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#IT TRULY TRULY IS SO SPECIAL
subtlehaz · 30 days
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Eddie being very confused/ disturbed by Buck not using his key/ asking to come in was straight out of a fanfic
but also Buck was SO gentle the way he purposely ensured no one else was home/ no one would see him so he could have this necessary conversation immediately
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kimdokjas · 2 months
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though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡
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ambrosiagourmet · 4 months
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Not sure how widely recognized this is but it’s fucking wild to me that miss kui just quietly snuck in the fact that most (if not all) of the differences between races only exist because of wishes they made to the Winged Lion.
Dwarves being strong? Lion wish. Elves being good at magic? Lion wish. All lifespan differences???? Lion wish, babey!
Not that the elves superiority shtick isn’t already BS, but it’s even funnier with the context that the only difference between them and humans is that, thousands of years ago, their leaders made a greedier wish to the demon that wanted to eat them.
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poorly-drawn-mdzs · 8 months
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The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.
(for @frummpets)
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drrav3nb · 1 year
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It's "I'm sorry" in sign. Two of my old chefs used to do it. If they were angry, fighting on the line, it helped. It was like their version of "let's talk about this later". Didn't matter if one tore the other one apart, it always got them through service.
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electoons · 3 months
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I love the college of winterhold. everyone there is casually deranged and there's like an alarming number of students and staff who threaten you immediately when they meet you. it's always one of the first questlines I do. which makes it even funnier when you get made the arch-mage of the college. I'm level 12 and got through this questline knowing exactly 3 spells. what do you mean you want me to lead the college. this school CANNOT be an accredited institution
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ruporas · 9 months
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green haired guy that has haunted my character types for 10+ years
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thatbeansblog · 8 months
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I would love to discuss ladyfly and mikucore ladybug, this special truly had everything us Marinette stans needed.
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pensbridgertons · 1 month
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BRIDGERTON (2020 -) | 3.01 Out of the Shadows
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mccoyquialisms · 1 month
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thinking about riz and his love for the bad girls, and how if anyone fucks with them, then sooner or later they’re gonna answer to riz gukgak
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sorry if you’ve already been asked, but what’s your favorite FNaF game?
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I’m a “Pizza Simulator” truther, it’s just the best one, though I’ll be honest “Help wanted 2” has really risen through the ranks for me, its probably my second favourite (that might update if the DLC pops off)
Sister location and FNAF 2 are close behind, they were OG faves
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clownsuu · 1 year
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How do you feel knowing you converted most of the welcome community to Howdy lovers
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The howdy propaganda
W O R K E D -
[mini cw link has mini caterpillars in it]
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leafspiritz · 7 months
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(i kiss her again) 💜🖤
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essektheylyss · 1 month
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One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.
(Buckle in. This is a long one.)
In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.
As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.
Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.
This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.
I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.
But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.
So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.
But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.
But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.
It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.
He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)
So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.
But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.
(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)
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poorly-drawn-mdzs · 6 months
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My rendition of @tempo-takoyaki's DTIYS!
Congrats on the milestones! And to everyone else, please go check out their 'Drawing TGCF (except I haven't read the books)' series!
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luxaofhesperides · 7 months
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We Are Robins meeting to Signal apprehending Danny ; requested by @zylev-blog!
“Hey, Danny. How are you feeling?”
Danny gives Duke a tired smile, his head falling back against the wall. He’s sitting up today, which is good. It’s definitely an improvement from the many days Danny was unable to do much but lie down and grit his teeth through the pain as Duke checked on the gunshot wound. It’s a good thing Danny’s a meta with a healing factor, or nothing Duke could have done would have saved him.
As it is, the wound was severe enough to keep Danny vulnerable and unable to move on his own without making it worse. Though Duke has looked, he hasn’t had any luck in finding whoever did this to Danny. He hasn’t brought it up to the rest of the We Are Robin gang, but only because Danny only let him help if he kept it between the two of them.
What’s another secret? If it lets him stay close to Danny and make sure he’s healing well, then he’ll keep quiet and carry on the search by himself. He’s got plenty of practice in doing things on his own.
“Busy out there?” Danny asks as Duke sits down next to him, dropping his backpack onto the ground. 
“Yeah, it’s tough with the cops after us, but someone needs to help Gotham and with Batman gone…”
A pained expression crossed Danny’s face. Eyeing him carefully, Duke opened his backpack and pulled out a few protein bars and sports drinks for him. Once Danny takes them and began eating one, Duke takes out the first aid kit, always kept at the bottom of the backpack, and sets it in front of Danny.
The most he can do is offer supplies and company at this stage of Danny’s healing. He gets twitchy and tense when Duke tries to tend to his wound, and seems to have plenty of practice in patching himself up. 
He didn’t answer when Duke commented on it once, so Duke let the matter drop. 
Metas may have legal protection, but that doesn’t stop people from targeting them. Duke has no intention of pushing Danny into remembering unpleasant things while he’s already wounded, hiding out in the upper corner of an abandoned warehouse taken over by a group of homeless people. Most aren’t inside during the day, choosing instead to be out with the rest of the city, which leaves them alone. 
Duke keeps an eye on the ground floor of the warehouse, making sure no one comes in while Danny tends to his wound. When he peeks back, he can see that it’s much smaller than it was the night Duke found him, crawling down an alley with one hand clutching his side, tears slipping down his face. There had been so much blood that Duke was sure he had just stumbled upon someone dying and froze, horrified. 
And then a shout down the road prompted him to move, hauling Danny up and helping him into the warehouse to hide. 
For a normal person, if it didn’t kill them, the wound would still be raw and bleeding, larger than any gunshot wound he’s seen before. But Danny’s wound is closing up quickly, no longer bleeding, the edges a healing pink.
It doesn’t look like it’s going to scar, either. 
“Think it’ll be all healed up by the end of the week?”
Danny glances up, then continues covering it with new bandage, large enough to cover the entire wound. “Hopefully,” he says. “Then I’ll be out of your hair and can figure out a way to get home.”
“Your folks gonna look out for you?”
“Probably. I’m not planning on telling them, though, since they’ll get way too overprotective. The only reason they’re not tearing Gotham apart looking for me is because I came here with my godfather and he told them we’d be gone for two weeks. Can’t believe he tried to kill me on day one…”
“Your godfather tried to kill you?”
“Yeah. Not personally, or anything, but he definitely hired the guy who shot me. Though he also yelled at him for shooting me? Not sure what that’s about, but I never trusted the guy and he didn’t try to help me afterwards when I ran away, so. You know.”
Duke wants to have a conversation with Danny’s godfather. Maybe bring the other Robins along to make sure the message sinks in: Don’t touch Danny.
But Danny, acting so casual about his godfather trying to kill him, would be unhappy about it, and Duke would really rather be able to take care of him than be shut out for trying to take control of the situation.
“Shit, man, that sucks,” he offers, instead of prying for details so he can hunt down his godfather. “You want a hug or something? I can’t really do much else, but if it can make you feel better about all this…”
Danny brightens and shoves the first aid kit away, his shirt (one of Duke’s old ones he offered up to replace the bloodstained one) falling to cover the bandage. “Please. I would love a hug, dude, I don’t remember the last time I felt so lonely.”
Carefully, Duke wraps his arms around Danny, leaning back so Danny could relax fully and not worry about holding himself up. Danny sighs into the hug, going fully limp as he drops his forehead onto Duke’s shoulder.
“Thanks for this. And everything,” Danny says some time later. He doesn’t move to pull away, so Duke stays as he is, watching the weak sunlight slowly move across the warehouse as it spills in from dirty windows. 
“You don’t need to thank me. I mean, I’m a Robin.” He brings up a hand to tap a finger against the R embroidered into his jacket. “It’s what we’re here for.”
.
.
.
It’s been years since he saw Danny. After he was fully healed, Duke helped him get to city limits, watching as he boarded a bus and disappeared down the road, leaving his life just as suddenly as he entered it.
After spending so much time together, quiet hours of stillness just looking out for each other, his life feels emptier without Danny in it. He knew it wouldn’t last, that Danny would go home eventually, but it didn’t make the parting any easier.
Even now, as Signal, taking a break from going on missions with the Outsiders to spend some time with the Bats, his thoughts drift towards Danny, wondering if he’s alright. In his darker moments, he wonders if Danny’s godfather has tried to kill him again, if he’s succeeded. In calmer, happier moments, he remembers Danny’s quiet stories about his family, his town, all his dreams and hopes for the future, remembers the easy company and how Danny didn’t look at him with pity when talked about his parents, just quiet and contemplative. 
Sometimes, he can’t resist the urge to look him up, but there are so many Danny’s out there that he doesn’t know where to start. He never got Danny’s last name or learned when he came from.
It’s not like he can just ask the Bats for help finding a guy he knew for two weeks before he ever joined them. They’re all busy with their own missions, and definitely don’t have time for Duke’s reminiscing. 
“Just caught sight of the truck entering city limits,” Oracle says in his ear. “It’s heading towards the Coventry.”
“On it. Any movement from the mobs?”
“None yet. I expect this to change soon. Red Hood and Black Bat are patrolling nearby if you need backup.”
“Got it. Signal out.”
His comline shuts with a little click, and then he’s grappling over the roof tops, keeping an eye on the roads in search of the truck. He doesn’t have time to think of Danny anymore, not when a shipment of new, experimental weapons is passing through Gotham. Spoiler had heard a few whispers of it and Red Robin helped find more solid details; the mobs are all looking to take the shipment for themselves in an attempt to get the upper hand in the nonstop fight for control of Gotham’s streets. 
It’s passing through during the day, visible and a good move to keep from being ambushed at night, but it’s not enough to stop mobs hoping to take out their competition with new weapons. Duke enters the Coventry just as his comline beeps once and Oracle begins giving him specific directions, along with a brief description of what the truck looks like. 
Apparently, the weapons are being moved in a U-Haul rental truck. That is… certainly a Choice™ to make for moving weapons around the country.
He follows it from the rooftops, but nothing happens. The truck passes through the Coventry without incident and takes a turn that keeps it away from Crime Alley and the Bowery. It gets to the middle of East End then pulls to a stop in the parking lot of a diner. 
Two people get out and stretch, then head in to get something to eat.
It would be the perfect time for someone to break in. Duke pulls the light over himself, manipulating it to make him disappear from sight as he looks down from the edge of the rooftop, tense and prepared for anything.
He almost doesn’t see it at first. It’s just a flicker, a flash of color, a shift in the shadows across the street. But he does see it, even if he can’t find it again, and drops down from the roof, creeping towards the truck.
Duke waits, holding his breath, off to the side of the parking lot. 
A minute passes. And then a figure materializes out of thin air, floating right behind the truck. All Duke can see is white hair and a black body suit; they’re either a meta or an alien, but either way, Duke is ready to take them down.
The figure lifts their hands and a bolt of neon green energy hits the truck, melting the back and leaving a large hole that gives them direct access to the weapons. And then they shoot again, destroying the weapons.
“Phantom!” someone shouts, and the truck driver comes tearing out of the restaurant, a white gun in his hand. His companion follows, her gun also out, and the begin shooting. 
Phantom dodges the blasts, then vanishes from sight. He reappears behind them a moment later, tackling back of them into the side of the truck. 
“No you don’t!” Duke say, rushing forward as he pulls at the shadows around him then sends them racing towards Phantom, restraining them. The driver and his companion collapse onto the ground, groaning weakly, and Duke grits his teeth. “O, send someone to look after the people moving the weapons. Apprehending an attacker now.”
He doesn’t wait to hear a response, tightening the shadow’s grip on Phantom, who struggles fiercely.
“We can do this the hard way, or the easy way,” he says, pulling Phantom closer to him.
Phantom doesn’t answer. They just scream, the force of it making Duke fall back. His shadows dissipate, and Phantom flies up.
“Get back here!”
Duke gives chase, dropping in and out of shadows, throwing some at Phantom in the hopes of catching him again. But Phantom is fast and it takes all he has to keep up as they cross Gotham.
He thought Phantom was flying around blindly, but the way they move across the roofs and then through the streets are too confident, too focused to be anything other than someone with a destination in mind. But where? Where could they be going? If they’ve been in Gotham, then Duke would have heard of them.
A flying, powerful meta with a multitude of powers? Yeah, he would have known about them.
Phantom flies through a wall and Duke curses, going onto the roof and looking around, waiting to see them fly out. But they don’t and Duke finds a broken skylight to drop in from, landing on the support beams of the warehouse, well above the ground.
He knows the warehouse, he realizes suddenly. It’s the warehouse Danny hid in while he was healing. Duke hasn’t been back in years.
“Just listen to me, please,” a voice says behind him, and Duke tense, spinning around to face Phantom, floating just out of reaching distance. “Those weapons are dangerous. No one should have them, it’s why I had to destroy them. Please, you can’t let them get those weapons out.”
Duke stares. Something about Phantom is familiar. The shape of his face, maybe. His voice. Maybe it’s just because he’s in the warehouse again, with someone pleading for his help.
Maybe it’s all in his mind.
“Danny?”
Phantom flinches, floating back a few inches. “What— How—”
“What happened? Is it your godfather again?”
“My— Duke? Is that you?!”
He definitely shouldn’t be doing this, but Danny’s here. Danny’s here in front of him, needing help, and he doesn’t need the Signal. He needs Duke.
He pulls off his helmet and lifts his bare face to Danny.
“Oh,” Danny breathes. “Well. I guess I should have known you’d be a hero. Can you help me one last time?”
“Yeah, of course Danny. Tell me what you need.”
“Those weapons, they were first made to kill me and others like me. It’s a whole thing I don’t have time to explain. But they’ve been changed to affect humans, all types of people, as well. I can survive a few hits from those weapons, but for most people, it would kill them instantly. I need to destroy all of them and stop any further production before the rest of the world gets a hold of them.”
“That’s why you—”
“They have to be destroyed,” Danny says. “And the people making and selling them need to be stopped. I can’t do it on my own. I’ve tried, but…”
“I’ll help,” Duke says, “I’ll help. This is a big enough problem to bring the Outsiders into it. Or the Bats, but they like to stay in Gotham.”
Danny floats closer, looking painfully relieved. “Really? They’ll be able to put an end to this?”
Duke reaches for him. “Yeah. they can do it. I’ll make sure of it.”
Danny’s feet land on the support beam as his hand meets Duke’s. They balance above the rest of the warehouse, drinking in the sight of each other. Duke rubs his thumb over Danny’s knuckles in soothing circles and watches as the tension begins to fall away from Danny’s shoulders.
“Duke,” he whispers, “I’ve missed you—”
The door below is kicked open, and a gunshot rings out. 
Moving on instinct, Duke tackles Danny, wrapping him up in his arms as they fall off the support beam. They hit the ground hard, rolling a bit, and Duke tucks Danny into his chest, bodily protecting him.
“Narrows!” 
The Red Hood stands over him, menacing, a gun pointed at him. 
“Hood?” He loosens his grip on Danny. “What the hell was that for?” 
“Thought you needed back up. You chased after our guy and lost your helmet, I think I’m right to be a little worried about you. So, who’s this?” There’s a hard edge to his voice, and Duke realizes with a sinking heart that all anyone else sees is an aggressor, a meta who attacked a truck full of weapons, attacked two people, and had to be chased down by the Signal. Jason’s seeing a threat and acting accordingly, putting Duke’s safety first. 
And with his helmet off, identity clear, Danny’s even more dangerous now that he has this knowledge.
“I’m sorry,” Danny whispers to Duke. He doesn’t have time to ask for what? before Danny’s shooting another beam of green energy at Jason then taking off, flying through the roof and out of sight.
“Shit,” Jason mutters, straightening up from where he ducked to avoid being hit, then puts his gun away and kneels next to Duke. “You alright? Why’d you let him go? I thought you had him.”
“I’m fine. He’s not… He wasn’t going to hurt me. He just needed help.”
“Sure. And what are you not telling me?”
“I knew him. He’s a good person, but he’s been in danger for a long time. This was him trying to protect others from what he went through.”
Jason takes off the helmet and stares at him. Then he sighs and reaches a hand down to help Duke to his feet. “Alright,” he says, “Let’s head back to the truck. You have until then to convince me that they’re the problem, and if they are, then I’ll help you blow up more of their weapons.” He claps a hand on Duke’s shoulder, then pulls his helmet back on. “Grab your helmet. We’re wasting daylight, Narrows.”
There’s nothing else he can do, no way to search for Danny when there are other leads to chase, so Duke grapples up to the catwalk where his helmet landed and grabs it.
Just before he puts it on, he sees a flicker of white just outside the window he’s facing. He ducks his head to hide a smile. It’s almost like he’s stepped back in time; Danny’s here in Gotham, needing help and asking for it in the warehouse. 
And though so much has changed in those years, there’s still one thing that Duke will ensure never changes: he’s Danny’s hero. Above Robin, or Signal, or anything else, Duke is Danny’s hero.
This time, he has the power to actually help Danny. He’s going to make sure no one ever hurts Danny again.
“Let’s go,” he says, jumping back down to Jason, helmet on. “I’ll tell you everything you need to know.”
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