this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.
good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.
sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.
so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.
one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.
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Alien Stage is so crazy to me because it’s. It’s about many things but what stands out to me the most is how the children of Anakt Garden during times of extreme hardship and fear and literal alien colonization, instead of looking toward some omniscient being(s) for salvation or succumbing to cynicism/nihilism, they look toward each other to find hope. All it takes is a connection with one person, just one instance of butterflies in a society where things like love and romance are all but obsolete, and now they’re making that person their God their reason to live and breathe and wake up every morning. (Or, in some cases, to give up their lives. If it means protecting the life of their beloved.) And it’s like. It’s as if what sets us apart from aliens or simply what makes us human is our capacity to whole-heartedly, unabashedly love one another. Even to the end of ourselves.
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there is such a trauma to daughterhood. it comes from the lack of agency - not only from being born as a woman but existing in the world as a child. an oppression on top of an oppression. people make jokes about girls with daddy issues but nothing compares to the kind of trauma you recieve from having a complicated relationship with your mother. people talk about it so often. and it's one thing to have a mother who hates you which is always awful, but often it feels worse to have a mother who doesn't. to have a mother who is simply exhausted by the fact you were born. a mother who doesn't hate you, but loves her men more. a mother who maybe wanted to be a mom, once, and then came to realize what a thankless job it was. and she didn't want to hate you, but it was hard to love you and even harder to like you. a mother who doesn't hate you exactly, but never outgrows her desire to be attractive and beautiful and makes you her enemy in that way. or a mother who has nothing more to her than being a mother and clings to coddling you in a way thats suffocating. so many daughters develop deep empathy for the mothers because they were women, daughters, girls once. everyone deals with it differently. but at the end of it, you still need a mother and that is the most horrible and wretched part of all. the trauma of being alive, of being a woman, and of having a mother but still needing one. such a uniquely miserable feeling
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mini meta because i cant get this fucking scene out of my brain:
its one of my fav Alluka scenes because its a sneak peek into her frankly miraculous emotional intelligence that simultaneously contextualizes it. She's still a little kid. Alluka is a smart cookie who can properly recognize and identify what people are feeling, can generally guess why they're feeling it, and get an idea of what would make them happy. But that "feeling" is hate for her, and what would make them happy is her disappearing. Really heartbreaking.
but the way Killua responds is also pretty fascinating to me? like, he pivots so fucking hard LOL. And I get it, it's such a loaded question. Would the Zoldycks be happier if Alluka was gone? Realistically, the answer is no... but admitting that would require a self-awareness about his family and his abuse Killua doesn't have yet. He probably doesn't even know how to answer, doesn't know what the answer even is.
So instead of digging into that can of worms, Killua cocks his own shotgun and fires back another loaded question: "If I were the only one who loved you in the whole world... would that make you sad?"
There were like a dozen other, much safer ways to both avoid this question and comfort Alluka. It's not even a full dodge, it's directly related to Alluka's fear via implication (the rest of the family doesn't love you). And it's not like Killua hasn't verbally weaseled his way out of tougher conversations. So... why?
I'm gonna try to truncate my full thoughts because I literally have a WIP 5k+ meta about it and I don't want to go down that rabbit hole, but Killua projects onto Alluka and Nanika a lot in this arc. Keeping that in mind, I think this question is his best, most earnest way of comforting Alluka because this train of thought is what's comforted him in the past.
I mean, think about it. Someone who will love and accept you no matter who you are or what you've done? Just one person who doesn't care? He's putting himself in the position of Alluka's Gon-figure here. And if you buy into that, the followup—"I'll always be there for you. Don't worry about anyone else"—reveals how a portion of his subconscious saw his emotionally dependent relationship with Gon as well; that is, as a comforting means to psychologically avoid confronting harder questions about himself, his upbringing, or how other people view him. It's kind of no coincidence that the minute Gon is wholly and totally incapacitated and Killua starts mucking around with the revolutionary idea of boundaries, he immediately starts thinking about his family again (in some manner).
And as an indulgent aside, I want to point out that when he ends up sending Nanika—who is, unlike Alluka, a subject of Killua's darker and more self-hating projections—away and Alluka fights back instead of internalizing it, Killua immediately recognizes the irrationality...
...because it breaks the mirror.
anyway. squeezes and shakes them like squeaky toys
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