Dash Baxter as the Overly Competent Metropolis Cop
We all know the "Dash becomes a Police Officer" trope, but I can never remember what Coty he is placed in.
Now, Imagine if Dash is placed in Metropolis? He starts out on the force and keeps telling everybody that this City is "Nowhere near as exciting as I thoight it would be" and "There aren't even any Supervillains that I can arrest"
And everybody else is just thinking that he is just overconfident in his own skills than that he is just a glory seeker.
And then one day, Lex Luthor breaks out of Prison and gets one of his Giant Mechs. Superman arrived on scene to try and stop him only to discover Dash handcuffing a peefectly fine Lex on the hood of his Car while Lex's Mech Suit is laying 10 meters away totally unscathed.
This random cop somehow managed to defeat Lex Luthor's Mech Suit (Which was designed to battle SUPERMAN) without needing to hurt Lex OR damage the suit in any way.
Well, at the very least that must have been a difficult feat to pull of-
"That was easily the worst Power Armor I have ever had to fight dude, are you sure you're a Super Genius?"
What?!
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i don't know what order to start Dissecting, so i'll just start with:
it's absolutely fascinating how the dynamic Wally & Barnaby had - to my knowledge - before the update, and a dynamic i'd seen speculated elsewhere and generally accepted, has been completed turned on its head
see, given that Wally is the "main character" and Barnaby is classified as "his best friend", i got the feeling that Barnaby kind of... tags along on Wally's 'shenanigans'. that he's the sidekick, the best friend. especially since their dynamic has been previously & briefly described as "Barnaby is very polite to Wally." he's the Companion.
but the audios sorta paint a reverse picture. in the Interview, when Barnaby enters stage right, he completely bowls over Wally's introduction and dominates the interview. when the interviewer asks how the two of them are handling the fame, even outright asking Wally, Barnaby doesn't hesitate to answer the question himself, and only about himself. Wally doesn't get another word in edge-wise until the interviewer explicitly singles Wally out.
(now, an argument could be made that Barnaby knew that Wally was somewhat overwhelmed with all of the questions, and tried to take the reins to give him a reprieve. but, considering that the interview seems to be very early on the possible timeline - like, very soon after Welcome Home debuted - i don't think this is likely. i doubt Barnaby and Wally would've had the time to solidify their dynamic or really get to know each other that well yet)
and Barnaby continues to take point in pretty much all of their other conversations, too. like in the mystery Howdy/Barnaby/Wally audio, their interaction gives off the vibes that Wally is Barnaby's sidekick, his tag-along.
(on a related tangent, it's fascinating how the website described the episodes as "[beginning] with Wally introducing the focus or theme for the day before coming across other characters who would join him on his escapades until the end of the day." but from pretty much everything we've seen so far, it seems like He's the one who's just along for the ride, bouncing from neighbor shenanigan to neighbor shenanigan instead of having his own adventures.
of course, if the 14 audios are present time, which is honestly somewhat likely, this could be because the show isn't running. they aren't doing episodes - they're just existing, doing their things. no need for Wally to take point in any way shape or form. tangent over)
in the 14 audios with Barnaby, he doesn't even acknowledge Wally until the very end - which, of course, could be because that's how the scenes are set up. except that in some of them, the characters do directly acknowledge Wally's presence outside of the endings. Eddie in 5-14, Howdy and Poppy in 1-14, and Frank in 4-14 (technically, since he was infodumping to Wally at the very start before Barnaby interrupted). you'd think that a guy would try to include his best friend a little more!
maybe i'm reading into it too much. & given what we know about Wally as a character, it would make sense for Barnaby to be the go-getter Main Guy of the two. but it really seems like its Barnaby & Wally instead of Wally & Barnaby. he's just kinda... there. going along with whatever Barnaby is up to.
but also, on the other side of things - & it's occurring to me as i type this, it's interesting how in a lot of audios, Barnaby seems to seek Wally out. in "Just So", he shows up to fetch Wally. in 4-14, Barnaby interrupts Frank and Wally's gardening session, almost as if he's stopping by to check on his little buddy. in 7-14, Barnaby calls Julie's house (presumably) searching for Wally, or at least checking in once again. something to consider in all of this!
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here's the thing. laudna would have stopped it. if she knew delilah was about to fracture the gnarlrock. if she could parse her own feelings from hers.
and here's the thing. imogen has been plagued by nightmares for a decade. and this rock is the first bit of solace outside of her trust in laudna that she has ever had.
and laudna was just involved in shattering it. this tiny bit of solace.
and. here's the thing: laudna would've stopped it.
and. here's the thing. imogen would've stopped it. the only reason imogen didn't go is because she was specifically afraid that she would attempt to intervene and ruin their relationship with the volition before it ever began.
and here's the thing. liliana set out 25+ years ago specifically to spare her daughter. and that seemingly has not ever wavered as her core motivation. but people keep being drawn to the moon. kids keep being drawn towards the moon. and liliana is a mother. she was a mother before she ever knew she was an exaltant.
for 25+ years she has worked to "cure" imogen. the only solace she probably ever received was in at least attempting to console the kids who found themselves lured in by her same pull.
liliana begs imogen not say that they may have to kill each other. she breaks at hearing imogen's resolve. but there's kids, imogen. there's kids here. imogen. she can't leave. she's a mom.
and, here's the thing: imogen's her daughter. the daughter liliana left. or tried to leave. the daughter she only had through dreams. and imogen is working with the volition. and imogen has been her sole drive for 25+ years.
and imogen might have just been involved in shattering the little solace she might have ever had.
and, here's the thing: imogen would've stopped them.
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Thinking about how Moash vs Kaladin’s interactions with Khen, Sah, and the other Singers seems so intentionally juxtaposed. But like why create that narrative foil moment just to reduce Moash to a villain later like truly what was the point?? He could’ve made those any Singers but instead he made them the specific individuals that Kaladin betrayed. And Moash betraying bridge four and then training these hopeless enslaved individuals to fight just like Kaladin did for Bridge four… like what was the point of all that!!!
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had the unique experience today of being lucky enough to win a plush kirby prize in an ichiban kuji that is Perfect for holding on my lap while I watch things on my laptop, while the something that I was in the midst of watching today was the seemingly most R-rated show netflix has to offer
this on its own is not much of an issue, except for the fact that due to this plush's design and how i had my hands folded over it it looks like kirby is watching along as well, leading to a particularly fascinating contrast in media consumption- here's a visual aid I put together demonstrating this phenomenon:
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