#My head hurts so much help-

[queenbeebumblebee]

im sick, but here is a redraw on Barnaby tk doodles :D

If You want to add your oc here, You can! Just as long You give me credits or reblog this or Tag me idk

Hope You enjoy this and i'll Make the art requests once im better

ANYWAYS ima sleep cause i need rest

Hoooonk mimimimimi

[surreal-duck]

I'll make myself look even cuter, so come find me, okay?

[sysig]

Off to make mischief and terrible decisions for everyone (Patreon)

[s0fter-sin]

it’s the sound that tips him off.

it’s late, half-past hell by his last count, and mactavish knows there shouldn’t be a single soul in the showers this time of night. though he’s sure if he asked, he’d be told a soul isn’t in there.

just a ghost.

he almost chokes on the thick steam filling the locker room; humid and hazy and the perfect cover. or it would be, if the man collapsed in the far stall cared about hiding.

mactavish hates himself a little for the low sigh that falls from his lips. he wishes he wasn't so disappointed; that the promises he's heard over and over and watched be broken as many times hadn't wedged their way into his heart and convinced him that maybe, maybe this could be the time it sticks.

he doesn't know what's worse; the disappointment or the lack of surprise.

he holds his breath through the steam and leans over the limp body; stinging hot water hitting his back, instantly soaking through his clothes and already starting to burn. he flicks the tap enough to take the bulk of the heat out and straightens; a groan startling out of the man beneath him at the sudden lash of tepid water.

mactavish crouches, knees clicking and hooks a hand under his bicep to pull him up straight against the wall. if there was any vomit on his skin, it's been washed away by the pelting stream and he supposes he can count himself lucky for that. he tilts his limp head back and slips his fingers into his mouth; holding down his tongue and ignores the way it lazily jolts under his fingers to check his airway.

clear.

another small victory.

mactavish pulls his fingers out and cups his chin, keeping him tilted up and moves in the way of the water again so he can pull at his eyelid.

the eye he's met with is cloudy, so dilated there's hardly a ring of blue left.

he sighs again; hand falling away and letting his eye fall shut. "god damnit, riley."

riley moans, all his weight resting on the hand holding his jaw.

"aye, 'm talking ‘bout you," he grunts tiredly.

he lets riley's head fall forward to grab his arm, pulling him away from the wall to sit behind him; propping his body up against his chest. he leans his head back over his shoulder, keeping his face out of the water and his airway open just in case he hasn't actually finished throwing up.

he takes the rag riley'd half-managed to soap up and mechanically runs it over him; cataloguing new bruises and cuts and checking if the old ones are healing. sickly yellow fingerprints ring his hips, red splotches paint his ribs; too new to have settled into the deep purple he knows they’ll become.

riley slowly makes more noise as he rubs life into his body; still lying limp against his front but his head's starting to roll restlessly on his shoulder. he swipes between his legs and carefully doesn't think a single thing about what he finds.

"sean?" he rasps and mactavish's hand stills; eyes falling shut. he bites his check, hand clenching around the rag tight enough to shake and breathes hard out his nose.

he doesn't say a word, just forces himself to go back to cleaning.

he's not sure what would come out of his mouth if he did.

riley isn't conscious enough to hear him anyway.

he runs his fingers over his inner elbows for tracks and manages to muster some relief when he doesn't find any. seems to be a pill and booze night; far from the worst condition he's found him in.

he rinses him off, running a curtesy hand over his shaved head only for it to fall back to his jaw; his thumb stroking over the thick scar carved into his cheek.

"you gotta stop doin' this," he whispers.

he isn’t sure if he’s talking to riley or himself.

mactavish gathers up riley's too-light body into his arms and turns off the shower. his head lolls into his throat and he throws a towel over his dripping body and another over his shoulder. it doesn't stop him from tracking water all the way to his quarters but he'd like to see someone try to put in a complaint about it.

he lays out the other towel on the bed and sets riley down; moving his body into the recovery position in an all-too familiar routine. he dries him enough that he won't soak the covers as he pulls them up to his chest and kicks the waste bin within grabbing distance of the bed.

he goes to pull off his sodden clothes when a different noise makes him freeze.

a low sniffle.

mactavish slowly turns back to the bed to find riley's eyes squinting open; glazed with tears as he kneads at the covers.

he stares at him for a moment as he looks around the room and those hazy eyes lock on him for the first time. "cap'n?"

he swallows. "aye; s'just me, riley."

his hand pokes out from under the covers and for all the promises he's made himself - all the “never again”s and “this is the last time”s - at the end of the day, he's weak.

he sits on the side of the bed and takes riley's hand in his; already so cold after nearly boiling himself alive.

"y' mad a' me?" he sniffs.

mactavish runs his tongue over his lip and slowly shakes his head. "no, i'm not mad at you."

"prom'se?" he pushes.

he reaches out and caresses his temple with his thumb. his hand almost covers his head and it cuts like a knife to remember just how small riley is. "aye," he says, hushed. "i promise."

riley's eyes fall shut, voicelessly murmuring 'promise’ to himself over and over.

"I’ll ge’ bett'r," he slurs and between one breath and the next, he's out.

mactavish sighs, running his hand in a final pass over his head and stares at a face that looks so much younger in sleep; bruised and sallow skin hidden in the shadows. "i know you will."

he presses a slow kiss to his forehead, shutting his eyes against the grief that wells in his heart and gets up to pull a chair over to the bed; settling in for another long night's vigil of watching his broken lieutenant sleep, ready to tilt him over if he throws up, eyes locked on the slow rise and fall of his chest fearing tonight may finally be the time it stops.

[maukiki1]

my son and his uncooked pasta bit-beast

also heres th lineart bcs the lineart was especially laborious lol

[stagefoureddiediaz]

The mess on the couch Margaret bought - that can’t be cleaned - the mess created by bringing a child into the world - while death is looming nearby.

How the whole scene is a metaphor for Bucks life - how his entrance into the world was messy and death was looming - how his birth was an attempt to keep death at bay but it came anyway and has held the hand of the Buckleys ever since. How the Buckleys tried to clean up the mess but their secret created an uncomfortable life for Buck - one that couldn’t be kept hidden and once revealed exposed the mess. How the couch is unsalvageable in much the same way Bucks relationship with his parents is - the mess will always be there in the centre of things.

How the couch is orange and how orange is a colour of superficiality arrogance and pride.

How Kameron batted Natalia away initially but ended up holding her hand - holding the hand of death while bringing life into the world - the same way Margaret was when Buck was born.

How Buck holding that baby and needing a few seconds but ultimately being able to hand it over and let go is a representation of him breaking the cycle even if he is still connecting himself to death he has broken one link in the chain - the link to his birth.

[fisheito]

my princess nonsense is being encouraged watch ouyt imabout to be eneaabled

OK WHATF ATHAT'S SO CUTE I HAD TO MAKE IT i know realistically there's little to no chance that rei DOESN'T know how to work heels 🤣 BUT IMAGINE.....ING.... YAKUMO GENTLY GUIDING REI IN HEELS, WEEKS BEFORE THE BIG GALA AND HAVING NONE OF HIS NORMAL FEAR OF PHYSICAL TOUCH BC HIS [TEACHER MODE] IS OVERRIDING HIS INSECURITY

[sorrowsaint]

if you arnte playing scrimp music i dont wanna HEAR it.

[gingeredmink]

ayoooo, i am out of it thanks to nyquil + zyrtec. I do not have any explanation for this. No shame, only pain [Ibuprofen failed me]

[asgardian--angels]

I honestly just think it's funny that so many people have been watching ofmd as a 'comfort show' lmao like I'm over here specifically watching for the angst. I crave pain and suffering. As soon as High On A Rocky Ledge played in the pilot I was hooked because I knew I was in for intense emotional turmoil. Red Flags is now my favorite episode of the entire series. I honestly didn't expect Izzy to survive as long as he did. His fucked up relationship with Blackbeard has fed me so well.

Of course I adore the love story, and the fact that Ed and Stede's love is an absolute, an immutable fact, of the show's premise allows me to enjoy the angst all the more. But I feel like some people need to be reminded: David Jenkins never promised you fluff. He never promised no deaths, no tragedy, no violence, no difficult topics. Personally I think including a fair deal of all of those makes the hope, the love, and the comedy shine all the brighter and have more meaning. You don't have to agree, but you can't assign expectations to a show that never made such promises. There was never false advertising. David set out to tell the story of two troubled, complicated adults navigating love and a long-term relationship in an often harsh and unfair world, finding community and making meaningful gains in self-actualization along the way. Ultimately it is a 'feel good' story but it's a rocky and winding road meant to mirror the messiness of our real world. Maybe you need to step back and re-evaluate where canon ends and your headcanons begin, and what the 'goals' of the show actually are that may differ from what you're looking for in media, and not blame Jenkins et al. for 'betraying you' when they're just telling their story the way they set out to.

[pastafossa]

I'm not sure if this was already asked, but if Jane had skipped town when she had planned to, would Matt ever forgive her? How would he react?

Ooooh, now this is an interesting question.

I definitely think there's a small part of him that never would have forgiven her for it, especially since he'd already had a few vulnerable moments with her where he'd opened up and she, seemingly, had opened up with him, too. But mostly, it would have simply... broken that part of him that felt hope, that felt that maybe, just maybe he deserved to have someone care about him, or even love him one day, because he'd have read her letter - the kinder one, the gentler one, the one that said without saying, 'I could see myself loving you if I stayed.'

Ironically, despite her intentions - that she leave him a kinder letter, one that was honest and told him how much she cared for him - reading that letter after dhe left would have broken an entirely different part of him.

The loss of her, the idea that he'd been left alone again by someone who might have loved him, would have been all the proof he needed that he was a fuckup, that everyone in his life that he cared about was destined to leave him. He'd spiral, spiral right down into the decision that all he could do was leave them first before he hurt them so bad or put them in so much danger that they left him behind and, subconsciously, before they hurt him like the loss of his parents had, like Stick and Elektra and now Jane had by walking away. He'd retreat in on himself, curling up tight around that hurt and hiding behind the ferocity, darkness, and rage of the Devil because that seemed like the only way he could protect himself from being abandoned again when he wanted so, so desperately to have just ONE person who might... love him. It would have been a ticket to the S3 mindset basically, but because Karen and Foggy at that point didn't know about Daredevil, and because he hadn't met Maggie yet, no one really would have been in a decent position to help drag him up out of that spiral.

And Stick knew that, which is exactly why he tried to talk Jane into leaving, and why he gave her that letter to ensure she truly broke the more gentle, tender part of Matt. He knew this would push Matt into the mindset Stick wanted: that Matt was meant to be alone, that there was nothing for him but his 'duty', and there was certainly no room for friends, for lovers, or family.

One day it's possible he would have pulled himself out of it, and by then he likely would have forgiven her - either because he recognized she ran for fear of Cyrus, or because he simply blamed himself instead of her - but either way, if that domino had tipped, a part of him never really would have recovered or felt safe reaching for that kind of gentle connection again.

[yugiohz]

I need my own/a proper medicine cabinet mt family doesn’t have shit I hate this hippie household 😭

[bericas]

Why did you do that? Because I love you.

[wild-at-mind]

Today's events and the past few months of bullshit have made me feel so rejected from my local LGBTQ community.

[drainbangle]

wait omg i’m curious about your unpopular thoughts about temenos writing wise.. i love when people discuss octopath writing it’s really enriching to see what we all have to say about certain story elements. plus you’re like a temenos representative to me. your thoughts about temenos make me go “so true!”

Aw, thank you! It took a while for me to decide on what to write here, since honestly I could go on for… frankly any aspect of this guy, especially in regards to treatment in fanon. But for now, I'll focus on my thoughts regarding how people treat tragedy in Temenos' story— namely, Crick's death— and why I personally dislike it as a writing decision and why I disagree with the idea that it is necessary.

Note: Goes without saying, but this is my personal opinion. If you believe otherwise, then that's all good. I'm not writing this to say that any one person is wrong, just to talk about an issue I have with the game's writing itself.

To start, I'll say that my main reason for disliking Crick's death in SH route is a matter of practicality. Killing him off causes Temenos to lose the main person that he had a fantastic relationship and banter with, and in my opinion, Temenos works best when he's bouncing off another person; not unlike most under the Sherlock-archetype.

Also, genuinely? It works wonders to keep Crick alive, if just because it provides a fantastic avenue to explore Temenos' institutional trauma. Having a character that's lived a different experience but within the same harmful institution opens up ways to explore the scope of its harm. And yes, this is for Crick specifically; not Ort, not the travelers, but Crick.

I think it really adds something that Temenos was raised by the church while Crick converted as a teenager during a really difficult time in his life. These two are good for each other. Crick sure as hell makes it a lot easier to write Temenos in fic.

(If you have a different experience, again, that's cool. I'm glad for you. I, however, will never fail to take the easy way out.)

(This is a lie, I'm over here making up fantasy church law for fic stuff but that's not related to this answer.)

I won't pretend that disliking Crick's death is an unpopular opinion. I mean, "Stormhail Fix-it" is an entire genre of fic on the OT2 Ao3 tag. What I do feel tends to go unaddressed though, is the fact that the idea that Crick's death is canon, therefore it is necessary, therefore it is the best decision; an idea that I wholeheartedly disagree with.

Within the text itself, Crick is killed off in order to give Temenos a personal reason to pursue Kaldena, thus putting him at odds with Kaldena's motivations being driven by her ideology and worldview that, "because humans committed the massacre, it was the gods' mistake to put us here". I also won't pretend that Kaldena's writing here isn't fucking awful, because Crick's death is also a device to make the player want Kaldena defeated even though she is just as much as a victim of the church; and that's to say nothing of her portrayal as an indigenous and dark-skinned woman.

These decisions are ones I disagree with. Killing Crick off was unnecessary to give Temenos reason to pursue the culprit, because Temenos already had someone close to him killed; and that's Pontiff Jörg. He raised Temenos from infancy, but due to the lack of focus on him outside of banter conversations, it's never relevant to his motivations outside of the desire for truth because a crime was committed. 

We also didn't need to kill Crick off to show that the church was a terrible institution, because Roi already went missing in action. The Sacred Guard is the main body of law within Eastern Solistia, it's not unreasonable to think that the reason why Temenos dislikes them is because they clearly didn't do shit to investigate his disappearance.

However, one thing I really don't agree with is the idea that Crick's death is necessary because Temenos' story is a tragedy. And if you asked me why, I'd ask this in turn: why is death the only form of tragedy? Furthermore, why must a tragedy contain only tragic events? That in mind, what gives anything value in a tragedy, then?

Pretend we cannot completely rewrite Temenos' story. Even then, changing Crick's death to a permanent injury, a coma, or whatever is still a tragic event; and that's nothing to say of living with the consequences. Isn't losing your faith a tragedy? Isn't losing something you worked for years to do a tragedy?

Similarly, I'd still argue that it's more valuable to make Stormhail a near-death experience because not only does it show Temenos succeeding in making someone question the church but also the terror that is feeling like you're doomed to repeat tragedy. Even if you really aren't, it's hard to dismiss that feeling; especially when it has to do with being victimized by institutions.

And before someone says, "but bad things happen to good people in real life", I'm not treating these characters as living, breathing people who are subject to things like gravity, hunger, and exhaustion. I'm treating them as choices, and choices made that I disagree with. 

It's why I make different choices. I choose to make Crick have to deal with chronic pain onwards. I choose to make Temenos realize change is still possible. I choose to let them both leave Stormhail alive. Are these better choices? I don't know. But I'll never stop questioning the ones made by the writers regardless; much less stop disagreeing with them.

So, in summary: I dislike Crick's death. I dislike Temenos having to spend the rest of the story without someone he can talk to so easily because Crick's absence weakens a lot of his scenes in Temenos 4. But more than that, I dislike the idea that tragedy is necessary on top of the idea that it is superior. Tragedy's good, I adore the genre; but written in mindful doses and all that.

[polyamorouspunk]

Honestly I could use a pep talk. This week the positive/negative whiplash has been horrible

Grace my love you have been such a comforting presence in my and a lot of other people’s lives. I’m so, so sorry that things haven’t been going spectacular for you but as I’ve said to you, having someone who is going through a lot of the same things that I am makes me feel so much less alone. I really, really hope that we can find some consistency in it all. Today when I was driving home I was thinking of that cliche “if you could have any superpower what would it be” and I thought “I wish I could control my emotions”. And I thought… that’s not a superpower. That’s something “normal” people can do. But I feel like I can’t. But maybe more things are in my control than I realize. Sometimes I do think that I make excuses for myself. And that’s not to say that we as human beings can control everything in our lives. In fact, it’s what we CAN’T control that brings us stress. Like other people changing their minds about plans and shit 😅 but that’s what makes us dynamic. That’s what makes us human. So I guess, you know, I would be bored or whatever if everything was easy and my life is perfect. I mean, we all need a little drama, right? Like the harmless kind. Like when you go through the drive-through and they give you the wrong order. It’s humbling. It gives us something to complain about. Like, I didn’t fuck up badly to warrant an entire Netflix show about it. At least it’s not THAT bad yet. And I mean. We have all, everyone here, made it through the worse times of our lives already. And sure, there’s every chance the worst thing that’s ever going to happen to us hasn’t happened yet (especially those of us who haven’t reached 25 yet) but honestly as I look back I feel like everything that really sticks out as bad to me isn’t more or less worse than the thing before or after it. It’s just the most present, so it’s the one that hurts them most. I’m GLAD I’m not 16, 18, 20 anymore, even if I had things then I wish I had now and have pain now I didn’t have then. Sometimes the things I have to look forward to don’t feel like enough but what is the alternative? I just have to keep going. I can’t give up. We can’t give up. We have to keep fighting. I refuse to be the one that knocks me down.