#Not many resources on writing them :c

[axolotlsupremacyowo]

Kinda tempted to make a little info blurb about tips on writing Filipino characters, though I don't think that many people are interested in that XD

(For context, I'm Filipino. Lived in the Philippines my whole life.)

If you would be...should I? Anyrhing to help people write better!

ALSO!!! If you have any questions about writing filipino characters, feel free to use my ask box! It's there for a reason :3

[itspileofgoodthings]

Taylor returning over and over to the falling through the ice accident in the Bolter—everything to me

[creatingblackcharacters]

"It takes HOW LONG?" Black Hair is an Art (pt.2)

(This is part two of the hair lessons, focusing on writing/narratives. If you want to know how the styles LOOK, refer to part 1 and its addendum)

Now that you know what our hair actually looks like, we’re going to discuss incorporating that into your writing (original fic, fanfic, webcomics, anything with a narrative). You don’t HAVE to give us a dissertation on "how you studied 'The Black People’s Hair'" in your story. That’s not what I’m asking you to do. I’m just asking you to CONSIDER the effort and existence of it. The same way you put effort into discussing nonblack hair textures? Should be the sort of tenderness and care you put into discussing ours. It does not stand to reason that I have read thousands of stories describing "the silky, black/blonde tresses/waves that fell down their pale back as their lover ran their fingers through them", but Black readers have nothing of the sort to compare to without seeking our own authors out. Our hair deserves some loving and adoration too!

This is a very long post describing hairstyles and how they can correspond to your character's design and decisions, so I'll put a read more here. The sections are organized into 'Twist Out', 'Afros', 'Locs', 'Braids', 'Black Men', and 'Straight Hair' if you Ctrl F. PLEASE PLEASE PLEASE take your time to read all of this at some point though, as I put a lot of resources and explanation into this. I'm trusting you!

The History

As I discussed in the last lesson, our hair is incredibly important to us, and part of that includes the vulnerability and trust that comes along with access to it. This is due to a long history of oppression. There’s a racist history of making Black women hide our hair, as if it would ‘tempt white men’ away, regardless of it were due to actual attraction or the (more likely) rape of Black women. There’s a racist history of touching our hair, as though we are animals or zoo exhibits. We aren’t just going to let anyone touch our heads, so DON'T write that, unless you are doing so to show that it is a microaggression towards your character. Even now, cultural appropriation is rampant. If I were to wear cornrows with hoops, it'd be seen as 'ghetto' or 'gang-like'. Meanwhile, it is a fashion statement for white women. When Miles G Morales showed up in Across the Spiderverse, animators specifically chose cornrows for him, but many people mistakenly took it to me that he was 'rougher and tougher' than the original Miles. This was a racist perception! Hearing the Fade get hyped up in the news as the 'Travis Kelce', when Black men and especially NFL players have been wearing it for DECADES to crickets... it hurts lmao. Point is, you can describe and respect Black hair without being racist about it. Okay? Okay.

Vulnerability

YOUR CHARACTERS NEED TO BE CLOSE BEFORE ALLOWING THEM TO TOUCH THEIR HAIR!!!

It needs to be someone they TRUST wholeheartedly. Again, do NOT let a stranger touch their hair unless it’s meant to be an uncomfortable situation!

Consider CONSENT! Consent is ALWAYS beautiful! Have your other characters (Black or not) ASK to touch your Black characters’ hair! And not in the ‘Oh can I touch it?’ way. But if they’re really close friends or dating, have them ask to help do their braids, or wash their hair, or even just to stroke their hair and face! Or if your Black character is injured with a head wound, and they have to tend to them, have them ask! The asking shows a level of care and respect for your Black character and their body! At any point the consent may be revoked, and that needs to be respected! If they let them tend their head wound, but then smack their hand away after, that’s not ‘rude’- they’re allowed to do that, especially to signify that they aren’t at that level of trust yet. That's still angsty!

One great example of love from a Black character is doing their partner’s hair, or allowing their partner to do their hair. The ‘Hair-washing’ fic is a common thing in fanfiction; we all understand how that shows the depth of the trust in the relationship between the characters. How would you write about that trust with a Black character, if you don’t know what goes into taking care of their hair? If you don’t even know what their hair looks or feels like? The lack of awareness will show, and what should be a beautiful, deep moment will fall flat for Black readers. I wrote one once for my character with locs, and it honestly made me tear up because I realized that I’d never seen one, at least not in the majority white spaces that the fandoms I was in were.

Think about it- how often have you read a hair-washing fic with a Black character? Was it accurate? Would you know if it was accurate? Have you spoken to or heard anyone Black in your fandom space talk about it? Do you know anyone Black in your fandom space to ask? It’s things like this that we have to consider!

If you have a character that is nonblack in a relationship with your Black character, that honestly reveals even more trust because there’s a long history (again) behind that NOT happening! In life, we can’t go to the same places. I can’t go to a white hair salon or barbershop. They won’t know what to do! People are allowed to go through hair school without learning how to work with different, thicker textures. It’s not right nor fair, but it’s a part of the casual, systemic racism in our lives.

My feelings on what Lestat symbolizes aside, the scene where he plays with Louis’ curls in AMC's IWTV was an intelligent way to show that closeness, and how a nonblack character would affectionately play with a Black character’s hair! How he works with the curl in his fingers, rather than trying to pet Louis or run his fingers through- it was an intelligent move on Sam and Jacob’s part as actors to understand that THAT’S how that would go down!

If you have a character that wants to show a violation of your Black characters’ space, touching/harming our hair is cruelty on a very personal level that will generate an extreme reaction.

Think About Your Character!

When thinking about your Black character’s hairstyle, you need to think about your character themselves! What do they do every day? What are their hobbies? Are they Type A, Type B personality? Do they have a lot of time? Are they always in a rush? Are they noncommittal? Are they self-conscious? Artsy? Serious? Are they in a time period where the means to care for their hair are limited?

People make jokes and comments about how Black women don’t like getting our hair wet and dismiss our concerns. But it’s not out of ‘silliness’ or vanity. What you consider ‘just hair’ may have taken days of planning in advance and HOURS of our time! We put a lot of thought and effort into our hair, and it will easily shatter the illusion for your Black readers if you describe our hair poorly or create an unlikely scenario with it. It’s not a joke!

Some Terms:

Protective styles- a style that allows our hair to ‘rest’ with minimal manipulation

‘Tender-headed’- some people’s scalps are more sensitive to the tightness of styles, so it’ll hurt a little bit more and require some more gentleness (Regardless it’s still going to hurt for a bit after a fresh style)

Bonnets- a silk/satin cap of varying lengths that we wear at night to protect our hair and keep the moisture in

Loc Sock- same idea, but for locs

Durag- keeps short haircuts protected; can even help create the wave pattern that many Black men enjoy

Scarf- same idea as the bonnets, except scarfs can be used specifically for straight hairstyles to wrap them up to keep it straight and neat

(It'll seem real legit if you include your Black characters wearing their headcoverings at night! I remember laughing while reading Twilight because I knew that if Edward snuck into my room at night, he'd see me in my scarf or bonnet lmao.)

General Hair Care:

While I don’t completely agree with some of the advertising in this first one (it’s the internet. Can’t go nowhere without someone trying to hawk something) it’s cool in general to explain how our hair looks the way it does.

If you have Black children OCs, it’s important to consider that their parents have to do their hair, and how that will be its own experience! (It can be very stressful for Black children to get their hair done, as it takes a long time and can be physically uncomfortable. There are plenty of stories of burnt ears and tugged tangles and not very nice old women. Children are children! Keep in mind how they may behave while getting the style of your choice.

Moisturizing to keep healthy

Twist Outs

Cute twist out styles

Twist outs are a style that takes overnight to hold, or maybe even a few days! The cool thing is that the twists themselves can be the style! So the tighter you want their curls to be, the longer they’ll wear the twists in. If you want to describe your character with tighter curls, there needs to be a section of time where their hair remains in the twists! If your character has an event, and they want twists… this needs to be done in advance. Your character will NOT untwist them the day of, unless they want weak, limp curls (or you want the scene to compose of them having weak curls).

How long they'll last depends on the activity of your character! If all they do is work a desk job, or they don’t sweat very much, the twists can last some time! But if they sweat, or wear hats or caps, it’s not going to last long. Maybe a week.

Pros: Very versatile! If you have a character that loves trying new looks and enjoy being spontaneous, twist outs are for them! Easy! If your Black character is younger, or haven’t done their hair before, this is a great way for them to start working with their hair! Doesn’t take long (to do)! If your character is in a rush, and they do their twists, they can go just about anywhere. If they’re not self-conscious, this will be just fine.

Cons: It cannot get wet again, or the style will puff up back into your natural texture. It does not last long enough to say “oh my character went on a two year long fantasy adventure with this style.” If you want your character to have a twist out the whole time, they’re going to have to take time to do it. It would be cool if you incorporate a scene where they’re working on their hair, maybe in the background while everyone’s discussing plans or something. Just a reminder that their hair isn’t just staying magically twisted (unless they have the magic to do that).

Afros

Afro Style Guide, Style Guide for Men (works for any gender though)

Wash & Gos are just that- wash it (or really, condition it, you don’t have to shampoo it every time) dry with a t-shirt (to prevent breakage), put some oil and a light crème on it, fluff it up and you’re good to go! Maybe an hour at max and can be done while getting dressed in the morning!

Pros: Easy! If they’re doing a full, combed out afro, it’s not as simple, it will take more time. And at night it has to be plaited so that it maintains its length, otherwise it will tangle. But other than that, that’s still not all that hard. They can show off their curls! Black characters can and should have pride in their hair. It’s beautiful. This is the opportunity that you as an author can describe the pure texture of their hair, how it shines in the light, how the coils look, how soft it is! Romanticize Black hair the same way you do anyone else’s!

Cons: None really! Afros are wonderful! Just make sure that your character has a way to keep their hair from getting tangled. Just because it’s easy doesn’t mean there’s no maintenance! A pick, a bonnet, oil and water go a long way!

Locs

Five stages of locs

A person who does locs is a loctician.

Can be palm-rolled or interlocked/crocheted

I cannot emphasize enough that you do not want just anyone doing their locs! They can really mess up someone’s hair if they don’t know what they’re doing. I say that to say, for your character, if they don’t trust the person doing their hair… they should. They should not be walking into anyone’s place to get their hair locked; they’d do research first.

The time it takes locs to ‘bud’ (that is, to actually form the loc) depends on the texture of their hair. But it can take up to 3 months to even a year for them to actually ‘loc up’. So if your character just got locs, they’re not going to look neat. They’re going to be frizzy.

As long as they’re washing their hair, keeping it moisturized, and not using wax products (DO NOT HAVE ANY BLACK CHARACTER USE WAX PRODUCTS IT IS BAD FOR BLACK HAIR) it’ll last forever! Locs are incredibly strong, especially the thicker they get! It is recommended that locs are retwisted every six weeks, but if your character has freeform locs, doesn’t have the money or time right now, or they just aren’t that pressed, they can grow indefinitely.

Something cute to write in your stories: sometimes locs do just… fall out. Not the whole thing! But the same way thin hair gets everywhere… sometimes the ends of thin locs just… fall off! You’ll find little buds on the ground. This happens especially in the budding stage.

Pros: Very low daily maintenance! At most they’ll need a bonnet or loc sock, and oil/water mix to spritz and massage in. Strong style that can hold any look- buns, curls, etc. They can be dyed, though it will take a long time to do so. I say that to say, if you want your character to have bright green locs, go for it!!

Cons: Low daily, but HIGH wash day maintenance! So if your character has a fancy date or something to go on, they should not be getting their hair retwisted the same day, or at least not so close to. It’s going to be shiny, oily, and tight, which can cause discomfort. Give them the day to let the hair settle!

Locs are PERMANENT!! This isn’t a bad thing, as much as it is a ‘KNOW WHAT YOU’RE DOING BEFORE YOU DO IT’ thing. Technically they can be combed out, but that would take a very long time and very precise effort, and most people aren’t going through all that. They’re just going to cut them off and start fresh. If you have a character that would balk at such a choice, locs aren’t for them. If you have a character that’s picky and choosy, that likes versatility, that can’t make up their mind, do NOT give them locs unless they’re making the conscious choice to commit. (Again, this is subjective! Maybe they have locs because their mother died and it reminds them of her! Okay! That works!) If you have a character that’s vain, or at least doesn’t like looking awkward… unless they’re going to style up the awkward stage, they’re not going to want locs. (Awkward stage: the first two stages get considered awkward because the locs look messy. This is because they’re turning from curls to locs!)

Braids

Styles

How long braids can take depend on the style. Box braids can take 10-12 hours to do! Microbraids? You HAVE to have multiple people or you'll be there for damn near a day (and that's assuming you have a masterful braider!)

How long they last depend on your character! If they're like me as a kid, I didn't care how I looked, so my mom got me cheap braids and let me run free for two summer months. So if your Black character is a carefree child! Go for it. But if they're a teen or adult (or are very concerned about how they look) a month to six weeks is about how long braids can stay in before your new growth shows. A character that is usually trimmed and proper having loads of new growth over their braids may symbolize that they don’t have it all together anymore.

Pros: Protective style! Great way to let your character have minimal daily maintenance; oil and water and something to cover it. SOME braided styles allow for high activity and even rain without changing. It depends on the hair that’s been braided in, as well as the style. Incredibly versatile! They can have multi-colored braids, long braids, short braids, beads, trinkets… if your character is creative and bubbly and likes to experiment, the sky is the limit! That can symbolize their artistic expression, just by describing what they look like! So long as they have the time, they can have any look and style they want. No need to commit too long.

If your character is capable of doing their own braids (and locs, btw), they’re amazing. Like… that’s mad respect for them. If you describe your character being able to do their own braids, they’ve got amazing arm strength, patience, and skill. That skilled dexterity can be revealed as a trait of theirs through that alone.

Cons: They take a LONG TIME. Your character is not going anywhere. If they’re getting braids… they’re not going anywhere. If you write your character doing anything fancy the day of, depending on the type of braids, Black readers are not going to believe you. Even if it did get finished, it would be very tight. I currently have a poll going on, and so far, a good majority of the 10+ answers are braids! It cost MONEY. It is NOT CHEAP to get braids done! If your character is poor as a church mouse, they will be doing those braids with their friend in front of youtube. Because it can be in the hundreds of dollars. (Don’t get me started on hair culture right now; BACK IN MY DAY IT COST-)

Hairstyles on Black Men

I want to specifically give space and applause to these hairstyles on Black men, because we REALLY don’t give Black men enough credit for all the creativity they show with their hair! And again, with The Killmonger being the choice style in all these damn vidya games despite almost no Black man I know choosing it as a look… PLEASE LOOK! WE HAVE OPTIONS! Try describing how gorgeous these looks can be on your Black men characters! It would be very nice.

Straight Hair

Well, I was going to explain, but ol ‘Guest Writer’ here pretty much lays it all out! So just go ahead and read this article lol.

Just to re-emphasize, straight hair is NOT something that just grows out of our head that way! It takes effort! So if you have a character that doesn’t feel like maintaining straight hair, they shouldn’t have it! If your character has natural hair and lives in a rainy or humid city, they’re going to be fighting that weather to keep it straight- make sure that’s consistent with their personality!

My best friend used to wash and flatiron her hair every day. Like, laser focused on looking that good, Type A shit (she’s a top money banker now, so I guess it worked out). If you have a character like that, it’s fine! If they’re lazy any other time of the day, they’re not suddenly going to be waking up at 5am to flat iron their hair. It’s not consistent.

Conclusion

That’s pretty much what I have! I’m not the guru on all things Black hair, and I obviously cannot encompass every potential scenario you may have for your characters. Really, my intention here is to get you to think about how our hair reflects our character and personalities, and how when you write and/or draw a Black character, you have that ability! And when you’re able to incorporate that naturally, it makes your Black readers feel seen, like you actually cared about that character enough to give them just as much description as your nonblack characters. You don’t have to be a master at it! Just… occasionally the little things that we can go ‘oh, yeah!’ at would be nice. An equivalent effort would be nice.

Remember, it’s the thought that counts, but the action that delivers!

[spacelazarwolf]

Hey there! I’ve really appreciated your posts and perspective over this past month, I’m having a hard time (as so many Jews are) and your voice helps.

I’m hoping you can help me with reliable resources. A friend of mine condemned the Hamas attacks etc (as they should, to my relief) but is under the impression that Israeli govt is doing genocide to the Palestinians. I’ve no idea how to approach that to verify (or not), I don’t even know where to start looking. Do you have any suggestions?

Thank you.

thanks! this is a really tough question, but i'm going to do my best to break it down. also if anyone's thinking of clowning on this post without reading it, inb4 "omg ur denying genocide!!!!!!" bc this post is literally outlining, in detail, all the ways the israeli government is, by definition, committing genocide.

this is really long, just a heads up.

a big frustration i have with a lot of progressive or leftist spaces is the tendency to throw around words like genocide without being able to define the term or properly apply it to the situation in question. this isn't just a semantics issue. if all you're doing is repeating the buzzwords you've heard on social media, your "activism" is going to be less than useless. it is crucial that if you are going to talk about the current genocide in gaza, you must be able to define exactly what a genocide is and how it applies to what's happening in gaza.

i'm paraphrasing from this article by the united nations. the word "genocide" was coined in 1944 by raphael lemkin in his book "axis rule in occupied europe." it was developed partly in response to the shoah, but also to previous instances of what we would now define as genocide. it was recognized as a crime under international law in 1946, and codified as an independent crime in the 1948 convention on the prevention and punishment of the crime of genocide.

the definition of genocide

(from article II of the convention on the prevention and punishment of the crime of genocide):

in the present convention, genocide means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such:

a. killing members of the group; b. causing serious bodily or mental harm to members of the group; c. deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; d. imposing measures intended to prevent births within the group; e. forcibly transferring children of the group to another group.

the 10 stages of genocide

a model created by gregory stanton, the founding president of genocide watch

classification - people are divided into "them and us"

symbolization - when combined with hatred, symbols may be forced upon unwilling members of pariah groups.

discrimination - law or cultural power excludes groups from full civil rights: segregation or apartheid laws, denial of voting rights.

dehumanization - one group denies the humanity of the other group. memmbers of it are equated with animals, vermin, insects, or diseases.

organization - genocide is always organized... special army units or militias are often trained and armed...

polarization - extremists drive the groups apart... leaders are arrested and murdered... laws erode fundamental civil rights and liberties.

preparation - mass killing is planned. victims are identified and sepaarated because of their ethnic or religious identity.

persecution - expropriation, forced displacement, ghettos.

extermination - it is 'extermination' to the killers because they do not believe their victims to be fully human.

denial - the perpatrators... deny that they committed any crimes.

application to the crisis in gaza

to start with the first definition from the united nations:

a. killing members of the group - YES

the death toll in gaza has risen above 8,000 according to the associated press. as far as i know, as of writing this post, there has been no ceasefire so the death toll will continue to rise.

b. causing serious bodily or mental harm to members of the group - YES

over 20,000 people in gaza have been injured, and gazans - particularly children - suffer incredibly high rates of ptsd.

c. deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part - YES

the israeli blockade of gaza has had devastating consequences for gazans. they are running out of food, water, fuel, and medicine, and this is costing additional lives.

d. imposing measures intended to prevent births within the group - unclear but leaning toward YES

whether or not it is the explicit goal, the current bombardment of gaza has put the lives of 50,000+ pregnant women in gaza at risk, along with their babies. babies who need incubators are also in danger as generators begin to run out of fuel.

e. forcibly transferring children of the group to another group - as far as i am aware, NO

according to the us embassy in israel, the palestinian authority ministry of social development is the only authorized entity regarding adoption of palestinian children. this doesn't mean it isn't happening, it just means i was not able to find any credible sources.

the 10 stages of genocide

classification - YES there is a long history in israel of othering palestinians, both socially/culturally and legally. former israeli minister of interior and minister of justice ayelet shaked shared a racist quote from netanyahu's former chief of staff explicitly framing palestinians as "the enemy."

symbolization - not yet there are no overt symbols palestinians, even within israel, are required to wear to outwardly identify themselves, but there are identifying features on their ids. in fact, the opposite has been happening, with far right members of the israeli government attempting to pass legislation making it illegal to publicly display palestinian flags.

discrimination - YES there is, again, a long history of discrimination against palestinians within and by the state of israel. it is difficult for palestinians from the west bank or gaza to gain status in israel, israeli work permits are used as a form of control, and often forcibly separate palestinian families.

dehumanization - YES former israeli deputy minister of defense eli ben dahan said of palestinians, "to me they are like animals, they aren't human."

organization - YES israel is currently carrying out an organized and brutal attack on gaza.

polarization - YES from extremist groups like hamas, to the corruption in the likud party in israel, there are very clear signs of extreme polarization. israel's siege against gaza has caused polarization across the entire globe.

preparation - YES gazans in particular are unable to leave gaza without a permit, and now with the blockade from both israel and egypt they are essentially trapped.

persecution - YES gaza in particular could absolutely be likened to a ghetto. as stated above, (in "usual" circumstances) they are unable to leave without a permit, and since hamas took control it is nearly impossible to get an israeli work permit.

extermination - GETTING THERE if the siege continues and gazans are unable to get out of gaza, there will be catastrophic casualties.

denial - YES i often hear that "israel has a right to defend itself" but i cannot possibly find a way to frame the current siege as "self defense."

so in conclusion, israel is - by multiple definitions - committing genocide against gazans. and it's very important to be able to identify specifics, especially if you are planning on having discussions about it. and i've said it in the past, but if you are not directly affected by what's happening - palestinians in particular, but israeli citizens and jews and muslims in the diaspora are also getting hit hard - it is IMPERATIVE that you are able to talk about this with a level head. escalating tensions and pushing away potential allies is only going to make things worse. find common ground, form connections, and then have a productive discussion.

[lackadaisycats]

I’m so sorry if you’ve already answered this somewhere, but how do you design your characters?

I’ve been trying to make an OC from the prohibition era and it turns out there’s basically nothing to work with for men’s outfits, so I’m curious how you made this many that look unique and fitting to the characters

There is so much to work with, though! You will tend to find more of a focus on variety in women's fashion, but there is still quite a lot of menswear to ogle too. I suppose it's just a matter of searching out ideas and inspiration in the rights corners. Here are a few suggestions:

Old Clothing Catalogues -

Collections from Sears-Roebuck and other popular clothing retailers are pretty easy to find compiled into relatively inexpensive books, or just floating online.

A fair bit of it is in the public domain now.

--Here's an entire 1922 catalogue of stuff to flip through.

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Contemporary Artwork -

Some phenomenal illustrators were working in this field amidst the "Golden Age of Illustration" and featured prominently on the covers of magazines and on the ads inside. There was a lot of emphasis on fashion.

Collier's and The Saturday Evening Post are a couple of the more prominent and easily searchable resources. The costuming on the cover art always has a lot of personality.

There's Rockwell, of course, and it's almost impossible to go wrong with J. C. Leyendecker. He's probably best known for his Arrow Collar ad art, but even his sock ads are like…

There were numerous other amazing and influential illustrators working at the time too. Here's a list of some of them. Here's a bonus Henry Raleigh featuring some of his fabulously-dressed people.

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Blogs and Articles -

There are so many of them! If you want historical accuracy, be wary of write-ups pulling all of their references from film and television. There's nothing wrong with using those for inspiration if you aren't too concerned with historicity, but there are some pretty comprehensive and well-researched things out there with more of an eye on actual fashion history too:

--Gentleman's Gazette - What Men Really Wore in the 1920s

--The Fashionisto - 1920s Men's Fashion

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Digital Collections -

There are numerous digital historic image collections stemming from universities, museums, libraries, and the government that are free to peruse too.

--The Metropolitan Museum has a searchable catalog of exhibits that includes fashion and photos

--Here's some things from the New York Public Library

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Photos at Large -

If you aren't sure where to start, image searching for any of Hollywood's early celebrities will typically turn up a bevy of production stills and promotional photography featuring a variety of fashions. Here's a random Getty images search for Harold Lloyd. A lot of standard 3 piece suits, but a lot of stuff with added character too.

Photography was generally quite accessible by the 1920s, though, and you can find a lot of authentic photos of people from all walks of life, out in the wild wearing all sorts of clothes.

This is by no means the limit to the resources available, but hopefully it'll provide some leaping-off points for designing looks for your characters!

[inky-duchess]

Fantasy Guide to Royal and Noble Marriages

Marriage is an important part of the life of both royal and nobles in any setting, either historical fiction or fantasy. Marriages are not only life long commitments but they are business and protection deals by families. These are strategies, not relationships. So how can we write them?

Why make a Marriage?

Marriage is at its heart, the seal on an agreement. Two families may come to an agreement to share resources, connections and support one another. For a noble family, it could be about elevation. For example, if the daughter of an Earl marries a Duke, her siblings can now make higher marriages and her family would be more important thanks to this link. It could even be about money. In the late Victorian - Early Edwardian period, many impoverished English peers married wealthy American women for their fortunes. In exchange, the women became titled aristocrats. Royal marriages are made for more universal perks. A royal marriage can change the political layout of the world, it could isolate a kingdom or be the starting gun or a war or end a years long conflict. For example, Kingdom A might be being threatened by Kingdom B. Kingdom C has a powerful military. Kingdom A might offer up a marriage deal to Kingdom C, with the caveat that C protect A from B. C would obligated to act if A gets attacked by B, since A is now an ally. A marriage cements the deal as it creates family ties, which is seen as a sort of permanent stamp on negotiations. After all, would you screw over family?

Marriages of Choice vs Arranged Marriages

Marriages can either be made on behalf of a royal/noble or made by themselves. An heir might be more restricted in this case whilst a younger children have a little more leeway especially if they are part of a large family.

Marriages are not always arranged. But that doesn't mean there aren't restrictions. Any royal or noble will have a list of certain attributes their spouse must have or certain attributes they cannot have. Marriages of choice have to be approved by parents (and the crown if you are a high ranking noble) and if you are royal, sometimes by the government itself.

Arranged marriages are agreements between two families. They might want each other's protection, support or they might simply want to do business together such as opening trade corridors or lifting embargoes on certain items. Arranged marriages are usually made on behalf of both spouses and they are expected to agree to the match for the sake of their family or country.

Screwing over the Deal

Making a marriage doesn't mean that the deal will last forever. Alliances change and circumstances shift. Whilst everyone may be all friendly during negotiations and for some time after, politics is the aim of the game. Treaties can be broken, war can break out and marriages can become unpopular choices. If a country has welcomed a bride/groom one day and then their country becomes the enemy, the bride/groom could become an enemy as well and face isolation and disrespect from the public - even their new family. However they are expected to be loyal to their new family and country, even over their own family and kingdom. These marriages have no promise of happiness. They are a job, a duty to ensure the family is taken care of and securing their futures.

Timeline of a Royal Marriage between Two Royal Families

Offer: The suggestion is made.

Negotiations: The discussion through ambassadors of what a marriage might entails, what each side is willing to provide or what they demand of the marriage. This can take weeks, months even years before a marriage is agreed.

Betrothal: Marriage is approved, treaty signed and the couple is engaged. Betrothals can last from anything from a few weeks to years

Wedding: If one spouse has to travel to their new home, they will travel to their new home and meet their new court, new family and their spouse. Once they arrive, the wedding will take place in a matter of days.

Married Life

These marriages are public, so it is expected for the couple to at least act civil. If they do not like one another or can't stand the sight of another or they just don't love each other, is irrelevant to society and their expectations. They are expected to attend certain events together, sire children and do their duty. There's no rules saying they must live together, so many lived separate lives. The higher ranking spouse is expected to provide their spouse with an allowance and a staff. For international marriages, spouses are not permitted to hire a large party of their own attendants even if they accompany them to their new country. They may keep one or two for company but a newly minted royal should not be waited on by foreign servants, they are a royal of their new kingdom now.

What makes a "good" marriage?

As mentioned above, marriages and relationships are expected to fall into certain perameters. Any spouse - chosen or assigned - should meet certain standards such as be of appropriate rank, follow societal norms and even sometimes be of the same religion. Marriages to anybody who falls out of these standards can be seen as a devasting move - the marriage of Edward IV is still remarked on as a contributing factor to the end of the Plantagenet dynasty. Making the wrong choice of spouse in society's eyes can lead to gossip, being shunned, being disrespected and even barred from succeeding to your birthright. Unequal marriages or morganatic marriages, can even bar children from succession, disallow the couple from attending events together and deny the spouse the style they ought to be entitled to - the marriage of Archduke Franz Ferdinand is a good example to study. A good marriage is seen as one that adheres to all the expectations of society - even if it is an unhappy one.

[an-idyllic-novelist]

Lucifer Morningstar with Violet Evergarden!reader scenario in honor of Valentine’s Day

warning: aged up!reader [middle to late twenties], language, ooc, one-sided!Alastor x reader, possible spoilers from the first season of the 2024 show.

Hey guys, welcome to another Hazbin Hotel collaboration with @vikkirosko, starring Charlie's own goofy, duck-obsessed father, the King of Hell! Special thanks to @ladydoe8, and @illuminaresblog for their feedback so that I could write this fic in a timely manner before things got busy in the real world for me!

Just so everyone knows, the outfit depicted here is Jean’s ceremonial outfit from the game Genshin Impact, idea was courtesy of @illuminaresblog.

So with that being said, sit back, relax, and let's see what our short king is up to ~!

Reblog to support content creators! ❤️

Lucifer is someone who believes in second chances now. 

Charlie had made something that had been impossible for the last ten thousand years possible, and he wanted to support her in any way he could. Thanks to him being an amazing, resourceful father they were able to rebuild the hotel in less than four months, and Alastor didn’t show up until they were finished. Ha! Take that, asshole! 

But what has made him the happiest he has felt in a long time is the opportunity to be close to his daughter again. He was not going to ruin it by being a coward and not speak to her unless it was convenient for him. She is more precious than anything or anyone in Hell. 

Don’t get him wrong, he is very happy that his little devil found someone that made her happy, but it was kinda awkward to see them being….intimate. That’s at least one other valid reason why he’s been coming to the greenhouse more often than isolating himself away in his living space of the hotel. It wasn’t healthy, and he couldn’t keep hiding himself from Hell forever after fighting Adam in the war. And why the greenhouse instead of the lobby bar, the rooftop balcony, or the parlor? Well, you were there. The hotel’s stoic groundskeeper, and one of the people who had been supportive of Charlie’s dream when he wasn’t around. 

You always knew the right words to say to her without sounding like a jerk. 

You would help out with creating group exercises, though some of your ideas were a little extreme.

 If someone needed some assistance with work around the hotel, you were there in the blink of an eye ready to help. 

You had fought against the exorcists to protect everyone, even at the cost of losing your prosthetic arms.  

You were a lot of things that he wasn’t. And he was a tiny bit jealous about it, even when you had never intended to make him, the King of Hell, jealous. That job was exclusively reserved for the Radio Demon. 

 He did think you would look a lot cuter if you smiled more often, and he has said this to you one afternoon as he sat on a wooden bench, watching you carefully remove the weeds from the flower beds. In that moment he thought he had fucked up. The words that spilled out of his mouth had pissed you off so much that you were quiet and did not even look at him over your shoulder. He felt his apple red cheeks burn with embarrassment as he stammered out an apology, trying to make amends when your calm voice broke through the awkward silence. 

You weren’t bothered by what he said. He was stating a fact that you’ve heard many times when you were alive. You explained to him that it was…difficult to express yourself for a long time. And in Hell, you couldn’t wear your emotions on your sleeve. It made you a target. To demonstrate your point, you slapped your cheeks and pulled the corners of your mouth upwards to create a smile, albeit a forced one. 

Lucifer had a good laugh that day, and the frazzled thoughts that ran rampant in his mind came to halt. You were a funny sinner. And definitely strange, but hey, so is he! Kind of. Okay, he definitely is, but who isn’t a little odd down here?

When he realized that you weren’t easily offended like the others, conversations between the two of you had gotten…well, better. He would ask you questions about the stuff you grew, and you answered without hesitation. When you asked him about his rubber ducky creations, he babbled about his latest one and you would give him an idea on how to improve. “Perhaps instead of spitting out fire and water after the back flip, what if you did flower petals instead?” You said to him one afternoon as you hoisted a heavy pot up from the shelf, carefully placing it down on the workbench. “You can use the ones I remove when I prune the roses, if you’d like. All I ask is to not take too many of them. I am using them in an experiment to make soaps for the rooms so that Charlie doesn’t spend too much money on acquiring cleaning items.”

Lucifer immediately took you up on the offer, smiling so widely that it almost hurt his face before hurrying back to his workshop. In a matter of hours, he was cradling a brand new ducky that did release blood-red petals and golden sparkles! The ingenious part of it all is that, instead of doing a backflip, all someone needed to do was push its chest and poof, magic! It was amazing, the audience loved it and he actually liked it too!

 Lilith used to pitch ideas on his creations…at least…until she left. He still missed her. She’s Charlie’s mother, and not even he knew where she was or what she has been doing for the past seven years. He could only hope that wherever she is….she is happy.  

Instead of throwing this little gem with the rest of the ones he’d been working on since moving into the hotel, he gave this little ducky to you. A token of his gratitude, their friendship, whatever you thought the gift was! He just wanted to thank you for giving him that spark of creativity he had been looking for. 

To this day, it sat on the corner of your workbench, glowing under the red light streaming through the stained glass windows and in pristine condition. It was obvious that you treasured his little creation and it made his heart flutter in a way it hadn’t in a very long time. Before he realized it, his conversations with you shifted to memories of the past. 

He would regale the tales of Creation, how he’d tease his fellow angels and outwit them with harmless little pranks or showered their meeting assemblies with sparkles and ideas that…that they rejected in favor of order and obedience. It still hurt, that no matter how much he wanted to shower humanity with goodness and free will, it seemed like bad things had happened ever since he gave Eve the Fruit of Knowledge. 

You told him about the Great War  and how you served as a soldier in the Leidenschaftlich Army under Major Gilbert Bougainvillea. You could not remember your age, but everyone assumed you had been ten after being enlisted. You were fourteen when the war ended, and the Major had died saving your life. You never understand what his final words meant, I love you, until you yourself had perished. Not from old age or disease or famine, as most humans were known to succumb to back then. You had died protecting your friends, the people you had come to know in your line of work as an Automemory Doll, from being blown to smithereens by an anti-peace faction. Although the war had been over, men like General Merkulov could not comprehend a world without war. When the assassination attempt on the envoy failed, the bridge had been rigged to explode. Together with Benedict, you were able to remove the bombs…but when the last one you removed, the one that took great effort to remove…you lost your remaining arm, then your balance, careening off the train and into the dark waters below. That was the thing you remembered before waking up down here. 

There were days when you wondered how everyone else was doing, if Cattleya and the Lieutenant were all right, if there were still Automemory Dolls helping others with writing letters when the clients themselves were not able to read, write, or had trouble putting the words on the page. But who knew much time had passed since then? All you could hope…is that they were still able to live long, happy lives and not mourn for your death.

Because in the end, you finally understood the Major’s last words. And you would no longer need to follow orders to live. 

It made Lucifer a little sad when you finished your tale, it sort of made him wonder how you ended up down here when technically sacrificing yourself to save others should have gotten you into Heaven. You thought about that as well, drawing to the conclusion that even if you had died valiantly, it did not change the fact that you had killed many men in the war. Perhaps the blood on your hands will always be there, and you would have to live with that knowledge for eternity. Or maybe…no one really knows how to get into Heaven, as Charlie had informed everyone before, after the disastrous meeting with the Seraphim. Either way, if you were given the choice of being redeemed and going to Heaven, or remaining down here with everyone, you would choose to be here, in the Hazbin Hotel. 

Just because there is such a thing as Paradise, that didn’t mean you could not find your own. And you had found Paradise, here, with everyone. The sinners who are your family. 

Your words left him speechless. He had given humans free will, and all he had seen was the bad, never the good. But to hear your story, and how you are truly happy in a place surrounded by brimstone and the streets crawling with psychopaths, made him realize that you had used his gift as it was intended to be used. To have passion, to find love in one another than wholly dedicating your everything to the Big G. 

This revelation might have been when he was starting to realize that he was starting to see you as more than a friend or someone who believed in Charlie's dream. He followed you around like a little duckling around the hotel, occasionally leaving small gifts at your door and mentally panicking if you’d like it or not, and using his magic to help with your work in the greenhouse. Moreover…he trusted you. He had never shared any of his stories with Charlie about Heaven because he didn’t want her to be crushed like he had been. Now? Well, his little girl is thriving. Which brought Lucifer back to reality when he realized that in less than a week is his daughter’s birthday and he had no idea what to get her for a gift. The last time he had gotten her anything was when she went through her rebellious phase, and all she wanted to do was stay in her room and listen to heavy metal music all day. 

He immediately went to the greenhouse, bursting through the double doors and calling out to you in a panic. Ironically he found you in the apple orchard, standing on a ladder. You were picking the ones that were ready to be eaten and placing them in a wicker basket on the ground. When you saw him, you carefully climbed down the ladder and asked him if everything was all right. No, it wasn’t okay! He was not okay! 

He explained his dilemma to you in a rush, the words tumbling from his mouth like a tidal wave until he felt your gloved hand on his shoulder. You looked at him long and hard, leading him to the bench to sit before pouring him a glass of lemonade from a thermos. You offered it to him, and half of your sandwich. You were starting to eat more food at regular intervals and taking breaks instead of working until your task was done. You were trying to take better care of yourself; if not as part of your redemption, then at least to not worry Niffty or Charlie. 

He did take the lemonade, but gave you back the sandwich, scolding you needed to eat properly if you were continuing to skip meals periodically. You had the grace to look ashamed, carefully placing it back in the tin lunch box. You promised him that you would eat after you heard him out. 

You listened to him carefully before offering your help. If purchasing a gift for Charlie is hard for him because he is still getting to know her…then you can help him create a special letter for a special occasion. After all, you were an Automemory Doll. It was your job to write the words to connect people, to bring them closure and be remembered. Lucifer blinked in surprise, asking if it was really all right to ask you to do something that…might still bring back painful memories of your past. 

You shook your head. “If it were as painful as you believed it might be, then I would not have said something. Besides,” Your mouth curved upwards into a small smile. “Charlie deserved nothing but the best for her special day, right?”

It took all of Lucifer’s self control to not hug you right then and there. He could still make things work between him and Charlie, he can still be a good father!

Once you had eaten your lunch as you had promised, you asked him to meet you on the rooftop  in an hour. You needed to wrap everything up here in the greenhouse, eat, and grab your Remington typewriter. Charlie was still trying to figure out what to do with the space, but right now there was a table with some chairs up there. It was a good setting to write a letter without anyone overhearing the two of you. 

Lucifer wanted to start working on the gift right away, but he knew that you disliked leaving your work unfinished. So he left the greenhouse, letting you finish up. When it got closer to the time to meet up, he whipped some of your favorite tea and snacks with a flick of his wrist. Remedial creation for him! 

Once everything was set up and you had removed your gloves, the two of you got to work. 

He didn’t think writing a letter would be so difficult because he wanted to pour so much of his feelings into a single page. He was sorry that he missed her other birthdays, how he didn’t step up to be a father after Lilith left because he had been just as upset as her but didn’t have the courage to move forward, and how he wanted to make up for it all. How proud he is to have her as his daughter. 

At one point, he realized that he was staring at your skeletal fingers and how they were fluttering from one key to another before he forced himself to look at you when you asked him a question. He didn’t have time to look at your shiny hands, he had a job to do! 

Between your respectful schedules and small breaks in between, the letter was finished in a week. It was several pages long, folded neatly in a creme-colored letter with a red wax seal once he wrote his name at the bottom of the last page. He thanked you profusely for helping him, promising you anything in his power in exchange, you just had to name it. But you shook your head, saying that knowing his words in the letter will reach Charlie is more than enough. You were simply doing your job as an Automemory Doll. 

And by God you did. 

When Charlie read his letter, his gift to her on the morning of her birthday after presenting a plate full of her favorite caramel apple pancakes with maple syrup, bacon, and coffee in the kitchen, she cried. She cried and hugged him tightly, thanking him for this wonderful letter and how all she ever wanted was for him to understand her, to support her. He felt tears well up behind his eyes as he returned the embrace. It was already looking like it would be a good day. 

Later that day, the hotel staff arranged a small party for his little princess in the Ruby Ballroom. Food, drinks, music, even a small mountain of gifts. Vaggie was of course the brains behind it all, wanting Charlie to have a special day too. Everything was perfect. 

At least, until he saw you dancing with Alastor. You had changed out of your gardening clothes - a white long sleeved shirt and a green skirt with your hair pulled back in a loose ponytail - to one of your newer outfits. Or at least another one besides the white dress with the Prussian blue jacket you always wear. You actually looked more like a knight in this one than an Automemory Doll. Not that he was complaining. 

A sleeveless black buttoned up shirt under a white vest with a long turquoise tailcoat attached to it, a pair of black sleeves that covered your arms and hands, with a short blue and gold cloak attached to a white collar. The emerald brooch glowed under the ballroom’s lights. White tights embroidered with a gold-diamond dot pattern covered your legs, alongside a matching pair of knee-high boots and white gauntlets. 

In summary, you looked gorgeous and entirely out of place as you struggled to keep up with Alastor on the dance floor during the foxtrot. Polar opposites, oil and water, a pairing that doesn’t go well together. 

So being the badass fallen angel that he is, he tapped Alastor on the shoulder and asked if he could have a dance with you. The jazz music screeched to a halt  as the son of a bitch he turned to him, ears pinned against his head and eye twitching. He’s mad. Good. 

“Well, well, this is a surprise~! To think that His Majesty would want to dance when he’s so much shorter than our dear groundskeeper! What a delightful disaster~! But,” Lucifer saw Alastor’s grip on your hands tighten, causing a fleeting expression of discomfort to wash over your face. “We are not done dancing. Yet.” 

Lucifer felt his anger rise. “Listen here, you fucking prick -”

“Oh Al, there you are~!” Charlie suddenly appeared, smiling and oblivious to what was going on at the moment before she gently tugged the Radio Demon away from the dance floor. “There’s something I need to show you~!” 

Alastor did not want to be separated from you, and while he did want to keep dancing, Lucifer knew this asshole valued his pride and reputation above all else. He wouldn’t dare act of character unless it benefitted him in some way. He then turned to you, who looked more than a little relieved to not be near Alastor and…your face was red? 

He frowned. “Are you okay?”

You nodded. “Y-Yes. I’m…fine.” That caught his attention. You never stuttered. But with how you were smiling at him shyly…it wasn’t hard to let him have hope. To believe that his feelings towards you were actually reciprocated. He smiled at the thought, stretching his hand out towards you. 

“Care to dance?”

Taglist: @alastor-simp @alastorsgoldie @food-theorys-blog @nunezs-stuff @lbcreations-blog @imperfectbloodmoon @crystalrose36 @nixie-writes @isuckatwritingsobenice @tired-of-life-86 @frompeach @trecllllllll @lanxianschoenheit @22carolina08 @witch-of-writing-desk @mary-v193 @chewbrry @mmelionsblog @ladymothbeth @the-cat-queen-peasants @anielly-2010 @victheauthor @alyriaschoenheit @blumin8 @akemika75 @f4turemom @kameyo-kumo @aloenemonabee27 @doc-tooth @theuknowntravel3r @angelltheninth @solandis-does-stuff @navierkalani @deathmetalunicorn1 @star-fawn21 @sleepy-hutao @gamerxpfighter @no1sillybilly @frenchtoastmafia @candyladycry @bladeismine @bones4thecats

[fortuna-et-cataclysmos]

In defense of s5 finale

I hear and see a lot of people expressing dislike of the season finale, some also in the tags and comments of my analysis/speculation posts. So I wanted to further expand on this.

Gabriel's victory -being remembered a hero despite everything wrong he did, especially abuse to Adrien- has left a sour taste in many people's mouth; many blaming the scenarists and not shying away from calling it "bad writing."

But I think that that was exactly what the scenarists wanted to do? The perfect world Gabriel leaves behind is unsettling, unfair, and I think that the creators have done their best to show that implicitly but clearly. I think that we are supposed to be irked by the finale.

Why do I think that? Because there were a lot of small things that gave the message that, as @emsylcatac iconically put it, "this is the bad place." I touched upon some of those in my previous post on how this was a victory for Gabriel and Lila, and a defeat for Ladybug. I'll try to list them more clearly here.

Gabriel a hero

This is the one thing everyone has the most problem with. At the end, Gabriel was declared the hero who gave his life to defeat the Monarch, who was none other than himself. Some artistic choices here are so over the top that I believe they were specifically made to irk us.

If the silver statue itself wasn't enough, the exact quote of Caline Bustier is:

All the rings that have been highjacked by the Monarch have been recycled into a statue in honour of the great Gabriel Agreste.

Then Tsurugi Tomoe goes on to say:

Beyond the visionary entrepreneur and genius creator that he was, we are celebrating a hero today.

See, everything bad about Gabriel has been flipped. If you count literally exploiting people visionary entrepreneurship, sure, he was that. And genius? He couldn't get the miraculouses of two teenagers for an entire year despite having all the resources, and he ended up succeeding only with the help of another extremely powerful person (Tsurugi Tomoe) and even then he ended up dying himself.

As of creator, he was literally a destructor. He destroyed Paris more times than anyone can count, and everything was fixed every time only thanks to Ladybug. Let's not also forget how he destroyed the Miraculouses to exploit their power.

Adrien's comment about his father

This is another thing many people have had problem with. It is so outrageous that I won't believe the creators would expect us to take at face value.

At the end, Adrien acknowledges that his father died to take down the Monarch, and says:

I don't know if one day I'll manage to become like him.

Lo and behold, the man who had emotionally neglected and abused his son to no end has turned into the said son's hero and role model. Adrien not only looks up to him, but also wants to make an active effort to become like him. Hell, he even doubts if he can be as good as him.

No way this line can taken at face value. There are many children's shows with abusive parental figures nowadays (like She-Ra and the Princesses of Power, the Owl House) that have all handled the conclusion to that abuse generally well. The watchers' expectations are high in this respect; the scenarists would know that such conclusion, if not ironic, would not satiate the expectations of the spectators.

Lack of accountability: Gabriel and Tomoe

As many many people have pointed out, the general lack of accountability in this season finale is infuriating. So Gabriel mentally tortured THE ENTIRE WORLD POPULATION and not only never faced consequences in life, but also is remembered as a hero in death?

What about Tomoe?

Not only she has not faced any repercussion for being basically a supervillain, but also she is still a respected public figure who can go and make a speech backed by the mayor, in front of the freaking French flag. If that doesn't irk you, I don't know what will.

Worse is that, she goes as far as saying in her speech that:

I'll make sure to continue his legacy.

So she'll continue to be evil. Great hint that she'll continue being an antagonist in season 6.

As you can see, the new world that has been created is extremely unfair and problematic. No way this can be "the good place," an actual "happy ending."

Everything is fixed! No problems anymore!

Also, you'd realise that the world is perfect, a little too perfect. It is like a green utopian dream.

Caline Bustier has been the mayor "only for a few weeks" (direct quote from the episode), and she has already fixed all the problems possible in Paris. Not only that, she has also solved inequality and class struggle (again, mentioned by herself). Let's make Caline the President of the World already.

Funny that LITERALLY ALL THE PROBLEMS of a city could be solved, while the exact same episode showed Majestia, the freaking Supergirl of the ML universe, acknowledged in her nightmare that:

Even with all my superpowers, I'll never manage to solve all the problems of the world.

Well, Bustier says that she has no superpower, that people working together can accomplish that. Kudos to her and her democratic spirit. But like, perfect city in a few weeks? Even Mayor Bourgeois who wanted to send all the trash of Paris to space would realise that that's impossible.

There is no perfect solution, yet the world is perfect

Ladybug acknowledges that there is no perfect solution to Gabriel's situation. Trying to bring back his wife, he has caused irreparable damage to himself and to Nathalie, effectively leaving Adrien an orphan. He still hopes that Ladybug can fix it all. But she can't because of the nature of the wish: for one thing gained, another thing should be lost. In Ladybug's words:

There is no perfect wish. Every time a power is used for personal gain, it causes catastrophes. (...) We'll find a solution, but it will never be as perfect as one would wish.

Interesting, given that the world ends up being completely perfect?

All the problems are solved, literally everyone is happy, Marinette and Adrien are finally together. But the wish was made for personal gain, no? So where are the consequences? Where is equivalent exchange? The catastrophe, the price of the perfect, green, just world? I think we'll see that in season 6.

The dream world

The new world is seriously giving me weird vibes. Like it is a movie set. For those who have watched The Good Place, you'd know how in the town everything feels a bit too bright, artificial, perfect. I get the same vibes from the post-wish world.

The Agreste mansion is covered by green vines?? Way to hide the atrocities that were planned and happened here.

Here is a screengrab I found on the internet from The Good Place (the ladybug is a funny coincidence lol)

I am getting the exact same vibes!

Also, I have expanded on that in my post on "running out of time" theme, but basically in the ML universe usually the "real" stuff are associated with the night and the rain while things that happen in the sun turn out to be fake or erased/forgotten. So the feeling that I get from this finale is that, this new "perfect" world is not genuine; that the seeming happiness it brings will be soon destroyed (I doubt erased), just as it happened in other fake reality episodes like Chat Blanc, Ephemeral, Oblivio, or Jubilation. As I argued before, this is not a permanent victory. Hell, it isn't even a real victory, not with the secret Marinette is left to keep from Adrien.

Not a real victory

Another thing that makes me think that this ending is not genuine is the lack of Chat Noir in the finale. Yes, I am a fervent Ladynoir stan who was hoping for some Ladynoir action (if not reveal) and was hugely disappointed by the lack of Chat's engagement in the final fight, but now that I think of it, this may have been on purpose.

Notice how in Conformation, Ladybug says:

Our only way to win against him is to fight him together.

And yet, soon thereafter, she is catapulted into a fight with the Monarch.

Notice also it wasn't her choice to unify the miraculouses and face the Monarch alone. She had to, because Chat Noir wasn't there.

Let's remember that this show spent the entire season 4 explaining how Ladybug assuming all the responsibility alone leads to disaster, how she needs Chat Noir to share the burden with him.

Let's also remember how in season 5, especially at the beginning of it, we see Ladybug change her behaviour towards Chat Noir: she gives him more responsibilities (the Bunny Miraculous, the identity of certain holders if I am not mistaken), and how at one point she confesses that Chat Noir has been very serious and responsible lately (and then promptly develops a crush on him).

So taking on the Monarch herself is really against everything they have built up in season 4 and the beginning of season 5. That's why I think that this "victory" is so wrong: it was "won" only by Ladybug. Maybe if Chat Noir were there, he would have prevented the Monarch from making the wish (hypothetically, then we would have an entirely different timeline). If his identity were revealed the way Marinette's was, Gabriel could have controlled him through his amok. In any case, their defeat or victory would have looked very different from this.

In the end, we must remember that this world is far from being a victory for Ladybug: she has, after all, LOST. She couldn't stop Gabriel from making the wish. And while this world looks perfect, and we got what seems like a forever happy after ending for Adrinette, their happiness is set in a non-genuine victory and world.

So I think we shouldn't be angry with the show-runners: there is a reason why this ending feels and is wrong. If it were all wonderful, it wouldn't be the season finale. It would be the finale, period. And I believe that everything that has been disturbing us in this season finale will be addressed, if not consist of the core conflict of season 6. Let's all take a deep breath and turn to fan fiction or fan art till we get the new season now :) (at least that's what I'll do lol)

[houxe]

Regarding my SBI/DSMP Fics

TW: Abuse, Trauma, and Mentions of Suicide.

With all that has happened, I did want to come out here and make my stance clear. I will always stand with Shelby (Shubble) and all of the victims who are speaking out against Will Gold (Wilbur Soot). If you still support that bastard, unfollow me and leave my blog and whatever small community I made.

I've already stated this is my Discord channel, but I want to put it here too.

For me, c!Wilbur is so far removed from cc!Wilbur that I don't connect the two. The characters are vessels for my own characterizations and stories. It's a bit like writing Supernatural*, Twilight, or Hazbin Hotel fanfics. I don't support the guy, monetarily or otherwise, he does not interact with fanfics, I have plans to be very vocal that I'm on Shelby's side no matter what/make it clear that what Will did is wrong, and I don't use his real life events as plots in my stories. At least, I certainly don't try to. It's why I typically change traits about the characters. (I.e. Tommy is shorter, Phil is taller, Techno is bulky, and Wilbur always has golden/hazel eyes.)

I'm aware that it's a tad different because it's rp and not something like a full on book or an actor in a movie, but DSMP has also been over for over two years and the characterizations I make for SBI are not at all based on the CCs. Real life Techno isn't a literal terrorist, Phil ain't a father married to a goddess, Tommy is not a traumatized child soldier, and Wilbur isn't suicidal and blowing up countries.

I think I'll likely focus more on Techno, Tommy, and Phil for a while, but I'm not gonna let one dude ruin a fandom and things I've made for myself. Nothing I write is ever made for Wilbur, as I've seen people saying. Additionally, Wilbur was not the only writer. Technoblade, Philza, TommyInnit, and so many others made that story what it was. Not him.

However, if any CCs come forward saying they don't want their old characters interacting with his, I will respect that.

Though I do think there is a tendency to take real life events (i.e. Techno's cancer, LJ's music, Tommy's real life parents, etc.) and put them into fiction about DSMP. I, however, don't try to do that and have stated before that I don't feel comfortable doing so. The truth is that we have not gotten any genuine SBI content outside of DSMP for years. The dynamic in real life is very different from what was presented in the DSMP. Did personalities still bleed over? Yes, I'm not going to deny that, but I'm not going to act like they're exactly the same between character and person either. We've had that conversation like in 2021, it's why we have C! and CC!.

The rather sad truth is, SBI is what got me really into writing and it's a comfort for me that nothing can compare to. Obviously, I don't think it's appropriate to be writing certain types of stories right now or to be involving characters made by CCs outside of the DSMP. I think it's up to everyone else to decide on what they want to do, however, rushing it also isn't the way to go either. Give yourself time to heal and think it over first instead of throwing away something that gives you comfort and has not been associated with by the creators for over two years.

Anyways, fuck Will Gold. Fuck the fact that he hurt so many people, and fuck that he lied and manipulated his way around the damn internet. ESPECIALLY fuck the fact that he tried to diminish what he did and not take proper accountability.

Go and support Shelby so so much, she and everyone who spoke out really deserve it. I'm glad silence on these types of issues is not being normalized.

Here is a list of (American) resources for DV help:

TNLR

RAINN

WOAR

Love is respect

The Trevor project

Futures without violence

National domestic violence hotline

Resource on what DV and abuse looks like

*Changed it from Harry Potter to Supernatural because Harry Potter is a significantly worse and more problematic franchise, even just within the content of the books. It'd be better left in the dust. I've talked about it before, but it was the first thing that came to my mind at the time and was a poor comparison on my part, I'm truly sorry for that.

[gracefall-mcyt]

Was originally going to write this as a comment elsewhere, but uh. Have some thoughts on Double Life Scott and Pearl. This may be slightly controversial? If you disagree that's fine by me, we're all entitled to our own opinions, especially on topics with nuance! I usually find people going way too easy on Double Life c!Pearl and too hard on Double Life c!Scott. Was Scott a good person? A good soulmate, for that matter? No! But Pearl wasn't those things either. They were mutually abusive to one another throughout the season. I will say that I think Pearl was less bad, but there are so many people who just... completely dismiss Scott's end of things.

Scott: Caused harm to himself to harm Pearl (though at a consistently safe time to do so, at the start of the session, via a single axe crit), and spoke about Pearl quite awfully (calling her his "crazy ex", etc.) Pearl: Caused harm to herself (far more sporadically than Scott, via "tickles" from the powdered snow every now and then), and took unnecessary risks just because she could

Honestly, I don't blame Scott for "abandoning" her in the beginning. Like, for him, it would have been a reasonable assumption that she and Martyn would continue to stick together. Scott wasn't leaving her alone, he was leaving her with Martyn, choosing instead to stay with Cleo--the one who actually stuck by him while their soulbounds were off in the nether doing who knows what (which turned out to be gathering resources, even though the main resources you might want to go to the nether for, potion making supplies, are useless in a season where potions are banned). Scott is not to blame for Martyn's agency. It was Martyn who decided to blame Pearl (even though the big problem, the nether trip, was his idea), it was Martyn who left her alone. (Also, it may be worth mentioning that I'm pretty sure it was Cleo's idea for her and Scott to stay together? Please correct me if I'm wrong on that, again it's been a while.) (EDIT: Cleo did in fact suggest it! They said "We should form an alliance against them." It was a little bit of a joke, but they both seriously agreed to it. Still worth noting that it was Cleo's idea for them to stay together.)

Again, I feel the need to emphasize that c!Scott is not a good person. He becomes abusive to Pearl, who also becomes abusive, and they abuse one another from afar. Or when they talk to one another. They are awful to each other. It is a mutual thing, and I find that not enough people acknowledge that. They both suffered as the other's soulbound.

It's really, really important to remember that the Life Series--Double Life especially--is FULL of nuance when you look at it from a storytelling perspective. The Life Series has no real heroes, and no real villains. Only people doing their best to ensure the survival of their team and/or themselves. Scott and Pearl both had thoughts about what was best, and those thoughts clashed this season, leading them to clash with one another.

Really, I think that adds another layer to their ending. Scott, in his way, forgives Pearl through a show of loyalty and fairness he only gives to allies, conceding the true victory to her unprompted, and Pearl in turn forgives Scott. This only happens when there's nothing left but each other. They are finally on the same wavelength again, with no Cleo to sway Scott away from Pearl and no Martyn to deal the final blow to shatter Pearl's heart. It's just Gatekeep and Girlboss, truly together for a brief time, anger and animosity put aside. The Stars welcoming The Moon to join him in the night sky, where they can try again. Tilly death did they part, yes, but in parting they were set free from each other, and they were able to mend their connection on their own terms.

[emberfrostlovesloki]

Lighthouse [Hotch x Reader]

Photo credits: Left (@happyheidi) Center (@agentdilfhotchner) Right (@theindividualchef)

Prompt: Hotch notices some distressing signs from the reader when he bumps into them at the grocery store. He doesn’t say anything, but something tells him that the reader isn’t well. He goes to their job and finds them just in time. Aka, when Aaron and the Non-BAU!reader get a chance to heal together. 

Pairing: Aaron Hotchner x fem!Non-BAU!reader. The reader uses she/her pronouns

Category: hurt/angst/comfort

Word Count: 8.9K

Content Warnings: Grief and loss, single fatherhood [Aaron],  depression [Hotch and Reader], brief mention of kidnappings [unsub], domestic violence (fights, implied beating, yelling, chocking, kicking hitting, degrading comments (reader)], hospitals, broken bones. If I missed any please let me know. 

A/N: Good evening, loves! He’s the first Aaron fic of 2024! It’s a bit dark but I tried to handle the subject matter with care. This idea came from @imagining-in-the-margins's amazing January/February Challenge Prompt list: “Character escapes an abusive relationship and the recovery is harder than they thought.” Given that Aaron went through abuse himself and has healed from many things, I wanted to think about how he would try and help someone else going through it too. I just love it when Hotch gets protective and puts someone in their place. I really enjoyed writing this story and I hope you enjoy reading it. If you do, likes, comments, and reblogs are appreciated! I hope you’re all having a good week! Love Levi - ❤️

P.S. If you or someone you know is experiencing domestic violence or any kind of abuse, there are resources out there. Please speak to a loved one or trusted individual. If you need help you can contact The National Dometic Hotline at: 1-800-799-SAFE (7233) or you can visit their website for resources. Please be safe. 

List wil all stories 

_y/n_ = your name 

_l/n_ = your last name 

_y/f/c_ = your favorite color 

_y/p_ = your partners 

_y/p/n_ = your partner’s name (as the partner is a real jerk, put some terrible person’s name here) 

_y/s/hw_ = your style of handwriting (cursive, loopy, blocky, etc.) 

_y/d/a_ = your dominant arm

_y/e/p_ = your ex-partner 

Hotch was walking down the pharmacy aisle of the grocery store. He was looking for the children’s nausea medicine. He’d been looking for twenty minutes. Aaron wondered if they kept it in some other part of the store. Jack’s tummy ache still hadn’t gone away since the night before, and he considered if he should take Jack to his pediatrician. The issue was, that it was Saturday and the doctor's office was closed. Aaron knew he could be paranoid and that Jack probably just had a stomach bug, but he worried. He always worried about his son. Since Haley’s passing, Jack took up a majority of his free time and all of his thoughts when he wasn’t on a case. Adjusting to the grief and loneliness had been hard. Harder than he’d ever imagined, but time, as the saying went, heals all wounds. Even those unseen. Emotional wounds that needed sutures and tender care long after they’d healed. It wasn’t perfect or easy juggling being a single dad and work. It had taken a long time to figure out. But he’d leaned on people, and after a while, he started to feel like a version of himself again. One that still mourned the loss, and regretted his choices, but he was getting better.  Jack was too. Except, this Friday Jack went to a party at a friend's house and caught some illness that was going around. Aaron was so busy trying to find the medicine that he didn’t see that he was about to bump into someone. When the two collided, _y/n_ flinched, but composed herself quickly. So quickly that the familiar man didn’t notice it. They both said in unison, “Sorry.” Aaron straightened and _y/n_ got off of her toes. The pair looked at each other and after a beat, realized they knew each other, at least a little bit. It took a moment for _y/n_ to say, “Oh, cold brew with a shot of espresso on the side. Aaron, right?” For _y/n_, most people she interacted with were associated with some sort of coffee or tea order. _y/n_ was surprised with herself that she’d remembered the tall man’s name. She’d never seen him dressed so casually before. He was just wearing jeans and a dark green t-shirt that accentuated the muscles of his toned torso. In the mornings at six a.m., that man that she thought was called Aaron, only wore a suit and tie. The kind that was tailored just for his tall frame. The expensive material didn’t reveal as much as this outfit did. Even so, he was very attractive. Often, seeing him at the counter was the highlight of _y/n_’s morning. _y/n_ knew that sounded pathetic, but hell the guy actually smiled at her before the sun was up, and he always tipped. Being a barista wasn’t the most exciting job, but at least _y/n_ got to see him on and off during the work week. 

Aaron was desperately wracking his brains for the name of the woman who had memorized not only his coffee order but his name as well. Why couldn’t he remember it? Aaron could picture her name tag with the gold lettering embossed on the enamel pin, but the name was out of focus. Admitting defeat, he replied, “That’s me. And you are?” _y/n_ looked at Aaron and replied, “_y/n_, _l/n_.” She wasn’t disappointed that he didn’t remember her name. No one remembered her name. _y/p_ wouldn’t let her get close enough to anyone to need to remember her at all. _y/n_ told herself internally, “I’m used to it. It doesn’t hurt if you don’t care.” As much as _y/n_ wanted to believe that lie, she was hurting. Her body ached under her dark long-sleeved shirt. She hadn’t meant to make a snarky quip back at _y/p_ last night, but the remark had come unbridled, and she’d paid for it dearly. _y/n_ snapped back to the present as her most irregular, regular customer asked, “Were you trying to reach something on that top shelf? Can I grab it for you, _y/n_?” Something about the way he said her name, had _y/n_ look at him like she’d never seen Aaron before. Like she’d never seen a man before. Not one that oozed confidence even when he was just standing in a grocery store aisle. _y/n_ knew that _y/p_ would never live up to that standard, as hard as they tried, and as long as they lived. _y/n_ flinched at the very idea of the thought. The things _y/p_ would do to her if she ever thought or dared speak something like that in their partner’s presence. Aaron noticed the reflexive jerk of _y/n_’s body like she’d been hit by an invisible hand. He furrowed his brow and took a small step back. “_y/n_, are you alright?” Aaron knew that look and understood the flinching away from things. He’d done enough of it in his childhood. Suddenly, he was concerned about the woman that he saw when he was on his early morning caffeine runs. Hotch felt ashamed that he’d never paid _y/n_  much attention. However, he was paying attention now, as _y/n_ fixed her face back to normal. Back to a friendly smile that hid any physical or mental pain she might be in. _y/n_ didn’t notice Aaron profile her. Instead, she cleared her throat and said, “Yeah, um, could you grab three of those instant ice packs? The cheapest brand on the left?” Hotch nodded and didn’t even need to reach very high to grab the aforementioned items _y/n_ had requested. _y/n_ held out her basket, and he dropped them into the container. Aaron noticed but didn’t comment on the odd assortment of painkillers, gauze packs, and a single pregnancy test on the far right side of the basket. Aaron moved his eyes up quickly to not look like he was prying into her personal life. Sometimes being a profiler had its downsides, and situations where he could see things that didn’t look good were one of them. It’s not like he could just say, “Hey, _y/n_, why do you need those ice packs,” or “Hey. _y/n_ if you lifted your shirt sleeves what would I see?” He wasn’t a mandatory reporter. He wasn’t a professor, or a nurse, or a school counselor. He just had a brain that let him see things that others didn’t. Things that people like _y/n_ probably didn’t want him to see. Then again, he could be reading into the woman’s grocery choices a bit too much. He didn’t know her, at least not more than her name, and she worked at his favorite coffee shop that was closest to the Quanitco Field Office. He liked it because, on a good morning, it took him less than ten minutes to get from the coffee shop to work. 

_y/n_ looked at cold-brew-and-a-shot-of-espresso. He seemed to have gone somewhere else in his brain. She didn’t plan on standing there forever, and had to say, “Well thanks, Aaron. I’ll see you…” she hesitated and finished the sentence with, “...when I see you.” _y/n_ gave the man a little wave and walked toward the self-checkout. Hotch replied, “See you Monday, _y/n_.” It was an odd interaction, to say the least. Aaron realized he’d said, “See you Monday” like a man who worked in a bank, or finance, or some mundane job that let him keep a regular schedule, when he had the opposite of that job. He could be called into the office that moment, and he’d go because that’s what he’d signed up for. Aaron’s phone buzzing made him fish it out of his back pocket and lose his current train of thought. The text was from Jess asking if he was headed back yet. He quickly replied, “I’ll be back in a few minutes. Just picking up the medicine now.” Hotch put his phone away and scanned the kid's medicine section once more. At the end of the row, he found what he was looking for. The child-friendly gummies, he hoped, would allow Jack to relax. Aaron and his son had stayed up most of the night as Jack threw up once an hour or so. Hotch felt the tiredness of the night, and his concern for Jack deep down. Those thoughts had him forget, at the moment, the worry he had for _y/n_. As Aaron was texting and recounting last night, _y/n_ was quickly scanning her items and placing them in a _y/f/c_ reusable bag. Once the receipt was spat out of the machine, she took it, crumpled it, and tossed it in the trash by the front door. If there was one thing _y/n_ was grateful for, it was the self-checkout. There wasn’t anyone there to judge you on what you bought, unless it was alcohol, and it was quiet and quick. She saw no one, and no one saw her. Except, today had been different because she had been seen. That was a rarity. Even if it had only been a minute-long conversation with Aaron. He was a customer who was gone for days in a row with no apparent rhyme or reason, yet always came back. Always at six, and always in a suit. He was part of the group that she called, before the morning rush. That’s probably why she remembered him so well. He was distinct and unique and by far the hottest guy who graced the crowd from six a.m. to seven a.m. After seven the people came like a mob and names, orders, and faces all blurred together until the mid-afternoon lull. As _y/n_ sat in her car thinking, she realized that she didn’t have time to daydream. Especially not about a guy. She looked at the clock in her car and realized that she’d spent more time in her thoughts than she’d anticipated. “Shit” _y/n_ muttered to herself, realizing that if she drove fast, she’d have just enough time to ice the worst of her bruises and discard the ice packs in the dumpster outside her apartment before _y/p_ came home from work to notice them. Given the time crunch, _y/n_ started the engine and whisked her car out of the parking lot as safely, and quickly as she could manage. Any thoughts of Aaron were temporarily replaced with thoughts of getting to ease the aches in her body for a few minutes before another fight inevitably broke out when _y/p_ got home from work. 

As it turned out, Hotch didn’t show up to the coffee shop on Monday, Tuesday, or Wednesday, and on Thursday it was another no show, _y/n_ really started wondering what the man did for work. She first thought was a lawyer. He looked the part with his clothes and his stern expression. There were plenty of law offices around the coffee shop, but she never saw him go into any of those buildings after he’d picked up his order from the counter. After he’d told her, “Have a good day,” and then walked out the door with long confidant strides while the bell rang. She considered the possibility of banking or finance, but from what _y/n_ knew, both of those jobs must require consistent hours in an office somewhere. But cold-brew-and-a-shot-of-espresso didn’t seem to keep any type of schedule, and he didn’t seem to be the type that worked in an office. Plus, all the bankers and finance bros she served every morning seemed glum and depressed. Aaron was intense, but he didn’t seem depressed. At least not anymore. The first time he’d come into the coffee shop she’d noticed him because he was new and it was early. He was the first customer of the day, and _y/n_ hadn’t even pulled the cold brew mix out of the fridge when he ordered one to go. As she’d explained that It would be a few minutes,  and the tall man just nodded and said, “It’s fine. I can wait.” The man’s low voice sounded deeply sad. Like he was already dead and buried. It made _y/n_ look at him fully. He had a handsome face, all jaw, and dark hooded eyes. He looked like he sounded, far away. Internally _y/n_ wondered, “Is he going through something? Has this dude slept in the last month?” Both looked true from his slightly disheveled appearance and deep bags under his eyes. At this point, _y/n_ was happily in love with a person that she’d never guessed would lay a finger on her. A person who didn’t raise their voice, threaten them, cheat, or humiliate her in public. No. she was newly in love and everything was perfect. In fact, her partner had just agreed to move in with her last night. But the man in front of her, who’d said his name was Aaron, didn’t look any like she felt. _y/n_ wanted to ask him if he was okay, but it didn’t feel right. He was just a new customer and by now a small queue was forming behind him. So instead, she’d pulled a shot of espresso for him while he waited for his cold brew.  

When Aaron heard his name, he walked over to the counter. Unless he was very behind on the coffee scene he didn’t think the small cup he was being handed was his. _y/n_ saw the look of confusion on his face, and she quickly explained, “Pulled you a shot on the house for making you wait. Hope it will tide you over.” Hotch left something in him that could be gratitude, and he murmured, “Thanks,” as he stepped back with the cup in his hands. It was the kindest thing _y/n_ could think to do for him while she took the next few orders and then started getting out the drinks including Aaron’s. Hotch had found the coffee spot because he had driven past it countless times since living in D.C. and commuting to Virginia. It had caught his eye early on because it seemed to be the only coffee place open that early. It had finally drawn him in when he wasn’t sure if he could live past the grief of losing Haley. Jack kept him going and that was enough, but he could admit he was struggling. He’d decided that doing something different, anything different, might do something for him. He wasn’t sure he could keep doing what he had been doing for the last two months. Even though he wasn’t much of an espresso person, he drank the free shot because it was nice of the barista to give it to him. Shortly after, he was given his cold brew, and he drove toward the office like he normally did. Not much changed for him in the day, except the addition of a lot of caffeine made his body feel like he was buzzing until noon. The sensation wasn’t unwelcome, at least it gave him something else to think about apart from loss. Aaron came back the next day and, just because, _y/n_ gave him another free shot of espresso. After a while, he started paying for the espresso, and as the months passed, he seemed to get better and _y/n_’s life got worse and worse and worse. _y/p_ had shown his full colors, and Aaron had worked on healing while  _y/n_ began hurting. Their paths seemed to be like those of ships in the night. Their lights were never bright enough for the other to fully notice. That was until Friday. 

Aaron had come back from a case in Arizona. It wasn’t the worst, It had been a stalker who kidnapped women who looked like the unsub’s mother due to abandonment issues. When the victims didn’t agree to play the part, the unsub wanted, they were replaced. Aaron moved into Dusk til Dawn like he always did. The bell rang as the door opened and he stood in the short line to get to the counter. He had almost forgotten about his interaction with _y/n_ at the store a little over a week ago. Jack had quickly recovered and then the case came, and time just went on like it always did,  but as he caught _y/n_’s eye, he remembered. Not only did he remember her name now, but he remembered what he’d suspected she might be going through. When he got to the counter, she asked, “The usual?” Aaron nodded as he pulled out his card. He looked over at _y/n’s hands as she wrote his name on the two cups in _y/s/hw_. He noticed the slight bruising and scratches on her knuckles. The signs that something might have happened to her were minimal, but he caught them. Aaron was about to comment something, but as he put his card back in his wallet, _y/n_’s demeanor changed in an instant. The small smile and wide eyes she gave him whenever he came in disappeared. Hotch could almost feel the person behind him shuffle on heavy feet. Hotch stopped himself from looking behind him where _y/n_’s eyes were trained. _y/n_ barely murmured, “You’re order will be out in a second.” Aaron stepped a few feet back and listened from a spot far enough away that it didn’t seem like he was snooping, but also close enough to be able to listen in on the conversation happening at the counter. He crossed his hands over his chest. He could feel the slick material of his grey suit under his arms. He heard the person in front of the register say, “Hey. Good morning, sweetheart.” Hotch looked at _y/n_’s face. It was half reverence, half fear as she replied, “Morning. What are you doing here, _y/p/n_?” In a voice laced with love but a hint of bile _y/p_ said, “Can’t a person see their girlfriend in the morning? Plus I’m in desperate need of a coffee. Make it half soy, half oat milk latte with frothed milk, vanilla, and two pumps of sugar-free syrup. And a shot on the side.” _y/n_’s partner sounded more like an order than a command. Like shouting at a caged dog. _y/n_ knew why he needed coffee. He’d broken her carafe last night throwing it at her head. He’d accused her of cheating again because a friend from high school had checked in on her. 

_y/n_ temporarily forgot all the other orders before _y/p_’s, and with a hurried, jerky movements. tried to make _y/p_’s order. If _y/p_ ever showed up to work, it meant she’d fucked up big time. Done something so big or bad that they had to come and see her before their work started, just to let her know that she was going to get it later. It was a promise. What she’d gone wrong since last night’s accusation and makeup session, _y/n_ wasn’t sure, but there was always something. y/n_ wasn’t paying attention to anything, and as she tried to steam the milk, she accidentally burned herself on the steamer. After a second, the pain circuits in her brain fired and she felt the burn, dropping the metal container holding the hot milk. The metal made a clanking sound on the floor, and a few patrons looked over at her. _y/n_ dipped behind the counter before anyone could notice the soft sob that left her. It was a cry of pain and fear. _y/n_ took the towel from her apron and wiped the floor first. She then fixed her face, got up, placed the dirty metal container in the sink, and remade the drink and espresso shot. It took her about twice as long as normal, but her hand was letting out red hot pulses every second or so. She wasn’t in the right head space to be making drinks at the moment. When the coffees were done, she moved back to the checkout where _y/p_ had firmly planted themself. In a sickeningly patronizing tone, they said, “Now that wasn’t that hard, was it _y/n_? God you always were a clutz. Anyhow, see you tonight, love.” _y/n_ raised a hand and said, “Tonight,” with a forced smile. Aaron watched as _y/p_ took one tiny swipe of her hand to rub under her eyes. The tears were too faint for him to see. _y/n_ then moved back to the cups that had piled up behind who Aaron assumed was her partner. A person who had just spoken to her in such a condescending and humiliating manner. _y/n_’s odd assortment of things at the store, the marks on her hands, and now this interaction only highlighted what Hotch assumptioned about _y/n_. When she eventually called his name for pick up, he approached the counter with care. Aaron grabbed his two cups and after _y/n_ said her normal, “Have a good day,” in a tight tone, he couldn’t help himself but say, “_y/n_ can I see your hand?” _y/n_ froze. She looked over at Aaron and pulled her injured hand to her chest with the other. Softly she replied, “It really doesn’t hurt.” Hotch could still see some of the red skin that looked painful. In the kindest tone he had, Aaron said, “It doesn’t look good, _y/n_. Do you have a first aid kit around here somewhere?” Hotch scanned behind the counter to see if there was a red box holding medical supplies nearby. _y/n_ hadn’t expected anyone to notice her hand. She especially didn’t expect it from Aaron. Without really thinking, she said, “There’s one in the staff room.” “Would you grab it for me?” Aaron asked. Much like the first time _y/n_ met Aaron, the tone of his voice had her look at him. The dark-eyed man looked concerned. It didn’t make sense. Neither did his tone. It came off as a caring suggestion. Something she hadn’t heard in a long time. _y/n_ was used to apathetic orders from her boss, Lisa, and _y/p_ disappointment in her everything. But care? She hadn’t heard or felt it in years. Aaron’s comment alone had her disoriented. To catch a moment to get back into balance, _y/n_ moved to the back room and took the first aid kit out of the cabinet. _y/n_ swallowed back whatever emotions were trying to force their way out before she stepped back into the main room. 

_y/n_ set the red box on the counter. Aaron held out his hand for her hurt one, and to his surprise, she placed it in his large palm. After a moment of looking at the burn. It didn’t seem too bad, maybe a grade-two burn at worst. After his assessment, Hotch said, “You should run that under a cool tap for a minute. I’ll see if there’s some gauze in here to cover it up. As Hotch heard the water run and rifled through the first aid kit. He pulled out a large bandband-aid a generic antiseptic cream. _y/n_ returned in a moment, drying her hands. _y/n_ didn’t know how to react to this kindness and said, “Sorry I don’t mean to hold you up. You’re always so punctual. You’ve got to be late to wherever you go at this point.” She was giving him a way out. She was giving herself a way out because _y/n_ wasn’t sure how to be in this situation. How she would feel about Aaron if he helped her. Aaron looked at her. He saw the hesitation on her face and replied, “I won’t be late, and I’ll be quick here, I promise.” Aaron sensed that _y/n_ wanted this over with as soon as possible. It didn’t give him much time to think of something to check in with her. Hotch couldn’t delay and he didn’t want to make _y/n_ more uncomfortable, so he took _y/n_’s hand back into his. He squeezed a small dot of the cream on his finger and dabbed it onto her burn. _y/n_ flinched as he touched her more deliberately. Hotch finished that part swiftly and tore open the band-aid gently pressing it over the burn, securing it on her hand. He softly dropped her hand and closed the medical kit saying, “Good as new.” Aaron recognized that he was using the tone that he did with Jack when he came home from a play date with a scrape or bruise. _y/n_ took the kit off the counter and said, “Thanks for the help.” She sounded reserved and Hotch nodded, saying, “It was nothing. Have a good day, _y/n_.” With that, Hotch took his drinks again and moved out of the shop with a weight on his shoulders. _y/n_ watched him go and wished she could have a good day, but the threat of _y/p_ hung over her. _y/n_ also wished and tried to get Aaron’s concerned face and kind words out of her head, but she wasn’t very successful at that either. 

Rossi noticed how perplexed Aaron seemed as he entered the building and moved up toward his office. The older profiler also clocked the two cups of coffee Hotch was precariously holding in one hand. Dave, who was at the railing at the top of the stairs asked Hotch as he got to the top, “You turning into Reid or something?” Aaron scoffed and replied, “I hope not. I’m too old from that kind of energy.” Rossi gave a half-smile before saying, “Well today it looks like you picked up more than a caffeine addiction.” Hotch didn’t understand and asked, “What do you mean?” Dave followed his friend to his office and said, “You look like you’re worried about something. Is Jack alright?” Hotch’s deep sigh told Rossi that he was correct. Something had happened. Aaron looked over at him with knowing eyes. Eyes that had seen too much pain and loss for one man. Hotch swallowed his sip of coffee before saying, “I just saw someone getting torn down. Put in a place I don’t think they deserve, and I didn’t know what to do about it. I’m the Chief of the BAU, one of the most revered branches in the FBI, and I see someone get hurt and I don’t know what to do about it.” Rossi leaned his arms on the desk chair opposite Aaron’s and slowly replied, “Aaron, you can’t save everyone from a bad situation.” Hotch bit the inside of his lip and replied, “But I want to. Am I losing my humanity?” Aaron often wondered after the death of Haley what he was becoming. He hoped it wasn’t something bad. Someone who didn’t care. Rossi watched this struggle and uncertainty play out on Hotch’s face and said, “I think this job can warp the way people working it see things. Pardon this reductionist analysis, but we go out and see countless victims and there’s a big bad to get and hold accountable. The scope of the evil we see is like a tsunami, and when we see a wave we don’t always know what to do. But a wave can still drown someone. That person’s no less deserving of a life jacket.” Rossi knew that he was making it sound like Aaron didn’t want to help whoever he was talking about, and knowing Aaron that was never the case. But Rossi wanted to provide some perspective before delving further into the conversation.  Dave then said, “But Aaron, Not everyone knows they're drowning either. Maybe they don’t know to ask for a life jacket.” Dave was taking a guess here. He knew Hotch well enough that if this was a person Aaron knew well or personally, he would have done something already. So most likely this was a stranger or acquaintance that he’d encountered struggling, and Hotch, being the man he was, couldn't bear to see it happen. Rossi didn’t want to press Aaron. He wasn’t the type to go into detail, so Dave just stepped forward, patted him on the shoulder, and, said, “You’re a good man, Aaron, no matter what you believe, you’re a good man.” With that Rossi stood and walked to the door to let his friend decide what to do after that. And just to lighten the mood, Dave said at the door, “Don’t drink all that coffee at once. You’ll put yourself into cardiac arrest.” 

Once Rossi was gone, Aaron moved behind his desk and sat down. He pulled out his briefcase and set to work on a floor-wide memo about a new policy on overtime. As he worked, he let Dave’s words churn in his head. By lunch, he’d decided that he’d go back to the coffee shop after work. No one had been a lifeline for him in his childhood and he wasn’t going to let it happen to someone else. Yes, he was aware that abuse happened all the time, all over the place and he couldn’t stop all of it. But he could let _y/n_ know that there were places she could go, and resources to her to get out. Something like that would have changed his life, and as it would turn out, Aaron’s willingness to step into a sensitive situation would save _y/n_’s. 

Hotch moved back to Dawn til Dusk after work. Thankfully a case hadn’t pulled the team away. It was just after five thirty and the shop would close in a half hour. He’d never been there in the afternoon. The place took on a more subdued quality. There wasn’t the anxiety, the day was all ahead of me energy that the early morning held. As Aaron stepped inside, there was no one to greet him. Not _y/n_ with her smile that he’d grown used to when he stepped in the door or any customers either. For a second Aaron realized that he might be very silly because maybe _y/n_ didn’t work the afternoon shift and when someone came to out of the backroom or storage room, it would be a total stranger. Aaron assumed that whoever was still in the shop would come out of the staff room because the door stood ajar. He couldn’t see into the room, from where he was standing, but a loud thump had him snap his head to the side quickly. The sound hadn’t come from inside the room, but somewhere just beyond it. The same sound came again, and whatever it was, Aaron didn’t like it. Hotch moved to the side enough to see through the open door which led to another door with a window that looked out onto the alley behind the coffee shop. At first, it just looked like a small corridor that ran out to the street beyond the far side of the building. It seemed quiet until a body was pushed harshly to the ground and into Aaron’s view. Hotch realized that it was _y/n_ from her outfit from that morning. In a split second, Hotch was running through the backroom and out the door as the person who had stood behind him this morning came into view and began viciously kicking _y/n_ in the side. 

_y/n_ curled into a ball on the pavement, choking for air. When _y/p_ came back again on the same day and said they needed to talk, she tried to swallow any fear she had. _y/n_ said they could talk in the back room, but _y/p_ insisted they go outside. That had been her fatal flaw. She didn’t know how to say no to them anymore and even though she was still on the clock, she’d let him into the small space behind the shop. Once the door was closed, _y/p_ had pounced. They pinned _y/n_ against the wall, choking her with such force that she couldn’t get a word out. When _y/n_ was sure she’d pass out from the lack of oxygen, _y/p_ threw her to the ground so hard she felt stunned. When _y/n_ had come to her senses, she tried to crawl away from the pain in her body and the threat of passing out. She still hadn’t fully regained her breath and the sides of her vision blurred at the edges. _y/p_ didn’t let _y/n_ crawl more than a few paces before grabbing her shirt and dragging her toward the dumpster on the opposite wall of the alley. _y/n_ groaned as the pain tore up her body. _y/n_ could feel her shirt riding up due to the rough surface of the concrete. _y/p_ tried for the first time to fight back. To get away, but _y/p_ pushed _y/n_ up to the edge of the dumpster and kicked her in the groin. They crouched down while _y/n_ covered her face and neck. _y/n_ said, “Did you think you could get on birth control and I wouldn’t know. Did you think I wouldn’t know?” _y/n_ shook her head and attempted to explain, but _y/n_ stopped trying when she gasped in pain. _y/n_ had pinner _y/d/a_ under a thick steel boot. The sickening crack that came shortly after had _y/n_ turn to the side and vomit in pain. When she looked up at _y/p_’s face, she knew this was how it was going to end. For some fucking pills. _y/p_ moved in again, pressing their hands to _y/n_ neck, cutting off the air she needed; _y/n_ spluttered fighting for life.However, the pressure was suddenly gone from her arm, neck, and everywhere else. Nothing was making much sense in _y/n_’s pounding head. She could only focus on trying to breathe. 

It took Aaron five long strides to get outside and reach _y/n_ and her assailant. Hotch grabbed _y/p_ around the middle and pulled them off _y/n_. Hotch rolled with the person who trashed and screamed, “Let GO OF ME. Get off me.” Hotch grunted and tried to hold the person still. He found it ironic that _y/n_ was so against being manhandled with what he’d just done to _y/n_. From the anger, the person beneath Hotch showed, Aaron assumed it wasn’t the first time it had been this bad. Rage like that just didn’t start from nowhere, It grew and grew until it became uncontrollable. Aaron knew monsters were bred not born. Hotch caught his breath and said, “Stay still for your own sake. Move and I’ll knock your light out.” _y/p_ spat and said, It’s none of your business.” Aaron tightened his hold and said, “As a federal agent when I see someone get assaulted it suddenly is my business.” _y/n_ stilled for a second but then tried to use all their strength to shove Aaron away. Hotch rocked back on his hip and _y/p_  swung at him. Aaron took the brunt of the blow in his sternum. As big as _y/n_’s partner was, the hit wasn’t strong. It hardly hurt. Hotch was done. He had no place of remorse for abusers and he, unlike the person struggling below him, aimed one solid punch at the dude’s face. Maybe _y/n_ wasn’t fully out, but they were stunned enough to slump back on the ground with a groan. Hotch let them go and moved over to _y/n_ who was coming back to herself. Aaron dropped down on his knees next to _y/n_. The lower half of her body was in a murky puddle at the foot of the dumpster and their upper body leaned against the refuse bin. Aaron didn’t notice as his favorite trousers got soaked in the same murky puddle. He pulled out his phone and dialed 9-1-1. The operator answered asking, “9-1-1, what is the nature of your emergency?” Aaron cleared his throat and replied, “There’s been an attack on Maddison and Smith. Fourth block down from the stop sign. At the back of Dawn til Dusk. I need medical and police services.” Hotch heard the operator typing in the information before asking, “Are you or anyone in immediate danger? Are you the one that was attacked?” Hotch replied quickly, “No, it was someone else.” He took a second to see that _y/n_’s partner was still out of it and added, “There’s no immediate danger.” The woman on the other end of the line said, “Thank you for the information. Can you provide your name and phone number?” At this stage, Hotch was multitasking. He was carefully looking over _y/n_ who was starting to stir. He held a hand up to still her movements and turned his head toward the phone on the ground saying, “Agent Aaron Hotchner, the number’s 982-289-7765.” After a second, the woman on the phone said, “Thank you, Agent Hotchner, please stay on the line, medical and police services are on their way.” Hotch nodded minutely and when he looked back at _y/n_, she was staring at him with wide eyes. She had registered who he was now and heard his conversation in the back part of her head that wasn't screaming in pain. _y/n_ whispered, “Where’s _y/n_?” The weak attempt at speaking had her cough harshly into her chest, and Aaron leaned closer saying, “Don’t worry about them, _y/n_. Just stay still and try and relax. If you can take small breaths, it might help.” _y/n_ nodded and tried to do as he said. 

_y/n_ watched as Aaron pulled out another phone and called someone else. She thought she heard the name, Morgan somewhere and the name of the shop, but for a man of Aaron’s stature and power, he spoke with surprising softness. As she had seen Hotch take down _y/p_ there seemed to be an anger she hadn’t imagined she’d ever see from him. But now he just looked worried for her. Like he had looked worried at the store. His emotions had turned on a dime. She was used to that with _y/p_. But that was from a constant disappointment to a visceral rage. Aaron’s were different. His seemed to shift from anger to firm protection. _y/n_ didn’t know what to make of it. Didn’t know what to make of her life anymore. She hadn’t expected to live a few minutes ago and now time stretched out before her like nothing she’d ever seen before. It was beautiful and horrifying at the same time. _y/n_ couldn’t think about that though. Not now. Instead, she just did as the man beside her suggested, relax and breathe. That was managable at least. Hotch stayed by her, checking every minute or so to make sure _y/p_ stayed put. Aaron hadn’t even put fifty percent of his strength into his punch, but the slumped body on the ground didn’t move. At least until the police showed up five minutes later and hauled them into a cruiser. _y/n_ suddenly got their energy back and bellowed that they had been attacked by Aaron. _y/n_’s bloody face and broken arm plus Hotch’s badge and account of the story had the officers removed _y/p_ from the scene shortly after. The paramedics showed up at the same time as the officers and started to treat _y/n_. Hotch gave his side of things and tried to listen in on _y/n_’s conversation at the same time. The EMT finished his assessment and asked, “Is your vision blurred? How’s your breathing?” _y/n_ softly replied, “I can see okay. My neck hurts, but I can breathe okay. But my arm, it really, really hurts.” The EMT nodded and said, “It looks like it’s broken. My colleague is going to bring the stretcher around the building now. Once you’re in the ambulance we can get you some pain medication, okay?” _y/n_ nodded and the paramedic asked one last question, “Is there someone we can call for you? A family member or friend?” Hotch watched as _y/n_ shook her head no. She looked incredibly sad and lonely in the moment and it pulled at his insides so much they ached because he knew exactly what that felt like. To feel alone in the world. Hotch stepped forward and said, “I’ll stay with her. Which hospital are you taking her to?” The EMT stood and made room for the gurney along with Aaron. The man replied, “Grand Gen on 45th.” Hotch nodded and watched as _y/n_ got loaded onto the stretcher. As she was taken toward the ambulance Aaron walked beside her and said, “I’ll be at the hospital okay. If you need anything just ask for me, alright?” _y/n_ gave a small nod, thankful that anyone was going to be there for her. 

Aaron spent the next few hours talking to the police and waiting in the hospital for an update. _y/n_ called him in before the doctor came to tell her what was wrong with her. _y/n_ even though she didn’t know the man who had saved her well, was the closest thing she had to a friend in town, and she didn’t want to be alone when she found out the extent of all what was wrong with her. Doctor James was compassionate as he detailed her minor concussion, broken arm, and deep bruises on her body. He detailed a care plan and her need for at least a week of rest. _y/n_ looked at the medical professional and asked, “Can I work after that?” James pursed his lips and replied, “I wouldn’t recommend it. You’ll need to come in for a check-up next week and we can talk about that then. But for now, I need you to rest.” _y/n_ mouthed okay, trying to think about how to tell Lisa that she wasn’t going to be at work for probably over a week. Lisa had fired much of the staff last year and was a chronic, didn’t show up to work even though she owned the coffee shop. _y/n_ had ended up picking up the slack. The doctor looked over _y/n_’s chart and wrote down the pain medications he was going to prescribe her. He looked up from the clipboard and said, “I’ll schedule your release for an hour. I just want to ensure you’re not confused or don’t have any reactions to the medications we gave you. There are some pretty strong ones and not everyone’s body takes to them well. It’s not safe for you to drive, so you’ll need to call someone to get you. Does anyone come to mind?” No one came to mind. If anything came up, she always called _y/p_, but she wouldn’t be doing that anymore. The realization seemed overwhelming. Everything in her life felt overwhelming right now. Hotch stepped forward and said gently, “I can take you home, _y/n_. If you’re comfortable with that. Or I can get you a cab?” _y/n_ looked over to him and said, “You’d do that?” Hotch nodded and reassuringly replied, “Yes. Of course.” Hearing someone so vulnerable sound so desperate only made Aaron want to look out for _y/n_ more. The doctor derailed that train of thought and said, “Well good. Can you go and speak to the charge nurse at the counter, just so we have your information?” Aaron nodded and moved out of the room. After he’d provided the details the hospital needed, he got a call from Morgan. Hotch answered, “Derek, what do you have?” Morgan replied, “I asked Garcia to look up the dude, they have a record as long as my arm. Assault and battery, resisting arrest, DUI’s. After this, I don’t think they’ll be bothering anyone for a while. It was still a bad situation. The cops told me about the details. How’d you know it was going to happen.” Aaron sighed and replied, “I didn’t really. I had my assumptions but it was just a gut feeling I guess.” Derek hummed and said, “Well it’s good you were there. Things could have gone differently.” That was true, but it didn’t stop Aaron from wishing he’d noticed earlier. After asking Morgan to have Rossi pick Jack up from school and watch after his son for a few hours, Aaron ended the call. Around fifty minutes later, _y/n_ was released and Aaron pulled his car up to the front of the hospital. A nurse helped her into the driver’s side of his car. It was an awkward ride as he asked her for her address and he plugged it into his phone. As Aaron drove there was a silence that neither knew how to fill. 

_y/n_ didn’t know how to thank Aaron for saving her life when, up until that afternoon, he’d only been someone to make her mornings a little brighter. And Aaron didn’t know how to comfort a woman who had helped him heal in a small way many months ago. Finally, Aaron just said, “I’m sorry, _y/n_” while keeping his eyes on the road. _y/n_ looked over at him not understanding. She replied, “Why are you sorry, Aaron? You saved my life today, spent four hours in a hospital, and are using your car to take me home. You don’t even know me and you’re doing all of this” Hotch shifted his eyes to _y/n_ and back to the road as he said, “But I saw you. What was happening a few weeks back and I didn’t say anything. I didn’t ask if you needed help. It’s my job to help people. To keep them safe, and I didn’t do that.” _y/n_ pulled her bottom lip into her mouth for a second before responding. When she found out that Aaron was in the FBI while he was speaking to the police, things seemed to make more sense about him. But _y/n_ didn’t understand why he felt bad. She said, “Aaron, lots of people saw. You’re the first person to have ever done anything about it, and it saved my life. I won’t ever be able to pay you back for that, or the kindness you showed me every morning you come in.” _y/n_ stopped herself from saying that he’d given her something to live for. But seeing him slowly get happier had kept her going over the long months when things had gone from bad to worse. She knew that at least one person wasn’t suffering anymore. Hotch’s soft response of, “You don’t have to thank me, ever.” The conversation stopped there as they reached _y/n_’s apartment. Hotch pulled out his card and scribbled his number on the back saying, “Call or text me if you need anything.” _y/n_ nodded, took the card, and slowly walked to her door to enter an empty home. 

_y/n_ hadn’t expected to need to call Aaron Hotchner. But she also hadn’t expected it to be so hard to be alone, to wake in cold sweats every morning. She didn’t think showering alone would be as hard even though showering with _y/e/p_ always ended in fights. _y/n_ knew she had to talk to someone, and the only someone she could think of had been Aaron. So she called him on a Thursday night and he’d picked up on the first ring with, “This is Hotchner.” _y/n_ wasn’t even sure what she was going to say, but finally choked out, “Umm, this is _y/n_, _l/n_, from last week.” There was a pause as Aaron’s synapses fired and he said, “Yes, _y/n_. Is something the matter? Do you need something?” The was a soft shuffling sound on _y/n_ side before she replied, “Kind of. Can we, talk sometime? If you have time?” Hotch blinked a few times before saying, “Sure. Do you want to talk now or later?” _y/n_ who half hadn’t expected Aaron to pick up and fully wasn’t sure what she even wanted to say, said, “Later. Maybe Saturday?” Hotch agreed and said, “Saturday works. I’ll have to bring my son. Would meeting at a park be okay? Jack, my boy could play and we’d have an hour to talk?” _y/n_ hadn’t known Hotch was a father. “Of course, you don’t idiot. You formally met him last week. Can you read minds now or something?” _y/n_ pinched the bridge of her nose and stifled a sigh at her thoughts. Instead, she said, “That works for me. Is there a time and a park that works for you?” They made their meeting plan, and when _y/n_ hung up, she felt oddly comforted that Aaron was a father. The role fit him in some way that she couldn’t fully understand yet. 

That Saturday at Lincoln Grove Park, _y/n_ and Hotch leaned against the rail. _y/n_ looked at the flock of kids on the playground and asked, “Which one is your son?” Hotch smiled and pointed out Jack saying, “The one in the grey beanie and Power Rangers shirt.” _y/n_ spotted the little boy going down the slide and smiled saying, “He’s cute.” Aaron smiled and said, “As his father, I have to agree.” He took a breath and moved his gaze from his son to _y/n_. She looked at him as he asked, “What’s the matter, _y/n_? Are you okay?” Hotch realized that he could have, should have said those words to her when he’d helped her at the store, but it was too late for that now. All he could do was ask them in the present, and be there for whatever answer _y/n_ gave. _y/n_ had considered this question beforehand and replied, “After the first day I thought it was going to be easy. I thought I was going to be happy and want to do things and live life again.” _y/n_ hesitated and Aaron’s eyes softened. He’d seen and experienced enough trauma to know how hard that sudden kind of change was. You didn’t just go from sad to happy overnight, or scared to empowered either. He gave _y/n_ space to finish he thought, and after a moment she did, saying, “But when I wake up and the other side of the bed is empty, I panic. I wonder where _y/e/p_ is and how the fight is to be once it comes. And when I go to the store, I get the things they liked because I liked them too. _ye//p_’s still everywhere even though they’re sitting in a jail cell right now.” It all sounded pathetic to _y/n_ and she continued, “Am I an idiot for falling for someone like that? I really thought they loved me until they hurt me. And at that point, I loved them too much to see past it.” Feeling ashamed, _y/n_ put her head in her hands, not even sure why she was saying this stuff to Aaron. Hotch took a step forward and said her name, soft and melodically. _y/n_ raised her head and he could see the tears forming in her eyes. He put a hand on her shoulder and replied, “You’re not stupid, _y/n_. Some people are just good fakes. They let you see what you want until you think you know them. It has nothing to do with you and everything to do with them. Good people don’t have to hide what they are.” Aaron took a pause and felt _y/n_ lean into his touch a bit. He wondered when the last time was that _y/n_ had been offered comfort without it coming at a price. Hotch chose his next words carefully, as he said, “I can’t speak for you _y/n_. But I’ve felt a lot of pain before. Some I didn’t think I was going to make it through. But in time, things got better for me. Small things changed first, and then bigger and bigger things. And finally, I felt like I could breathe again. Like I was a human deserving of love. I had to work for it, but it was worth it. I hope you can find that too, _y/n_. I’d be happy to be there for you if you want to try.” _y/n_’s tears were falling now, and she nodded her head yes. For the first time since she’d been free of _y/e/p_, she wanted to try. 

As _y/n_ and Aaron stood at the edge of the playground, talking and finally getting to know each other after months of almost being friends, it seemed that perhaps they weren't destined to move past each other without ever knowing the other existed. Perhaps they had both been lighthouses on opposite shores trying to save strangers, but now their warm beams were fully on each other. Shining the way to safe passage. And when Aaron saw the hint of a real smile, not one masked by pain or fear on _y/n_’s face, he thought it was the most beautiful thing he’d ever seen.

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[cryptwrites]

writing injuries: 101

hi goblins and ghouls let me teach you how to write that silly little stab would you decided to give your silly little guy so that you could rip out the hearts of your reader, even more.

Hopefully you have gathered from the title that this will be discussing WOUNDS! BLOOD! GORE! OTHER NASTYS! If you disagree with my advice, MORE THAN OKAY! I'd love to hear yours and we can exchange tips! Lets get into it.

Types of Injuries

To write a realistic injury you NEED to know three things: A) What type of boo-boo B) What caused said boo-boo C) Where is the boo-boo D) Who will kiss boo-boo better (optional) edit: according to my friend D is not optional, so. find someone to kiss it better

Common types of injuries

I am by NO MEANS a professional so... take with a grain of salt. There are so many resources out there if you need to get specific but here's some simple shit xoxo:

Abrasion: Remember when you fell on the street as a skin and scrapped the shit out of your knee? Yeah. That. Its broken skin caused by friction against rough surfaces: requires IMMEDIATE cleaning.

Animal Chomps (bites): These can and will cause an infection if you don't treat it. Your 5'3 teenage girl CANNOT brush off that wolf bite apocalypse writers. Get her to the closest med tent.

Avulsion: A injury's caused when a body part is ripped away either partially or fully (HELLO SAW MOVIES). Results in some severe trauma (physically and mentally if they live) Typically caused by gunshot wounds, explosion's, car crashes etc.)

Bruise: Muscle fibers, blood vessels, and connective tissues are damaged with these bad boys. They cause that bluish purply look. Bruises do change colour to a yellow-green the older they are so do your research!

Burn: There are three degrees and a whole lot of different types for this mf and I can do a separate post on burns if you all want, but in general it is damage to the skin caused by heat, chemicals, radiation or sunlight (we all are too familiar with that last one). As some of know it can result in Swelling, Blistering, and scaring. Now if you gave your creature a really bad burn then it can cause shock, death and the destruction of the skin! And it leaves your victim of choice vulnerable to infection! Yay!!!

Fracture: a break in the bone, it literally looks fractured. It causes pain swelling, numbness and possibly deformity. You will likely need to send your character to the doctor.

Laceration: A cut, slice, tear in the skin, these are not stab wounds this is like if you accidentally cut yourself on glass or if someone swung at you with a knife and it sliced you, but it didn't go into your body and stay there. You get the idea.

Puncture wounds: THIS. THESE ARE YOUR STABS. Penetration to the skin caused by any sort of (usually sharp) object. These are the wounds your serial killer might use in the final moments of the kill with his knife, or the final blow to your hero's enemy with his sword.

Sprain: Ligaments (the things you see in x-rays that hold the bones together) that have been stretched or torn which happens when the joins move into unnatural positions. Usually, this results in stiffness, discoloration and swelling.

Strain: NOTE, Sprain and Strain ARE different. This is what happens when a muscle or tendon (not a ligament) is pulled, twisted or torn. Typically caused by over-stretching/contracting. Usually results in pain, muscle spams, and weakness.

Please note, that like I mentioned with burns there are degrees of severity for ALL OF THESE so please do your research this is just a starting point.

Care & Aftermath

LOTS of writers forget this part and its so sad. You want cute scenes between to characters who aren't yet dating but your rooting for? ONE OF THEM JUST GOT HURT AND THE OTHER IS TENDING TO IT. BAM INSTANT CUTE SCENE. Do not forget about your aftermath and medical care. Most injuries if left untreated WILL WORSEN if you leave them alone so FIX UP YOUR GUYS.

Do your research!! Look up the kind of injury your character sustained, the severity of it and you'll find recovery time and the kind of treatment they'll need.

In my experience, the more you focus on the aftermath of wounds, the more realistic it seems even if your dashing hero just got his arm ripped off by a dragon.

Writing the injury

You do not, now listen closely. YOU DO NOT HAVE TO WRITE A MEDICALLY ACCURATE DESCRIPTION OF THE WOUND. You're probably writing fiction and not a med student essay. If you are... email your professor I cannot help you here.

Just focus on getting the basics down. What's the bleeding? How bad is the swelling? What's the pain level at? and just leave the rest to the imagination. Unless your character is a doctor or whatever, your little dudes will also not know exactly what an Avulsion is. You can just say that there's a gaping hole or something. They'll be far to focused on the pain or whatever is causing it to diagnose themselves then and there.

Realism

I pinky promise you that as long as you have the basics, your readers will pick up what your laying down. The characters reaction is the most important part. How are they feeling emotionally? Are they having a physical reaction to the pain (Limping, shaking)? Do they have any physical response to the sight of their own/others blood? Do they experience shock? What's their attitude after it all?

These are the questions you should ask yourself. A war-hardened soilder will react differently to a gunshot wound than someone fresh out of high school.

Thanks :] go make the masses suffer :]]

[elviraaxen]

ive really been loving the pacing of your story and i enjoy the concept and the bits that have been released about the plot! youre doing really well, and i admire it greatly!!

ive been having trouble figuring out an overall plot in my own work, i just have character ideas and the vaguest idea for a storyline. i try to just write but then i usually end up taking a break (re: dumping it) because i don't have anymore ideas for how to complete the plot. i've laso been curious about how you go about writing for a comic (do you write then do thumbnails? do thumbnails then go back to figure out dialogue? a third thing?) so i was wondering if you had any advice or resource tips for writing? both for comics and for overarching plots, if that's okay

if you don't have any ideas tho, no worries. i was just curious. good luck with Felt World! i love everything that's coming out so far, thank you for gifting us it!!

Oh thank you so much!! I can't say I'm a comic book artist at heart because I really don't have much experience, I was only an illustrator for a short while and never wrote anything myself, but learning from past mistakes (i.e. I don't stick to plans), I've so far done this and it seems to work:

I'm one of those that don't like to plan strict layouts for the entire thing, because chances are I will not stick to it, so what I've done for felt world is just write a sketch for the overarching plot, the b-plot and c-plot, with rough estimates in what order I want the major plot points and settings to be. My current sketch looks like this;

(which is done in Miro) and as you can see there aren't that many plot points, because I want to have the wiggle room to come up with something on the spot. And also, my comic focuses a lot on interpersonal relationships, character development, and themes rather than the plot, which means it needs to be concise or else the comic is gonna take 6 million years to finish.

And now,, I think this might just be how I work, but I think it's easier to be creative when you have strict restrictions rather than all the choices in the world.

for me, personally, I restrict an update of 10 pages tops, because instagram only allows max 10 images per post! This means I have to 1) fit all I want to say in 10 pages, 2) it has to be concise or else I infodump on readers, and 3) I have to answer some sort of question within the update, or else I said nothing and I start over.

As for scripts, I tend to write one or two sentences of what's going to happen for the update, and then I get to thumb-nailing and sketching right away! I come up with most of the dialogue on the spot too.

And also, I think what's most important, is that you take your damn time! If you aren't immersing yourself in your own world, how do you expect your readers to do the same?

I'm very much a believer that the stories you are telling are something that comes to you naturally if you just sit with it and listen rather than demand that it makes itself known to you. When I brainstorm for felt world I quite literally sit in my bed and go "omg!! And then what? :0" TO MYSELF LMAO as if I'm not making everything up myself! I think that's extremely important that your story is engaging to you first and foremost!

And as for more practical tips

carry a notebook with you or use your notes app AS SOON as you get ideas to write them down! No you will not remember, lol.

set rules of what you're not allowed to do with your story so that you don't fall into lazy trope territory! You can do that when you brain storm, but finesse the story post brainstorm to just make it.. smarter.. if that makes sens For example, don't kill your gay characters, don't make sensitive men the butt of the joke, don't make your women fight over men (unless it's the point), etc.

set physical restrictions! For example, max amount of pages per upload, max amount of pages for the whole story, max amount of characters, etc.! That literally forces you to problem solve, which by definition is creativity! Like, oh you can't do this the obvious way? Do it the creative way! That's way more fun!

I could probably go on, but this is too long already! But I hope it at least helped somewhat!

[vampirepunks]

Higgs Monaghan's MBTI + Enneagram Typology (pt. 1)

(disclaimer: this is my opinion based on deep character study, eight or so years of special interest in typology, and subjective interpretation. if you wanna argue, good luck finding my PDB. friendly debate is fine.)

MBTI: ENTP (Ne-Ti-Fe-Si)

Enneagram: 7w8

Instinctual Variant: sx/sp

Tritype: 782

MBTI Analysis

This one is easy. Higgs displays all of the classic ENTP traits. He's well-read, adaptable, strategic, authentic, contrarian/anarchistic, charismatic, energetic, emotionally guarded, impulsive, and excessively idealistic. ENTPs come in two flavors: rebel with a cause, and rebel without a cause. The former typically has a strong alignment to enneagrams 1, 7, or 8, whereas the latter is more likely to be rooted somewhere in 6, 5, or 9. This can be a pull from within the tritype or wing, but we'll get to that. Higgs is, quite obviously, the former. His rebellious nature is driven by idealism first and foremost.

ENTPs are "introverted extroverts." They thrive in the spotlight, crave attention, and love being the loudest presence in the room. However, unlike "true" extroverts (i.e. see: ESFP) they require plenty of personal space and time on their own to nurture their inner worlds, reflect on their feelings and values, and retreat into the safety of their own private minds. In a reasonably healthy ENTP, this time is often spent pursuing knowledge, fresh ideas, and deeper meaning in the world, through things like literature, arts, and creative pursuits or pet projects. In an unhealthy ENTP, that focus goes towards obsessions, fixations, and hedonism. Such as... making a conspiracy board, covering the walls in manic writings and pictures of their no. 1 enemy, and drinking... a lot. Hello, Higgs.

Function Stack Breakdown

ENTP's cognitive function stack is Ne-Ti-Fe-Si.

Ne (extroverted intuition): First and foremost, ENTPs live in a world of possibilities. Like INTJs, they live somewhere between their minds and bodies, existing in a nebulous sense of insight and personal sentiment. Where INTJ sees how the world "should" be, ENTP sees the world as it could be. This trait is amplified intensely by a core fix in enneagram 7, which many consider to be ENTP's most likely/common enneagram alignment. Ne is constantly tinkering with a thousand ideas at once, scattered in all directions. Higgs embodies this beautifully; he is an intrepid explorer, both in the material world and in the realm of ideas and philosophies, shown by his love of literature, his hands-on approach to life, his sensory fixations (must! touch! everything!), and his deep investment in history. He takes external ideas in and challenges them, redefining them to his liking. This shows in his adoption of the ancient Egyptian aesthetic/practices after reading about them, his poetry references, his adjustment of literary quotes to change the meaning ("sound and righteous fury"), and his overall fascination with the world around him.

Ti (introverted thinking): ENTPs prefer to act based on logic over emotion, processing the world through what makes sense and where their curiosity takes them. They love puzzles, problems in need of solutions, and detail-oriented issues. The Ne-Ti axis makes an educated, mature ENTP a capable, adaptable strategist who always has a plan and the ability to craft an entirely new plan B, C, D, etc, all the way to Z on a moment's notice. They're rarely shaken by change, likely to relish the challenge presented by unpredictability. This shows in Higgs' accomplishments both as a porter and terrorist, earning him a reputation as "a damn good leader" and later, a fearsome foe with the presence of "a ruthless emperor" (thank you, DS novel Sam). As highlighted by the novelization, his leadership pre-Amelie was defined by idealistic yet practical solutions. He was insightful and precise in determining that the resource shortage wasn't a shortage at all, but an issue of unequal distribution brought on by greed, corporate hierarchy, and distrust. He showed people that they didn't need to sacrifice freedom in exchange for security, they only needed to pitch in and share fairly, and he backed his promises up with results and an olive branch by cooperatively setting up a new distribution system and bringing supplies from his territory in the West. Meanwhile, in the intellectual sense, Higgs is a skeptic. Due to his mental roots in Ne, he wants to believe in things, but he can't until he's thoroughly questioned them, examined them from all angles, and tested them. When Ne says "jump," Ti says "wait." This causes a constant push-pull between reckless impulsivity and calculated caution. Thus, Higgs is inquisitive and curious, with Sam describing him (again, in the novel) as a truth-seeker, reminding him of a philosopher. In line with the classic image of the ENTP personality, Higgs thrives in a vast marketplace of ideas and values, picking and choosing the ones that suit him after playing with each and every single one of the available options, especially if he has someone to bounce his thoughts off of. ENTPs are masters of the "yes and," but due to their weaker Fe-Si axis, they're also vulnerable to being manipulated and exploited for their ingenuity and inexhaustible drive. Higgs dives head-first into Amelie's promises, but then spirals when he realizes she's not telling him the whole truth. He intuitively knows when someone is hiding things from him and he isn't content to just let it go. If answers aren't freely given, he'll form his own and act upon them. "If there's another layer to this, I can't work it out -> Dear diary, today I nuked Middle Knot City."

Fe (extroverted feeling): Herein lies ENTP's soft side. Contrary to popular belief, the feeling function of MBTI goes much deeper than simple emotions; it determines moral direction (inward vs. outward) and social dynamics. Fi (introverted feeling) pushes against the grain, concerning *my* feelings and values, whereas Fe goes with the grain, concerned with *our* feelings and values. Fi is a rugged individualist, Fe is a team player. The tertiary function is a point of conflict for all personality types, and it doesn't usually develop until middle age unless significant trauma work or self-awareness development occurs earlier in life. Higgs has both. His early journals show the expected disconnection with his feeling function, as he resists the idea of group values, and denounces the notion of community as unsafe and unrealistic. This is why many ENTPs, especially below the age of 40+, are considered insensitive and disruptive; they haven't developed the balance between nitpicky Ti and open-hearted Fe. After shaking off his instinctive and learned aversion to group attachments, Higgs quickly does a 180 into "I'm an altruist now" and dedicates his life to serving others, going so far as to "offer my soul to this world while I live." More about this when it comes to his emotional center in enneagram 2, which amplifies his Fe. Overall, Higgs displays high Fe and thus has high empathy. He makes strong use of the Ne-Fe axis to imagine others' viewpoints and feelings, making attempts to step outside of himself to try and understand others on a deeper level. Anything an ENTP can understand, they can work with. Thus, they can be highly forgiving when there's a good explanation and they're not likely to hold grudges if they can relate. Here's hoping that factors into DS2.

Si (introverted sensing): The inferior function is every MBTI type's greatest weak point, second only to the "blind" eighth function which is essentially not consciously used at all. The inferior function acts to balance the dominant function, kicking in as a rescue mechanism when the usual approach fails or stress overload causes the given personality to begin breaking down. Being forced to use this function otherwise requires conscious effort and is, in turn, highly stressful and overwhelming. The inferior is an area of insecurity and discomfort. ENTP's inferior is Si, meaning they struggle with seeing projects through to the end, handling the day-to-day minutia of life, learning from past mistakes, and neglecting physical health due to poor internal bodily awareness. And oh boy, Higgs displays this in spades. Granted, he's absolutely suffering from chiral contamination and mind control don't forget the mind control but... still. His house is a wreck, he appears to eat little more than pizza, alcohol, and soda, he struggles with the gravity of life not bending to his idealistic efforts. Further, he believes it's on him to save the world all by himself despite evidence to the contrary, and this isn't even based in a god complex, he's just that caught up in what he wants to achieve and he can't see past it to why that's an unsustainable attitude. He creates unrealistic expectations for himself, punishes himself for *checks notes* being human, and is constantly seeking new, sweeping solutions to Fix Everything™ instead of spending his time putting in the work and giving himself breathing room to let his efforts pay off. He doesn't take stock of the good he's done, the things he's accomplished, the way people looked up to him (these folks called him King Midas!!), he simply pushes forward to the next big thing, fashioning himself Atlas with the burden of the world weighing down upon his shoulders. Always planning, always moving, incapable of sitting still or tolerating boredom.

Final thoughts before moving on

Overall, Higgs is like most ENTPs (who are sadly much more common in fiction--usually as a quirky protagonist or witty, Joker-esque villain) in that they are dynamic personalities, the best of whom have brilliant minds and restless spirits that create an even mix of genius and madness, and the worst of whom become internet trolls (Higgs is not immune to this, cough cough, the pizza emails) who provoke people for fun with little regard for others' needs or feelings. ENTPs have a quiet, soft side that's quite sensitive, fears judgment, and craves attention/validation. Once appropriately matured and self-aware, these personalities become surprisingly empathetic, directing their high-energy zest for life into everything they touch. Higgs is a beautiful, beautiful representation of the mature-but-unhealthy ENTP.

(part two: enneagram deep dive)

(Sam analysis)

[butchabouttown]

how can you be a lesbian who’s attracted to/fucks all genders? genuine question no hate just doesn’t align with my understanding

hi!! thanks for asking I LOVE this subject and am so happy to talk about it!! This reply might get kind of long so I apologize in advance hehe <3

I assume you're sending this in response to the ask I got the other day asking about if bisexual women can say dyke, to which I said that I am bisexual & also a dyke (woman is debatable). That's the first place I want to start—that bisexuality does not necessarily equal attraction to all genders. It can! And I have no problem with someone who is attracted to all variations of all genders identifying with the lesbian label if that's what makes sense for them. But for me, I am attracted to women, and men, and people who fall outside of that binary—but I am not necessarily attracted to gendered expressions.

Personally, someone's gender identity really doesn't impact whether or not I might be attracted to them. I am specifically attracted to people who's gender expressions align with or reflect my own in some way—so as a butch, as someone who moves through the world as a lesbian, as someone who identified as trans masculine for several years, who has been on T and may go on T again—that is pretty expansive. For me, I am attracted to queer versions of masculinity—in all its shapes & variations. I don't think that experience precludes me from using the lesbian label! There is not one person that sees me move through the world that does not immediately clock me as a butch lesbian. I cannot change that (and nor do I want to). Does the fact that sometimes I fuck & fall in love with men mean that they're wrong? Or that I am for feeling comfortable with that label?

And that really isn't a new experience!! I am absolutely not alone in that kind of attraction model, and I am not the only person who gets clocked as a lesbian that is attracted to people who aren't women.

I can think of many significant figures & authors & activists in lesbian history who have really traversed what has been coined the "butch/FTM borderlands" by author C. Jacob Hale in 1998. Identity categories do not have hard borders—there's a liminal space that exists between them, and it's impossible to draw a distinct line between them. Hell—even the poet & lesbian icon Sappho wrote about both same-sex and different-sex relationships.

I think of communist, activist & author Leslie Feinberg & the exploration of being a leftist, working class butch in the 60's & 70s in Stone Butch Blues. That novel in particular, although fictionalized, is very much a reflection of their own life and details relationships with many different kinds of people while being very much rooted in lesbian culture.

I think of Jen Manion's article in Transgender Studies Quarterly titled "Transbutch," (article begins on page 213 of the linked pfd) where they write the following:

‘‘Transbutch’’ signifies a gendered embodiment that is both butch and trans, not tied to any singular definition of butch or trans but rather falling somewhere in between. Transbutch marks a liminal space that embraces both the historical legacies of the category of butch and the more expansive possibilities created by the transgender rights movement for recognition, community, and empowerment."

(italics my own) In other words, transbutch is about that sticky place between two identities. Someone can have ties to both of these identities at once—particularly since they have been so historically tied in terms of community.

And the argument being made by Manion I think really connects to the discussion here - being a lesbian is about more than who you sleep with. It's a political identity, it is a gender in of itself, it's about your community and how you connect to it.

Many of the lesbian icons that the community holds dear trouble the "woman loving woman" definition of the identity. And besides—it's not like lesbian is a finite resource. We have infinite space to welcome all kinds of people, anyone who wants to be in community together. There are so many ways to move through the world and so many ways to come to this identity.

Anyway! I don't know how to end this! I hope it was helpful <3

[triptychgrip]

Impact of figure skating politics on post-canon Yuri!!! on Ice

So, even aside from the rampant doping, I think many people are familiar with how the politics within the sport of figure skating really suck -- whether that's in terms of how skating federations meddle with their athletes' careers in ways these athletes clearly don't want or don't even know about, the way regulatory bodies -- the International Skating Union (ISU), and its various Commissions -- can and do remain silent when it comes to speaking out on abuse or corruption, or the complete shit-show of bias within judging, sometimes on a ludicrously visible level.

After all, this is a sport where a judge that showed clear bias at the PyeongChang Olympics was not only invited back to judge at the Beijing Games, but was given the position of being the technical controller!

Sheer madness...

It makes sense why Yuri!!! on Ice didn't delve into this stuff in a 12 episode season b/c the reality is: it's a major bummer.

But I work in public policy and am a social justice researcher whose career focuses on institutional change. So I often find myself asking the question "what would cause institutions/people/movements -- especially with a lot of history and influence behind them -- to change for the better, whether by 'force' (public outcry, insider advocacy, etc.) or their own volition?" It's a question I started thinking about a lot almost as soon as I got into Yuri!!! on Ice a few years back, and specifically, thought about in a post-canon context.

Some of the politics-related questions that surfaced for me, included:

-When Viktor returns to skating, how would his federation (the FFKKR) choose to treat his absence? Would they, perhaps, "make an example" of him at the Rostelecom Cup, purposely underscoring his performances? Or, would they have "given up" on him, trying to focus all of their attention/resources on Yurio's obvious rising star potential?

-Further, would they (with tacit or explicit media support) take a negative stance regarding his and Yuuri's highly public relationship -- perceiving Viktor's romance as a "threat" to his ability to return to the field as strong and focused as before -- or would they choose to ignore it, altogether?

-How would Yurio's growth spurt (which is hinted at in canon) impact the FFKKR's treatment of Viktor if the former is no longer able to put out the kind of performance that he did at the Barcelona Grand Prix Final? Or if Georgi retires from the field?

-How would skaters that wish to skate independently of corrupt federations -- something that is currently not possible under the way the ISU is structured with 'member nations' -- navigate their careers, and what avenues would they have at their disposal to avoid burn-out from the shitstorm of pervasive corruption?

-How would politics affect our favorite characters at an event as globally visible as the PyeongChang Olympic Games, and in its aftermath? (I say this with the caveat that I generally write yoi fic w/ the premise that it took place during the first half of the 2016 skating season, though there is no way to pinpoint the actual season).

All of these questions kept circling about in my head, and I felt highly motivated to begin writing a multichapter, post-canon "future fic". Specifically, a fic that would tell the story of married Yuuri/Viktor at the 2022 Olympic Games, but jumping back in time at various points over the previous five years to showcase how a particular scandal -- other than doping -- at the 2018 PyeongChang Games has "followed them" throughout the years (and has deeply impacted the sport/our other favorite characters).

This fic turned into a series called "Gold's On The Inside, Elevated My Feet", which currently is at 293K total words, and is being updated 1-2 times per month.

I know a lot of people aren't into long, novel-length works, especially if they're WIPs, but if you, like me, are fascinated by some of the real-world issues that might impact Yuuri/Viktor/Yurio and others post-canon, I hope you'll consider checking my work out.

I've included a spoiler-free excerpt from Chapter 11 of part 1 of the series, below, that I feel hints at the politics while encapsulating the Viktuuri fluff, friendship antics, and overall supportive themes that I've tried to weave into my stories.

I hope it piques your interest and encourages you to check the series out, or my other Yuri!!! on Ice fics!

---------

“First of all, how the hell would you have even managed to contact me from all the way over in the Kiss and Cry?” Phichit went on. “Did they imagine you had waved a wand to send a carrier pigeon flying through Gangneung Ice Arena to land directly on my head ? After which, it would peck an intimidating message in Morse code straight onto my scalp?”

Yuuri was now hiccuping giggles, and he was pleased to see that he’d begun to wipe a profuse quantity of tears from his cheeks.

When his best friend had told him that he wanted to hear all the nitty-gritty details of his International Court of Arbitration for Sport (ICAS) hearing, Phichit had definitely had some misgivings; Yuuri and Viktor had flown to Lausanne for their own proceedings directly after the latter’s retirement party in Milan, and given what they’d told him about each brutally long-winded 4 hour session, he’d known fun things were not in store for him.

“But Yuuri without his glasses on can be very intimidating…very sexily intimdating,” Viktor said with a grin, prompting a playful slap on the arm from his fiance; thanks to Yuuri’s thirsty fans, the hashtag #Yuuri’sNearsightedSexySquintTally had become a staple on the competition circuit, and both he and Viktor had taken to alluding to the phrase as much as possible.

“Yes, I’m sure that’s exactly what permanent-frown-dude-arbitrator was referring to,” Yuuri responded, sarcastically, “my nefariously sexy squinting that so very clearly spelled out that Phichit better file a claim, or else.”

He and Viktor both laughed, and he shared a few more snippets from his hearing before conversation moved along to discussion around the other Olympics claimants’ hearings.

“Oh my god, just imagine Christophe during his,” Yuuri said, before giving Makkachin a kiss, right to the top of her fuzzy head.

The poodle was splayed out across both of her dog-dad’s laps, taking up much of the bench directly in front of the rink boards at Hasetsu’s Ice Castle. After their hearing, the couple had flown to St. Petersburg, spending just a few days there to get Makka and Meni and do a round of cursory packing. They’d then taken off for Japan where they planned to stay until mid-June, which was the beginning of the rainy season.

Even from afar, Phichit had been able to keep tabs on Yuuri thanks to Nishigori Yuuko. After thoroughly bonding with her at Viktor’s retirement party – after all, a willingness to drunkenly act out the unhinged plot of The King and the Skater 3: Because Time Loops Are A Thing tended to solidify people in Phichit’s mind as lifelong friends – she had been messaging him through Instagram as well as contributing heavily in the “Yuuri Support Squad” chat.

Soon enough, he’d be able to keep tabs on him in-person, as his own trip to Hasetsu was just three weeks away.

“He’d be all: ‘And then, my esteemed arbitrators, I got distracted from calculating Yuuri’s grade-of-execution, because my eyes were too busy lingering on his delectably muscled thighs as he came out of his triple-lutz, triple-toe combo’,” Viktor said, in a deliberately put-upon Swiss accent, while lasciviously licking his lips.

Phichit barked out a laugh while Yuuri grinned at him.

“Are you sure you aren’t just verbalizing the thoughts you wish you could have expressed during your hearing?” he asked his fiance.

Viktor gasped, theatrically, and clutched Meni even more closely to his chest before responding.

“I would never think such a thing! I’ve become an expert at admiring your beautiful thighs while simultaneously calculating your GOE,” he said, sounding proud. “As any good coach should be.”