Antinous sketches
I will redesign him a bit for Wisdom saga because his old design looked too much like Kaeya from genshin impact. Still keeping the eyepatch though, that's my favorite part of his design.
For his design I was mostly aiming for this intimidating, vain, kind of brute hunter aesthetic. I'm not really used to drawing manly men so he'll be quite the challenge to animate.
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merlin’s secret being a visual thing. when he is around arthur or gwen or leon or morgana or [insert whatever character here] merlin seems pale and thin, almost like a ghost or an apparition. when the sun lands on him he reflects it like a corpse, he eyes seem dark and dull. he has this ethereal beauty to him, this otherworldly visage that leads many to believe he is of fae blood. he just doesn’t seem to be 100% human. but when he is ONLY with lancelot or gaius (cough or gwaine bc gwaine DEFINITELY knew) merlin is heartachingly human. merlin shines in the sunlight, colors are brighter and more vibrant around him, and his smiles are wide and his laughs are boisterous. he takes on color and leaves everyone wanting to know him. but when other join in or interact with the two, merlin shifts before their eyes so quickly and suddenly that they aren’t sure whether or not what they saw was a trick of the light. the idea still leaves them wanting more and wanting to see the merlin who is just so full of life but that merlin only appears for a small select group of people. merlin who has a guard so high that it has an effect of other’s perception of him.
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I don't even play obm anymore but i need to talk about how sick i am of super buff solomon. This is a skinny little bitch who would wither under a soft glare. He has been eroded by the winds of time. He needs to be slick and slippery and sly enough to slip between the cracks of old buildings so he can trespass more easily. His brittle bones can NOT sustain more than a few extra pounds of muscle. He spends as much time in damp candlelit crypts as Levi does in his dark room with only the light of his screens. There are eyebags and back pain and skinny limbs GALORE. He is the skeleton shackled to the wall in a mysterious spooky dungeon. Get real
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if my stuff starts looking WILDLY different soon it’s because next year i’m planning on stepping out of my comfort zone more and experimenting to try and seriously level up my artussy because i’m stagnating and i hate it
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Todays WIP that will go nowhere-- Eddie realizing Steve is a good person not through the Party, or anything that happens in S4, but by witnessing his weird ass interactions with Jonathan Byers.
The guy publicly decked him, "stole" (Eddie does not believe one can "steal" a person outside of kidnapping but that's how the rumor mill is phrasing it) Steve's girlfriend, and if Carol Perkins is to be believed, took creep-shot photos of him having sex and yet:
Eddie has now repeatedly witnessed the two of them not just making nice with each other, but outright beelining for each other.
Taking in harsh whispers, going places together, cars following each other, and half the time there's a bunch of kids with them instead of Nancy.
Jonathan is notorious for being a loner even by Eddie's standards and yet he reacts to Steve the same way one reacts to a trustworthy member of the family--with relief.
They're not even that nice with each other--Eddie's heard them trade insults.
(The whole school and likely half of Hawkins has heard them trade insults.)
Eddie's been involved in the wrong crowd long enough to recognize when two people have a sort of unshakable trust with each other, that "I hate you but I have your back" partner in crime vibe that his father always exploited, but with Steve and Jonathan it's real.
And that is what constantly makes Eddie look different at Steve.
Not the kids, though he gives Dustin all the shit he can over his giant case of "Harrington Worship", but because he keeps thinking Steve is going to be shitty, has always assumed Steve was being shitty, and now that Steve has actually caught Eddie's eye its impossible to miss that he isn't/
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