#I'm here for him

[wusopiejung25]

WARNING SOV 2 SPOILERS!!!

(scroll fast so that you won't see it if you haven't read it)

Guys, I have news.

I didn't became an Emilio simp.

I turned to be REUEL'S WIFE.

HE'S PERFECT, HE IS EVERYTHING I WANT. I LOVE HIM. I LOVE MY LITTLE FAMILY. HE'S MY DRAGON HUSBAND AND WE HAVE A LITTLE ADORABLE DRAGON BABY

Among many other things, this is the least of thing I'll expect from SoV 2. He's so Mr. Darcy coded. I'm smitten, I'm falling on my knees.

And this????? THIS IS THE BEST ENDING I'VE EVER READ. I'm not even sure I want to read the rest of endings.

Y'all, whoever write SoV 2 really took notes from whoever said that he's gonna be Mr. Darcy. Because look at his dialogue? Man is written by Jane Austen.

So this is it. Louis really got strong competitor on becoming my main husband. He's there on my top three husband now

[ayamine597]

I JUST FRICKING UNLEASHED MY FATE CRAZED SELF INTO GROUP CHAT

LIKE GUYS GUYS YOU SEE MY OBSESSION WITH **** WAIT UNTIL YOU SEE ME WITH THIS MAN IN BLUE ＢＯＤＹＳＵＩＴ

I WAS SO CHILL

I THOUGHT HEY I CAN LIKE APPROACH TALKS ABOUT THE SERIES NORMALLY

OF COURSE NOT, WHO AM I KIDDING? ALL HELL BREAKLOSE WHEN SOMEONE START TYPING KIMI TO ISHHOGA ICHIBANー

[pianokantzart]

A little obsessed with the "utterly burnt out & can't quite figure out how to make it work in this economy" depiction of Mario in the concept art.

Look at him. He's so tired.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[bixels]

I watched Starship Troopers tonight.

[arabian-batboy]

Don’t play with me now, this better be for real-

[paxopalotls]

The fanfictions are infecting me with brainrot oh my god have some au doodles before I explode

[beaft]

BG3 is really testing me because my natural inclination in all situations is to be like "well, i think you should do what is best for you :-) <3" and then my companions are inevitably like "i want to kill an angel" "i want to ascend to godhood" "i want to become the most evil vampire in the world" like can we take it down a notch . please

[littlefankingdom]

Talia introduced Damian to Bruce as "their second child", and now Bruce is mentally panicking because there's another one, somewhere, when this unspoken first child is Jason.

[beanghostprincess]

I think we don't appreciate pre-ts Usopp because people keep thinking with their dicks. I know his boobs are awesome after the time skip, but look at this silly little guy. Love of my life.

[lelelego]

ain’t that a kick in the head

[asharaks]

it is, i think, symptomatic of the way larian has built this brand: bg3 was always marketed as being mature (read: sexual), and that was one of the big draws for players - myself included! especially as media pulls more towards extremes, with mainstream video games starting to get increasingly graphically sexual, graphically violent, and the vogue for 'grey morality' becomes the norm, those boundaries get pushed, and it becomes more and more of a selling point.

larian obviously focused on this, along with the How Do You Do, Fellow Kids brand, the increased accessibility of game devs on twitter, and adopted it heavily into their marketing strategy, and are now pretty reliant on the horny gamer crowd for a lot of their audience, and more importantly, they're doing this on purpose.

which is how you end up in situations like this.

characters (white men) the players want to fuck get centred: they get updates, they get more content, they get favoured. halsin's gone from a side character in EA to a half-fledged romance option, to a full romance option: he shows up in the promotional material, is larian's poster boy for the sex scenes, he gets more content with every update.

now gortash gets more heavily implied situationship lines with the dark urge, because players are horny for him. nevermind that some people aren't playing that way, or that he was originally set up to be a lower-level antagonist; nevermind that if the durge's storyline needed expansion, it should've been with orin and sarevok and bhaal, or that it muddies the writing for the rest of gortash's arc + characterisation: people want to fuck him, so it gets put in the game. it's not even to do with karlach, whose quest so desperately needs expansion! it's specifically catering to the people who want their character to have a Relationship with the slaver, because they're either not interested in or not able to focus on strengthening the weak spots in the narrative: they're just doing things that will net the 'my favourite dating sim' people lmfao.

meanwhile, literal main character wyll gets his quest demoted to a subquest, doesn't get bugfixes, doesn't get a single unique romance greeting after 6 patches and months of requests. he's not a Horny character, so he doesn't get the focus: he's not a player favourite, so he gets nothing. it's just... so unbelievably, indisputably racist, and it's incredibly grim and disappointing to watch it happen in real-time.

[ochibrochi]

i'm surprised on how quickly i warmed up to damian's 2021 redesign, but i wish they kept his combat boots! i feel like they're just as iconic as his hood-cape when it comes to his signature look 💔

[ema-sahdmadhi]

"It seems you've had quite a life..." - Ema Skye, 6-5 Day 1 Investigation

[thecruel]

ANATOMIE D'UNE CHUTE 2023 — dir. Justine Triet

[asukachii]

"Why don't YOU drive for once?! Ya idiot!"

"BECAAAAUUSE! I... can't.. drive these things!"

[bonus]

(I don’t like putting watermarks so, PLEASE, if you want to post these gifs somewhere GIVE CREDITS! Also, don’t use them in edits/videos. Thanks~)