#Salzburg Student Housing

[zebkiehousing]

Salzburg Student Housing

It’s very difficult to find a suitable accommodation when it comes to students. But you don't have to worry as Zabkie Housing is providing best Salzburg Student Housing at most affordable prices with all the modern amenities. Visit our online portal now to browse our listings.

[roomsstudentsdreamhome]

Student Accommodation in Villach

At Students Dream Home you will find the Best Student Accommodation in Villach elegantly fully furnished single apartment for student’s at the most suitable price for students. The apartment consists of equipped kitchenette, study bedroom equipped with bed, desk, cupboards, and book shelves which makes the life of the student extremely easy.

[cazzyf1]

My favourite quotes from Niki Lauda's book: "Reden wir Über Geld'

I expected him to spontaneously give me the finger - p6

I hate it when I go through security at the airport and the coins clatter around again. For this reason alone, the comparison with Scrooge McDuck, who likes to swim in money, is completely nonsense - p9

My mother regularly drove me to a Dentist behind the Vienna city hall, where I was tormented for years with regulations. I was more of a wimp, or as they say in Vienna: a slob - p13

My grandfather lived more like a real millionaire. He was the country's model industrialist and lived in a palace on the Ringstrasse with liveried servants who wore black uniforms and white gloves. Hans Lauda was the general director of the Veitsch Magnesitwerke. The Nazis dismissed him in 1938, but he returned to his post after the war. As president of the Austrian Industrial Association, he was one of the pioneers of social partnership and the economic miracle. He was also president of the Red Cross until 1974 and was therefore personally acquainted with Princess Grace Patricia, who was the president of the Red Cross in Monaco. In 1956 he organized aid for thousands of Hungarian refugees. I was only seven at the time, but I know from stories. - p14

Still in my pajamas, I heated up a toy steam engine. Beforehand, I mixed the water in the boiler with iron filings. Which of course wasn't such a good idea. There was an explosion and the hot steam burned my right thigh. My parents were done. I mostly argued with my brother Florian. To this day, we have no common interests, just the fact that we are brothers. One time I was lying in bed when Florian climbed onto the bedside table and tried to jump on me. I tipped the table over with my foot and my brother hit the floor. Then my father came and gave me a slap. Sometimes we played fire brigade together. To make the whole thing a bit more authentic and challenging, one day I brought a canister over, poured the petrol out lit it and ordered Florian to put out the fire. Although the hoses were ready, the fire briefly got out of control. The garage almost burned down and a few fruit trees were singed. - p15-16

I never dreamed of flying, and I certainly didn't see flying as a worthwhile hobby. I wanted to be faster. I wanted to save time. Because I was already earning a decent amount of money at the time, I had brought a Cessna Golden Eagle, had my own pilot and learned the practical side of things by flying with others. I became a student pilot and my preferred route was Salzburg-Bolgona. That made double sense. That's how I got into flying, got one license after another and four years later I founded an airline as the first Formula 1 driver and professional pilot. - p28

I also wanted to coax a private Ferrari out of the Commendatore, but he only gave me a Fiat - p34

I usually carry around 300 to 400 euros with me, 500 at the most. If there are several notes, I hold them together with a money clip. I've never had a wallet. I avoid coins in everyday life. Not that I don't value small change, but it's too heavy in my pockets and I don't like the clatter - p36

Max and Mia also like to play 'police' they drive wildly through the house on their astic scooters and I have to say: "Stop! You were driving too fast. That will cost you thirty euros." They then count to thirty together, in English. - p37

Brigit once asked me to take the bus because the twins like doing it so much. "Sure!" I said, "I'll do it. How do you pay?" In the end I let it go. - p38

I loved spinach even as a small child, because of popeye the sailor - p39

In Spielberg I once asked him: "Lewis, do you see anything about me that needs to be improved?" He didn't know whether to laugh or cry at that moment. Then he explained to me: "You should throw away that brown sweater immediately! That is the worst color for a man. And you need different pants! Not always the same ones and besides, they just don't fit." I enjoyed listening to that and thinking about it. But then I came to the following conclusion: Why should I change anything if everything is fine for me? "Thanks for the input", I said to Lewis, "but even if my blue jeans are down to my knees hang down, I just feel so comfortable in them." - p39/40

It was also Forghieri who came up with the idea of suggesting a sponsor for my red cap. "Watch out," he said one day, "there is a salami company that now wants to get into milk production, which would be interested in advertising." - p43-4

I crossed the finish line in a first Grand Prix, with Clay Regazzoni behind me, so it was a double victory for Ferrari, a true triumph. That night, they played Blue Danube Waltz in the disco in my honour. - p45

When I sit in the cockpit, for example, I notice every speck of dust. As a farewell gift, employees of LaudaAir gave me a man size brush as a nod to my cleanliness obsession - p52

Willi Dungl wanted to find out whether I had suffered trauma from the inferno. He once lit a fire in the fireplace at my home in Salzburg and said, "look at that Niki!" I looked inside, but nothing was moving. I also couldn't care less about the fire in the accident photo - p57-8

I had waited my whole life for a guy like Attila Dogudan - p91

Is Attila Dogudan my friend? I don't want to say anything wrong now. My perception of friendship around this is that people meet in the evenings and spend their hours talking about their worries. The only person who sometimes notices my worries is Birgit - sometimes she whistles at me! -p95/6

I would describe Atilla as my long-term companion - p96

If he didn't answer I would send him an SMS: "I'll cancel the entire catering if you don't call in five minutes." Of course he calls back immediately - p97

My brother Florian, who is 18 months younger than me, is a Buddhist - p107

But the main issue was a heart operation for a three year old boy called Soumitra. That cost a few thousand euros, which we transferred straight away. We then received photos of the child before and after the operation. Since then, when I meet Claudia, I always ask her; "how is my heart?" I mean the heart of this little Indian boy, who has been able to live a normal life since the operation. P109

Fourfiveseconds by Rihanna is such an incredibly great song. Lewis Hamilton, who now makes music himself, sometimes goes with me to promotional events. He is always amazed at the songs I have saved, like an old idiot. 'Some nights' by fun, or George Ezra'a Budapest. I have hundreds of songs like that saved on my iphone and listen to them over and over again - p114

When Birigt wants something from me and I'm feeling defiant, I play her, 'Hero' by Family of the year - p115

When we have a little tangle I play her 'Blame it on me' - p115

Sometimes Birgit, who loves red wine, jokes; "drink another glass of wine, my kidney needs it!" I then sip the glass because I just don't like red wine - like alchol in general - p117

In 2000 I came up with the idea of flying into space. There are several programs running for such flights. I already tried it out in a simulator in Houston, Texas - p122

Later on I explained to my boys that there are also people with two ears. We laughed together. - p143

When Lukas was 15, I took him to a strip club. Sex education. I was shocked myself at how close women were to him. They danced around and took off one thing after another. Lukas watched it all. When it was over he stood up, took off his shirt, and put it around the dancers shoulders so that she wouldn't freeze. It was a really caring gesture. Then I knew: that guy not only has manners, but also heart. Lukas wanted to invite her out but I advised him against it. - p143/144

Sometimes Marlene went crazy when she found out about one of my escapades but she never said a bad word about me in front of the children - p144

In her boundless generosity, Marlene would have taken Christoph into our family, but his mother didn't want that - p145

[turianhumanclient]

Re-telling, not quite a repost of a news article - COMMUNIST'S DREAM, an article on Elke Kahr, KPÖ, Graz

Or, the post where I tell you about the peculiar, surprising, positive article I caught a glimpse of in today's stream of news and trivia.

Graz is the second largest city in Austria with some 300 000 residents, or 652 000 within its larger urban zone. Since 2021 it has been governed by a left coalition of communists, greens and social democrats and the mayor's chair has been held by the communist Elke Kahr. She has served on the city's council and as vice mayor prior, but this represents the first time a woman and communist has won the mayor's post in Graz.

Per the HS's article's expression, "This is the core of modern Austro-communism: Open doors to the mayor's office. People of all ages and walks coming to see and ask for help." Facing the constituents and hearing their requests. Direct contact, which also informs new policies based on the hardships they face.

Elke Kahr's past experiences in service of Graz were serving as councillor for housing and later transportation. As the mayor she deals with same issues with experience, advice to navigate the public services and as last, direct resort: money, straight to the petitioner from KPÖ's social fund.

"KPÖ councillors are required to earn the average industrial wage and donate the rest to social programmes in accordance with the basic rules of the KPÖ.", both the wikipedia and HS article relay. Elke Kahr's 8300€/mo wage as mayor sees her hold onto some 2000 of it, and the rest goes to serve the locals through the party's fund.

The fund is a last resort, direct aid of minimal threshold meant to catch and help those who have fallen through other Austrian national social services and networks.

Bills of all sorts, medical, rent, debt are paid from the fund. HS article mentions one such case as example, such as a 20-year-old medical student who defaulted on a TV license payment by mistake. He paid the bill and interest out of his own funds and the remainder he had was not enough to cover utilities or cost of living. The mayor paid him some couple hundred euros to get through the month.

Other petitioners who didn't need money, but had other concerns, such as a pair of brick-and-mortar retailers' who seek overturning a ban of their light sign advert, or a pensioner hairdresser who had lived in her friend's garden cottage after her marriage ended and the ex-husband kicked her out. She is promised a cheap 35 square-meter apartment. The KPÖ's agenda since winning the Graz elections has been making more affordable housing available, both through requiring new construction and acquiring existing ones to let out. The party overall has campaigned for rent controls and blocking privatization of existing public housing stock in the past decades.

A new era for the party that had organized resistance against the Anschluss and Nazi Germany, clashed with Stalin and the CPSU but later conspired to enact takeovers similar as in Czechoslovakia, Romania and Bulgaria, condemned Prague Spring's violent extinguishing but later endorsed it, clashed with Germany over the fate of Novum, former East German shell company that had funded the KPÖ generously and languished in a cross-stream of lost ideological foundation.

Now after the victory in Graz, the KPÖ and Young Greens coalition has made an entrance to the Salzburg Landtag with a 11% share of votes, coming to four seats. Solving housing issues was the spearhead of their campaign, compared to the other side of the political aisle where People's Party (ÖVP) and Freedom Party (FPÖ) campaigned on anti-islamism and anti-immigration.

Myself, I was pleased to read about this good work done in the name of a cause I loosely associate with. Kahr and others HS interviewed of course did mention that revolution and communism were their desires but it was secondary to serving the people now with the means they had and could gain. Kahr herself espoused an euro-communist stance of working through the elections and existing democratic processes.

A heartening example, but only as good as the people involved. I wish them good fortune and success and honest, earnest public servants that keep the people close, and avoid the pitfall of dogmatic purity.

The article that prompted this post https://www.hs.fi/ulkomaat/art-2000009602369.html The zerobinned text in Finnish https://zerobin.org/?534f1022aae09d1f#7Atrp7Je5QnYGTQdJS6NEUxoavnzDvtYDQ6FukRJpm2B

Wikipedia, background on the people and party featured in the article https://en.wikipedia.org/wiki/Elke_Kahr https://en.wikipedia.org/wiki/Communist_Party_of_Austria

[h2shonotes]

Samuel Barber & Gian Carlo Menotti

This Pride Month H2shO™️ CLASSICAL celebrates  LGBTQ+ classical music composers & conductors, from the prolific composers to the lesser known, who have been great contributors to music history.

While Samuel Barber was still a teenager at the Curtis Institute in Philadelphia, he met fellow student Gian Carlo Menotti. For six decades, the two distinguished composers would became partners in life and in music. 

Barber’s most famous composition is his “Adagio for Strings,” written while he and Menotti spent a summer in a rented house on Wolfgangsee, Austria (near Salzburg) in 1936. The Adagio was one of President John F Kennedy’s favorites. Included is a photograph taken of couples Jackie Kennedy & John, Samuel Barber and Gian Carlo Menotti taken a week before the President was killed.

Menotti wrote the libretti for two of Samuel Barber's operas, Vanessa and A Hand of Bridge, as well as revising the latter for another opera, Antony and Cleopatra. 

By the early 1970’s, the classical music power couple parted. Barber became reclusive and suffered from alcoholism after enduring harsh criticism of his later works. Menotti moved to Scotland in 1973. The break-up may have hastened Barber's decline. But when Barber died in 1981, Menotti was by his side. Theirs is a complicated love story. 

[studentdreamhome]

Looking for a well furnished studio apartment for rent, Getting a dream home on rent can be very hard to get and especially if you are a student. At studentsdreamhome we are offering student apartments in berlin, Germany at affordable price.

[symphonicscans]

Interview with Hozumi for Sarasate Magazine, 2019

There are next to no interviews with Hozumi, so when I heard about this magazine having one I immediately bought it. Finally got around to translating it, and while it doesn't really talk about much, it's better than nothing! I formatted it to fit the original magazine, but there is also a text transcript as well.

Download the interview in PDF form (or read the transcript below) (I was also really pleased to get my headcannons confirmed XD)

WHO IS SOLLIMA?

Hozumi’s “My Giovanni” was inspired by the piece Violoncelles, Vibrez!

In the story, the main character Tetsuo Tezuka idolizes a cellist named Giovanni Bazzoni, who is modeled after Sollima, and the piece that inspires him is Call of the Cello, which is of course based on Violoncelles, Vibrez!

Giovanni Sollima * Composer, Cellist

Born in 1962 in Palermo, Sicily, Italy, he studied cello with Giovanni Perriera and composition with his father Eliodoro Sollima at the Conservatorio di Musica di Palermo. After graduating with honors, he continued his studies on cello with Antonio Janigro and composition with Milko Kelemen at the University of Music in Stuttgart and the Universität Mozarteum in Salzburg. In 1997, he founded the Giovanni Sollima Band in New York City, a group made up of musicians who were already active as soloists and chamber musicians, with such luminaries as Claudio Abbado, Martha Argerich, and Philip Glass. His compositions are often said to be strongly influenced by minimalist music, but he has established his own style by freely incorporating a variety of genres, including classical, rock, jazz, bop, and ethnic music from the Middle East, the Mediterranean, and Africa.

His most widely recognized work is a ballad for two cellos and string orchestra, titled Violoncelles, Vibrez! (1993), which was dedicated to his close friend Mario Brunello, a fellow student of Janigro. It has been performed by many cello ensembles in Japan, including in an arrangement for eight cellos. His other solo cello piece, Lamantatio (1998), which requires the cellist to sing as well as play, is also frequently performed. He also has written a work for shamisen and orchestra, which was commissioned in Japan. He currently teaches at the Conservatorio di Santa Cecilia in Rome, and the instrument he performs on is a Francesco Ruggeri made in 1679. His first visit to Japan was in 2004 for the “Summer in Tokyo,” where he performed Violoncelles, Vibrez! amongst other pieces.

A Must-Read Comic for Cellists

“Boku no Giovanni”

Writer/Yumi Kogo

Characters

The cast of the comic

Tetsuo Tezuka

A boy who loves the cello. After looking for a fellow cellist to play with, he ends up having mixed feelings about Ikumi’s cello talent. He later goes to study with Yuriko Soga in Italy. After returning to Japan, he enters a competition.

Ikumi Tachibana

The other protagonist of the story. The only survivor of a marine accident, he is taken in by Tetsuo’s family and is introduced to the cello. He grows up to become a emerging cellist in the classical music world.

Tetsuro Tezuka

Tetsuo’s older brother and good friend. He used to play the cello, but became jealous of his brother’s ability and stopped playing. Later he becomes a ‘mental trainer’ for musicians.

Yuriko Soga

A cellist living in Italy, Tetsuo initially refers to her as the ‘witch.’ She has a carefree personality, but she is an internationally famous cellist. She later becomes Tetsuo’s teacher.

Yukari Narita

A student in the piano department in a Music High School. She becomes Tetsuo’s accompanist, introduced to him by Yuriko. She likes his free style of playing and they become fast friends. She brings out the best in Tetsuo.

-

“Boku no Giovanni” is a popular music-themed manga serialized in “Monthly Flowers,” a manga magazine for women published by Shogakukan. There have already been four tankoubon released. The manga depicts the lives of two boys who choose to dedicate their lives to the cello, and it’s become popular not only with women but men as well. The story is different from the usual type that follow music students living happily while competing with each other, instead delicately portraying the struggles of a boy who aspires to find his place in the world of music. It is in this setting that the character modeled after Giovanni Sollima appears, and they play an important role in the story.

The Beginning

Tetsuo Tezuka, an elementary school student who plays the cello in a small port town, feels lonely because his older brother Tetsuro, his only cello-playing friend, has stopped playing. Tetsuro had begun to feel inferior to Tetsuo’s rapid improvement, so decides to distance himself from the cello so he wouldn’t end up hating his younger brother. Unaware of his feelings, Tetsuo repeatedly asks him to play ‘Giovanni Bazzoni’s’ work for two cellos, Call of the Cello with him.

At the same time, a large passenger ship sinks on a stormy sea off the coast of their island; a faint voice in the distance is heard. Ikumi Tachibana, who followed to voice to the beach, loses his mother — his only living relative — in the accident, and is taken in by Tetsuo’s family. There, Ikumi learns that the voice he heard was actually Tetsuo’s cello playing.

World-renowned cellists Sollima and Yo-Yo Ma as models

Tetsuo starts playing the cello at age six. He always asks his older brother to play together with him.

It all started when he saw a video of Call of the Cello by Giovanni Bazzoni, which his father gave him. The character of Bazzoni — who has a great influence on Tetsuo — is modeled on Giovanni Sollima, the cellist and composer, and Call of the Cello is reminiscent of one of Sollima’s masterworks, Violoncelles, Vibrez! The other cellist in the panel, Lesser Curtis, is modeled after Yo-Yo Ma. Tetsuo was fascinated by the ‘shadow dancing’ between the two world-famous cellists and became enraptured with the cello.

***

Ikumi finds out that Tetsuo wants somebody to play cello with, so he can play Call of the Cello with them, so he asks Tetsuo to teach him how to play. Both boys start out lonely, but day by day they grow closer through their connection with the cello, and vow to remain lifelong friends.

The world-famous cello “Witch”

Another person who stands out in this story is the character of Yuriko Soga, a world-famous Japanese cellist living in Italy. Every summer she visits Tetsuo’s house to relax. She has a carefree personality, but her playing is of the highest level. Through Yuriko, Tetsuo realizes how difficult the life of a professional cellist is, but also thinks that he has no talent. As if to fight against this reality, he refers to Yuriko as a “witch” and rejects her as an outsider in his world.

One day, Tetsuo spends a week at his grandfather’s house, and when he returns home he finds that Ikumi has effortlessly learned how to play the Dvorak Cello Concerto, which he is unable to play yet. He becomes angry and jealous of Ikumi’s talent and his ability to play with the ideal sound that he wants for himself, and there are many scenes after this that make the reader turn the pages with a heavy heart; only in comics can you see the mood and atmosphere of a person’s feelings at a glance.

As if to escape from Ikumi, Tetsuo goes to study abroad in Sicily, Italy, where Yuriko lives. Five years later, he returns to Japan only to find that Ikumi’s talent has blossomed. Tetsuo pursues his own unique way of making music, but struggles to find a pianist to accompany him in a competition due to his strange way of playing. Through his connection with Yuriko, Tetsuo is introduced to Yukari Narita, a high school pianist who prefers a free style of playing, and this inspires Tetsuo to search for his own style in earnest. It will be interesting to see how his relationship with Ikumi and his future as a cellist develops in future chapters...

(Caption beneath image: Monthly Flowers March 2019 / featured cover illustration)

Interview with the Author of “My Giovanni”

- Hozumi-san - Discovering Sollima and the Fascination with the Cello

Hozumi-san, the creator of “My Giovanni,” debuted in 2010 with her work The Wedding-Eve, which won the Silver Flower Award at the Monthly Flowers comic audition. She made her published book debut with the same work, which is a collection of short stories of which the title is one. The book won the 4th Pukurog Grand Prix in the manga category, and also placed second in the “Staff Choice: This Manga is Amazing!” It also placed second In the ladies’ comics category. Subsequent works include Sayonara Sorcier, which depicts the life of Vincent Van Gough, and Usemono no Yado.

My Giovanni was inspired by a performance of Sollima’s Violoncelles, Vibrez! The series began in 2016 and is still ongoing. We asked Hozumi-san to talk about her encounter with the cello, its appeal, and how My Giovanni was born.

She first fell in love with the cello through 2CELLOS.

Q: I understand that you have always liked minimalist music. How exactly did you come to know about Sollima?

A: My first exposure to minimalist music was with Michael Nyman’s The Heart Asks Pleasure First, but one day I got hooked on 2CELLOS. I had a CD of cellist and composer Siegen Tokuzawa, but I had never watched a proper cello performance before. When I started listening to 2CELLOS, I became more and more fascinated with the sound of the cello and started listening to serious classical music. That’s when I came across Sollima’s Violoncelles, Vibrez! From that point on, I started buying Sollima’s recordings and playing them while working on manuscripts (laughs). After that, I listened to recordings of Joe Hisaishi, Ryuuchi Sakamoto, and others that had a bit of minimalist elements, but I still find it difficult to listen to completely minimalist music. I prefer works that mix minimalist elements with folk and other styles.

Q: I heard that your encounter with Sollima’s works is what led you to create My Giovanni. What was it about Sollima’s music that appealed to you?

A: More than anything, it’s the drama! Of course there’s a strong element of repetition since it’s minimalist, but after listening to a song I feel a sense of fulfillment, as if I’d watched an entire movie. When I heard it for the first time, I remember being impressed and thinking, “Wow, I’ve found such an amazing piece of music!” I was so impressed. It seemed like all of human life experience was depicted in it, and I racked my brain wondering if and how I could draw a manga like that. I started to draw it, but it still didn’t reach the ideal I have, and I’m still struggling with it (laughs).

Q: Do you have any specific cellists that you modeled the characters of Tetsuo, Ikumi, and Yuriko Soga after?

A: I don’t have anybody specific in mind, because I think the way they perform is related to their personalities, so I wouldn’t want to attach them to a specific cellist. I’m not sure it’s a good idea to use anybody in particular as a model because, for the sake of the story progression, I sometimes have to push through the performance scenes with a more comic-like style…

But I have a feeling that there is a bit of Sollima in all of them. Actually, learning to play the cello has made me realize that more.

Q: Hozumi—san, your drawings of cellists are natural and beautiful. Is there anything you pay attention to when you draw them, or anything you are very particular about?

A: I really appreciate you saying so. But I don’t think I’m quite there yet. I actually started cello classes and tried to play the cello myself, but it’s really difficult to draw not only the instrument itself but also the playing position — and not only for cellists. I will continue to work hard to draw the flow of the skeleton and muscles as realistically as I can.

Q: You said you’re learning to play the cello. What was your impression of the cello when you started playing it?

A: This might not be something to talk about in a classical magazine, but I was in a band for a while when I was in school, so I had a little bit of experience with the electric bass. So, when I started cello, I had the faint hope that I would be a little better than an amateur because it was a string instrument… but (of course) it was completely different. Unlike electric bass and guitar there are no frets, and even just holding the bow is very difficult. It was a struggle for me to make a single note sound good. Since then, when I hear cellists play — which I used to listen to without much thought — now I am in awe of them. When I draw the characters in my work I think, “It’s amazing, they can all play so well.” (Laughs)

Q: What is the appeal of the cello for you?

A: It has a wide range, with high notes that pull at your heartstrings but also deep bass notes. I think it’s great that they can play everything from melody to bass lines, and since I used to play the bass I think it’s really cool to be able to do that! As a manga artist, my motivation for drawing them is to find a way to express the sexiness that cellists exude when playing cello.

Q: What are your favorite songs, both to play and to listen to?

A: I haven’t gotten very far with my playing because I’m too busy with the manuscript, but I often listen to the song Rain by Ryuichi Sakamoto. It’s a trio for piano, violin and cello, and I imagined this song when I was drawing the live performance scene for the same ensemble in the comic. I also like Piazzolla in general, but in particular I often play Duo de Amor when I’m drawing.

I really like to hear the cello played by my teacher.

Q: How much time do you spend practicing the cello? What do you find most difficult when you practice?

A: Actually, I haven’t been able to attend classes since I had a health scare last year, and I’m not able to play as much as I used to. Really, all practicing is difficult, but if I had to pick one thing I’d say that even though my left hand fingering is good, I can’t keep up with the bowing… sorry for being such a beginner…

Q: Is there a moment that made you glad you started playing the cello?

A: I’m really only a novice, so just being able to play a single note with a tight, deep sound is a great feeling. “Amazing! I can make the cello sound like a cello!” That alone makes me very happy. Also, it was really helpful for me to understand how to hold the bow and use proper tilted posture as a reference for drawing, it was really great! I’m also happy just listening to the teacher play so skillfully in front of me.

Q: What color is your case?

A: I haven’t bought a case yet because I’m still at the stage where I’m renting my cello, but I like white ones and the deep red Bordeaux-like color, and in the comic Tetsuo’s case is white and Ikumi’s is Bordeaux.

Q: Like My Giovanni, many of your works feature gentlemen, siblings and their home environments. Are those things you consciously decide to focus on?

A: When I create my stories, I often adapt and build on my own experiences as a teenager, so that might have an influence on my work. However, I think the best part of a story is to leave things to the imagination of the reader rather than explaining everything about how the story came to be. Although there are fragments of my personal memories in some parts, it is undoubtedly the original story of the characters, and I hope you will enjoy reading it until the end.

[greatworldwar2]

• Hanna Reitsch

Hanna Reitsch was a German aviator and test pilot. Along with Melitta von Stauffenberg, she flight tested many of Germany's new aircraft during World War II and received many honors. She set more than 40 flight altitude records and women's endurance records in gliding and unpowered flight, before and after World War II.

Reitsch was born in Hirschberg, Silesia (today Jelenia Góra in Poland) on March 29th, 1912 to an upper-middle-class family. She was daughter of Dr. Wilhelm Willy Reitsch, who was ophthalmology clinic manager, and his wife Emy Helff-Hibler von Alpenheim, who was a member of the Catholic Austrian nobility. Hanna grew up with two siblings, her brother Kurt, a Frigate captain, and her younger sister Heidi. She began flight training in 1932 at the School of Gliding in Grunau. While a medical student in Berlin she enrolled in a German Air Mail amateur flying school for powered aircraft at Staaken, in a Klemm Kl 25. In 1933, Reitsch left medical school at the University of Kiel to become, at the invitation of Wolf Hirth, a full-time glider pilot/instructor at Hornberg in Baden-Württemberg. Reitsch contracted with the Ufa Film Company as a stunt pilot and set an unofficial endurance record for women of eleven hours and twenty minutes. In January 1934, she joined a South America expedition to study thermal conditions, along with Wolf Hirth, Peter Riedel and Heini Dittmar. While in Argentina, she became the first woman to earn the Silver C Badge, the 25th to do so among world glider pilots. In June 1934, Reitsch became a member of the Deutsche Forschungsanstalt für Segelflug (DFS) and became a test pilot in 1935. Reitsch enrolled in the Civil Airways Training School in Stettin, where she flew a twin-engine on a cross country flight and aerobatics in a Focke-Wulf Fw 44. At the DFS she test flew transport and troop-carrying gliders, including the DFS 230 used at the Battle of Fort Eben-Emael.

In September 1937, Reitsch was posted to the Luftwaffe testing centre at Rechlin-Lärz Airfield by Ernst Udet. Her flying skill, desire for publicity, and photogenic qualities made her a star of Nazi propaganda. Physically she was petite in stature, very slender with blonde hair, blue eyes and a "ready smile". She appeared in Nazi propaganda throughout the late 1930s and early 1940s. Reitsch was the first female helicopter pilot and one of the few pilots to fly the Focke-Achgelis Fa 61, the first fully controllable helicopter, for which she received the Military Flying Medal. In 1938, during the three weeks of the International Automobile Exhibition in Berlin, she made daily flights of the Fa 61 helicopter inside the Deutschlandhalle. In September 1938, Reitsch flew the DFS Habicht in the Cleveland National Air Races. Reitsch was a test pilot on the Junkers Ju 87 Stuka dive bomber and Dornier Do 17 light/fast bomber projects, for which she received the Iron Cross, Second Class, from Hitler on March 28th, 1941. Reitsch was asked to fly many of Germany's latest designs, among them the rocket-propelled Messerschmitt Me 163 Komet in 1942. A crash landing on her fifth Me 163 flight badly injured Reitsch; she spent five months in a hospital recovering. Reitsch received the Iron Cross First Class following the accident, one of only three women to do so.

In February 1943 after news of the defeat in the Battle of Stalingrad she accepted an invitation from Generaloberst Robert Ritter von Greim to visit the Eastern Front. She spent three weeks visiting Luftwaffe units, flying a Fieseler Fi 156 Storch. On February 28th, 1944, she presented the idea of Operation Suicide to Hitler at Berchtesgaden, which "would require men who were ready to sacrifice themselves in the conviction that only by this means could their country be saved." Although Hitler "did not consider the war situation sufficiently serious to warrant them...and...this was not the right psychological moment", he gave his approval. The project was assigned to Gen. Günther Korten. There were about seventy volunteers who enrolled in the Suicide Group as pilots for the human glider-bomb. By April 1944, Reitsch and Heinz Kensche finished tests of the Me 328, carried aloft by a Dornier Do 217. By then, she was approached by SS-Obersturmbannführer Otto Skorzeny, a founding member of the SS-Selbstopferkommando Leonidas (Leonidas Squadron). They adapted the V-1 flying bomb into the Fieseler Fi 103R Reichenberg including a two-seater and a single-seater with and without the mechanisms to land. The plan was never implemented operationally, "the decisive moment had been missed."

In her autobiography Fliegen, mein Leben Reitsch recalled that after two initial crashes with the Fi 103R she and Heinz Kensche took over tests of the prototype Fi 103R. She made several successful test flights before training the instructors. "Though an average pilot could fly the V1 without difficulty once it was in the air, to land it called for exceptional skill, in that it had a very high landing speed and, moreover, in training it was the glider model, without engine, that was usually employed." In October 1944, Reitsch claims she was shown a booklet by Peter Riedel which he'd obtained while in the German Embassy in Stockholm, concerning the gas chambers. She further claims that while believing it to be enemy propaganda, she agreed to inform Heinrich Himmler about it. Upon doing so, Himmler is said to have asked whether she believed it, and she replied, "No, of course not. But you must do something to counter it. You can't let them shoulder this onto Germany." "You are right," Himmler replied. During the last days of the war, Hitler dismissed Hermann Göring as head of the Luftwaffe and appointed Reitsch's lover, von Greim, to replace him. Von Greim and Reitsch flew from Gatow Airport into embattled Berlin to meet Hitler in the Führerbunker, arriving on April 26th, as the Red Army troops were already in the central area of Berlin. Reitsch and von Greim had flown from Rechlin–Lärz Airfield to Gatow Airfield in a Focke Wulf 190, escorted by twelve other Fw 190s from Jagdgeschwader 26 under the command of Hauptmann Hans Dortenmann. In Berlin, Reitsch landed a Fi 156 Storch on an improvised airstrip in the Tiergarten near the Brandenburg Gate. Hitler gave Reitsch two capsules of poison for herself and von Greim. She accepted the capsule.

During the evening of April 28th, Reitsch flew von Greim out of Berlin in an Arado Ar 96 from the same improvised airstrip. This was the last plane out of Berlin. Von Greim was ordered to get the Luftwaffe to attack the Soviet forces that had just reached Potsdamer Platz and to make sure Heinrich Himmler was punished for his treachery in making unauthorised contact with the Western Allies so as to surrender. Troops of the Soviet 3rd Shock Army, which was fighting its way through the Tiergarten from the north, tried to shoot the plane down fearing that Hitler was escaping in it, but it took off successfully. Reitsch was soon captured along with von Greim and the two were interviewed together by U.S. military intelligence officers. When asked about being ordered to leave the Führerbunker on April 28th, 1945, Reitsch and von Greim reportedly repeated the same answer: "It was the blackest day when we could not die at our Führer's side." Reitsch also said: "We should all kneel down in reverence and prayer before the altar of the Fatherland." When the interviewers asked what she meant by "Altar of the Fatherland" she answered, "Why, the Führer's bunker in Berlin ..." She was held for eighteen months. Von Greim killed himself on May 24th, 1945. Evacuated from Silesia ahead of the Soviet troops, Reitsch's family took refuge in Salzburg. During the night of May 3rd, 1945, after hearing a rumour that all refugees were to be taken back to their original homes in the Soviet occupation zone, Reitsch's father shot and killed her mother and sister and her sister's three children before killing himself.

After her release Reitsch settled in Frankfurt am Main. After the war, German citizens were barred from flying powered aircraft, but within a few years gliding was allowed, which she took up again. In 1952, Reitsch won a bronze medal in the World Gliding Championships in Spain; she was the first woman to compete. In 1955 she became German champion. She continued to break records, including the women's altitude record (6,848 m (22,467 ft)) in 1957 and her first diamond of the Gold-C badge. During the mid-1950s, Reitsch was interviewed on film and talked about her wartime flight tests of the Fa 61, Me 262 and Me 163. In 1959, Indian Prime Minister Jawaharlal Nehru invited Reitsch, who spoke fluent English, to start a gliding centre, and she flew with him over New Delhi. In 1961, United States President John F. Kennedy invited her to the White House. From 1962 to 1966, she lived in Ghana. The then Ghanaian President, Kwame Nkrumah invited Reitsch to Ghana after reading of her work in India. At Afienya she founded the first black African national gliding school, working closely with the government and the armed forces. The West German government supported her as technical adviser. Reitsch's attitudes to race underwent a change. "Earlier in my life, it would never have occurred to me to treat a black person as a friend or partner ..." She now experienced guilt at her earlier "presumptuousness and arrogance". She became close to Nkrumah. The details of their relationship are now unclear due to the destruction of documents, but some surviving letters are intimate in tone. In Ghana, some Africans were disturbed by the prominence of a person with Reitsch's past, but Shirley Graham Du Bois, a noted African-American writer who had emigrated to Ghana and was friendly towards Reitsch, agreed with Nkrumah that Reitsch was extremely naive politically. Throughout the 1970s, Reitsch broke gliding records in many categories, including the "Women's Out and Return World Record" twice, once in 1976 (715 km (444 mi)) and again, in 1979 (802 km (498 mi)), flying along the Appalachian Ridges in the United States. During this time, she also finished first in the women's section of the first world helicopter championships. Reitsch was interviewed and photographed several times in the 1970s, towards the end of her life, by Jewish-American photo-journalist Ron Laytner.

Reitsch died of a heart attack in Frankfurt at the age of 67, on August 24th, 1979. She had never married. She is buried in the Reitsch family grave in Salzburger Kommunalfriedhof. Former British test pilot and Royal Navy officer Eric Brown said he received a letter from Reitsch in early August 1979 in which she said, "It began in the bunker, there it shall end." Within weeks she was dead. Brown speculated that Reitsch had taken the cyanide capsule Hitler had given her in the bunker, and that she had taken it as part of a suicide pact with Greim. No autopsy was performed, or at least no such report is available.

[hitchcock-eastern-hemisphere]

Saturday 9.18.21

Today’s my first day in London! Let me tell you about the journey, these past couple days were exhausting.

I got on the plane from Dulles to Heathrow at 10pm Thursday night, and we got about two hours into that flight when the captain announced he had to turn the plane around. They never told us why. Regardless, we landed back in Virginia a bit after 2am, and I made it home around 4am. Luckily, I managed to get a seat on the same flight the next day, so after a long semi-conscious Friday, I once again got on a 10pm Dulles->Heathrow flight. This time, I made it. And I am so tired.

My cab ride from Heathrow to my apartment in Islington was absurdly expensive, but it was made better by the driver, Michael, who regaled me with stories of his clubbing trips to Ibiza and his ski trips to Salzburg. After a brief confusion over the preparation of my room (I’m living in a London student accommodation house), I finally got to put the luggage down. It took all my willpower not to hop in bed and sleep in that gross daytime exhaustion way that I used to after a 6am->12pm shift at my old coffee shop.

I walked over to Workman’s Cafe on Junction Road and got a spinach omelette and an orange juice. The waitress was really cute, and she and the cook couldn’t tell if I was saying spinach or Spanish and they looked shocked when I reiterated the former. The cafe had a Seinfeld-coffee-shop kind of vibe.

Eventually, I walked over to the Tube and rode to Paddington Station to get my day-2 Covid test (not sure why they call it that when you can get it on day 0). I could have taken a cab, but I decided that if I learned anything from NYC, it was knock down your fear of a new public transportation system on day one. I ended up getting lost between Warren St. and Euston Square stations and walking in circles for about 10 minutes Also it’s wack, at best 50% of the Tube riders had masks on. In NYC it was certainly >95%.

After a trip to the hardware store for house supplies, I ordered Pad Thai+spring rolls+can of Fanta from Blue Moon Thai on Fortress Road. I love the main-street area around there, it almost feels like Chicago. Blue Moon also doubles as a bubble tea shop, and they even have Lychee popping boba. Time to become a regular.

This whole area feels a lot like Chicago and Cambridge (MA) combined with some unique Britishness, I really like it. It’s residential where I am, but it’s a short walk to a pretty hopping area (at least by Hyde Park [Chicago, not London] and Cambridge standards). It also really feels like Inaba from Persona 4. I got this first when I walked up this quiet road along the train track by Tufnell Park, but also on Fortress Rd. This kind of small-town-urban feeling that stuck with me ever since I first saw Inaba. Graffiti and little hole-in-the-wall restaurants, people riding around on mopeds or getting off at the train station to spend the night out.

The Thai food was great. I cannot but think of Snail Thai in Hyde Park as the promised land of dorm Pad Thai, but I already like Blue Moon.

The bathroom in my studio is hilariously small, and I found I literally barely fit in the shower. Other than that, good first impressions of London and my new apartment! Also, this whole city is a car enthusiast’s playground. I’ve already seen a dozen or more cool cars that never made it to the US, paramount among which you can see in the last picture below.

(I haven’t used this site in a while; I’m sure there’s a better way to organize photos, and I’ll figure that out once I’ve recovered from my 48+ hours with little sleep)

Fortress Road

Near Tufnell park, I like these flashing crosswalk posts

Tufnell Park

Blue Moon’s bubble tea menu

Peugeot 205 GTi, one of the most legendary rally cars of all time

[zebkiehousing]

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[students-dream-home]

Student apartment in Hamburg| Rent a room for students in Vienna

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For students looking for a place to call home in Vienna, renting a room in one of the cities many student apartments can provide a great living experience. These apartments offer all the comforts of home, with modern furnishings, plenty of natural light, and communal spaces to socialize with fellow students. What’s more, many student apartments are conveniently located near universities and other attractions, making it easy to explore Vienna. Whether you’re looking for a short-term housing solution or a place to call home, Rent a room for students in Vienna StudentsDreamHome can provide the perfect living experience.

[roomsstudentsdreamhome]

Explore the Vibrant Student City during your Study with Salzburg Student Housing

Salzburg is a beautiful city located in Austria & it is also a popular tourist destination. The city is home to many historical & cultural attractions as well as a vibrant student population. Student accommodation Salzburg is very popular for several reasons.

The city is home to top universities. It means that there is a large student population in the city, which creates a lively and vibrant atmosphere. There are also several language schools in Salzburg, which attract students from all over the world. 

Salzburg student housing is usually very centrally located, meaning that students can easily walk or cycle to their lectures and classes. Just like Student accommodation Vienna, the apartments are close to the universities and the city centre. They are also spacious and have all the amenities that students need. The city is also very pedestrian-friendly, with a large number of pedestrian-only zones. It makes it a safe and enjoyable place to live.

Salzburg Student Housing is a great option for students who are looking for an affordable place to live. The apartments are close to the universities and the city center. And they offer all the amenities that students need.

The cost of living in Salzburg is relatively low compared to other cities in Europe. It means that students can save money on their accommodation and living costs. Salzburg student housing is also generally of a high standard, with many modern amenities and facilities.

If you are looking for great options then visit studentsdreamhome. With them, you can also find the best Student housing graz.

But if we talk about Salzburg, Overall, Salzburg is a great city for students to live in. It is safe, centrally located, and has a lively and vibrant atmosphere. The cost of living is relatively low, and the standard of student housing is high. If you are considering studying in Salzburg, then student housing is the way to go!

Read Also: Planning to study in Austria: Find all staying options in different places.

[cazzyf1]

My Favourite Quotes from: Niki Lauda Das Dritte Leben

So it's been 4 years since Niki has passed now. Over a year since I became so involved with Niki's life here. It's crazy how short of a time it's been.

It's been a while since I made one of these, but as I have brought two new Niki books recently, I figured I should make this to share. The book is fully in German, which I have had to use google translate on; so there will be grammatical issues in this but for the most part, I'd say this is accurate.

Enjoy

"Only Graham Hill and Chris Amon had private planes, and they were simple propeller mills. It had more to do with sport than luxury or gaining time when they came to the races in Fleger. Once they flew from Spa to London in Graham's Piper Actec, and because I was going the same way, they took me with them. Back then, you didn't travel 20 minutes after crossing the finish line of a race, but on Monday morning. It all started with Graham complaining about a headache that morning from drinking so much at the Grand Prix party. It was raining miserably and the runway was a grass runway. We barely made it over the embankment and darted rather noncommittally into the laundry room over the canal. Hill and Amon constantly argued and yelled at each other. Hill was a captain but only had a visual pilot's license, Amon understood instruments, and I think that's where the trouble came from. I sat in the back and had no idea of ​​anything. Anyway, we ended up in London. I didn't feel like I wanted to be a pilot or have an airplane." - 8

"The impression improved when my cousin of a clear friendly tone took me in his Cessna 150 for a sightseeing flight over the Inn Valley. Everything was nice and smooth and friendly, and flying so easy. The view over both sides of the Alps suggested a direttissima between Salzburg, where I now lived, and Ferrari. I became a student pilot and I loved practicing in Salzburg-Bologna. That's how flying got a meaning." - 8

"Stay in your own house on the edge of the forest. Breakfast with Marlene. Fifteen minutes drive to Salzburg Airport, Kemetinger has already fired up the Golden Eagle, an hour later she sails into Bologna. Sante Ghedini picks me up. Two hours at Ferrari's circuit. Enzo Ferrari himself comes over from his office. We're going to Cavallino for lunch, I can do Polsk at the old man's (unfortunately very important). Another hour of testing. Off to Bologna. At half past five I walk in at Marlene's door, like someone who comes home from the office happily. To imagine that day with a scheduled airliner was impossible to fit in twice a six-hour drive: a horror." - Niki's routine

"A few years earlier I had been a hopelessly incompetent loser in high school, in my apprenticeship as a mechanic and then again at high school, and now I was playing the great analyst of Formula 1. I had a good sensorium in my butt, I could feel it Car lived, also in details." - 10

"I met Marlene in the summer of 1975. She was Curd Jürgens' girlfriend and as such the lady of the house at a party in Salzburg. She has a Spanish mother and an Austrian father, was born in Venezuela and mostly grew up there. She has a lot more Spanish than Austrian character. The name Niki Lauda meant absolutely nothing to her. Marlene was infinitely far away from racing and asked the most hair-raising questions, like a child. A few months later she definitely didn't marry the racing driver in me, she took that with her without realizing what she was getting into. As a racing driver you need naïve optimism ("nothing's going to happen to me anyway"), otherwise you wouldn't be able to get into the car at all, and Marlene was willing to believe in it just as I said she would. She was endlessly carefree, and before she knew she was right in the middle of the horror. I was 27, world champion and on my way to my second title. Before I got into the Ferrari on August 1, 1976 at the Nürburgring, Austrian journalists told me that the Reichsbrücke in Vienna had collapsed a few hours earlier. It was a strange feeling: that the biggest bridge in the city, in the whole country, could simply collapse in a second." - p11

"Frank Gardner in a Cortina Lotus had won. At the podium he put down the wreath and descended with tears in his eyes. He had just been told that Jim Clark had died in Hockenheim. Jim Clark was also my big idol, so that also affected me. What particularly bothered me about it was that it was caused by a technical defect, back then there weren't safety bolts in the rims, and if you had a puncture, the tire could jump off the rim. So Clark simply took a turn on the long straight in Hockenheim and pulled straight into the forest without it being his fault. That kept me busy for a long time." - p16

"First, there were these microscopic slivers of burned face shield (balaclava) that had been transplanted with the fresh skin I had developed an allergy to. He got 70 such things out of me in a three-day ordeal with tweezers, carefully treating everything with peppermint oil. The ears, or what was left of them, were raw flesh and painful beyond belief. Willy called the surgeon, who said: The rest of it will probably rot off as well, then the pain will be gone." Willy marched down to Lake Fuschi and dug up some roots, to which he said things like: That helped the Crusaders. As a result, I was able to sleep for the first time in three days, and for 15 hours, and two weeks later I had skin again over what was left of my ears. Then it happened incredibly quickly, also because I was so eager to return to normal life. I soon started running and strength training, and I noticed the progress every day." - p25

"Hannes was a good conversation partner in my euphoria for the future Lauda Air, which was already going through my head in 1977. He had an idea for the "style" that we wanted to develop, for our self-representation and our self-image. We talked about flying, about upcoming planes and an upcoming airline. No detail was too small for us, no fantasy too big. It "It was just fun to sand the contours of a vision. Hannes sketched a jumbo tail and painted a red L in it. This is what the logo could look like. No type of aircraft was better suited than the jumbo, because of the corresponding slant of the towering tail. However, since there was no company yet, the corporate design of the Lauda Air could initially only be applied to my crash helmet: a double red L, lightly scripted, on a white background." - p31

"In the years that followed, Hannes Rausch accompanied me to almost every Grand Prix. Of course there was also Bertl Wimmer. Bertl lived in my (Salzburg) area, worked as a salesman for motorcycles and mopeds for KTM and, through his enthusiasm for motor sports, came into contact with Walter Wolf and finally mine. Our common interests were motorcycling, flying and all kinds of nonsense, and by about 1975 we were friends. Ideally, I packed a team of four as a Grand Prix accompaniment in the Citation or the Lear Jet: Marlene and Messrs. Willy Dungl, Bert! Wimmer, Hannes Rausch (one for the body, one for the heart and one for the brain", at least according to Hannes' interpretation)." - p31

"I only passed the theory part of the exam on the second attempt in Braunschweig. For the practical part, I needed a long-range flight, so I shipped the flight instructor and examiner to the Lear in New York and then flew on to the US Grand Prix in Long Beach. Bernie Ecclestone was already waiting there, saying he urgently needed to go to Las Vegas. So I flew him there. Before I left, I flipped through the messages that Bernie had brought me from the hotel. I should urgently call Frau Maier, our housekeeper in Salzburg. In the phone box at the airport I was told: "An Buam ham S', an Buam ham S'." Our first child was born: Lukas." -p44-45

"Of course, I also drove a full Formula 1 season. When I came home from the Monaco Grand Prix, our kitchen was slightly damaged. Did the dogs behave like that?" I asked Mariene. "No," she said. I had a tantrum" She had her fit during the TV broadcast from Monaco when she saw Didier Pironi try to pass me at Mirabeau, riding on the back of my Brabham and missing my neck by six inches before slamming into the guardrail . Pironi's maneuver was so bloody stupid that you could get angry about it. But that wasn't why Marlene dismantled the kitchen. She was just so incredibly angry because she once again had to watch what she had been doing since the Nürburgring in 1976 knew exactly: That racing is idiotic. Everyone who takes part is idiots, and I, right in the middle, played a brilliant leading role: Congratulations!" and a kitchen box was due. When I got back into the car six weeks after the fire accident, she didn't stop me because she basically allows everyone every freedom, but she thought I was stupid. She thought the whole racing sport was stupid, our rituals, the rush, the heartlessness, and that you can cripple yourself. Marlene never again had a relaxed relationship with racing. My selfishness was strong enough not to let that deter me. I believed, and I do the same today, that in a partnership, too, the free development of the individual must be out of the question. If there isn't room for it, it's just not the right partnership." -p47-48

"Back then, I actually wore beige lace-up velvet trousers every day that had a burn hole over which Marlene had sewn blue fabric in the shape of a fish. I also wore a beige Niki sweater and the shoes painted by Hannes." - p51

"Gilles Villeneuve died in Zolder on May 8, 1982. I liked him for his charm and naturalness, admired his willingness to surrender unconditionally to sweet madness (which, however, had nothing to do with his death fall). In the last hours of his life I had two typical experiences with him. Thursday night at the hotel: I was about to go to bed and heard the flop-flop-flop-flop of a helicopter gone mad. It was pitch black and a searchlight scanned the area in front of the hotel, trying to sort out pylons and cables. The thing did land, it was Villeneuve's Agusta 109, a nice twin engine with retractable gear, Gilles had an immaculate Clarification: "I flew away from Nice when it was still quite light." The next day, first training, first ride. I happened to come out of box right behind Gilles and saw him in the allerer. flew out of the first curve. When we stood together later, I asked him out of genuine interest why a person would throw themselves out in the very first corner of a training session. He said: "Niki, I can't do it different." There was something in him, that simply does not allow him to drive in a calculating or cautious manner, no matter what the track (at the beginning of a training session, the ideal line is not yet sanded clean, that only becomes apparent after a number of laps) That was the last thing I heard from him heard: "I can't help it." - p61-62

"Now, sitting still on the plane, sadness, worry, anger and the burning uncertainty, of course also self-pity seeped into me: What had I done that I had to be the center of such an oversized disaster? In Kennedy I was finished, physically and mentally. I trotted to the PanAm counter, handed over my ticket. The Man looked at it, looked at me, made two dashes through, gave me the ticket and said Stand By". I hadn't bothered with the ticket before, no- had no idea I was stand by to Washington. When the PanAm man said "stand by", I didn't give a damn for the first time in six days. I thought I did like me Out of. Tilt Then again: I have to go to Washington. But how? should i cry shouldn't I cry? I was remote controlled, but the helmsman was not at the post I turned and walked back into the hall and squatted down. I couldn't do more. As if I had been beaten and can no longer hit back. I stared at the ticket without any realization. I almost passed out, I didn't care, I couldn't take it anymore. I would sit here, just sit there I couldn't sleep either. Except for race fans, no dog in America knows me, but now everything was different. - p139

"I flew from London to Salzburg to see Marlene and the children. Marlene was still completely distraught. The ten days that had passed since the crash hadn't lessened her shock. Lukas also showed concern, only Mathias was quite relaxed, listened to a lot and said he was going to play tennis." - p149 (about the plane crash)

"Lukas then came out with the fact that jokes about it were already circulating at school. For example, if you don't love your wife anymore, then send them with the Lauda Air."" -p150

"Niki Lauda's wife loves the neighbors was the headline in August 1989. With a photo (not of the neighbors on Ibiza, but of me), the report took up half the front page. The lover was not only described ("he is 33, tall, blond, blue-eyed"), but also called by name. It was the partner, now husband, of Marlene's sister Renate and one of our closest friends So they didn't bother with even a minimum of research. Since Renate was pregnant at the time, we were able to win the lawsuit against "Bild", which is otherwise hardly possible in such cases in Germany. By and large, the tabloid writes what it wants." - p240

"When the first journalist somewhere heard that I had an illegitimate child, he confronted me about it. "That's right," I said, but it doesn't help anyone if it's in the newspaper, not the child, not the mother, not the father and his family." right Okay, said the journalist and didn't write a word. Over time, others found out about it, too, and I said to them: 80 Yes, it's true, but anyway, he's known about it for a long time. He doesn't write it because he's helping me with it." They didn't write it either, and at some point quite a lot of people knew about it, at least beyond the narrow circle. None of them developed the ambition to make a particularly nice headline with the private life of Niki Lauda. Until at some point a German writer from wind and put it boldly in his newspaper, then followed short confirmations in the Austrian newspapers, but Christoph was already in kindergarten age. That's how my mother experienced it, for example. In her slightly crumpled Schönbrunner German she said: Niiiki, did that have to be?"- and never a word of it again." - p241-242

"Christoph is a bright fifteen-year-old growing up in Vienna and with whom I have little contact. We see each other about three times a year, so of course no sensible father-son relationship can develop from that. I only have one family, it stays that way, married or divorced, it doesn't matter. I have a bad conscience that it happened," and I can't get rid of it either. The situation presents itself as unsolvable in the sense of a result that could make everyone happy. I don't want to cut myself in half, and I can't see a middle ground that I could reasonably walk. Christoph grew up completely differently than the children under Marlene's and my influence. I feel the difference very strongly, but of course it's okay." -p242

"Marlene is my life person. She has uncanny strength and security, and she rests in the midst of a chaos she beautifully crafts." -p242

"I had lived with a very disciplined young lady for seven years and married Marlene within a few months. I didn't take it that terribly seriously, I just wanted to know what it's like: being married, and Marlene was exactly the kind of person who could understand it well." - p243

"When I confessed the illegitimate child to her, she was hurt but decided that if I wanted that to happen, nothing about our family should change. Of course I wanted. If we did eventually divorce, she demanded, "I'll have the kids, the dogs, the camera." So we continued this weird kind of marriage that we were both comfortable with. A relationship can only be based on how two people understand each other, and we got along well. I remained stubbornly focused on my egocentric life, racing, company, and Marlene accepted that. Normally you can only choose between family and freedom, I could choose as much as I wanted from both. I could lean my head back when I felt like it and when I felt fit I could run away and do whatever I wanted. Everyone knows that I wasn't a saint anyway. But even there it depends on what is ultimately the case remains. It's easy for me because I can decide for myself in this constellation. We do not need to discuss the responsibility for the three. If Marlene pulls the lace and says, what now?, I'm there immediately. Just: She has never pulled the lace. I know exactly the limits. And if the boundaries need to be shifted, then we'll shift them against me too. But since Marlene gives me such freedom, thank God, I also live it. But when push comes to shove, she always wins. Just as we got married, we divorced in 1991. It didn't matter and it didn't change anything. The official in Thalgau asked about the reason for the divorce. ..There isn't one, I want a divorce." "It's impossible without a reason." ..What could be a reason, for example?" ..If someone wasn't at home for six months." I haven't been home for six months." ..Are you sure?" Yes, of couse." "The marriage is divorced." On leaving, Marlene said: "The children, the dogs, the camera." I was flabbergasted. It had worked the way she always said it would. And nothing changed. Of course I took all the steps to protect her, and also signed the house in Salzburg over to her." -p244

"For five years only the very closest circle knew about it. Marlene wanted to spare the children who went to school in Hof near Salzburg the public discussion of our private lives. So we kept quiet" - p244

"Accordingly, it turned out that Lukas had nothing in mind with cars and motorcycles. He just got comfortable with cycling, that was all. I resented how he grew up with no technical spark. I had to do something. When he was about thirteen, I bought him a small motocross bike for his size. He was super excited about it, but for two months he just started the thing up in the garage and went wrrrrmmm, wrrrrmmm. No, he doesn't want to drive, he doesn't want to. One Saturday the whole family was sitting at the Schloßwirt in Anif, it was a wonderful day. I said to Lukas, let's drive home quickly, I'll show you something. On the lawn in front of our house I put him on the front of the motorcycle, sat on the back, grabbed the handlebars, showed him how to use the gas and clutch. But he only stopped in the middle of the handlebars and wasn't willing to move his hand towards the accelerator. So we drove around in the meadow, two on a small bike. It seemed like a solid hour before he finally parted his hands enough to get the gas and clutch. I suddenly jumped off. He roared like crazy, made a slow giant arc, and I had to run alongside. In the end I had to catch him because he couldn't get his feet on the ground properly. Very slowly, in first gear, he trembled through the meadow and scolded me. Anyway, he was on his way. - p246

"The next time I came to Salzburg, Lukas said: So what?" Come down with me. I'm going to go motocross." "Come down." He dressed carefully. Leather outfit, boots, fall home, the whole fuss. I stood there bored and waited for him to shake his way out. He jumped on his motorcycle and sped out of the garage on the back wheel - an image I'll never forget become. I ran to Mathias.,,What's the matter?" The little brother then told me that the day after our first trip, Lukas had gone down to the farm boys on his motorbike, and he had driven with them until he could, becoming more and more ambitious, and in the end totally stupid." - p247

"With Mathias, the result was the same, only the way to get there was much easier. He wouldn't have gotten up on his own, so I put him on the bike, said that's the gas, that's the clutch, he said yes, I know. He drove away, made a detour, came back and drove unsharpened to the garage door. ,,Are you dumb?" "I don't know where the brake is." He was fearless. Full throttle from the first second. And his brother was such a protégé. Anyway, they started riding motocross together" - p247

"If you really aspire to a motocross career, you should start just after walk school. So it was by no means too early when Lukas and Mathias, aged 14 and 12 respectively, asked for decent motocross machines for further training. Marlene had a fit, but I told her to let her go: Motocross is the hardest thing there is. You will never get ahead. There's no money to be made, the sport is just exhausting, dusty and dirty, they'll soon stop doing it." Marlene accepted and I bought the boys two 125 Hondas. They drive it really well and there is no longer any difference between the two. They are equally wild and equally good. I hope that it doesn't turn into a motocross career, and that suggests that they're jumping around like crazy out of sheer jokes and frolics. But they lack the seriousness of cardio, running and weight training every day, so I believe I think the racing bacillus will eventually suffocate in the eternal dust of motocross. Marlene has now fully embraced the kids' hobby, drives the machines back and forth, checks in between Barcelona and Ibiza." - p248

"My mother survived him by eighteen years. I didn't see her very often either, but there was always a bond and affection, maybe there was also a hidden longing for the family that had been lost so to speak. Her last days were moving. She had cancer, only wanted therapy up to a point, and then no more. Brother Florian and I took turns at her bedside for the last week and never left her alone. They were important days for me and for this last remnant of family. I think after all our mother understood that she had sons who loved her. Now only Florian is left. We had always had little contact, but after the death of our mother we became closer again. He lives his life completely differently from me, hasn't done anything in all his 46 years that I would call work, but that's by no means criticism, on the contrary, I admire him for it. He studied but didn't finish, did this and that, was always happy, and because of them Family circumstances he could also afford it." - p250

"I never had a problem with my appearance after the accident. problem That's what I look like, that's it. I therefore only had the medical technically necessary operations on the eyes and ears chen, but no plastic surgery. James Hunt, my 1976 World Cup rival, said the accident was the best thing that could have happened to me: "You finally have a face to look at." - p253

"In the meantime, an Austrian brewery had expressed interest in providing me with a Gösser"-Kapperl, green of course. Practical and unsentimental as I am, I thought five million schillings is a lot of money these days, so why shouldn't I have one green Kappl marching around?” I really didn't have any major concerns and made a preliminary contract. Then I showed up at the company with the green Kapperl on a trial basis. The employees were stunned. They thought I wasn't quite tight anymore. Lauda can't wear a green cap, he can't have any other cap but this red thing, and the fact that it says Parmalat isn't an advertising message, it just happens to be written on Lauda's cap. Of course, I have so much respect for symbols and the opinions of the employees that I allow myself to be taught. So I canceled the Gösser lecture with difficulty, wept briefly and violently over the beautiful coal and politely put the red cap back on. It will probably stay that way, I think." P254

"I had just come back from Miami, with the flu, overworked, overtired, came to the Viennese apartment next to the Hotel Sacher and suffered a heart attack. I fell to the ground, unable to move. With the utmost effort, I crawled to the phone, but who should I call? Emergency call, ambulance? It was the time of my worst argument with the AUA, and even in my fear of death I couldn't give them the triumph that the red Kappl was being carried out of the Sacher-Haus on a stretcher. So Willy Dungl, but he wasn't there. I asked for a call back, extremely urgent. Meanwhile, still on the ground, I scribbled notes for Marlene, account numbers and so on, farewell. After hours I think Dungl finally called. I'm having a heart attack, I said, please take me to the hospital discreetly. Willy and his wife picked me up, took me out of the house and straight to the general hospital, where on the Cardiac station everything was already prepared. First check: everything ok. healthy heart, as in the last pilot examination. Infinite relief, however wrong with unchanged Pains. So it could only be a misaligned vertebra, a pinched nerve, which is Dungl's specialty anyway (actually it was the fifth thoracic vertebra, I think). I'll take you straight to Gars, where I can treat you properly," said Dungl. I was dragged to Willy's car in the hospital yard. It came to me like a rocket from the subconscious Remembering Willy Dungl's car skills. ..Who's driving?" I asked, suddenly wide awake. I'll drive," said Dungl. I whimpered, "Let me drive, Willy."- p272-3

"The greatest driver personality over my 25-year span has been Ayrton Senna. The strongest, the best, innovative, extremely sensitive as a driver and as a person. He dealt with racing perfectly and with unbelievable intensity. He had everything under control and was creative in all his ideas. He was warm-hearted and friendly and inspired me as a person, although his religiosity was completely alien to me" - p291

"At the time of the 1993 Spanish Grand Prix, I tried to lure him to Ferrari. I met him in his Barcelona hotel room and told him how great it was to immerse himself in the Ferrari myth. But he didn't give a damn about myth and said he was only interested in a car that he could win races in. We didn't even get to talk about money, and in the end he probably drove for Williams almost free of charge in 1994 because he basically had to buy Prost out." - p292

Hope you enjoyed the read! When I finish the next book I'll try to get it out. Also tagging @f1yogurt

[xmasqoo-haineke]

Per aspera ad astra (phrase meaning) … Not to be confused with "Per ardua ad astra." … * *  * "Ad astra per aspera" redirects here. For other uses, see Per aspera ad astra (disambiguation). Disclosure: This article may need additional citations for verification.  Find sources: "Per aspera ad astra" – news · newspapers · books · scholar · JSTOR (June 2020)  "Per aspera ad astra", from Finland in the Nineteenth Century, 1894 Per aspera ad astra (or, less commonly, ad astra per aspera) is a popular Latin phrase meaning "through hardships to the stars". The phrase is one of the many Latin sayings that use the expression ad astra, meaning "to the stars". Contents 1 Uses 1.1 Governmental entities 1.2 Military and government 1.3 Literature 1.4 Music 1.5 Anime 1.6 Educational and research institutions 1.6.1 Australia 1.6.2 Austria 1.6.3 Botswana 1.6.4 Ecuador 1.6.5 Estonia 1.6.6 Honduras 1.6.7 India 1.6.8 Jamaica 1.6.9 Japan 1.6.10 Macau 1.6.11 Maldives 1.6.12 New Zealand 1.6.13 Nigeria 1.6.14 Norway 1.6.15 Pakistan 1.6.16 Paraguay 1.6.17 Philippines 1.6.18 Romania 1.6.19 Russia 1.6.20 Saint Vincent and the Grenadines 1.6.21 Slovakia 1.6.22 Slovenia 1.6.23 South Africa 1.6.24 Sri Lanka 1.6.25 Sweden 1.6.26 Tajikistan 1.6.27 Ukraine 1.6.28 United Kingdom 1.6.29 United States 1.7 Fraternities and sororities 1.8 Popular culture 1.9 Others 2 See also 3 References 4 External link Uses[edit] Various organizations and groups use this expression and its variants. Governmental entities[edit] Duchy of Mecklenburg-Schwerin[1] State of Kansas (Ad astra per aspera)[2] Municipality of Cheribon, Netherlands East Indies[3] City of Gouda, The Netherlands[4] Honored Scientist of Armenia[5] Military and government[edit] Department of Civil Aviation, Thailand[6] Military Technical Academy in Bucharest, Romania[7] National Defence Academy of Latvia[8] South African Air Force[9] Spanish Air Force Hon. Julie Payette, 29th Governor General of Canada[10] Royal Life Guards (Denmark) Literature[edit] In Kenta Shinohara's Astra Lost in Space, it is inscribed on a plaque on the bridge of the ship that the crew subsequently decided to name the Astra.[11] In Kurt Vonnegut's The Sirens of Titan, it was quoted as both the motto of Martian Imperial Commandos, a unit within the larger Martian Army, in addition to being the motto of Kansas, U.S.A., Earth, Solar System, Milky Way. In Harper Lee's "To Kill a Mockingbird", it was quoted as the motto of Maycomb, during the school play. In James Joyce's "A Portrait of the Artist as a Young Man"[12] In Pierce Brown's "Red Rising" book series it is a common phrase used by the Golds of The Society. In M.L.Rio's "If We Were Villains" it is the motto of the Dellecher Academy. Music[edit] The subtitle of Moritz Moszkowski's set of fifteen Études de Virtuosité for piano, op. 72 (published 1903). The subtitle of Charles Villiers Stanford's Piano Trio No. 3, Op. 158 (1918). The title of the fourth album by ambient music duo Stars of the Lid (1998). The subtitle of Sergei Bortkiewicz's 3rd piano concerto (1927). The title of a song by Spiritual Beggars from their album Ad Astra (2000). The title of a song by Haggard (band) from their album "Eppur Si Muove" (2004). Acceptance has an instrumental track on their Phantoms album titled "Ad Astra Per Aspera" (2005). The title of the second album (2011) by Abandon Kansas. Per Aspera Ad Aspera, the name of a best-of album by the band ASP (2014). The title of a march by Ernst Urbach op. 4 (1906). The title of an album of marches by the Royal Norwegian Air Force Band. The title of a composition by Hasaan Ibn Ali from his second Atlantic recording, never released, the master tapes of which were destroyed in the Atlantic warehouse fire of 1978.[13] The subtitle of an instrumental song by the symphonic metal band Nightwish (2020). Anime[edit] Mentioned in anime Astra Lost in Space on the Ark Series Spaceship which is later named as ASTRA. Educational and research institutions[edit] Australia[edit] Queenwood School for Girls, Mosman NSW Woodville High School, Adelaide Albury High School, Albury, New South Wales[14] Girton Grammar School, Bendigo, Victoria Austria[edit] Universität Klagenfurt Botswana[edit] St. Joseph's College, Kgale Ecuador[edit] Instituto Nacional Mejía,Quito, Ecuador Estonia[edit] Keila-Joa Boarding School, Türisalu[15] Jakob Westholm Secondary School, Tallinn[16] Honduras[edit] Escuela Nacional de Música, Tegucigalpa Instituto Salesiano San Miguel, Tegucigalpa India[edit] Clarence High School, Bangalore, Karnataka, India - Motto of Redwood House (Ad Astra) St. Augustine's High School, kalimpong, District:Darjeeling, India Maulana Azad Medical College (MAMC), New Delhi, India The Frank Anthony Public School,Kolkata,India The Frank Anthony Public School, Delhi, India - Motto of Ranger House St Joseph's High School, Dharwad, Karnataka, India Antonio D'souza High School, Mumbai, India Technology Research and Incubation Centre, Dimapur, Nagaland Jamaica[edit] Immaculate Conception High School, St. Andrew Mount Alvernia High School, Montego Bay Japan[edit] St. Francis Church, Tokyo, West-Hachioji, Gnosis Essene (HP) Macau[edit] Postgraduate Association of University of Macau, Macau Maldives[edit] MNDF Fire and Rescue Services Training School, K.Viligili New Zealand[edit] Rotorua Boys' High School, Rotorua Nigeria[edit] Ilupeju College, Ilupeju, Lagos Lagos Secondary Commercial Academy, LASCA Kalabari National College, Buguma, Rivers State Oriwu Model College, Igbogbo, Ikorodu Norway[edit] Stavanger Cathedral School, Stavanger Sortland videregående skole, Nordland Lillehammer videregående skole Norwegian University of Science and Technology (NTNU) Pakistan[edit] St Patrick's High School, Karachi St. Patrick's College, Karachi Paraguay[edit] Universidad Autónoma de Asunción Philippines[edit] Far Eastern University - Nicanor Reyes Medical Foundation, Quezon City St. John Paul II College of Davao, Davao City Rosevale School, Cagayan de Oro City Juan R. Liwag Memorial High School, Gapan City Cagayan State University, Tuguegarao City Romania[edit] Mihai Eminescu High School,[17] Suceava Colegiul National "Andrei Saguna" Brasov[18] Colegiul National "Doamna Stanca" Fagaras[19] Alexandru Papiu Ilarian High School,[20] Targu-Mures Andrei Mureşanu High School,[21] Bistrița Márton Áron Főgimnázium [ro], Csíkszereda (Liceul Teoretic "Márton Áron", Miercurea-Ciuc) Ovidius High School,[22] Constanta Military Technical Academy,[23] Bucharest Russia[edit] School no. 1259, Moscow Saint Vincent and the Grenadines[edit] Saint Vincent Grammar School, Kingstown Slovakia[edit] Faculty of Informatics and Information Technologies of Slovak University of Technology in Bratislava Slovak Organisation for Space Activities Slovenia[edit] Prva gimnazija Maribor, Maribor Gimnazija Jesenice, Jesenice Gimnazija Škofja Loka, Škofja Loka South Africa[edit] Pietersburg Hoërskool[24] Tembisa Secondary School South African Air Force[25][circular reference] Ribane-Laka Secondary School Chistlehurst Academics and Arts School Sri Lanka[edit] St. Paul's Girls' School, Milagiriya, Colombo District, Western Province Sweden[edit] Västmanland Air Force Wing[26] Tajikistan[edit] Gymnasium #1 after V. Chkalov, Buston, Khujand, Sugd region Ukraine[edit] Space Museum dedicated to Korolyov in Zhytomyr Dnipropetrovsk Oblast Bucha Ukrainian gymnasium United Kingdom[edit] The Royal School, Haslemere, Surrey Colfe's School, Greenwich, London Mayfield Grammar School, Gravesend, Kent Dr. Challoner's Grammar School, Amersham, Buckinghamshire British Lawn Mower Racing Association United States[edit] California State University East Bay, Hayward, California[27] Campbell University, Buies Creek, North Carolina[28] Cornelia Strong College, University of North Carolina at Greensboro, North Carolina Coventry High School, Coventry, Rhode Island East Hampton High School, East Hampton, Connecticut Greenhill School, Dallas, Texas[29] Irvington Union Free School District, Irvington, New York Saint Joseph Academy, Brownsville, Texas Lake View High School, Chicago, Illinois Lyndon Institute, Lyndon Center, Vermont Macopin Middle School, West Milford, New Jersey Miami Central High School, Miami, Florida Midwood High School, Brooklyn, New York Mirman School, Los Angeles, California Morristown-Beard School, Morristown, New Jersey Mount Saint Michael Academy, Bronx, New York Satellite High School, Satellite Beach, Florida Seven Lakes High School, Katy, Texas Stevens Institute of Technology, Hoboken, New Jersey[30] Trinity Prep, Winter Park, Florida[31] Townsend Harris High School, Queens, New York University High School, Fresno, California University of Tennessee Space Institute, Tullahoma, Tennessee Oak Harbor Academy Private School, Lemoore, California Fraternities and sororities[edit] Beta Sigma Psi National Lutheran Fraternity[32] Sigma Gamma Phi – Arethusa Sorority[33] Korp! Amicitia – Estonian student sorority. Freemasons-Knight's Templar, 32nd Degree K.Ö.St.V. Almgau Salzburg - Austrian Catholic Student Association[34] K.a.V. Danubia Wien-Korneuburg im ÖCV - Austrian Catholic Student Association Popular culture[edit] Appears on the hull of the ship 'Searcher' in the second season of Buck Rogers. Garrison Keillor routinely references the phrase as the only Latin phrase he cared to remember on A Prairie Home Companion.[35][36] Per Aspera Ad Astra is a Soviet Russian science fiction film by Richard Viktorov, written by Kir Bulychov. Rip Torn says this phrase to David Bowie in the film The Man Who Fell to Earth. Tomo Milicevic of the band 30 Seconds to Mars has a tattoo on his right forearm reading 'per aspera et astra', with the band's logo in the background in red. Aspera! Per aspera! Per ardua! Ad astra! is the refrain of the song "Aspera" by Erin McKeown on the album We Will Become Like Birds. American singer, rapper, dancer, actress, and songwriter Kiely Williams has "Per aspera ad astra" tattooed on her right forearm. Title of a play depicting the history of the fictional Maycomb County in To Kill a Mockingbird, in which the translation is given as from the mud to the stars. Title of a song by Haggard, from the album Eppur Si Muove. The name of an album by Abandon Kansas. It is one of many hidden messages in the 2009 video game The Conduit. Motto of the Martian Imperial Commandos in Kurt Vonnegut novel, The Sirens of Titan. Title of a song by Seattle-based band Acceptance. Title of a song by Goasia, appearing on the album From Other Spaces (Suntrip Records, 2007) Appears on right side shoulder patch in Star Trek Enterprise, on the "newer" uniform style shown on the series finale. In Star Trek The Next Generation it is shown to be the motto of Starfleet. The official motto of Solforce in the videogame Sword of the Stars. The phrase is used as the name of the tenth track on the score for the film Underworld: Rise of the Lycans by Paul Haslinger. Title of a song by the band Spiritual Beggars from their album Ad Astra. Title of a song by the band Die Apokalyptischen Reiter from their album Samurai. The final mission (Chapter 15) in the Mafia II video game In a tattoo piece in The Raven The phrase has been spoofed slightly by the band Ghost in the song "Per Aspera Ad Inferi" from their album Infestissumam[37] literally meaning "Through hardships to hell".[38] Title of a background music from the Pokémon Omega Ruby and Alpha Sapphire video games which plays during a voyage into space. In the 2015 film The Martian, at the end of the film astronaut Mark Watney is giving his first lecture to the Astronaut Candidate Program and the phrase appears embedded in the central floor area of the lecture hall around a logo In Bioware's Mass Effect 3, this phrase is set in the middle of the wall of names dedicated to the fallen crew members of the main ship, the SSV Normandy SR2. Title of character leveling achievements in Mistwalker's mobile game Terra Battle Found in the Gravity Falls Journal #3, penned on the title page. Appears on the journal both in the show and on the real-life replica.[39] The title of a Pee Wee Gaskins album (2010). The title character in Ottessa Moshfegh's novel Eileen accepts and smokes a Pall Mall and refers to the motto on the package translated as "Through the thorns to the stars." On the ship the students find in Astra Lost in Space, there is a plaque with this saying on it. The motto of the Golds in Pierce Brown's Red Rising Series. Ad Astra is a 2019 American science fiction film by James Gray. Appears in the logo of the Universal Paperclips Advanced AI Research Group. Others[edit] As part of the official team crest of Arendal Football As part of the team crest of the former Collingwood Cricket Club. A plaque honoring the astronauts of Apollo 1 at the launch site where they perished. A tribute exhibit to the Apollo 1 Astronauts "Ad Astra Per Aspera - A Rough Road Leads to the Stars" opened on January 27, 2017, the 50th anniversary of the loss of the crew, at the Kennedy Space Center Visitor Complex. Inscribed on the crest of Pall Mall cigarettes packages[40] The theme of "POR CC XXI" by Kolese Kanisius Jakarta Part of a custom paint job in World Of Tanks Tradewinds Swiss[41] Space Development Network[42] Part three of the book Jepp who Defied the Stars by Katherine Marsh has the phrase as its title.[43] Appears in Morse code on the track titled "Sounds of Earth" on the Voyager Golden Record that has copies aboard the Voyager 1 & 2 spacecraft that are currently in interstellar space. [44] See also[edit] Per ardua ad astra ("Through adversity to the stars") Per ardua ad astra, additional uses with reference to above article Ad astra per aspera, additional uses Per aspera ad astra, references this article References[edit] ^ "Decorations of the Grand Duchy of Mecklenburg-Schwerin". Archived from the original on 2008-08-29. ^ "Seal of Kansas". Kansapedia. Kansas Historical Society. March 2014. Archived from the original on 2020-07-06. Retrieved 2020-07-06. ^ "Nederlandsch-Indische Gemeentewapens" (PDF). NV Mij Vorkink. September 1933. Retrieved 2019-07-23. ^ "Gouda in the official Dutch heraldic records". High Council of the Nobility (Hoge Raad van Adel), The Hague. Retrieved 2019-10-28. ^ "Honored Scientist of Armenia" (PDF). Retrieved Sep 24, 2020. ^ Department of Civil Aviation Emblems Archived April 27, 2009, at the Wayback Machine ^ "Academia Tehnica Militara". Mta.ro. Archived from the original on 2007-07-03. Retrieved 2013-12-21. ^ http://www.naa.mil.lv/en.aspx ^ "The South African Air Force Emblems". Saairforce.co.za. Retrieved 2013-12-21. ^ "OSGG/BSGG @RideauHall Twitter". twitter.com. Retrieved 2017-10-04. ^ Kenta Shinohara (w, a). Astra Lost in Space 2: 24/4 (2016-08-23), Viz Media ^ Joyce, James. A Portrait of the Artist as a Young Man. p. 222. ^ "Archived copy". Archived from the original on 2014-07-18. Retrieved 2014-07-18. ^ "Albury High School". Albury-h.schools.nsw.edu.au. Retrieved 2013-12-21. ^ "Keila-Joa Boarding School". Keila-joa.edu.ee. Archived from the original on 2013-12-24. Retrieved 2013-12-21. ^ "Jakob Westholm Secondary School". westholm.ee. Retrieved 2014-11-05. ^ "Colegiul Național Mihai Eminescu". cn-eminescu.ro. Retrieved 2014-02-23. ^ "Colegiul Naţional "Andrei Şaguna", Braşov". Saguna.ro. Retrieved 2013-12-21. ^ "Colegiul Naţional "Doamna Stanca", Braşov". Doamnastanca.ro. Retrieved 2013-12-21. ^ "Colegiul Naţional Alexandru Papiu Ilarian". Papiu.ro. Retrieved 2013-12-21. ^ "Colegiul Național Andrei Mureșanu". Cnam.ro. Retrieved 2013-12-21. ^ "Liceul Teoretic Ovidius". liceulovidius.ro. Retrieved 2014-07-01. ^ "Military Technical Academy Bucharest". www.mta.ro/. Retrieved 2017-11-08. ^ "Pietersburg Hoerskool". Pieties.co.za. Retrieved 2013-12-21. ^ South African Air Force ^ Braunstein, Christian (2005). Svenska flygvapnets förband och skolor under 1900-talet (PDF). Skrift / Statens försvarshistoriska museer, 1101-7023 ; 8 [dvs 9] (in Swedish). Stockholm: Statens försvarshistoriska museer. p. 44. ISBN 9197158488. SELIBR 9845891. ^ "California State University East Bay". Csueastbay.edu. Retrieved 2013-12-21. ^ Campbell University: General Information Archived July 26, 2008, at the Wayback Machine ^ Greenhill School: Statement of Philosophy Archived 2009-01-06 at Archive.today ^ "Stevens Institute of Technology: About Stevens". Stevens.edu. Archived from the original on 2013-10-12. Retrieved 2013-12-21. ^ "Trinity Prep School: myTPS Portal". Trinityprep.org. Archived from the original on 2012-06-07. Retrieved 2013-12-21. ^ "Beta Sigma Psi 2006 National Convention, see page header". Convention.betasigmapsi.org. 2009-12-27. Retrieved 2013-12-21. ^ "Sigma Gamma Phi at SUNY Oneonta". Oneonta.edu. Retrieved 2013-12-21. ^ Almgau, 2014 (7 May 2011). "Startseite - ALMGAU". K.ö.St.V. Almgau Salzburg im MKV. ^ "transcript from the September 17, 2011 episode of A Prairie Home Companion". ^ Rev. Andy Ferguson. "Church Street United Methodist Church: February 20, 2001". churchstreetumc.blogspot.com. ^ "Ghost B.C. Store". Myplaydirect.com. Retrieved 2013-12-21. ^ "A Nameless Ghoul From Ghost B.C. Speaks About 'Infestissumam', the Devil + More". Loudwire. Retrieved 2013-08-04. ^ Noble, Barnes &. "Gravity Falls: Journal 3|Hardcover". Barnes & Noble. Retrieved 2020-02-25. ^ "Pall Mall". History of Cigarette Brands. Archived from the original on 2011-08-17. Retrieved 2013-12-21. ^ "Test Tradewinds Swiss". ^ "(CA) Who owns the phone number? - Identify the Owner of a Phone Number 123". ownerphonenumber.online. Retrieved Sep 24, 2020. ^ Jepp who Defied the Stars, p. 225, at Google Books ^ "Voyager - Sounds on the Golden Record". voyager.jpl.nasa.gov. Retrieved Sep 24, 2020.

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[opera-ghosts]

Selma Kurz (October 15, 1874 – May 10, 1933) was an Austrian operatic soprano known for her brilliant coloratura technique. She was first heard in Vienna at a student concert of Ress pupils on March 22, 1895.  She got good notices and offers poured from many opera houses, especially the ones in provincial Germany, which were always looking for new talent.  She made her début in the title role of Ambroise Thomas's opera Mignon at the Hamburg Stadttheater, on May 12, 1895.  She appeared there and at Frankfurt am Main for the next four seasons, singing diverse roles including Eudoxie in Halévy's La Juive, Elisabeth in Wagner's Tannhäuser and Bizet's Carmen. In the year-long Mozart festival performances organized to celebrate the composer's 150th birthday, Kurz sang Fiordiligi in Così fan tutte in 1905 and Konstanze in Die Entführung aus dem Serail a year later. Also in 1906, on the occasion of a much-acclaimed Caruso gala, she sang Gilda in Rigoletto, with Titta Ruffo in the title role. This was Ruffo's only appearance in Vienna. Although she had great triumphs in coloratura roles, Kurz did not neglect her lyric repertory. Indeed, of the 992 performances she would give at the Vienna Hofoper (later Staatsoper), more than 100 would be devoted to Mimì in Puccini's La bohème.  She also created that composer's Madama Butterfly for Vienna (1907) as well as Saffi in Johann Strauss's Der Zigeunerbaron (1910). She sang Tatiana (Eugene Onegin) and Sophie (Der Rosenkavalier) in 1911 and, in one of the many high points of her Viennese career, created Zerbinetta in the world première of the second version of Richard Strauss's Ariadne auf Naxos, on October 4, 1916. She sang Zerbinetta 36 times in Vienna. In Vienna she sang every imaginable role, from Tchaikovsky's Iolanta and Wagner's Elsa (in Lohengrin) and Sieglinde (in Die Walküre) to Marguerite in Gounod's Faust, Massenet's Manon, Frau Fluth in Nicolai's The Merry Wives of Windsor and Rosalinde in Johann Strauss II's Die Fledermaus. Next to Mimì in La bohème, her most frequently heard roles were Gilda, Violetta and the Trovatore Leonora. Her last performance at the great theatre in the Ringstraße, where so many of her triumphs had been acclaimed by two generations of opera lovers from all over Europe and the world, took place on February 12, 1927. This appearance, as Rosina in The Barber of Seville, closed one of the most glorious operatic careers in the twentieth century. Form the outset Selma Kurz was widely required all over Europe and she appeared successfully in both opera and concert at the Grand Opéra in Paris, the Princely Opéra in Monte Carlo, Rome, Salzburg, Warsaw, Prague, Budapest, Amsterdam, Ostend, Bucharest and Cairo. In London she was first heard in May 1904 in Rigoletto, with Enrico Caruso and Maurice Renaud. She then sang her famous page, Oscar, in Un ballo in maschera, with Giannina Russ, Caruso, Antonio Scotti and Marcel Journet. The following year she again sang A Masked Ball with Caruso and Mario Sammarco as well as her other favourite page role, Urbain in Les Huguenots,  opposite Emmy Destinn, Caruso, Scotti, Journet and Clarence Whitehill. She also appeared in Gounod's Roméo et Juliette opposite Charles Dalmorès' Romeo.  She also repeated, in these two seasons of coloratura successes, her Elisabeth in Tannhäuser, with Karel Burian in the title role. In 1907 she was heard again at Covent Garden, this time in Lucia di Lammermoor, with Alessandro Bonci as Edgardo. She repeated Rigoletto (with Bonci and Sammarco) and Un ballo in maschera (with Amedeo Bassi) and added Catalani's Loreley, obviously a Bassi vehicle. She was then not heard at the Royal Opera until 1924, when she sang La bohème and La traviata. Her London appearances were extremely successful, notwithstanding the enmity of the all-powerful Nellie Melba, as entrenched at Covent Garden as Kurz was in Vienna.

[prettylittlelyres]

Inside the Writing Process - Part 5

I’ve been so excited about the ideas this chart has given me for Violins and Violets, so I’m making this fifth “Inside the Writing Process” post about it. It’s immensely useful for...

Expanding a Story into a Series

OK, so I’m sure a lot of people with ADHD have seen this going around and related to it a lot, but I think a lot of writers could relate to it as well in terms of things that can distract us from the main points of our WIPs (and of course some writers have ADHD anyway).

I saw a copy of this chart on Facebook yesterday, and it got me thinking. Disclaimer: I don’t know if I have ADHD (I have executive dysfunction and a lot of trouble concentrating, but I don’t know why, and don’t have time or energy to get it looked into), but it did get me thinking.

It made me think about how to organise my expansions of the world around my WIP Violins and Violets (currently seeking beta readers), because I wanted to address a lot of things in the book that just weren’t practical to address (because there’s only so much you can put in a book without it become completely unreadable. This is why I’ve never finished Kushiel’s Dart by Jacqueline Carey, even though I love it, especially all the beautiful world building... it’s just too much to hold in my head). It was always in my mind that I could solve this problem (too many ideas for one book) quite simply, by writing more books.

This is a really long post, I know, but if you want to learn a fun way to come up with ideas for prequels, sequels and companion books for your story, keep reading! It’s a little bit like the snowflake method, and of course you can then use that to expand each individual idea that you have. It’s also available in shorter form here.

I’d been letting ideas for storylines involving other characters rustle around in my head since I finished the first draft of Violins and Violets in August... and then I saw this yesterday, and realised it would be a pretty good place to start thinking about the ideas that I do have, and listing them in relation to the main storyline of Violins and Violets. I spent about an hour writing down everything, just letting it all spill from my head, and this is what came up.

(Side note: I really do adore Pukka Pads Irlen refill pads. Another thing I may or may not have is Irlen syndrome, which would explain why I can’t read off white backgrounds for very long, and why my eyes hurt if I try. All I know for sure is that these pads help me so, so much, and they come in very gorgeous colours! These pages are from the “rose” pad, but I use “lavender” ones as well, a very soft and relaxing pale purple.)

Expanding Violins and Violets

Pre-Story Prologue for “Context”

Write down all ideas about character backstories to help you develop a prequel (or set of prequels) by exploring those.

Magdalena’s upbringing and Conservatory training with Dorota and Maja (these characters also never appear in Violins and Violets (with the exception of Magdalena) but I really want to explore their lives, going into more detail about Dorota and Maja’s relationship, how they raised Magdalena as their daughter, how they met, and Dorota’s fight to get Magdalena an education).

Käthe and Hansi touring Europe with their music. I’d be missing out on the opportunity to portray a fun sibling dynamic like the Mozart siblings had if I didn’t write this story. However, I do feel it might be better suited to a series of short stories, a collection of small standalone pieces, than a full-length novel, but it’s early days, and I have a lot else to do for this project in the meantime.

Franz and Julia’s early marriage/courtship, particularly how it really only happened once they were married; it would go a long way to explaining why Katharina’s parents are so relaxed about her having an arranged marriage; they genuinely believe it’ll work for her, like it worked for them (and they’re not entirely wrong, but that’s quite literally another story).

Start of Story

Consider all the characters involved in the main story, and ask yourself what’s going on in their lives that the protagonist doesn’t see. If a character only appears partway through the story, ask them what they were doing before.

Katharina goes to Prague (which is of course the main story of Violins and Violets).

Hans tours Europe with a comically large and ever-increasing pet entourage (this post goes into that in proper detail!).

Renée finds her way to Malá Strana and makes friends with Magdalena. Not for a second does she realise that a) Magdalena is with Katharina or b) that she, Renée, is in love with both of them. And then she meets the man who becomes her husband, also a big bi disaster, and Realises™.

Johann and Wilhelm meet at university; they’re both Law students. This would be a fun opportunity to take a step into the Dark Academia genre, but I’m not exactly sure what I’d do with them. Perhaps a poetic treasure hunt sort of mystery love confession? (I know already that this will be tricky because I manage to write about two proper poems a year and I’ve already written one in 2019, for Violins and Violets. I may have to put this off for a while.)

Semi-related side-story

Now think about the characters who come and go in the story and think about why that happens. Develop the stories of what they do after they leave.

Herr Benes and his boyfriend have a marvellous time in Budapest, enjoying their retirement away from the scrutiny Benes faces in the Malá Strana Opera House in Prague.

Herr Havelka is a devious and sacriligeous boi, also a sneaky bastard, but why is that? What other yuck things does he do after he leaves the Malá Strana? What is the origin of his malice?

Herr Janda retires and leaves Katharina (or Sebastian) in charge of the Malá Strana Opera House, but how does he spend his retirement? What does he think of Katharina’s continued work after she’s discovered? He’s a composer, himself, so I want to explore the compositions he works on, later in life. Maybe he’s quite inspired by Katharina both in terms of technique and ideas for music to compose in her honour.

Magdalena’s husband, Bartolomeǰ, runs a bookshop, and this is how they meet. He’s a big fan of Katharina’s music, and gets to know a lot of his regular customers. What are their stories? Who are his friends? What do they think of Magdalena? What do they think of Katharina?

Wait, OK, back to the main story

If you’re a fan of time-jumps, then a) Violins and Violets might be right up your street because it has a massive one, and b) this is probably a good and useful step for you. If not, maybe not. But ask what happens in the time-jump and then write about it. What stories can you tell about the space in between one part of your story and the other?

I want to explore Katharina's life in Salzburg, her friendship with Johann, Wilhlem, Lulu and her family, and her reconciliation with her parents after so many years apart. They're not angry at her, nor she at them, but things aren’t perfect between them, especially while they’re grieving Hans, and I want to look at that.

Something I just now remembered

Do you ever get deep down a rabbit hole, thinking about your story, and realise part of it you’d never thought about particularly deeply is actually very sad or very happy or makes you angry? Go into detail about it.

Magdalena and Bartolomeǰ never have any children born to them, but they're everyone’s Cool Aunt and Cool Uncle, and are basically extra parents to Evžen after Bartolomeǰ took him on as an apprentice.

Magdalena and Renée never lose touch after Renée leaves to marry, and Magdalena also stays in touch with Herr Benes, and they each eventually figure out the other is bi (Magdalena) and gay (Herr Benes), and have many fun letter exchanges not dissimilar to meetings in a Lesbian Crying Cupboard. I love their friendships and I want to dive into them more than I could from Katharina’s perspective alone. Imagine something like Lemony Snicket’s The Beatrice Letters, and you have some idea of the absolutely delicious format I’d want for this--because it wouldn’t be a traditional prose novel; it would be mostly epistolary, and for that, I need something a little different--all the letters bound together in a collection along with diary entries from the characters, ticket stubs from operas, playbills, pictures of gifts they send each other over the years, absolutely everything. A treasure trove and a mammoth project, but I am so entranced by this idea! The Baroque/Rococo aesthetic of the late 18th century is right up my street.

Wrap up story and finally get to the point/end of story

I’m, uh... not excellent at fully understanding the sentiment of instructions, but I feel less bad about (deliberately) misinterpreting this one, because I do so to have it mean “create an epilogue/a sequel”. Write down any ideas you have to that end.

Lulu’s children all grow up to follow careers in music. Hanna becomes an opera singer following help from Katharina and Magdalena to get her into a Conservatory in Berlin. Minna becomes a highly renowned composer (arguably a successor to Katharina), and Theo... well, I’m not exactly sure what he does, but that’s the point. I don’t have to know just yet. All I need to know is that I want to find out.

After grieving Johann, Wilhelm finds happiness and new love. Perhaps he brings his new partner to Prague, or perhaps he meets him there. That’s something I want to explore, as is...

...Herr Benes’ return to Prague with his boyfriend, meeting Wilhelm and his boyfriend (boyfriends for everyone. In this house we write gay joy or we write nothing (or we write angst)). Maybe there follow some nice rag-tag-band-of-elders adventures (quite literally a band, too, since they’ll all be musicians) and/or shenanigans. Do they all--with Katharina and Magdalena, of course--go on a fun trip to Salzburg and Eggwald together? That would be rather lovely. Some kind of Best Exotic Marigold Hotel story. Happiness.

Too many details/lose train of thought

Now’s your chance to get away from the main story! Ah, the guilty pleasure of AUs. Ah, the even more fun version of AU-related guilty pleasure where you get to write AUs of your very own novel! Go on. You deserve it, because you wrote a whole novel and you’ve read it at least as many times as you’ve drafted it... but you still want more content. You want to see how these characters that you love will cope in different worlds, different situations, different everything. Go for it. And if you have any details about the far-flung prelude or coda to the story (music terminology drop? Who’s that? I don’t know her), get into those, too. You know the ones I mean. The ones where you discuss the impact of the storyline on people centuries later, or get into the creation story of the world your characters live in.

I was fool enough to start thinking about a Vampire!AU of Violins and Violets before I had finished the first draft of the actual book. But that’s going on this list, because I have already written a slightly-related one-shot, Daughter, and I certainly don’t plan for that to be the only thing I ever make for it.

Violins and Violets and Varsity - a high school AU I’ve been thinking about since December 2018 - drawing on my experiences playing Swing Band and Pit Band in secondary school. It would be set in the UK, though, and characters would have more Anglophone-sounding names. I have some ideas for this written down somewhere in my computer, but, for now, I’m just going to leave you with the names, because I’m not certain I’m super happy about the current premise for the plot.

Katharina - Kate

Magdalena - Maddie

Hans - Henry

Bartolomeǰ - Bart

Renée - Rena

Going back to the dark academia mentioned earlier, I think it could be interesting to explore--not a modern AU, but in the modern day--how people now would look back on the lives of the characters from Violins and Violets had they really existed. I grew up not far from Reading, where an original handwritten manuscript of Wolfgang Amadeus Mozart was found in a charity shop in 2011, and I want to take that idea and run so, so far with it. I adore dark academia, as my followers will know, and it seems like a perfect chance to combine my knowledge of Music History and Music Theory with my current studies of Sociolinguistics. Here’s what I’m thinking:

Music History students team up with Sociolinguistics students to study the letters exchanged between the characters and coming to realise that everyone involved was a big and lovely Queer Disaster in some way or other, and that Katharina and Magdalena, as Johann and Wilhelm, were in love. And then all the students fall in love, too, because dark academia plus romance is my downfall (hence my current WIP, She Has No Name).

Steps I missed out of this process, I missed out because I couldn’t think of ways to relate them to my storyline. Those are:

What was I talking about?

Realise I’ve been talking too long.

Apologise.

If you can think of ideas to go along with those steps (although I’m hesitant to encourage anyone to apologise for what they write), too, go for it, and please let me know! I love hearing about everything you write! Now I dare you to have a go at this process for planning expansions of your story.