#Sonny Hill

[hmmm-shesucks]

The night before Andrew’s first pro game, he receives a box from a company he is intimately familiar with. Pretty pink calligraphy branding the pristine white box with Allison’s fashion logo. It’s a rather large box, and Andrew is expecting the worst, like bright pink pompoms, but when he opens it, there are several neatly folded piles of silky material—armbands.

The first pair in each bundle is a simple black, but as he goes through them, he finds the colors changing, colors matching his new uniforms, colors Andrew would never usually wear but was informed he’d have to during specific months of the year.

At the bottom of the box lay three pairs with a note labeling them “custom.” The first pair was all black, except for a small dagger on the insides of both wrists. The second set is similar in color, except when they catch the light, subtle color shines through. A stupid rainbow. The last set Andrew knows Neil must have had something to do with as they are bright orange and white, tiny little fox paws on the insides of both wrist.

There are two of each pair, thirty pairs total. At the bottom of the box is a note branded with Allison’s logo but also a tiny kangaroo, one that is also branded just above the elbow on every sleeve.

“First look at the new sports line. I call this one Rew.”

Andrew hates her, but he plays his first game, ensuring Allison’s logo is always visible.

[dozydawn]

[theactioneer]

48 Hrs. Japanese poster (Walter Hill, 1982)

[miss-inkwell]

My top ships and friendships to get to know me:

I’m mainly a Abbott blog but I love all of these shows and relationships and I know no one asked but I wanted to share

Janine x Gregory (Teddie)

Amanda x Sonny (Rollisi)

Betty x Jughead (Bughead)

Castle x Beckett (Castle)

Nathan x Haley (Naley)

Friendships:

90% of the friendships on Criminal Minds and Abbott Elementary especially Morgan and Reid and Jacob, Gregory and Janine

[nofatclips]

All Your Light by Portugal. The Man from the album In the Mountain In the Cloud - A film by Justin Kramer & Lee Hardcastle

[onsunnyside]

I personally love the goatee. I don’t get the hate 😭😭😭 I didn’t know ppl were so anti-goatee

same, i love it !! but I also think I just like ‘weird’ facial hair on chris 🥸

[deadcactuswalking]

REVIEWING THE CHARTS: 27/01/2024 (Noah Kahan/Sam Fender, Benson Boone, Becky Hill/Sonny Fodera)

I think it’s this week that I’ve realised Noah Kahan might be a bonafide star. We’ll get more to it later, but “Stick Season” spends a fourth week at #1 - welcome back to REVIEWING THE CHARTS!

Rundown

As always, we start with our notable dropouts, which I define as songs exiting the UK Top 75 (read the FAQ) after five weeks in the region or a peak in the top 40, and this week wasn’t too busy but it did come with some fair losses. Therefore, we bid adieu to “When We Were Young (The Logical Song)” by David Guetta and Kim Petras, “Stop Giving Me Advice” by Lyrical Lemonade, Jack Harlow and Dave (might be back next week given the album), “Won’t Forget You” by Jax Jones, D.O.D and Ina Wroldsen, assisted by a (bizarrely, credited) “donk” edit featuring The Blackout Crew, “One of Your Girls” by Troye Sivan, “Me & U” by Tems and FINALLY, “Anti-Hero” by Taylor Swift. It feels like it’s been there forever.

When it comes to our returns, we see the oddity of Sam Fender returning to #35 assumingly because of a boost to “Seventeen Going Under” that resulted from… well, you’ll see, but otherwise, we only have a handful of notable gains that, during a pretty dreadful-looking week, show some promise, and no, I don’t mean “Someone You Loved” by Lewis Capaldi somehow still here at #59, more so “Praise Jah in the Moonlight” by YG Marley at #51, “Scared to Start” by Michael Marcagi at #47, kind of grew on me, and “Nothing Matters” by The Last Dinner Party at #41… and less so “Toxic” by Songer at #32, please, let’s not do this, and on that same pleading note, “Alibi” by Ella Henderson featuring Rudimental at #26… why?! I suppose on a good note, Flo Milli is up to #17 with “Never Lose Me” and I can’t really complain about Natasha Bedingfield’s second wind at #13 with “Unwritten”, but it is majorly a mixed bag over here.

Our biggest story, however, rests in our top five, as “Homesick” by Noah Kahan debuts at #5, thanks to a version with Sam Fender who, surprisingly enough, is actually credited by the Official Charts Company, probably because, well, it would have no reason to as high as this without him. More on that later, but for now, it’s pretty standard elsewhere - Jack Harlow’s “Lovin’ on Me” at #4, “yes, and?” by Ariana Grande at #3, “Murder on the Dancefloor” by Sophie Ellis-Bextor at #2 and of course, Mr. Kahan still sitting at the very top. Now we have a… considerably unpromising set of new songs to discuss, so I guess we’ve just got to trek through that, and our starting point is…

New Entries

#75 - “Coal” - Dylan Gossett

Produced by Dylan Gossett

There aren’t that many new arrivals this week but the songs apart from one all fall into being either by singer-songwriter types or working as faceless EDM, and if you’ve been following this blog at all, you’d know those two styles really aren’t my thing, but hey, an independent folk singer racking up a streaming giant with a song from last year, notching him licensing with Republic, it could be promising in the same way I like Zach Bryan or even Oliver Anthony, who I assume we will never see again but appears as a recommended song in Mr. Gossett’s Spotify search terms. One has to wonder why and how but first of all, the elephant in the room: Diamonds aren’t made from coal.

I found several articles, both from sustainable energy advocacy outlets like TreeHugger and the people selling diamonds like With Clarity, clarifying that diamonds cannot really be made from coal. Coal is an impure carbon whilst diamonds are purer and whilst pressure is involved in the process, it is not a simple “one equals the other” sum, since coal has too much organic matter to be made into crystalline diamonds, especially since you can see vividly in the colour of rarer diamonds to what other chemicals may be found in them. Now I’m tempted to believe these articles as they’re backed by science, but if I’m wrong and these articles are just using words I don’t understand to spread a mythical debunking of an already existing myth that diamonds originate from coal, which is actually true all this time, then I’ll stand corrected. For now, the main conceit of this song, asking why under all this pressure, how the Hell he’s still “coal”, doesn’t really make much sense, and the rest of the song reads like listing off proverbs and sayings that fit the part but he doesn’t fully understand them or tie them together. Singer-songwriters are supposed to weave stories, when this feels like playing word association with common and universal wisdoms. For all of Oliver Anthony’s imperfect wording, at least you can tie them together to refer to a specific viewpoint, seeing where those views align, without becoming vague “woe is me” platitudes that don’t hold much reason for said pity, or really any narrative detail. You might see this as nitpicking but when it’s just a guy with a guitar, he opens himself up for interpretation and autopsy, possibilities he seems to willingly flail away by displaying disappointingly little to even work with, and as the song fills itself up with non-verses, as tightly as this kind of song can be produced without a particularly impressive vocal performance, one starts to wonder what the appeal in this even is. It’s a non-song, let’s move on.

#71 - “Incredible Sauce” - Giggs featuring Dave

Produced by Payday and David Morse

The #1 album this week was Green Day’s best album in decades. I have a full first-impressions review of Saviors on my RateYourMusic listening log (exclusivelytopostown) and whilst I understand that sales factor in here, I’d have loved for the only song here that bucks the categorical trends I laid out earlier to be a cut from that record. Instead, we have a Giggs song from last year that I’m honestly surprised has yet to chart already, given the Dave feature and that it was released in August of last year. Apart from the… choice of a name, I still don’t really know what level of quality to expect from Giggs, outside of a comical menace that emerges largely from his attempt to be “laidback” that can more accurately be described as an active  coveting of his natural voice to sound much more relaxed than he really is, considering he’s never sounded comfortable with a flow he picks out, which becomes especially clear with Dave on the hook as he actually pulls off sounding effortless. Giggs’ delivery honestly reminds me of Dean Blunt’s satirical British rap project Babyfather more than anything, especially with the half-asleep cadences leaving so much dead air in this eerie, stagnant trap beat. The song doesn’t end with a piece of classic Dave wordplay, though he’s not on his A-game here comparing himself to Sonic the Hedgehog, it just ends with “Lingerie on a special occasion”… okay. That’s barely even a flex, why does it punctuate the track’s final moments? This is just another ugly showing of substanceless pretence from Dave over a pretty minimal beat with an absolutely worthless performance from Giggs, whose verses feel double the length and really halt any possible fun that could be had from Dave’s bite-size verse. Somehow, this ends up much like “Coal” - there’s just nothing here.

#39 - “Whatever” - Kygo and Ava Max

Produced by, well, Kygo

Speaking of nothingness, welcome back, Kygo and Ava Max… Jesus Christ. Okay, well, if anything is the saving grace this week outside of #5, it will be this.

I have just checked the sample credits, I have bad news. To delay the suffering, I will say that I kind of like the production here, the acoustics remind me of Avicii’s pretty seamless blend of folk pop with the anthemic festival house that defined much of his catalogue. Kygo has always been a detailed producer who pays much attention to ensuring his songs are as easy as possible on the ears, and he succeeds in the sense of this being a very pretty little tune with depths of cute synth pads, guitar rolicks and plucky percussion. Ava Max herself actually impresses me a tad here vocally, mostly because since this is a Kygo song, she can belt without clipping unnecessarily in the mix for once. However, and this is a big however, the main hook of the song, its crux, if you will, is a direct interpolation and rewording of the iconic melody to Shakira’s “Whenever, Wherever”, a 2001 single that debuted and peaked at #2 for two weeks in 2002 here in the UK, being kept off the top spot by Will Young’s double A-side of “Anything is Possible” and “Evergreen”. I can’t believe such a classic was blocked by not even Westlife, but a Westlife COVER, yet I digress, this is just a lazy and frankly obnoxious way of using the song’s chorus. Kygo is clearly dipping into the David Guetta pool of reskinning prior hits, and I will give it to him that he’s not just redoing a classic EDM track, this is largely a unique house single, but that may make the last-resort hook that much more disappointing. I’m disappointed in you, Kygo. Not you, Ava Max, you can just do whatever. Albania forever.

#36 - “Skin and Bones” - David Kushner

Produced by Rob Kirwin

Oh, we’re actually making David Kushner a thing, fantastic, that other song just had so much to offer, didn’t it? I feel like I can very quickly summarise this melodramatic, uber-serious noir piano ballad, deepened by some of the ugliest froggy-sounding snaps I’ve heard in pop music and only plunged further into sludge by Kushner’s insufferable lyrics, by just a stray observation. When I clicked on the Genius annotation for the first verse of this song, it was completely empty. At least to the first verse, there’s literally nothing there: an empty annotation box. It may just be a glitch on my part, or it was deleted for whatever reason, but regardless, I think this exemplifies how little this song has to offer: someone attempted to just touch upon the pretty self-explanatory first verse, attempted to offer some wisdom or deeper analysis that seems granted with the cinematic grandeur of it all, and couldn’t cough anything up. Once again, there’s just nothing here.

#34 - “Never be Alone” - Becky Hill and Sonny Fodera

Produced by Sonny Fodera

I mean… it has a pulse at least. In fact, this is much more interesting than I expected for Becky, and not necessarily in a lyrical front, simply because she does not need to do much more than recite boardroom word association over four-on-the-floor, but moreso with her vicious delivery, going into an attack that sounds like it was overpowering the mix before being blended a bit more clearly into the nostalgic breakbeat hardcore rhythm that punctuates a surprisingly long build-up into a… surprisingly unique drop. This is really just a flex show for Sonny Fodera here, but Becky stepped up to the plate to match his passion and energy, bringing more of a rough instinct to the trickling alien synth critter that grounds the 90s pads and rock-solid breakbeats into a killer pre-drop that genuinely took me aback, as did this drop, which completely ditches the breakbeats for a tense hardcore kick and more atmospheric, glitching pads that run through the mix like a spiralling staircase, as Becky’s vocalising becomes little more than an inhuman drone until it’s removed altogether. The intensity of the track, filling up the mix with padded quirks even when the breakbeats are relegated to simple fills, is genuinely unprecedented for Becky Hill, and I’m actually really glad that she is not only on hopping on much more effective and unique production, but stepping out of her comfort zone to riff and meander in a way that she never really lets herself do, even in her looser songs. I am honestly quite shocked, but this is fantastic. If this doesn’t smash like much of Becky’s tighter, more restrictive cuts have in the past few years, I will be immensely disappointed.

#18 - “Beautiful Things” - Benson Boone

Produced by Evan Blair

Sigh… one of my first thoughts when Kushner had success with “Daylight” was how much he seemed cut from the same cloth as Mr. Boone over here, and to be completely honest, the concept of the two charting the same week chased me in my worst of nightmares. Hey, at least my dreams have become reality! To be fair to Booner Boy here, he has what Khrushchev and Gossamer lacked: genuine lyrical detail in the verses. There is a certain dichotomy between the universalities of the choruses and pre-chorus compared to the pretty niche and incredibly lucky situation he’s found himself in during the verses, it almost reminds me of Tom Odell’s “Black Friday” given its wordy mundanity, but that’s only lyrically, as I don’t hear much here connecting the two sonically, especially given the faint bass and reliance on soaring guitars on “Beautiful Things” that makes it almost more of a pop rock tune, one that is surprisingly willing to ditch much of its initial build-up for a desperate screech over stop-and-start staccato guitar rhythms that go way harder than I expected. This is what I’ve been saying Lewis Capaldi should be doing for years, if these moan and drone singer-songwriter sadboys are going to have their voice fit over anything, it’s not basic adult contemporary swells, it’s melodramatic, no-holds-barred pop rock, and this honestly becomes pretty killer by that first chorus. The guy can let out a desperate cry, and I’ll be damned if he’s not convincing as he airs out his paranoia about this perfect relationship breaking down. The second chorus could use some deviation, but I’m a sucker for radio rock that takes itself way too seriously and considering his dire earlier material, this may as well be Mr. Boone: The Animated Series. I really want to hear more of this from this guy, and it seems that these last few songs may be the light at the end of the tunnel for an unpromising week.

#5 - “Homesick” - Noah Kahan and Sam Fender

Produced by Noah Kahan and Gabe Simon

Okay, it’s Noah Kahan: there is a base level of quality here and I am actually always excited to hear a new song from him because at least there’s always a lot to uncover and appreciate even if the song isn’t great or has some grating element throwing a spanner in the cogs. This is especially true with Sam Fender in play, as this raises the standard of quality to at least bearable and at its worst, it’s going to be an interesting and perhaps powerful narrative… and if we’re talking about lyrical detail, I mean, Kahan’s your man, almost too much so given some of the awkward wording in that original version from his Stick Season album. On hearing those church organs sliding just slightly off the careening heartland rock groove, I knew exactly why Mr. Fender ended up on this specific song, and this actually lets Kahan let out a little, have a little more fun as he vocalises playfully about his frustrations, delivered largely in the form of punchlines, about his slow small town, with the chorus being him breaking down and basically begging for a reason to grab him out of that place, even if it’s where he grew up, using an on-the-nose but still fun play on words with the term “homesick”. I do wish there was a bit more to its mid-section, it feels like it stagnates a bit once we reach the chorus for the first time, mostly structurally. I want to hear more of Kahan’s stray, funny observations, but we don’t really get more of that even with the ramped-up intensity and a guitar solo way too Weezer-coded for me to not get a stupid grin on my face.

As for the Fender version, well, this is the best-implemented anyone has been in these Kahan duets yet, given Fender brings a new verse giving a unique and personal story about the background of riots in northern England that informed his town, injecting further reason to why one may be Kahan’s form of “homesick”, but also, despite being more strikingly intimate and less darkly comic in his observations, finding a valid and heartfelt reason to live his life outside of that home town: the dreams his father set out for him lay far away from where they were instilled. It adds a lot of depth to the song, and whilst Kahan and Fender don’t play off each other incredibly well, they have a decent chemistry that from interviews with Dork and People seem to have arisen from very similar hapless upbringings and recurring topics in both catalogues. Additionally, I like Fender’s voice more than Kahan’s, and the harmonies fill out the  mix so it’s a tad more impactful, so I think this new version actually beats out the original. I’m also pretty happy that this week, starting off with a lot of mediocrity and not exactly a promising set of artists for me, personally, ended up surprising me with that three-track run by the end, and trailing off with two killer rock songs is the best way to make me feel a lot happier about a week as a whole.

Conclusion

I’m relatively predictable, especially when we get alt-rock on the charts, so I feel like despite how much I liked the Becky Hill song, it’s no surprise that Benson Boone ends up snabbing an insanely close Best of the Week for “Beautiful Things”. It was pretty much neck-and-neck with “Homesick” by Noah Kahan and Sam Fender, which is of course the Honourable Mention, and whilst I think that it is lyrically more insightful, there’s an instinctual raucousness to the emotion in The Booney One’s track that just hits that bit harder. As for the worst, I mean David Kushner obviously gets Worst of the Week pretty much effortlessly with “Skin and Bones”, but I do think I was just frustrated enough with Dylan Gossett to grant his song “Coal” with the Dishonourable Mention. At least Giggs wasn’t trying to say anything profound, and if he was, then I sincerely worry for him.

What’s on the horizon next? God knows, it’s January, but Justin Timberlake has a comeback single, Tom Odell has an album, it may be the week of even more whiny white dudes. Story of my life. Thank you for reading and I’ll see you perhaps a bit earlier than next week.

[jewishbarbies]

alison feltch + theo crain

“does she feel the same? does she want me back? I wanna be more than a friend.” - more than a friend, girli

tag list: @starcrossedjedis @heirsoflilith @phoenixsupremacy  @eddiemunscns @darknightfrombeyond @sgtbuckyybarnes @raith-way @hiddenqveendom @foxesandmagic @chlobenet @edwardsshinyvolvo  @chrissymunson @katiekinswrites @arrthurpendragon (want to be added? hmu ♡)

[abs0luteb4stard]

W A T C H I N G

[pastrycreamsicle]

look at this cool as heck dollhouse i saw at goodwill!!

[2ndaryprotocol]

The classic action comedy ‘48 Hrs’ hit theaters this day 40 years ago. 🔫🚨💸

“𝚈𝚘𝚞 𝚜𝚊𝚒𝚍 𝚋𝚞𝚕𝚕𝚜𝚑*𝚝 𝚊𝚗𝚍 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎 𝚒𝚜 𝚊𝚕𝚕 𝚒𝚝 𝚝𝚊𝚔𝚎𝚜, 𝚛𝚒𝚐𝚑𝚝? 𝙲𝚘𝚖𝚎 𝚘𝚗 𝚒𝚗 𝚊𝚗𝚍 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎 𝚜𝚘𝚖𝚎 𝚘𝚏 𝚖𝚢 𝚋𝚞𝚕𝚕𝚜𝚑*𝚝.”

[letterboxd-loggd]

Run for the Hills (1953) Lew Landers

July 24th 2022

[ducknotinarow]

[Charlie Rhodes] “why don’t i make you a cup of tea, and you can tell me all about it?“

| Muse interaction

Rhodes preferred to be laid back and act like things didn't get under his skin. Because well if he didn't let it get to him than clearly it wouldn't get to him it was just some sort of magic or whatever. Or maybe it was just easier that way to be this way. Rhodes wasn't one to really bring his family drama with him, even with it being well out in the open now for everyone to see. Rhodes would rather everyone just act like it wasn't a thing. He just wish that applied everywhere, as he was looking over the stupid slip of paper he was given on his way out of class before he hopped on the bus for St.Canard. His dad was out of town and apparently Karine was incapable of being useful. Like always. Rhodes didn't want to bother his mom with driving all the way out to Duckberge anyway so a bus was fine. Not like he ever had to pack much anyway he had clothes at such at his moms. Just needed to grab some charges and hes pretty much good to go with just his backpack.

In a sense it fit the go with the flow mind set he tried to maintain on everything. And for the most part? it worked. Just never draw attention to much move through the motions he guessed. So why did the guidance counselor have to ruin all of that? He thought as he stared down at the stupid red small almost card stock like slip he was given on his way out from school. Telling him he had a meeting with the school counselor on Monday. Set during his lunch period. Smart on her that way he can't lie and use class as an excuse. Sure getting called in by the school's counselor could be for a number of reasons. Poor performance in class or bad grades. No Rhodes issue. He was pretty smart on his end. A worry about social development. Rhodes tended to find a number of things to take part in at school. Sure it was so he could avoid being at home but hey he still took part in things. Like helping the school and out or helping make posters for bake sales or whatever. He never committed to anything of course. Which apparently was an issue. Looking down at the note she wrote on the card the reasoning for pulling him to her office. The list of reasons having a check mark for 'personal'.

Rhodes just sighed and shoved the card into his pocket, annoyed at best over this. Likely for the best his mom wasn't home just yet she would be able to just tell from his 'aura' or whatever. And then she would encourage him to speak to someone and such. Not the first time they had this conversation after all.

That's when he noticed where he was, the store Charlie's Uncle Jasper owned. Peering in through the window he could easily spot Charlie inside. Perfect. He smiled to himself before he walked on in and headed towards the rooster.

"Sup Cher, I know I know Sonny ain't here yet but I got in earlier than expected." Rhodes explained to the rooster once he made his way over to them. Not wanting Charlie to think they got the time wrong or anything. Of course, Rhodes always made plans to hang out with the two of them when he came into the city. "Figured I got time to kill if you don't mind course." Charlie never seemed to mind. Rhodes just just went and stared at the shelf they were currently stocking.

In truth Charlie was likely the best bird to run into right now, he wasn't the chatter box Buddy could be. He was far more quite and content to keep to himself even when among Rhodes and Buddy. He idly looked at the stuff on the shelf in front of them right now Charlie's uncle shop carried stuff he didn't always seen in other stores maybe cause it wasn't a corporate business? Reaching into his pocket as he went to text. "since I'm here I'll just tel Sonny to meet us here that fine?" Despite asking he clearly was already sending that message Buddy's way. "I think they said they would be able to meet in a few hours anyway?" Rhodes tried recalling as he went to check through their chat from before when Buddy had said that. The now clumped up pass dropping out from his pocket that he was quick to grab for and tried to shoved it back into a different pocket. Was clearly going to get even Charlie's attention as the pigeon tried to set it back into hiding only to drop it again.

Hervey sigh let out as he swung his backpack off one shoulder so it would hang in front of him. Rhodes shoving the paper into the first pocket he could get into muttering under his breath the whole time. When he notices the rooster stare on him. Quirking his beak he shrugs his bag back on and pretends the bottle of whatever was more investing than anything else.

“why don’t i make you a cup of tea, and you can tell me all about it?“

"...sure."

-----------

Rhodes sat down looking at the cup in front of him waiting for Charlie to sit as well. So much for not talking about it. Not like Charlie of all would force him..but maybe Charlie being Charlie was why Rhodes felt like he could talk to them? He had briefly explained the school counselor wanting to speak to him and such already assuring it wasn't cause he was in trouble or anything of the sort. So when the why comes up Rhodes sighs as he leans back in his seat.

"Because I'm the kid with the divorced parents, meaning I must be a troubled soul in need of help." Rhodes says it like its rehearsed and it basically is. Before he sighs and runs his hand back through his hair before it naturally falls back into place. "Look, I'm sure you've gotten it too right?" the other reason Charlie was he could speak up to on it. Sure the cases were different Charlie lost his parents. Rhodes still had his but they were both going to marked as kids with issues clearly due to it. Least to those on the outside. "I've been the kid clearly who needs to talk about it since my folks first split up. I can't tell you the amount of offices I've had to walk into and how they all seem to have that same smell to them. Always told it's all okay they just want to talk to me make sure i'm handling it all well." Rhodes stated clearly annoyed.

"When it first happened sure maybe I needed it but come on i'm 15 now! It's been ten years since the divorce happened. My Dad got re-hitched and my Mom found herself. " Rhodes expresses, to him this is just old news and it's always being brought back up. He rubs at his forehead now. "i'm just tried of being all i'm known for. I do well in school, sure I ain't part of a club but I take part in shit all the time. Hell I got asked by the band they book for prom to take the guitarist spot cause theirs can't make it. I'm a finely adjusted teenager. Not like I'm over here causing trouble at school! Sure I vape but I don't do it in the bathroom like some idiots will. I don't commit to anything in school outside helping maybe but with my folks custody after school stuff just kind of hard to keep with. Ya know?" Rhodes states some things leaking through the cracks more than even he had meant for.

He takes a moment to stop let his words just hang there in the air a moment. Before he sighs out again, grabbing for the cup of tea debating on drinking it to keep his mouth shut. Lightly blowing on it instead. "I just don't get why everyone gotta always label me with my parents divorce...I ain't saying it didn't effect me." It still dose. "But why do I have to be classed by it all the time? Heck I didn't even want you guys to know about it long as I could. Bad enough I gotta deal with it all the time. Gotta figured out pick up times, gotta keep track of what I need to bring back and forth. See whats worth having two of just for the sake of easy packing. People love to joke over the two Christmas' ? it fucking bites to have two. In all truth. Depending on which parent I'm with I either celebrate with one before it or long after it cause of step parent bitches needing her Christmas dinner to not be ruined." He takes a sip tried of just thinking about it all right now.

"And now I gotta be the perfect model student for this consular so they just leave me alone." Which maybe was the real issue Rhodes always having to be like this just to be left alone on something he didn't want to speak about. "I'm just annoyed cause I gotta talk to them about all of this rehash what old news to me just to get them off my back. She knew so course when she learned about my family junk?" He looks at Charlie unsure if they can fill in the blank there. "It's just wearing on me." He confides a bit towards Charlie.

[p1325]

Demi Lovato AI - Halo (Bethany Joy Lenz Cover)

[virginpornstar]

Song of the Day: “Never Be Alone” by Becky Hill & Sonny Fodera

[1000-year-old-virgin]

Becky Hill, Sonny Fodera - Never Be Alone