#Premises Standards Review

[stopsmartmetersaustralia]

AusNet Services hits customers on manually read meters with quarterly fee

It appears that AusNet Services, which is one of the five Victorian power distributors, has lost its moral compass.  According to a letter which it mailed to customers, changes to its manual reading process will result in customers with a manually read meter being charged a quarterly fee of $34.80 (excluding GST) from 1 July 2023.  The letter states that this fee will increase every financial…

[paper-mario-wiki]

Shangri-La Frontier mid-season review

This is by far the best fake video game I've ever seen written in fiction.

Most MMO-centric isekai stories have trouble with providing accurate and realistic depictions of the complexities and minutia that give MMOs the allure they have. I've seen so much handwavey bullshit tacked onto fake-games that introduce unrealistically overlooked mechanics for reasons like giving the protag immense power just because they're the protag and the story is about them. A good example of this is another MMO Isekai airing this season, "A Playthrough of a Certain Dude's VRMMO Life", wherein the main character becomes extremely rich, powerful, and famous by episode 2 because he stumbled into a stealth archer playstyle, a build which apparently no human in that universe had ever conceived of before, and then making a fortune by selling basic potions to everyone after NPCs stopped selling them (another thing he was uniquely able to do because not a single other player had the forethought to spec into alchemy). These lesser, dime-a-dozen isekai add up to be boring fantasy strories with gaming elements clumsily put in so that the author can demonstrate how powerful the world's inhabitants are by showing their stat allocation screen instead of, say, explaining anything about what they do that's so uniquely powerful and how they figured it out. Ya know, stuff you'd hope to hear about from any competent story.

Shangri-La Frontier is a breath of fresh air for anyone who, like me, is sick of authors ignoring the things that actually make video games compelling in service of creating a stock-standard narratives in fantasy worlds because it allows them to get away with bullshit. I've always found it very convenient that many isekai narratives indulge in things like chattel slavery, because it's societally normal enough for the protag to purchase a beautiful, vulnerable girl to add to his harem (dont worry, she is always inexplicably in love with him no matter what because he's SUCH a kind master). And it never really seems to go anywhere. Because the Video Game Isekai, while an interesting premise in theory, is more often than not used exclusively as a means to simplify the structure of a world's power scaling to abide by an arbitrary set of omnipresent universal rules (e.g. what people who have never cared to look into game development think of video games). This anime, by comparison, is VERY clearly authored by someone who plays a LOT of games.

Every piece of logic used to drive the plot forward, so far, is congruent to a real-world example of video game conventions, and I'm not just talking about levelling up and selling monster parts. Story elements that I've rarely (if ever) seen explored in other isekai are ever-present and genuinely clever and amusingly introduced. My favorite example of this so far has been the way the protagonist has been able to go head to head with so many overlevelled foes in the first 9 episodes. The story of course makes note of how good of a gamer Sanraku (our hero) is, but much like in real life games, being super duper good at dodging attacks doesn't really make up for a 70 level gap in items and learned skills. For that reason, he gets his ass whooped more often than he actually outsmarts others (so far he hasn't beaten a single player in pvp). So how is he getting out of these situations without dying so frequently? Simple: he got access to a later area too early relative to his level (sequence break) and got access to a high level follower NPC that's been carrying him. This is something he acknowledges directly several times, specifically using words like "Emul has been hard-carrying me for a while." This, to me, is extraordinarily meaningful. That's something you can exploit in Skyrim, man. That's REALISTIC CHEESE STRATS. The excitement and wonder I find in this show doesn't come from watching the protag do something unexpected, but by watching him do something that I would think to do.

This knowledge the author has demonstrated regarding modern gaming culture extends further into the actual realistic nature of game design and community. The story exists in a reality where full-dive VRMMOs are the be-all-end-all of gaming, and given the prohibitively expensive nature of developing and designing expansive, immersive worlds, most games are pretty shit. It's been hinted at so far that this is due to a monopolistic megacorp which is one of the only entities rich and powerful enough to make a good game (the game in question being the one that shares the title of the anime), but so far the strife of the characters have been pretty centralized to the happenings of the game world and its politics. By the way, lets talk about the game world's player base politics, which I'm also quite pleased with. It exists in the form of guilds and clans who struggle for power not by participating in seemingly random pvp with other powerful players to see who is the most epic and badass warrior (again, like many contemporary isekai typically opt for), but by gaining actual realistic support from a fictional playerbase with realistic desires and playstyles. Some guilds are interested in lore, some gather for alliance and boss raids, some for things like animal husbandry, and (naturally) at least one is dedicated to trolling and PKing. Each of these factions, through the very little that we've seen of them so far, communicate on forums and only know as much as is reasonable for them to know. The only reason they give a shit about the protagonist at all is because he gained access to a high-level unique scenario quest that they want information on how to access, and the only reason word of that got out in the first place was because someone posted a screenshot of him with a unique NPC onto a forum, asking about it as "where can i find this pet summon, its super cute!" That's real. That's video games, baby.

I like this show a lot so far. I like that it cares about video games, but I also like its writing. I like the main character and how hes less of an ultra badass super cool guy, and more of an earnest challenge-run lets player. Like, a lot of his dialogue straight up sounds strikingly similar to Japanese youtubers. And he's naturally always quick to point out inconsistencies in the game world's logic. I ALSO really like his community of pals from a janky old fighting game, and I ADORE the girl from his school who has a crush on him and also just so happens to be an exceptionally high level player from a top clan, and how she had to spend 9 episodes working up the courage to send him a friend request. I love that so, so much, dude.

I highly recommend this show if you're into a single thing I've mentioned. The animation is great. The world is beautiful. The character design is immaculate. And I'm looking forward to watching it continue.

[voicesbyzane]

for some god forsaken reason instagram has been recommending clips from "The invention of lying" for me and while I watched that movie on a plane years ago and found it miserable I have a new fascination with it. I still find it unfunny and miserable but much like Doug Walker's review of "The Wall" what makes it fascinating is the sort of snapshot it gives us of the mind of Ricky Gervais. For those who don't know, the premise of the movie is that this is an alternate earth where the human species never evolved the ability to lie. I think this is actually a really strong concept for a comedy. The problem is that "Nobody can lie" is pushed to "Nobody has any sort of filter and everyone is an absolute sociopath, immediately making fun of everyone they meet and constantly insulting each other." And as I watch it I think, Ricky Gervais, are you a nice person? Is this a projection of some kind? Like do you believe everyone on this earth is nice to each other because they're LYING? Does Ricky Gervais constantly walk around all day thinking "Ugh look at that fat ugly asshole. Fuck this stupid prick. Fucking moron" at every person he encounters, only suppressing it via some sort of internal dishonesty? Another odd thread in the film is that, because dishonesty isn't a thing, every single relationship is treated with an air of cold pragmatic EUGENICISM. Jennifer Garner at one point is like "Oh I would never take you as a partner because our children would be fat and misshapen and have strange noses" and it's like okay if lying isn't a thing why is that important. Obviously this is a cold and purely pragmatic world Ricky Gervais so why does it matter if people are fat and have odd noses. Conventional standards of beauty are just fucking made up as much as concepts like love and affection and friendship

Anyway what I'm trying to say is I don't like the Invention of Lying

[bikiniarmorbattledamage]

So recently Square Enix launched a new game where the premise is that the protagonist is the reluctant hero of a fantasy world they find themselves in, having been born and raised in New York. It recently got some loud pushback from people who were upset that protagonist... lemme check notes... sounds like a sassy New Yorker.

Fortunately, the actress has had the perfect attitude toward it:

Now, the game has not been getting spectacular reviews, and the reasons for that vary but I'm not here to talk about trend of critics (well meaning or not) raising standards for products say... starring a black woman and having a mostly female cast, or even about problem of Sacrificial Trash.

I want to talk about this as a good example when we talk about "protected by magic" outfits.

Frey is a New Yorker now blessed with magical power, she has never been trained in armor use, doesn't own armor and so... wears comfortable and practical clothes like you would expect. The whole look conveys an interesting look of a modern person with practical sensibilities in a fantasy world.

She has two main kinds of magic items - cloaks and necklaces. Both items that can be worn over clothes without sacrificing practicality.

She also has a unique, widely considered feminine option for store her magical powers - her nails.

As well as being one of the most innovative expansions into fantasy magic I've seen in mainstream for a while it really also goes a long way to showcase what, so often, is the actual crippling flaw with the "doesn't need it because magic/badass/etc" rhetoric.

Not because you can't have an interesting design that avoids armor etc, but because it's pretty much always the same nonsense with going overboard with designing pseudo-porn and then trying to justify it after the fact rather than exploring possibilities and playing with ideas about what x would mean for y.

Also can we please have more games with character designs like this in them, I'm still thinking about how cool this boss intro was:

-wincenworks

[k-nonsense]

My updated rankings/reviews of all the k dramas I have seen so far (up to 56 now). I would recommend any show I gave a C grade or higher, which is most of them. I bolded recently added shows.

1. Hometown Cha Cha Cha: An absolute masterpiece. It’s a heartwarming fish out of water story about a big city girl who finds herself in the quirkiest little seaside town. I wanted to stay in Gongjin forever. Grade: A+(Netflix)

2. Extraordinary Attorney Woo (S1): Delightful! Never have I ever rooted for a lead harder. She is the most endearing lead you will ever find. And the male lead is so so swoony. Grade: A+(Netflix)

3. Alchemy of Souls: The wildest of rides and the perfect blend of fantasy, adventure, mystery, comedy, and romance. The characters are just so lovable, you’ll never want it to end. Season 2 just as good as Season 1. Grade: A+ (Netflix)

4. Lovely Runner: the most beautiful love story ever told. ImSol and Sunjae forever! In every timeline! My only wish is that the drama would never end. Grade A (Viki)

5. My Demon: This show had me utterly enthralled, it was so mysterious and suspenseful and yet incredibly goofy and romantic. My new favorite main couple in all KDrama land. Yes it wasn’t perfect but I enjoyed it so much, it really encapsulated everything I love in a tv show. Grade: A (Netflix)

6. Love To Hate You: New fastest binge of my life. 10 episodes and I didn’t fast forward at all. There were no bad/slow parts. Also the funniest KDrama I’ve ever seen. Just watch it. You won’t regret it. Grade A+ (Netflix).

7. Business Proposal: It’s got every trope you can think of and it does them all to perfection. Plus it’s hilarious. Grade: A (Netflix)

8. Healer: This super romantic action mystery drama will keep you on the edge of your seat. Ji Chang Wook is equal parts sexy and adorable which is a seriously winning combination. Grade A (Viki). One caveat: I was very disappointed by a certain wardrobe decision in episode 3.

9.Her Private Life: Super funny and charming. The romantic leads have incredible chemistry. The premise is so good! Might be the one of the most rewatchable kdramas. Grade: A (Netflix)

10. Castaway Diva: Just utterly heartwarming. An instant classic. Ultimate underdog, redemption, story that teaches us what real love and family is. Also Ki-Ho is the new standard by which all men will be judged. Grade: A (Netflix)

11. Rookie Historian Goo Hae Ryung: Great strong female lead. Very good messages. Couldn’t stop watching. The most adorable prince I’ve ever seen 💜Cha Eunwoo💜 Grade: A (Netflix)

12. Bad Prosecutor: Absolutely thrilling and hilarious. It’s like a heist, detective, lawyer, action comedy that will keep you wondering who is outsmarting who? Super shocking plot twists. Amazing OST. Stuck the landing with a truly satisfying finale. Grade A (Viki)

13. Sh**ting Stars: Probable the biggest turnaround of any show I’ve seen (The “Africa” part was so problematic). However it turned out to be one of the funniest and swooniest KDramas out there. There are 5 couples and you will cheer for all of them. Grade: A- (Viki)

14. Strong Woman Do Bong Soon: The main couple is absolutely everything! Just fast forward through pretty much every side plot (they are not important) and you’ll love it. Grade: A- (Viki)

15. So I Married the Anti-Fan: It’s campy, fluffy, goodness, with a fierce female lead and a K-pop star enemy/love interest. 2nd fastest binge of my life. Grade: A- (Viki)

16. 100 Days My Prince: An absolute classic period drama romcom. Who knew D.O. could kiss like that? Such a great strong female lead. I LOVE a show with adorable, quirky, townspeople. Grade: A- (Netflix)

17. Romance is a Bonus Book: Might be the most romantic K-Drama I’ve ever seen. Nothing about the trailer or setup intrigued me but I’m so glad I watched it anyway. It was a truly beautiful love story. Grade: A- (Netflix)

18. Because This Is My First Life: This drama really does everything right for me… A slow burn romance built on mutual love and respect. Supporting characters who I genuinely cared about and had incredible side stories of their own. A critique of the patriarchy. Women supporting women. An adorable cat. Maybe a bit melodramatic at times but not too much. Grade A- (Netflix)

19. Start-Up: Exceptional acting, compelling storylines, intriguing plot twists, great cinematography, intense love triangle. It’s just all around high quality. Grade: A- (Netflix)

20. Run On: Cute, fun, silly and pretty light. I especially loved the supporting cast. Strange storyline but it was a fun easy ride. Grade: A- (Netflix)

21. Forbidden Marriage: This is a weird show, but weird in the best way. It’s like a comedy, horror, romance, fictional-historical. I don’t know how to describe it but it’s really fun. B+(Viki)

22. Soundtrack #1: Short and beautiful. I just loved it. No one does heart eyes better than Park Hyung-Sik. Grade: B+(Disney+)

23. Weightlifting Fairy Kim Bok-Joo: A bad-ass yet vulnerable female lead. The main couple just had a lot of fun together. Refreshing. Grade: B+ (Viki)

24. Doctor Slump: This show was a really nice journey of both mental health and romance. Grade: B+ (Netflix)

25. Welcome to Samdalri: Very heartwarming and beautiful story about love, family, friendship, and going home. It has quirky townspeople and Ji Chang Wook 😍 what’s not to love? Grade: B+ (Netflix)

26. My Lovely Liar: Creative and engaging premise, intriguing mystery, and a swoon worthy romance. A very fun viewing experience. Grade: B+ (Viki)

27. King the Land: This drama pretty much has no stakes or conflict and the main couple has THE MOST chemistry I have ever seen in my entire life. So if you just want to turn your brain off and be happy, this is the drama for you. I absolutely loved it. Grade: B+ (Netflix)

28.Law Cafe: This drama has so much to love, a strong/fierce/brilliant and morally righteous female lead, lovable side characters, steamy romance. But what I loved most was how the show spotlighted important issues like consent and abuse in nuanced and progressive ways. Yes it’s a fun rom-com but it felt like the beginning of a new chapter of more egalitarian storytelling which made me really excited for the future of k-dramas. Grade: B+ (Viki)

29. Not Others: A lovely Gilmore Girls type show about the relationship between an immature mother and her very mature adult daughter. It was a pleasure seeing them grow in their relationships with each other, others, and themselves. I want more! Grade B+ (Viki)

30. Cheer Up: Sports, comedy, romance, mystery, suspense, coming of age, this show had everything. The female lead was the lovable, feisty, driven, and brave. The male lead was adorkable, considerate, and sweet. It’s all very enjoyable and wholesome. Grade: B+ (Viki)

31. I Am Not A Robot: Zany premise but it was surprisingly pretty grounded for how crazy the set up was. It’s funny, emotional, good story telling. Great character development. Grade: B+ (Viki)

32. The Atypical Family: A really good healing family drama. I was a bit bored at times but it was overall very good. I liked all the mysteries a lot. Grade: B+ (Netflix)

33. See You in My 19th Life: The shared experience of watching this mystical mystery drama week to week made it a really enjoyable watch. Not sure if it was totally satisfying, or that any of the couples’ chemistry felt authentic, but it was a very interesting and creative storyline. Grade B (Netflix)

34. Summer Strike: This show made me cry a lot. It’s heartbreaking yet healing. I’m still not sure if I liked watching it or not but it was a beautiful story of found family. Grade B (Netflix).

35. Shopping King Louie: Adorable! So many light fluffy feels for this show but it does drag a bit in the second half. Grade B (Viki)

36. Fight For My Way: Such lovable leads. Love the fierce female lead and adorable himbo male lead. It’s like a coming of age story but for 30 year olds. Storyline was ok. Second couple was skippable. Grade: B (Viki)

37. What’s Wrong with Secretary Kim: More PSJ is always a good thing. This drama did all the tropes in ways that didn’t always feel fresh, but it was very romantic and hilarious. A true classic. Grade: B (Viki)

38. Touch Your Heart: If you can just stick it out through the first few very shaky episodes, you will enjoy this adorable, fluffy, series. Grade: B- (Netflix)

39. Doom at Your Service: It was sometimes real sad yet ultimately a heart warming mystical story. Grade: B- (Viki)

40. True Beauty: Fun, cute, teen drama however, it’s a little too “antsy teen” for me. Cha Eunwoo though💜 Grade: C+ (Viki)

41. Destined With You: The chemistry between the main couple was absolutely sizzling. Rowoon was both hilarious and next level adorable. However, the plot and the characterization of women occasionally made me very frustrated. Grade: C+ (Netflix).

42. Suspicious Partner: Great story, great characters, attractive actors, beautiful romance, interesting plot, sometimes funny, sometimes suspenseful, but with 40 episodes, the plot was dragged. Grade C+ (Viki)

43. Crash Landing On You: The first half is GREAT but the second half is way too melodramatic for my taste. It’s a very interesting storyline, the main couple has insane chemistry, and there are very lovable side characters. Grade: C+ (Netflix)

44. Secret Romantic Guesthouse: First few episodes were a fun scooby gang mystery, middle episodes were super boring, last 3 episodes were crazy fast paced and thrilling. It ended well- I’ll give it that. Grade: C (Viki)

45. Dear.M: It was inoffensive and decently entertaining. If you like school dramas, you’ll probably enjoy it. Grade: C (Viki).

46. A Good Day To Be A Dog: The storyline is bonkers but very intriguing. It started off so well but the storyline lost its way in the back half. But hey, Cha Eunwoo + dogs, it’s worth the watch. Grade: C (Viki).

47. Angel’s Last Mission: Love: This drama was very similar to Doom At Your Service but it was more a bit more redundant with all of the tragedy and crying. I LOVED the chemistry of the main couple but I found myself fast forwarding a lot. Grade: C- (Viki)

48. Marry My Husband: Episodes 1-11 were phenomenal. Such an interesting premise with shocking twists and turns. After episode 11 it seemed like there were new writers who had never seen the show. Very disappointing but top tier villains. Grade: C-

49. Our Beloved Summer: I LOVED V’s “Christmas Tree” OST however I struggled to keep watching. Boring storyline but great acting. Grade: D+ (Netflix)

50. Heavenly Idol: An absolute hot mess. It was completely convoluted and just low quality but I also weirdly liked it. I can’t bring myself to rank it higher because I know how bad it was but I actually enjoyed it better than many shows I ranked ahead of it. Grade: D+ (Viki)

51. My Secret Romance: The story of a total screw up female lead falling for a manipulative, gaslighting, hottie. It was problematic yet fun? So 🤷‍♀️ Grade: D+ (Netflix)

52. My Man Is Cupid: Pros: many cute dogs, sometimes those dogs wear human clothes, cute ending. Cons: Makes no sense, not much chemistry, murder plot takes up too much time. Grade D+ (Prime).

53. She Would Never Know: As handsome as Rowoon is, I found his character problematic at the beginning (no means no buddy) but he did get a lot better as the show went on. I just ended up skipping to watch just the scenes with the main couple, which made the show way more enjoyable. Grade D (Netflix)

54. My Love From the Star: I found myself fast forwarding a lot through all the parts that didn’t involve the main couple and most of the flashbacks. Grade D (Viki)

55. Goblin: The age gap is too disturbing for me, like call the police disturbing. However, the Grim Reaper who is one of the most adorable characters I’ve ever seen. Grade: D- (Viki)

56. Extra-Ordinary You: I have never felt so betrayed by a second half of a series as I did in this one. All of the character development that it seemed to be leading to was replaced by a pretty sickening codependent relationship. Grade: D- (Viki).

Currently Watching: My Sweet Mobster

Dramas I’m Thinking About Watching: Gaus Electronics, Bad and Crazy, Hospital Playlist, Another Miss Oh, Oh My Venus, My Roommate is Gumiho, She Was Pretty, Crash Course in Romance, Soundtrack #2

Dramas I just couldn’t Finish (I’m sorry I tried): Today’s Webtoon, Once Upon a Small Town, Love in Contract, Hotel Del Luna, Kings Affection, Record of Youth, Behind Your Touch, Sparkling Watermelon, Tale of Nine Tailed 1938, Strong Girl Nam Soon, The Story of Park’s Marriage Contract, Wedding Impossible

What are your thoughts on these shows? Do you agree or disagree with my rankings? Any k-romcom recommendations that are not on the list yet?

[taomyou]

The Paradis Marriage Pact

Author: taomyou Pairing: Levi Ackerman x Reader Summary: Do you believe in soulmates? No. Do you believe that Jean's coding project can introduce you to someone special? Not really, but your mind can be changed. Word Count: 6.1k Tags: modern au, university au, strangers to lovers, fluff, meet-cute, matchmaking, one-shot

The Paradis Marriage Pact

"Hey, do you think Levi believes in soulmates?" Hange asks, looking up from their laptop at Erwin. The two friends are in a study lounge reviewing for midterms, but it seems that Hange's taking a break since they're asking weird questions.

"I'm not sure. Why do you ask?"

To that, Hange angles their screen towards Erwin so he can see what they're looking at. The website they're on looks simple enough: it seems just like any other standard testing site. "This second-year in my biotech lecture sent out the link to everyone! It's a matchmaking form for students here!"

Looking closer at the screen, he sees "PARADIS MARRIAGE PACT" in big, bold letters at the top of the page. What's this got to do with whether or not Levi believes in soulmates?

"You didn't answer my question, Hange. What are you planning?"

Hange dramatically leans back into the sofa, arms crossed and a sinister grin on their face. "I'm filling this out on our dear friend's behalf!"

"And does our dear friend know about this?"

"Of course not!" Hange laughs, "he'd skin me alive if he knew!"

"Well, you're right about that," says Erwin.

Hange nods at him before moving back to their earlier position closer to the table in front of them. "Wanna help me fill it out?"

With a laugh, Erwin shakes his head but starts putting away his own laptop and books. Once his bag is zipped, he scoots over to sit closer to Hange. "Sure, why not?"

"Really? I'll text Levi and ask about the whole soulmates thing, but we can just skip that for now!"

♡

"I don't wanna take it!"

"You can't not take it! The rest of us just did it!"

"Yeah, Connie's right," Sasha says, poking at your shoulder.

You groan and swat her hand away.

You and your friends have spent the last several hours in one of the library study rooms. Connie organized it as a "group study session," but you're sure you and Jean are the only ones actually being productive. You're not sure about Connie since you can't see his screen from where you're sitting, but Sasha's spent this entire time playing Overcooked! 2 in multiplayer mode with who you assume is him. Then, about 30 minutes ago, Connie started complaining about his engineering midterm, which prompted Sasha to complain about her physics midterm, which then prompted Jean to talk about his semester-long coding project.

"Could you guys fill this out? I need at least a thousand participants by the end of next week to get an A on this, and I already sent it to everyone I could," Jean asked, forwarding the link to the group chat.

You click on it and are brought to the website.

PARADIS MARRIAGE PACT: Fall in love today!

Leave it to Jean to choose to make a matchmaking website for his final project. Sasha and Connie found the premise to be quite fun, whereas you rolled your eyes at the page.

"Love calculators already exist," you criticized, exiting out of the tab immediately. Jean flipped you off from across the table, not appreciating your comment.

Which brings you to now, where Connie, Sasha, and Jean have been trying to pressure you into filling out the Paradis Marriage Pact. You don't really get why they want you specifically to do it, since you know Jean's popular and he could probably get enough responses, but it's probably more about annoying you than it is them actually wanting you to find the love of your life.

"If you need responses so bad, I can use my extra emails to spam random answers," you offer.

Jean shakes his head, tutting loudly. "You have to input your school email. Besides, if those answers paired you with someone who made the Pact honestly, they'd be heartbroken."

"So? Serves them right for taking some random sophomore's mandatory coding project seriously."

Connie and Sasha burst into laughter, which earns them a glare from Jean. You sigh dramatically and rest your head on your hand.

"Don't be mean! I put a lot of effort into this project!"

You never doubted that he did, him being a CS major, but it was still entertaining to poke fun at him.

"I have an idea! Why don't we fill it out for her?" Sasha suggests, and you see her open the link to start typing in your name. You immediately perk up and try to get her to stop, but she hurriedly picks up her laptop and rushes over to the other side of the table where Jean and Connie huddle closer to her. "Do either of you know her school email?"

"She forwarded me something a while ago, I can check," Connie says, opening his own laptop to find your information.

It's then that you know that you can either do it yourself or let these fools try to guess how you'd answer, and one of those possibilities is infinitely worse than the other.

"Okay, fine! I'll do it!"

All of them smile and immediately get up to crowd you, the sound of their rolling chairs filling the room as they push them to your side of the table. Sasha offers her laptop to you, and you place it on top of one of your textbooks. You type in your school email and some other information, and then you're brought to your first prompt.

It's okay that my partner drinks.

□ Agree □ Disagree

You check off the box for 'agree' and move on. The next couple of questions are easy enough, just asking what activities you're okay with, but your friends are still watching you intensely, and it unnerves you slightly.

After confirming that you are, in fact, not okay with your partner doing hard drugs, you're faced with the next question.

Do you believe in soulmates?

□ Yes □ No

You click on 'no,' but before you're able to tap the button to move on, Jean speaks up.

"What do you mean, 'no?'"

You turn to face him, completely deadpan and unamused. "You made this quiz, why would you even ask if you're gonna get butthurt about people not agreeing with you?"

"It's not about that! You just seem like you'd be into that sort of thing."

You hum, looking back at your screen. "Nah, I think soulmates are kinda stupid."

♡

Midterms came and went, but that "end of next week" deadline came even quicker for Jean. He managed to get the thousand answers he needed for the chance at an A, but he was stressed as all hell up until the very last day when he finally got enough participants. Unfortunately, it didn't get easier for him since he's been stressing about the next part of the assignment, so you, Sasha, and Connie decided to invite him out to dinner to try and help him destress. It's probably not working if all he's doing is complaining about his professor.

"Seriously, what kind of professor requires a thousand participants in that amount of time? This is a lower-division coding class, for fuck's sake, not Advanced Media Advertising!" He complains, taking a long sip of his soda.

"He sounds terrible, but, hey, at least you got enough answers," says Connie.

You and Sasha nod along while Jean takes another sip before speaking again.

"You guys don't get it! He's the actual devil! You guys are so lucky you'll never have to take his class!"

"What's left for you to do, anyway?" You ask.

"There's a report I have to write. I have to prove my project was successful, too, so I gotta find a couple that the program matched."

"And how exactly are you going to do that?"

"The program should've sent everyone an email with their match's name and contact information by now. I just need a couple to reply to it and agree to get interviewed."

"Man, good luck with that, nobody checks their email," Connie winces.

Jean buries his face in his hands, groaning in agony. "I know! That's why I'm still so worried!"

"Couldn't you just lie?" Sasha inquires.

Jean shakes his head. "The professor wants the audio from the interview and a picture of the couple together. It's so fucking stupid, what do either of those things even have to do with the class?" Suddenly, his face brightens, and now he's looking between you, Sasha, and Connie. "Can't one of you guys just go out with your match? Oh, I'm a fucking genius!"

The three of you awkwardly make eye contact with one another, mostly to avoid looking at Jean himself.

"Uh, dude, I don't really think any of us are up for that," Connie says.

"Yeah. Don't get me wrong, the questionnaire was fun to do as, like, a personality quiz, but I'm not down," Sasha adds.

Jean's face falls, and he turns to look at you.

By now, his hands are in a prayer position.

The likelihood of anyone getting back to the email Jean sent is slim-to-none, nevermind the likelihood of a couple replying.

You know how hard he works—the two of you study together practically every other day in the library—and despite his popularity, he's not one to go out often, instead staying in to work on projects or research. He really is adamant about doing well on this project and you know he could somehow make it out with a decent grade, but maybe you could do this tiny favor to help him out. It's not like it'd be all that hard, right? Meeting with your match and getting interviewed doesn't sound like too much of a hassle, especially since you're already close with Jean.

You can't really believe that you're choosing to help him, considering how much of a fight you put up when you were asked to take the Pact in the first place, but whatever. You smile at Jean and give him a thumbs-up.

"Sure, I got you."

Jean practically jumps out of his seat to give you a hug, laughing and smiling brightly. "Thank you, thank you, thank you!"

You give him a firm pat on the back before prying him away from you so he can go back to his seat. "Really, thank you so much! This makes everything so much easier!"

You blush in embarrassment, not really used to affection from Jean, but hey. He looks like a weight's been lifted off his chest, and that's why you're all out tonight anyway. "Yeah, yeah, let me check my email for a name, though."

Jean eagerly nods, a smile still on his face. Sasha and Connie don't look like they have anything to say, but they pay attention to you, probably also excited to know who your match is.

You don't have any sort of hopes for who it could be, not having your eye on anyone anyway, but you just hope they're understanding enough to agree to an interview. You open your mail app and tap on the "Search mail" prompt to type in "Paradis Marriage Pact." There's only one email related to your search, so you click on it to find your match's name in big, dark letters.

"Any of you guys know somebody named Levi Ackerman?"

♡

Somewhere in an empty lecture hall across campus, Hange, Levi, and Erwin are all lazing around after their last class. Levi's laptop is connected to the projector, and he's just scrolling through different streaming sites.

"Why the fuck are we even in here? We can just watch something at home."

"Because, Levi, tuition's too expensive to not make use of the grand halls at our disposal!"

"Imagine not being a scholarship student."

Erwin and Hange laugh, and the latter gets up from their seat to go over to Levi to help him choose something to watch. He refuses them at first, but they just shove him around enough to get him to give up and go sit where they just were. In the middle of some more aimless scrolling, they notice that there's a tab opened to Levi's email.

Hange did overhear someone last week telling that second-year that they got their results back from the Paradis Marriage Pact, so they get the stupid genius idea to try and look through Levi's email for his match. Switching tabs, they type in "Paradis Marriage Pact" into the "Search mail" prompt.

"Oi! What the fuck are you doing?" Levi exclaims.

Hange waves him off, not looking up from the screen. Erwin just has to sit back and watch it all unfold in front of him, the projector magnifying everything that Hange's doing. Finding the unopened email, they click on it and see a name printed in the same font as the initial title for the questionnaire page. Next to the name is a phone number.

Levi still doesn't really understand what Hange's doing, but whatever it is can't be good. He gets up again and rushes for his laptop, disconnecting it from the projector and closing it before Hange can try anything else.

"What do you think you're doing?"

"Nothing!" Hange nervously laughs and looks past Levi's shoulder at Erwin for back up.

Levi follows their eyes over to the man as well. Erwin gets up from his seat, joining the other two at the front of the hall.

"Just forget it, Hange. It was already wrong of us to submit answers for Levi."

"Again, what the fuck are you guys talking about? And what the fuck is the 'Paradis Marriage Pact?' Did you sign me up for a mail-order bride or something?"

Hange extends out both their arms, frantically waving off the accusations and shaking their head. "No, no! This kid in my biotech programed some matchmaking site, so I thought it'd be neat to submit something for you," Hange explains.

Levi exhales deeply, pinching his nose between his fingers. "So you think I need help from a fucking website to find a girlfriend? Just how pathetic do you think I am?"

"You literally have not dated since, like, high school!"

"And? That's a problem how?"

Erwin puts a hand on Levi's shoulder, though it gets swatted away just as quickly. "It isn't, we just thought it'd be fun. We're sorry," Erwin says.

It's certainly frustrating that Hange acts this way, interfering with his personal life, but he knows they mean well (emphasis on "mean.")

Erwin does too, so as much as he hates this, he'll let this one slide. It's a Friday, and the week has been exhausting enough. Erwin and Hange look at one another while Levi reaches into his back pocket to take out his phone. He felt a buzz, so he probably got a text from someone. When he turns on his phone, however, he sees that the notification is a text from a number he doesn't have saved.

Unknown Number - 6:27 PM

is this levi ackerman? this is your match from the paradis marriage pact

He frowns at the text but doesn't say anything. He'll deal with it later.

"Just don't do this again, so help me, God."

Hange's eyes bug out of their head. "You're not mad at us?"

Levi scoffs. "I'm mad, but I'm too tired of your shit to beat you into the ground right now."

"Let's go back home now, yeah?" Erwin suggests, his body facing the door.

After Levi wordlessly puts his laptop in his backpack, the three head back to their shared apartment. Erwin occasionally greets people that recognize him on the walk over, but other than that, they travel in complete silence to avoid pissing off Levi any further.

Once Levi's in his room, he shrugs off his backpack to put near his door and takes out his phone, walking over to the chair he has at his desk. He sits down, turns on his phone, and stares at the message he got.

In the first place, he has no idea what the fuck this Paradis Marriage Pact shit is.

Yeah, sure, Hange described it as a matchmaking program, but it's not like that's much to go off of. He switches over to his mail app to find the email sent from the site.

There still isn't much information—just the match's name, phone number, and a message at the bottom: Please reply to this email if your match is successful and you'd like to be interviewed! He rolls his eyes—the email looks formal enough, but there's no way anyone's going to actually reply to it. He also compares the number that texted him earlier and the number listed on the email.

They match, so he replies to the text.

Levi - 7:33 PM

Yes, this is Levi

Unknown Number - 7:39 PM

sorry if this is weird but i need a favor

Levi - 7:40 PM

Sorry, not interested in dating

Unknown Number - 7:40 PM

me neither

...Doesn't make much sense to text a match from something called a "marriage pact" if you're not interested, but alright. Levi isn't going to question it; he's doing the same thing replying to this person.

Unknown Number - 7:41 PM

could we meet up?

Levi - 7:42 PM

I said I'm not interested You literally just agreed with me

Unknown Number - 7:42 PM

no its not like that!!

Levi - 7:43 PM

Ok, then what's the favor?

Unknown Number - 7:43 PM

my friend is the guy who made the paradis marriage pact program and he needs help getting data from a successful match

Levi - 7:45 PM

And you want me to help because the email asking for it was so pathetic that he needed to get help from someone he knows personally?

Unknown Number - 7:46 PM

exactly! so are you up for it?

Levi - 7:46 PM

No

Unknown Number - 7:47 PM

we'd just have to answer some interview questions together

Levi - 7:47 PM

I said no already

Unknown Number - 7:48 PM

i already told my friend that i'd help him :( please?? i can buy you a drink

Levi - 7:50 PM

Why not just make up the data?

Unknown Number - 7:50 PM

... they need a recorded audio file of the couple talking and a picture

Levi - 7:51 PM

That's an awful lot for just a project

Unknown Number - 7:51 PM

if it means anything, he has dr pixis

Levi frowns.

He had Pixis for Intro to Python in his first year, and it's the only class he's gotten a B in since enrolling at Paradis University. Pixis is notorious for being a harsh grader, but there's only one other professor that offers lower-division technology course requirements for CS majors, so everyone has to take him at some point. It makes sense now that whoever made the Paradis Marriage Pact is scrambling for data. It's stupid that whoever made this decided to reach out for information over email, nevermind over school email, but Levi knows it's too late in the semester to try something else.

Unknown Number - 7:55 PM

ik its asking a lot and i have no idea who you are but if we matched then maybe it wont be so bad

Levi - 7:56 PM

I didn't take it My roommates did it for me and they probably answered it differently than I would've

Unknown Number - 7:57 PM

even better!! we already know we arent a match so theres no expectations

God, she isn't going to stop asking, is she? Levi can't judge their dedication to the cause, though; it's admirable that she's willing to reach out to a complete stranger just to help her friend.

Levi - 7:57 PM

If we aren't a real match, doesn't that make your friend's project a failure?

Unknown Number - 7:58 PM

technically, that isn't his fault

Levi - 8:00 PM

You're not giving up, are you?

Unknown Number - 8:01 PM

i will if you say no again

Great, she's a good friend, and she's respectful.

Levi himself can't believe that he's seriously about to go along with this.

For all he knows, this girl could be a fucking axe-murderer, but, at the same time, he knows how fucking miserable it is to have Pixis for any class ever. She can't be that bad if she hasn't prodded him for any actual information, and she sincerely seems to not be interested in getting to know him.

Just an interview, some pictures, and he'd never have to cross paths with her again?

Yeah, he can do that.

Levi - 8:03 PM

Okay, but you're still buying me a drink

Unknown Number - 8:04 PM

deal!! thank you so much!! let me ask my friend when we can do the interview

♡

"What do you mean you can't come? You're literally supposed to interview us in," you pull your phone away from your ear to check the time, 1:55 PM, "5 minutes!"

"I'm so sorry! I forgot I had a midterm today, and I can't get to you guys and make it back in time!" Jean says.

You groan and change the hand your phone is in. "What the fuck, man, midterm season was over, like, a month ago."

"I know! But Shadis kept pushing it back because people kept asking for more time to study!"

"So what do you want me to do? He already didn't want to do this, and I don't want to inconvenience him even more by changing the date this late."

"I can text you the questions, and you can go through them together."

"What about the audio file?"

"Just record it on your phone, and I'll edit in my voice so it sounds like I'm actually there."

You roll your eyes. "Are you sure that's a good idea?"

"I don't really have a choice."

"Well, you're right about that. Let's just hope this Levi guy is okay with this."

"Okay with what, exactly?"

Looking towards the voice, you see a raven-haired guy around your age dressed in a neat black shirt and dark jeans. Before this, you texted each other the details of your outfits so you could find each other in the café Jean picked out for the three of you to meet, so you know that it's Levi. He seems to have a frown on his face, but you just hope that it's not directed towards you.

Despite that, though, he's.. really attractive.

You try not to dwell on that as you motion him to sit in the booth with you. He does so wordlessly and takes out his own phone to busy himself.

"I'll owe you forever, okay?"

You sigh, putting your elbow on the table. "Damn right you will. I get it, though. I'll try to make it work." You can hear him sigh in relief on the other end of the line.

"Thank you! I gotta go now, but send me the audio after! Don't forget the picture too!"

"It's no problem, Jean. Good luck on your midterm, you got this," you say, then bringing your phone away from your ear to end the call.

Levi clears his throat from across you to get your attention. "Is your friend on the way?" he asks.

You nervously laugh. "Yeah.. so about him, he can't make it."

"Is he who you were just on the phone with?"

You nod, looking away from him. "He called me and said he has a midterm today," you say.

He nods in what you want to interpret as understanding, but he's probably just confused. "Bit late for midterms, no?"

You nod, anxiously laughing again. "I told him the same thing, but he said his professor pushed it back."

"Pushing back a test that far sounds like a fucking terrible idea, but okay."

You hear a buzz come from your phone, so you pick it up to see a text from Jean. Opening it, you see that it's the questions Jean's supposed to be asking you and Levi. You put your phone back on the table and slide it over to Levi to look at.

"He sent me the questions, if you wanted to look at them."

"Just send them to me," he says, ignoring your device. You nod and take your phone back, quickly copying the text and forwarding it to Levi. "I assume we're still going to do this without him?"

You smile sheepishly at him, bringing your hands together in front of your face. "If it's okay with you. I understand if it isn't, but let me at least pay for you to get a drink before you leave. I've bothered you enough asking you to come here in the first place."

He looks up at you for a second before looking back at his phone to skim the questions.

"I don't care."

Tough crowd, huh.

Before you start, a waitress comes to your table asking what you and Levi would like to drink. You tell her you'll have a grapefruit green tea while Levi orders a cup of black tea.

"I'm gonna record the audio on my phone, and then we'll take turns answering, yeah? Jean said he'd edit in his own voice." He hums in understanding, and so you go to open your voice-recorder app and tap the "record" icon before placing your phone between the two of you. "I can answer first, since you have the questions."

He sighs.

"'What's your name?'"

You answer, and he does the same. Easy enough to start.

"'What's your major?'"

"I'm a public health major. You?"

"I'm in CS," he replies. "'How did you find out about the Paradis Marriage Pact?'"

"You forced me to take it," you say, voice wavering as you're unsure if you're supposed to pretend Jean is there or not. Levi looks up at you, his frown now replaced with a neutral expression.

"Are we going to pretend your friend is here?" He asks.

You groan and put your head down. "You're right, it's probably stupid."

He shakes his head. "No, it isn't. It'll help trick Pixis into thinking he's actually here."

You bring your head up and nod slowly, bobbing your head.

For someone who said he didn't care, he sure is nice. Well, as nice as you can be to a complete stranger.

The waitress comes back with your drinks, and you both thank her. 

Levi glances back down at his phone. "'Did you know each other before the Paradis Marriage Pact?'"

"You didn't answer the last question."

Levi rolls his eyes. "I mentioned it to you before. My roommates took it for me, so I didn't even know what this thing was until one of them brought it up to me."

After reaching for your cup to take a sip, you speak up.

"Well, we gotta make something up. You could say they showed it to you, and you decided to take it," you reason. He sighs.

"Okay, then. My roommate showed it to me, and I thought it was worth taking," he says, taking a sip of his own drink. "This is good."

Having never been at this café before, you can't agree or disagree, so you just smile. You notice that he's holding his cup by the rim, which is a bit odd, but it feels fitting for him.

"And no, we didn't know each other before this. It's kind of late now, but it's nice to meet you. Thank you for agreeing to come."

"It's nice to meet you, too."

The two of you continue like this: answering questions, slowly making your way down the list. They're all pretty general—just asking about things like what careers you're aiming for and what hobbies you have. You find out that he's interested in tea tasting, and he finds out that you're interested in gardening. Quite a bit of time passes, and soon enough, it feels like you're just having a conversation with a friend and not recording an interview.

You notice that he hasn't taken a drink in a while, so you speak up to ask him about it.

"Are you out of tea?" You ask.

He nods, scrolling down to the next question. Looking around for the waitress, you call her over to your table.

"What can I help you with?" She asks.

"Could we get two more cups of black tea, please?" At the mention of the drink, Levi looks up at you and the waitress.

"Of course! Let me get that for you," and with that, she's headed off for the drink bar.

"You didn't have to get more, you know." Levi says. "Why'd you get two cups?"

You smile, bringing your cup back up to finish the last of your grapefruit tea. "If you like it, it's probably worth trying. You said you try teas a lot, so I trust that it's good." He rolls his eyes, but you can see the corner of his mouth twitch upwards into a sort of half smile. "Anyway, next question?"

"'Are you happy with your match?'"

"Well, since Jean's supposed to be interviewing a successful match, I'll go along with that. You've been good company too, so yes, I'm happy with my match."

"I feel the same, then." You're glad he goes along with your answer, so you smile over at him. "'Why do you think you were paired together?'" He reads.

"Could you answer this one first? I don't really know how we could lie about this one."

He hums, looking up at you again. "I don't know what kind of questions were on the Pact, but from our conversation so far, you seem like a good person."

You're taken off guard, so you avoid his gaze, looking down at your empty teacup. "You think so?" You can feel your ears start to get red, so you feign fixing your hair to try and cover them. You didn't expect any answer like that from him even with all the talking you've been doing, so you're flustered.

"You didn't know who I was, and you went this far to help your friend with his project. Even after I told you I'm not actually your match, you still wanted to get the data for him. I think most people in your situation would've let him figure it out on his own." 

You laugh good-naturedly, putting your hands in your lap. You look up to see him still focused on you, and the blush on your face feels a little hotter.

You want to thank him and try to answer Jean's question, but before you can say anything, the waitress comes back with two new cups of black tea and takes away yours and Levi's empty cups. The two of you reach for the cups set in front of you, and you take a sip together.

"You're right, this is good," you say. He nods in agreement, and the two of you put your cups down.

"Alright, this is the last question. 'Both of you selected 'no' when asked if you believed in soulmates. Why do you believe that?'" Levi recites from Jean's questions. He pauses, a new frown forming on his face. "One of my roommates texted me to ask this a while ago. No wonder."

You laugh at that, covering your smile with your hand. "At least we don't have to come up with another lie."

He nods. "Yeah."

"Well, there's not really much to say. I think the idea that there's only one person destined to love you is pretty limiting, and then the chances of meeting them would be slim-to-none," you answer. You see Levi nod from the corner of your eye, so you continue. "Falling in love with them would be even harder. It's not really worth believing in soulmates, in my opinion."

"I feel the same way, more or less," he adds. "The idea is there, though."

"Yeah, it'd be nice if there was a way to know someone's perfect for you. Ever heard of the Paradis Marriage Pact? I've heard it's worked wonders," you joke.

He looks pretty unamused, though.

"Yeah, sure. It's so successful that the person who made it has to ask his friend to pretend they've found the love of their life," Levi says.

You laugh, nearly spitting out your tea. "Well, at least we agree that soulmates aren't real! Besides, anyone can fall in love if you spend enough time together."

"I suppose you're right."

Levi did say that the question about soulmates was the last one, so you get your phone from the middle of the table and tap the "stop recording" icon. The two of you don't initiate any further conversation, so you both sit in silence and finish your teas.

The quiet isn't awkward. It's... nice.

You flag the waitress over when you're finished, and after you pay for everything, she asks if you need anything else.

"Actually, could you take our picture for us?" You ask.

She nods, taking your phone from you to snap a quick picture. You smile, and you thank her as she hands the device back to you.

"You guys are so cute!" She coos, waving goodbye to you both. You and Levi both make eye contact, but neither of you say anything.

You check the time on your phone: 3:45 PM. You have a class at 4, so you get up from your seat to start heading over. You look down at Levi who's still sitting and wave goodbye to him.

"It really was nice meeting you, Levi. Really, thank you for agreeing to get interviewed, even if my friend couldn't make it. I hope it wasn't awkward for you."

"It wasn't."

You smile at him, tucking a piece of hair behind your still-red ear.

"Well, that's a relief," you say. You turn to leave the café, but before you can take any steps, you hear Levi clear his throat. You look at him, but he doesn't meet your gaze.

"Did you mean it when you said you were happy we matched, or did you only say that because of your friend?" He asks, looking down at his cup. You see a bit of red at the tops of his ears, so you giggle. "What's so funny?"

Even though he can't see it, you smile at him before answering, ignoring the latter question.

"I think I meant it."

You walk away before you can see his face, but you feel a buzz from your phone as soon as you're out the door. When you look at it, your smile gets even bigger.

Levi - 3:50 PM

I think I meant it too

♡

Jean yawns, stretching his arms above his head. He's finally back home for winter break, the semester having ended a week or so ago.

Despite that, though, Pixis hasn't released his grade yet, and he's getting worried.

Did Pixis somehow figure out that he messed with the audio file? Jean swears he did everything else perfectly, so it's gotta be that if he hasn't gotten his score back. As far as he knew, everyone else in the class got theirs back already. He's been sweating it all winter break.

For the hundredth time that night, Jean goes to refresh his school email. In addition to an email from the university's gradebook, however, there's an email from Dr. Pixis himself.

"Dear lord, please let this be good." He takes a deep breath before opening it. Realizing what it says, he screams out in joy. "Holy shit!"

"Jean-boy, what's the matter?" His mom asks, opening his door to see what all the noise is about. He excitedly motions her over to his desk, a big, bright smile on his face.

"Mom, look!"

Hello Jean, I am very pleased with your project. What an inventive idea—a program to match up students. Easy A. Thank you for not turning in the same boring project as everyone else. This may be a bit out of the blue, but I would also like to extend you a position as one of my TAs for next year's fall semester. You have proven yourself to be highly proficient in the course material. Attached to this email is the paperwork to formally accept. I hope you consider it. Also, good job finding a couple to interview. I seriously doubted that you could when you sent in your first round of data. Actually, I saw them the other day at the ice skating rink downtown holding hands. They look cute together, makes me believe in love again. Consider launching a similar program for professors, will you? I look forward to hearing from you. Best, Professor Dot Pixis.

[fantasyfantasygames]

Beyond the Shield of Time

Beyond the Shield of Time, Titania, 2005

If you own entirely too many RPGs, Beyond the Shield of Time (BtSoT) wants to leverage that.

The basic premise goes like this: Someone is stealing major artifacts from across a number of worlds. Your characters have been drawn into their "slipstream", pulled from their own world into a new one where the thief is their only way home. The game hops from world to world as you track down the villain, they escape you, you fall through another portal, and you slowly gain what you need to get ahead of them. Eventually, you confront them and their secret is revealed, and the game ends soon thereafter.

The coolest and most difficult part of BtSoT is that it's not a game. It's a framework for running a campaign across multiple games. They provide a semi-universal character description template that works across a wide variety of fantasy RPGs, and you reference that in order to make new characters in each world you fall into. Your characters are changed in the process - someone built as an assassin in Burning Wheel might end up as a bard in Dark Sun D&D, because that's the role that bards have in that setting.

BtSoT has guidelines for conversion from their template into D&D (Rules Cyclopedia, 2e, and 3e), Burning Wheel, Dark Hammer, MERP, WFRP 1e, GURPS, HERO, and a handful of others. There are examples of suitable artifacts in each one, from the Silmarils to the Eye of Vecna. It's a shame Glasswork wasn't published for another two years, because it would have been a perfect world to pop through. It has recommendations for what other games will work well with this system and which won't. I appreciate that BtSoT isn't one of those books that claims to be universal even within the fantasy genre. For instance, it excludes Exalted on purpose rather than by accident, for reasons of power level. It's going to be a lot of work between sessions, but I feel like it would be a hell of a cool game. Then again, I'm the guy who's reviewed almost 100 games so far, so, grain of salt.

The art is fairly good. I think it might be Storn? There's more than one piece with the heroes walking through a portal and coming out changed, with two different worlds on the opposing sides of the page. There's another that's very reminiscent of the "Frodo reaching for the ring" image, but with a Dark Sun halfling reaching for what is still clearly the One Ring.

I feel like the reveal of the secret doesn't 100% work any more. Social values and expectations have changed since 2001, and people are familiar with different cultural touchstones. Much as I love the Amber setting (which is half of the reveal), I'd probably want to rewrite the ending for a more modern audience.

Titania was one of the first game designers to publish as herself (or even a pseudonym) rather than as a company name. Even Monte Cook was still "Monte Cook Games" rather than just his name. Now that's basically the standard if you're in the younger bracket of game designers. There were some rumors that Titania left the industry, but there have been some more recent books with her trademark writing style, so I think she's still out there somewhere.

[system-of-a-feather]

Referencing this post that I replied to; other than my gripes about the ToSD being very colonialist in it's assumptions, the OTHER large issue I have with how ToSD is talked about in online spaces is that everyone applies a circular reasoning / argument as to how ToSD is absolute and correct.

For simplicity of discussing it without the pre-occuring discussion:

[...] before you state that its impossible for people to experience themselves as plural without trauma and that said person DEFINITELY has trauma they don't know about, please provide a genuine literature review or MULTIPLE sources (because one source is not enough to make a claim) with empirical research that has been replicated across studies that are NOT just on white / western cultures that proves that all people integrate into one state of self without trauma. I'm not asking for research that proves that "trauma causes DID" because that is unethical and there is no reason to expect that literature to exist, I'm asking for the null hypothesis that people will always - across all cultures and backgrounds - fuse into one person. The fundamental statement that underlies the ToSD is a huge assumption in its own that is largely unfounded in literature. Even the famous did-research.org (which is not a strong source, its written by a person who is a PhD candidate, its a nice source for convenience but its secondary) acknowledges that it is based on the ASSUMPTION that people fuse. Unless there is proof that people across all cultures always fuse to one identity state, using the ToSD to say it "proves" that all people fuse is a circular argument / circular reasoning as "The ToSD operates on the assumption that all individuals fuse into one identity" then "The ToSD states that trauma causes this fusion into one identity to be disrupted thus causing DID" then "therefore ToSD proves that people will fuse into one unless they have DID, thus using itself as proof for the premise". The ToSD can't both be based on the assumption that all individuals fuse unless disrupted by trauma AND also be the proof that all individuals fuse unless disrupted by trauma.

It's not all that much better of a circular argument than the assumption that god exists, that the bible is right because god exists, and the bible says god exists, so god is proven to exist.

If you change "god" with "fuse into one person unless disrupted by trauma" and bible with "ToSD" its the exact same arguement.

So unless there is literature out there that accounts for intersectionality and cultural awareness and is actually replicated to the standard that it should to be considered anything more than a "finding" in science; the argument is circular and not much better than the classic biblical circular argument.

You can't both have something based on an unproven assumption AND have that prove the unproven assumption.

[ettawritesnstudies]

Hi Etta! Sorry if you already mentioned this, but where/how did you find your editors? (If you don't mind sharing)

Don't mind at all!

I know there are companies like Reedsy and the Writers Digest which have databases of editors, but that seemed really overwhelming. At the end of the day, the best way to get resources is to network (make friends, and hope their mutuals like you too).

Last year, I did an interview for Amanda Auler on Instagram and she boosted my account, so months later I ended up doing an interview for Addison Horner. He does editing for indie authors, so I asked him for a sample edit and liked it, but I wanted to get other points of comparison first, so I asked around and came up with a short list of editors. I contacted them, and when I had enough to compare, I ended up deciding I liked Addison best and drew up a contract with him. God moment that I found him so quickly.

But if I had to give this advice to someone else I'd recommend following these steps:

Read books in your genre. Read INDIE AUTHORS in your genre. Review their books. Follow them on social media. Be a friendly fan but don't make it weird.

Indie authors are one person publishing teams desperate for engagement and positive attention. They will thank you for your help and be willing to pay it forward when the time comes.

Once you have a handful of books you like that have similar vibes to your book, flip to the acknowledgements and find the editors name.

Google the editor, find their site, submit your inquiry, email works better than a form.

If you can't find the editor online, DM the indie author and ask "hey I really liked your book and it's a good comp title for my WIP. Who's your editor and what was your experience with them like? Do you mind pointing me their way?" Follow the author's advice. Repeat as needed.

(I've only ever received nice responses to this, don't be anxious. If they don't reply they're probably just busy, not annoyed).

When you contact editors, ask about their availability, rates, and be specific about what type of editing you need. Ask for a free sample edit. Mine were 250-2500 words.

Supply details about your WIP. Mine looked like this:

Title: Runaways

Genre: Middle Grade Portal Fantasy. I'm not labeling it as "Christian Fiction" as religion isn't a focus point of the story, but there are significant underlying Catholic themes.

Premise: When Cecelia goes missing one stormy Halloween night, her older sister, Hannah, must venture into the faerie courts to learn the truth about their past and bring her home. (Linked WIP Page with additional information)

Length: About 86,000 words, 180 pages (Times New Roman, 12pt, double spaced, standard 1in margins formatting). 21 chapters with an epilogue

Style: 3rd person limited, present tense. 3 POV characters: primarily Hannah at first, and then Cecelia and the third added later, alternating.

Status/Timeline/Availability: Currently with a 2nd round of beta readers, and I'll be getting feedback by March 31st. After editing the draft to reflect their feedback and doing my own line edits, I'll be looking for a line/copy edit around April/May or early summer.

Types of edits needed: As I understand, every editor uses "line" and "copy" edit slightly differently, but I'm looking for a combination of both styles if possible: checking for internal consistency, logical choreography, adequate descriptions, minor plot or worldbuilding errors, as well as language concerns like cutting crutch words, making sentence structure more dynamic, choosing the right verbs, etc. Developmental editing not needed. Waiting to do proofreading at the moment

When perusing at the editors site, look for credentials/certifications, their backlog of works, and testimonials

If you don't have enough options following this method, join some discord servers! I'm in a local NaNoWriMo group and a Catholic Writers Guild called Inkwells and Anvils which were both useful. I think there might be some writeblr ones as well. Find the critiques channel and send the same information there^^

Compare sample edits. Who respects your voice? Who supplied the most insightful comments? Do you vibe over email? Are they willing to do a stylesheet? Do they like your book? Can you set up a 15 minute zoom call to see if you vibe and discuss details?

Look at prices. My rate is $.015 a word but that's pretty cheap for the industry. Most of the rates I saw publicly were between $.02-.03/word for line editing.

Pray/sleep on it

Once you pick your best option, set a date to send them the manuscript, sign contracts, and make payment.

Send a polite email to the other editors and say "I regret to say you're not quite the right fit for this book, but I appreciate all your time, help, and advice! I hope to work with you in the future" or something along those lines. Don't burn your bridges.

Celebrate!

This whole process took me a couple weeks, everyone was very punctual and professional and friendly. I ended up going with Addison not only because he was the cheapest but also because he made 3X the number of comments as any other writer, and his comments were specific and useful. He understood my characters immediately, I think in part because his writing style is similar to mine, based on his debut novel, Marrow and Soul. We're both Christians who like YA dark fantasy. It's a good match. He's still taking clients for later in the year if that's your vibes. I also worked with Amber Burdett and Sariah Solomon, who were both lovely.

I wish you the best of luck finding an editor who fits your story! I hope this was helpful and not overly long.

[weaselbeaselpants]

If I were a cartoon review youtuber, some of my videos would definitely be:

Underrated Animated films you should see vol. 1 - ongoing

Complete look at Skunk Fu! and all it's episodes

What's ACTUALLY wrong with Illumination films (spoiler: it's not the designs). And that video would probably have a sequel ironically unironically accusing Chris Meladandri of being a White Walker who rips out movies' souls.

Disturbing Animated Film Iceberg.

A calming, sweet short retrospective on The World of Peter Rabbit and Friends.

Killing off the idea of "endgame". Tho, tbf, I'm definitely going to be writing that thesis statement down someday. I guess in video format it'd be a big "did this series REALLY fall off cuz the creator catered to fans?" breakdown of a few shows.

A video about 9. Because of course I'd make something about 9.

Politically heavy (but not horror) animated films.

An essay explaining the difference between what I want to see in a story vs what's actually good in a story; and likewise the difference between what I personally do/don't find offensive and what's objectively offensive as a viewer.

The dichotomy and standards between different talking animal films.

A review about Mary and Max and why I like it but it's okay if other autists don't. which would be a broader video about how to listen to the opinions of demographics and minorities and not to treat any one as a hivemind.

Movies that I dislike but aren't actually bad.

Movies I love that aren't really all that good.

A deeper dive on my take that Steven Universe was always deeply flawed but having an otherwise working ending; where Star vs was a well-written show that utterly biffed it on the ending.

The Swan Princess is secret conservative propaganda.

The 31 dumbest things in Oogies Revenge.

Zero's Journey is the only good TNBC continuation.

13 Horror animated Feature Films. For Halloween, of course...

My issue with Dreamworks' stans and why I dislike How to Train You Dragon 2.

My issues with Anti v Proshipping. Def would be a multi part series explaining why I think most of the problem is just people really aggresively bulling one another -AND THEN, getting into heinous fandom shit that no one talks about and the ethics of children online and freedom of expression.

Prolly then would make an exclusive (cuz it's dirty) review abt the rights of r34 and adult artists and what they had to/have to put up with both from peers and websites banning explicit material.

What absolutely doesn't work about Pocahontas and Anastasia.

I'd do a series called "Spitball Re-haul" wherein I go through a revisioned show's premise and then explain all the reasons for the changes. I'd make:

How I'd rewrite The Owl House season 3.

How I'd rewrite Star vs the Forces of Evil "Cleaved".

How I'd rewrite Strange Magic.

How I'd rewrite Raya and the Last Dragon.

How I'd rewrite Seasons 4-8 of Friendship is Magic.

My tinfoil hat video on Disney trying to profit so much off of fans is hurting their bases.

Mapping out and analyzing different types of crossover fiction, their merits and their issues with story-keeping.

Mythological and cultural animated films.

and finally, for when I'd muster up the strength:

an HBomberGuy-type callout/deepdive into MysteriousMrEnter and Lily Orchard and how they've made cartoon reviews worse.

[standreamy]

Miraculous The Movie Review: An admirable, imperfect attempt

PREMISE

It's not a masterpiece, it's not groundbreaking and it has flaws that limited the result quite a lot, which I'll point out. Yet it's also a very good product that I think should be praised for its efforts.

I watched this movie both with people who have followed the whole series, and with those who have seen it partially. I also watched it by myself and with people who have never seen the series and knew nothing about it.

I have therefore tried to keep my view as unbiased and objective as possible.

I will divide this analysis/review into various sections. I tried to leave comparisons with the series only in the last one, though inevitably, it wasn’t possible to never mention the differences. For this reason, I decided to leave a final vote that will be split into what I grade the movie by itself and what I grade it as part of the Miraculous brand.

However, I want to clarify that with this post I do not intend to discredit those who prefer the show, nor do I intend to encourage those who prefer the movie  to behave arrogantly and attack Astruc.

The final part is where I will directly compare movie and show and where I will explain my preferences. You are perfectly free to skip, as it’s the last part before my grades.

With that said, let's get started!

ANIMATION

I've seen little contrast of opinion on this topic. Indeed, it is undeniable that it is of the highest quality. I'm a big fan of 2D, and as for animation I prefer it to 3D by a long mile, but the choice of quality for the movie is impressive. You can’t just help but admire and it surely deserved a worldwide release in theaters. 

The backgrounds, the characters, the details, the textures and the focus on expressions… Nowadays, Disney movies spend almost double the budget and offer equal or almost inferior graphic quality. 

I also want to clarify that the focus on expressions is very important because by following the "show and don't tell" rule, it allows you to receive information on what the characters are feeling and therefore enriches their profile. You never see a stiff character, even in the background or from a distance there are characters expressing emotions or doing something, which is actually stunning for the eyes. One of the best 3D graphics I’ve seen personally.

MUSIC

The number of songs is a judgment that can only be subjective, as not everyone likes musicals. But for being a musical indeed, I personally find the number acceptable, especially for the role that the songs played.

I find that composition wise (I study music professionally) they are all very high quality. The harmonies chosen, the orchestration that Zag has composed are of a very high standard not generally seen often in modern animated movies.

This can also be seen in the background music, which is extremely impactful and recognizable. None goes unnoticed, embrace the scenes in harmony. The soundtrack in a movie is fundamental, it enriches the feeling that the scene can evoke. It is after all not an unknown factor that, for example, by removing the soundtrack of a horror movie, you remove much of the effect of fear and unsettlement it creates.

Returning to the songs, however, I particularly appreciated their usefulness for the plot and the characters. I have seen very opposite opinions on this matter, from people praising them and people thinking they were totally unrelated or repetitive. Personally, I think every single song expressed a well-defined concept that carried forward the intended messages.

Speaking from a purely personal point of view, on a melodic and interpretative level my favorite songs were "Courage in me" and "Stronger Together". However, I find the most important to be “If I believed in me”, “Chaos will reign today” and “Alone again”. A song for each of the film's main characters; Marinette, Adrien and Hawkmoth.

And I also found the most well executed “Reaching out”.

But for this analysis, I'm going to touch on each song.

“If I believed in me” This song is the perfect introduction and presentation of the character. It tells us all the key details to know about Marinette at first glance. She is very shy, awkward and introverted to the point of having social anxiety. This has led her to willingly shut people out, even though people who know her a bit more seem to like her, and even if deep down inside she wants to fit in and her creativity is a way for her to channel that. She has a dream as a fashion designer and takes all the inspiration from the world around her. However, this inner conflict leads her to self-sabotage and behave in a bizarre way. This is a classic and basic step that most of the best musical animated movies follow and in this one it was quite appropriate. Putting a song right at the start may seem unsettling for people who dislike musicals or found it unnecessary, however, it was a very right and basic rule to follow.

“Alone Again” Another very important song that expresses not only Adrien's pain for the loss of his mother, but also for his father's neglect. The text is universal enough to show that Adrien may want to reconnect with both Emilie and Gabriel. Not having enough minutes in the movie to properly focus on the Agreste family dynamic, this was key to fix that. Because of this, I think that removing it in non-French versions was a very big mistake.

"You are Ladybug" While it’s not one of the most fundamental, it’s a song very well handled, because it not only explains part of the lore, but actually shows that in this movie the Kwami are much more sentient.  Tikki demonstrates her knowledge of years of experience. She knows how it works, she knows which carriers are best for her and she also knows it might help Marinette to improve her confidence as she outright states while singing. On a musical level, the use of the show's original opening is also very effective. It's not easy to readapt a motif several times without getting bored of it, even building a new song on top of it, and in this case Zag did an excellent job.

"Ma Lady" Similar to "Alone Again", this song is also very important to show one of the new motivations for Adrien to open up. Chat Noir is Adrien's way of bringing out his inner self, and even though it didn't do it the best way at first because of his attitude, this is the beginning of his change. It’s a crucial song to a crucial improvement.

“Chaos will reign today” This song has a strong Disney villain vibe that fits very well with the model they followed for Hawk Moth in this movie. Another classic to express the desire of the villains is to convey it with a song that gives the right tone to the character, who can be more or less evil. In the case of Gabriel it is very smart to show him with a theater man attitude, given that his wife performed in the theater in the world of the movie. It fits well with the character they chose for Gabriel. This song is also the very moment Gabriel is sure about his path and finally decides to go on being a villain.

“Courage in me” This song, in addition to having excellent musicality and a change of tone that is always and gradually more triumphant, is very well represented. It begins with Marinette grappling with anxiety and her instincts and desperation growing stronger until they become a call to the mission. Marinette embraces her role after much hesitation and from this moment a change begins for her as well as for Chat in "Ma Lady". From here on Marinette will try to open up slowly and improve.

“Miraculous theme remix”  Nothing in particular to say about this. It's a pretty good adaptation and perfect for a montage, even if I'll explain later on why I would have substituted it with something else (“The wall between us”).

“Stronger together” Perhaps the most representative song of the movie. In addition to the impressive presentation, the portrayal of the relationship of the two protagonists under these forms is enhanced to the max. Both open their hearts, finding the pinnacle of their relationship and communicating it openly. Especially for Chat Noir, this is the quintessential moment where he finally opens up and reaches out to someone. He makes himself vulnerable for the first time in a long while, demonstrating the improvement in him as a person. Sadly, it doesn't end the way he hoped.

“Reaching out” Perhaps one of the best-performing songs in the movie. Marinette, similar to Chat, has improved and opened up, hoping to be able to find a mutual feeling that however, apparently, wasn’t reciprocated. This moment naturally creates a lot of doubt and insecurity in her and the song represents this difficulty and duality. By now she's grown up, she's learned to be herself and she can't just go back to zero point, however now her doubts and insecurity are growing because her efforts didn’t seem to work.

"Now I see" The song played during the end credits. An alternative version to "Stronger Together", with the same main melody, but different words, much more appropriate for the resolution of the movie and the now realized reveal. Their feelings were revealed in totality and they managed to connect. Their eyes and hearts can finally see.

"Careless Whisper" Yes. I will put it in the list because while its purpose is silly, it has one. Putting it in the moment Chat falls for Ladybug makes sense because those feelings are still incomplete and needs to grow and mature. It's understandable to make it a comedic moment. Just like it was a good idea to use it again later on as it's a break up song.

PLOT

Simple but functional plot, which follows a perhaps predictable path but also manages to exploit as much as possible in such a small time frame.

Compared to the series, at least the arc of Hawk Moth, everything is very simplified, but I think it's a good choice.

Not having too complex bases and having to fix everything in a limited time, but also needing to address important themes, the movie was able to focus better on the chosen details.

There are some cuts that unfortunately, however necessary, demonstrate that the movie’s potential would have been better expressed in a trilogy totally focused on Gabriel, rather than with a change of villain, thus allowing for more in-depth development.

However, it is understandable that with the Covid crisis and with the movie's few certainties of success a few years ago, Zag chose a safer path for the first and possible only installment, given the great uncertainty of possible sequels. The only thing that can be blamed then, is the possible fear of daring.

Beyond these elements, the film is certainly well studied in its three acts. Reinterpreting an existing story that spans several seasons and containing it in a movie is not for everyone and I find that as much as possible has been done and that it achieves the goal.

I also appreciated that many aspects of the PV have been restored for this version.

STRUCTURE AND RHYTHM

One of the main flaws of this movie, maybe the most critical, is the pacing.

Given the large number of characters, messages and plot twists, as well as the necessary gradual developments to be made and the relationships to be highlighted, everything happened very quickly and sometimes felt rushed. From the second act, it gallops towards the finale.

At my first viewing in French, this feeling was clear as water, but it improved on subsequent viewings in other languages as well.

It was an aspect I find impossible to prevent, but perhaps could have been lessed in some ways.

This problem goes hand in hand with the impetuous scene changes, even if mostly softened in the Italian version I watched afterwards.

Often there are sharp cuts that can be noticed between one scene and another, given the many perspectives to follow. It is clear that the time frame was limited and this detail would have been significantly improved with just a few more minutes.

In its favor it can be said that despite the short time frame, the many things to say and the too fast pace, the substance is clear. Characters are defined in who they are and what they want. The story is too, touching all the stages and completing itself, but still leaving room for the sequel. All reading levels are readable despite the flaws.

It’s a real shame though, that many aspects had to be rushed where instead they could have hugely benefited with more playing time or even splitting this arc into 3 movies.

DIALOGUES

Another mixed point of this movie are the dialogues. In some moments, for example the beginning with the conversation between Marinette and her mother Sabine, they fall into unnaturalness. They feel a bit out of place.

However, there are many other dialogues that are opposite to this; they are well thought out and excellent for explaining messages that cannot always be shown for playing time.

One such example is the dialogues between Tikki and Marinette when they get to know each other. “Exciting! You discovered electricity!”, “Girls can wear pants? Finally!”: these are dialogues that together with Tikki’s sung story not only make us understand the authority of the Kwami but also the historical context of the story and guess the time that has passed since there was enough chaos to call the Miraculous into action.

Also much of the characters' banter and comedic gags (with the exception of Plagg farting, which I find unnecessary as that kind of humor nowadays can be considered "outdated" for children and as the movie already had other comic reliefs) help to define the various contexts. Nothing the characters do or say really seems pointless.

DUBBING

On this aspect, I decided not to focus much because for each language there are positive and negative aspects. I have seen the movie in French, English and Italian (my native language) numerous times. In French and English, the known problem is that Marinette's voice is too deep in the singing and I agree that at least in English they should have let Cristina Vee sing. However, even here I don't feel like judging enormously because I also watched the movie in Italian and there these problems are completely absent. Indeed, the Italian version is probably the best in my opinion. Excellent acting and intonation, Marinette's chosen singing voice is very similar to speech as well as impressive in the expressiveness, and Adrien's is the same in both speaking and singing and is intoned and expressive.

The only voice that is out of place in Italian in the singing is Tikki, the same as in speech, a little out of rhythm and intonation.

However, I appreciated the different depth given to the characters compared to the show. Deeper and more expressive.

LORE

Starting from a purely introductory point of view, we can say that we have had a fairly complete one that immediately informs us of the basics; The miraculous of the cat and the ladybug contain enormous power and are balanced, they are called only in times of chaos and that of the butterfly is the most dangerous in case of incorrect use.

We are then informed in the movie that the Miraculous have been used since ancient times, that the Kwami are related to jewels and bestow powers but that they are also wise and skillful in their choices. They probably go dormiant when use is not needed.

We still don't know how the Miraculous were created, how Fu lost them (if he lost them in this version in the first place) and how much the Kwami have to obey their bearers. Furthermore, perhaps one of the defects is the absence of an explanation on how actually the Miraculous of Ladybug and Chat Noir could help Emilie. Would they bring her back to life? Would there be a sacrifice to be made?

Another aspect that I would have introduced in advance is the explanation of the powers of the Cataclysm and the Cure.

From a usage point of view, I think an excellent job has been done. Great idea to leave them at only the last drastic case, also for a matter of scenic effect. The idea of eliminating all of Ladybug's other powers to truly balance the two heroes is also excellent. Destruction and creation, Ladybug forced only to use her wits with what she has around, without extra help, and Chat engaged in a more physical role.

In this aspect, I think the movie did a better job of never making Ladybug and her Miraculous feel more important than her counterpart ever.

However, as mentioned, the lack of an explanation of these powers and introduction is a shortcoming of the film.

Even a mention of their danger and the fear of using them in any casual fight would have been of great help to better serve the surprise effect. Or propose that you need to reach a certain level of maturity or experience to unlock certain powers, even just inner acceptance.

The transformation limits have been removed, as well as that of only one Akuma at a time and a self-akumization of Hawk Moth while he was still transformed. All these changes in my opinion are not harmful and with the time limit it is a more than necessary cut.

It is also implied that the incorrect use of the miraculous can have negative effects on the bearer, as seen by Gabriel, increasingly destroyed and unkempt, as well as victim of fainting episodes. I found it a very ingenious choice, like making the enhancement of the powers of the two main miraculous literal when coordinated.

CHARACTERS

There are characters more or less different from the series, but regardless of whether they are good changes or not, the fact that they exist is not a mistake. It's a reboot, the characters don't have to be the same as their counterparts. They do not have the same roles, priorities or main characteristics. They are not supposed to be anything the show portrays them as.

The most remarkable thing is throughout the duration of the film the two protagonists have balanced roles.

Marinette/Ladybug

In this version, Marinette is a very different character from the series. Introverted and shy, and it is precisely this factor that makes her clumsy and awkward, even going as far as to assume bizarre attitudes in public, withdrawing into herself (as demonstrated with the teens who had tried to greet her and with Alya, whom she advises to stay away) and making mistakes that she apparently wouldn't make with more confidence in herself.

This leads not only others to avoid and mock her, but also to increase her anxiety.

A fairly predictable path for a protagonist where the superhero theme is concerned, but functional and excellent for counterbalancing Chat Noir and his readiness for the role.

From these points of view, Marinette is a character who is a victim of the situation, but also a victim of herself. She is flawed on purpose in the right ways. Her attitudes have a clear cause understood from setting, but realistically it’s still an unhealthy behavior for herself (hiding behind a car on first greeting, risking getting hurt repeatedly, loneliness).

Marinette is "chosen" by Master Fu and Tikki, for her instinctive and rapid heroic gesture, which almost failed. She doesn't hesitate for a moment to risk her life and almost throw it away, there are zero second thoughts. However, Tikki also chooses her because of her experience with past wearers of hers. Indeed, the call to become a hero, a very common theme in the stories of superheroes who are called to service in case they have the opportunity to help, even if perhaps they don’t wish to or never had an option to choose.

It can be said that Marinette is actually "the exception" for a girl of her age. Many would jump at the opportunity to have superpowers, like Adrien.

Indeed, Marinette keeps doubting clearly until "Courage in me", where fear is transformed into the need to act. Marinette has no choice, but she embraces the task and from that moment she begins to change.

She will begin to open up more to Chat's company, she will begin to open up to her friends and Adrien, to communicate with him, to get to know him.

And we see her blossoming into the same but also a new person, which leads her to a better life. However, the message given isn't that you have to change yourself to be accepted. But that effort must start from you. If you harm yourself and wait for others to step forward (even if the help of others is useful, as demonstrated in the movie) you will not be able to get back on your feet.

Marinette finds the confidence not to change herself, but to BE herself. To open up, to try courageously and relax, arriving at beneficial results for herself and this consequently leads to acceptance by others.

Marinette is already a fantastic person, but she has to let others see it and her experience as Ladybug, then leading to opening up first with Chat, with Alya and then with Nino and Adrien allows her to reflect what she has inside.

After rejecting Chat Noir with regret and inner doubts and after the rejection by Adrien, Marinette doubts again. After all, she made the effort, she got better… and it wasn't enough.

She doesn't know if it was worth it or not... yet she proves that the Marinette she once was is now different. She rushes into action to help when Hawk Moth strikes and after a moment of crisis she remembers the words from Chat and Tikki, during the very moment she hits rock bottom. She gets up in the form she believed most vulnerable, which she had already exposed once failing, she throws herself forwards and saves Chat Noir.

And finally, with the herself that she built, she rebuilds the city and steps forward to connect to Chat/Adrien. Difficult step because there will always be the slightest doubt of being rejected, but she embraces it and this time it brings her to a happy ending.

She no longer has to worry about having her parents drive her to school, she no longer has to worry about being watched, because now she can let her inner light shine and she knows that if she falls, she will rise again.

Adrien/Chat Noir

In this version the male protagonist is much more introverted as a civilian. Similarly to Marinette, he too has difficulty opening up and from a certain point of view he too by personal choice. Also demonstrated by the symbolism of the earbuds that he always wears in moments of insecurity. Indeed, in his case it is mainly a self-isolation that is imposed due to the trauma suffered by the death of the mother and the distancing that the father has placed in the relationship with his son.

Unlike the Adrien of the show, this Adrien grew up without particular restrictions, he can go where he wants and also had a good relationship with his father, who was present and affectionate. It's not hard to think that in this version Adrien was even encouraged by his father to go to school as a way to push him away, given Gabriel's confirmation in the finale that he couldn't bring himself to see his son's sad gaze.

As a consequence of this, we see an Adrien who, while kind and helpful, is not the same ray of sunshine of the show, whose main trait is kindness. But in this case, it doesn't HAVE to be.

This Adrien has trouble opening up and is afraid of becoming attached, which is why despite going along with Nino proposals of hanging out and helping out Marinette, he doesn't feel like being around them too much.

On the other hand, as Chat Noir, he is extremely stuck up and arrogant, proving that Chat is really an escape for the boy, who however exaggerates in letting this side out and ends up behaving in a quite negative way (albeit in moderation). A guy who probably really took on a few traits of the snotty rich kid.

This reading shows us a clearly flawed Chat Noir.

We don't see his meeting with Plagg or transformation, but from the get-go Chat is the one willing to wear the role, so while it would have been nice to see it, I don’t blame the cut. It was Marinette the one that needed more focus in this case.

Chat's attitude changes from the moment the boy develops a crush on Ladybug. This drives him to improve and gradually moderate his attitudes. Unlike the show's Chat he doesn't flirt and while it’s gradual, his banter with Ladybug becomes more playful and affectionate in nature and starts trusting her capacities. He becomes more humble and approachable, admitting that he doesn't see himself as the boss of the duo and offering to play sidekick. He collaborates with the girl during the fights, listens to her, begins to see her merits... and in civilian life he begins to go out with Nino, Alya and Marinette, to the point of opening up about his mother with the latter, an extremely personal topic for him. He no longer wears earbuds, no longer isolates himself from the outside world.

We see him again in class finally, when he didn't show up at the other lessons and we see him go back to a normal life.

His feelings for Ladybug in this case have improved him and come to a head when he also confides in Ladybug about his mother in his special place, confessing his feelings in a song and showing his vulnerability. Unfortunately, it does not end up as he would like and it leads him in the same situation Marinette will be into shortly after, doubting how good it was opening up. At the proposal to go to the gala with his friend, he will reject her with regret and what appears to be repentance and guilt.

This passage can be read both as insecurity about his feelings towards Marinette, and as insecurity about him opening up to others, given the hard blow immediately after finally opening up for the first time.

But even Adrien can't go back to zero point, and after a momentary moment of grudge, once he realizes that Ladybug is in danger, he runs to help.

Adrien throws himself into the fight against his father, which lands him in trouble. Thanks to his father's guilt, the villain stops and the two talk. Here Adrien's growth finally shines, who finally incites his father to let Emilie go, which he too had to learn to do and did, and forgives him.

That is a moment of acceptance and unfortunately, however, it is also a probable farewell, with the father who has presumably ended up in prison. Adrien thus remains alone and returns to isolate himself again due to the new trauma, even if not completely (he went to the dance, he doesn’t wear earbuds and Nino says he will join them). It's hard for him to go back to normal and heal, but he's learned and the step Marinette takes to reach his heart finally pays off and Adrien can start healing.

Gabriel/Hawk Moth

Perhaps the most human character in the movie. Gabriel, contrary to the show, is a man who shows constant crisis towards the loss of his wife. In the presence of others he proves to be composed, engaged in his working life (which we finally see more of), but in the private sphere he does not hesitate to show us all his desperation, also visible in his appearance which becomes increasingly scruffy as he continues with his hunt for the Miraculous.

We arrive at the end of the fight that he is a man destroyed by pain, by his own obsession that has taken over and by repentance.

As a character, although he comes across as cold and distant, he doesn't seem to abuse his son. Rather than an abusive parent, he is very neglectful and he pushes Adrien away for a matter of grief, not for his own standards of the family. He doesn't harshly reject Nathalie's proposal to eat with Adrien because he really doesn’t find it necessary, rather the reminder seems to hurt him because he knows he is wrong to not want his son around, which is why he acts so stern right after.

Thanks to the song and the revelation of his role, we discover that he is slowly descending further and further into madness, overwhelmed by his feelings. His own song, while not excusing his actions, treats him almost sympathetically and is the very moment he made the choice for his path. Up until then he was unsure which way to go, but the more his desperation and impatience grew, the more he lost control. And as Adrien freed himself from the chains of mourning, Gabriel became more and more engulfed in them.

Gabriel shows us that he cares about his son, while trying to detach himself emotionally to the point of believing he no longer has "Nothing to lose". To the point of believing that their relationship cannot be saved and that really the only way is to return Emilie to Adrien, even if that could mean losing his son's affection.

Still, Gabriel worries about his son's health and safety at all times, between making sure he's not at the scene of his attacks and wondering where he's been during the night. All this, while we see him more and more unkempt.

Gabriel, however, has been a loving man in the past and has all the bases for a possible redemption. It is precisely so that when he recognizes his son in Chat he decides to stop, realizing how far he has gone.

It doesn't excuse him from his actions, for which he will likely pay, but it does make him a villain we can sympathize with. He finally lets go of his wife, accepts the pain, and receives acceptance from his son who acknowledges that Gabriel too needed help. And then he hugs Adrien for the last time, in what seems like a desperate gesture that he's wanted to do for a long time. Heal the wounds of loss with the love of the one he still had, but who probably couldn't raise anymore.

However, a negative detail of Hawk Moth, perhaps the only one, is the fact that his costume does not fit with the character. In the series, his mask is understandable because at the beginning you don't want to immediately reveal his identity. However, this element is not introduced in the movie, so a redesign would have been appropriate.

For the post-credits scene, it is very unlikely that Gabriel left to Nathalie the duty of carrying on the plan, especially AFTER he surrendered, evidenced by the dialogue she recalls, implying that at the time of the confession no one else knew of his identity. After his surrender, all Paris was aware and it would have made no sense to talk about it as if it were a secret (although Emilie's body still was). Nor would the authorities let Gabriel loose after his surrender.

The kwamis

In this version we generally know little about the origins of the Kwamis as we do in the show. However we are aware of how much more sentient they are. Their authority is significantly greater and they are more difficult to manage. Theirs is not an attitude of chaotic innocence, but rather a "We do as we want because we have the right to", because they have enough years and experience behind them to be able to decide for themselves.

They impose themselves on their bearers and although they act as advisors, especially Tikki, they do not hesitate to reiterate several times that they are very expert beings in their job, to the point that they know how to recognize a pattern in all their bearers and also use it for choosing them. They are Gods, and as Zag wanted, they manage to prove it despite their cuteness.

We also know that Tikki and Plagg don't get along very well, but having not seen them interact we cannot yet define their relationship. Let's hope that in the sequel we’ll see this element, given the new relationship of their carriers.

Tikki is much more in-depth than Plagg in terms of screentime. Often advising Marinette to follow her feelings but also advising against it if needed, always following her own experience and gut.

Plagg on the other hand, unfortunately has much less screentime and another weak point of the movie is the fact that he was into the comic relief, in a somewhat avoidable way. Too bad, because despite his tough exterior he hides a soft heart, as demonstrated when he consoles Adrien over Ladybug's rejection.

Master Fu

Master Fu in this version appears more like a real guardian than a mentor. A person who looks at the Kwamis and makes sure they don't take too many liberties and then takes care of choosing new bearers together with their approval.

He does not approach the two heroes to instruct them except at the beginning, approaching both of them and at the end to recover the miraculous of the butterfly.

More than his absence as a master, the lack of his backstory and the missing miraculous can be seen as a flaw, although it is possible that it will be addressed as a theme in the sequels.

Fu in the movie is much weirder, ending up taking on a secondary comic relief role which in my opinion would have worked a lot more in this case, rather than on Plagg.

Secondary characters

Given the short time, many of them could not receive much space, but they were still able to show their usefulness.

First, Alya. The girl has a very charismatic personality and this leads her to approach Marinette and be the perfect person to match the girl, given the social problems she has and her tendency to push others away. This is one of the elements that helps Marinette open up, leading her from being drawn into a friendship to making friends of her own free will. Very important is that we are told early on about her dream of being a reporter and that it is used to motivate her attitude, which is never explicitly said on the show, even though it is part of her character.

Another character that I would like to mention is Chloé. The girl, contrary to the show, falls more into the kind of bully that cares about their reputation. She doesn't want to be seen doing bad things to Marinette, as shown more than once, especially in the scene where Alya purposely starts filming her to make her stop. She is bratty and bad-mannered, yet her refusal to be caught mistreating others is a sign that she recognizes her actions as wrong, which is a huge differentiator from the show. While it doesn't excuse her, this sets the stage for possible redemption in the sequels.

I also find the use of Nino and Marinette's parents positive, who are an excellent side element and help the characters move through the plot and in their development.

The akumatized

For a short movie, the handling of the akumatized people was excellent. The first showed us how transformation and its lore works in this universe, also showing us that a negative feeling is not just simple anger and sadness, but even intentions alone count.

The first clash serves us as an introduction and unleashes the story from every point of view, both for the roles and relationship of the protagonists, and for Gabriel's journey and the reaction of civilians. Each clash changes things and a notable contribution is made by the second. The two heroes learn to work together and are finally seen in a positive light by the still hesitant civilians.

The second clash also shows us action scenes during which Chat Noir and Ladybug strengthen their relationship, their powers and show the basis of their individual qualities, or the physical clash for one and creativity for the other.

Then we have a montage of villains, which saves minutes and despite everything allows the collaboration of the two heroes and the opinion of civilians to flourish.

The background characters/Civilians

Another element already mentioned are civilians. As I already talked about in the animation section, one notable aspect is how no character is standing still and everyone has their own reaction. I really appreciated the naturalness with which we see them trying to control the anxiety on a roller coaster, despair despite the worst was over after the final showdown and the slow acceptance towards the new heroes.

An aspect often overlooked in the series is the perception of civilians towards the heroes, almost completely enthusiastic right from the start if not for the competent authorities.

In the movie, we see them hesitant and intrigued, slowly in the process of opening up and trusting the two vigilantes, always not completely sure, given their mysteriousness. Contrary to the series, the two heroes seem much more unreachable at the beginning and it is visible and understandable that the inhabitants of Paris do not know whether to trust two strangers that hold powers as strange as those who started to haunt them.

RELATIONSHIPS

One of the obviously most important sides to analyze is the relationship aspect, especially the main couple… (as I already talked a lot already about Gabriel and Adrien’s relationship in the characters analysis, I will focus more on the romantic aspect in this section)

From a lovesquare point of view, it can be said that this movie has a total absence of Ladrien and almost total absence of Marichat, leaving room for a parallel path with the Adrienette and the Ladynoir. However, it is also clearly visible that the movie's main couple is Ladynoir.

Starting back…

Marinette and Adrien in this reboot are two characters both very introverted in civilian life, opposite to the show. The two have a similar problem of mostly self-imposed isolation, which is broken when wearing the mask, which seems to improve them and allow them to let go more of their inner self. From this point of view, the lack of the Adrienette seems less problematic, as their deepest parts come to the surface with the masks and they are shown to fall in love with them.

However, it remains a pity the little playing time given to the development of Adrien's feelings towards Marinette.

While it is made clear that Marinette is undecided between Chat Noir and Adrien, on the other hand, Adrien's indecision between Ladybug and Marinette is very hidden.

It is not totally absent of course, we can clearly see the regret mixed with guilt and frustration when he is forced to refuse Marinette's invitation to the gala. He seems mortified, at the verge of tears. And you can see it also in the happiness and simplicity with which he accepts Marinette after she reveals herself, as if it made perfect sense and reassured him.

We also see him open up to the girl about his mother, which is extremely personal, and we see him support her in the montage. All of this would have been better exalted if spoken dialogue had been kept in the definitive version (for example, in the book version of the movie Adrien loses his locket and Marinette helps search and finds it), or, if there had been the inclusion of "The wall between us" .

Unfortunately, this is one of the points on which I have to dwell in a negative way. The removal of this song was probably the movie's biggest mistake. Just replacing the remix theme song with this song, which accompanies the scenes and shows us Adrien's conflicting feelings, would have greatly improved the situation.

Like all the other songs in the movie, which have a very specific purpose, "The wall between us" also had one, perhaps one of the most important ones that would have balanced "Stronger Together". They are songs to pair, not replace on with each other, and the removal of one has affected the entire movie.

I want to say again that I don't think there is a total absence of Adrien's feelings towards Marinette, underneath, and that the damage doesn't mar the movie enormously, but it is still one of the major flaws, which could easily have been fixed with an extra song or a simple replacement.

I also found out that in the book version of the movie Adrien was indeed showing thoughts of being conflicted between Marinette and Ladybug and before the ball he retrieved the papillon she made for him, besides refusing to dance with Chloé because he only wanted to dance with Marinette.

Sooo yeah, I wonder if the timespan of the movie was really such a big issue, as they cut something important that they still had pretty much figured out.

Speaking on the other hand from the point of view of analyzing the feelings themselves, let’s first focus on Marinette.

Marinette's feelings for Adrien blossom when he helps her up and worries about her, which has never happened to her before. Sure, Alya had rescued her and was her first friend, but it was a different attitude. Adrien worried about her several times and patiently helped her and that gesture, for her who was always teased or ignored, was fundamental. Her slow realization and her desire to get to know him better slowly pushed her to solidify that feeling and to be able to develop their friendship, although this element unfortunately had little space.

The depiction of Marinette's feelings was excellent despite everything, starting from a gradual shy crush, growing towards friendship and then becoming a conflict with the feeling directed towards two different boys.

As for Adrien's feelings, as already mentioned, we're sadly pretty short on the Adrienette front from his perspective. However, we can still note that although he finds Marinette "strange" for her behavior, he does not make fun of her in her face or behind her back with other people. He is not saying it with ill intentions, it’s just a very true observation. He helps her gently and slowly opens up, supporting her in her needs and allowing her to support him back.

On the Chat Noir front, again as already mentioned, we can clearly see that his feelings for Ladybug were born as a crush, almost comically, just when the girl saved him. Initially, his feelings are quite confused, guided by the idea he has of her. However, already from the second mission, their attitude towards each other changes and Chat begins to discover the most creative sides of the partner. The boy is aware of Ladybug's fears, because she herself tells him about it and we can see in the timeskip that they have fought together for a long time and have also dedicated time simply to get to know each other. He knows she is scared but she is still trying and his feelings grow. Ladybug too clearly starts falling for him.

We can say the partnership of the two heroes in this version is very interesting, because it doesn't start in a positive way at all. The two argue, as their Kwamis apparently do. They are really in conflict, because they are opposites. However, their bickering slowly turns thanks to the acceptance into affectionate banter and retort, no offense.

Their partnership throughout the film demonstrates the need for a balance, between a Chat expert in physical combat that shows him easily beating Ladybug, and a more creative and flexible Ladybug in exchanging strategy.

We see them engaged in fighting schemes, in coordination, to the point where it is no longer just a saying "stronger together" but a real rule. Their miraculous actually strengthen when they are in sync, like the Ying and Yang, two figures that complement each other.

And the sidekick figure that switches from Ladybug to Chat, then disappears. Their simple partnership, their collaboration and support in an unknown situation, leads them to improve their character from every point of view, to the point of reflecting on their lives as civilians.

For the timeframe available, an excellent job has been done on these aspects.

The only flaw remains Adrien's conflict and the consequent lack of "The Wall Between Us".

It was also excellent how the natural conflict was moved to Ladynoir and all the relationships were treated in a very natural and realistic way. Adrien and Marinette’s initial conflict in the series lasted very short and was quite forced, while Ladynoir has all the reasons to have it for how their personalities were presented and for their roles. Them growing in their civilians and heroic parts was done very beautifully.

Speaking less of objectivity and more of personal taste, I would have liked them to use the Marichat route more than the parallel love of Adrinette and Ladynoir, always insertable.

Furthermore, I would have appreciated that the reveal came more for the fulfillment of the heart and less for events that forced it. That is, that falling in love led the heart to understand that the two loved ones were the same person.

However, these elements are pure personal taste, and I don't find their absence a real fault of the movie.

Another element that I greatly appreciated is the fact that we saw a montage of Alya, Nino, Marinette and Adrien coming out as friends and forming a tight group.

It is a very important detail for the development of the characters.

COMPARISON TO THE SERIES

*CRACKS KNUCKLES*

Ok, as said at the beginning of this post, you are free to skip this part. If you decide to read it, know that I don't expect you to agree with me or that I’m not judging who didn't like the movie and who loves the series more.

This is just my personal opinion and I apologize if at times it can come across as quite intense. That is totally not my intention!

It is no surprise that I liked the movie and that I enjoyed it more than the series.

I am aware that one is a movie, with limited time, and one is a series. And I am also aware that they are products written in different conditions.

However, with one being the original source, I feel it is impossible to avoid a comparison.

One thing I'd also like to point out is that it's not about what I like best as a trope. Because if that were the case, I wouldn't have liked the movie at all; Marichat is my favorite ship as a concept and I think it's the best development for the story, and as you well know it's totally absent from the movie and with the reveal already done there can't be any pre-reveal development in the sequel.

I also like the idea that they realize their identities with their hearts after they meet.

The show has tropes that I might like, some even more than the movie. However, it was the way things were handled that led me to the conclusion that the movie did a better job in the writing.

It's a common thing I've heard in the fandom that the movie in an hour and a half has done more than the series in 5 seasons.

And well, I think that's true, although I also think it's crucial to explain why and what was done better.

First of all…

I don't think a more confident Marinette is a problem. What I think has been the mistake in the way she's been handled on the show is to have her act so… extreme. Her weird behavior is a manageable element, but it's one thing to be weird cute that can embarrass you, it's another to make it so over the top that it becomes all of her character, especially while implying that those attitudes are a normal thing. Especially if when she makes a mistake she either doesn’t pay for it, or she does but goes back to stage 0 from the following episode. Or even if it’s portrayed as nothing is wrong at all.

I don't think it's a good move  to have her act like this for 4 out of 5 seasons of the first arc, rendering her unable to hold a conversation with Adrien and form a natural friendship with him BEFORE entering a relationship with him.

We barely saw the group of friends (Alya, Nino, Mari and Adrien) hang out, perhaps justifiable by Gabriel’s choice to keep Adrien locked up. But there was never an attempt to get around it and still allow the characters to interact for an adequate period of time except in very rare cases that lasted very little, when the series had all the time to do it.

Most of Adrien and Marinette's conversations were cut short and we can count on our fingers how many times the two had a heart-to-heart before getting together. It got to the point that Marinette admitted that she didn't know Adrien at all at the beginning of the fifth season and not recognizing Chat in Adrien in the fourth, which is very grave.

The movie, with its limited time frame, not only managed, albeit largely in a montage, to show us the group of friends that was forming, but also showed how Marinette attempted to get closer to her crush, to get to know him, and have formed a real bond of friendship!

I don't think adding trauma last minute in season 5 to explain Marinette's behavior fixes that. It doesn't work, as she's never had those problems in alternate realities or with other guys she had crushes on and her attitude has never been portrayed as a bad thing.

I much prefer the movie's approach to her feelings and her character, because from the beginning we know that she has problems, we know that what she does is not healthy for herself, but it gets better with time.

Just as I appreciate, as already mentioned, the removal of the initial conflict between Adrien and Marinette, as it was one-sided and basically short-lived. I think the intention of the series was to show that Marinette didn't fall in love at first sight with a pretty face or the boy's fame. However, for 4 seasons it never came out why Marinette liked Adrien, nor were those feelings deepened by the characters as they got to know each other more and more. Marinette has portrayed Adrien as the perfect boyfriend material for a long time in the series, which contradicts the purpose of their initial conflict.

Same goes for Show!Adrien, that barely shows his personal interests and thoughts that aren't Ladybug related (first) or Marinette (later).

The conflict in the movie however was given to Ladynoir, which makes a lot of sense as they are opposites anyway who have to learn to work together. It also brings a whole new development to their relationship which I appreciate.

Chat Noir and Ladybug are treated as equals in a way the series never has. Their powers are balanced, so are their roles in the story, screentime and in combat. Their relationship is never “subordinate and leader” and we watched them explore this aspect until they came to the conclusion that they were equal partners. Even Fu approaches them together Tikki calls them "guardians".

The series dealt with the topic by always leaving Chat Noir in the dark and creating an entire subplot that was never resolved and just showed us a still insistent Chat Noir and a Ladybug who treated her partner badly, with no guilt on the way and with no final apology. 

Using misunderstanding tropes is good if you can handle them.

If we are to believe that Chat and Ladybug are partners, that the characters are equal in roles and relationships, it is not only necessary to say it, but to prove it.

And surely the season 5 finale didn't help in that aspect…

I have delved into these topics in other analyzes that I have done. You can find the analysis of the Ladynoir subplot here.

While here you can find the analysis of the season 5 finale.

Characters with flaws are important, but these aspects must be addressed as such and corrected in an adequate amount of time.

While not as much as Marinette towards Adrien, Chat has also been too insistent on his feelings for too long and I appreciate that with his character change in the movie, we had a natural conflict that turned into respect later on.

Just like I appreciate that their relationship improves in the long run and gives them the courage to improve themselves.

As for the change of personalities itself, I think it's pretty subjective here. It's not wrong to choose a more open Marinette and the same goes for a sunny and innocent Adrien.

These are different interpretations of the characters. I just think with what it has at hand, the movie has managed its version with more skill.

I also much prefer the approach to the character of Gabriel, because while I like the abusive parent road to the core more, I also think it's something to be treated with a lot of care, which is not the case in the show. Gabriel in the movie is a very human character, who, although in conflict, never contradicts himself, unlike Gabriel in the show.

One thing I immediately explained about the movie is that the pacing is poorly managed. True, this is a big flaw. But it's also understandable given the playing time available and the amount of information and relationships they had to readjust.

The series has terrible pacing too. And it has had plenty of time to deal with its elements and most of the changes have occurred in the last season of the first arc, with more elements being dragged further and further and most of which have not been resolved.

It's even missing a lot of lore, when there was so much time to put it in! Even to delve into it in detail.

Or the management of the secondary characters, rightly cut a lot in the movie with limited playing time, but completely incorrect in the series which has every opportunity to make them stand out.

Marinette's falling in love with Chat lasted for a few episodes where she was constantly being told that she was just projecting her crush on Adrien. Adrien falling for Marinette only happened in the last season and that becoming again all he thinks about.

There isn't enough attention to the characters' passions, their lifestyles and they often don't react naturally to things that happen to them. They don't ask themselves out loud things they would naturally think in their situation. The characters don't get to know each other, they don't spend time together normally even just like anime would in their fillers.

This is something we lack in both what they say and what they do.

I would also like to mention that it doesn't matter how many seasons they add. The fact remains that we have had 5 seasons already badly managed. You can add as many seasons as you like afterwards, but you can't fix the issues you've had over 100 episodes with them.

The path is as important, if not more important than the final goal.

In the movie, however, we saw the characters open up about personal issues that they could reveal without worry, even with the masks. We've seen the characters spend time together, have natural conflicts due to their personalities and conditions then resolve still in a natural way. We have always seen a sometimes comical but realistic representation of the feelings of the characters.

What was cut and simplified, allowed for better management of what they had in their hands. That these elements correspond to the vision of many fans is no surprise because Miraculous in its structure is a very predictable series. A series that can have thousands of different developments, but all of which can be foreseen in a certain sense, at least the basic ones.

This however is not a bad thing. The use of clichés or predictable structure is not wrong if well managed. It is much better than the constant pretense of unpredictability which however leads to the distortion of the entire product, making it unnatural and giving unclear or negative messages.

If the movie was just fanservice, we would have had Marichat, the fan-favorite ship.

We would have had the most thorough Adrienette.

In the time available, the movie has proposed a development of relationships and characters that are not perfect, they are flawed but healthier.

We had a semi-conclusion which, however, leaves room for further development into the sequels, for example for the post-reveal relationship of the protagonists.

One never expects the perfect relationship, or the perfect character, but something coherent in its construction and treated for what it is and not pretending it managed something it never really had done.

The movie managed to make the heroes lose but also to make them win, to make love win, which was the message of the film.

Whether it's a non-abusive Gabriel who ends up face to face with his son, whether it's a Chloé with a chance of redemption, whether it's a reveal… all these elements have also been set up in a different way.

Chloé does not go beyond certain limits, the characters got to know each other enough to instantly accept each other at the reveal and react with extreme joy to the point of crying, Gabriel has always shown that he loves his son…

Choosing that Chloé doesn't redeem itself is fine, but it's how it was introduced, managed and set up that is wrong. Gabriel remaining bad through and until the end is fine, as long as the purpose of the villain fathering the male protagonist holds a sense writing wise, confrontations are allowed and no wrong messages are passed across.

Choosing to set character crushes as unhealthy in the beginning is fine, as long as getting to know each other leads them to develop those feelings in a more positive way.

Adding love rivals is fine, if they’re properly handled and they have a purpose that leads the character to learn something and then to a better endgame. 

Adding new villains is okay too if they’re realistic enough to not go outside the suspension of disbelief and they are slowly and constantly built up. Adding conflict and angst is fine, as long as it's natural, leads to an equally good resolution, and has a purpose.

A movie with so many limitations and with its visible flaws, has succeeded in an impressive feat and served up a great product.

Yes, it would have been better if it was the start of a trilogy for the first arc as a whole. It would have been better if it hadn't cut “The Wall Between Us”. It would have been better with a slower pace. It would have been better without the fart jokes!

This movie had the potential to do even more, to be something spectacular.

It did not make it.

But it still managed to be a great movie.

The movie has accomplished a lot in a sea of restrictions.

The series has accomplished very little in a sea of opportunities.

FINAL VOTE

Movie as a product by itself: 8- / 10

Great messages, great developments and comedy often well managed. High level animations and music. Extremely poor pace management.

Movie as a product of Miraculous: 9.5 / 10

Clearly more successful than the series, although it has strong limitations due to the vast content and the limited playing time. Aspects much better managed from every point of view. The only flaw is the Adrienette content they cut out or the lack of "The wall Between Us"

[nohoperadio]

The date for my annual performance review at work has been set for one month from today. The review day itself is not a big source of stress, it's the management's opinion that I'm good at my job, it's a mildly awkward thing to go through but it's very unlikely to "go badly" on the day.

However!

I gotta fill out the paperwork first, which consists of seven pages, each page representing one of the abstract work virtues ("teamwork", "initiative", "customer service" etc), and for each of these I have to write 3+ concrete examples of things I did over the past year that exemplify that virtue, followed by a description of how each thing I did impacted the business, followed by explaining what lesson I took from each thing.

This is a chore that combines several things I hate hate hate and am bad bad bad at:

homework (the paperwork doesn't have to be done at home, you can schedule work time to do it and this is considered fine, but this doesn't work for me at all for reasons we'll get to in a bit), I'm not even good at structuring my free time when the only things I'm trying to fit into my schedule are nice things I enjoy doing, let alone this

bullshitting, the whole thing is premised on an abstract dreamt-up-by-HR model of how people's jobs work that bears so little relation to reality that it's basically impossible to complete the form without a lot of bullshitting. You have to take utterly mundane and routine moments from your job that don't mean anything and write them up in a way that emphasizes how brilliant and special and passionate you are; also because they ask for an absurdly large amount of examples, you find you spend a lot of time and mental effort figuring out how to reword stuff you've already written elsewhere in such a way that it's not too obvious you're repeating yourself. I am extremely averse to bullshitting to an extent that I fully acknowledge is irrational and unhealthy but I don't seem to be able to do much about it: at uni I would occasionally miss deadlines because I couldn't figure out what my actual opinions were about the thing the essay was about, and I couldn't bring myself to just write an essay endorsing a conclusion I wasn't sure about. I hope that doesn't come across as even slightly a boast, there is no virtue there, it's an extremely fucking stupid attitude to have, I knew that at the time but I couldn't seem to change it. And I'm still kind of like that unfortunately, I can write bullshit but it feels horrendous and takes a ton of will power and progress will be comically slow.

expressing positive sentiments about myself, this one's self-explanatory I think

The result of these points is that I find writing these things so emotionally draining that it often takes like literal hours of psyching myself up/calming myself down just to find the right state of mind where I can even get started, and then often that leads to like, two or three bullet points worth of progress and then I'm exhausted. If this sounds dumb to you, well, yeah. That's why I can't realistically do it during work time, what am I gonna do request a whole day's worth of time and then produce like 30 words by the end of it? I'm not doing that. On top of these setbacks resulting from my unfortunate personality, there's also the fact that my particular role is quite different from most people's in the company but I still have to fill out the same standard form as everyone else, e.g. I rarely deal directly with customers so I have to really reach to argue that stuff I'm doing counts as "customer service", there's a lot of that kind of thing.

I'm not sure if I'm really conveying what I find horrible about this very well, but basically it's: 1] a lot of work, which 2] relies on skills I am extremely weak on and 3] aggravates my weird neuroses in various ways, and all the while 4] the whole thing is manifestly pointless and dumb. That's a recipe for aaaaaaaaaaaaa. If this year goes like the previous two years, I'll spend the weeks leading up to it feeling guilty and panicky for a significant portion of every day and doing that thing where I procrastinate the productive task constantly while not being able to really enjoy the things I'm using as procrastination either; I'll make ludicrously small amounts of progress on a handful of good days, but ultimately somehow force my way through most of it all in one go just before the deadline.

Maybe it won't be like that this time. My general being-a-person competence has been improving year on year for the past several, maybe this is the year I only moderately suck at this type of task. I shall let that sentiment have the last word here, not because it's especially plausible but because it feels virtuous to do so.

(I feel like it would be unjust to write this post and fail to say: I like my job. A lot! It's nothing very glamorous, I work in a bookshop and get paid marginally more than minimum wage, but: I find the work satisfying, I virtually never have the "ugh I can't wait till I can go home" feeling, and there's a small number of people there who I like very much and who like me in return. All three of those are things I literally could not conceive of being true of any job before I started here; when I said above that my being-a-person competence has improved the past few years, my job is a huge part of that. I have more positive feelings towards my work than a lot of people ever get to experience and I feel lucky for that. But this one particular aspect of it which comes once a year always kind of ruins my life for the better part of a month and I really wish it didn't exist.)

[ravenya003]

Buffy the Vampire Slayer: Nightmares, S01E10

Here’s my lukewarm take on Nightmares: it’s way too soon for a What Do They Fear Episode. This opinion is borne out by the fact that the fears depicted here – clowns, stage fright, being in your underwear in front of class, not studying for a test – are all pretty superficial stuff. There’s no real psychological depth to these characters as yet, which is why this premise works so much better in later episodes like Fear Not and Restless.

By the time season four rolls around, we’ve spent enough time with Buffy, Willow, Xander and Giles to really delve into their psyches, in which their fears manifest as being alone, inadequacy, and a lack of control. This early, the only fear that really strikes a chord is Giles seeing Buffy’s grave.

It also strikes me for the first time that many of the “villains” in season one are just normal people whose anxieties and/or ambitions are amplified and turned into physical threats by “mystical Hellmouth energy.” I’m thinking of the hyenas, and what Giles calls “the nightmare realm,” and (in the next episode) Marcie’s invisibility. It gives everything more of a fairy tale quality than the show had in later seasons.

It starts with a good old fashioned Buffy dream, in which she’s edging her way through the Master’s lair, only to be caught by the throat and strangled by him. Standard nightmare stuff, though it’s interesting for two reasons: firstly that it makes for a fairly accurate premonition of what happens when she does face the Master in two episodes’ time (especially the fact that she freezes up) and secondly that it sets up Giles’s fear that Buffy’s nightmares will be particularly difficult to deal with if they manifest in the real world.

Also, she’s in pigtails, which I can only assume was a deliberate choice to emphasis her youth and innocence.

In the waking world, Buffy is excited about the imminent arrival of her father from L.A. Ah, Hank Summers, the dad who will soon cease to exist. I have plenty of things to say about this character, but for now the most important plot-point is that Buffy blames herself for her parents’ separation. That’s a standard fear for children of divorce, but no doubt exacerbated when you’re sneaking out every night to hunt vampires.

Willow also mentions that her parents don’t fight, they only glare at each other if they’re angry. I’m always fascinated when either Willow or Xander mention their parents, as they’re such an infinitesimal part of the show and their children’s lives that they may as well not exist at all. Yet by the sounds of it, Willow’s parents have a pretty good marriage.

The trio head into class, where Ms. Tishler is leading a lesson on “active listening.” Another of those Sunnydale teachers who are unknowingly dealing with a Hellmouth beneath their feet, yet diligently teaching their students regardless of the danger. I salute them.

(I’m sorry these reviews are so weird, in which I’m more interested in tidbits about Willow’s parents and the Sunnydale High faculty than any of the creepy supernatural stuff).

A nerdy student called Wendell (give a kid a name like that, and of course he’ll end up a nerd) opens his book and starts screaming in horror as tarantulas crawl out of the pages and over his hands and face.

As everyone panics, Buffy notices a young boy standing at the door of the classroom and looking straight at her, who apologizes quietly before disappearing.

I wonder, was Billy looking for Buffy specifically, or was he simply drawn to her? Presumably the latter since he has no idea that she’s the Slayer, but I like the idea that in his dreamscape there’s a certain energy or light to her that indicates she’s someone who can help him. Or maybe it’s the presence of the Hellmouth he’s attracted to, since we’re constantly seeing him at the school.

After the opening credits we get a scene with the Master and the Anointed One in the underground church. They don’t figure into this story much, but given that the season finale is coming up fast, it was a good idea to remind the audience of their existence. We haven’t seen them since Angel.

The scene’s other purpose is to lay out the central theme of the episode, which is fear. According to the Master, fear is the most powerful force in the human world, and he describes something happening above as a “new powerful, psychic force.” It’s interesting that he knows this, though I suppose it makes sense that he’s tapped into the mystical energies of the Hellmouth.

We get a nice pan up back to the school, where the trio find Giles in the library to ask him if he’s researched anything about spiders crawling out of books. Giles looks a little disconcerted, having gotten lost in the stacks, and suggests they ask Wendell himself about the significance of yesterday’s occurrence.

Poor Wendell still looks rather traumatized, and explains that he’s not afraid of spiders, quite the contrary – he loves them. He once had a huge collection of specimens, only for them to perish when he left his brother responsible for their wellbeing while he was at camp. Ever since then, he’s been plagued by a recurring nightmare about the spiders taking revenge for his dereliction of care. Eerily, what happened yesterday followed the events of his dream exactly.  

For some reason, Buffy has a lollipop in this scene, which reminds me of the pigtails she had in her nightmare. Again, this episode seems very intent on emphasizing her youth.

While this conversation is going on, Cordelia walks past and reminds Buffy that they have a history test. Having completely forgotten, Buffy rushes after her and tries to complete the answers, only for the clock to speed up and the class to finish before she’s even had the chance to write her name.

This is a fairly standard nightmare for a high schooler, but I can’t help but feel it would have been more appropriate for Willow?

Elsewhere, the little boy that Buffy glimpsed outside the classroom watches as another student slips down into the basement for a cigarette, ineffectively warning her that she shouldn’t go down there. The girl (Laura) lights up, and is promptly attacked by a terrifying figure with a deformed face and a club arm, who mutters “lucky nineteen” as he assaults her.

The episode cuts to Buffy and Giles in good old Sunnydale Hospital, looking for Laura’s room. I actually really like this scene when you consider it in relation to the events of The Prom and Buffy’s Class Protector Award. This sort of thing, in which she gently asks questions of the Sunnydale student body and acts like she’s going to do something about whatever is going on, is the reason why she was honoured at the awards ceremony three years later.

Though attention was never drawn to it actually happening, people like Laura were clearly paying attention when it came to what Buffy was up to during such times. In this case, she says to Laura: “you can tell us [anything that happened], even if it may seem weird.” In response, Laura tells them that her assailant said: “lucky nineteen” as he was beating her.

As Buffy and Giles leave Laura to her lifelong trauma, a doctor draws their attention to another patient who’s still in a coma, who is apparently the first victim of whoever attacked Laura. As he points out, whoever did this used the same M.O. each time.

Willow and Xander are starting to put the pieces together, mentioning that Wendell’s dream came true... but how does Laura fit into that? Did she have a nightmare about getting beaten up? (Little do they know, but the Ugly Man is the outlier in this ongoing phenomenon, a manifestation of Billy’s fear as opposed to everyone else’s). They enter a classroom, and... Xander is suddenly naked sans his underwear in front of the entire class.

They say this is one of the most common dreams a person can have, along with being chased and having your teeth fall out, though I have to confess I’ve never had it myself. (The other two though? Definitely).

Over in the library, Giles is struggling with the fact he can no longer read, though Buffy spots a picture on the front page of a local newspaper and recognizes the boy as the one she’s been seeing around campus. According to the article, his name is Billy Palmer and he was found beaten and unconscious after his Little League game a week ago. He’s the coma victim from the hospital, and the number on his uniform is nineteen.

Giles suggests astral projection, but before the conversation can go further, Hank Summers turns up. Buffy probably should have been suspicious that he came all the way into the school instead of picking her up at their designated meeting point, but is too excited to notice.

More significantly, this is the first – and to the best of my knowledge – the only time that Giles interacts with Buffy’s father (and it’s not even really him!) Again, I’ll have more to say later about Hank and the way this show neglected to use him properly.

In the episode’s most gutting scene, Hank and Buffy take a seat outside, after which Hank proceeds to put voice to Buffy’s deepest fears: that she’s responsible for his and Joyce’s separation, and that she’s a terrible daughter who he hates hanging out with. Buffy’s face slowly crumples, and you get the sense that this isn’t just about being rejected by her father, but her abandonment issues in general. Though later episodes will explore Buffy’s deep fear of being alone, for now it’s enough that a teenage girl is being told the very thing she dreads most from someone who should care for and nurture her.

The calm and reasoned way he lays out the “truth” to Buffy is quite possibly the most harrowing thing about this entire scene.

Back in the library, the others Scoobies have finally realized that their nightmares are coming true. (Not their dreams, for as Giles says: “That would be a musical comedy version of this.” I mean... sometimes these early lines are so accidentally funny in light of later episodes). According to Giles, Billy is the cause of all this, having brought the nightmare realm over to the waking world when he astral projected out of his body while still in his coma.

As explanations go, it’s a little wishy-washy, but hey, Giles cites: “living on a Hellmouth” as cause enough.

A desolate Buffy spots Billy and follows him into the gym, where he’s clearly very reluctant to talk about what happened after his baseball game. Before she can get anything relevant out of him, the Ugly Man attacks. Buffy engages him in a fight, but he’s too strong even for her, and she and Billy make their escape out a side door.

The others are desperately trying to find Buffy, for as Giles points out – she dreams about deeply terrifying things that nobody wants to see manifest in the real world (this will be important in just a couple of scenes). Willow rather stupidly heads back down into the basement where Laura was attacked, and ends up onstage in a production of Madama Butterfly, stricken with stage fright. Xander follows a trail of candy bars into the vandalized auditorium and is attacked by the clown that terrorized him on his sixth birthday.

Meanwhile, Buffy is trying to get back to the library, only for geography to start messing around, taking her and Billy to a baseball diamond instead. Looking over the field, Billy divulges a little about what happened to him: that it was his fault he lost the game. Buffy points out that there are eight people on a baseball team – it’s never just one player’s fault.

The Ugly Man appears behind them, and they duck through the bushes to get to the cafeteria, only to end up in a cemetery. At night. Looking around, Buffy spots an open grave and is horrified when the Master appears, informing her that it’s her fear that has brought him there. “I am free because you fear it.”

Now, I’m not entirely sure whether this IS the Master in the flesh, who really is free (the episode has already established Buffy is having nightmares about him and that the Master is cognizant of something strange happening in Sunnydale) or just an hallucination, but he’s real enough to push Buffy into the open grave. Billy has scarpered, and the Master begins to shovel dirt on top of Buffy as she screams in terror.

I get it. Being buried alive is one of my top five fears.

And then... we don't see the Master again for the rest of the episode. It's a little odd given all the build-up.

The others Scoobies are faring a little better: Willow flees the stage and Xander doubles back to punch out the clown. (Heck, compared to Buffy, these two had it easy). Reuniting with Giles, the three look around to see people running around in a panic and helicopters hovering over the city. According to Giles: “in a few hours reality will fold completely into the realm of nightmares” and their only solution is to wake Billy from his coma. I’m not entirely sure how he knows either of these things, but it makes storytelling logic so we'll go with it.

Across the road, they notice the cemetery shrouded in darkness, and assume that Buffy is there. They come across a fresh grave with her name inscribed on the stone, and Giles identifies it as his fear: the death of his Slayer. (It plays out like the death of a child, and I have to believe it’s a deliberate contrast to how Hank spoke to his daughter earlier in the episode).

He lays his hand on the fresh earth, and naturally that’s the cue for Buffy’s hand to shoot up through the soil and grab his wrist. Giles helps pull her out, but Buffy has the visage of a vampire. Which brings us to the most interesting and infuriating part of the entire episode.

The transformation is a little random, since Buffy has never before made any mention of being afraid that she might get changed into a vampire... and she never will again. Yet it seems like a fascinating angle to take, as it begs the question: what exactly does she fear about this scenario? Dying? Losing her soul and identity? Becoming a creature of evil against her will?

The answer would have to be “no” to that last one, since if she has had a recurring nightmare of becoming a conscienceless vampire, then she would now be a conscienceless vampire. That could have been an interesting plot twist, with the rest of the Scoobies having to deal with Buffy suddenly being a bloodthirsty fiend who has no qualms about killing them (although she does float the possibility of this happening when she tells them: “I’m getting hungry.”)

And yet becoming an instrument of evil against her will vibes a little with what happens in the season finale, in which the Master points out that Buffy’s attempt to stop him from escaping the church is the very thing that provides him with the blood he needs to break out, and as Giles has already pointed out, Buffy poses a greater threat in this particular nightmare dimension due to the intensity of the dreams she has. It follows that a Slayer getting changed into a vampire would naturally be even more of a threat than your average run-of-the-mill vamp.

And yet, the show never returns to this particular well. This is the first and last time we grapple with the idea of Buffy as a vampire – in fact, the show never really delves into the horror of a loved one becoming a vampire and having to deal with the ramifications of that, period. Off the top of my head, there’s Gunn’s sister, Jesse, Ford, and bizzaro-world Willow... and that’s about it, right?

All things considered, I’m surprised that across the seven-year run of this show there was never any mention of any Slayer at any point in time being turned into a vampire and how the Watchers Council had to deal with that. I mean, it had to have happened at some point, right? Vampires would be aware of the possibility and the potential advantages to attempting it. And it would be a risk that the Council would have pre-emptive measures in place to deal with, surely.

I am aware that Sunday, the vampire in the first episode of season four, was originally conceived as a former Slayer that had been turned into a vampire, only for the idea to be scrapped when it turned out to be too complicated for a single episode, and I’ve always been disappointed the writers never returned to explore that premise. Heck, a Slayer!Vampire would have made a great seasonal villain.

Basically, the fear Buffy has of becoming a vampire (or more broadly, harming people through her attempts to save them) or the notion of a Slayer that’s turned into a vampire, are two interesting conceits that are sadly never returned to.

Okay, I’ve gotten way off track.

Giles tells her that waking up Billy is their best bet at making all of this stop, and so they rush to the hospital, where the doctor from before is clearly suffering a hallucination of having crippled hands. Outside the window, giant wasps are attacking Sunnydale.

Billy’s astral projection is in the room with them, refusing to do anything but hide from the Ugly Man, who is slowly approaching down the corridor. Imbued with vampire strength as well as her own, Buffy now has the ability to overpower him. Once he’s unconscious and slumped against the wall, Buffy calls Billy over: he has to do the rest. Though still afraid, he faces his fear and peels off the Ugly Man’s face as though it’s a mask. Bright light streams out...

And the next moment, everything is back to normal.

It’s at this point that Billy’s Little League coach walks through the door, ostensibly to check on the patient, but (as everyone has already figured out) to make sure his victim is still unconscious. That’s remarkably good timing, but we’ll let it slide since there’s only a few minutes of the episode left to go. Buffy confronts the coach, Billy confirms it was him that beat him up after practice, and Giles and Xander prevent him from making a run for it.

So all’s well that ends well. At some point, which could be that same day (since Hank picks up Buffy from school as scheduled) or weeks later (considering Willow mentions that the evil coach is now “behind bars where he belongs”) Buffy heads off to enjoy the weekend with her father, and Willow decides to torture herself by asking Xander if he still found Buffy attractive while she was a vampire. The answer is yes, of course.

Miscellaneous Observations:

This was another strange episode, and one that messes with reality in a way that’s unusually trippy for this show – it usually sticks to more tangible supernatural threats, or gives a clearer reason as to why bizarre widespread phenomena is happening (for instance, everyone losing their voices in Hush is the work of a specific group of demons; everyone singing and dancing in Once More With Feeling is because Xander cast a spell). Here, the reasoning is very vague – a kid got beaten into a coma, and thanks to “Hellmouth energy,” he managed to drag his nightmares (and everyone else’s) into the real world after he starting astral projecting.

I mean, there’s a fairy tale rationality to that, but it’s still very part and parcel of season one’s “everything is a metaphor, so don’t worry about the logistics” vibe. It’s the depiction of human evil – such as the zookeeper and the bullies, or what the coach did to Billy, or everyone ignoring Marcie – that is made manifest by the Hellmouth, without the need for any actual monsters. That type of Buffy the Vampire Slayer episode goes missing after this season, and I have to say I miss it.

Given that everyone remembered the spiders that attacked Wendell, one has to assume that everyone also remembers the escalating chaos afterwards. Do authorities chalk it down to mass hallucinations? We’ll never know, as along with all the on-line drama that ensued with Moloch’s internet shenanigans, it never gets mentioned again.

On that note, I suppose we have to assume that the version of Hank that Buffy interacted with early on wasn’t actually him, as there’s no indication he remembers doing such a cruel thing to his daughter when he picks her up later (and the fake!Hank turned up earlier than Buffy expected, which is perhaps a clue that he was just Buffy’s projection of her fears).

The cops were noticeably absent in this episode, as was Angel (it’s a shame we don’t find out what he has nightmares about) and Billy’s parents. Seriously, where the heck were they?

I’ve only just realized that many of the fears on display in this episode were foreshadowed in The Puppet Show: there Xander jumps at the sight of a mime, Willow freezes up when she’s on-stage, and even Cordelia freaks out about her hair.

Speaking of, she’s back on comic comeuppance duty for this episode, first by having her hair turn into a tangled mess, and then in getting dragged into the chess club against her will. There’s also another fun comedy bit where a tough-looking punk is bragging about honour and retribution, only for his mother to turn up and start calling him embarrassing pet names.

There’s also that random little moment in which Xander says his nightmare is “if Nazis crawled over my face,” which is followed by the appearance of Swastikas graffitied in the empty auditorium. It feels like they were connected, but it never goes any further than that.

Even though I’ve accused this episode of only dealing with rather superficial fears instead of the deep psychological ones that will be explored in (much) later episodes, some good insights are given into what’s going on in the Scoobies’ heads. For instance, Willow’s stage fight is more to do with other people’s judgment of her. Buffy fears rejection from everyone, not just her father, because deep down she knows she’s in this fight alone. Giles’s inability to read also doubles as an inability to look after his “kids.”

With that in mind, it’s interesting that Xander is the one that steps up to face his fears first, with his trademark “well, fuck it,” attitude.

Granted, his was the most tangible fear and was easily punched out (his deeper fear is that he’s useless to those around him) but I also noticed that he grasped what Billy had to do to defeat the Ugly Man while Willow was still confused, which was an interesting detail that reminded me of Buffy clocking that Amy and her mother had swapped bodies before Giles did.

Giles and Willow are the booksmart characters, but Buffy and Xander have an instinctual sort of wisdom that’s rooted in their emotions (not all the time, but when it counts).

The Master and the Anointed One drop so many tantalizing lines that are never elaborated on, from the Master’s “when you were a mortal boy, what were you afraid of?” (I guess that answers my question as to whether Collin was a normal kid before getting vamped) to his musings on the crucifix and how it fills him with dread, to telling Buffy that she’s “prettier than the last [Slayer]”. Wait, does that mean he met the last Slayer? When? Where? How? Who was she?!

Then there’s Hank Summers, the character with the most untapped potential in the entire show. In my opinion, he should have returned to Sunnydale after Joyce’s death, or perhaps at the start of season six. His presence could have helped justify Giles’s leaving! He would have relieved the burden of motherhood/financial responsibility from Buffy’s shoulders (and we wouldn’t have had to sit through those awful Doublemeat Palace episodes)! There could have been an interesting rapport between him and Dawn – what if he had no idea who she was because the monks’ spell didn’t reach that far? They could have done the whole “keep the Slaying secret from a parental figure” and “how does said parent cope when they find out what’s really going on?” arc. Those are always fun!

Don't worry, I realize that I am the only person in this entire fandom who cares about Hank Summers.

As it is, the episode does a whole thing about how much Hank loves his daughter, and then at some point he becomes a deadbeat shmuck off-screen. The abandonment that Buffy fears becomes real, after this episode assures her that she’ll never have to worry about it from this particular person. That kinda sucks.

It seems like coma victims might constantly be at risk of astral projecting in a place like Sunnydale, so I have a little headcanon that Billy was a latent magic-user like Willow or that kid from The Shining. Speaking of the actor, he apparently hasn’t worked since 2011, but his very first role was in as one of Linda Hamilton’s kids in Dante’s Peak! Yikes, talk about peaking too soon.

Here's a chilling thought: the doctor says that Billy has the same M.O. as Laura, which means that the coach beat up a child as viciously as a monstrous club-handed monster would have. Geez, guys like this belong in hell.

The word “wiggins” is used again, this time by Xander. Show, stop trying to make fetch happen.

***

In many ways this is an odd duck of an episode, as the kind of large-scale reality-altering chaos that we see in this episode never really happens on the show again. I mean, there’s an actual dimensional time flux at one point! Not for the first time, I wonder what a year in the life of a normal Sunnydale resident looks like.

It’s also the most filler-y episode since Teacher’s Pet in regards to plot advancement. The likes of I Robot, You Jane and The Puppet Show at least introduced Jenny Calendar and Principal Snyder, whereas Hank never becomes as important to the show’s ongoing mythos as they do. (Not that filler episodes are bad, mind you).

The escalating chaos is nicely done, especially when it comes to Buffy’s arc – from the basic fear of failing a test, to hearing her own father reject her, to having the Master throw her into an open grave and then emerging as a vampire... I just question the fact that none of these fears ever come up again. Hank is practically a non-entity after this, and we never delve any deeper into the threat/possibility of a Slayer getting turned into a vampire against her will. I feel there has to be contingency plans in place for that one.

Ultimately, I’m kind of fascinated by this episode, because it feels so different from the usual Monster of the Week episodes. It’s not so much a definable monster that needs hunting down and defeating (though there is one – albeit a very mundane human evil that’s only onscreen for a couple of seconds) as a metaphysical mystery that need solving. The rules and concepts (“the nightmare realm,” “an astral projecting coma victim”) are surprisingly nebulous, and this type of problem is not like anything we’ll ever see on the show again: one derived from a cocktail of circumstance and trauma and Hellmouth mystical energy.

The unusual premise is almost lampshaded when Billy wakes up and quotes The Wizard of Oz, and writer Joss Whedon seemed fairly intent on emphasizing that these were nightmares the Scoobies were dealing with, not fears (even though the difference is slight enough to be meaningless) in order to sustain the dreamy (no pun intended), more amorphous vibe this episode conveyed.

Best Reveal: That the coach was behind it all: a banal evil that’s unfortunately all too prevalent in the real world. (And by a complete coincidence, I’m currently watching Harlan Coban’s Fool Me Once, which also features an abusive coach). Human evil doesn’t pop up too often in this show, but when it does, it’s more chilling than any demon or vampire.

Best Line: Willow: So, why is this happening? Giles: Billy. Xander: Well, that explanation was shorter than usual. It's Billy! Who's Billy?

Best Dumb Visual Gag:

Death Toll: Nobody! Everybody lived! (Well, the Ugly Man did club at least one other person before chasing Buffy and Billy into the cemetery, but I’m going to assume he was okay).

Grand Total: Fifteen civilians, fifteen villains, one ally.

[meraki-yao]

I know we shouldn't compare them because it's not fair but when I think about how much criticism rwrb received as a film and how it was never enough for the audience but the first reviews of the idea of ​​you call it "film of the decade" (I really doubt it, please people watch more movies) or say that people were screaming in the theater during the sex scenes... As a queer person it makes me suffer that the projects made for us are never good enough for the public but for straight films literally is enough the bare minimum to make them scream masterpiece. Again, this isn't a comparison or hate for tioy but it makes me sad.

Honestly, I'm in the exact same place as you are. I was thinking about it a lot this morning.

I don't know how fair my judgement is because I am inherently biased towards RWRB but I also feel upset about how much TIOY is getting compared to RWRB. Granted TIOY has the advantage of star power, with Nick being more well-known after RWRB and M&G and Anne freaking Hatheway, and to a certain degree One Direction/ Harry Styles, but just from the premise... It's doesn't sound as groundbreaking or new as what RWRB or even M&G did. I can expect it to be a fun romantic movie, but I can't see it being something as... fresh and impactful/ meaningful to an audience as RWRB and M&G are.

I don't know how much right I have to say this as someone who currently identifies as cis-straight, but the double standards between queer media like RWRB and heterosexual media like TIOY is very frustrating, It's like there's so many more steps for queer media to climb to "catch up" with a straight media of a similar genre/premise. Even with the ratings, RWRB did not deserve R at all. But I do think we're gradually making steps towards improving this phenomenon. Slow steps, but steps nonetheless. So please don't loose hope.

As for "film of the decade"... I'm sorry but that's gotta be an exaggeration. Stuff like Barbie, Oppenheimer, Avenger Endgame, Spider-Verse being called "film of the decade", I can understand, but this is not it. Hell, as much as it's straight up part of my soul now, I don't think RWRB fits "film of the decade". If we're taking that title seriously, then that's gotta be something really creative and new, something that hits hard. So yeah, you're right. People need to watch more movies, or have better media literacy.

I don't think there's been a single day since the movie was released that I didn't agonize and grieve over what we could have had. RWRB had so many disadvantages: As upsetting as it is, queer media, especially rom-com is still inherently seen as something lesser, which is fucked up, but unfortunately it's where we're at right now. On top of that, the timing of the strike directly coincides with the promo period of RWRB. The strike was for a good cause and achieved great things for actors, it was necessary, but that doesn't stop the lost of what we could have from hurting. So compared to other movies and projects (and not even necessarily just the boys' projects, recent streaming media in general) RWRB had so many disadvantages. If this was a race, then our starting line was pulled back a couple of miles.

But on the bright side, you gotta think: even with nearly zero promo, even with so many disadvantages and setbacks, RWRB still managed to achieve a lot: Most streamed movie on the platform globally for (I think?) three weeks, top most-streamed three romcoms on the platform all time, PGA and Glaad award nomination (and hopefully more to come down the line) and look at us! We're still going strong, and a sequel is in talks. There's never a fair comparison when it comes to things like this, but I said we're pretty amazing, and that's something that can't be taken away.

[be-the-glenn-to-my-maggie]

If i have time once i dfinish w my tests, ill try turning this into a fic--

An actual, legal custody battle between the Sullys and Quaritch, who would win?

The Sullys have a history with Child neglect. A good lawyer could make a case for verbal and emotional abuse from Neytiri, as well as physical, if the cut from the ship comes into play (also p sure she tries to attack him multiple times in the comics). You could argue that they can't provide a safe environment for him, and they could use his lack of schooling against them.

Quaritch definitely engaged in some physical abuse, with the whole 'pointing a gun at him, kidnapping him, bringing him to be tortured' thing. However, a very good lawyer could argue that it was his right, as Spiders bio dad, to bring him home, as the Sullys nor anyone else went through the legal human (or na'vi) trouble of adopting him.

And on top of that, if they reviewed the actual torture video of Spider (p sure they got security cams) it would look like Quaritch never actively partook in the torture, and was even the one who stopped it when it became clear that Spider was at risk of serious injury (nose bleeding in a mind tearing machine means bad news, methinks) (I'd think he'd start having some kind of stroke?) Then theres the whole "provide better schooling, housing etc etc".

The Sullies lawyer could argue that Quaritch is the reason he was tortured, and that he held him hostage for months. Could argue that he was putting him in danger by bringing him on that ship (Jake "brings his kids to the battlefield" Jake has no rral leg to stand on) (i mean, cmon, Lo'ak is 14!!! Make him help the wounded or smth)

I think a proper custody battle fic would be cool, so I'm really mad that I have to write it

>:(((

This is the third legal battle on Pandora ask I've gotten. Don't take my response personally and please do what you wish, these are just my opinions and thoughts, as I've really been stewing on it. You know I'm all about the implications of things, again this is not at all at you or the other anon you just got me thinking.

I gotta be honest, this premise does not do it for me at all. I don't vibe with the legal system applying to the Na'vi, first of all. They are not US citizens, they are not even on Earth. Applying a legal system to them that they have no knowledge of and have no reason to follow is another aspect of colonization and genocide that is a huge issue still today. Applying our standards and morals to other communities is wrong. The legal system in the US and Canada has a huge problem of taking indigenous children from the indigenous community and placing them with white families today. Eradicating future cultural generations is a genocidal tactic. This is not the same as the situation with Spider, but a legal battle with the Na'vi over a child has those echos to me. There are only the laws of Eywa on Pandora, why should they be judged on arbitrary rules that apply on Earth? I don't understand it; it has such a colonialist mindset. There is no way to even enforce a ruling, the Na'vi don't have courts and therefore the jury would be human and heavily biased, and there isn't a judge and they would also be biased if there was. Even Spider does not know or follow the laws of Earth, he is not a US citizen. The Na'vi have not been following proper hunting ordinances, if US law applies the game wardens are gonna have to do a lot of ticketing and fining of the Na'vi's no money to fix that. At the very least it's wrong, at the most it's a slippery slope into US law applying to the Na'vi on Pandora which is a MAJOR colonizing step. We cannot even say that Lo'ak and Neteyam should not be on a battlefield, in Na'vi culture Neteyam is fully an adult member of the clan and we are told Na'vi mature faster than humans. Judging that as putting kids in danger is looking at things from a distinctly western and human perspective, when the Na'vi would likely see Jake as overprotective.

Second of all, I do find the concept of treating Quaritch as an actual viable parent as ludicrous. He is, again, a war criminal who has committed genocide. A great many of his war crimes were committed against Spider?? Arguing that anything Quaritch did was his legal right to bring Spider home is crazy, and also saying Spider wasn't adopted by the Sully's makes neglect not even something they can talk about in court as they weren't his guardians ever. Also saying Quaritch saved Spider from torture is laughable. He put Spider there, everything that happens to Spider in the RDA is entirely Quaritch's fault and responsibility. Taking a civilian war prisoner is a war crime. A child? Double war crimes. If this was a court, which again, I really don't like the idea of the American legal system applying to the Na'vi, Quaritch has a lot more problems them custody arguments. Man is in jail for the rest of his life, he's not getting custody.

[mixelation]

oh, i watched pixar's elemental this weekend. it was okay? not a bad movie, but not great by pixar's standards IMHO. what did everyone else think?

more random thoughts under the cut

i've been trying to isolate why i was so "meh" on the movie. tbh i purposefully ignored marketing for it because the premise of people with element-based affinities seemed stale to me, so i had no idea what to expect going in.

the opening scene is a couple having an immigration official change their names, and i was like, oh. okay. good news: it's not a ~metaphor~ a la zootropolis, it's just straight up a story about an immigrant family. when i briefly scrolled reviews, this seemed to be the element (HA) people identified with most, and i think the parts with ember's family were definitely the most compelling..... but i also felt like all the other plot elements really detracted from it. "watered it down," if you will

like: the first half of the movie is straight up just ember trying to hide a safety violation report in a series of weird fetch quests. the second half is her dating and trying to fix a canal leak. she has to do this all herself with help from her boyfriend because ???? reasons. she admits 3/4 through the film she doesn't want to run the shop and wants to be an artist but this is barely foreshadowed because the movie has to waste run time on her trying to undo citations and having convoluted conversations about canals (WHO IS THE AUDIENCE FOR THIS). her having a bad temper and not being able to connect with other people is introduced as her character arc, but this.... mostly just gets dropped as soon as she's dating wade

speaking of wade: i thought he was annoying at first, then warmed up to him, and then he gave a speech to ember in front of all her family and friends and god after she'd told him to fuck off that ends "...and i think you love me too." i know movies function under different standards of what's romantic or not, but this is shit behavior. she told you that you don't understand why she has to do something, so you showed up to stop her from doing it, in public so everyone she knows see to, and i'm supposed to understand this as romantic? wtf? let ember have her own agency and come to this conclusion herself. if you need wade to be there, have her mom extend an olive branch by having invited him or something so he's secretly off screen. why did you have a scene of the water guy telling her how she feels?

one thing i keep going back and forth on in my mind is the way the movie handles xenophobia/racism/ableism* because it's constantly there but it's barely engaged with. and if this were just someone telling their story, i don't think you HAVE to engage with it too much? but this is a fantasy kids' movie, and we barely see any of it, like, addressed. because it's not addressed/engaged with much, ember yelling at wade that he doesn't understand her life rings a little more hollow than it should have, imho.

also there being no consequences to a fire and water person touching is a coward's move

*tacked ableism on here because, while i don't think this was the intention of the movie, the way the city is built in a way that is actively harmful to fire people and refuses to accommodate their bodies definitely reads as ableist to me