#Something Right

[fieriframes]

[YOU'RE DOING SOMETHING RIGHT, BROTHER. MAIORI PERSONA LUCRUM CONSEQUIETUR WITH MY CUSTOMERS THAT COME IN. HEY, HOW WE DOING?]

[whimsyprinx]

love how I’ve made pink a personality trait for myself, if people remember one thing about me it’ll be that I love the colour pink

[sisterdragonwithfeathers]

this is your random reminder to CHECK IF YOU'RE STILL HAVING FUN

are you enjoying scrolling tumblr? watching youtube? reading that book? playing that game? drawing that art? doing that activity? if not,

YOU CAN STOP AND DO SOMETHING ELSE

you don't have to stick to something that you are doing for fun if it isn't fun for you anymore. You can come back! If you've loved it before you are likely to love it again! but you can stop!

Don't get stuck in a loop of doing something that you think should be fun when it isn't! You can put it down for a bit! Maybe that's the very thing that will make it fun again later!

[poorly-drawn-mdzs]

Expertise can't help you here.

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[beebfreeb]

[bulldog-butch]

i’m gonna say something controversial yet brave: sexuality labels are a convenient tool we use to define something that is undefinable

[phantomrose96]

I think we should have a turn of phrase for "I'm not in the right, but I AM annoyed with this situation, so I just need to go bitch to a friend about this before I suck it up and go do the right thing" because more and more I'm finding this is a critical element of functional adulthood.

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[pigswithwings]

above all else a trans woman is a person. above all else a trans women is a woman who goes to the same grocery store as you and buys fruits in the same grocery cart as you and goes home and eats her dinner the same as you. above all else a trans woman is a woman who dresses like you do and talks the same way you do. above all else a trans woman is a woman who wants to be cared about the same way you want to be cared about and a trans woman is a woman who makes friends the same way you make friends. above all else you should care about trans women because they are people. treat her as such.

[chiptrillino-art]

(ID in ALT text) i gotta admit, start of this year was mostly me drawing a bunch of outfits (don't ask me if sokka or suki got the most... i think sokka) if you like these, check out my zuko here as well! these are still influenced by @ranilla-bean fic the iconoclast fic.

[peacheskoo]

Saw these panels the other day and—

LET JASON BE SILLY YOUR HONOR

He knows he won’t no balls

[karellyy]

The way you randomly said I love you very softly while we were laughing together was everything I needed to soothe my soul.

[transassdemon]

[My art, don't steal, tag if reposting]

[batcavescolony]

Non-Americans please look away, this is private family matter.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?