I just love it when video games let you do really stupid shit that kills you immediately. I love being like "oh this is a terrible idea" and being able to do it and then die. It's good game design.
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the funniest part of any Robin meeting the JL is that every Robin is so distinctly different from the previous one in terms of personality and vibes that the league literally gets backlash. and like, I don't blame them. not to mention that they are non-meta children that dress as a traffic light and fight crime alongside batman in gotham on a nightly basis. i'd also be a bit concerned.
Batman, literally The Night of Gotham personified in the League's eyes, coming into a JL meeting: This is Robin, my crime-fighting partner.
11-year-old Dick Grayson, dressed in the brightest primary colours possible, vaguely hidden murder behind those eyes, never stops moving even for a moment: Hi!
Superman: That's a child. That's-- Bats that is a child. You let a child--?
Batman, deadpan: You try to stop him. Would you rather he try and murder a grown man with a wire?
Batman: This is Robin.
12-year-old Jason Todd, with the biggest grin on his face, about 3 books in his hand, stars in his eyes and a distinct street-kid drawl: Hey!!!
Green Lantern: That's ... that's a different child. What??
Jason: I stole his tires :)
Batman: Tried to.
Jason, stage whispering to the League: basically did.
Green Lantern: that is a different kid, right?? I'm not seeing shit??
Batman: This is Robin.
14-year-old Tim Drake, bo staff clutched in his hand, a wary and tired expression on his face, more on the quiet side, the literal walking definition of don't judge a book by it's cover: hello
Flash: Where do you even find these--
Tim: I found myself.
Batman: This is Robin.
17-year-old Stephanie Brown, literally blonde, with a shit-eating grin, eyes full of nothing but mischief and the most explosive personality you've ever seen: hiya!!
Superman: I give up.
Stephanie: I know, I have that amazing effect on people.
Batman: This is Robin.
13-year-old Damian Wayne, a literal wet cat that will hiss at you, has a sword, the most judgemental stare you'll get from a teenager, ready to jump anyone there:
Green Lantern: WHY DOES HE HAVE A SWORD?!
Batman: ... he came with the sword.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Hey you guys ever think about how rough and tumble little Stanley Pines tried his hardest to absorb all the ugly meanness of the world to protect his brother— how he became blustery and loud because it was the only way he received attention but also because it shielded his abnormal twin from scrutiny— how he stood in front of Ford with his gap tooth bared and scrawny arms outstretched taking in all the gawking and hurt by being the slip up, the rascal, the troublemaker— and how this ultimately led to Stanford Pines, the dreamy-eyed idealist who couldn’t tell the difference between friend and enemy, and Stanley Pines, the man who became so desensitized to pain that his life became one big bruise. Anyone ever think about that?
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