrouge13 @spookyavenuestreet @heyhellohihowareyou @nyx-of-night
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blue-howlite · 1 month
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Rambling about my new obsession because I'm the sole lord of this glorified trashcan and I can.
Sylus from Love and Deepspace.
Warnings: spoilers for his two story chapters, spoilers about Dawnbreaker, generic spoilers about the game, a lot of self indulgent thinking, error.404 coherence not found, we're hopping from one thought to the other like the sparrows on the window, inaccuracies are likely to happen I'm just a silly guy.
THIS MAN.
So, from the blurred scene we see as flashback when we're on the rooftop with him and stuff, someone made out the figure of a "Wanderer" Sylus on his knees, stabbed with a sword in the chest by the MC. I'll add the link to the Tumblr post with the video here. The video is from TikTok but it's easier to see here if you ask me and besides this is what triggered all my thinking.
Now, hear me out.
We know the other guys (well you guys probably know, I landed on the game for Sylus and saw almost nothing of the in-game lore of the guys, I only know spoilers from social media and something from the anecdotes) all sacrificed something for MC in her past lives. Faith, power, people... They had all to renounce to something to protect MC. Some people were wondering what Sylus sacrificed for her in her past life with him.
This would be the explanation.
He literally died for her.
Like in the flashback he tells MC to press on, so she didn't kill him as an enemy, but he LET her kill him. And for some reason she HAD to kill him too. We can see his clawed hand cradling hers and making her hold the hilt of the sword.
Now if we go down the wanderer theory, y'all are familiar with Dawnbreaker anecdotes right? How people started turning into wanderers and the alternative Zayne had to kill them even though they still had human looks for the most part.
So what if Sylus was, in another life, that kind of wanderer? A human turned into a monster, that MC had no choice but to kill?
BUT WE'RE NOT STOPPING HERE. OH NO WE'RE REACHING WITH THIS ONE.
The surroundings, for what little we could see in the blurry flashbacks, weren't of Linkon, or any place on the current in-game earth for that matter. A very post-apocalyptic vibe, right?
AND we know from Dawnbreaker that his world is going in a similarly dystopic direction: the government is hiding the fact that people are turning into wanderers, Linkon in ruins, normal wanderers roaming free and people forced inside their houses. We've seen suspicious wanderers in the new story chapters too, when we were at the club fighting the other faction of Onychinus. Just reminding y'all.
Now I won't reach THAT much by saying that Dawnbreaker is in the same timeline of wanderer Sylus and MC (though...) BUT what if in their timeline they found themselves in that similar situation, just way further ahead and way worse? MC as one of the few surviving humans with Sylus as her companion, both of them trying to "press on", with ultimately Sylus turning into a wanderer and getting killed by MC, then her dying later on.
This feels like a mashup of Doom Breaker and Eternal Afterlife but it's probably just me.
And all the possible simbolysm, as the person in the video noticed, like the claw gripping a heart on Sylus's necklace? Could it be symbolic of his wanderer self clinging to his humanity? Or maybe his wanderer self, still somehow conscious, offering his heart to MC to be killed, like he did in the flashback?
Also, just to mention the other necklace he has, with the heart being impaled; I don't know how strong vampire lore is in China, BUT a stake to the heart is what is traditionally believed to kill vampires. And vampires, traditionally, are represented as parasites, or rather humans that are possessed by a parasite, and killing them is putting the human soul at peace and saving it. So apply it to Sylus and the earlier reasonings about his past life with MC.
It's the theme of losing humanity and being saved through death before it's too late.
Also it would be such a good parallel with the scene from their first (not exactly first but you get it) interaction, when Sylus presses MC's gun to his chest and encourages her to shoot. Like MC killed him at the first chance she got.
Which would support the wanderer Sylus theory.
And that thing about not being killed by the same thing twice in Lost Oasis??? Hello???
Yes he didn't actually die and can use his energy manipulation to heal himself quickly but you get my point:
He coerced her into shooting at his heart. Where she likely stabbed him in the other timeline.
...
Okay now that we've talked about this (AAAAAAAAAAAAAA THE LORE THE SYMBOLISM THE PARALLELS THE DEPTH I JUST CAN'T WITH THIS GAME) let's go to something lighter!
Like, did you know that crows are one of the smartest and most loyal birds out there?
They have a great memory and will remember you if you help them, becoming loyal to you (following you around, giving you trinkets...) and sort of adopting you as their god in a way (since they give you offerings and expect food in exchange so you are getting my point I hope). What does this say about Sylus? EVERYTHING.
He comes to MC when he needs help and always rewards her, he literally says that he adores her (not in the main story), has his "flock" (Luke and Kieran, and Mephisto if we want) looking out for her, not to mention the stalking...
He's that perfect mix between adorable crow husband and tormented gothic antagonist.
Alr thank you for coming to my LaD talk, have a cookie 🍪
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atwas-meme-ing · 1 year
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HEY ALL!!! If you haven't heard, Unity is gonna start charging devs 20 cents per download. Not per sale, but PER DOWNLOAD. This applies to not only big-name games like Hollow Knight and Ori, but also smaller projects that might be free. This includes mobile games made with Unity, Undertale fan games like Undertale Yellow and Deltatraveler, and also, get this: Murder of Sonic! It was made in Unity, and so far, it's still free, but Sega's gonna hafta start charging for it sooner or later- IF they don't decide to take it down completely.
So, on this note, I have 2 things to say:
Get your favorite games NOW. Some devs, like Team Cherry, are talking about "taking their games down" (so much for Silksong- thanks A LOT, Unity!!!). I don't know if that means you'll still be able to play these games- like on Steam, for instance- if you already have them downloaded.
Please, please, PLEASE, support those games that are made with Unity. 20 cents adds up when there's a million downloads, and if it's like a mobile game, where people don't necessarily have to pay for it, that's going to COST the devs money- a LOT of money. I know we all hate the paywalls and "pay-to-win" schemes in mobile games, but let's be real- crap like this Unity thing are the whole reason those paywalls exist! These devs aren't doing this for free, they're trying to make a living! Even if you only spend $1, only 1 time, that is STILL going to be an 80 cent profit over the new Unity costs, and maybe, just maybe, give some game devs enough incentive to keep the game around.
I know Unity has a bad rep because it's easy to use and allows devs to release games that control poorly because you don't have to be good at coding to do it (*cough* Guardian of Lore *cough*). That's why I haven't used Unity, despite having several game ideas in my head, because I don't know how to code (yet), and I didn't want to release a game like that- and now I never will use Unity. But games like all the ones I've mentioned are proof that Unity CAN be used for good games, in the right hands. So please, if you love a game made with Unity, please support it, so the game doesn't go away. Don't send the devs into bankruptcy just because Unity is a money-grubbing so-and-so.
(Oh, I should also mention, for browser-based games, apparently this "per download" thing also includes "per BROWSER REFRESH". So, yeah, please don't blame the devs, support the devs and blame Unity.)
EDIT: It's not quite as bad as I'd thought. I knew Unity had a threshold, but I thought it was an either/or thing- either a certain number of downloads, or a certain amount of money made from a game. And, it's not, it's both.
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So free games (like Murder of Sonic) apparently won't be affected.
Here's their pricing schedule once the threshold is met:
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It still adds up for the smaller projects, with Unity taking all or most of the revenue from smaller games.
And one thing that's still bothering me: the install threshold is "life to date" and Unity is charging per install over the threshold. So, if a game's been around for years and had a million downloads and has made 200,000 dollars in the last year, they're gonna end up paying that 200,000 all at once.
At least, that's what I'm reading.
So, ok, I was wrong. Free projects won't be affected. But this is still awful, especially when it's first starting out.
EDIT 2 (2023-09-23): They've lessened the fees:
youtube
I'm still not using them. They never had a good reputation- I mean, there's good Unity games, but there's also a lot of bad ones because people can just release games with Unity with no coding experience. I want to make games someday, but I want them to be a good quality, so I'm waiting until I can actually figure out C++ (heck, I'm still wading through HTML, I'm nowhere near real programming languages). As long as I have to learn coding to make something good, I might as well find an engine that I can trust. I hear a lot about Godot. I also think I'll want to look at Monogame, because Monogame was used to make Axiom Verge and Celeste, and it's apparently based on the defunct XNA that was used to make Stardew Valley. Or I'll find something else. But not Unity. I just don't trust them.
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itslilacokay · 23 days
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pls pls PLSS tell me about your NS? au i need to know as much as humanly possible...
sniff... i.... i thought no one would ever ask........... nows my chance...... to yap..........
AHEM.
ns?AVA (normalswap?ava) is my swap au! its not normal
victim and tco both take tsc's role, while tsc just takes victim's role
mercenaries swap roles with cg, though its not exact on which mercenary takes specific a cg member's role and vice versa, theyre quite jumbled around
though one specific stick in the cg doesnt take a mercenary's role and that's yellow, in fact he takes tdl's role! as for tdl he takes tco's role
"so in your au there's like only 3 mercenaries instead of 4?????" no i thought of something else to remedy that
you know that cloaked guy that gave king the command block? yeah hes a mercenary now
speaking of king........ he has a different role as well but that's in ns?avm, which i'll get to later because i need to explain more ns?ava things
so fun fact! the hollowheads have new names for this au
tsc -> The First Victim (tfv)
tdl -> The Chosen Lord (tcl)
victim -> The Return (tr)
tco -> The Second Chosen (scn)
btw the animator is alexcrafter28, aka that minecraft kid in lush caves
for ns?ava lore, i wrote down what happened in ns?ava1-4 a few months ago so if you dont miiind
SWAP-AVA 1 -tfv becomes a rogue animation and destroys the computer -tfv finds the stickfight website and convinces the colorgang to destroy the computer with him, they agree -colorgang gets "ended", which makes ctv want to destroy the computer even more -ends like normal ava1 with the fla closing without being saved, since tfv is bound to that fla file he disappears with it
an extra thing to note is that if this were a video, there would be an ""animation error"" where yellow didnt get shown to be ended, an aucanon explanation would be that yellow managed to escape to the outernet, albeit on accident
SWAP-AVA 2 -tcl is made and destroys the pc, wow what a shocker -alex eventually traps him and just renders him powerless, though tcl's able to still wander around the pc
SWAP-AVA3 -yellow appears back in the pc and starts destroying it again -tcl tries to stop him but eventually joins him and also the code that disabled his power gets removed (yellow did it) -just like normal ava3, it ends with them both completely destroying the computer, ending with a blue screen of death
SWAP-AVA4 -starts like normal ava4, in the middle of an online chat -however, it starts in the middle of scn destroying the computer -scn comes across an fla file and finds tr and co -they hang out for a bit but alex eventually finds the fla with them inside -fight sequence -as soon as alex is about to close the fla a few flashbacks to (swap)ava 1 happen -they come up with a compromise, scn doesnt wreck the pc and alex lets him and his new friends hang out in said pc -a little while later it shows that scn, tr and co are in their own fla, with a house drawn inside it (similar to the stickfight website)
a few extra things i want to add before heading to ns?avm is that in this au, when tfv gets brought back from deletion he tries to immediately go back to the stickfight website in hopes of bringing back the cg
it works, but yellow is still missing
they then find out about the outernet and try to find yellow there
along the way they founded illustratiocorp
just to make it clear they dont care about the animator, or at least getting revenge on the animator is of less importance to them at the moment, for now they just want to find yellow
the reason why tcl is wanted is because he was suspected to have involvement with yellow somehow,,, and also the past instances/news of internet terrorizing but yeahhg
i think thats all for ns?AVA for the moment, now is time for ns?AVM!
so in ns?AVM, gold and king found purple and took him in (purple's lore up until that point still stays, orchid dies and navy leaves)
purple died in the minecraft event and gold feels severe survivor's guilt and now wants to destroy minecraft
unlike king, gold's ,.,,, a child so this hatred against minecraft is more severe
speaking of king, yeah he's still traumatized but he still has a bit of moral left and doesn't want gold to go through with this plan
gold then early on finds out how to enter minecraft because of the cloaked guy (gasp)
in this au, cloaked guy originally resided in the mac and later led gold to said mac
gold decided this would be a good time to start destroying a bit of minecraft currently on the mac, but accidentally ended up being a ruler of the mac village (definitely not because cloaked guy gave him the crown and silently left and the villagers took that as cloaked guy passing down the crown to this kid)
then skip to a whiiiile later, gold and cloaked guy are kinda working together and cloaked guy is also teaching gold how to work with the command block
now that golds more confident on working the command block, his plan to destroy minecraft can finally begin right after making a staff because he still liked his old staff during his time as ruler of the mac village
honestly i havent thought much about ns?AVM as much as i have with ns?AVA so maybe i'll post some other lorethings about ns?AVM after i think some more, but apart from that i thiiink thats about it yeah
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hollyethecurious · 2 days
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CS AU: Once Upon A Grimm (2/?)
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Summary: The world was far more complex than most people realized. Humans went about their lives, completely ignorant of the fact that there was a world of fairytales existing right alongside them. Well, not really fairytales. Not in the Disney sense, anyway. Many, like the Grimm brothers, had woven the truth into their stories, but the creatures they wrote about were even more nightmarish than their macabre and monstrous depictions. Creatures known as wesen. Supernatural, other-worldly beings who have always lived among humans and have always been hunted by those who had come to be known as Grimms. A struggle of secrecy, balance, and power among these species has existed since the beginning of time. This is a story of a man with his own struggle. The internal struggle of being a human, a wesen, and a Grimm, and the external forces that seek to eradicate one or all of his natures, especially those he tries to keep hidden. Fortunately, Killian Jones is not alone in his struggles nor his secrets. His personal savior, Emma Swan, has secrets and struggles of her own.
A/N: This fic is inspired by and will borrow from the NBC show Grimm. I confess I did not watch Grimm when it first aired, but absolutely fell in love with the show during a binge fest years later. If you have not seen the show, no worries! My beta - who has not seen the show either - assures me that it is not necessary. If you have seen the show, then I hope you’ll forgive the huge creative license I am taking with the material. This is not a strict Grimm retelling with Once characters. This is my own spin on the lore and cannon of both shows.
Sorry I am so late with this update. I underestimated how demanding real life was gonna be now that we are back in full swing with school. I'll do my best to stay on track going forward!
I cannot express how much I have enjoyed being a part of the @cssns all these years. Thank you to the mods who have kept it going year after year. We've had a terrific run! Huge shout out to @kmomof4 for always being my cheerleader and for her exceptional beta skills. A HUGE thank you and many fangirl squeals to my artist @eastwesthomeisbest for the amazing job she did on the cover art that accompanies this fic. Please go show her some love!
FYI: Because the show took cues from the Grimm brothers’ works, much of the vocabulary associated with the supernatural creatures was based on German or German coded language. For words like wesen and woge (which will be explained in the text) the w is pronounced with a v sound on the show. I’ll be using terminology from the show and more common creature names interchangeably within the fic.
Rated E (eventually) / Also available on ao3 and ff.net / buy me a coffee / add to tag list / Curious? Come Ask Me!  / Prologue
Chapter One
Two and Half Years Later…
“What have we got?”
Killian approached the scene with his partner, Robin. Their mate and uniformed officer, Will, brought them up to speed, keeping his voice low as the men conversed on the walkway that led to the grand house towering before them.
“Grace Hatter. Eight years old. Never made it to school this morning,” Will informed them, reading over his notes. “Father says she left the house at a quarter to eight like usual. An hour later he got the call from the school telling him she was absent.”
“Do we know if he’s clean?” Killian asked, assessing the distraught man who was being questioned by other officers.
“No,” Will replied. “Dad’s name is Jefferson Hatter. We're looking into him.”
“Mom?”
“Deceased.”
“Okay. Thanks, mate. We’ll go have a talk with him.”
Killian and Robin continued up the walkway. When the father caught sight of them, he rushed down the front steps to meet them halfway.
“Are you the detectives?”
“Yes, sir,” Robin responded. “Detectives Locksley and Jones. Can you tell us more about your daughter? When you last her? What she was wearing?”
“Yeah, um…” The man took a moment to try and compose himself. His hand shook as he brought it up to run down his face. A shuddering breath filled his lungs and a sob caught in the back of his throat. “She uh, she left here about 7:45. She’s wearing purple leggings and an oversized, purple top that has a white rabbit on the front of it. She also had on a red hoodie and her backpack is pink and purple with her name on it.”
“Does she often walk by herself to school?”
The man, Jefferson, nodded, tears welling in his eyes. “Ever since the beginning of the school year. She wanted… She wanted to be a big girl this year.” He took out a handkerchief from his pocket and wiped the freshly fallen tears drops from his face. “I was reluctant, but the school isn’t far and normally she walks with another little girl and her brother down the block.”
“But not today?” Killian inquired.
“No,” Jefferson answered. “Ava and her brother are both out sick this week. Grace walked alone yesterday, so I didn’t see an issue with her walking alone again today.” His face reddened, the tears now cascading down his cheeks as he pleaded, “Please. You have to find my little girl, please!”
“We’re going to do everything we can,” Robin promised him, digging a card from his pocket. “An officer is going to stay with you as we canvas the neighborhood, but if you think of anything else, give us a call.”
“Th-Thank you, detectives,” Jefferson said, taking the card then following one of the officers back to the house.
“So, what do you think?” Robin said under his breath as they turned back towards the street and surveyed their surroundings.
“If he’s involved then he’s an excellent actor,” Killian replied. “I think it more likely she was grabbed on her way to school. The question is… where?”
The street was lined with houses on one side, facing a wooded park area. The little girl would have made her way to the end of the block then turned to go around the woods. The school was located on the other side, about seven blocks away.
“We’ve spoken with all the neighbors who are home along the route she would have taken,” Will said, joining the detectives. “No one saw anything.”
“Maybe she didn’t take the usual route,” Killian said, jutting his chin towards the woods. “Maybe she took a shortcut.”
“Dad was very specific about the route,” Will told him. “He said Grace wasn’t allowed to cut through the woods.”
“Yeah, and we all know you did everything you were told when you were a kid,” Robin quipped, slapping Will on the back before heading towards the woods.
The three of them followed the worn path, carved out of the foliage by those who had used the woods as a shortcut over the years. Although focused on the task before him, Killian could not help but acknowledge how fortunate he was to do this job with his two best mates at his side.
It had been a series of unfortunate events that had led them here. Two and half years ago, he and Robin had been uniformed officers at different precincts and Will, after washing out of the academy years before, owned a local bar. After being attacked and having his life, once again, turned upside down, Killian had spiraled a bit. Neglectful of his duty and spending too much time at Will’s bar had made him a less than stellar candidate for detective, despite his high scores on the exam. However, everything changed once more the night Will’s bar went up in flames.
Though it had been deemed arson, they still weren’t sure how it had happened. The explosion and fire claimed the lives of more than a dozen officers and detectives from both Storybrooke and Glowerhaven. In the aftermath, personnel had been reshuffled, reassigned, and reevaluated, giving Killian a second chance at a detective slot and transferring Robin to the Storybrooke precinct. Will, determined to bring the perpetrator to justice, had reapplied to the academy and finished top of his class before being assigned to the Storybrooke PD.
Although the arson case had gone cold, Killian and Robin, with an assist from their favorite uniformed patrolman, had managed to garner the highest number of closed cases of any rookie or veteran detectives within the city or its outlying suburbs. Robin often joked that the reason the three of them were so good at this job was because in another life they would have been criminals themselves - and therefore knew how their perps thought - dubbing themselves the pirate, the bandit, and the thief.
Of course, he had no idea that Killian possessed abilities beyond those of a normal human detective which gave him an advantage. Abilities he was currently applying in the hopes of bringing this little girl home safely.
When the trail forked, the trio branched off in separate directions. Once out of sight from his mates, Killian crouched down and closed his eyes, homing in on the sounds around him as he inhaled deeply. Over the years he’d made peace with his wolf side. It wasn’t always easy to keep the wesen reined in, or explain away how he’d been able to accomplish some of the things his supernatural abilities allowed him to do, but as time went on he found ways to balance his human and wesen side.
Not able to pick up anything out of the ordinary, Killian resumed his search further up the path. A moment later, Robin’s voice called out.
“I’ve got something!”
Killian rushed towards Robin’s voice, arriving alongside an out of breath Will. Both men were too focused on the pink and purple backpack laying among the ferns to notice Killian’s lack of exertion.
“Grace Hatter.” Will read the name where it had been monogrammed in bright pink, confirming it belonged to their missing girl. “She must have been grabbed somewhere in this area.”
“Careful where you step,” Killian reminded them. “Will, call it in and inform the others that we have a crime scene in Wonderland Woods Park across from the victim’s house.”
Will stepped away to radio it in, leaving the detectives to peruse the area.
“Killian, we got boot prints here. They look fresh.”
Killian noted the direction of the prints and commented, “He took her this way.” Setting off down the path, he shouted over his shoulder, “Stay with Will until CSU arrives. I’ll see where the prints lead.”
Once out of sight, Killian crouched down again and took in a deep breath. The hairs on the back of his neck stood at attention and a primal growl rumbled in the center of his chest. He could tell the scent was wesen, although he wasn’t sure what species. There was something vaguely familiar about it, but he couldn’t quite put his finger on why.
Never before, since his transition, had he ever wished for the moon to be in its full cycle. If it were, then his sense of smell would be stronger. He’d be able to discern the little girl’s scent better, as well as her abductor’s, and he’d be able to tell which direction the two had gone once they’d reached the road on the other side of the woods.
Cursing under his breath, Killian made his way back to Robin and Will. The Crime Scene Unit had already arrived and the area was being cordoned off so they could work making casts of the boot prints. Killian eyed Grace’s backpack as it was being bagged and tagged so it could be processed for fingerprints. He wished he’d gotten a chance to scent it, but the K-9 unit was already seeing to the task.
“There isn’t much more we can do here,” Robin told him. “Will and the other officers will follow up on the neighbors they didn’t get a chance to speak with earlier. Maybe one of their security cameras will have caught them coming out of the park.”
“Aye,” Killian said with a resigned sigh.
Clapping Killian on the back, Robin suggested, “Let’s go get some lunch. By the time we’re done, more evidence will have been collected and processed, then we can focus on whatever they found.”
“I suppose I could eat,” Killian relented. Robin was right. There was nothing more they could do that the other officers didn’t already have handled. They’d need their strength and their wits about them for the long afternoon and evening ahead. “Where did you have in mind?”
“How about Aesop’s?”
Killian cocked a brow his partner’s way. “Aesop’s? A bit swanky for lunch isn’t it?”
Robin shrugged. “I hear they have a great burger menu.”
“Mhmm,” Killian hummed. Something in Robin’s demeanor had him dubious as to whether that was the real reason. “I suppose we could check it out,” he replied with a shrug of his own, followed by a wolfish grin. “So long as you’re buying.”
~/~
“So that’s the real reason you wanted to come here,” Killian ribbed in a sing-song tone. “The lovely and elusive Miss Mills.”
Robin’s cheeks flamed pink behind the bun of his burger as he took as long as he possibly could to bite off then chew a mouthful.
“You know this constitutes stalking, right? Why not just ask her out?”
Robin swallowed and chased the bite with a sip of water, once again taking his time running his napkin over his mouth before placing it back in his lap.
“You’re hopeless,” Killian exasperated, getting up from his seat. He shot a wink over his shoulder to his mortified partner as he approached the nearby table, teeming with lawyers in their power suits. “Miss Mills?” he said in a feigned tone of surprise.
“Detective Jones,” she said in a friendly yet reserved greeting. “Funny running into you here?”
“Aye,” he said. “The lunch burger menu was recommended to Robin and me, so we thought we’d give it a go.” He gestured back towards the table Robin was metaphorically trying to hide beneath. Miss Mills - Regina - gave him a wave which he awkwardly reciprocated. “I won’t keep you,” Killian continued. “I was on my way to the facilities when I spotted you and just wanted to say hello. Enjoy your lunch.”
“Thank you, detective. A pleasure seeing you,” she replied, though her attention was not set on him but rather still subtly fixated on his partner.
When Killian exited the lavatory hall on his way back to the table, he slowed his steps and his lips twitched up in a smile. Robin and Regina were standing at the table conversing as the prosecutor’s colleagues were filing past, on their way out the door. Regina slipped Robin her card, her painted lip caught between her teeth, and he accepted it with a full, bright smile. Killian chuckled to himself, eager to take the mickey out of his friend, when something in Regina’s countenance shifted.
She’d turned towards the door, prepared to follow her colleagues, when her entire body went rigid. Something rippled through her expression and Killian was taken aback by what he saw.
She woged.
Regina Mills was… a hexenbeist?
No. He had to be seeing things. She couldn’t have woged. If she had, the entire restaurant would be in an uproar, especially Robin. There’s no way anyone would have missed the gruesome sight of a hexenbeist revealing her true form. Unless…
No. That wasn’t a possibility either. The full moon wasn’t in cycle yet, so there was no way he could have witnessed a demi-woge. Could he?
Regina’s features returned to normal, but her posture was still stiff and on guard. He followed her eyes to try and determine what had prompted such a response and was stunned to see another woged hexenbeist casually standing by the hostess stand. She had flaming red hair and was dressed in a tight, green dress. When her human face presented itself once more, she wore a smug, slightly challenging smirk.
Finally collecting herself, Regina marched past the woman without a word or backward glance, but the red-haired witch watched her all the way out the door and down the block.
“Did you see that?”
Robin’s question shook Killian from his shock, but a fresh, confused panic spiked within him. “See what?”
“The text,” Robin said, lifting his phone for Killian to see. “We’ve got a body.”
“A body?” Killian parroted, attempting to get his racing heart under control while processing what his partner said.
He didn’t see it, then. Didn’t see them change. Then why did I?
“Not Grace Hatter?” Killian’s heart dropped a little as his mind finally caught up.
“No,” Robin assured him. “Not the missing girl, but the captain wants us to take point on this one, too.” He beckoned Killian to follow him through the tables towards the exit. “I’ve already settled the bill. Will’s waiting for us at the scene.”
Before heading out the door, Killian scanned the restaurant for the red-headed hexenbeist, but saw no sign of her. He tried to shake off the unnerving feeling her and Regina’s woge had elicited in him. The mystery of why he had been able to see it at all would have to wait. He had more pressing issues to concern himself with.
~/~
“Are you sure this is even a homicide?” Killian heard Will ask under his breath. “Looks more like an animal attack?”
For the second time that day, Killian’s hackles rose. The scene before him was familiar. Too familiar. He could remember, as though it were yesterday, making the same inquiry to the detectives working a similar scene. A scene that had led to Killian being attacked and transformed. A scene that had been declared an animal attack after the DNA had come back as inconclusive. A scene where no other evidence had been left behind except…
“We got a boot print!”
Killian’s entire body reacted in a ripple of goose bumps and a sharp inhale confirmed the truth as a familiar scent penetrated his sinuses.
It’s him! He’s back. The blutbad who attacked me. The blutbad who made me. He’s back and he’s killed again. He’s killed again and… HE’S TAKEN GRACE HATTER!
“Oi! Kill, er… detective. You alright?”
“You look as though you’ve seen a ghost, mate.”
Killian’s Apple apple bobbed painfully. “We need to go see the Captain. Now.”
It was a quick ride back to the precinct, though Killian’s silent stewing had probably made it feel longer to his partner. Robin knew him well enough to not pepper him with questions when he was like this, allowing him space to get his thoughts together. It didn’t mean his mate didn’t side-eye him with furtive glances the entire way back to the station, though.
“Captain Gold, do you have a minute?” Killian asked at the open doorway of their captain’s office.
“For my two best detectives? Of course,” Captain Gold said, gesturing them forward. “How’s the investigation going into the missing girl? Or is this about the body we found? A jogger who was a student at the local university?”
“Actually,” Killian hedged, still unsure how he was going to convince his captain and his partner of what he knew to be fact. “It may be about both.”
“Go on.”
Killian and Robin took a seat in front of the captain’s desk. Leaning forward, Killian began to fill them in on what he’d pieced together.
“A little over two years ago, there was a hiker who was attacked in a similar fashion to how we found the jogger today.”
“I remember,” Gold said, nodding his head. “That was ruled an animal attack, wasn’t it?”
“Aye,” Killian said. “The DNA was inconclusive, but that wasn’t the only evidence left at the scene.” Flicking his eyes towards Robin, he said, “There was a boot print. Just like the one at the scene today. And that’s not all…” Sitting back, Killian wiped his hand down his face and let go a heavy breath. “The same day the hiker was attacked and killed, a little girl went missing in Glowerhaven.” Robin’s eyes widened and Killian knew he didn’t need reminding, but the Captain still needed to know. “I know because Robin helped work that case and we were mates back then.” Setting his attention back on his captain, Killian continued. “Look. I’m not saying all these cases are connected, but we did find boot prints where we suspect Grace Hatter was abducted, and it all feels a little suspect to just be coincidence.”
Captain Gold tented his fingers in front of him, and his eyes narrowed at Killian. “I’m inclined to agree,” he said, after a few agonizing seconds. “It’s all too coincidental to not look into.” His eyes shifted to Robin. “Locksley, reach out to Glowerhaven and see if you can get a copy of the missing girls file from two years ago. Check it for any similarities to the Grace Hatter case. Jones,” he continued, focusing his attention back on Killian. “Follow-up on the boot print. See if the one from the hiker’s scene matches the jogger’s, then compare it to the ones we found at the abduction site.” With a dismissing nod, he added, “Keep me informed.”
“Yes, Captain,” the two detectives replied on their way out of Gold’s office.
“How did you put all of that together?” Robin asked. “Remembering that girl from more than two years ago who went missing the same day a hiker was mauled? I don’t think I would have put that together.”
“I don’t know,” Killian deflected. “Something about that night just… stuck with me, I guess.”
“Well, good pick up,” Robin said, clapping him on the back. “I’m gonna call GPD, then head over to collect those files. Check in later?”
“Aye,” Killian told him. “Later.”
It took Killian less time to confirm the boot prints were a match at all three scenes than it did for Robin to make it back with the files. Although it proved the crimes may be connected, the boots that matched the prints were a very common brand. It would be nearly impossible to find their suspect that way. Frustrated, Killian shot off a text to Robin and Will, letting them know he was gonna go out for some air.
There had to be a way of finding this monster.
Not that he hadn’t already tried. He’d gone back to the scene of the hiker’s mauling time and time again in search of any clues, hoping to discover the identity of the killer and the wesen who had turned him. Once the case had been cleared from homicide, investigators believing a wolf or mountain lion had caused the grizzly death, there had been little Killian could do inside the law. He’d been too preoccupied with the changes he was facing as a newly made wesen to pursue the blutbad on his own, and too worried about what his brother’s reaction might have been if he’d turned the case over to a Grimm. A Grimm who might have been able to detect such changes in his little brother.
Now, he couldn’t help but feel as though the jogger’s death and the missing girl were his fault. He should have told Liam about the rogue blutbad or gone after it himself.
He wouldn’t make the same mistake this time.
Digging his phone from his pocket, Killian dialed his brother’s number and held his breath as the call rang.
This is Liam Jones. I’m not available to take your call. Leave me a message.
“Liam. It’s Killian. Call me back. I’ve got a situation here that might require your expertise.”
Typical.
Killian’s phone vibrated in his hand. He glanced at the screen, expecting it to be Liam returning the call. Instead, the caller ID displayed Will’s name. Killian knew he’d been pouring over videos collected from neighborhood cameras, and he was eager to hear if he’d found anything that might help them locate the missing girl.
“Will? What you got?”
“Not much,” Will confessed over the phone. “I’ve checked all the cameras we collected from Tweedle Drive, the street the perp would have exited the woods from, and there’s nothing out of the ordinary.”
“Nothing?” Killian asked, defeated. “From the whole street?”
“Well, there’s a bit we don’t have footage of, but none of the videos show any car, truck, or van he may have used to move the girl. The only vehicle on the street at that time was the mail truck.”
“The mail truck?” Killian repeated, an idea coming to him. “Do me a favor. Find out who was working that route today and whether the postal service issues a certain type of boot for their employees' uniforms.”
“You think it was the postman?”
“It’s the only lead we’ve got,” he told Will. “If nothing else, the postal worker may have seen something. We should track them down as a potential witness.”
“I’ll get right on it.”
“Text me the name when you’ve got it.”
“Will do.”
A renewed rush of hope filled Killian as he made his way back to the precinct, but it was hindered by a fresh realization.
If the postal worker did turn out to be their suspect, then he wouldn’t be going up against their usual perp. He’d be going up against a wesen. A blutbad. And not just any blutbad… his sire. The one who had turned him. Would he know? Even without the full moon bringing out his wesen characteristics, would his sire be able to tell what he was?
Killian stopped short of the station door and did an about face. He needed to better prepare himself for this confrontation, and there was only one person who would be able to help him do so.
Searching his contacts as he made his way to his vehicle, he prayed this call would not go to voicemail.
His prayer was answered.
“Hello?”
“Swan. It’s me. I need your help.”
~/~
The fingers of her left hand drummed against the counter as the nails on her right were being assaulted by her teeth. Normally, Emma Swan would not allow a situation to unnerve her this way. Of course, it wasn’t the situation, not really, it was the man involved in the situation. The man who only came in once a month to pick up his wolfsbane tonic and share polite pleasantries with her or her brother, who assisted her at the shop. The man who had agreed to keep things between them strictly professional after the one time thing incident that had occurred early on in their association. The man who had kept to that promise… until now.
He wasn’t coming here for his tonic - the full moon was still over a week away. He wasn’t coming here for tea, or spices, or herbal remedies, or anything within the purview of her business. No. He was coming here because he needed help on a case. He was coming here because he had nowhere else to turn. He was coming here because he needed… her.
Although they had managed to keep one another at arm’s length these past two years, it hadn’t been that way at first. The month following his attack and introduction into the wesen world, they had texted and chatted numerous times, having built a rapport by the time of the next full moon.
A rapport that simmered with attraction and temptation.
Fortunately, they had both understood the seriousness underlying his stay with her during that first full moon. Setting aside the obvious chemistry between them, they focused instead on the alchemy of finding the right balance of wolfsbane. Everything had gone as expected… until it hadn’t.
“Emma, sweetie,” Granny said in her admonishing tone. “Are you trying to drive us both mad with your fidgeting?”
“Sorry, Granny,” Emma mumbled, removing her nail from her teeth and flattening both hands on the counter.
The elderly woman’s soft, weathered hand covered hers and she gave it a light, comforting squeeze. “What’s got you all riled up? You said he was a regular customer.” Her eyes narrowed and her head tilted to the side. “Is it because he’s a lycanthrope?” Patting Emma’s hand she assured, “I may not look it, but I can still hold my own. If he gets unruly, then--”
“No, it’s not like that,” Emma said, cutting the woman off in a rush, not wishing her to get the wrong impression. “Detective Jones is much more disciplined than lycanthropes are believed to be. He’s… he’s a good man.”
“Then why on earth are you worked up in such a state?” Granny inquired. “I can practically smell the anxiety and tension wafting off of you.”
Emma chewed her bottom lip, then silently cursed herself. Get a grip, Emma. Tossing her hair over her shoulder, she straightened her posture and schooled her features. “It’s nothing.”
Granny let out a dubious hum. “Try again,” she said. “If you want me to help a lycanthrope - and a detective to boot - that has you all tied up in knots then you’re gonna have to give me a reason.”
Emma released a heavy sigh. She knew Granny was right. The woman was going out on a limb for her, the least she could do was give her the truth.
Given that she expected the detective to arrive at any moment, Emma quickly told Granny about her and Killian’s first meeting, and the subsequent month that had followed.
“Sounds like the two of you became fast friends,” Granny remarked, though Emma thought she could detect something slightly off in the woman’s tone. “What happened?”
Glancing at the door, Emma wasn’t sure if she was irritated or relieved that he hadn’t arrived yet. She’d never told anyone what had happened.
“He came to stay with me for the full moon, as planned,” she began.
“Here?” Granny asked, knowing the proprietor lived above her shop.
“Yes,” Emma confirmed. “In my spare room. I wanted us to be close to the workshop so I could make adjustments on the fly.”
“What do you mean?”
Swallowing, Emma told Granny about the experiments they did, testing the effectiveness of the wolfsbane. “Things like, provoking his temper and trying to elicit responses that were more primal,” she hedged, with half a shrug of her shoulder, “to see how well he could keep control under such stimuli.”
“And?” Granny prompted. “How did he do?”
“He did great,” Emma said, then winced slightly as she added, “Until August showed up.”
A knowing huff left Granny. “Yeah. I’d imagine the presence of another male might have set him off a bit. Did your brother come away unscathed?”
“Barely,” Emma replied. “Killian didn’t know who August was and when he saw him hugging me he… woged.”
“As in… fully?”
“Yeah.”
“That must have been intense for all of you.”
“It was,” Emma sighed. “I had to use magic to diffuse the situation, but once cooler heads prevailed and I was able to introduce the two of them, I thought things were resolved.”
“Until?”
Emma’s mind flashed back to the morning after he’d woged and tried to attack August. The morning after the final full moon.
“So… you made it through your first full moon.”
“Aye. Thanks to you, love.”
“No need to thank me,” she told him. “I should be thanking you.”
“For?”
“For not ripping out my idiot brother’s throat,” she said in a tone mixed with amusement and annoyance. “I told him not to come here this weekend, but does he listen?”
Killian hummed, a sultry, toe-curling sound, and sauntered forward. “Perhaps gratitude is in order then?” he murmured, tapping his lips suggestively with a raised brow and challenging smirk.
“Yeah,” she said, a little breathlessly. “That’s what the thank you was for.”
Another sinful sound echoed past his lips as he pressed further into her personal space. “Is that all your brother’s life is worth to you?”
“Please,” she scoffed with an eye roll, trying, and failing, to get her heart rate under control, knowing full well he could probably hear its erratic beat. “You couldn’t handle it.”
The corner of his lips lifted in a feral and taunting manner. “Perhaps you’re the one who couldn’t handle it.”
The crack of the t against his tongue reverberated through her, and without thought she grabbed the lapels of his jacket, fusing her mouth to his. It took him the briefest of seconds to respond, inhaling deeply before thoroughly devouring her.
It was hot. It was primal. It was all-consuming.
“That was…”
It was a big fucking mistake.
“A one time thing,” she murmured, pulling back from his chasing lips. “We… we can’t do this. I… I can’t do this.”
Releasing him, she took several steps back, unable to meet his eye or look upon his confused expression.
“Swan,” he panted, both of them still working to catch their breath. “Have I… Have I done something? I know attacking your brother was bad form. Please don’t think I’m unaware of the seriousness of that--”
“No, it’s… it’s not that,” she said. “I know you didn’t really have control over--”
“Then what?” he asked. “What’s changed?”
Crossing her arms over her chest, Emma rocked back on her heels and said, “I just don’t think it’s a good idea for us to… I mean… this is all new to you and the last thing we both need is to complicate an already complex situation. I think it would be best if we… kept things professional between us.”
She braced herself for his response, expecting him to be angry. Expecting him to accuse her of leading him on, or taking advantage of him while he was vulnerable. She hadn’t expected him to run a hand through his hair while letting go a heavy sigh before agreeing with her.
“Aye,” he said, softly. “Perhaps you’re right. Perhaps now is not the best time to…” Flicking his too blue gaze up to hers, he gave her an earnest smile. “I appreciate all you’ve done for me, Swan. I think I’ll be able to manage on my own now, thanks to you.”
“You’ll still need the tonic each month,” she reminded him with a slight edge of panic in her voice. She didn’t mean for their association to end altogether. “And you can still call or text me if you have questions about--”
“Thank you,” he interjected, cutting her off before she could continue with her offer. “I’ll swing in for the tonic in a month’s time. I’ll be sure to let you know if there are any issues regarding the treatment.” Reaching up, he pawed at a patch of skin behind his ear. “I, uh… I should go. I have a shift in an hour.”
“Right,” she said, letting him pass so he could collect his things from where he’d set them by the door. “See you next month?”
“Aye, Swan,” he said over his shoulder as he exited the shop. “See you then.”
“Only… I didn’t see him then,” she told Granny. “I chickened out and left the order with August.”
“Are you telling me,” Granny chastised, “that you haven’t seen that young man since--”
“No!” Emma replied, indignantly. “Of course I’ve seen him. We just… it’s been…” Another heavy sigh expelled out of her lungs. “After our… shared moment, I did avoid him for a bit and I know he struggled to cope with his transition, which made me feel worse about how we left things, but then there was this fire at his friend’s bar, and he made detective, and I don’t know… something about him changed. Things were less weird when he came in and we managed to carve out this nice, albeit superficial, relationship and yet--”
“The feelings are still there?”
Emma laughed a rather hysterical sounding laugh. “Uh, no. No feelings. I mean, obviously I care about him, as a person, but my current demeanor has nothing to do with feelings.”
“Oh? What does it have to do with, then?”
Emma didn’t get a chance to answer the woman’s smug question. The bell over the door chimed and the two women's heads snapped in its direction. In walked Killian Jones, as handsome and alluring as ever.
“Swan,” he greeted with a reverential nod. “Thank you for seeing me.”
“Of course,” she managed to choke out, her mouth having gone dry. Clearing her throat, she gestured towards Granny and introduced, “This is, uh, Granny Lucas. She runs the new B&B and diner up the street. I thought she might be able to help. Granny, this is Detective Jones.”
“Please,” he said, taking Granny’s hand and offering it a polite shake. “Killian will do.”
“A pleasure to meet you, detective,” Granny said, obviously sizing him up. “You’re not at all what I expected.”
“Meaning?”
Her gaze still assessing him, Granny quipped, “Most lycanthropes have me wanting to rip out their throats within seconds of meeting them, but you… you’re different.”
Killian’s brows shot up and his eyes flicked to Emma even as he continued to address Granny. “It seems you have me at a disadvantage,” he said a little too calmly. “You know about me, yet I have no idea why Swan brought you in on--”
“Granny’s a blutbad,” Emma blurted out, causing his brows to raise even higher as his head snapped back to the elderly woman. “I thought, seeing as you said your case had something to do with a blutbad, and that you needed more information about them, that you’d like to have your questions answered by someone who--”
“Not just any blutbad,” he said, cutting her off in a tone laced with menace and anger. “The blutbad.”
Emma gasped. “The one who turned you?”
“Aye.” His gaze turned dark and his features hardened. “He’s back and he’s killed again. He’s even taken a little girl captive.”
“That’s terrible,” Emma said, keeping herself from reaching out to offer him a hand of comfort. “When did you--”
“Today,” he told her, catching both women up on the case of the little girl and the jogger and how he’d connected them to the cases from over two years ago.
“We found matching boot prints at the crime scenes, but I also detected his scent at each location. I knew there was something familiar about it, but didn’t put it together until I smelled it mixed with the jogger’s blood. It brought back the olfactory memory of that night,” he said, momentarily getting lost in thought until he shook his head and added, “Of course… I can’t enter that into evidence. Fortunately, we have a lead, but I am wary of confronting him without knowing more.”
“More?” Granny said, her countenance a bit stand-offish and very imposing. “Like what?”
“Like,” Killian hedged, wetting his lips and taking a moment to assess Granny as she had him. “Whether I’ll be able to know him by scent even if he isn’t woged. Typically, I can’t detect wesen by scent whilst they’re in their human form or see them demi-woge unless it's the full moon, so I can only assume he was in full woge when he abducted the girl and attacked the jogger.”
Granny remained stoic and stone-faced, still unsure whether she should trust the gemacht wesen in front of her.
“Look,” Killian said with a tone of authority Emma imagined he employed often in his line of work. “I know there’s a code among wesen. This desire to look after one's own kind. But this guy is a killer. He’s killed two people that we know of and may, even now, be holding a little girl captive, so please. Help me find him. Help me find her.”
The reminder of the little girl softened Granny’s features. “If he’s done what you say he has, then he’s putting us all at risk.” Quickly, she flicked her gaze to Emma then back to him, conceding, “You’re right. There is a code among wesen, but it only extends so far. It sounds to me like this blutbad has gone feral, and his behavior is only going to escalate the longer he’s allowed to run wild.”
“Then… you’ll help me?”
Her posture relaxed further and she stepped up to the counter, bringing her closer to both Killian and Emma. Nodding, she said, “Yes, I’ll help you.”
A relieved breath fell from Emma’s lips and she took Granny’s hand, giving it a squeeze. “Thank you, Granny.”
Granny patted her hand then straightened her shoulders, getting down to business. “Now, I’m no expert on lycanthropes, but unless he fully woges, I don’t think you’ll be able to tell whether your suspect is the blutbad you’re looking for. If he is feral, then it wouldn’t take too much to provoke a response, but you’d have to be ready. Once he woges… he’ll be out for blood.”
Emma saw a shudder pass over the detective and she wondered if he was remembering his own experience with an uncontrolled woge.
“What about the girl?” Killian asked. “What motive would he have for taking her?”
Granny pursed her lips together then hesitantly replied. “If he’s feral, and attacked someone before, then he’s likely gotten a taste for human blood.” Killian and Emma both grimaced, sickened by the notion. “I’d wager he attacked and fed on that jogger first. Probably lost control. He knows he’ll be good for another week until the urge takes hold again, but by then it’ll be the full moon and it’ll be risky for him to be out and about. He probably took the girl in preparation of making a meal of her later. Taking her now gives him time to fatten her up.”
Emma thought she might be sick, and while she could see the shared disgust in Killian’s face, she also saw rage.
Granny caught his eye and imparted, “Having her will make him even more territorial and dangerous. So you’ll need to be ready for anything.”
“Will he, uh…” Killian began, haltingly. “Will he be able to discern who I am? What I am?”
“No,” Granny said, shaking her head. “I only made that quip about lycanthropes because Emma had already told me what you are… and I wanted to see how you’d react. You ought to know by now that wesen can only sense you during the full moon.”
“Aye, but he isn’t just any wesen,” Killian countered. “He’s my maker. Are you sure that won’t have an effect?”
“I don’t see why it would.”
Killian’s Adam’s apple bobbed as he swallowed hard, a reluctant question seemed to pause at the tip of his tongue.
“So there won’t be any… connection between us, then? No weird side effort of my turning that would make me sympathetic towards him or beholden in some way?”
Granny scoffed and cocked an amused brow at him. “Such sire bonds only exist in fiction.”
Killian’s head fell in relief and Emma could now detect how much tension he must have been carrying over that worry.
“Gemacht sometimes latch on to those who aid and guide them through their transition, and many times that is the wesen who turned them, so if you were to have bonded onto someone it would have been the person who was there for you at the beginning of and during your first change.”
Killian’s head snapped up, his eyes locking onto Emma’s. Her heart stuttered, then began pounding in her chest while her breath remained trapped in her lungs.
Granny’s gaze volleyed between the two of them, her heading tilting to one side as she quipped, “I suppose that explains the pent up tension I’ve been sensing between you two.” A warm smile lifted the corners of her mouth in response to their awkward reaction to the call out, and she assured them, “Don’t worry. The bond was temporary. I dare say enough time has passed that it would be gone altogether.” Her no nonsense demeanor returned as she focused her attention solely back on Killian and asked, “Anything else?”
Unsticking his tongue from the roof of his mouth, Killian cleared his throat and said, “Just one last thing… Do you know who this blutbad might be?”
“Afraid not,” Granny told him with obvious regret in not being able to provide him a name. “I only relocated to Storybrooke a few months ago, and I find it best to avoid my kind as much as possible.” Her eyes fell down to the counter and on a bit of a grumble she added, “Bad things happen when we get into a pack. Especially when we see red.”
Killian’s eyes went wide.
“What?” Emma asked. “What is it?”
Killian locked eyes with her once more. “The little girl. Grace. She was last seen wearing a red hoodie. And the jogger and hiker both had on red jackets when their remains were found.”
“So, red provokes him?” Emma said, shaking her head in confusion. “But you weren’t wearing red when he attacked you. You were in uniform.”
“Which,” Granny interjected, “along with your natural demeanor of dominance and authority, he would have seen as a threat.”
“Which means he’ll likely view me as a threat when I confront him.”
“Most likely,” Granny warned. She glanced at the clock on the wall, and Emma knew she needed to get going so she could get back to the diner before the evening rush. “My advice,” she said, rounding the counter on her way out. “When you do confront him, do it alone. You don’t want him to feel trapped or backed into a corner, and if things go badly…”
“Aye,” Killian agreed. “I don’t want anyone else getting hurt.”
Extending her hand, Granny offered him a sincere expression as he accepted the gesture. “Take care of yourself, Detective. I hope you can bring him to justice, but if not… bring him down any way you can.”
With that, she said a quick goodbye to Emma then exited the shop.
“Tough old bird,” Killian said in her wake, causing Emma to huff out an amused breath.
“Yeah. Granny is… something else.”
“Terrifying, I believe is the word you’re looking for,” he quipped with a light chuckle.
The two shared a laugh then stood awkwardly regarding one another for a long moment before Killian cleared his throat and said, “Um… thank you, Swan. I truly appreciate your help. I didn’t know who else to--”
“It was nothing,” Emma blurted out, tucking a strand of her hair behind her ear. “I mean… I was happy you called and that I could…”
Her words fell away and a wash of something akin to embarrassment or bashfulness swept over her. Her face was hot and her palms were starting to get slick.
You're being ridiculous, Emma. You’re not a silly school girl unsure of what to say to her crush. In fact… you don’t have a crush. This isn’t a crush. This is--
Killian’s phone chimed with a notification. Pulling it from his pocket, he checked the text and his grip tightened to the point that Emma feared he’d crack the screen.
“Killian? What is it?”
Slowly, Killian’s eyes lifted and met hers. The look that swirled in those blue depths made her breath hitch.
“We found him, Swan.” His voice was low, almost a growl, and it made the hair on the back of her neck stand in a way that caused her to shiver.
“Who is he?” she asked in a whisper, only vaguely aware that she was rounding the counter to move towards him.
His eyes never left hers and once she was standing before him, they flickered between her own as he answered. “His name is Quinn Adair. His address puts him outside of the city. Out in the woods.”
Emma swallowed hard as an eruption of worry filled her chest. “Are you… You’re not going to go after him now are you?”
“I have to, Swan,” he insisted. “He has Grace, remember? I have to get to her before he…”
Emma nodded, knowing that time was of the essence for that poor girl who was probably terrified out of her mind.
“Just… be careful?” she said, wetting her lips, which caused his gaze to drop down briefly. “And, um… Call me later so I know how it… so I know the girl is okay… and you.”
“Aye,” he said, pocketing his phone. “I will. I promise.”
She expected him to rush out after that, but he continued to stand there. Conflicted.
“Swan, I know this isn’t the time, but… what Granny said earlier. About us. About the bond that might have been created between us. Was that… Was that the reason you pulled away? Did you suspect?”
“Killian, I…” Emma didn’t know what to say. It would certainly be a plausible reason to give him. One that was safer than the truth.
It would be a lie, though.
“It doesn’t matter,” he said, waving off the question and sparing her from having to answer. “As Granny said, whatever was going on between us at the time, it’s likely run its course, so…”
“So?”
Stepping forward, Killian grabbed her hand and lightly held it in his. A rush of goosebumps swept up her arm when his thumb brushed over her knuckles.
“So… Maybe when this case is solved and things go back to relative normalcy, we could… try again?”
“Try again?” Emma parroted. A contradictory cocktail of hope, elation, dread, and panic collided within her as her good sense warred with her wants and desires.
“As friends, I mean,” he clarified, and in tamping down her own disappointment she missed the tone of it in his voice. “We had the start of something I was beginning to cherish and I miss…”
“Me, too,” she told him, turning her hand in his so she could give it a squeeze. Maybe it was reckless. She’d avoided close relationships all her life for a reason, and yet… “I’d love to start again. As friends.”
His smile took her breath away, but it was quickly schooled so he could focus on the dangerous task that lay before him.
“Do you want me to come with you?” she asked, filled with concern about him facing his maker alone. “I know Granny said not to make him feel trapped or backed into a corner, but I doubt he’d see me as a threat. And I doubt he’d be expecting a witch.”
His lip curled up on one side. “As much as I would love to see him go up against your magic, I won’t put you in harm's way like that.” When she opened her mouth to argue, he quickly added, “Besides. I need to try and do this by the book. I’m a cop before anything else.”
“I get that,” Emma relented, begrudgingly. “But I’m going to keep my phone close by in case you get in over your head and change your mind.”
“In over my head?” he said in feigned offense. “I’ll have you know, love,” he murmured in a low timber, edging a bit closer to her. “If there is one thing I’m good at… it’s surviving.”
“Mhmm,” Emma hummed, meeting his taunting expression of challenge with one of her own. “Well, I’m going to insist that you stop by afterward in order to prove that to me.”
He smiled down at her, another message alerting from his phone, indicating it was past time for him to go.
“As you wish.”
Chapter Two - Coming Soon!
Tagging the Curious Crew: (add to tag list)
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retromimic · 11 months
Text
re: Astarion's age (and others)
I made a random post last week about Astarion's age and I have been thinking about it since.
I also realized that we do have other characters we can use to have a better idea of timelines and stuff.
And by other characters I mean Jaheira and Halsin.
More under the cut, tl;dr at the end
Jaheira
Jaheira is from the first two Baldur's Gate games, which both take place over 100 years before BG3 (1368 and 1369, so 123 before BG3, which is in 1492).
She's a half-elf, who age pretty much the same as human, but live longer, so she probably was in her 20's or early 30's in the first games, which would make her about 150 years old in BG3. This makes sense with her appearance, as half-elves live for about 180 years.
Note: Based on appearance only, it's possible Jaheira was older in the first games, but considering they were released in 1998 and 2000, I highly doubt they made the hot half elf lady an actual middle-age woman lmao
Side note: Minsc
Minsc is a human and also from the first two games, but there is a canon reason why he's still alive and doesn't look like he got older like Jaheira did. iykyk
Halsin
He just straight up says he's 350 years old. He's an elf.
He also does look old, but not that old.
Shadowheart
We know she is at least 40 years old (but not much older), and she doesn't look too old. It's subjective but to me she looks like a human late 20's, early 30's (I do think she looks older than Jaheira did in the first two games, but graphic quality and time does affect that). She's a half-elf, so that also checks out.
Recap so far:
Half-elves:
Live for about 180 years
40's: young and soft
150's: Mommy™
Elves:
Live for a long time (in game: at least 350 years, in DnD lore: about 700 years)
350's: Daddy™
Now onto the baby
Astarion
The information can be conflicting, so I'll try to break it down.
The tombstone
Tumblr media
This is where it gets complicated because not only is it hard to read, but also is kind of contradictory.
It's written in the Thorass alphabet.
The initial dates are the easiest to read:
229 - 268 DR
Which would mean he was 39 years old when he died. Which a lot of people find it a bit hard to believe considering he looks much older, especially if you compare him to Shadowheart, who's not only older, but also only a half-elf.
I'll come back to it later.
What makes the tombstone complicated is the date Astarion adds. They are hard to read, the first one is barely readable and the numbers 5, 6, 7 and 9 can be easily mistaken for one another when it's someone who just had the most emotional moment of his life carving it in stone with a dagger.
The general consensus from what I've seen has been that it's 498 and that the dates on the tombstone are omitting the 1 (so the dates would actually be 1229, 1268 and 1498 DR), or that Larian made a mistake and should have made the dates in NR, not DR (which would bring the dates to 1261 and 1300 for his birth/death)
Both options have flaws because of the date Astarion writes should either read 492 (omitting the 1) or 460 (NR instead of DR). Neither are really plausible because the last number really doesn't look neither like a 2 or a 0.
The first option would also mean that Astarion died 230 years ago, which we know is not true. A lot of things in-game (not just Astarion) confirms it.
The second option would place his death 192 years ago, which is the most plausible.
But then how to explain the error in the date he adds?
Either he fucked up and doesn't know what year it is.
Or the first number is actually a 2, and he wrote 268, which is the year he died. We'll go with this one.
So, conclusion? Astarion was 39 years old when he died, 192 years ago, making him now 231 years old.
Physical appearance
Now, onto his look.
As mentioned earlier, Astarion doesn't look like he's younger than 40-something half-elf, so some people think the tombstone might be reading 129, giving him an extra 100 years at death, which would make more sense, but there is clearly more than just one dot on that first number, and there is a more plausible reason for him looking so old:
Vampire spawn appeared as they did in life, though their features were hardened and appeared predatory.
Source: Forgotten Realms Wiki
Add to that nearly 200 years of torture? That would make a man look a couple decades older.
And it's not really hard to imagine he was 39 years old at death when you see him, mostly post-Cazador, with softer expressions. (There is posts about it on here, sorry I can't link)
There is one last argument against this, which is the fact that elves reach "adulthood" at around 100 yeas old, and that Astarion already had a job and everything when he died.
But that's really easy to explain;
Elves physically reach adulthood at the same rate as humans, but their concept of adulthood is different, which is why "socially" they are considered adults only much later.
But also, this is socially, and socially, Astarion grew up in Baldur's Gate, a multi-cultural city, so he didn't grow up with elven mentality. Him having a job at 39 years old is very much plausible.
SO.
TL;DR:
Astarion was still pretty much a child when he died at 39 years old, 192 years ago.
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meloncholy-words · 4 months
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Robin: A Word That Means Run (Chapter 1: Nightwing)
Nightwing hasn't been Robin in years. He still remembers what that name means in a situation like this.
A/N: I'm not going to apologize for any inaccuracies in lore and characterization. If canon can fuck off and do whatever they please than I can too. I'll try staying as close to what I know as canon as possible but also I do what I want lmao.
~~~
Chapter Warnings: Explosions, minor gun violence(no one gets shot but there are guns), canon typical violence(nothing graphic/explicit! it's just there), swearing, Scarecrow's fear toxin (though the effects of it happen off screen), mentions of past violence, mentions of injury(stitches, concussion, etc.). No permanent injury or death occurs! Let me know if I should add more warnings!
AO3 | Chapter List
The case was simple: Scarecrow was shipping out vials of fear toxin to buyers from other cities. There were five buyers; one from New York City, Washington DC, Brooklyn, Metropolis, and Blüdhaven. All that they had to do was intercept the sales, arrest the buyers, and run tests on the toxin to check if it was a new strain. It usually wasn't, but it never hurt to check. If it was, that would mean that Scarecrow was planning something big.
The issue was that all sales were happening on the same night, and all in different parts of Gotham, with not enough vigilantes to handle all of them.
Red Hood was investigating a new business of dealers near his territory, trying to gauge how much of a threat they were so he could take them out. They were experienced, and growing fast; if he didn't nip it as fast as he could, it might grow out of control and start becoming an issue.
Spoiler and Black Bat had had a recent run in with Killer Croc, and were both benched due to injuries. Steph had a sprained ankle, and many stitches all along her arms and back. Cass had a dislocated shoulder and concussion, as well as many stitches along her legs and torso. Both were lucky to have not gotten worse.
Signal, despite insisting that he should go, was out of commission. He'd already worked well into the night shifts the previous three nights due to several kidnapping situations that happened too close together to not be connected, but ended up just being very coincidental. That, plus his need to keep his grades up, had him pretty sleep deprived. While not usually an issue, a fourth night out later than he should've been would've only made it worse, and fear toxin with sleep deprivation was one of their absolutely nots.
That left only Batman, Robin, Red Robin, and Nightwing to deal with busting the sales. Four vigilantes to deal with five sales in five separate locations within the city. No problem, could be done very easily.
Nightwing had gotten the sale in Fashion District. The information that Oracle had been able to dig up lead him to an alley behind a two-story boutique. An unusual meeting place, but better than some abandoned warehouse. That was just becoming cliche at this point.
He was perched on a rooftop above, blending into the dark, clouded sky. It wasn't as efficient as the shadows, but he had been yet to be spotted. A car was already waiting, three guys twiddling their feet as they waited. The buyers, undoubtedly. Nightwing sat studying them from above.
Their car was a black SUV, covered in family stickers. Likely to be more inconspicuous, but could've been from one of their moms. Criminals were just like that sometimes. Two of the men were obviously well built, their frames on the bulky side. The third wasn't quite so built, but he seemed relaxed as they leaned back against the metal frame of the car, so he wasn't just some lackey dragged along. Likely a getaway driver, maybe the leader of this operation.
After around 15 minutes of sitting around, a van pulled up to the entrance of the alley. The driver stayed inside, while the the passenger and a few men from the back hopped out. The gimmicks of their outfits told Nightwing that they were Scarecrow's men. One of them was carrying a briefcase, which he identified as the goods.
The three guys snapped to alert, the leaner man taking charge. That clued into him being the leader. They met each other half way, a conversation springing from hushed voices. Nightwing strained to hear what they were saying, but that wasn't the important thing. What he needed to do was stop the sale from happening.
He monitored the men for a bit longer, listening to them speak. They were haggling, probably. If they sale went through, than he would need to apprehend all of them. If it didn't, he'd only need to deal with Scarecrow's men. The others would be their own cities problem.
"My sale fell through," came Red Robin's voice crackling through the comm in his ear. "Moving in now."
Below him, the leader gestured back toward the car. One of the bulky men moved towards it, opening the back and pulling out a small duffel bag. He handed the bag over, and Nightwing shifted to get a better look at the bag that was being opened.
Yep, that was cash.
"My sale is going through," Nightwing said into his mic, hushed. "Moving in."
Before the trade off could happen, Nightwing slipped off the ledge of the roof quietly. He angled himself slightly, making sure that when he landed it was on the lean man's shoulders, sending him shooting down to the ground under the weight. The man under him grunted as he hit the ground, letting out a wheeze. He wasn't unconscious, but he made no move to get up. Probably due to the pain of being slammed into an alley's concrete floor from roughly 180 pounds from above.
"Gentlemen," he chirped in greeting, electrifying the ends of his escrima sticks before flipping of the man under him towards the other two. The men reached towards their waistbands, likely reaching for a gun, but it mattered little when the electricity pressed hard above their collarbones. They spasmed, muscles stiffening under the shock, before collapsing as he pulled back.
Scarecrow's men gasped, followed by shouts and the sounds of feet scuttling away. Nightwing grabbed the lean man's collar, tossing him towards the other two. He dropped a bead in between them that exploded, wrapping cord around their limbs and tying them together.
"I'll be back for you!~" he called in a sing song voice, spinning around to watch the henchmen loading into the van. He pulled one of his sticks up, letting the hidden grapple inside of it shoot into the side of the building. The van roared to life, and Nightwing used the momentum of his lines tension to propel forward, landing on the roof as the wheels screeched against the road.
"Sale went through, moving in," came Robin, and from the sounds of exertion coating his voice, he was a little late on that callout.
The van wiggled underneath Nightwing's grip, trying to shake him off. Nightwing acquiesced, his hands gripping the edge of the top as he forced his legs down and through the windows of the back doors.
Several more shouts filled the air, and Nightwing was quick to silence them. He was also careful to not shatter the fear toxin that had been dropped on the floor in the struggle. The passenger in the front whipped around, and Nightwing was distantly aware of the glint of metal pointing towards him, but he snapped the wrist pointing the gun at him before he even recognized it as a gun.
The henchmen yelped in pain, and then did it again when his head was slammed into the dashboard. Nightwing hopped over the seats, landing on top of the unconscious body, his feet resting in the lap of the driver. In his hands, a stick came to life with more electricity.
"You gonna pull over?" he asked, smile in his voice as he waved the shocked-up end at the other. The henchmen let out a small whimper, leaning away from the weapon. Nightwing almost felt bad for him as he screeched off to the side, obeying.
When all of the henchmen were tied up, and Nightwing had doubled back to make sure the almost-buyers hadn't managed to escape, he notified the police before sitting back on a roof, basking in his victory.
"All involved are apprehended and waiting for police custody, and the toxin has been secured," Nightwing said, stretching out from where he was sat. The men didn't put up much of a fight, but the few blows the did land would probably bruise in the morning. Probably. This was a surprisingly easy run. "Reports?"
"Scarecrow's men are being tied up now," Red Robin replied, his voice soft after the fight. "Toxin secured"
"All involved apprehended," came Batman, who hadn't given the status earlier, the asshole. "Toxin secured."
"You never notified us you were moving in," Nightwing said helpfully. Not that it mattered too much; he was Batman, he'd be fine. "I'll start moving into the last sale now. Send me the location, O." Then, after a beat, "Robin, status?"
There was a brief stutter of silence. Nightwing hardly noticed it as he crossed from building to building, careful not to break anything. Hardly.
"Robin?"
"All involved apprehended," came the shaky voice of Robin. Uh oh, not good. "Toxin secured, one... one vial broken."
Shit.
"Try staying calm, I'll head your way," Nightwing said, spinning on his heel to where Robin handled his sale in the Narrows. It was on the opposite side of Gotham, but he'd be damned if he didn't do anything to-
"Actually," cut in Oracle's voice, "You should get over to Diamond for that last sale. You're the closest, and if all other sales are finished by now, that one might be close to done, or already finished. Red's the closest to Robin, he can go."
Red gave an affirming hum into his mic. "On my way, hang tight Robin. ETA like... 12 minutes."
Robin didn't respond, which made Dick's heart stop, but he turned back to his original path. His family was reliable, and they'd be fine. Stopping this sale was important, and he wasn't even close enough to object.
"I'll go with Nightwing," Batman said, voice gruff and focused as usual. "If they're wrapping up, and he gets there too late, I can keep speed with the batmobile."
"Acknowledged," Nightwing acknowledged as he soared over the gaps between buildings. "ETA 5 minutes."
Those five minutes were rather silent, only filled with his heavy breathing and grunts and he hopped and rolled around and off the rooftops. The vials in the briefcase he had pressed against his ribs clanked together ominously, but there was not breaking glass yet. He hoped there wouldn't be.
This time, the place of sale was some old, rundown warehouse. Nightwing gently set down the briefcase on the roof, dropping through a shattered skylight and moving like a spider in the rafters. There was arguing below him, loud and... not quite angry. No, it was frustrated, and building up to anger.
"I'm just saying, that seems like a high price to pay for something we don't even know works." The accent suggested Blüdhaven. Good, these were his own criminals then. He could handle that just fine.
Nightwing slipped around the rafters a little more until he had a clear view of everyone. He took a quick headcount. Five of Scarecrow's men, and he thought he saw another van outside, so probably more in total. Seven men stood before them, and Nightwing thought he recognized them from a gang who caused a lot of problems for him. It was hard to tell in the dark. This warehouse was so run down that there wasn't even any lighting in here.
"Twelve counted inside, likely more spotted outside," he said into his mic, his voice kept low and even as the men continued to argue. "The outcome of this is probably gonna be a big fight, so have your rebreather on just in case."
Nightwing slipped his own rebreather over his mouth, fastening it tight behind his head.
"Understood. I'm pulling up now."
The arguing below softened, and Nightwing was struggling to hear what was being said again. He did notice the exchange of bags, though.
"Good, the sale just went through. You're just in time."
Once more, Nightwing dropped from the sky like a missile. This time, he focused on the henchmen, as the gang men had the fear toxin. He had to be careful to not break them open. Even if he had his rebreather on, fear toxin wasn't fun to deal with.
These henchmen put up a bit more of a fight. Not good enough, of course. The metal pipe to the back of his head was, though.
Four of the five of Scarecrow's men were down, and what knocked him off his feet was a metal pipe. Damn. He tucked and rolled with the blow, bouncing up on his hands and knocking the weapon away with a kick. He was back on his feet, escrima sticks in both hands and poised to fight when a shadow descended upon the others.
The fighting only increased with a new player in the ring, but it was easier this time. Batman wrestled the briefcase of vials out of the gang's hands, tossing it on the floor behind him and out of the crossfire. The final henchmen had been forgotten in favor of the others. By the time another four men were down, Nightwing had realized that it was a mistake.
A click of metal made Nightwing whip around, arms raised and ready to either take or deal some serious blows. What he saw, instead, was a grenade mid air, heading fast towards him. It bounced off the ground, nestling against the briefcases handle.
Nightwing's muscles tensed, crouching low and fast, the hold on his weapons loosening. He needed to grab the briefcase. If the toxin blew, everyone without a rebreather would be affected. Dealing with a large number of criminals was hard; dealing with a large number of criminals who were terrified out of their minds and fighting like caged animals was hell.
His eyes flicked over to the grenade, and he hesitated. That wasn't good. You never hesitated on the field like this. But he knew those grenades. Most had plenty of seconds of fuse in them, for optimal range. If a grenade blew up too quickly after it was thrown, you'd get caught in the crossfire. But these ones, the one that had been thrown his way and was nestled against too many vials of fear toxin, was very short fused. The best way to take out a bat was to surprise them. That was very hard to do.
Using a weapon with no guarantee of survivability for the user was a good way to do it.
Nightwing wouldn't have time to move, not anymore. Maybe if he'd jumped at first, he could've gotten far enough away. But he was crouched down low, leaning toward the thing rigged to explode in at most two seconds, one hand reaching forward. His mind processed, vaguely, that he should run. Maybe he could run still, maybe, but would his body catch up to his thought process? Probably not. It hadn't even registered he was in danger yet.
Shit. He was going to die, huh? Or at the very least get badly injured. He was going to maybe die because he was too slow to recognize danger and his body was even slower to respond to his mind's commands and-
"Robin!"
His body moved before his mind caught up this time. He didn't know why. He hadn't been Robin in, what, 8 years? 9? But he new that name. He new that tone. He'd heard them both countless times over the years. And when they were paired together like this, when his veins were full of adrenaline and his stomach felt like a pit of ice, it meant run.
So he did. His legs pushed up, and his hips turned so fast he might've gotten whiplash, and his arms reached out until they found something firm and dark and safe. There was the flutter of a cape, and then there were strong arms around him, grabbing so tightly that the skin and bone underneath them ached.
There was an explosion. He didn't feel it. He could hear the sound of it, the gunpowder igniting and swelling into a cloud of fire. He could hear shouts and shrieks around him, groans and yells and maybe something breaking. He could feel his side grinding against something he recognized as the floor, but it felt distant.
He could feel his face pressed into a chest, coated in a thick material that had repelled knives, bullets, and wandering hands and fingers that traced the bat design on it after he had saved someone that he would gag about later in the back of the batmobile because he was too small to ride shotgun.
The floor under him stopped moving, and the screams had cut off. He peaked an eye open, looking up at the roof of the warehouse. There was a face there, with a chiseled jaw and scars that were small enough they could only be seen up close. There was black material that only covered the top half of that face. Above them was a thick substance in the air. Fear toxin, he registered after a few moments.
Slowly, the two bodies pulled apart. A hand was under his arm, guiding him up to stand. A survey of the area showed no deaths. Everyone unprotected had at least been far enough to only have been blown back. No missing limbs, no cuts, no burns. Just a few bruises.
"Are you guys okay?" Oracle asked, a hint of panic in her voice. "Cameras showed a bright light go off inside, and your vitals are off."
"All good, Oracle," said Batman, still surveying the scene. "There was a little explosion. No one seems seriously injured. Everyone else is unconscious, though, and there's toxin in the air." He didn't mention calling for his Robin.
"Good news about that!" Red Robin chimed. "It's not a new strain, which means we have antidotes on standby. Also, Robin's doing alright."
"Hn, good. We'll tie up loose ends here and head out. See you at the cave."
There was a round of sign-offs, and the two in the warehouse began rounding up the unconscious thugs. Toxin seeped out of the skylight above. The henchman that threw the grenade was nowhere to be seen, likely having fled during the chaos.
"I left my case of toxin up on the roof," Nightwing said when everyone had been restrained. He didn't mention the name either.
Batman let out a hum of acknowledgment. "I'll be waiting for you in the batmobile to head back to the cave." The flutter of a cape - one that had protected him - let him know that his dad was gone.
Nightwing climbed his way up to the roof once more, slow and deliberate. His body ached a bit more, now that he'd taken more hits and had been thrown across the floor. Being thrown by an explosion wasn't fun, 0/10, would not do it again.
Despite that, there was a smile plastered on his face.
Dick kinda liked being Robin again.
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vulpixisananimal · 4 months
Text
SIFSTEM PLAYLIST
I got a few suggestions from people, and I have explinations for a lot of the music too BECASUE IM A HUGE MUSIC NERD!!! Below the cut!!
ALSO I'm gonna add more songs over time and will probably update this. Lol. I'm ALWAYS taking suggestions for it! I like music!!!
PLAYLIST ORDER
Each section for the Sifstem members is designated by an ISAT origonal song, and in each section is song for that member! There's two exceptions which I'll go over real quick!
Your fault/Last Midnight - First song on the playlist, it's about basicly all the members. It's about a bunch of characters arguing about who's fault it is that everything's gone to shit before blaming it on the witch. And then in Last Midnight the witch goes off on them about it doesn't matter who's to blame, they have to deal with it.
It takes two - Last song on the playlist. Also from Into the Woods, this, by contrast, is about how people change and work together well.
Also some songs I choose off lyrics, others off of just vibes.
NOW FOR THE SECTIONS
Siffrin
Final room (act 5/6) - If there was a good Siffrin theme from ISAT, I think this is it. I like it.
Russian Doll - "Why should I try again?" This was a song reccomended to me a while ago actually, it fits.
Touch - ok this one's a bit mean but, listen, he is so touch starved. This song fits. "Touch, I remember touch, feelings came with touch."
No dogs on the moon! - vibe song! Silly fella song!
Bohemian Rhapsody - one of my favorite songs of all time ever. There's too much to type out, tbh.
Loop
How can you help me, Stardust? - do I even need to say anything?
Absolutely cuckoo - listen to the lyrics. "You might decide I'm a nut \ Give me a week or two to \ go absolutly cuckoo \ then when you see your error \ you can flee in terror" LIKE COME ON
The Future - "I'm worried about the future, ain't fucking with that past shit." Loop is really trying to move on. How could they? They're stuck in their betters shadow, their mind.
A humans touch - this one was by @\jackoboltrades! Very fitting for Loop who still feels they don't deserve love, or that they're just a star, not human, not real.
Rage Awakened - based purely on the loop fight. It's a vibe song but I love this song. Also Lingering Will (the character this theme is for) does have some similarities to Loop, being echoes of the past defeats and wishes.
Haunted - being haunted by past mistakes or just the past in general. Though it has some romantic undertones that I can take or leave
Mal Du Pays
Mal Du Pays - AGAIN do I need to explain anything
Mr. FEAR - "Hello, my name is mr. fear." considering how Mal Du Pays is introduced and how it interacts with Siffrin, well, that line alone makes it an MDP song.
Dark Impetus - Vibe song! Mysterious figure cloaked in dark, too. Lol.
Ghosts - "Maybe the past aint what it cracked up to be \ Maybe I'll find a way to just move on \ Maybe we're all ghosts cause I cant feel the ground \ And all these shades they dont make a sound \ I think there is a God \ I think he hates his job" Do I need to say anything.
Stained, Brutal Calamity - Recomended by a friend! Both vibes but also the lyrics that come later have a MDP vibe. I like it.
Burn My Dread (last battle) - "Tear up your fear \ the end is coming near" Honestly Persona 3 has a vibe that could fit MDP quite well.
Null
I WON'T LET YOU GO HOME - Act 5 Siffrin, someone who's both repressing their own feelings to their family but also doesn't want to let them go, to the point of hurting everyone. Nuff said.
Panoramic Feeling - this and the other Katana Zero songs are here cause, well, Zero fictive, plus has the vibe.
All for now - same song used to fight Ramos. It was this or Full Confession, and this fits more for it's desperate or crazed vibe.
L'impeto Oscuro - This is actually a retrain of Dark Impetus, it's the them of a time traveler who can stop time (Kingdom hearts lore dont worry about it.) This specific mix also included the music for when time is stopped during the fight. It's ruthless, endless.
I'm my own master now - Very heavy and hard and strong and powerful, also! The Lyrics! "Bear the mark of my scars \ Shedding blood underneath the stars"
Labyrinth - Being lost in an endless labarynth of their own mind. Very much like act 5 Siffrin, like Null. Plus, Null is not exactly mentally stable.
Rain on brick - Katana Zero song, it's the menue theme. It's just. . . Vibes.
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pjberribear · 6 months
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Hello fellow folks! I don't know when there will be an actual new update for the "It Takes Two" AU I've made.
Yeah sure, there was that 3D model I made but that wasn't even an official thing. So, sense I've been kind of slow with updates, I'll tell you all some of the lore with the storyline. I'm still writing the story, some things might change later on.
I bet some of you guys were wondering why is Julie "Rose" in the AU. Of course, Julie haves a strong bond with both of them and It make sense why she's trying to help them love each other once again. Also, I seen some fans make little comics about how Eddie and Frank liked each other in the first place, Julie was the one who got them together in some cases. I wanted to add that into the story, that's why she's sad about them divorcing. Now that they are ending their relationship, Julie feels helpless by the fact that she didn't try to prevent this from happening. Plus, Julie feels like she was the cause of it. When Frank and Eddie argue, sometimes she over hears them and it sounds like they are indeed "blaming her." Julie wanted to run away and go back to her childhood home, she tried to leave cause the neighborhood brought back so many memories of her and them. Guilt ate her up inside so she left Frank and Eddie behind, hoping that they can solve it by themselves since she wasn't much of a help at all.
That's why I wanted to go with the "Alternate Ending" route, to show how Julie actually feels deep down inside. To show Frank and Eddie's hatred for each other, by making their anger into something that symbolizes an existing thing other than it just being an emotion.
Here's some reference images to go off of for my description I gave to you.
The creator that is made out of both of their anger.
(I'm gonna redraw it soon.)
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The whole level that surrounds Julies feelings and point of view.
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Song lyrics I thought matched her situation.
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I been having a bit of trouble with the ending for the story. I still want to do the "Alternate Ending" but then again, I want to do the original ending because it's too sweet to give it up. I'll just have to see about that. I was thinking about cutting out the original ending because some of the story elements doesn't really fit "Welcome Home" in general, I'm still sticking to the logic of "Welcome Home" while sticking with the story for "It Takes Two." The whole level with May finding back her passion with singing didn't quite work with Frank as a character. Sure he does sing, but I don't think it can be a passion of his. He also sings with the others too, so there's nothing really unique with that ability cause everyone does that in the neighborhood. I know that Julie, Frank and Eddie does gardening and that's something that is common in the area. But I think it can be their own thing that makes a difference for the rest of the cast, since they love doing it and they seem to be the only ones who does it.
Here's a video that covers the other ending for the storyline, if you're interested!
youtube
This is where these images came from.
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Anyways, this is a lot of typing so I'm done for now. Let me know your thoughts and opinions for the lore and story. There's much to cover for changes. I'll update this now and again, so if you want to ask a question for the storyline then my ask box is all open! I never get anything in there so it's open no matter what. If you want to know more about the other AU (DDLC) then you ask about that too.
I hope you have a great day! <3
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tulipsinthedas · 5 months
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Just finished binging the Fallout tv show and 🤯 I've got so many thoughts running through this little brain of mine. So here's a very long rant no one asked for. Maybe I'll make a more digestible version later. Obviously SPOILERS AHEAD!!! Be warned!
First off - the lore. So many interesting things were added into the lore by this show that I find so fascinating, as well as theories I've had that were touched upon. All of which makes this very exciting but also leaves me DESPERATE for season two. The main thing that has really stuck with me is the confirmation that Vault-Tec were the ones to drop the bombs like hello??? I've always had an inkling ever since I started delving into fallout lore a good year or two ago that they were behind everything, but finally having it confirmed is so fun. Of course, some people out there are going to be irritated (L take) but this imo will make replays so much more interesting. Same with the addition of ghouls needing medication to keep from becoming feral. Although this begs some questions; what is the medicine? Is it just radaway, or something else entirely? Maybe it's connected to whatever Hancock used to ghoulify himself? Or maybe it's connected to Doctor Barrows' research into ghouls fom Fallout 3? Idk! But I hope it's answered in season 2.
Cooper being the inspiration behind the iconic vault boy mascot absolutely gagged me. It was kinda hinted at even in the beginning at the kids birthday party but I was still surprised. Pleasantly, of course. Other smaller things, like the BOS branding and helmets opening up, among other things, were also fun touches that develop the lore in ways that the games probably never would have. It's small things like this that despite livening up the wasteland, would be unnecessary uses of resources from a game-development standpoint. So I think if season 2 ends up being a banger like season 1, we could see a lot more tiny additions to the lore like this!
Secondly - the characters. I don't even know where to start. They were written so well which is such a critical part of a good series. Lucy, despite everything she goes through, stays true to her morals and by doing so, probably unknowingly, is changing those around her. Despite being stubborn, she's willing to listen and understand other viewpoints and adapt herself. It's so refreshing to see a main female lead who isn't written as either weak and naive or strong and boneheaded; she'd a perfect mix of both. I also appreciate them not making her a total push over, even in the beginning before she is given any reason to change. She grows, but never fails to stay true to herself. Plus the whole sex positive thing is an amazing touch to add as well, especially for a woman.
And while on this topic, Maximus is such a cutie pie. Writing characters that are selflessly aligned can definitely be a hit or miss, and without properly being fleshed out, can be one-dimensional, but I never felt that way with him. Despite trying to help others and be a good person, he still has flaws and does feels selfish things. They took the trope of the knight in shining armor, literally, and gave him actual human characteristics that made him feel real. Underneath his heroic demeanor, he's just a little guy who likes slippers and vault popcorn. Who just wants to be somewhere safe away from war and danger, to be where he can just relax and not have to worry. And his romance arc with Lucy is just way too cute. From the moment they met in Filly I knew something was going to happen and I was so excited when they finally kissed lmao. The sweet, innocent love at first sight thing they have going on is the perfect dichotomy to all the bloodshed and heavy themes going on in the rest of the show.
And finally, Cooper is reviving the inner ghoul lover in me and I cannot complain at all. As a certified Hancock lover, I feel seen ✋ also Walton Goggins is just incredibly fine. But that's besides the point. His character is arguably the best written because despite being an undeniably evil person, he is still likeable. 200 years have turned him into a man who had to lose his humanity to survive, and the pre-war flashbacks being shown through his eyes give him, and the story, so much depth. Despite his ways, you can't help but still feel for him, to still root for him and hope that he still has a little bit of that humanity left within him. Which imo was shown multiple times; for example him not killing Maximus in episode two even though he easily could have done so. And the fact that he's still searching for his family all these years later? When he was asked what has been keeping him going so long, I think they are his reason. Whether he is searching to reunite or to exact revenge on Barb for dropping the bombs while him and Janey were outside idk. But it makes his story all the more heartbreaking. I also love the writing for Norm, Moldaver, Dane, and so many others, but this is already too long ass it is.
Overall, this series was so good and I'll be impatiently awaiting season 2! Some things I'm hoping to see next seasons are super mutants for sure, as well as synths and more of the enclave. I think they went easy this season to test the waters and see just how interested people are. And now that they know people are very interested, I think they'll be more willing to invest a larger budget, and add more. Rant over!
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dizzystqrs · 2 years
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personal h2o lore & mermaid rules explanation
disclaimer: h2o: just add water is by no means a scientific show, the creators even said that they didn't put much thought into the specifics of anything, but if you are like me and Upset that they didn't, this is for u <3
disclaimer 2: these are my personal best-of-my-ability explanations, but they r Not canon at all, and absolutely feel free to disagree!
here we go!!
1. are the girl's human forms and mermaid forms separate bodies?
short answer: no, they aren't--but the episode red herring does make it seem that way, when emma's red hair is only in one form. however, if they were separate bodies, emma's finger cut in season 1 and rikki's head injury in season 2 which they both got in mermaid form would not have stayed when they transformed back (but they did!) it's more of a bodily permanent-to-not-permanent basis on what stays and what leaves during a transformation.
long answer: opalsiren also has a detailed post on this if you're curious (and i do highly recommend giving it a read bc it changed my life, reshaped my reality, watered my crops, etc etc) but i'll try to explain it here too
if we look at what stays and what leaves during a transformation, we can sorta see a pattern
freckles, scars, wounds, hair texture/length, bodily proportions (mermaid forms age along with their human forms) and eye color all stay the same, meanwhile clothes, accessories, makeup, hair dye, etc, all disappear. furthermore, anything permanent, genetic, or breaking the skin keeps, and anything temporary or sitting on top of the skin disappears, and then reappears later. (ex: hair length stays consistent because hair follicles penetrate the skin and go beneath it, semi-permanent hair color doesn't cuz it inly sits around the hair follicles. would dying your hair fully & permanently transform too? mayhaps!)
a scientific way to explain this would be that the transformation process takes into account genetics and then the current state of your body before making the switch into either form. so, during the 30 seconds it takes to transform, the process involves reading the genetic code (eye color, skin color, face shape, etc, and also perhaps it only does this the first time, and saves the information for the future?) and then the state of the body (wounds, age, weight, hair length, etc) and then proceeds to alter the genetic makeup to the incoming body type with the new information. (and all of this needs to be read so that the transformation doesn't mess with anything integral or unnecessary, and doesn't cause unwanted changes!! for example i like to think a mermaid bleeding out would not transform back, in order to preserve the body's energy and resources)
2. how do the girls get clean?
this is by far the most common question i see and. u know what... it is a good one to ask LMAO
as i went into before, anything that doesn't permeate the skin will disappear when transforming. this includes dirt and grime!! it will just disappear, then come back like everything else. while they could wash their face and arms in mermaid form, their legs will still be grimy cuz theyre unaccessible!! so like,, how is no one complaining that the girls smell all the time?
so first, fun solution; i like to think that a good solution is that the transformative process is cleansing, as in they straight up Turn Into Water so every single impurity on their skin (such as dirt, oil, makeup maybe, etc) is washed away in both human form and mermaid form in the 30 seconds it takes for them to fully turn. this is a little hard to explain scientifically but i think it would make more sense when given the magic treatment--it just does it bc it can.
semi-boring solution, probably the canon one: their mermaid skin IS their human skin, so cleaning a mermaid tail is just like cleaning their human legs. would make sense as to why they all take baths w their tails! this is also probably the canon explanation, because when dr. denman transforms a scale in her lab, it shifts right back into skin, meaning it is, essentially, the same material. this conflicts a teensy bit with previously established lore in my opinion but . yknow. it is a mermaid show for kids 💀
actual boring solution: there is a canon specific amount of water content that transforms them, which i believe is like above 32% or something. if a liquid contains 32% water, boom, tail. however, it wouldn't be too hard to find alcoholic wipes that contain less than that water content, which they could use to clean the parts of their body that the mermaid tail obscures. straight bars of soap are sometimes less water content than that too, so they could pretty easily just scrub then dry-wipe it off. is it... more sanitary/safe than just washing with water? probably not! but it's an option! and if you dont vibe with the above options, this is a p good alternative
3. hey, what the Fuck is the moonpool
fantastic question. literally no one knows. they are soooo vague with this piece of lore it actually makes me upset considering how COOOL it is that there is an ancient magic pool in a volcano on an abandoned island. they fumbled the bag so hard guys
heres like, pretty much everything we know canonly abt it (in h2o lore only, not mako mermaids, all my homies hate mako mermaids)
- it works hand-in-hand with the moon & planets
- it, or the water in it, is sentient, and is aware of any dangers to it
- it seems to have a connection to fate (as in, the 1950's mermaids & their connection to the 2000's girls)
- there are several of these (implied, but there could just be only one other in ireland)
- each one has a specific set of water-based powers to give out, evenly divided among each person that jumps in the moonpool in a full moon, and these powers can be amplified on specific nights. (this also seems to correspond with personality)
-it is magic. (this is a point because it is Very hard almost near impossible to explain it scientifically)
and yeah! i personally have a few headcanons for What the moonpool is and how it works, but i think it's a lot more fun to make your own so go crazy (and there is no way i could explain it cuz i have like 8000 thoughts abt it and None of them fit in a tumblr post) !! if youre curious u can read my fic about it tho B) xoxo
anyway that's all!! feel free to tack on any questions or answers slash disagreements about this silly little mermaid show as well !! <3
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sophietv · 1 year
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The Ultimate Thread Of Koincidences (2021) Part 3
Here's the part 3 of my thread since I reached the photo limit...again.
If you haven't read part two. Go read it before reading this one! (X)
Those are all the Kaylor evidences I could find for that year. If I've forgot some, don't hesitate to tell me so I can add them!
If you haven't read the posts for the other years, I highly suggest you do before reading this one:
Fall 2019 (X)
2020 Part 1 (X)
2020 Part 2 (X)
2021 Part 1 (X)
2021 Part 2 (X)
As always, I'll include link to more informations on certain piece of Kaylor Lore as we go, so some Koincidences are easier to understand. When there's a (X) beside something, it's to give you more context and help you understand better.
Here's the link to the incredible Masterposts that helped me do this one: (X) (X)Afficher davantage
Septembre 2021:
Septembre 17th:
Taylor posts a TikTok hinting at Red (Taylor's Version) and 1989 (Taylor's Version). (X)
She winks with her left eye (Eye Theory) (X)
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There's a Glitch in the video.
Glitch easter egg? (X)
People said in the comment that it made them think of the Bad Blood MV...Karlie is in the MV.
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At the start of the video. Taylor is painting her nails Red.
A couple of days later in another TikTok we see that she also painted her toe nails red. (X)
Interesting because Karlie posted a video in her Story on Septembre 10th with Red fingers and toes nails. The. Exact. Same. Red.
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And it's not over.
Because in that video Taylor wears about the same outfit as when she recorded King Of My Heart...on Karlie's birthday.
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Also.
On that day. Taylor releases Wildest Dreams (Taylor's Version).
First song out of 1989 (Taylor's Version) and this song is about Karlie...
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And if you zoom in on the shirt. You see that there is double Ks embroided on it.
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October 2021:
October 5th:
Eye Theory in Karlie's Instagram's Story:
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October 26th:
Taylor posts her fall TikTok. (X)
She wears her famous "Le Duo" necklace with "The artist and The muse" (X)
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October 29th:
Eye Theory in Karlie's Instgram's Story. (Still inchteresting red fingernails)
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October 31st:
Halloween.
Taylor goes out in the West Village with Blake's children. Dressed up as a Squirrel.
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Karlie goes with Levi. Dressed up as Batman.
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This is rather interesting...
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This was a fanmade cover posted in 2011 (X)
Not their first time cosplaying DC characters...
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And it's even more interesting because in her 2019 Musicians On Musicians Interview with Rolling Stone (that we talked about in the 2019 thread). (X)
Taylor talks EXACTLY about that with Paul McCartney.
How he could go spend Halloween with his kids wearing masks...
Here:
Swift: But I think that in knowing him and being in the relationship I am in now, I have definitely made decisions that have made my life feel more like a real life and less like just a storyline to be commented on in tabloids. Whether that’s deciding where to live, who to hang out with, when to not take a picture — the idea of privacy feels so strange to try to explain, but it’s really just trying to find bits of normalcy. That’s what that song “Peace” is talking about. Like, would it be enough if I could never fully achieve the normalcy that we both crave? Stella always tells me that she had as normal a childhood as she could ever hope for under the circumstances.
McCartney: Yeah, it was very important to us to try and keep their feet on the ground amongst the craziness.
Swift: She went to a regular school .…
McCartney: Yeah, she did.
Swift: And you would go trick-or-treating with them, wearing masks.
McCartney: All of them did, yeah. It was important, but it worked pretty well, because when they kind of reached adulthood, they would meet other kids who might have gone to private schools, who were a little less grounded.
November 2021:
November 15th:
I Bet You Think About Me MV.
Sooooo much about that MV.
Taylor's dress being about the same as Karlie's Met Gala one.
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Josh's lookalike AND Mickey's.
Taylor "spills" champagne when there's a close up on Mickey's lookalike.
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Josh, Mickey and Karlie
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Mickey, Karlie and Josh's lookalike
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Taylor spills wine while doing a close shot on Mickey's lookalike.
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Taylor gives her red Scarf to Karlie's lookalike. And the girl is really pleased by this.
And so much more to say...
Novembre 23rd:
Taylor releases a TikTok of Champagne's Problem (X)
The hand that appears of the person filming is not Blake's hand.
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Let's compare Blake's hand with the hand on the video:
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Source: purplepinksky on Twitter (X)
And now let's compare Karlie's
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Source: purplepinksky on Twitter
December 2021:
December 13th:
Taylor celebrates her birthday and wears the Victoria Secret Angel Ring (X).
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Source: 9w1ft
There you have it!
All the Koincidences I could find for 2021.
There was a lot.....
Let me know if some are missing! I'll add them.
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thesnazzysharky · 1 month
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Waffling about/reviewing the notes in SJSM because I think they're cool. 1/2
Okay. So at first I just wanted to review the randomly generated notes that you can find in the story and endless modes. Mainly because those notes are more character focused while the notes that are already set to a specific room are more about adding lore and world building. But fuck it. I can make this work.
I'll be splitting this into two parts. Part 1 will be about the scripted notes and Part 2 will be about the randomly generated notes. They both will be reviewed and scored somewhat similarly. Mostly reviewing them based on how they add to the game or world building, potential creep or comedy factor, or how entertaining they are to read. Part 2 will just be more focused on how overall character is represented through the writing. Anyways, here we go. Starting with Part 1. Part 2 will be posted later.
Gel's Note
Spouting, Splashing, Soaking. Innards, Ingest, Invoking. Nailing, Never, Stops the Choking
This is the first scripted note that you encounter and I say it leaves a good impression! By this point in the game, you probably read through some of the notes from Romantic Victim before reading this one. So first time players will most likely expect this to be another note from them, only to be confused and weirded out by this cryptic note written in red letters (perhaps blood in this case). This makes Gel's sudden appearance behind the player so memorable and out of left field. Not only does the note catch you off guard by making you think this is just another note from Romantic Victim, but Gel himself catches the played off guard by appearing behind the player right after they're done reading the note. The cutesy and fun vibe to the mansion has now been completely stripped away and you get a memorable scene with that. As for the note itself, there's some interesting things about it. Firstly, it's implied to be written by Gel himself, which is pretty cool since he's one of the very few specimens that does this. There's also each first letter in the sentences spelling out the word SIN. But more importantly, it adds a bit to Gel as a character by making him come across as sympathetic.
It implies he was human at some point, but then something fucked up happened to him. Thrashing about in the strange substance, trying to ingest it so it could stop clogging his throat, invoking for help, and digging his nails in his throat. Yet, it was all futile, as he became a monster and is now forever choking. Never being able to breath normally or live a normal life.
Definitely a fucked up note to read once you understand it and your imagination goes wild.
Simple but sweet! 5/5
Generic Lab Assistant's Notes
Subject 5 is growing more and more restless. I told Spook we need more funds for sedatives, but she just laughed and flew into the ceiling. Without more chemicals to keep these things docile, I'm not sure how much longer we can keep them here safely. - Generic Lab Assistant
It's the goat. The myth. The absolute fucking legend that is Generic Lab Assistant. Lets all give a round of applause for the most character of all time. That magnificent bastard aside though, I like these notes. They give some good world building and intrigue by introducing GL Labs and how Spooky apparently runs it. This isn't just some haunted mansion. It's a place where murder monsters are tested on innocent people for reasons currently unknown to the player.
There's also that enjoyable Kira humor here with Spooky laughing and fucking off somewhere else when asked for help and the fact that the person writing the note is literally called Generic Lab Assistant (which became even funnier to me once I learned what the GL in GL Labs stands for).
Also...
I believe subject 5 is loose. The glass around its container is shattered, and I can faintly hear clicking coming from the ceiling. I don't know what will happen now. If it is out and alive then this is probably my last report. The clicking is getting louder now. - Generic Lab Assistant
This note is a good one. It highly raises the stakes as the player most likely knows what will happen once they put the note down. It also establishes that this will be the gameplay loop throughout our journey. Go through some rooms, go into a special area, read some background info that builds up to the specimen that will soon chase you, get chased by said specimen. It's great. RIP in peace to our homie Generic Lab Assisant. He was a true one. 5/5
Matsuri's Classmates Notes
Matsuri never came to class today, I hope she made it home ok.
Could it really be true? I thought the fairy tales about the ghost that eats children who sneak in after class was just to keep us from disobeying. But Matsuri is still missing.
These two notes are very brief, but they do their job well. Specimen 4 is more cryptic in terms of what the hell her whole deal is, so it makes sense that the notes about her aren't about what her origins are, but rather about how she's this boogeyman that adults tell children about so they aren't late for class. Except in this case, the boogeyman is clearly real. To me, Specimen 4 is the first truly creepy and disturbing enemy you encounter in the game. Specimen 2 will give you a scare, but he's easy to become desensitized to due to his slow speed, his kinda generic design, and the fact there's not much background info on him to make the player truly fear him (there is his note, but you most likely won't understand what it even means on your first playthrough). Specimen 3 will also freak you out a bit, especially if you have a fear of bugs and insects, but that's the thing, they're just some giant bug that's hungry. Of course you'll be scared of them because most people wouldn't be fond of being chased by a giant spiderpede, but there's not much else to them other than that. Specimen 4 changes everything by introducing a familiar, but unsettling environment that nobody would want to be in, having notes that are written from the perspective of individuals that are just as clueless as you are when it comes to what this "thing" is other than that it eats children and has presumably already taken a victim, and being a disturbing creature overall due to Matsuri's classmates expressing concern over the disappearance of their friend which makes you take the situation more seriously and feel sympathy for Matsuri. Really doesn't help that simply reading the line "ghost that eats children" tells you that she did not go out in a peaceful and pretty way and neither will you. 5/5
Cult Member's Notes
The darkness is slowly consuming us now. I don't think our rituals will appease it much longer. How were we supposed to know this would happen?
These notes cryptically talk how the "darkness" is slowly consuming these past cult members and how "mother" is pissed at them for sacrificing a girl who wasn't a virgin.
What I like about these notes is how cryptic they are. Not in a sense that not much information is given to you like Specimen 4 for example, but rather how some things are left up to interpretation. What is the darkness? Who is mother? Most people tend to assume that Bab is the "darkness" or "mother" that these cult members were worshipping. So when she got pissed at them for sacrificing an impure girl, she killed them. Technically speaking we don't actually know if this is the case though. Bab could be the demon they were worshipping, but she could have also been a byproduct of the impure girl being sacrificed, either being what she became after that sacrifice (like I assumed at first) or maybe it's just one of the many creatures that the darkness spawned to kill the cult members.
We don't even fully know if the darkness or mother are connected in someway either. Everything surrounding Bab seems intentionally up in the air. Whether that be with who she even is or what's going on with her environment like with the womb room. It's all very neat and feels fitting for a Silent Hill reference. 5/5
Ben's Notes
One day, a strange merchant came to town. He sold handmade puppets and trinkets and all the children loved his store and his gifts. But the town couldn't support his store because the other shops were failing. The other shopkeepers became jealous. So one night some of the townspeople took all his puppets and threw them in the river.
The notes that you find in Ben's area are really cool in that they are written entirely in third person. Being written out as an old story or legend (that's especially reinforced with the tribal sounding music in the background) rather than someone's firsthand account.
A narrative that tells us exactly what happened to Ben; who now that I think about it, probably has the most straightforward and easy to understand background out of all the specimens in the base game. That doesn't make him or these notes not interesting though. Far from it.
The story makes it very easy to sympathize with Ben here, as there really was no real reason for him to suffer the fate that he did. The guy wanted to make cool stuff for children and yet he died because he wanted to save his puppets after they were thrown into a river by some jealous assholes. He was just some chill dude. Well, until you get to this part at least.
Years later the children of the town began to go missing. And as more and more children disappeared, people began to find more and more puppets in the forest and around the river. These puppets seemed almost to look like the missing children sometimes.
Now the once normal merchant has become a soon to be threat to you. It's very well done and it's fun to see some let's player have those similar reactions of "damn, that's mean" to "damn, they were chill with him drowning?" to "they were satisfied!?". All culminating to that last and unsettling note that gives them a reason to fear the creature they will soon face. 5/5
The Hunter's Notes
For a while I thought I had really escaped this place. But despite the 'trees' and flora, I think this is actually just another room. I did, however find deer, so I might at least get to eat. They make some strange sounds though…
For the first time, these sets of notes are written by someone who was just another victim that wanted to explore the mansion; someone referred to as the hunter. Also, for the first time, I'm kinda "eh..." about these notes.
The hunter explains that despite appearance, this outdoors area is just another specimen room. They also talk about how the deer make some strange noises and aren't as they seem; later getting attacked by one and managing to board them up. Hoping they can find another way out and uh...
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I think they might have caught a very minor case of being dead while trying to do that. That might just be me though.
Now when it comes to these notes, I do like how the first one subtly warns the player that the deer are a bit weird but doesn't exactly tell them what they will do. Which makes the deer sprinting at you with their sharp teeth and lifeless eyes a good jumpscare (especially in OG Spooky's. Jesus those things are nightmare fuel). I also like how you can find the hunter's bones in one of the cabins (although I wish they had a unique skeleton model of their own). But aside from that? These don't do much for me.
I don't know if this is a hot take or not, but does anyone else think that the buildup to Specimen 8 could've been done better? Obviously Deer Lord is an awesome specimen with a wonderful chase theme and a visually awesome ability where he goes through walls; but his area and the buildup to him feels too tame.
The forest, violent deer, and axe are cool, but the notes don't really say anything about him or anything else of note. Then you get to this big room with a creepy record player and some runes on the walls (which I never realized were there until now) which seems cool, but nothing is really done with it.
I feel like more should have been done with Deer Lord's area and there should've been more notes that build up to him better... or mention him at all. Maybe instead of the hunter dying in a cabin, they could have broken out due to desperation for food and water. Leading them to getting attacked by the deer and to the area with the runes on the walls; this can be where they encounter Deer Lord. Maybe have the last note mention them hearing a demonic voice or something before it ends there. Just kinda disappointing. 2/5
Notes by another Generic Lab Assistant
This old place is somehow even worse than the new GL Labs. Although it seems to have been constructed with a much larger budget than the new lab, nothing works quite right. I can see why it was abandoned so quickly. I wonder if there really is anything here worth salvaging.
Some notes by yet another Generic Lab Assistant... but they're all blue, transparent, and futuristic now!
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That cool detail aside, here's a few things of note. These notes establish that there isn't just one GL Labs and that this is an older one despite the more futuristic theme to it. Possibly implying that there are multiple GL Labs that we have yet to see.
One of the notes also mention how the equipment here seems specifically designed for people without hands. My first thought was Spooky since she doesn't have "real" hands in a technical sense, but it could also be referring to the old Specimen 10. Considering it was a passive pet to the employees.
We also get more of Spooky being the most shitty and negligent boss ever. Literally sent a bunch of her employees to a place that had a clearly dangerous monster inside of it. Classic Spook lol.
So there's some nice world building stuff here! Though of course, we also have that eerie factor to these notes that are enjoyable as well.
Reading about there being weird noises in the air ducts and the machinery and power being faulty really makes you feel unsafe being there. Especially considering that not one single soundtrack or ambience plays while your in Specimen 10's area. It's just completely silent. Which makes things so much more uncomfortable and eerie.
Then you read this line.
I don't know what to do. I can't think well, I feel strange. I'm hiding from that thing. I feel like something is growing on my skin. I can't seem to tear it off fast enough, and I'm losing a lot of blood…
Again, like some of the specimens before, you read something that raises the stakes and establishes the threat.
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But to spice things up a bit, for the first time, you are actually given a hint on how to deal with the specimen and boy is it a chilling one. The blood on the floor and the note flickering on and off is unnerving. And the fact that it's telling you that you have to stay close to it, in a game where you have always tried to run away as fast as possible, does a good job at confusing and stressing out the player right before they turn the generator on.
Not much else to say other than it's all very good buildup to a very good specimen. 5/5
Fast Food Worker's Notes
1. I was anxious getting a job here at first, but it seems like things are getting better. This chain is really expanding, which is a shock, because just last week I heard this company was going broke. Everyday more and more people show up to eat here. Something still sets me off about this place and its food though, so I'm going to try and not eat anything from here.
Specimen 11's area has the most lengthy notes we have seen yet and it's because of these notes that the Beef Demon is one of my favorite specimens! From the notes that we have seen previously, they usually follow this: some person that's stuck in a shitty situation or is about to be in an even worse situation soon enough. With the exception of the notes found in Ben's area since they're told as a story or legend.
These notes are interesting in that they are more gradual and take their time to get to the horror. It starts off as just someone new to the job noting how the restaurant chain is suddenly booming in business despite the company being on the brink of bankruptcy a week ago. Aside from that and the worker mentioning that they'll try not to eat any food there, nothing seems too suspicious so far.
The next note then informs us that something strange is going on with the customers. The orders are rising in numbers, but not the people. One customer is noted to use the drive through a total of three times. Ordering a bunch of food every 10 minutes. It becomes more odd when we move onto the next note and it tells us that lunch breaks aren't allowed there and neither is outside food. Apparently a customer who tried to do that got screamed at.
It's clear there's something wrong with the food. So it becomes all the more concerning when the writer states that they ate one of the burgers there and had a strange dream soon after.
4. This is strange… I had a dream last night about this restaurant. I know I was here, but I also felt like I was in another place at the same time. Everything looked so.. wrong. Nothing was the right size, and I kept hearing these strange animal noises, almost like wailing. I guess I just feel guilty for eating that burger the other day. Also today I saw that man again. The one who kept ordering every 10 minutes. This time he never even left the parking lot. He just got his meal, parked, and then got back in line. He must have done it at least 8 times before he left.
So these "burgers" make people overly obsessive with them, cause strange dreams, and make them shove other people's heads on a grill... wait... what the fuck?
5. There was a horrible 'accident' today. At least that's what the managers are calling it… One of the other employees brought in some outside food, and got into a fight with a manager about it. The employee said that the burgers here smell like sulfur. I then watched the manager grab the kid's neck and shove his head onto the grill. The employee got up and ran out before anyone could do anything, and I'm told that he is fine, but that really shook me today.
Well shit. That was unexpected and fucked up. So it's also making the managers unreasonably aggressive as well. We still don't know what exactly is in that "beef" however.
6. I'm leaving. I fell asleep in my car today, after eating one of those burgers. I remembered brief flashes of a man or animal coming towards me and feeling like some huge, lumbering thing was wailing from deep underground as I continued eating. When I woke up I was fine, but had veered off the road. I don't know if it's some weird allergic reaction to a preservative they use or something much worse, but this is my last day.
Unfortunately we don't get an answer to that question. The last note just tells that the writer saw "a man or animal" in a dream and that they heard wailing noises again like in their last dream. Except this time it was apparently from deep underground. And it just... ends there. The worker states that this is their last day working there, but we don't know what happened to them after that. Maybe they made it out. Maybe they didn't. I really like these ones as they're subtle. They don't tell you too much, but they don't tell you too little either. Something paranormal is going on with the "beef" but the notes don't tell us exactly why. It isn't until the literal demon shows up is when you're able to connect the dots. The burgers making people act unnatural or aggressive, the hallucinations and dreams, and the company suddenly booming when it was about to go bankrupt. Classic demon worshipping in a horror game. Except it's pretty cool and well executed here. Very wonderful and eerie notes. Especially with the man ordering every 10 minutes. Unsettling to read about a human... not acting human. 5/5
Marine Biologist's Notes
Research Report 1 More whales are being shipped to the facility tomorrow, one for a health inspection and two that are already dead for autopsies. More and more beached whales keep appearing around those islands and I still can't find what is causing it.
Let's skip the notes in Specimen 12 and save them for part 2 for now. You'll see why later (although you probably already know tbf). Anyways these notes introduce a interesting mystery. What's going on with the whales? Apparently they're beaching at an abnormal rate and there are bite marks being found inside their stomachs. At first it's all chalked up to it being a parasite, but then you come across this...
Research Report 5 The research facility is now in dire need of more engineers. We have a whole block that is flooded, and some vital staff are missing.
And this...
Excerpt 4132 And then I watched carelessly as the sea rose above the sky casting waving shadows over the world. I saw the silhouettes of creatures both familiar and forgotten. And suddenly I found myself falling upwards towards an ocean of darkness.
And this...
Research Report 6 I hear a girl. Or an animal. Or something… Singing to me, pleading that I come outside my locked room and let the sweeping waves comfort me.
And you start to realize there's more to it than that... Similar to the notes from the fast food worker, these neither tell you too much or too little. It's subtle in its horror and the creature it's talking about and it works very well like last time. Don't know what else to say without repeating myself. It's just good buildup to the Siren and it makes her an intriguing threat. I will say this though. This particular note is perfectly ominous and goes hard as hell.
Research Report 7 All the staff is gone. Only I remain. For no purpose, I remain here, resisting the call from behind the sealed door. But I will remain… As long as I can. Don't open that door.
5/5
Howard's Note
This was such a surprise. That there would be another entry. Another actual entry. One I could admire. But then as suddenly as it came, it left. And now you disband. Your influence and inspiration will never leave me.
A confusing read on your first playthrough. A funny (or possibly depressing) read once you realize it's Kira being upsetti spaghetti about PT not being turned into a full game. Neat reference but that's all it has going for it. 3/5
Dr. Hamada, Tochigi, Kanagawa, and Nurse Tanaka's Notes
Dr. Hamada Oncologist The patient has displayed increased depression after being informed of their terminal disease. I prescribed an antidepressant to regulate this but was later told that I had cancelled the prescription. I have no memory of cancelling the meds nor can I find any evidence that my orders were tampered with.
Karamari Hospital has a much more serious, darker, and mysterious atmosphere to it and these notes reflect that.
The mystery is set and pulls the player in when they read about Dr. Hamada cancelling the prescription for an antidepressant, despite them having no memory of doing so. This mystery is kept basically throughout the entirety of the notes and overall DLC until the very end. So throughout most of the DLC, you keep on guessing on what happened here with the doctors while not getting a whole lot of answers.
It's very well executed though and these notes have a handful of disturbing content within them as you find and read them. From a patient screaming and being terrified after being given hallucinogenics, to a whole entire liver sitting on Tochigi's desk, to Kanagawa describing how they woke to a patient they unknowingly murdered as he bled out on the floor, to Tanaka twisting the body of a cat and later dosing their head with radiation.
Despite never really showing it, Spooky's was always a gory and brutal game when you really thought about how each of the specimen's would kill you, but this shit is just next level.
It all ends perfectly once you finish the last note covered in blood from Tanaka and face the thing responsible for possessing all these people and forcing them to do these sadistic acts. Ghost Cow. Really well written stuff. 5/5
The Many Notes Inside the Dollhouse.
Congratulations GL Labs associate! You have been volunteered for our proud parent program. You have been given a doll, and your duty is to train the soul entrapped within. To confine it to the doll you must keep it in good 'Spirits' and give it attention. Many of the beta candidates were children when they died and will likely attach themselves to you without problems, but there may be times when punishment or extraction of spirit energy is necessary. The energy can feel quite replenishing, but please refrain from abuse as it negatively affects the ghost. In the event of husk rejection or injury, GL labs is not responsible under any circumstance.
With the Dollhouse DLC wrapping up the story of SJSM, it only makes sense that it has the most notes by far. These notes are incredibly interesting as their purpose isn't to foreshadow or hype up some major creature, but rather give us deeper insight into what GL Labs truly is and what they have done in the past.
Now, we already knew just how shady and cruel GL Labs was previously, I mean, I guess that goes for any company that resides in a mansion made specifically for murder. But we never saw it so upfront before. Nor did we see how negligent and indifferent they are. Summoning the spirits of children, stripping them of their afterlife, and forcing them into at first simple containers and later dolls. The most depressing case of this being Woormy Charles. Despite him wanting a bigger vessel, they kept forcing him into a small one, summoning him over and over again instead of just letting him go; then locking him in a containment room to rub salt in the wound.
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We also get to see how incompetent and downright stupid the workers for GL Labs were. Trying to summon a spirit to entertain the dolls (instead of just... entertaining them by themselves or hiring someone to do it?), only to get some creepy ass clown voiced by Tomar. Performing rituals and inflicting pressure on the dolls, dehumanizing them in the process, and then acting surprised when the brilliant idea goes south, leading to one of the workers gouging their eyes out to be safe from the Hooked Doll... which I doubt ended well for them. One worker even mentions they're happy to be transferred to the GL Labs closer to the surface since they were fearing for their life everyday while they were in the Dollhouse. So clearly the whole facility was in need of being shut down not just because of the inhumane doll projects and rituals but also because the workers weren't even fully safe there. That really tells you how desperate a certain someone was though, doesn't it?
Spooky's Father Notes
I'm so sorry my little angel. I've tried hating the man that took you from us, but in the end the only person I can hate is myself. You always liked to scare people, especially when they didn't understand something. I was confounded no one understood your costume but I guess people don't read Poe anymore, even with the new Price film. That man clearly overreacted to your fireworks, but we can only blame a PTSD sufferer so much.
Well, talk about how the road to hell is paved with good intentions. The notes written by Spooky's father and everything going on with GL Labs truly shows how broken and tragic he is.
We knew how Spooky died to a soldier suffering from PTSD in the base game thanks to the easter egg arcade, but the Karamari DLC expanded on that by showing us how one of Spooky's parents felt about the matter. Which makes it all the more heart-wrenching.
If you get the bad ending in Karamari, we also get some interesting info about how Spooky's father was trying to bring Spooky back, which seemed to have worked, though judging by how sadistic and apathetic Spooky is, something must have went wrong.
I hate myself for what I am doing, but I can't wait any longer. Your mother puts on a brave face but I know she wants this too. I'm making fair progress in bringing you back, but it seems to only work for a moment even with larger thresholds. Today I think I found the answer. A second device is needed to bind the spirit to the earth after it has been brought back. I know this sounds macabre but I will turn it off and let you return to heaven after your mother and I get to see you again.
Dollhouse expands on him by telling us that he was indeed the main one behind GL Labs and that he approved of the doll project.
A doll is a timeless thing. In the shape of a human but created perfect. Immortal and unmoving. Yet hollow, devoid of soul. A fitting symbol and possibly usable device for our goals here. Soon I will have you back, my dear. But first I must make sure it won't constrict you.
Now with everything I said about GL Labs and how unethical they were, you would think that it would be a good reflection on Spooky's father himself. An apathetic and generally awful person. Well, it's more complex than that. He was behind a lot of the awful stuff going on in GL Labs, but none of it was out of any malice or evil. He really just wanted his daughter back through any means necessary. He hated himself for what he was doing and knew that his wife, shortly before her death, disapproved of bringing Spooky back. By that point though, he felt like he had gone too far to suddenly stop now.
So much desperation and will to go to extreme lengths, just because, as we later find out in a pretty damn good plot twist, he was the PTSD sufferer who killed Spooky and he wanted to be forgiven by his own daughter. Which really makes the line "I've tried hating the man that took you from us, but in the end the only person I can hate is myself." hit harder.
I always wanted to tell you. How that night really ended. But I couldn't. Because you were gone. I need your forgiveness. That's why I wanted you back at any cost. But in the end I robbed you of both life and unlife. Please go on, and be with Monica. I'm sorry.
He framed a homeless guy for a murder he accidentally caused, founded a company that performed unethical experiments, and in the end after his death, his daughter would go on to kill thousands. He really was the main cause behind everything that happened. Yet, you can't really hate the guy, not fully at least. He never was evil nor did he want to be. Even in his desperate madness, he still had a good chunk of his humanity within him. The doll project was unethical, but he still tried to encourage treating the spirits inside the dolls with care, with the scientists taking care of the dolls being referred to as a "proud parent" or presumably approving the party room to entertain them (even if it didn't work out). He could have went against his wife's wishes and tried to bring her back, yet he allowed her to rest, despite missing her everyday, showing how loving and devoted he is. And judging from his dialogue when interacting with his corpse, he realized how fucked up everything he has done was, but by that point it was too late, considering Spooky never moved on to be with Monica.
Always loved morally gray characters and Spooky's father is a great and tragic one. The Dollhouse notes and Spooky's father will both be getting a six, not five, six out of five. Absolutely goated. 6/5
Not Done Just Yet
Well, this part is done at least. Part 2 will be coming out... whenever I finish it lol. But it shouldn't take too long; and once it's finished, I'll state my closing thoughts about all the notes I reviewed. But for now, I'll see you whenever part 2 comes out! Have a snazzy day.
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demodraws0606 · 8 months
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The very weird plays in Tsukasa and Rui's last event and how they can be analysed and the weird detail that links them together
I made a post about this before but it was poorly made (and also not really a theory or analysis it was just me having brainworms) so I deleted it and I want to actually make an analysis about it. Unfortunatly this also means this post will be long as fuck which can be a positive or a negative depending on how you view it.
Warning for mentions of suicide and drowning
So Tsukasa and Rui both have plays that are kind of the focus of the event, to the point where wxs literally stop to basically explain to us the plot of them (in world they're just talking about it but like it's clear it's also meant for us the viewers to understand the plays they're doing).
And these two plays are already very interesting and...well dark on their own but they have a extremely strange similarity that I don't believe is a coincidence (because that would be insane) and also just kinda shakes the foundation on how colorpalet write these sorts of topics in general.
First I want to preface this by saying that me analysing these plays isn't some kind of fool's herrand as colorpalet has explicitely hid backstory information, future lore hints and overall just little bits of character into WxS's plays more often than not. Of course some plays are more explicit than others.
A huge exemple of this, is the first arc ender where the play they do to save Phennyland is one that obviously is meant to parallel Emu's backstory with her grandpa. It also stands as Very early foreshadowing between the parallels of Emu's grandpa and Tsukasa that Emu sees in Admist a Dream.
So yeah, from a writing standpoint, makes sense you don't want the plays you spent a lot of words describing to the audience to be useless especially considering colorpalet has a limited amount of time to explore these stories.
I also want to get this as early as possible before I get possible criticism because I know how this fandom acts towards analysis that delve into darker topics. Don't try and respond with "colorpalet wouldn't write something like that" or "this is too dark for colorpalet". Not only because I'm not insinuating that they will actually go full dark mode and depict something graphic.
But also because this is something that is already IN the text, I'm not making up darker themes here, that is something that colorpalet chose to add in WonderlandXShowtime's event stories. I'm only bringing up how odd this is for colorpalet and how it could relate to the overall story.
I'll bring this up later because this specific criticism gets very silly once you delve deeper into it but I don't want to stall the analysis any longer.
So now with this out of the way, let's get into the plays.
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This is the story of the first play showed in Tsukasa's event
Of course the first thing that stands out is how much darker this play is compared to well...almost anything colorpalet addresses in stories ? This definitely shocked when I first read it, there is no usage of "disappearing" and it Actually describes the method as to which the protagonist wants to end their life which the only thing close to that we see is Kanade hinting on wanting to starve herself. But I'm gonna get into how weird this is for colorpalet later.
Extremely dark topics aside you can easily draw parallels to this story to Nene and Rui specifically already. The story is vague enough that those parallels don't hold too much water (ahaha get it) BUT it's still something that I feel is important to point out nontheless.
Nene and Rui were both unsuccesful in their dreams before the main story. Nene having given up going on stage and Rui never being able to be a director being forced to use robots for his plays.
Both were pretty jaded and well "worn out" until they met Tsukasa and Emu which would be a stand in for the protagonist of this play going through various encounters with many people and deciding to live a little longer.
(The reason I don't compare this protagonist to Tsukasa and Emu here is because I don't think they fit as well. Tsukasa's issues wasn't being unsuccesful its more so him forgetting the reasons behind his dreams and Emu's situation while similar just doesn't feel like it fits this story in particular)
So yeah this story is pretty simple so there is not much to analyse or pick apart. I could go scene by scene but then I would be distracting from the main point I want to make so I'll just be using the simple descriptions of the overall story.
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NOW this one is a doozie, I didn't put the whole story that's described but I think compared to the last one this one is way more obvious as to what this could paralleling (or even foreshadowing if you want to be spicy).
I don't think this play is meant to be interpreted in only one way but the most obvious interpretation is the parallels to the disbandement arc. I think it particularly fits Rui in the disbandement considering how Katsuyuki is described but it can also work with Emurui in general as well.
Someone struggling meeting someone who brings joy in their life before they seemingly have to leave, said person being desperate for that not to happen.
I do think it's also meant to be a sort of double meaning here as if you have seen my cyberpunk deadboy analysis, the idea of someone leaving silently with the other trying to chase them down is something that just feels...idk intentional. But I don't have any evidence other than vibes here.
Now that I analysed these plays I want to get into the one common thread they have that is extremely baffling and concerning.
They both have the main character contemplating suicide by drowning.
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Now you can be nitpicky and point out how the play in Rui's event doesn't explicitely say that this dude wants to drown himself but I just find it more likely mostly because of how this and the description of Katsuyuki's characters are phrased.
When Katsyuki is said to be "without the will to live"
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THAT is a literal translation
Unfortunatly I'm not a japanese speaker so don't take my research with 100 pourcent certainty
However if you look at how this sentence is phrased in japanese, this translation is pretty much word for word
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And also just what Hajime says doesn't feel like what someone would say to someone if they're just leaning to close to look at the ocean or just being reckless.
Anyways now that I've made my point that there is a 95 pourcent chance this is Heavily implying Katsuyuki was plannign on drowning himself the question is....
what the fuck ?
Now one time is already a big deal considering colorpalet's insitance on censoring explicit mentions of suicide and for it to be implied twice in the span of two events in a row ? And have it be specifically be by drowning both times ?????
I don't understand people just brushing this off because Colorpalet Actively chose to make the plays like this. These plays often take a large portion of the screentime, and I've showcased how they can hold story significance so such a blatant connection between them feels extremely intentional.
This is why complaints about expecting Colorpalet to get too dark and that it's unrealistic would be legitmatly silly because what's more unrealistic ?
That colorpalet has tackled this dark topic twice in a row to foreshadow or hint at possible topics that will be addressed in the future of WxS's story ? Weither it's through flashbacks or implications like 25ji OR even just symbolism.
Or that colorpalet just went and made the plays needlessly dark, for no reason ?????? Twice in a row with it being drowning both times ??????? With the same actor and both being the protagonist of the play ?????? Have those plays that take a lot of screentime being described just being completely devoid meaning ???????
I think I made my case about why the fandom's usual kneejerk reaction wouldn't make sense here, this isn't a "X character is secretly suicidal/depressed" situation.
Either way, I actually don't legitematly know what this could entail. This is clearly important enough that colorpalet is obviously shoving it in our faces but I do not know the meaning of it towards WxS's story just yet.
It could be hints at some of the members backstory (BTW by that I mean it could be hints at basically anything, it doesn't have to be explicitely 1/1 "they wanted to drown themselves") specifically Rui considering how suspicious they are at handling ms Rui but that is it's own can of wringling worms. But that could also be my fav character bias speaking tbf.
It could also just be meant to be some kind of like, message of colorpalet saying that they are willing to go darker with WxS's storyline if necessary. In a way showing that the gloves are off if they're not censoring dark topics that they usually censor.
Anyways I'm not delving further into it because otherwise i'd get into unhinged rants but honestly this subject just gives me so much brainworms because legit what the Fuck is colorpalet doing rn.
They are being so weird for literally no reason with WxS's story and I just have to sit back and watch them just drop weird shit out of nowhere.
Edit : One of my friends pointed out how one of them is a movie and one of them is a play and i realised I might've mixed those words up while writing this so yeah 😭
#project sekai#rui kamishiro#tsukasa tenma#emu otori#nene kusanagi#prsk#pjsk#prsk analysis#pjsk analysis#wxs#wonderlandxshowtime#tw suicide#tw drowning#tw mentions of suicide#warning before you interract with this post though#I'm doing this for fun#I appreciate wanting to give feedback but it kinda just kills the vibe for me#I'm sorry for being so defensive in a majority of the post but I feel like this is necessary considering what I know about the fandom#This is also not an invitation to try and criticise my post anyways just block and move on#This fandom just gets really touchey when people try and do analysis like this which I understand considering some rlly bad analysis#have come out of completely forgetting how colorpalet writes stories but like#that is very much not what i'm doing the topics are THERE i'm just reacting to them#And also just the “colorpalet wouldn't do that its unrealistic” is like pretty much not something I can argue against completely because#the point in itself is not based on evidence like we will never know how far colorpalet would go until they Go There#(also if you believe i'm vagueposting about someone through these constant warnings you'd be kind of right but like this is also just to#(make sure i'm understood because the last I post I made definitely gave people the wrong vibe which is my bad)#(these analysis mean a lot to me#personally so I want to make sure that this keeps being fun for me)#(anyways rlly sorry for the rant in the tags eirfuezij)#TLDR : i don't mean harm towards anyone if you don't agree with me it's in your full right but don't try and jump into the rb's to argue
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nono-uwu · 7 months
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Ons chapter 135 thoughts!!
Spoilers duh (also very long post. Lmk if I should add the read more cut)
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- KAGAMI I DIDN'T KNOW YOU HAD IT IN YOU TO GIVE CHESS AND HORN MORE SCREENTIME BUT THANK YOU ANYWAYS
- I am so glad that the whole digestion thing is more symbolical bc... that inital wording really threw me off lmao
- on that note, the immagery of the dead trees with the bodies sticking out of 'em... very creepy and on point, I think it's neat
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- they actually adressed Crowley forgetting them! Wowzers (side note she looks hella adorable. My little skrunkly)
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- ouugh the dynamic... where was it earlier? It seems so much more casual than during the Nagoya arc (probably just wishful thinking on my part lmao)... idc how give us more of this
- "you two were my first servants", LORE CRUMBS! I guess.
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- wait so, they're still becoming demons? But isn't that a form of reincarnation, the thing Ferid is specifically trying to stop? But he's also devouring them... to absorb their power I guess? Since later on Ferid mentions now being more powerful after devouring Crowley (I'll get to that asspull later)
- Also Horn looks a teensy bit weird with the new artstyle but she's still super pretty 🫶 be my wife pls
- So, 16 year old Ferid is inside himself as his 'true self'? I assume that because he got the idea to stop reincarnation when he was 16 and hasn't changed his mind since (never let 16 year olds make big decisions in this world, it only leads to disaster)
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- the skrunkle part 2. Also I doubt being digested like that feels good in any way. And with how slow it's supposed to be, yikes.
- I have a theory (aka major amounts of copium): Yuu will bust in and save Crowley because of 'fAmiLy' and also save Chess and Horn since they're family by association
- No one can reach Ferid, eh? And then Corwley's voice reaches him. Kagami and his queerbaiting amirite
- However Ferid then snags Crowley and ig he's on the priority list of getting devoured. Probably bc he's the strongest vampire Ferid has eaten. Cannibalism as a metaphor for love and devotion or whatever, except it's very literal and I doubt there's any love beyond 'u and interesting critter dude' from both sides
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- Ok here's my major nitpick with this chapter: KAGAMI STOP BREAKING AND BENDING YOUR OWN FUCKING WORLDBUILDING AND POWER SYTEMS. Until now it was established that a vampires strenght is dependant on 1. their rank (as in who's blood turned them) and 2. their age. But now appearantly Ferid can eat vampires and absorb their strenght? If this was some universal but very difficult thing for any vampire to do, then I wouldn't be this salty. Also one of my favourite things about Ferid as an antagonist was, that power-wise he was on the weaker side. Despite being 'weak' he was still a major threat. He made up for his lack in actual fighting power with smarts and immaculate planning. But now he's another uber-strong genius. C'mon we already had Shikama and Rigr for that department. Bleh.
- now for the Yuu / Rigr and co confrontation, it's fiiiiine. I guess. At least Shikama is still somewhat of a formidable threat. Not to the major characters obviously but yk, it's something.
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- rip Basteya. You showed up, slayed for a little and died.
- Kirsten still looks fugly as hell lmao
- so do Ulrich and Roger
- So, who will be faster: Shinoa in absorbing Shikama or Yuu in saving him? My bet is on Yuu purley bc he's supposed to be the main character but ig we'll see next chapter
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- KRUL!!! AND THE BAT THING I FORGOT IT'S NAME
- sadly no Ferid / Krul brawl this chapter but yk what makes me excited for next chapter
- my guess is that now Krul is Ferids next target to be chomped. Hopefully she will beat his ass. Like when she first appeared. Ahhh the good old times
- 'A big fan of yours... M'lady Queen' lmao. What's next Ferid, will you put on a Fedora? Bro that last panel ain't it. Fuckin Sebastian of black butler wannabe 💀
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clownerysoda · 2 months
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omg you guys really liked the funger oc post so here's the first one 😁😁 his name is mateo because i didnt want to come up with a fake spanish name
Born around the 1560's, Mateo is a (funger equivalent) Mexican Vaquero. Being raised to br a woman, only a few years before his expedition did he realize that he was not a woman. Trying to change your identity in a place where everyone knows you is hard. That's why he immediately fled when he heard the rumors. Rumors of an extremely valuable artifact, stolen by the leader of an infamous mercenary group, had begun plaguing his town. They said both the artifact and leader resided in the Dungeons of Fear and Hunger, in the kingdom of Rondon. They said they bringing either the artifact or the leader out from the dungeon would bring you infinite amounts of wealth. Mateo knew that this wealth would give him what he needs to start anew. He joined the first expedition to Rondon he could find, putting on facial hair made of makeup and changing his name to Mateo Madraso.
And so he makes it to the Dungeons, all those on the expedition had left to their destinations, and he was all alone. The dungeons greeted him with a sickening feeling... Who knows what lies agead on his journey....
His automatically equipped weapon is an arquebus (pretend the gun on his belt is one i forgot to properly research 1500's guns when i was drawing him🤦) and he works well with shooting weapons (his gun as well as bows, if he can get rope he works well with that as well) he cannot equip blunt weapons
i'm sure i'll add more later on lol
who should i post next, his farmer boyfriend or a vampire :)?
(it should be noted this is all for fun, obviously historically being trans wasn't something he could just get away with like that but who knows!! it's for fun. the funger lore might not work directly with this and to that i say shhhh i'm having a blast)
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